مدي 1 تي في : مع آسية الشهبوني - 18/04/2025
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00:58Somebody's watching me, it's my anxiety
01:28I don't know, I don't know
01:58I don't know
02:27We want to know you about the world, about the inspiration, about your personal and personal life.
02:35But before that, how did you get your first contact with the phone?
02:41I'm an auto-detect artist.
02:46It was a journey to discover yourself, a journey to find the identity that I had lost after having a dream broken.
03:01In childhood, I wanted to be a pilot.
03:06It was the only thing I wanted to be.
03:11After that, I made the classroom.
03:13The classroom was closed, so we had to do a choice.
03:17We made an engineer.
03:20After that, you find out with the shock of the society or the professional work.
03:26And when I was found out, I didn't get good.
03:33So what did I say?
03:35We need to work again, and to make these connections.
03:39And to find their identity again.
03:41How do you think about these connections?
03:43How do you know your connections?
03:45How do you respond to your connections?
03:47How do you respond to your connections?
03:49How do you respond to your connections?
03:51Something that.
03:52First thing I was, with one omega-3, Favorite triangle.
03:54I became aware of three, a priority triangle position.
03:59That was a workspace that takes the coming between time and energy, but not the Metro.
04:08the money and the well-being and the time.
04:16So I started with the triangle triangle.
04:20Then I started to do a lot of activities.
04:24I started to do guitar, I started to do a course,
04:27something that I didn't do in my childhood.
04:30I started to do a public school,
04:33mainly on the normal studies.
04:37I started to do a dance, crossfit.
04:42So I started to do a lot of activities.
04:44But the day when I bought a painting,
04:48it was an adventure.
04:50It was a heart attack.
04:52It was a heart attack.
04:55And it started and it didn't stop.
04:58It was just five years ago.
05:00Do you have any ideas on the table, on the wall, on the wall?
05:04Yes.
05:05Do you have any ideas on the wall?
05:08Do you have any ideas on the table?
05:09No, not on the wall.
05:10Because before, one year before,
05:14I was involved with an artist in Africa.
05:21And my friends were asking me,
05:23one of my friends,
05:25for the anniversary of the card of the anniversary,
05:26the pencil.
05:27And I put them in a coat,
05:29and I didn't have any time for them.
05:31Because of the corona,
05:32I wanted to use the pencil.
05:34I wanted to use the pencil.
05:35It's easy.
05:36It's easy.
05:37It's easy.
05:38It's easy.
05:39It's easy.
05:40So there's a mask on the wall.
05:42You can see the mask on the wall.
05:43You can see the mask on the wall.
05:44You can see the mask on the wall.
05:45But the corona has been hiding.
05:48Do you think the confinement,
05:50I'm sure you have to do something.
05:52What do you think?
05:53The confinement was the only one,
05:55even if it was difficult for the appearance,
05:58but it was a period where the people,
06:02they had to do it just to themselves.
06:06So we were in the obligation to do something.
06:09And they said,
06:10it's the first time when you take your time
06:14just with yourself.
06:16There's no work to do.
06:18There's only that.
06:20So I started to paint.
06:22And it was a story that took time
06:26to be able to know each other.
06:30What do you think about the inspirations of her?
06:34The inspirations of her?
06:36It's very evolving.
06:40At the beginning, it was the image of myself.
06:42I started to do it.
06:44I started to do it.
06:47I started to do it.
06:49And I started to do it.
06:51It was my relationship.
06:52It was people whose entourage me
06:55and then the society.
06:57But if we come from inspiration,
07:00it's less and less inside.
07:03It's my personal life.
07:05What is the place you're responsible for?
07:08Where is the place you're responsible?
07:10The place you're responsible?
07:12The fire is not too much.
07:17It's not too much.
07:22It's not important.
07:24But it's a little bit.
07:27You can see that you have a large table.
07:31The big table is a little bit.
07:33It's a big one.
07:35But the space is not too much.
07:39Do you have a balcony, a terrace, or a building?
07:44Do you have a balcony, a terrace, or a building?
07:48In the first place, I had a terrace that was 15m2.
07:55The most big table was 2m.
07:59That's all.
08:00That's all.
08:01That's not very important.
08:02That's not very important.
08:04You know, the terrace is small.
08:06It's our space.
08:08It's not the space that we create.
08:09Let me ask you a question.
08:11What is the terrace that you put in a garden that is wide from your own?
08:17What is the difference between the terrace that you put in a terrace that you put in 15m?
08:26It depends on the size of the terrace.
08:29I want to put the terrace in a garden.
08:31That can be a мог and zen.
08:33Because we can't get into a garden in a yard.
08:35We can also have a kitchen in our garden.
08:37We can make things easier.
08:39We can make it the park's home.
08:40Even if you're here, you do that.
08:41Even if you're here, you'll look at the terrace that you put in your garden.
08:44You can sell the terrace outside your garden.
08:46It doesn't make sense to look at the terrace.
08:49When we look at the terrace.
08:50It's the place that you put in the garden.
08:52What is the mood you want?
08:53Is the mood you're trying to live in the middle?
08:56When you come in, you're trying to make the scenery or to decor?
08:58First of all, it was a question of perseverance, because it's what I like to do, but I have a habit.
09:10If I don't do croquis every week, I'm going to go to the train, I'm going to play.
09:17It's a state of the game.
09:19Okay.
09:20So, for example, it's a matter of influence, but it's not possible to write stories if you don't have moral.
09:27You're here, if you don't have moral, you're going to go to the table.
09:31I'm going to help you with the table.
09:36It's a matter on which I can work and express myself.
09:42Because it's strong emotions, it's a weak state, it's inspiring.
09:49And the art, if you want to become a man, you have to be real, you have to be real.
09:55We don't just look at the moments of happiness.
09:59When you paint, you're going to put your emotions down, your state.
10:06I mean, I was even doing a tableau with a bad mood.
10:12And I'm not going to say that everyone's going to go to the doubt.
10:17So, it's a little bit difficult.
10:19I made a tableau, and it was a tableau that managed.
10:23And the person who bought it told me that I had flashed it, I gave him a price, and I said I would take it.
10:30Okay.
10:31What's your name?
10:35House music after life.
10:39I imagine.
10:41It's an ambiance.
10:43And without a casque, I love silence.
10:47But who cares about the casque, in general?
10:51Jazz, shabby, ayta, electro, I don't know.
10:55The jazz and the classical music, sometimes.
10:59It's very calm.
11:01It's very calm.
11:03Everything depends on the condition you paint.
11:05When you're in anger, it's like house music.
11:09When you put energy on the table, you're in dance mode.
11:13If you're a mathematician,
11:15there's a lot of information about it.
11:19So I think you're one of the ones that I know
11:23when I say a painting artist.
11:27You're an engineer.
11:29You're an engineer.
11:31You're an engineer.
11:33And in parallel,
11:35you're a painter.
11:37How do you see this contrast?
11:41The artist or mathematician, it's the same.
11:47The Da Vinci Code, what's the leader?
11:49What's he doing?
11:51So it's not something that's separate.
11:55And the contrast is a bit difficult.
11:59When you pass a painting artist,
12:01you can see the colors,
12:03you can see the colors,
12:05you can see the colors,
12:07you can see the colors,
12:09you can see the colors.
12:11And it's a balance that I created in my life
12:13to find my serenity
12:15and to even give me more
12:19to my professional work
12:21that I do.
12:23So you're a full-time job
12:25or you're an artist painter,
12:27full-time job.
12:28Full-time job.
12:29How are you doing that?
12:31Sometimes it's difficult
12:33and frustrating
12:35because when you're inspired,
12:37you want to work,
12:39but you have other things.
12:41So you can stand by
12:43as a dancer,
12:44you're an artist who's passionate
12:45and you're a passionate person
12:46to make your responsibility
12:47for your job as an engineer.
12:49Because even when you work
12:51as an engineer,
12:52how do you do it?
12:54How do you do it?
12:56How do you do it?
12:57You do it.
12:58You do it.
12:59So if you're a passionate person
13:00that you would like to do it,
13:02how do you work?
13:04Do you have your resources
13:05or do you work?
13:06I think that's interesting
13:07but the journey
13:08is inspired by you.
13:09Of course.
13:10You are very important
13:11Where are you going to visit all the places where you are going to go to the artist's ateliers?
13:18For me, the travel is very important when there is no inspiration.
13:25You have to stop, you have to give yourself time to find yourself.
13:31I even made a passport to Barcelone, a visa visa artist,
13:37where they give you a passport to the museum.
13:43You can see the artists, their philosophy, their way they paint.
13:52Or you can see a lot of material resources.
13:56You can see a lot of materials.
13:59And I even do a lot of ateliers to create more tools.
14:05For example, in the last year, I was going to do an ateliers.
14:10How to do the samples, how to do this.
14:12Especially in the church, there are all the vitrails.
14:20What do you call a tree?
14:22I call a sun-catcher.
14:24The sun-catcher is a tree.
14:26The sun-catcher is a tree.
14:28The sun-catcher is a tree and a lullifer.
14:30There are tanks on Pluto and the ejacus andvales
14:58I started by myself, but after I started my relationship,
15:04after I started my relationship, I started my relationship,
15:08and I started to see the appearance of what they feel.
15:14And each person has an energy, even a color,
15:18even something that I call, it's a little hard.
15:22The series is called the visage of the vis.
15:25So, I looked at the visage of the people through their energies,
15:29and the series is called the mirror inside of the eyes,
15:34where every person will come and see the table,
15:38and they say, okay, is that I have a part of this visage in me?
15:43But there are many questions.
15:46There are many questions.
15:47There are many questions.
15:48There are many questions.
15:50There are many questions.
15:55What do you call the light and the light?
15:57The blue.
15:59The blue.
16:00The blue.
16:01No one thinks about it.
16:03And you say, that's what it's taking.
16:06It's taking energy.
16:07What's the name of the blue one?
16:09The blue one.
16:11The blue one.
16:13The blue one.
16:15The blue one.
16:17The blue one.
16:19I'm almost in maturity with my artistic project.
16:23I started to have an identity.
16:25I'm proud of that.
16:27I'm preparing the series.
16:29I'm in my six-room table.
16:32The blue one.
16:35It's the blue one.
16:37It's the blue one.
16:39It's the green one.
16:41What are your favorite materials?
16:43The acrylic and the oil.
16:47Do you think you have any materials?
16:51Like the hot water?
16:53I used the water.
16:55I used the water.
16:57and the pouring and acrylics.
17:03You can see the shapes that are not intentionally created.
17:09Okay, I want to start with you.
17:12Maybe you can use the painting.
17:16What can you do?
17:17With pleasure.
17:18What is this new series?
17:21What are the characters you see?
17:24Hedda, it's a little project that I started.
17:28Because it's a little project that I started.
17:31I also went to the illustration,
17:36to talk about the story of a little girl who was lost,
17:42who was lost in a certain period of her life.
17:46And the story of her quest,
17:50and in a little surrealistic way,
17:52we will have a little magic that will survive.
17:55Okay.
17:56But just keeping the essence of the story.
17:58So it's the story of this girl,
18:00and there are other characters in your life?
18:03There are other characters?
18:04Okay.
18:05What are the characters you see?
18:06Yes, it looks like the characters,
18:08but the transformation is the end.
18:11It's something that gives a strong message,
18:13especially for the people, for the people,
18:17for the encouragement,
18:18for the encouragement.
18:19The encouragement?
18:20Yes, and for the encouragement.
18:21To encourage people to recognize them,
18:23to understand them,
18:25and know them much to know the Hebrew.
18:27That's it.
18:28Okay.
18:29So what do you want to do with this painting?
18:32With crayons?
18:34Yes, it's a painting with a stylo, with an aquarelle.
18:43What do you want to do with another painting?
18:48I'm very happy to come here because it's a signature style.
18:58I'm very happy to come here.
19:03I'm very happy to come here.
19:08At the end of the year, it's going to be on Marrakech.
19:13I don't know how it's going to come out.
19:17I'm working on a little bit of an artistic bag.
19:22But I love that things are bizarre and authentic.
19:29Between the patients you have, the eye.
19:33The eye.
19:34The eye.
19:35Why the eye?
19:36The eye because the communication is verbal and the non-verbal communication.
19:41The eye.
19:42The voice of the eye.
19:44The eye.
19:46And just a look, he can say everything.
19:50So when I put an eye on the table, it's always an invitation for the people to introspection and especially to touch the men more than the mental.
20:05So this is my way of communicating to the spectators.
20:09According to my information, I went to the table, and you were in Wina.
20:14And there was a story of a man who was a man who was a man.
20:17What's the matter?
20:19Did you find a question?
20:22I'm sorry.
20:26Did you go to the table?
20:28Yes.
20:29I wanted to go to the table.
20:31And when the teacher wanted to go to the table, what are you doing?
20:35A little bit.
20:37I was saying that I was a man who was a man who was a woman, but with a resin and queer.
20:46I'm not a stylist, but I'm a person who's been a man who's been a man and who has been a man until the end.
20:52So I did my design and I asked him how we can do patronage.
20:58patronage. I came to basketball, a family, an Spectator,
21:05a little bit of a doctor, a little bit of a doctor,
21:10a contact at home, a little bit of a prospect,
21:16you can see what I can do. I showed up on the phone,
21:21before I saw the phone, I said something,
21:24I thought god I'll be full of her.
21:25How did you get to get home?
21:27I said, when he told me to see me, I got to get home.
21:31I told him, I will find you.
21:32I got home and I came back and I told him,
21:37I got to get home with my brother,
21:40he came and said, I was a teacher.
21:42He told me, I got to get my younger brother.
21:44He told me, I was a teacher.
21:46He said, I got to get home.
21:47I got to get home.
21:49I said, I'm a teacher.
21:51I was a teacher,
21:53I told her to't give a lot of money, and I told her…
21:56I told her..
21:58She said, what's going on?
21:59I said, oh my God, I didn't know it, I told her to give a lot of money.
22:01I told her, what's going on?
22:02I told her, what's going on?
22:04Is this a place of emergency?
22:05Yes, a place of emergency.
22:06It's a place of emergency, and I don't have a job with her.
22:11So, I'm not going to go to the hospital.
22:12Did you start to get your job or get your job done with someone else?
22:15No, I'm sorry.
22:16I saw one in the hospital.
22:18Wow.
22:19I didn't know anything about the hospital.
22:21I was looking at the international community for the impression.
22:24I was looking at the impression of the stories that I want to do with them.
22:29Is it a real story you have in the internet?
22:33It's a real story.
22:35I don't know anything about anything.
22:36It's a real story about the self-reportation, the self-reportation, the self-reportation.
22:42I'm not sure if I have a good time, but it's a real time.
22:45You have to think about it.
22:47It's important to think about the mental health and the body.
22:51And when I go to the beach, I do a little bit of yoga, and I do a little bit of yoga, and I do a little bit of yoga, and I do a little bit of yoga.
23:03That's great. So we're going to go to the film, and we're going to go to the cinema, and we're going to go to the cinema.
23:12And we're going to see some of the movies that are currently in the film.
23:21Oh my God!
23:28I'm going to go to the cinema.
23:30I'm going to go to the cinema.
23:36Hello, yes?
23:37Yes, yes.
23:38Andzu, she'll stay at home for a moment. You'll wait for her.
23:41What's that?
23:44He's talking like a human.
23:46It's normal. Andzu is a ghost.
23:49Yeah!
23:51It's a little bit tense, isn't it?
23:53Yes, it's the doctor.
23:55I'm going to find the cinema, and I'm going to join the cinema, and we'll invite you to the cinema atlas that have a long time.
24:05You're going to join the cinema atlas, that was the cinema atlas, and the cinema atlas, that's the cinema atlas.
24:09And we're going to join the video to the's seeing of the show.
24:10See, let's go back to the show.
24:11I think this is the one of the men's verifications.
24:12Where the dresses, you can put it on?
24:13Yes, definitely.
24:14That's right.
24:16That looks good.
24:17That was a great designer, that's what's really good.
24:20So can you see a collection of fashion style?
24:24That's what the vest is, that for me, is a symbol of rebellion for all the salary.
24:31It's a way to respire.
24:33So can I drink it?
24:34Yeah, I'm just going to drink it.
24:35That's good.
24:36Can you give me a number of vest, or a number of vest for a regal?
24:40That's right.
24:42Thank you very much.
24:43Do you have another message for the last question?
24:45The last question is that everything is going to be able to do so much in order to find out something that can be found from their hearts.
24:56Because the life doesn't matter at the time, but it doesn't matter at the moment that we're going to take care of ourselves.
25:03And this is through the passion that we have passion.
25:09Thank you for your message.
25:11And we'll see you in the next video.
25:13Thank you for your attention.
25:15Thank you very much.