Set in the year of the Indian economic meltdown, Abhay, an angry poet and dreamer from the dusty chawl of Kanjurmarg, aspires for a rags-to-riches story for himself. In this ambitious journey, he falls in love with Manjiri, a poetess with a starkly different view on life.
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01:50Now, someone has flushed the ladies in the washroom.
01:56Did you hear me?
01:58I didn't hear before.
02:02We were talking to each other, right?
02:16What are you doing today?
02:18What are you doing today?
02:20You won't find it interesting.
02:24When you were buying the man's baguette,
02:27we were talking to each other for one hour,
02:29and I found it interesting.
02:31Tell me, right?
02:32Manjari, I was trying to achieve it.
02:36It was a lot of action.
02:38I'm just trying to achieve it. It's not exciting.
02:42So why are you doing something that doesn't excite you?
02:45Because it is important for us,
02:47to be sitting in this expensive restaurant,
02:49not to look at the right side of the menu.
02:51It is important.
02:52I have to take a new house.
02:54I want to be in our 10th anniversary.
02:58I have to take a new house.
02:59I know that there is no difference between this.
03:01You are very simple.
03:03Right?
03:04But I have to do something for myself.
03:07You are also a poet.
03:10You play clarinet so beautifully.
03:13That was a lack of concentration.
03:15So tell me what you are concentrating on.
03:17Oh!
03:21You are not having fun.
03:24I am PR.
03:25If I tell you about it,
03:27you will not be bored.
03:29Manjari, I am thinking about you.
03:30You will be bored.
03:34Okay, don't be bored.
03:35I am here.
03:36What did you study?
03:40Tell me.
03:46Silvia Plath.
03:47Hmm.
03:48Khamal is written in Khamal.
03:49He is written in Khamal.
03:50He is written in Khamal.
03:53Sorry, sorry.
03:54Hello?
03:55Yes.
03:58Hey, man.
03:59Yes.
04:00Tell her that caterers of large
04:01should reach the time.
04:02Do you want to bargain her?
04:03Yes.
04:04Do you want to bargain her?
04:05Yes.
04:06Yes.
04:07I will check her.
04:08Your food.
04:09Yes, I will.
04:10Okay.
04:11What did you try?
04:12Very good.
04:13I was talking about Silvia Plath.
04:14Hmm.
04:15What did you say?
04:16Sorry.
04:17No.
04:18Okay.
04:19We listen to jazz music
04:20and eat food from peace.
04:21Sorry.
04:22Sorry.
04:23Sorry.
04:24Sorry.
04:25Sorry.
04:26No.
04:27I was talking about Silvia Plath.
04:28I was talking about Silvia Plath.
04:29Hmm.
04:30What did you say?
04:31Sorry.
04:32No.
04:33Okay.
04:34We listen to jazz music
04:35and eat food from peace.
04:43Sorry.
04:44Nothing.
04:59In the form of Faiz vs. Ferrari,
05:01he has come to our house.
05:05When a man fights with a man,
05:07his life is very boring.
05:11But the way to Amiri is boring.
05:17There is no content in life.
05:21There is nothing to talk about.
05:29What happened?
05:33Tell me about your license.
05:35The paper is complete,
05:37but why?
05:45How are you?
05:47Very big.
05:49You have made a marriage.
05:51Simple.
05:53What happened to your marriage?
05:55Now...
05:57Let's go.
05:59Let's go.
06:01Let's go.
06:02Let's go.
06:03Let's go.
06:04Let's go.
06:05Let's go.
06:06Let's go.
06:07Let's go.
06:09Try it.
06:11It's sweet.
06:13Oh, Lena.
06:15Hello?
06:19See?
06:23Wow.
06:25Nice.
06:26How are you going to go, Naukri?
06:32Say it.
06:33No.
06:34No.
06:35No.
06:36No.
06:37No.
06:38No.
06:39No.
06:40No.
06:41No.
06:42No.
06:43No.
06:44No.
06:45No.
06:46No.
06:47No.
06:48No.
06:49No.
06:50No.
06:51No.
06:52No.
06:53No.
06:54No.
06:55No.
06:56No.
06:57No.
06:58No.
06:59No.
07:00No.
07:01No.
07:02No.
07:03No.
07:04No.
07:05No.
07:06No.
07:07No.
07:08No.
07:09No.
07:10No.
07:11No.
07:12No.
07:13No.
07:14No.
07:15No.
07:16No.
07:17No.
07:18No.
07:19No.
07:20No.
07:21No.
07:22No.
07:23No.
07:24No.
07:25No.
07:26No.
07:27No.
07:28No.
07:29No.
07:30No.
07:31No.
07:32No.
07:33No.
07:34No.
07:35No.
07:36No.
07:37No.
07:38No.
07:39No.
07:40No.
07:41No.
07:42No.
07:43No.
07:44No.
07:45No.
07:46No.
07:47No.
07:48No.
07:49No.
07:50No.
07:51No.
07:52No.
07:53No.
07:54No.
07:55Come on, come on.
07:57Come on, come on.
07:59How are you?
08:01It was great.
08:05Come on.
08:07Come on.
08:09Come on.
08:25Come on, come on.
08:31How are you?
08:33It's great.
08:35It's great.
08:37There's a pool there.
08:39Why are you enjoying it here?
08:41You can enjoy it here.
08:43You can enjoy it here.
08:49You made a house?
08:51It's great.
08:53It's great.
09:01I'll take the food in the room.
09:03Okay.
09:09Okay, okay.
09:15I've got to see you in the house.
09:17What do you say?
09:19You always say it.
09:21No.
09:22Yeah.
09:23I thought that too.
09:24You're coming here.
09:25Rose.
09:26No.
09:28This is not a habit.
09:30And our friend, I know.
09:33I've always given her something.
09:35When I was young, she was given a chappal.
09:38But you took the bus?
09:40Yes.
09:41You gave a bike to her girlfriend.
09:43You don't have to give anything.
09:47What to do in that situation, I'm very confused.
09:52You're confused.
09:53Look.
09:54The police have confessed.
09:55It's okay.
09:56Do you know?
09:57Yes.
10:01Put it in the house.
10:03Put it in the house.
10:04Put it in the house.
10:05I'm very happy.
10:06No.
10:07No.
10:08No.
10:09No.
10:10No.
10:11No.
10:12No.
10:13No.
10:14No.
10:15No.
10:16No.
10:17No.
10:18No.
10:23That's what my grandfather told me.
10:24Was born into this life so a little bit.
10:29Book.
10:30Where was his friend?
10:31About this old.
10:32For me, my friend stood very well.
10:36But I was wondering what that will happen.
10:41I wouldn't be able to do to be a young man.
10:45The own man is very young.
10:48He's a small man.
10:52But you didn't know him?
10:54Yes.
10:55Who knows Kasa?
10:56I don't know him.
11:00He's a big man.
11:02But what kind of story is he?
11:05What kind of story is he?
11:08He's always asking me to make a story.
11:11He'll make it, brother.
11:13He'll make it.
11:14Yes.
11:15Do you hear it?
11:16He'll make money on the top.
11:23In the rain, there's a lot of water.
11:27And in 26 years, there's a lot of money.
11:34Then he asked me, what's all this?
11:36So I'm telling him, what happened?
11:38The police don't take care of the police.
11:40He'll keep everything in his house.
11:42Then he'll come from here.
11:46He'll send something.
11:48I'm telling you, Baba,
11:50the man doesn't take money from outside.
11:52What will he take from home?
11:56What's the main thing?
11:59He needs to trust himself.
12:03Who is it?
12:04I don't know.
12:05I've told someone.
12:07I've told someone.
12:11I've called someone to the house.
12:13That's why I'm telling you.
12:18I'm from the back.
12:19I'm from now.
12:20I'm from now.
12:22I've told someone.
12:23Well, that's why she says,
12:24that if it needs money through 26 years,
12:27it will last the end of the year.
12:28When is it going?
12:30So I tell him,
12:31that she's at her.
12:32She'll take her their daughter's
12:46I love you.
13:16You look very good in your clothes.
13:34Savita was pregnant.
13:46I love you.
14:16Yes, Baba.
14:17I'm thinking, I'm taking care of some people for their children.
14:32Why?
14:33I'm not feeling like I'm feeling like I'm feeling like I'm feeling like I'm feeling like
14:43I'm feeling so well, my brother didn't understand anything.
14:46I'm thinking, I'm not leaving.
14:51Is a story with Roxy?
14:55Nothing can happen from here, it's over.
14:59It's okay.
15:04Good night.
15:05That's what we have in a soon two or five minutes.
15:07That's why I thought,...
15:09I'll do what I'm doing, Baba?
15:11You're working, right?
15:14I don't know, what happened?
15:16I'll tell myself.
15:18I don't know anything about everything.
15:22Rollington's video call.
15:26Hi. How are you?
15:29I'm good. Where's Manjari?
15:31Oh, he's here. Manjari?
15:34Where are you at?
15:36I'm at the ranch at Dose's.
15:38You get the time, but I come here in three years.
15:42That's why I say, being poor is tragic.
15:45Being rich is great.
15:47But being super rich is stupid.
15:49Hi.
15:50Hi, Manjari.
15:52I know, you don't agree.
15:55And what's going on?
15:56Nothing is going on.
15:58That's a bloody problem.
16:00I'm reduced to a bloody nothing.
16:02Anand and Deshi's, I haven't seen it yet.
16:06Corbett's gone?
16:07There were the rangers.
16:09You can't see the tiger,
16:10but the tiger is watching you.
16:13It's like that. Anand is watching.
16:16And? How's my son?
16:18Many people ask only one thing.
16:20To make friends with his children.
16:23There's no purpose in his life.
16:25When you earn money,
16:27there's a lot of purpose.
16:29But when you earn a lot of money,
16:31there's a lot of purpose.
16:33You have to learn this.
16:37I don't have a mindset of learning.
16:41My first face is running.
16:43Anyways,
16:44I'm late.
16:45I'll call you later.
16:46Hey, wait a minute.
16:47Hmm.
16:49You've got something in front of me.
16:52Yes, Manjari.
16:55No.
16:56No.
16:57No.
16:58No.
16:59In a phone conversation,
17:00they don't interrupt the husband-wife
17:01and the husband-wife
17:02and the husband-wife
17:03and the husband-wife.
17:04That means,
17:05it's crazy.
17:06Start interrupting.
17:07Hey, Manjari,
17:08I'm telling you,
17:09start interviewing in his life.
17:10Okay?
17:11Bye-bye.
17:12Bye-bye.
17:14Send his ring.
17:16What happened right now?
17:17You're not using the pho-sales.
17:18Scheu yohala.
17:19And the girl is away with such rung.
17:24Sing.
17:25Give your ring.
17:26Are you leaving?
17:27Is not going to sleep today?
17:28Excuse me.
17:29Sing.
17:30Give your ring.
17:31Give dug the ring.
17:32I'm leaving the yaht.
17:33You're leaving now to the family.
17:34You're leaving now.
17:35Now you're leaving behind the family.
17:38I'm leaving behind shower.
17:40And I'm leaving the family.
17:42I don't know what the priority is.
17:44Neat.
17:46Cheers.
17:48Next week is my great kakao's birthday.
17:52Big party.
17:54Happy birthday.
17:56And also,
17:58my cousin's sister's
18:00coming home.
18:02I don't know what the priority is.
18:04Neat.
18:06Cheers.
18:08And also,
18:10my cousin's sister's coming back
18:12from the US.
18:14Double celebration.
18:38What are you looking for?
18:40What are you looking for?
18:42The maharaj's daughter.
18:44Princess.
18:46One beautiful path
18:48for you to reach your daughter.
18:52Oh
18:54Oh
18:56Oh
18:58Oh
19:02Oh
19:08Oh
19:10Oh
19:11Oh
19:13Oh
19:23Hi.
19:27Are you asleep?
19:28Yes.
19:30I'm taking something for my father.
19:32Take it.
19:34Nice.
19:40Actually, I'm taking something for you too.
19:48Like a cat, I have nine times to die.
19:53Open?
20:00Manjiri, I'm all yours.
20:02I was in the restaurant, I didn't focus on you.
20:05I have to talk about it today.
20:08You really want to know?
20:09Of course I do.
20:12I have a book of five-year-old.
20:14I don't have time for reading.
20:17If I listen to you, I'll get more fun.
20:19Short and sweet.
20:20Go.
20:21Sit.
20:22Go.
20:23Go.
20:24Go.
20:25Go.
20:26Go.
20:27Go.
20:28Go.
20:29Go.
20:30Go.
20:31Go.
20:32Go.
20:33Go.
20:34Go.
20:35Go.
20:36Go.
20:37Go.
20:38Go.
20:39Go.
20:40Go.
20:41Go.
20:42Go.
20:43Go.
20:44Go.
20:45Go.
20:46Go.
20:47Go.
20:48Go.
20:49Go.
20:50Go.
20:51Go.
20:52Go.
20:53Go.
20:54Go.
20:55Go.
20:56Go.
20:57Go.
20:58Go.
20:59Go.
21:00Go.
21:01Go.
21:02Go.
21:03Go.
21:04Go.
21:05Go.
21:06Go.
21:07Go.
21:08Go.
21:09Go.
21:10Go.
21:11Go.
21:12Go.
21:13Go.
21:14Go.
21:15Go.
21:16Go.
21:17Go.
21:18Go.
21:19Go.
21:20Go.
21:21Go.
21:22Go.
21:23Go.
21:24Go.
21:25Go.
21:26Go.
21:27Go.
21:28Go.
21:29Go.
21:30Go.
21:31Go.
21:32Go.
21:33Go.
21:34Go.
21:35Go.
21:36Go.
21:37Go.
21:38Go.
21:39Go.
21:40Go.
21:41Go.
21:42Go.
21:43Go.
21:44Go.
21:45It looked like it, but it fell in a hole.
21:48When she woke up in hospital, she wrote four poems on death.
21:51In which the tram was broken.
21:53And in history, the first time she felt death came to the papers.
21:59Crazy, right?
22:02She tried this successfully four times.
22:04And she wrote more than 31 poems on death.
22:07She wanted to do this nine times.
22:08If it's nine times, we get more than 100 poems.
22:11But unfortunately, that five times failed in Avan.
22:15Hmm.
22:17It's a big Avan, right?
22:19Hmm.
22:20So, she kept her hand in Avan.
22:24Hmm.
22:25She gave herself ten minutes.
22:27She called her husband in emergency.
22:29She expected him to come in nine minutes.
22:31Usually, there was a lot of time in the office.
22:35But that day, he took 15.
22:37And that day, experience became bigger than poetry.
22:53Is there anyone who's so dedicated to the art?
22:55Yeah.
22:58Oh, yeah.
23:00Really, I wish, it was a bad decision.
23:02Yeah, we did it, man.
23:05Oh, no, you're telling me.
23:07Uh, I'd never make a decision.
23:08Oh, my goodness, I'm not buying anything.
23:10Yeah, you're telling me.
23:11I'm not buying anything.
23:13I'm not buying a finish.
23:14Okay, I'm not buying anything.
23:16I'm not buying anything.
23:17But that day, I'm not buying anything.
23:19I'm buying things.
23:20I'm buying nothing.
23:21I'm buying nothing.
23:22Cheers, cheers.
23:30Hi, how are you?
23:32I want you to have bubbles out in my mouth.
23:34Come here, honey.
23:52Come here, come here.
24:00Happy birthday.
24:04Happy birthday.
24:12Namaskar.
24:14Thank you very much. How are you?
24:16I'm going to talk to you.
24:20Puppy.
24:22Family.
24:24Puppy name.
24:26Cheers.
24:28Cheers.
24:30Cheers.
24:32Cheers.
24:36Come, let's meet some people.
24:40You have to think directly to Maharaja.
24:42You have to introduce your princess.
24:51Do you have a bottle too?
24:52Sure.
24:58This bottle is 17,000.
25:00Two.
25:0134,000.
25:0251,000.
25:04You have to drive back.
25:06We will fly.
25:09Abhay.
25:11Bhairavi, meet Mr. and Mrs. Abhay Dugan.
25:14Hi.
25:15Hi.
25:16That's Manjari.
25:17Hi.
25:18This is the only table for you.
25:19You have to sit here.
25:20Shh.
25:23You know, these people are intelligent and artistic.
25:26And my sister Bhairavi is only interested in three things.
25:29Art, art, and some more art.
25:33Really?
25:34It's true.
25:36So, you guys carry on.
25:38In the meantime, I'll go where the real artists find their inspiration.
25:44Have a good time.
25:45Cheers.
25:47Please, sit here.
25:52So, painting?
25:54No, art appreciation.
25:55Oh, lovely.
25:56From?
25:57Boston.
25:59Boston.
26:00Oh, my God.
26:02That's where Sylvia Plath was born.
26:04That's where she lived.
26:05That's where she worked.
26:06That's where she wrote.
26:07I'm sorry.
26:08I'm not really familiar with her work.
26:11Really?
26:13Actually, it's not your fault.
26:15We don't know about these people.
26:17Because our syllabus is made for idiots.
26:21You know, Sylvia Plath.
26:22Sylvia Plath.
26:23She was...
26:25The most exciting poet ever.
26:28She never experienced poetry.
26:32Because she was born for poetry.
26:35That's interesting.
26:36Can you imagine a life like that?
26:39You know how she died?
26:41She...
26:45She put her head in the oven.
26:46Are you serious?
26:47Yeah.
26:48She wanted to experience death, I think.
26:51It's...
26:52It's uncanny.
26:53You look like her.
26:54Cheers.
26:56I don't know whether that's a good thing or not.
26:58Cheers.
27:16Hawkeye.
27:17It's uncanny.
27:18It's uncanny.
27:19I'm gonna lean into this.
27:20I don't know.
27:21I can't...
27:22I can't imagine.
27:23I can't imagine.
27:24It's uncanny.
27:25It's uncanny.
27:26I have to use a good thing to eat.
27:27It's uncanny.
27:30I'm not mad at all.
27:31I can't imagine.
27:34I can't imagine anything.
27:35I'm not mad at all.
27:37But I don't know.
27:39It's uncanny.
27:41Fourteen, four.
27:4314...4...
27:55Come on.
27:56Yes, sir.
28:05Next time you want to use someone,
28:09Use this.
28:11Fucking internet use it.
28:13Raju, give me a drink.
28:17What's wrong with you?
28:18With me.
28:19Yes.
28:22I'm working on a project.
28:24I can change the whole world.
28:26There's a man who can touch his face.
28:28There's a girl who can meet me with this face.
28:32I'll tell you how many tricks I have.
28:36I was going to be a fool of him.
28:38If you knew about the Boston connection,
28:40I spoke about Sylvia Platt.
28:41I'm going to be a fool of him.
28:42I'm going to be a fool of him.
28:43I'm going to be a fool of him.
28:44You've all researched this.
28:47When I was talking with you,
28:49I was sleeping with you.
28:52You were sitting on my head.
28:55I can't fucking believe this.
28:57You were doing a fool.
29:01Tell me about this fool.
29:02What is your problem?
29:04I'm doing a fool.
29:06I'm doing a fool.
29:07I'm doing a fool.
29:08I'm going to get up.
29:09I'll get up.
29:10I'll get up.
29:11I'll get up with you,
29:12my father, and Roxy.
29:13I'll get up with you.
29:14Manjari, I'll use everything in my power
29:16to achieve my goal.
29:17Oh, Mr. Abhay Dubey.
29:19This word is use.
29:23Who wants to use?
29:24To understand how to use it.
29:25Okay?
29:27To use anyone in life,
29:28don't use me.
29:31For the last time,
29:32I'm forgiving you.
29:34The next time,
29:35I'll give you your truth in front of everyone.
29:37Got it?
29:38You know what, Abhay?
29:54Abhay.
29:55Hmm?
29:59Everything was in our marriage.
30:03Fun.
30:04Autumn.
30:07Silence.
30:08I'm giving you a dishonest.
30:11I'm giving you a dishonest.
30:24Raju, where is this drink?
30:28Hi.
30:29Come see.
30:35What does it feel like?
30:36What?
30:39I don't know anything about painting or painting. Sorry.
30:43You've written something.
30:46No.
30:48Never, never.
30:50I'm going to study.
30:52Hey, sis.
30:54Hi.
30:55You don't have to do it?
30:56Never.
31:01Okay. Now that he's here to entertain you,
31:03I'm going to run all my errands and I'll catch up with you guys in a bit.
31:06Yeah?
31:08Uh, bye. I'll see you.
31:10See you.
31:15Did you like it?
31:19It's good, right?
31:22My daughter.
31:25Why?
31:28She's beautiful.
31:31My wife is more beautiful.
31:34If you say so.
31:37Let's go.
31:49Why are you going?
31:51I'll come back again.
31:53I'll spend a month for three months.
31:55I'll spend a lot of money.
31:56I'll spend a lot of money.
31:56Baba, what do you need to do now?
31:59No.
31:59What's my money?
32:00What do you have to do now?
32:01Oh, take your money.
32:03Look.
32:04I'll take three notes from your job.
32:07I'll go to a car in a luxury car.
32:10He taught us how to book it.
32:12We'll meet people in the car.
32:14I'll go back again.
32:16I'm showing you five minutes.
32:17I'll go back again.
32:17I'll ask you a little bit.
32:19I'll ask you a little bit.
32:20Hmm.
32:21I'll ask you a little bit.
32:22I'll ask you a little bit.
32:23I'll ask you a little bit.
32:24Okay.
32:25Let's go.
32:26Hey, buddy.
32:32I heard a story in Patpan.
32:35The Guru asked Sikandar,
32:37you have won Turkey.
32:39What do you want to do now?
32:42Sikandar said,
32:43you will win Kabul and Kandhar.
32:46Then,
32:47you will win Peshawar and Sindh.
32:50The Guru said,
32:52you will win Punjab.
32:53you will win the whole world.
32:56The Guru said,
32:57you will win the whole world.
33:01The Guru said,
33:02what will you do then?
33:05Sikandar said,
33:06you will win the whole world.
33:09The Guru said,
33:10you will have this now.
33:12What do you need to win the whole world?
33:16What is the name of Sikandar?
33:21You don't know.
33:23The Guru said,
33:24you will win the whole world.
33:28Sikandar is the whole world.
33:32And the world is the whole world.
33:34It doesn't need anyone.
33:37And it's the whole world.
33:41It's the whole world without money,
33:42who will die without money.
33:53And it's the whole world without money.
33:54The Guru said,
33:55you will win the whole world.
33:57I know so much.
34:00That when he was with me,
34:02I was happy.
34:04We were together.
34:05I will not have to do this with the whole world.
34:08But your family is the same.
34:15I will do it, son.
34:23I will do it.
34:57Hi.
34:58Oh!
34:59Hi!
35:00What a pleasant surprise.
35:01See?
35:02I just bought this.
35:03It's beautiful, no?
35:06Yeah.
35:09You told me that I'll write something, then I'll show you.
35:14It's written.
35:16What is this?
35:17I'm working on this project for three years.
35:22I love art, but...
35:25I need business.
35:29This painting, this poetry...
35:32What's all this?
35:35Hmm?
35:37Imagination, right?
35:41Science, engineering, business, too.
35:45This is the imagination.
35:48You should only execute it.
35:49And that's the only person.
35:51It's so ironic, no?
35:52I love art, but I know that my father will play me in business.
35:57You love business, but I'll play you in art.
36:01I'll play you in art.
36:02Hmm.
36:03Hmm.
36:04I promise you, if I'm getting dragged into the business, I'm dragging you in with me.
36:06Hmm.
36:07Hmm.
36:08Oh, wait. I have something for you.
36:09Hmm.
36:10Hmm.
36:11Hmm.
36:12Hmm.
36:14Hmm.
36:15Ah.
36:17Tiny, beautiful, and beautiful.
36:19You are going to play me in art.
36:21We will play me in art.
36:22Hmm.
36:23I promise you, if I'm getting dragged into the business, I'm dragging you in with me.
36:29Hmm.
36:32Oh, wait. I have something for you.
36:37Hmm.
36:38Ah, tiny beautiful things. Thank you.
37:00You said you can do something to achieve your goal.
37:03You have to ask a small question.
37:09Hmm.
37:11Does it mean that you can sleep with anyone?
37:17Tell me honestly.
37:19Will you sleep with her for whatever fucking project you have in your life?
37:22What's happening with you in your life?
37:25What are you waiting for?
37:27Where is this frustration from your mind? Tell me.
37:33What do you mean by the age-old feminine thinking?
37:39I mean, homo's dancing way too much.
37:43Hey, child, child, child. You only need child.
37:48You want child, I want peace.
37:51Let's do this. You give me peace.
37:53I'll give you a child. Let's go.
37:55Let's go.
37:56Don't fucking touch me.
37:58I don't sleep with strangers.
38:01And I don't bear their children.
38:26I don't bear their children.
38:27Let's go.
38:31You have to go.
38:32Now I do my father's Motor relate...
38:34to them...
38:37If I'm home for...
38:43Go!
38:46Aaand...
38:48Where to go?
38:49Iサンド.
38:52I sourly.