Miss Potter (2006) is a heartwarming biographical drama that tells the inspiring story of Beatrix Potter, the beloved author of the famous "Peter Rabbit" series. The film follows her journey as she navigates the challenges of becoming a successful author, dealing with personal and professional obstacles, and finding love. Starring Renée Zellweger as Beatrix, this beautifully crafted film brings to life the early years of one of the world's most famous children's authors, showcasing her creativity, determination, and the magic behind her timeless stories.
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Miss Potter full movie, Miss Potter 2006, Renée Zellweger movies, biographical drama, Beatrix Potter story, children's author movie, Peter Rabbit film, inspirational true story, period drama 2006, Miss Potter English movie, Miss Potter HD, movies about authors, love and creativity, inspiring woman movie, historical biography film, films about nature and imagination, beautiful biopic, timeless children's stories, Miss Potter watch online
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00:06:26Non, Saunders, drive me through the park.
00:06:30Through all the parks.
00:06:31I beg your pardon, Miss Potter.
00:06:32Drive!
00:06:34Oh, God.
00:06:37We did it.
00:06:39Did you hear my heart?
00:06:40It was a kettle drum.
00:06:42You see, we cannot stay home all our lives.
00:06:44We must present ourselves to the world.
00:06:47And we must look upon it as an adventure.
00:06:56Faster, Saunders.
00:07:10Faster, Saunders, if you please.
00:07:12No, Miss Behricks, no.
00:07:13Faster, you can't hold, boy.
00:07:14Right.
00:07:21Oh, God.
00:07:26Whoa!
00:07:40Saunders.
00:07:51Beatrix, where have you been?
00:07:53It's after four o'clock.
00:07:54I'm not a child.
00:07:55I can do things without my mother's permission.
00:07:57I was hoping to use the carriage myself this afternoon.
00:07:59Where were you?
00:08:00I took a drive.
00:08:02With my friends.
00:08:03You don't have any friends.
00:08:29Yes, I do, Mother.
00:08:31Every time I draw.
00:08:36Some of your paintings are quite pretty, Beatrix.
00:08:39But I'm not going to deceive you as your father does and call them great art.
00:08:44Well, my friend, when I'm a published author, then we shall see.
00:08:58Beatrix, Bertram, type of good nights.
00:09:18I haven't finished yet.
00:09:19Come on, hurry up.
00:09:21Bertram.
00:09:22There, I got him.
00:09:24Bert, shall we all borrow?
00:09:26Come on, you two.
00:09:27Hurry up.
00:09:27Down you go.
00:09:30Slowly.
00:09:35Harry, Rupert.
00:09:36It won't do to be late to the Hydes.
00:09:38Doesn't a mild and beautiful Beatrix?
00:09:40Being in a temper puts such a rose into her cheeks.
00:09:43When you grow up, Beatrix, and have to run a household, plan parties, keep a social calendar,
00:09:47and put up with a man who's never been introduced to a clock, your cheeks will glow too.
00:09:52Look at this ribbon.
00:09:54No, it's unsightly.
00:09:55Change him into something decent.
00:09:56Yeah, oh dear.
00:09:57Give this nightdress away.
00:09:58Oh, this would never do it.
00:09:59Just all fingers and thumbs.
00:10:00What is possible, Rupert?
00:10:01We are so late.
00:10:03What have you drawn today, Beatrix?
00:10:05Benjamin Bunny having a rest.
00:10:07Oh, these ears are getting better and better, and this is the shading ears.
00:10:12It's very good, Beatrix.
00:10:14Say your good night, snow children.
00:10:16Good night, Mother.
00:10:17Good night, Beatrix.
00:10:19Good night, Father.
00:10:20Good night, Beatrix.
00:10:21Good night, Mother.
00:10:22Good night, Bertram.
00:10:23Good night, Father.
00:10:24Good night, Bertram.
00:10:24Now, hurry upstairs.
00:10:25Come on, mustn't make Mama and Papa later than they are.
00:10:28Oh, children.
00:10:29What now?
00:10:30On my way home, I happened to walk down Piccadilly, and what do you think jumped into my pockets?
00:10:35Something very special for the young entomologist.
00:10:40And something very suitable for the young lady who's very soon to grow up to run a fine
00:10:44home just like her mother.
00:10:46We'll open them upstairs.
00:10:47Come on.
00:10:47Thank you, Father.
00:10:50Thank you, Father.
00:10:51Come on.
00:10:59Late, late, late.
00:11:00We are in love.
00:11:01They'll never be invited to the Heights again.
00:11:03For heaven's sake, Helen, it's polite to be a little late.
00:11:06Now, get them the carriage.
00:11:07This isn't polite late.
00:11:08This is late late.
00:11:12Right, wee ones.
00:11:13One story, and then bed.
00:11:15I want Beatrix to tell a story.
00:11:18Hers are funny.
00:11:19Indeed they are, and I know exactly what it'll be about.
00:11:22Tom Thumb and Hunker Dunker!
00:11:24Precisely.
00:11:25Tom, Hunker, are you ready to plan a story?
00:11:28Oh, yes, for eggs and cactus.
00:11:30Well, we shall see about that.
00:11:31This will be our test.
00:11:33Over there.
00:11:37Once upon a time, those two excellent housekeepers, Lucinda and Jane,
00:11:41bought some shiny new porcelain food,
00:11:44which they set out on their perfectly appointed dining room table.
00:11:47Then they decide to go for a walk.
00:11:49Da-da-da-da-da-da-da-da.
00:11:51Suddenly, there came a scuffling noise from the kitchen.
00:11:55Tom Thumb and Hunker Dunker crept out.
00:11:58The two mice saw that the dining table was set for dinner.
00:12:02Tom Thumb leapt up and took a big bite from the first plate and broke his tooth.
00:12:07Ow!
00:12:08Are we expecting someone?
00:12:10It's my publisher's.
00:12:12Oh.
00:12:12It's not a social call.
00:12:15In fact, I'm rather dreading it.
00:12:16I wish you wouldn't invite tradespeople into the house.
00:12:19They carry dust.
00:12:21Well, next time, I shall go to their office.
00:12:24Yes.
00:12:24Mr. Norman Horne.
00:12:30Miss Potter.
00:12:32Oh.
00:12:32I hope you will forgive my intrusion into your daily routine.
00:12:35I was expecting one of the...
00:12:37Ah, yes.
00:12:37I am Harold and Frewing's brother.
00:12:39I've recently joined the firm,
00:12:41and they have done me the great honour of assigning your book to me.
00:12:45Thank you.
00:12:46It was most gracious of you to invite me to...
00:12:49Tea?
00:12:50Yes, I would love some tea.
00:12:51Yes, thank you.
00:12:52Lemon.
00:12:52Thank you.
00:13:00Extraordinary.
00:13:02Oh, and funny.
00:13:05Delightful and magical and so beautifully drawn.
00:13:07I am utterly, utterly speechless.
00:13:10Perhaps we should discuss our business, Mr. Wall.
00:13:13I put your drawings aside with the greatest reluctance.
00:13:18Your brother's letter makes two proposals
00:13:20which I find quite unacceptable.
00:13:24First, they'd like the drawings to be in colour.
00:13:27I'm adamant they'd be in black and white.
00:13:29But Peter Rabbit's blue jacket and the red radishes
00:13:31surely would like your enchanting drawings reproduced as they are.
00:13:35Well, of course I would prefer colour,
00:13:36but colour will make the book cost far more than little rabbits can afford.
00:13:40I'm adamant.
00:13:41Which brings us to your brother's second point.
00:13:44They wish to reduce the number of drawings by nearly a third.
00:13:48Totally unacceptable.
00:13:50Let me explain.
00:13:51The idea of reducing the number of drawings was not my brother's but my own.
00:13:54If we can reduce the number to 31 precisely,
00:13:57then the illustrations from the entire book can be printed on a single sheet of paper
00:14:01using what we call the three-colour process that you desire
00:14:03and at a relatively low level of, um, cost, yes?
00:14:09Oh.
00:14:10I've given your book a great deal of attention.
00:14:12Truly, I would like it to look colourful on the shelf
00:14:15so that it stands out from ordinary books.
00:14:18You have given it some thought.
00:14:20Which other books have you supervised, Mr. Warne?
00:14:23Personally?
00:14:24Yes.
00:14:25This will be my first.
00:14:27Ah.
00:14:29Miss Potter, I have recently informed my brothers and my mother
00:14:32that I'm no longer content to stay at home and play nursemaid
00:14:36solely because I am the youngest son.
00:14:37No, I would like a proper job working for my family's firm.
00:14:41And they have assigned me you.
00:14:44Does that make things clearer?
00:14:46In other words, you have no experience whatsoever
00:14:50but because you've made a nuisance of yourself demanding a chance.
00:14:54They've fobbed you off on me.
00:14:57Miss Potter, I know all too well what my brothers intended,
00:15:00giving me your...
00:15:01your bunny book, as they call it,
00:15:04but I find your book quite enchanting, delightful.
00:15:08And if they intended to fob me off, as you say,
00:15:11then we shall show them.
00:15:12We shall give them a bunny book to conjure with,
00:15:15in colours, mixed to your satisfaction
00:15:17in front of your very eyes at the printer.
00:15:20At the printer?
00:15:21Oh, I could never.
00:15:23I will escort you there myself.
00:15:25If you will allow me the honour.
00:15:28Why would I never?
00:15:29Of course I'll go.
00:15:31I'm a grown woman.
00:15:32Miss Wigan will be there.
00:15:33I see absolutely no reason
00:15:35why an artist shouldn't visit her printer.
00:15:37Excellent, Miss Potter.
00:15:39Jolly good.
00:15:40Thank you.
00:15:42I shall make all the arrangements
00:15:43and I'm in every way, my dear lady,
00:15:46at your service.
00:15:47Oh!
00:15:49You and rabbits.
00:15:50Extraordinary.
00:15:51Excuse me.
00:15:52Doctor, come and get the trunks, would you?
00:15:58Yes, ma'am.
00:15:59So do you, so do you, so do you, put it there?
00:16:01I will be killed.
00:16:02I will be killed.
00:16:03I will be killed.
00:16:03I will be killed.
00:16:04I will be killed.
00:16:05I will be killed.
00:16:06I will be killed.
00:16:06I will be killed.
00:16:07I will be killed.
00:16:07I will be killed.
00:16:08When I was ten,
00:16:09my mother badgered my father
00:16:10into spending the summer
00:16:11in the Lake District
00:16:12as did other fashionable families.
00:16:14Like an animal released from its cage,
00:16:17I fell under its spell.
00:16:21Mind your frocks now.
00:16:23Come here.
00:16:25The woods are full of fairies
00:16:27and little folk that look for children
00:16:28that get their clothes dirty.
00:16:30And when they find them,
00:16:32they send the fairy beasts at night
00:16:34with sharp teeth
00:16:35and a ready appetite for young flesh.
00:16:37I'm trying to let you be!
00:16:39No!
00:16:40No!
00:16:44No!
00:17:05Don't, the farmers
00:17:06chew their hands and jows
00:17:08and come here.
00:17:09Larger!
00:17:10Larger!
00:17:11Larger!
00:17:11C'est parti !
00:17:41C'est parti !
00:18:11C'est parti !
00:18:41Oh, those silly drawings.
00:18:43Ben, who will love you?
00:18:44My art and my animals.
00:18:46I won't need more love than that.
00:18:48Perhaps not at 11, but let's see if you still feel the same way at 18.
00:18:52I drew Mama when we first met, and she married me.
00:18:56And Fiona doesn't mud wash off.
00:18:58Bertram, come with me.
00:18:59Die, you little devil.
00:19:06Right.
00:19:07Prince Charming himself couldn't resist such a bonny wee girl.
00:19:10Not when he meets my brother, Vlad the Impaler.
00:19:13Got you.
00:19:14Bedtime, my young reprobates.
00:19:17Now, shall I leave a window open, or...?
00:19:20No!
00:19:21I don't like fairy beasts.
00:19:23Well, it is a well-known fact that fairy beasts never eat a child when he's tucked up in his own bed.
00:19:29Fairies have been in the North Country for hundreds of years and have had many adventures.
00:19:34Have I told you about the changeling child?
00:19:37No!
00:19:38Yes, several times.
00:19:40I want to hear of it.
00:19:42I'll go ahead, Fiona.
00:19:43I'll tell myself a story.
00:19:45Right.
00:19:48Once upon a time, there was a king and a queen.
00:19:51Once upon a time, there were four little rabbits.
00:19:55Their names were...
00:19:57Flopsy Mopsy.
00:19:59Cottontail and Peter.
00:20:00Now, my dears, that old Mrs. Rabbit, one morning, you may go into the fields or down the lane,
00:20:07but don't go into Mr. McGregor's garden.
00:20:10Why not, Mother?
00:20:12Because your father had an accident there.
00:20:15He was put in a pie by Mrs. McGregor.
00:20:20Yes, he was.
00:20:21Peter, who was very naughty, ran straight away to Mr. McGregor's garden and squeezed under the gate.
00:20:28I like it.
00:20:43It's round the end of the cucumber frame.
00:20:46Whom should he meet but Mr. McGregor?
00:20:49Peter was out of breath and trembling with fright,
00:20:52and he had not the least idea which way to go.
00:20:54It's muddy, actually.
00:20:56One more, Mr. Mortimer. Lighten it up, hmm?
00:20:57Mr. McGregor caught sight of him at the corner, but Peter did not care.
00:21:01He slipped underneath the gate and was safe at last in the wood outside.
00:21:07Not quite.
00:21:09See here.
00:21:10It's still a bit.
00:21:11When Peter came home, his mother put him to bed with a tablespoonful of chamomile tea.
00:21:24But Flopsy, Mopsy and Cottontail had bread and milk and blackberries for supper.
00:21:30This book, it's changed things for me, Mr. Warren.
00:21:40How so?
00:21:40Well, for one thing, it's given me the chance to prove to my mother that an unmarried woman
00:21:49of 32 can do more than attend tea parties and smile at dull conversations.
00:21:55Yes, indeed.
00:21:56You know, my family never wanted me to get into publishing either.
00:21:59We do make rather a good team, don't you think?
00:22:01Provided, of course, we prove them wrong.
00:22:18Mother, this is Miss Potter.
00:22:20Ah, at last.
00:22:23We poor forgotten folk in Bedford Square get to share some of Norman's excitement.
00:22:28Mrs. Warren, it's so kind of you to invite me.
00:22:30Nonsense.
00:22:31It was the desperate act of a woman who was beginning to forget what her son looked like.
00:22:35Mother.
00:22:36And this is my sister, Amelia.
00:22:38Hello.
00:22:39Norman allowed us a peek at Peter Rabbit, Miss Potter.
00:22:41We found it utterly charming.
00:22:42So we wheedled, cajoled and absolutely insisted that Norman bring you round for tea.
00:22:46I have decided that you and I are going to be friends.
00:22:50Have you?
00:22:51Well, Norman tells me that you're unmarried, as am I, and that you're not unhappy about
00:22:57it, and I can't tell you how much that pleases me.
00:22:59Why can't you talk about the weather like other girls?
00:23:01Well, all the other unmarried daughters in our circle, and believe me, there are many,
00:23:05they sit around all day gossiping and unaccountably bursting into tears.
00:23:09But you have done something.
00:23:11You've written a book.
00:23:13I warn you, I am prepared to like you very much.
00:23:16Well, in that case, I shall have to like you too, Miss Warren.
00:23:18Well, call me Millie, and that's to be the last of Miss Potter too, I'm afraid.
00:23:22Absolutely.
00:23:23Beatrix, by all means.
00:23:24Thank goodness, the tea.
00:23:26I'm beginning to feel quite ill with all this bonhomie.
00:23:28Oh, do let's have tea in the garden, Mother.
00:23:29It's too beautiful a day in every way not to share it with the flowers.
00:23:32Well, I love to garden.
00:23:37Mother disapproves, but I can't help myself.
00:23:39I love flowers, shockingly.
00:23:40That's why you have the hands of a greengrocer.
00:23:42I do not.
00:23:43Thank heavens.
00:23:45Norman sometimes deigns to read to me.
00:23:47If I had to rely on you for companionship, I should expire of loneliness.
00:23:51My mother's taste in books, Miss Potter, and I'm afraid in life, runs to the, um, melodramatic.
00:23:55Oh, nonsense.
00:23:57I like good English biographies, and you know it.
00:24:00I loathe silly romances, such as the ones your brothers publish.
00:24:04My brothers and I, Mother.
00:24:05I am part of the firm now too, you know.
00:24:07Oh, a sweet-natured boy like you does not need to work.
00:24:11Your brothers provide quite well for all of us, and I need your smile here.
00:24:15That then no one listens to a crotchety old lady in a wheelchair.
00:24:19Indeed they don't, Mother.
00:24:20My mother may be crotchety, Miss Potter, but she does have an eye for beautiful things.
00:24:24She was fascinated by your drawings.
00:24:26Oh.
00:24:27Oh.
00:24:28Utterly unique.
00:24:29Oh.
00:24:30Yes, well, when I see something unusual, I'm not content just to look at it.
00:24:35I must capture it.
00:24:37Last summer, in the farmyard, I was drawing something that was quite lovely in the sun.
00:24:42and suddenly I realised I was drawing the pig's swill bucket.
00:24:46I had to laugh at myself.
00:24:50I feel a bit of a chill, Norman. Can you take me inside?
00:24:53Of course.
00:24:54Please excuse me. It was delightful meeting you, Miss Potter.
00:24:57And you.
00:24:58Do stay longer and teach Millie how to behave.
00:25:02Funny.
00:25:03I think that means she likes you.
00:25:06Did she say she likes to draw swill buckets?
00:25:10Indeed she did, Mother.
00:25:12Indeed she did.
00:25:14Now, I think by Wednesday you could hang the lace curtains upstairs.
00:25:17Then at least it'll look like summer, even if it doesn't feel like it.
00:25:21Yes, madam.
00:25:22Oh, Beatrix, what is this stain on your blouse?
00:25:25Jane says it won't wash out and she's tried everything.
00:25:27Oh, it's ink.
00:25:28Ink.
00:25:29I must have brushed against something at the printers.
00:25:32Jane, I'm very sorry for causing you extra work.
00:25:35Jane, take the blouse away. Give it to the poor.
00:25:36Well, this behaviour shows scant regard for your father's money.
00:25:40Well, one day I shall make enough money to buy my own clothes.
00:25:44I'm far too old to be living off the generosity of my father.
00:25:47You're too old to be spending so much time in the company of a man who takes you to printers.
00:25:51Your father does not approve, and neither do I.
00:25:54Mr. Warne is publishing my book.
00:25:57Oh, that book.
00:25:58I can hardly wait till it's finished and forgotten.
00:26:01I don't understand you, Beatrix.
00:26:03Your father and I have introduced you to so many suitable young men of your class.
00:26:07Young men of fortune and impeccably good family.
00:26:10Oh, certainly. Like that charming fellow, Lionel Stokely.
00:26:15Lionel is a particular favourite of his uncle, the Earl, whom we visit every summer at Stokely Court.
00:26:21Oh, and I do regret terribly that I didn't accept Harry Haddon Bell.
00:26:25Harry's great-grandfather went to Sandhurst.
00:26:27Harry's grandfather went to Sandhurst.
00:26:28Harry's father went to Sandhurst.
00:26:30And so I went to Sandhurst.
00:26:33The father went by and the game he'd often go out right in the morning and shoot breakfast.
00:26:38Ashland's a crack shot.
00:26:39But no, you're just a pig-headed girl.
00:26:43Mr. Warne is asking for you at the door, miss.
00:26:46Mr. Warne?
00:26:47He's not expected.
00:26:49Unannounced perfection.
00:27:09Two sold while we were at the booksellers.
00:27:19That amounts to 40 in a week.
00:27:2140?
00:27:21Which is 160 in a month.
00:27:23And I'm trying to remember my 12 times table.
00:27:271920 in a year.
00:27:29I can't breathe.
00:27:31That's just in one shop.
00:27:33My dear Miss Potter, you are an author.
00:27:35We have achieved what we set out to do.
00:27:37We have created a book.
00:27:40Yes.
00:27:42What's the matter?
00:27:44A cloud just passed across your face.
00:27:46You've been very generous with your time, Mr. Warne.
00:27:51Showing me things that I never would have seen.
00:27:55Printing houses.
00:27:57I shall miss your company.
00:28:00Are you losing my company?
00:28:01Well, it just occurred to me that the book is out
00:28:05and our association is coming to an end.
00:28:09Miss Potter,
00:28:10I had hoped that you might have other stories.
00:28:16Really?
00:28:17Really?
00:28:20Do you know,
00:28:21I recently remembered one,
00:28:23I thought I'd forgotten it,
00:28:24about a duck.
00:28:27A very stupid duck.
00:28:29Faced on one of your friends?
00:28:31It's based on myself, I think.
00:28:34It's a story I told a friend once.
00:28:36Yes.
00:28:38My family's son was in the Lake District,
00:28:40and there was someone there,
00:28:41the groundsman's son,
00:28:42who was always interested in my stories.
00:28:49Oh, Miss Beatrix!
00:28:52Are you skulking?
00:28:53No such thing, really, Healus.
00:28:55No, I was drying off my sketchbook.
00:29:01Not bad, Miss Beatrix.
00:29:05Do you have any animal stories for me today?
00:29:08I don't.
00:29:08Sorry, nothing new.
00:29:12Oh, that's Jemima.
00:29:14She doesn't have a story yet,
00:29:15not a proper one.
00:29:17Jemima a duck?
00:29:18Jemima a puddle duck, yes.
00:29:19And a stupider duck the world has never seen.
00:29:23She goes looking for a safe place to lay her eggs,
00:29:27then meets a charming gentleman
00:29:28with a long bushy tail and very sharp teeth.
00:29:31Uh-huh.
00:29:34Precisely.
00:29:35The gentleman offers her his shirt,
00:29:37and Jemima is surprised to find
00:29:39that there are so many feathers in it.
00:29:40But then, as I told you,
00:29:42she's a very stupid duck.
00:29:44I like it.
00:29:48I'd love to paint every view in this valley,
00:29:50but I'm not very good at landscapes.
00:29:53It's way too long
00:29:54and it won't be here to paint, Miss Beatrix.
00:29:56Really? That's ridiculous.
00:29:58No, I'm serious.
00:29:59The large farms have been broken up
00:30:00into small plots and sold off.
00:30:02Well, you can't stand in the way of progress.
00:30:05So they say.
00:30:08But I say beauty's worth preserving.
00:30:11I know you do, really.
00:30:13But nobody could disagree with you about that.
00:30:17We'll after you soon, then.
00:30:19Perhaps not, Miss Beatrix.
00:30:21I'm leaving for Manchester next week.
00:30:23To study the law?
00:30:25Yes, indeed.
00:30:26I'll have to better myself somehow.
00:30:28Good luck.
00:30:30Send me some drawings.
00:30:31I will.
00:30:35He encouraged me to take my writing seriously.
00:30:38We must get started on a new story straight away.
00:30:40Jemima Puddleduck.
00:30:41I think the public should like that.
00:30:43And Tom Thammon, Hunkamunker.
00:30:44What do you think?
00:30:45If you think...
00:30:47Your book has been very important in my life.
00:30:49You have been very important in my life.
00:30:51And you and mine, Mr. Warren.
00:30:53We must do it again and again.
00:30:55And again?
00:30:56I promise you, I intend to be a nuisance.
00:30:58When did you decide you wouldn't marry?
00:31:22Just before my 20th birthday, mother came to my room and announced that Lionel Stokely was to marry Gwendolyn Olcott and they were to live at Stokely Court, which Lionel had just inherited from the earl.
00:31:35And I knew right then that she would bring me no more suitors.
00:31:39And that I would never marry.
00:31:42And that shocked me.
00:31:43So I went into the garden and filled an entire notebook with sketches.
00:31:55Men are boars.
00:31:56They're useful for only two things in life.
00:31:58Financial support and procreation.
00:32:00Billy, you say outrageous things.
00:32:05Ah, but the price.
00:32:08What price?
00:32:09Domestic enslavement, childbirth, terrifying.
00:32:14No unmarried women have a better life.
00:32:16I swear it's true.
00:32:17No houses, no babies, no husbands demanding things all the time.
00:32:22As long as one's lucky enough in life to have a good friend.
00:32:25I'm so glad Norman found you, Beatrix.
00:32:28I was missing something I didn't even know.
00:32:30Dear Miss Potter, I enclose with great pleasure the latest in what I hope will be a long line of tales.
00:32:49Yours affably, Norman Warne.
00:32:51Mr. Warne, would you and Millie like to come to a Christmas party?
00:32:54My parents hold one every year, and I think it's high time that I invited someone.
00:33:00Yes, we'd be delighted to attend.
00:33:03Thrilled, in fact.
00:33:18Be still, little imps.
00:33:20Peter, you naughty boy.
00:33:23Look what an example you're setting.
00:33:24That's better.
00:33:29Any more of that, and I'll paint you out.
00:33:33Your father is home.
00:33:41How's your day at the club, father?
00:33:44Interesting, as always.
00:33:45Rupert, we seem to have a situation.
00:33:47We need your resolution.
00:33:48I want to invite Norman Warne and his sister to our Christmas party.
00:33:51With Lady Armitage, with Sir Nigel and Sibyl, a tradesman, Rupert.
00:33:55How will anyone have fun?
00:33:57He's a gentleman who publishes my books, father.
00:34:02Rupert.
00:34:03I have something here, Beatrix.
00:34:04I went into Hatcherd's bookshop, and I purchased this with good money.
00:34:10Now, Hugh Whittiford bearded me in the club and rattled on for hours.
00:34:14You know, old Hugh Jowls, all a-flutter.
00:34:16Wife bought three of your girls' books for our granddaughter's nursery, sending more by ship to Chums and Bombay.
00:34:21Very soon, the whole club was telling me of some purchase that they had made of our daughter's creations.
00:34:26So, I thought it was time that I bought one.
00:34:28So, I went straight into Hatcherd's, put my shilling onto the counter.
00:34:32I would have given you one.
00:34:33But I wanted to buy one, like everyone else.
00:34:37Now, I owe you an apology, Beatrix.
00:34:39When you showed me your books, all I saw was my little girl, bringing me clever drawings for me to comment on.
00:34:47You're not a little girl anymore.
00:34:49You're an artist.
00:34:51A genuine article.
00:34:53I would have been proud to use that word about myself.
00:34:56And I'm proud of you, Beatrix.
00:34:59Thank you, father.
00:35:00So, I don't see any reason why we cannot make a little social effort to welcome the gentleman responsible for this blessing into our home.
00:35:09Thank you, father.
00:35:13Thank you.
00:35:15I think it will be good for all of us.
00:35:22Merry Christmas, Rupert.
00:35:29Yes.
00:35:30Linus, don't serve Sir Nigel the punch with brandy, unless he demands it.
00:35:34Yes, sir.
00:35:35And after dinner, he'll take port.
00:35:36Come and give me a little signal after he's had four glasses.
00:35:40Yes, ma'am.
00:35:41How shivers, my darling.
00:35:44You've done it again.
00:35:45Oh.
00:35:47Good evening, sir.
00:35:48Good evening.
00:35:49Mr. Warren.
00:35:50Millie.
00:35:51How wonderful.
00:35:53Thank you, Jane.
00:35:55Thank you.
00:35:56Thank you.
00:35:57Mother.
00:35:57Father.
00:35:58I would like you to meet Miss Amelia and Mr. Norman Warren.
00:36:07How charming of you to be so punctual.
00:36:10I think Wigan is under strict orders never to leave our side.
00:36:37But how festive.
00:36:38How festive.
00:36:39Thank you, dear, Rupert.
00:36:42Thank you, dear, Rupert.
00:36:43Question.
00:37:44Carol's in the music room, my dears
00:37:47Perhaps I could show you your Christmas present
00:37:51Yes
00:37:53It's upstairs
00:37:54I will bring the coffee
00:37:56Mrs. Wiggin?
00:38:15Miss?
00:38:15Miss Wiggin, I have taken the liberty of adding a splash of brandy to our coffees
00:38:19Well, it is Christmas
00:38:21Is this where you paint, Miss Potter?
00:38:25Yes, and it's where we shall find your Christmas present
00:38:29Oh, my
00:38:33I think other than Bertram and Farther, you are the first man ever to step foot in this room
00:38:38Oh, would you like me to leave?
00:38:39No, no, no, no, Wiggin is here
00:38:40And if this is the best I can do for scandal at my age, I'm hardly worthy of my reputation for creativity
00:38:46Here
00:38:48My, but it's beautiful
00:38:52Is it the new story?
00:38:56Miss Potter, is it the new story?
00:38:58Is it...
00:38:58Oh, I'm not going to tell you
00:38:59Come over here
00:39:02Ah, it's Jemima Puddleduck
00:39:05Mm, it's the first drawing I ever did of Jemima
00:39:07Oh
00:39:07I was, er, eight, I think
00:39:09Jemima, stop that
00:39:11Stop what?
00:39:14Just some silliness
00:39:15And what's this?
00:39:20Oh, it's a music box
00:39:21My father gave it to me for my sixth birthday
00:39:24He did the painting himself
00:39:25Oh, so your father is an artist, too
00:39:27No, he always wanted to be an artist
00:39:29But the family disapproved, so he took up law
00:39:31Yes, the joke is, I've never once heard him discuss a case
00:39:35He goes to his club every day and never his office
00:39:38So, I don't really know what he does
00:39:40Oh, dear
00:39:43Who?
00:39:44Wiggin is fallible
00:39:46I'm afraid, Miss Potter, your reputation is now officially dented
00:39:49Ah, let me teach you how to dance
00:39:52Do you dance, Miss Potter?
00:39:54No, well, not well
00:39:56I make a terrible hash of a two when I try
00:39:58But the words are very sweet
00:39:59Oh, no, the words
00:40:00Will you sing the words?
00:40:04Well, let me teach you how to dance
00:40:09Let me lead you to the floor
00:40:14Simply place your hand in mine
00:40:18And then think of nothing more
00:40:23Let the music cast its spell
00:40:28Give the atmosphere a chance
00:40:33Simply follow where I lead
00:40:37Let me teach you how to dance
00:40:42Miss Potter
00:40:46Miss Potter
00:40:48I know you have decided not to marry
00:40:52All my life I thought that I would not marry either
00:40:55But something has happened that has caused me to change my mind
00:40:57Mr. Paul
00:40:58No, please, let me go on
00:40:59For if I do not say what I have to say now
00:41:00I fear I never will
00:41:01Miss Potter
00:41:04I would like you to consider
00:41:07Mr. Warren
00:41:08Doing me the honour
00:41:09And I do not expect an immediate answer
00:41:11Beatrix
00:41:12I was just showing Mr. Warren his Christmas present
00:41:17I'm an impeccably genteel, unmarried lady, Mother
00:41:22I haven't begun to invite men to my room
00:41:23Mr. Warren
00:41:24What is the picture, Beatrix?
00:41:51Oh, um, uh, I've, uh, written and drawn, uh, little children's books
00:41:58Which have been published
00:42:00Uh, the man who published them is here
00:42:02Mr. Norman Warren
00:42:04To thank him for his assistance and generosity
00:42:08Um, well, I'm, I'm writing him a Christmas story
00:42:13Can we hear it?
00:42:16Oh, it isn't finished, so
00:42:18Oh, go on
00:42:19Oh, well, I suppose before we part for the evening
00:42:24I could share a glimpse of the unfinished tale of the rabbit's Christmas party
00:42:33One particularly snowy Christmas Eve
00:42:41A young rabbit and his fearsome older brothers and fiercely brave sister set out on a journey they make every year to celebrate with their friends
00:42:52Now, rabbits are highly sociable creatures and legend has it that wherever they find themselves on Christmas Eve
00:42:58They get together and throw a jolly party
00:43:02Now, I know such a legend exists because I made it up
00:43:07The rabbits travel through the woods to the well-appointed burrow of their cousins
00:43:13Where a warm fire is waiting for them
00:43:16They take off their frosty coats
00:43:18They take off their frosty coats
00:43:20And the party begins
00:43:23Now, I know on this night that they will eat and talk and dance and laugh and, and roast apples on the fire
00:43:31But I'm not certain how the story ends
00:43:35Because I haven't made that part up yet
00:43:39But, in any case, Mr. Warne will have to read it first
00:43:44As he is my strict censor
00:43:47And, well, it is his present
00:43:49Merry Christmas, Mr. Warne
00:43:52Thank you, Miss Potter
00:43:54It's so beautiful
00:43:54Oh, yeah, yeah
00:43:55Thank you
00:43:56Good show
00:43:57There'll be no problem with presents for the grandchildren next year, I dare say
00:44:01Oh, you must be very proud, Helen
00:44:03It's just a children's story
00:44:05Outstanding
00:44:08Can I talk to you?
00:44:10Of course
00:44:10What is it?
00:44:17Is there something wrong?
00:44:18No
00:44:18As my confidante
00:44:20Oh, you have something to confide
00:44:22How delicious
00:44:23Your brother has asked me to marry him
00:44:28And I feel, quite irrationally, that I may say yes
00:44:33I'd like your approval
00:44:36My approval?
00:44:42Beatrix
00:44:43Don't be a fool
00:44:45Marry him
00:44:47Tomorrow
00:44:49Don't waste a moment
00:44:51How could you hesitate?
00:44:53You're not upset
00:44:53Well, why would I be upset?
00:44:56Well, both Norman and I
00:44:58You'll be alone
00:45:00You have a chance for happiness
00:45:02And you're worrying about me
00:45:03I wouldn't worry about you
00:45:05If someone came along who loved me and whom I loved
00:45:08I would trample my mother
00:45:09Do you love Norman?
00:45:11Do you love Norman?
00:45:12Hey
00:45:12Then marry him
00:45:14Don't you dare think about anyone else
00:45:17But what about all the blessings of being alone?
00:45:20Hogwash
00:45:20What else is a woman on her own supposed to say?
00:45:24You have a chance to be loved
00:45:26Take it
00:45:28And leave me happy knowing that the two people that I love are happy
00:45:32That is the most thought you should ever have for me
00:45:36There you are, Beatrix
00:45:38The guests
00:45:39Yes, Mother
00:45:40Oh, Millie
00:45:43What is going on tonight?
00:45:53Why do I feel like a stranger in my own home?
00:45:58You have a clever daughter, Rupert
00:45:59You must be very proud
00:46:00Beatrix?
00:46:01Yes, we are
00:46:02To write and draw like that
00:46:03Beatrix should meet my niece, Anne
00:46:06She makes pots
00:46:07Ceramics, Nigel
00:46:08They look like pots to me
00:46:10As for you, Madam
00:46:13I suggest you take up knitting
00:46:16Merry Christmas
00:46:18Merry Christmas tonight
00:46:19Thank you, Rupert
00:46:19Thank you, Rupert
00:46:20Thank you
00:46:21What was all that about?
00:46:25Sir Nigel disapproves of the way I play whist
00:46:27I'm afraid I won two guineas from him
00:46:29Mr. Warren
00:46:30Your painting
00:46:33Oh, yes, my Christmas present
00:46:35Yes
00:46:40Goodbye, Mr. Warren
00:46:49Goodbye, Mr. Warren
00:46:51Goodbye, Mr. Warren
00:46:51Goodbye, Mr. Warren
00:46:52Goodbye, Mr. Warren
00:46:55...
00:47:24Sir?
00:47:51I have an appointment to see Mr. Rupert Potter in the Eagleton room.
00:47:54He's expecting you, sir.
00:47:55Thank you.
00:47:56Come along, Norman. It's only her father.
00:48:11Thank you very much, Mr. Potter, for taking the time out of your very busy day.
00:48:27Goodbye, Mr. Warren.
00:48:33If you will not accept her advice and decision, then we will have to report that.
00:48:36But respect our knowledge of the world and our opinions, Beatrix.
00:48:39You have to understand your experience and the consequences.
00:48:42I said that I'll do it, and I will.
00:48:52Norman Warren is a tradesman, Beatrix. No Potter could marry into trade, and that's final.
00:48:55And what are we? Father's money comes from Grandfather's printing works in Lancashire. A trade, Mother.
00:49:02And if Grandfather hadn't run for Parliament, we'd still be living in the shadow of his factories.
00:49:07Your legacy came from Grandfather Leach's cotton trade.
00:49:10When did we become so high and mighty? We're parvenues, Mother. Social climbers.
00:49:17Your father and I will not allow this marriage for your own good, and there's no reason to become insulted.
00:49:22It's not an insult. It's the truth. Our lives are pretension and social aspiration. Sir this and lady that.
00:49:30Norman Warren is a gentleman of comfortable means, and not one bitch beneath us. And I intend to marry him.
00:49:37Not if you expect to take one penny of your inheritance!
00:49:41You haven't disinherited Bertram for running off with a wine merchant's daughter. Happily, I'm a published author. I have means of my own. This discussion is over.
00:50:03Come in, Father.
00:50:04Why is it that after any difficult situation, she always sends you?
00:50:10Mamma didn't send me.
00:50:13I don't like tension in my home.
00:50:16I want to resolve this matter.
00:50:18Well, you can't. I've made my decision.
00:50:20Your mother wants what is best for you, as do I, Beatrix.
00:50:24An impulsive and inappropriate marriage is something that you would ultimately regret.
00:50:28You can't allow me to marry and leave.
00:50:30With Bertram moved away, who would take care of you?
00:50:32You surely do not think that we would deny you happiness just simply because we needed a nursemaid.
00:50:37And that is a knife in my heart.
00:50:38Well, then what is it, Father? Because I can't understand.
00:50:40You cannot make us the villains, Beatrix.
00:50:42Your mother trotted out countless suitors, all of them acceptable.
00:50:46You rejected every one of them.
00:50:47I know that, Father.
00:50:48I didn't want to be a silly woman marrying a man simply because he was acceptable or rich enough to take care of me.
00:50:55But does that mean that I'm never to be loved?
00:51:00Father!
00:51:01Wigan, wait here, please.
00:51:13I'd like to inquire about my royalty earnings, Mr. Copperthwaite.
00:51:16And whether I might, at some stage, afford a house of my own in the country.
00:51:26You have enough to buy an estate, several estates, and a house in town.
00:51:31You're quite a wealthy woman, Miss Potter.
00:51:34Am I truly?
00:51:35Yes, the income has become quite regular.
00:51:40If your fortune continues to grow, you should have no financial worries for the rest of your life.
00:51:49Extraordinary!
00:52:05Beatrix?
00:52:07Beatrix?
00:52:08Come and sit with us, please.
00:52:10I'd rather not, Father.
00:52:11We have something to discuss.
00:52:13A proposition.
00:52:14And for heaven's sake, Beatrix, let the servants carry your dishes.
00:52:19Thank you.
00:52:22Tea?
00:52:24No, thank you.
00:52:25Nonsense. You always take tea.
00:52:27Contrary to what you think and what you have so vehemently expressed, your mama and I want you to be happy.
00:52:33We simply doubt that this marriage will do the trick.
00:52:37Helen, please. Sit down, Beatrix.
00:52:42What we don't want is for you to rush into something which you may later wish to reconsider.
00:52:47I won't want to reconsider.
00:52:48We are not convinced.
00:52:50Helen, please.
00:52:52We are not convinced.
00:52:54Yet neither have we hearts of stone.
00:52:57Therefore, this is what we propose.
00:52:59You may accept, Mr. Warne, but it must remain a complete secret, even from his own family.
00:53:08Now this summer, yourself, Mama and I will go, as always, to the Lake District.
00:53:12If, at the end of the summer, you still wish to proceed, then we will denounce your engagement and you can marry with our blessing and our love.
00:53:25Why must no one know?
00:53:28So there will be no public embarrassment when you change your mind.
00:53:31If.
00:53:32If you change your mind.
00:53:33If.
00:53:34Now, Beatrix, if you care for this man as much as you say you do, then in a few months the ardour will still be there.
00:53:43If your mother and Anne and I are correct, and this emotion cools with time, then we will have protected you against humiliation and unhappiness.
00:53:52It will not cool.
00:53:53It will not cool.
00:53:54Beatrix, listen to me.
00:53:55Beatrix, listen to me.
00:53:56A woman at your age must consider...
00:53:58Mother!
00:53:59The only thing true at my age is that at my age, every day matters.
00:54:10Very well, Mother, Father.
00:54:13I accept your terms.
00:54:15Norman and I may decide to wait in any case.
00:54:17But make plans.
00:54:21There will be a wedding in this house by October.
00:54:47Which she would prefer to wash out of my age.
00:54:49That région dwell in April in April.
00:54:53We were not a band.
00:54:55What?
00:54:58Great, thank you.
00:54:59Great, thank you.
00:55:00Great and wan'y.
00:55:05It is so cool that as soon as soon as possible.
01:10:58I did have other plans for it, but I'm sure that I will love it in any case.
01:11:04Yes. If you need any other assistance or help...
01:11:07Thank you very much, Mr Heavis. Good day.
01:11:10Good day, Miss Potter.
01:11:19You all right?
01:11:19What I don't understand, Beatrix, is how you're going to pay for this farm.
01:11:30I'm a writer, Mother. People buy my work.
01:11:33Our daughter is famous, Helen. You're the only person who doesn't know it.
01:11:36What I don't understand is why you find it necessary to leave your home.
01:11:47It is not a choice, Father.
01:11:50Beatrix, if I could undo anything...
01:11:53There's nothing to undo. This has nothing to do with you or Mother.
01:11:57I must make my own way.
01:12:03So you must.
01:12:06So you must.
01:12:07So you must.
01:12:27Everybody out.
01:12:37You see?
01:12:39I told you we could not know where our journey would lead.
01:12:42It has led us here.
01:12:45This is your new home.
01:12:46No tears.
01:12:58No tears.
01:13:16No tears.
01:13:40It has led us.
01:13:42It is my new home.
01:13:43Sous-titrage MFP.
01:14:13...
01:14:43Miss?
01:14:50Millie.
01:14:54It's wonderful to see you.
01:14:56Oh, this place is perfect.
01:14:59Millie.
01:14:59What have you brought?
01:15:03Oh, well, I thought it best not to bring this, but then it jumped into my hand as I walked out the door.
01:15:10I'm sorry.
01:15:22Thank you.
01:15:34It's getting easier.
01:15:36It's getting easier for me, too.
01:15:39Good.
01:15:39I'm painting again.
01:15:43My mind's going mad with the story.
01:15:46I've got pigs running amok up there.
01:15:48Well, it's this place, isn't it?
01:15:54Who'd want to be cooped up in London when they could be up here?
01:15:57I'm so glad you came.
01:15:58Me too.
01:15:59I've been so lucky with visitors.
01:16:03First, my brother Bertram, then my mother.
01:16:06You think that's lucky?
01:16:07Your mother is a monster.
01:16:09No, it's fine.
01:16:10My mother and I have come to an understanding.
01:16:13We've agreed to not understand each other.
01:16:15Well, it's actually a business that you want to offer me a half decent price for a deroling property,
01:16:44and then pay me and my lads good money to knock the damn place out of my life.
01:16:50Let him build what he likes.
01:16:52If we allow these city developers to buy up our land, there'll be no more farming.
01:16:57And all you're left with is a ruined landscape and no community.
01:17:06Miss Potter.
01:17:09Ah, Mr. Healers.
01:17:11I see you found me.
01:17:14I played here so often as a child.
01:17:18I know your farm very well.
01:17:20Oh.
01:17:21Swam in the stream, played hide-and-seek in the woods with Cousin Charles.
01:17:26I brought you the executed deed for the farm.
01:17:28At last.
01:17:29Thank you very much, Mr. Healers.
01:17:31Busy?
01:17:32Yes.
01:17:33Yes, I've asked Mr. Cannon to stay on and run Hilltop as a working farm.
01:17:37I'm learning a great deal.
01:17:39I wish everyone who bought land up here could be so...
01:17:43enlightened.
01:17:45You've bought a farm, you've kept the workers on, you're working the land and you're preserving this place.
01:17:50Yes.
01:17:52Makes me happy.
01:17:55Mr. Cannon says the two farms adjoining mine are for sale.
01:17:58I'd hate to see the developers get hold of them.
01:18:01Do you know anything about them?
01:18:02Good morning, Mr. Cannon.
01:18:07Miss Potter.
01:18:11Why, they've grown.
01:18:13Handsome lot, wouldn't you say?
01:18:15Yes.
01:18:16Have you named them?
01:18:18We don't often give them names, Miss Potter.
01:18:20Makes it a bit hard come slaughtering time.
01:18:23Hello, Miss Potter.
01:18:25Hello yourself, Mr. Healers.
01:18:28To what do I owe the pleasure?
01:18:30I've come with a message.
01:18:32Mr. Hubbard is ill and will be unable to show you the neighbouring farms today.
01:18:35Oh, dear.
01:18:36It's not serious, I hope.
01:18:38Chronic illness, I'm afraid.
01:18:39Recurs several times a month.
01:18:41Usually after a night at the Rose and Crown.
01:18:44I see.
01:18:46Mr. Hubbard wondered if I might show you the properties instead.
01:18:50I'd be pleased to have so knowledgeable a guide.
01:18:54I'll just get my shore.
01:18:56Well, it's prime land.
01:18:57And there's a lot of profit in building houses on it.
01:19:00Ah, but more value as a working farm, surely.
01:19:02Spoken like a true lakes woman, Miss Potter.
01:19:05Indeed, Mr. Healers.
01:19:06You do realise I've never been to an auction?
01:19:09Well, it's simple enough.
01:19:10Don't bid too early and stick to your limit.
01:19:12I know my limit, Mr. Healers.
01:19:16Craven's Mill Farm.
01:19:1840 acres of splendour.
01:19:20£1,100 anywhere.
01:19:22£1,100 I'm bid.
01:19:24£1,150.
01:19:25Come along, gentlemen.
01:19:27Splendid little farm this.
01:19:29Lots of development potential.
01:19:30£1,150.
01:19:32£1,200 anywhere.
01:19:34£1,200.
01:19:35£1,300 anywhere.
01:19:36Bidding, madam, £1,300.
01:19:39Seated at £1,300.
01:19:42£1,400.
01:19:44£1,500.
01:19:45£1,600.
01:19:47£700.
01:19:48£800.
01:19:50£1,900.
01:19:51At £1,000, £2,000.
01:19:54At the back, £2,000.
01:19:56Any more?
01:19:57At £2,000.
01:19:59£2,300, rich bastard.
01:20:02Thank you, sir.
01:20:03£2,300.
01:20:05At £2,300.
01:20:08Any more, then?
01:20:08At £2,300.
01:20:11£2,500.
01:20:14The lady at £2,500.
01:20:16Against you, sir.
01:20:16At £2,500.
01:20:18£2,800.
01:20:19Miss Potter, you bid more than that farm is worth.
01:20:21£2,800.
01:20:22£3,000.
01:20:24At £3,000.
01:20:25Seated with the lady.
01:20:27Against you, sir.
01:20:28Are we all done?
01:20:29At £3,000.
01:20:30Going £3,000.
01:20:31Going once.
01:20:33Going twice.
01:20:35Solves for the lady.
01:20:36£3,000.
01:20:39Sir.
01:20:41You should control your client.
01:20:43She has allowed her emotions to get the better of her.
01:20:45Really?
01:20:46She has squandered any possibility of profit from that farm.
01:20:49It was prime development land.
01:20:51This place, this community, is an inspiration.
01:20:54It should be conserved for future generations and not destroyed.
01:20:57It deserves protection.
01:20:58Madam, your observations are woefully inadequate.
01:21:01I am no longer in the habit of being lectured to.
01:21:04And, thankfully, I do not require your approval.
01:21:08Or anyone else's.
01:21:09So, if you'll excuse us, Mr. Helis.
01:21:12I hope you're not going to make a habit of this, Miss Potter.
01:21:23Do you know, Mr. Helis, I think I might.
01:21:27Now, will you have time tomorrow to show me those other farms?
01:21:30I certainly will.
01:21:32Excellent.
01:21:32Come in.
01:21:49Oh, my.
01:21:51Goodness me.
01:21:53I'll be just a moment.
01:21:54Well, then, young man.
01:22:19How are you taking to your new home?
01:22:24I know it's not London.
01:22:26But Hilltop might suit a young rabbit better.
01:22:31He seems to be taken to the place.
01:22:33As am I, Mr. Helis.
01:22:36Now, the road.
01:22:38Oh, yes.
01:22:38Yes, of course we've got that.
01:22:41How would you feel about calling me William instead of this infernal Mr. Helis?
01:22:48You sound like an undertaker.
01:22:50Of course, William.
01:22:52And I believe Beatrix might be perfectly appropriate as well.
01:22:56There's something delicious about writing those first few words of the story.
01:23:18You can never quite tell where they'll take you.
01:23:24Mine took me here.
01:23:26Where I belong.
01:23:27You can never come.
01:23:32Sometimes you can never talk about writing though.
01:23:37Don't call me preço.
01:23:37I Ε'扮стр code.
01:23:38There's something crazy, and you can't say.
01:23:41In the拿 coin, every time it comes to rice.
01:23:42I'm going to draw in nhữngitzel.
01:23:44I'll take you well.
01:23:45I'll take you well.
01:23:46I'm not just a moment.
01:23:47I'll take you well.
01:23:48I'll take you well.
01:23:50Listen, Dad.
01:23:50I will take you well.
01:23:52It's just a moment.
01:23:53I'll take you well.
01:23:54You can never tell me.
01:23:55Sous-titrage MFP.
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