Set in the year of the Indian economic meltdown, Abhay, an angry poet and dreamer from the dusty chawl of Kanjurmarg, aspires for a rags-to-riches story for himself. In this ambitious journey, he falls in love with Manjiri, a poetess with a starkly different view on life.
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00:00Transcription by CastingWords
00:30. . .
01:00. . .
01:02. . .
01:06. . .
01:10. . .
01:26I'm going to eat the food today, huh?
01:33The rice, the liver, the liver, everything.
01:38You're not eating your liver.
01:48Hey.
01:49Tell you something.
01:51I can't tell you.
01:53I'm telling you.
01:58You're not eating your liver.
01:59I've done something that I didn't tell you about.
02:04Huh?
02:09You're going to eat your milk?
02:11Okay.
02:17What do you think?
02:18Do you have a drink?
02:20It's like you don't have a drink.
02:23Glass?
02:30Why are you here?
02:34I thought...
02:36Glass won't kill you.
02:39I won't kill you.
02:48I have a drink.
02:53At home too.
02:56I'm going to get mad at you.
03:00I'm studying for three years.
03:02How do you win in me?
03:07He's lost.
03:11If he's lost, he'll go home.
03:13A drink too.
03:18He's lost.
03:24Do you not tell anything?
03:25Uh huh.
03:29Then you will tell me,
03:31I'm almost a 5-year-old.
03:34Huh?
03:40What are you telling me?
03:43You have to tell someone else.
03:45Can you tell someone?
03:47I'm not saying anything.
03:54I can tell you.
03:58My father saw me eating chicken on Yusuf's table.
04:02Yes.
04:03He was seven or eight years old.
04:06He had a gun.
04:10He went to the railway yard.
04:12He went to the train.
04:15I thought,
04:17I'll become a sadhu,
04:18but I won't come back home.
04:22It won't happen to you.
04:24It's the only night.
04:26He said,
04:27come on.
04:31He was shaking his head.
04:36You took his hand,
04:38and I was scared.
04:42Go to the house,
04:43and put his eyes in his eyes.
04:45Yes.
04:47It's not his fault.
04:49It's my habit.
04:51The father left me.
04:52It was your hand.
04:53It was your hand.
05:02It's the same thing.
05:05It's like that day.
05:06but it's…
05:13It needs a big knife.
05:20It's that day.
05:24I'll get it.
05:28Sorry.
05:30One more.
05:31Sure.
05:32Yes, sir.
05:37Why don't you sit here, man?
05:43This bridge can never be blown away.
05:46That's why I sit here.
05:51If you're stuck down,
05:55you'll get up on the bridge.
05:57I don't want to go to the bridge.
05:59I don't want to go to the bridge.
06:01I don't want to go to the bridge.
06:13This bridge is all right.
06:15Yes.
06:18Look.
06:20The beautiful bridge looks like this.
06:24It's not coming.
06:27Who is here?
06:28Who is there?
06:29Who is there?
06:30Who is there?
06:35He's gone to the bridge.
06:40He's done all day cricket.
06:43He's done all day cricket.
06:53Who is there?
06:54I'm going to go to the bridge.
06:55I'm going to go to the bridge.
06:56I'm going to go to the bridge.
06:57I'm going to go to the bridge.
06:58I'm going to go to the bridge.
07:01And at sunset,
07:02two dolphins.
07:08I'm going to go to the bridge.
07:11From there.
07:12Oh, that's right.
07:14There will be two dolphins.
07:16One dolphin will come to the bridge.
07:17Hopefully the dolphins will come to them.
07:25The dolphins will come to the bridge.
07:26What do you say?
07:27This beer is in the tea tree.
07:34What do you know?
07:37I was looking for a little bit.
07:51Hey, stop, stop.
07:52Let's go. Let's go to the picnic, let's go.
07:59I won't see Dolphins.
08:06I can see Nala in the mirror.
08:13I'll drink more.
08:16This shit will engulf me.
08:29I'll get out of this shit.
08:33I'll get out of this shit.
08:39You're welcome.
08:42Baba!
08:43Baba!
08:44Baba!
08:45Baba!
08:48Baba!
08:49Baba!
08:50Baba!
08:51Baba!
08:56Baba!
08:57Baba!
09:00Baba!
09:01What are you doing here?
09:04Sometimes I look at them.
09:08And my father,
09:10Nala is more than a child than a child.
09:14I'm sure I didn't see you,
09:16and I feel like a current.
09:22You don't have to worry about me, sir.
09:25Hey, come on.
09:26Let's see the dolphin.
09:31My father thought...
09:47I thought that I would be a pastor in the house of Sathya Narayan.
09:53What was his dream?
09:55A month of 400-500 rupees,
09:57some furniture,
09:59some clothes,
10:00some food,
10:01things like that.
10:04I left that,
10:05because I was thinking something else about my children.
10:08You both studied,
10:09and I was running for 12-14 hours.
10:17What do you think about your father?
10:19No?
10:27You don't know how difficult it is to buy such a chip in Mumbai.
10:31It was sold in 1888,
10:32and it was sold in 22,000.
10:36The last year,
10:37it was finished.
10:39Wait.
10:40I'll show you.
10:41I'll show you.
10:46The door is closed,
10:47and I'll die.
10:48Right?
10:49The door is closed.
10:50The door is closed.
10:52Baba!
10:54Baba,
10:55this was coming to me.
10:56I had to leave the door.
10:58I had to leave the door.
10:59I had to leave the door.
11:00I had to leave the door.
11:02I had to leave the door, Baba.
11:04Baba.
11:05The two brothers were still sitting.
11:07I had to leave the door.
11:08I had to leave the door.
11:11Look, Baba.
11:12There is no doubt about you.
11:14Baba.
11:17After remembering your brother's life,
11:19you have to leave the door.
11:23I thought,
11:24I will have died in my mind.
11:28If we all die,
11:30we will die.
11:32Come here.
11:33Come here.
11:35Let's go!
11:36Let's go!
11:37Let's go!
11:38Let's go!
11:39Let's go!
12:01I can't talk about this in the library.
12:04Don't say anything.
12:06Listen to it.
12:09I've heard the poem about the Paisa.
12:13I've heard the poem about Paisa.
12:16I've heard the poem about Paisa.
12:31We've heard the poem about Paisa.
12:51...to observe the streets.
12:53They are gonna keep everything...
12:56...they are gonna die from our trees.
13:01They want to build the world.
13:04They will put them into the walls.
13:08Nobody gives them blame.
13:11Nobody gives them a lie of the rest.
13:15Do you understand the blame?
13:17We don't have to feel insults.
13:21That's why we keep up in these bad things.
13:24No one has given up to them.
13:27No one has given up to them.
13:30No one has given up to them.
13:32The poor man has given up to me.
13:35The dumb has given up to me.
13:38Please understand, I need to play this game.
13:43This is the first time in history.
13:47What?
13:49That's why someone is justifying gambling.
13:54This is not gambling.
13:57I've studied three years and I know how to win.
14:02You get it right away, I'll explain everything.
14:05I'm sure you'll change your mind.
14:07What if I convince you, will you change yours?
14:10Hmm?
14:11Now I've got my answer.
14:16What do you have to do? You've already decided.
14:21I've decided.
14:25If you stay in the city or in Gandi Nali,
14:28there's no difference in me.
14:31But I'm completely against this activity.
14:34You have to complete the game.
14:36You'll get it right away.
14:37You'll get it right away.
14:38You'll get it right away.
14:39I'll get it right away.
14:41I'll get it right away.
14:42I'll get it right away.
14:44Are you kids playing?
14:47You think you are going to marry this guy?
14:52Who would play this kid?
14:55She are playing that thing too.
14:58I've seen Monty's face once.
15:02Just one thing.
15:07You're doing that too, right?
15:10I've seen Monty's face once.
15:14You've seen a car and a car on the radio.
15:18And you've put your dice on your cleavage.
15:22You've put your whole life down.
15:25What's your life in my life?
15:27A mediocre IQ and a god gifted cleavage.
15:31What will I do with you?
15:33I'm saying that too.
15:37What will I do with you?
15:50Go inside, go inside.
15:51Wait a minute, wait. Where are you going?
15:53Where are you going?
15:55What are you going to see inside?
15:57What's going on?
15:58Where are you going?
15:59They don't have anything to fix it. They don't come every day.
16:01What's your job?
16:02To pay money.
16:03So pay money.
16:05How much do you pay?
16:0715,000,000.
16:10It'll be 5 o'clock.
16:13Okay, I'll wait for you.
16:14What do you want to do?
16:15Come here, come here.
16:16Come here, come here.
16:17Come here, come here.
16:18Come here, come here.
16:19Come here, come here.
16:20Come here, come here.
16:21Come here.
16:22Come here, come here.
16:23Come here.
16:24Hey, listen.
16:25Ratan, brother.
16:26What was the man here, who was there?
16:29He was inquiring for the last three years.
16:31He was talking about $2 million.
16:33How much?
16:35$15,000.
16:37I'll send them back to them.
16:38I'll send them to him to my father and my father.
16:40Please I'd say, come here.
16:42All the things that I've done can't do now,
16:43go.
16:44Not only.
16:45For the last three years later.
16:46I'll send them to their father's house.
16:47You're out of there.
16:48All the things that are coming from.
16:49I'll send them to their father's house to the house.
16:51Will.
16:52I'll send them to them to my father's house at the theater.
16:54I have to wait for the castle to get a place.
17:20What happened?
17:22We don't have a place here. Did you sleep?
17:30I came to pass for 2-3 hours.
17:34You gave me a place.
17:36You?
17:40Yesterday I was talking to Madarchud.
17:42Yesterday I was talking to you.
17:46What are you doing here?
17:49This theatre is mine.
17:50This theatre is mine.
17:53But I'm here when I play kerem.
17:56Kerem.
17:59In fact, it's a billiard.
18:01But they understand kerem.
18:02Kerem!
18:03Kerem!
18:04Kerem!
18:05Kerem!
18:06Kerem!
18:09Kerem!
18:10Take a minute.
18:20Kerem!
18:21Kerem!
18:22Kerem!
18:23Kerem!
18:24Kerem!
18:25Kerem!
18:26Kerem!
18:27Kerem!
18:28Kerem!
18:29Kerem!
18:30Kerem!
18:31Kerem!
18:32Kerem!
18:33Kerem!
18:34Kerem!
18:35Kerem!
18:36Kerem!
18:37Kerem!
18:38Kerem!
18:39Kerem!
18:40Kerem!
18:41Kerem!
18:42Kerem!
18:44Kerem!
18:45Kerem!
18:46Kerem!
18:47Kerem!
18:48Kerem!
18:49Kerem!
18:50Kerem!
18:51Kerem!
18:52Kerem!
18:53Kerem!
18:54Kerem!
18:55Kerem!
18:56Kerem!
18:57Kerem!
18:58Kerem!
18:59Kerem!
19:00Kerem!
19:01Kerem!
19:02Kerem!
19:03Kerem!
19:04Kerem!
19:05Kerem!
19:06Kerem!
19:07Kerem!
19:08Kerem!
19:09Kerem!
19:10Kerem!
19:11Kerem!
19:12Kerem!
19:13Kerem!
19:14Kerem!
19:15Kerem!
19:16Kerem!
19:17Kerem!
19:18Why are you?
19:19Why?
19:20I'm going to blow you.
19:24Why are you here?
19:25What's up?
19:26Why are you here?
19:27Why are you here?
19:28Come on.
19:29Come on.
19:30I'll make a girl first.
19:34Go!
19:35No!
19:36No!
19:37No!
19:38No!
19:39No!
19:40No!
19:41No!
19:42No, no!
19:43No!
19:43No!
19:44No!
19:45So, I don't want to see.
19:46Let's go!
19:47My pants are not my pants.
19:50Your pants are not my pants.
19:59Let's go.
20:03First of all, he's going to strike.
20:08I don't know.
20:09I'm so sorry.
20:10I don't know.
20:12I don't know.
20:17Queen.
20:18I don't know.
20:19I don't know.
20:24Don't kill me.
20:25I don't know.
20:26Queen cover.
20:29Cover.
20:30I don't know.
20:42I stole it.
20:44Now, whoever you're enjoying, please help yourself.
20:47Bandia.
20:48Come on.
20:49Let's finish the work.
20:50Five-star wheel.
20:55Hey, Jipere.
20:56You come here.
20:57Come on.
20:58Come on.
20:59Come on.
21:00Come on.
21:01Come on.
21:02Come on.
21:03Come on.
21:06Let's go.
21:07It's been a long time.
21:08Hmm.
21:09Oh, wow.
21:11This is our world.
21:12Hey, Dada.
21:13How are you?
21:14Here, Baba.
21:15Come on.
21:16Come on.
21:17Come on.
21:18What's the tension?
21:19Hmm?
21:23Script?
21:24Okay.
21:27If you've seen it, it's the world of beggars.
21:29Now, look at this.
21:32The sword has closed.
21:33Is it?
21:35Okay.
21:36Okay.
21:37First of all, the man was born.
21:39Now, they're both hungry.
21:43Let's go.
21:44Okay?
21:45Okay, Baba.
21:46Keep going.
21:51How are you shooting?
21:52Hmm.
21:53Baba.
21:54Hey.
21:56What happened?
21:57I opened myself.
21:58Oh, wow.
21:59Very big.
22:02Where are you shooting?
22:03Where are you shooting?
22:04Today's night shift, Baba.
22:05Okay.
22:11Do you know her?
22:12Who?
22:13That one.
22:15Hey, there.
22:16In the picture.
22:21Hello, Baba.
22:22Hey, Maish.
22:23How are you?
22:24How are you doing?
22:25Look.
22:26This is working in the circus.
22:28The circus has closed.
22:29This has started.
22:30Photovist.
22:32Oh, new camera.
22:34Yes.
22:35Can you take a photo?
22:36Yes.
22:37This is my new friend.
22:38Yes.
22:39Go.
22:40Oh, a little smile.
22:43Yes.
22:44Go, and go.
22:45Yes.
22:46Yes.
22:47Yes.
22:48Yes.
22:49Yes.
22:50Yes.
22:51Yes.
22:52Yes.
22:53Yes.
22:54Yes.
22:55Yes.
22:56Yes.
22:57Yes.
22:58Yes.
22:59Yes.
23:00Yes.
23:01Yes.
23:02Yes.
23:03Yes.
23:04Yes.
23:05What was the camera in the film?
23:06You were asleep and you didn't see it.
23:08Yes.
23:09Yes.
23:10Yes.
23:11Now tell me.
23:14What?
23:16In your own.
23:18First, tell me.
23:20What is mine?
23:23I make a romantic film.
23:26You see one.
23:27Yes.
23:28Look at me.
23:29Yes.
23:30Yes.
23:31Yes.
23:32Yes.
23:33Yes.
23:34Yes.
23:35Yes.
23:36Yes.
23:37Yes.
23:38Yes.
23:39Yes.
23:41You've got 10 bucks.
23:42Yes.
23:43Yes.
23:44Yes.
23:45It's a lot of profit.
23:46Yes.
23:47Yes.
23:48Yes.
23:49Yes.
23:50Yes.
23:51It's a long story.
23:52No.
23:53No.
23:54Yes.
23:55What are interested,
23:57they are always interested.
24:04Pandya.
24:09Yes.
24:11Take the bullet.
24:13Take the bullet.
24:14Don't leave.
24:15Keep it.
24:21Take the bullet.
24:22One minute, Baba.
24:23Don't put your hands on your hands.
24:40What do you think of suicide?
24:42If you think of, then you think of how to do it.
24:45Six months.
24:46On your hands.
24:48In pairs.
24:49Bleeding?
24:50Sweating?
24:51weetachte?
24:52On your hand.
24:55Or on your Oil?
24:57On your feed.
25:01Kumal is that..
25:03When they have no option.
25:05They have a choice that they say to them.
25:08You adapt to death and they're lying to a final choice.
25:10They stay well.
25:15One more time.
25:242008.
25:25I had five hotels.
25:27Minister-sahab told me.
25:29Nanshna Pan.
25:31Five hotels.
25:32Five.
25:33There were 30 girls.
25:36300 to 300.
25:40I had to do five or six hours.
25:45She?
25:46Yes.
25:47A child's choice.
25:51Everything is empty.
25:53She said to me,
25:54come here.
25:56Do something.
25:57Give a job.
25:58Give a job.
25:59What a job!
26:07Then,
26:08I gave everyone to the house,
26:10food.
26:12Then,
26:13I went to the station,
26:15and went to the train station.
26:20and went to the train station.
26:34It was not even 21 years ago.
26:36I had to do one.
26:37I got your dog with Neelam.
26:42You see it,
26:43it was all the time.
26:50It was on the train station.
26:51And it was on the train station.
26:52Pau, I didn't want to be a randy, but I didn't want to sit in the room.
27:08I came to work with my own family.
27:11I felt like I was a worker.
27:17I know Pau. You are very lazy.
27:23The 12th girl came home.
27:26Every day, every day,
27:30I think I die.
27:40I will not be able to meet you later, then I will not live.
27:44But the 23rd girl will be alive, Pau.
27:49To save them,
27:52they are very difficult.
27:55They can become a randy,
28:01not a worker.
28:05All the actors are my own.
28:07All the actors are my own.
28:12The 23rd girl,
28:14the 23rd girl from that day,
28:18either the poor,
28:20or the poor.
28:24Who are all actors?
28:26Yes, sir.
28:31Wait a minute.
28:36And this.
28:38This is what it is.
28:43This was the first time of the pocket.
28:46One day, it killed my pocket.
28:49My.
28:51Who I am now?
28:52It killed my pocket.
28:54From the morning to the morning, my mother was married.
28:59And she came back to me again, to the RK.
29:04She stole my wallet.
29:07And did you know what he said?
29:10Did you know what he said?
29:12He said,
29:13I know everything.
29:15You will kill me in a gun.
29:17But...
29:19I know everything.
29:21You will kill me in a gun.
29:25But I am stealing the wallet.
29:28Because it is a suicide note.
29:32And then he said,
29:33What did he say?
29:34What did he say?
29:35He doesn't kill the pocket.
29:36He doesn't kill the pocket.
29:37He doesn't kill the pocket.
29:39I know nothing,
29:42So we talked about them inside the world.
29:45How was I?
29:47The people that have grown up in the world.
29:49You see?
30:09I said we'll talk about it after 15 days.
30:11I can't wait for 15 days.
30:13What is this urgency?
30:15Love.
30:17Love is a big deal.
30:21I don't want to share some things.
30:24I'm here in the world today
30:26that I need to show you tomorrow.
30:29I can't wait for that for 15 days.
30:33Take your address.
30:39It's a blackberry shirt.
30:44Your guest?
30:46Why don't you wear all the clothes?
30:48I don't have to wear your clothes.
30:50I don't have to wear your clothes.
30:51I don't want to wear the clothes.
30:54I'm actually not an actress.
30:56I'm going to meet my friend.
30:58Okay, sorry.
30:59No problem.
31:02What is this?
31:04You don't feel scared of yourself.
31:06She told her to be great actress.
31:08Not a good girl.
31:09No problem.
31:11Both are odd.
31:15Made for each other type.
31:17I'm over here.
31:31Manjiri!
31:33Manjiri!
31:34Banda!
31:35Banda, come on!
31:36Banda, come on!
31:37Banda!
31:38Banda!
31:39Banda!
31:40Banda!
31:41Banda!
31:42Banda!
31:43Banda!
31:44Banda!
31:45Banda!
31:46That's the way.
31:47Go, go!
32:04PIANO PLAYS
32:34PIANO PLAYS
33:04PIANO PLAYS
33:34PIANO PLAYS
34:04PIANO PLAYS
34:34PIANO PLAYS
35:04PIANO PLAYS
35:34PIANO PLAYS