[sub] Direct Talk; The Joy of Embodiment Kaiji Moriyama

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The Joy of Embodiment Kaiji Moriyama - Direct Talk Internationally renowned dancer Kaiji Moriyama is known for out-of-the-box dances where he uses his body to express abstract concepts like "katana" and "human viscera." What does dance mean to him?  表达的快乐：森山开次 - 直面专访Direct Talk 世界知名舞者森山开次以其独出心裁的舞蹈闻名于世。他擅于运用自己的身体去表现“日本刀”及“人体内脏”等抽象概念。那么舞蹈对他而言意味着什么呢？  Sukacita dalam penjelmaan Kaiji Moriyama - Direct Talk Penari terkenal dunia, Kaiji Moriyama, terkenal dengan tarian kreatif yang menggunakan tubuhnya untuk mengekspresikan konsep-konsep abstrak seperti "katana" dan "isi perut manusia". Seperti apakah makna tarian menurut Moriyama?  구현의 기쁨: 모리야마 가이지 - Direct Talk 국제적으로 잘 알려진 무용수 모리야마 가이지. 그는 자신의 몸으로  '가타나'와 '인간의 장기'라는 추상적인 개념을 표현하는 것으로 유명하다. 그에게 춤은 어떤 의미일까?  ความสนุกของการสร้างสรรค์รูปร่าง ไคจิ โมริยามะ - ไดเร็กต์ ทอล์กDirect Talk ไคจิ โมริยามะ นักเต้นผู้เป็นที่รู้จักในสากล มีชื่อเสียงด้านการเต้นแบบนอกกรอบ เขาใช้ร่างกายแสดงแนวคิดเชิงนามธรรม เช่น "ดาบคาตานะ" และ "อวัยวะภายในของมนุษย์" และการเต้นมีความหมายกับเขาอย่างไร  Niềm vui nghệ thuật biểu hiện Moriyama Kaiji - Trò chuyện trực tiếpDirect Talk Nghệ sỹ múa nổi tiếng thế giới Moriyama Kaiji được biết đến với những điệu múa sáng tạo độc đáo. Anh dùng cơ thể mình để thể hiện các khái niệm trừu tượng như thanh kiếm "katana", "nội tạng con người". Múa có ý nghĩa gì với anh?  /nhkworld/en/vod/directtalk/2058418/

Transcript

00:09Welcome to Direct Talk.

00:10Our guest today is world-renowned

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undefined:undefinedthe inner organs of humans.

00:29Recently he has collaborated with a variety of traditional

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undefined:undefinedfor dance and where it comes from.

01:00This is Moriyama performing one of

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undefined:undefinedabout what was great about old Japan.

01:46With this dance, I wanted to imagine

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undefined:undefinedto embodying a katana.

02:09That's where the choreography started.

02:12I started changing the shape of my

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undefined:undefinedthis thing called a katana,

02:29this is a piece where I tried to portray

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undefined:undefinedjust how much potential the human hands have

03:07when it comes to expressivity.

03:11Imagine, for example,

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undefined:undefinedyour feet and through your body...

03:39as that energy flows through your body,

03:42it gradually turns into

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undefined:undefinedin New York City for the first time.

04:24The New York Times published a

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undefined:undefinedgets a sense of that essense,

04:52even if it's just a little.

04:59Here, Moriyama performs "Live Bone",

05:02another one of his signature dance pieces.

05:09He wears costumes that

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undefined:undefinedworkings of the small intestine.

05:39This piece has been a hit

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undefined:undefinedunconscious bodily functions.

06:04The idea came from... I was

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undefined:undefinedabout depicting the internal organs.

06:28What it is is... I think I find a

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undefined:undefineda different perspective.

06:51For me, dance is about chasing

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undefined:undefinedPrefecture, adjacent to Tokyo.

07:28As a child he was mild-mannered and reserved,

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undefined:undefinedwho could express their emotions.

07:59People who could express

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undefined:undefinedcareer as a musical theater actor.

08:32One time when I was doing

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undefined:undefinedaround, dancing to the music,

08:50I felt like I'd come in contact

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undefined:undefinedI needed to get back into my body.

09:10The experience made me start thinking that

09:13maybe that was the kind of

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undefined:undefinedtalented dancers of the year".

09:34This is footage from an event announcing an

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undefined:undefinedwould be difficult, I suppose.

10:05"Noh" itself has already been

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undefined:undefinedto "go mad" or "lose one's senses".

10:30When I dance, these feelings

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undefined:undefinedlike I've gone mad.

10:46There was a time when I was torn,

10:48thinking you can't allow that to

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undefined:undefinedsense of self and running wild.

11:07It's about showing the process

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undefined:undefinedto turn their body into a vessel.

11:31And by presenting your body in that way,

11:33you can move audiences,

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undefined:undefineduntil that point had been minimal.

12:08Through events held in Tokyo and Osaka,

12:10he worked together with

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undefined:undefinedwhat it is that only I can express.

12:41So working together with people with

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undefined:undefinedpiece, I do a ton of research.

13:03But ideally,

13:04the creative process is such that

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undefined:undefinedwith people with disabilities

13:27is not about being changed

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undefined:undefinedthat to the people I meet.

13:50You could even say that one of the

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undefined:undefinedwith you is also very difficult.

14:29Now, after all these years,

14:31I can fully appreciate the

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Transcript

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