Ding Gru
  • 5 hours ago
Los Casablanca Capítulo 51 Completo HD
Los Casablanca Capítulo 51 Completo HD
Los Casablanca Capítulo 51 Completo HD
Los Casablanca Capítulo 51 Completo HD
Transcript
00:00Come on.
00:30Why did you leave me?
00:37What?
00:41Why did you leave me?
00:45What?
00:49You're shit, man.
00:51You're shit.
00:54You're shit.
00:56You're shit.
00:58It's not a shit!
01:00It's not a shit!
01:02It's not a shit!
01:04I'm a shit, but I have everything!
01:06I'm a shit, but I have everything!
01:08I'm a shit, but I wanted to grab that...
01:10Without anything...
01:12Without anything...
01:28Ah!
01:29Ah!
01:30Ah!
01:31Ah!
01:32Ah!
01:33Ah!
01:34Ah!
01:35Ah!
01:36Ah!
01:37I'm not a man.
01:38Conas.
01:39Casa Blanca.
01:40Peretti.
01:41Perfect.
01:42Perfect.
01:43Casa Blanca.
01:44Conas?
01:45Hello.
01:46I thought you were home at this time.
01:47What are you doing here?
01:48Nothing.
01:49I don't know.
01:50I just came in and I'm looking for a room.
01:51What?
01:52But why didn't you call me?
01:53No, no, no, why didn't you call me?
01:54What room did you want to see?
01:55No, no, no, no.
01:56No, no, no.
01:57No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
02:27Listen to me, listen to me. I have a much better idea.
02:32Why don't you move in with me?
02:36To my house.
02:44I don't understand, Ángel. You work at the post office, you see them every day.
02:48Have you never noticed anything special between them? Any vibe?
02:52Yes, I had my suspicions, but there was no certainty.
02:57I asked Ivette, but she denied it.
03:00Now, if you ask me, the one who is obsessed today is Jonas with her.
03:06I think the same.
03:09But it's so hard to get to Jonas.
03:13Yes.
03:15Have you slept with him?
03:18No.
03:20It's a permanent headache.
03:25And you've known Ivette for a long time or what?
03:28Yes, since college.
03:30And it's always been like that?
03:32You've always messed with guys younger than her?
03:37No, I mean, Ivette is a very reserved woman in her personal life.
03:43A woman very dedicated to her job, loves her job.
03:47Good mother, sensitive, cheerful.
03:52It seems that you are also in love with her.
03:56No, no.
03:59What I want to tell you is that she is a good person.
04:05You should invite her to lunch here on family Sundays.
04:09No, Raimundo.
04:12Not everything is black and white.
04:14There are shades, there are gray areas too.
04:17Ivette is a traditional woman, conservative.
04:21Conservative?
04:23A woman who messes with guys half her age?
04:28Let's see.
04:29Look, when she recognized me that I was with Jonas, I was destroyed.
04:37I was very bad.
04:39He's fighting with his daughter, she doesn't talk to him.
04:43And in the post it's only about the romance she has with Jonas.
04:49Raimundo, no one chooses who to fall in love with, right?
04:54What are you telling me that Ivette is in love with my son?
05:00Honestly, I'm as lost as you are.
05:04It's hard for me to believe that it's like that, but...
05:07It's also hard for me to believe that it's just a premonition.
05:16That I'm going to live with you in your house.
05:22I mean, there are many more steps, really.
05:25I don't really know what to say.
05:27Yes, why not? Tell me yes.
05:29Tell me yes.
05:32Let's see, Ivan, why are you offering me this?
05:38Well, because you're my nephew, that's why.
05:40Yes? Are you sure that's the only reason?
05:44Yes, which other?
05:47I don't know.
05:49Are you sure I'm not doing this because you want to be like the good one with me?
05:55No, I don't understand what you're talking about.
05:59Ivan, you and I know that for my dad it would be a huge blow for me to live with you.
06:05I mean, I don't know, maybe you're doing this to use me and provoke him.
06:14What?
06:15Or not, well, it doesn't matter.
06:20It seems to me like a possibility, that's all.
06:23Okay.
06:25Yes, yes, yes, it could be a possibility, but no.
06:33No, no, Jonas.
06:36Look, it's very painful and I thought we had a good relationship, I don't know if it's a good relationship, but...
06:41No, yes, yes, we have.
06:43...it's something that didn't crucify me.
06:45And I didn't crucify you, Ivan, it was stupidity.
06:47I said something I shouldn't have said.
06:49Your father, really.
06:51Your father put that idea in your head.
07:00Oh, Jonas, no, no.
07:02No, I'm not doing this to bother your father.
07:07No, I'm doing this because you're my nephew, because you need help and because you're the only member of that family
07:14that has approached me without any problems, and that's worth a lot to me.
07:22Yeah, I'm fine, yes.
07:23Maybe it's a little early to invite you to come with me, but you can stay and live here in the hotel.
07:33There's no problem.
07:34It's true, it's a lot, Ivan.
07:36No, it's not a lot, no, listen to me.
07:38When it comes to family, it's never a lot.
07:41And even still, it's never enough.
07:45So you stay and live here in the hotel.
07:47Do you agree?
07:54Ivan.
07:57My nephew Jonas is going to live here for as long as this man allows.
08:00Okay?
08:07Oh, this is so cool.
08:08Well, this...
08:16What's wrong?
08:18I want you to leave.
08:21But why?
08:25It was once, and this was the last time. I want you to leave.
08:29But how so literal, Luciana?
08:31Yes.
08:33I'm a journalist.
08:34Of course I take my words very seriously.
08:36Now get out of here.
08:38Yes, of course.
08:42Get dressed and get out of here.
08:44Okay.
09:02No, no, no, no, no, no.
09:21Hello, my love.
09:23I'm glad you called me.
09:24I was just about to call you.
09:25Juan Pablo, where are you?
09:27I was waiting for you.
09:28You said you were coming back.
09:29You won't believe it, honey. I hit a tire.
09:31I'm finishing, I'm going home.
09:33What? And where are you? Are you changing it?
09:36Yes, yes, I have a little bit left.
09:39But why didn't you call a crane if insurance covers it?
09:43But honey, why would I call a crane?
09:45I was going to have to wait longer, I was going to take longer.
09:48I'm finishing now.
09:49But honey, it's dangerous, it's midnight.
09:51Imagine, they rob you, or they take the car, they run you over.
09:55It's super late.
09:59Hey, I have a little bit left. I'm going home.
10:02Are you okay? You sound like you're tired.
10:07Yes, honey, I'm changing a tire.
10:09I'm finishing, I'm going home, I told you.
10:11Come slowly, please.
10:13Imagine if a wheel comes out and you roll over.
10:18Damn, I love the confidence I had in my skills.
10:21Come on, silly, hurry up.
10:24Yes, I'm going.
10:26Hey.
10:28I love you.
10:30A kiss.
10:36Damn it, Luciano.
10:56THE NEXT DAY
10:59Here, drink.
11:03Oh, that face.
11:05It's too early to walk with a long face, old lady.
11:08Come on, sit down.
11:10What happened?
11:11Oh, it's not that I got caught with Gaby.
11:16She told me to change.
11:18Yeah, and that's because of everything that's going on between Jonay and his mom, right?
11:22Yes, yes, she preferred to leave.
11:26Let's see.
11:28And what can I do to make you happy?
11:33I got married.
11:34Just like your little sister did not long ago.
11:38In one of those, I'll surprise you, old lady.
11:40Oh yeah?
11:41Oh yeah, imagine.
11:44You know, I really like Miss Luciana.
11:49It's like for you.
11:51Because she's very different from the other whores you've been with.
11:55Oh, but what?
11:57Don't use that word.
11:59Oh, whore.
12:02But yes, yes, I feel like I won the lottery with her.
12:06And all this, where's dad?
12:07No, he left very early, he had to do it.
12:10Why, where did he go?
12:13Come on.
12:15Come on.
12:16Come on.
12:21Come on.
12:47Coming.
12:51Good morning, Yvette.
12:52Sorry for the sudden visit, but I needed to talk to you in person.
12:57What a surprise, Raymundo.
13:01May I come in?
13:13Angel has always had a good concept of you.
13:16And for that reason, I wanted to talk to you.
13:20And for that reason, I dared to come and see you.
13:27And since you're a mother,
13:30I suppose you understand how complex this matter is.
13:35Matter?
13:39I know that you're not the only one responsible.
13:44But since you're a big woman,
13:47I understand that it will be more reasonable than my son.
13:51Let's see, sorry, but it seems like I'm not understanding.
13:55I'm talking about your relationship with my son.
13:58About what's going on between you two.
14:01Look, Jonas is obsessed with you.
14:05It's another example of your acts of rebellion.
14:09And that's why I wanted to ask you not to feed this relationship.
14:13Does Jonas know that you're here?
14:17No, no, he didn't have to know.
14:20This is a conversation between two people with the same criteria.
14:24A conversation that I didn't ask to have.
14:27And a conversation that is very uncomfortable for me too.
14:30So if you have a problem with your son, I think you should talk to him directly.
14:34No, I don't have a problem with Jonas.
14:36I have a problem with whatever is between you two.
14:40Doesn't this seem strange to you?
14:44To come to my house and talk about something that's going on between two people who are adults.
14:51Let's see, he is your son, yes, I admit it.
14:55But the only thing I'm going to say is that if my daughter went out with someone older,
15:00it would probably seem strange to me.
15:03But I would bite my tongue before giving an opinion about something where no one has asked me for my opinion.
15:10So if you don't have another topic to talk to me about, please.
15:14Can I go?
15:18Good morning.
15:23Good morning.
15:34Good morning.
15:36How did the most beautiful woman in the world pass away?
15:39What?
15:40What are you talking about? Where did it come from?
15:42Nothing, I wanted to feel a little different today.
15:45A little vanity doesn't hurt anyone, does it?
15:48And who do you want to impress dressed like that?
15:50The girl.
15:51The guy, my love, who else?
15:55My love, what happened to your lip?
15:57What?
15:59Nothing, I'm even ashamed to tell you.
16:01Yesterday, changing the tire, I leaned very hard on the cat, I went forward and I hit my leg.
16:08That looks ugly, my love.
16:10Very irresponsible that you have changed that wheel alone, I told you.
16:13Irresponsible, but we men do such things. Are you going to leave me alone?
16:17Yes, my love, I have to go to the hotel, because we have to go with Emilia to pick up the things that were left from the party,
16:22so I want to get to the store earlier, okay?
16:24Well.
16:25I love you.
16:26I love you.
16:28Bye.
16:29Bye.
16:38How did you wake up?
16:40I was thinking of you.
16:52The number you have dialed is not available or is out of service.
16:56The number you have dialed is not available or is out of service.
17:26Hello.
17:28Hello, my love, it's me.
17:30Oh, hello, my love, and this call, I did not expect it.
17:33I thought you had already left me exhausted.
17:35Oh, ridiculous, how can you think?
17:38Hey, and why are you calling me from this number?
17:41Because in the party they changed the numbers.
17:44And why did they do that?
17:46I don't know.
17:48I don't know.
17:50I don't know.
17:52I don't know.
17:54I don't know.
17:56I don't know, I can order from above.
17:57It seems that they are going to change the company.
17:59I don't know, I just obey.
18:01She is the most obedient.
18:05Hey, what's wrong with you?
18:06I'm super obedient.
18:09Let me question your obedience.
18:16Hey, now I understand.
18:18I was sending you messages and they didn't reach you.
18:21No, my love, that's why they didn't reach me.
18:23Hey, are we going to see each other today?
18:26No, I don't think so, my love.
18:28I have a lot to do.
18:30A lot, my love, I would love for you to come to my house.
18:33Yes, I would love it too, but it's impossible.
18:36A business is opening with the Japanese
18:38and I have to stay with my dad to help him with all the things.
18:41So we're going to stay until late working, excuse me.
18:43Well, I understand.
18:45Keep telling me how your day is going, okay?
18:48Well, you, everything okay?
18:50Yes, everything is fine.
18:52Well, I'll leave you.
18:54A little kiss, okay?
18:56A little kiss, I love you.
19:11Why did you leave me?
19:13Why what?
19:15Why did you leave me?
19:17Why did you leave me?
19:23You're a piece of shit.
19:24You're a piece of shit.
19:26You're a piece of shit.
19:28You're a piece of shit.
19:34Half an hour, okay?
19:40Hello.
19:42Good morning, how are you?
19:44Fine, you?
19:46Well, here we are, I don't complain.
19:48Hey, I thought I was going to find you sleeping there, again.
19:50In a pool?
19:52You were surprised, huh?
19:54What happens is that I have a moldy body
19:56and those pools are not as comfortable as before.
19:58I preferred not to sleep there.
20:00So, have you made up with your dad?
20:02No, no, no, not yet.
20:04We're not ready for miracles.
20:06And where are you spending the night?
20:08In a place,
20:10a place that is more comfortable than sleeping in my dad's house
20:14or here in the pools.
20:17Hey,
20:19in my idea you're a little down.
20:22In your idea, no.
20:24What happens is that I found this
20:26lying there in the pool where he fell asleep.
20:35Have you put on good shoes, Rooster?
20:37Look, he's swimming to have a drink.
20:40No.
20:42Well, it's just that
20:44there's a day when you need to be in the heat
20:47but that's not going to happen again.
20:49Hello.
20:51Are you there?
20:53Hey,
20:55what are you writing?
20:57Why are you smiling?
20:59My sister.
21:01Excuse me.
21:03Your sister?
21:05Send my regards to your sister.
21:09My sister.
21:17Always for you.
21:23I couldn't talk to you yesterday.
21:28I can imagine.
21:30Did your husband tell you anything?
21:33Nothing about you.
21:36But he followed me.
21:38That's why I went to my sister's house.
21:40It's clear that he suspects.
21:53Yes?
21:55Excuse me.
21:57Ma'am, they're waiting for you in the meeting room.
22:00Perfect, Elfira, thank you. I'm coming.
22:09I have to leave you.
22:23Excuse me, let's see if I understand correctly.
22:26So, Alessandra wouldn't be willing
22:28to take charge of my project?
22:30No, no, I didn't say that.
22:32I didn't say that she wouldn't be willing.
22:34I just told you that
22:36it wouldn't be easy to convince her.
22:38Let's see, Tomás, be honest.
22:40Have you talked about this with her?
22:42Yes.
22:44I mean, I haven't found the right time
22:47or space to go deeper.
22:49Excuse me, you two live together.
22:51How come you haven't found the right time
22:53to talk about this?
22:55Oh, so you two are really on bad terms.
22:59No, I didn't say that.
23:01No, no, Tomás, I'm sorry.
23:03A couple of days ago you were here at the hotel
23:05drinking alone, quite drunk.
23:07Well,
23:09all marriages have their ups and downs.
23:12It's normal.
23:14Yes, yes, yes.
23:16Look, I'm really sorry
23:18that you and my niece are not well.
23:20And I hope you can fix things
23:23because you two have a very good future together.
23:27Well, and I've already told you, personally,
23:29that I think you're getting lost there in Aras.
23:33But I need both of you,
23:36not just you.
23:38And time is running out.
23:40What do you mean by time is running out?
23:42That I can't wait all the time in the world, Tomás,
23:45for you two to get on well
23:47and decide to get on this project.
23:49I can't.
23:51Well, if you don't do it,
23:53I don't know. Do you understand?
23:55Yes. No, I understand perfectly.
23:58Well, that's it.
24:00Go ahead.
24:02Excuse me, Ivan.
24:04They arrived from the agency
24:06to finalize the last details of the foundation event.
24:08Okay, thank you very much.
24:10I hope to have news from you soon.
24:12Yes.
24:15How are you?
24:17Fine.
24:18Everything okay?
24:20Fine, yes, yes, super.
24:22Because...
24:25Because of your face.
24:27Is that an irony?
24:29No.
24:31You have a better face than the other night.
24:36You're welcome.
24:38Excuse me.
24:39You have to ask for the boxes
24:41that didn't open at the party, okay?
24:43Okay, and how many boxes are there?
24:45It must be two or three.
24:47I think there's anything there.
24:49Let me know, okay?
24:51Okay.
24:53Thank you, thank you.
24:55It's an honor.
24:59I hope to have news from you soon.
25:01Yes.
25:02Excuse me.
25:04Excuse me.
25:06Is there a problem with the information delivery?
25:08No, it's nothing.
25:10I hope it's something urgent.
25:12Yes, of course.
25:14Excuse me.
25:16Excuse me.
25:17There's something I have to tell you.
25:19It's like this.
25:20Well, thank you for coming with me.
25:22It wasn't necessary, really.
25:23You're welcome.
25:24Bye.
25:27Bye.
25:30See you later.
25:31See you later.
25:50Bye.
26:15Tormento!
26:16Yo.
26:18Do you want to say hi?
26:20Hi.
26:22Hi, Lube.
26:25Sorry for coming without telling you, but can we talk?
26:28Yes, yes, yes.
26:30Well, I'll leave you, Lube.
26:33Delighted.
26:34Tormento, see you later.
26:35See you.
26:37What are you doing here?
26:38I just couldn't stay calm with your visit yesterday.
26:42Can we talk?
26:48I can't believe Raymundo went to your house because of Jonas.
26:52Really?
26:53He's crazy.
26:54That's how it is.
26:55Did you give him my address?
26:57How can you think that I'm going to give him your address without your permission?
27:01No, then it must have been someone else, Eva.
27:03What an old woman!
27:04She went to get him.
27:07Well, I imagine that for her it is also quite difficult to say no to the boss.
27:12But that he is going to get into my house?
27:14What do you think, Casablanca?
27:16Well, she also understands Raymundo.
27:18He is worried about his son.
27:21Angel, I'm sorry, but are you defending him?
27:24No.
27:26No, Angel, I'm not defending him.
27:29Let's see.
27:30Did you fight hard at your house?
27:32How can you think that I'm going to lower myself to that?
27:34Please.
27:35Look, if I can understand that he is worried about his son,
27:38but that he gets into my life?
27:40What do you want me to tell you?
27:41But no, well, very invasive.
27:43I could be complicated because I'm dating someone younger,
27:46but from there they believe that they can treat me, I don't know,
27:49as if I were a criminal?
27:50No, no one has said that either.
27:52Oh, I see.
27:53And do you think it is very normal then
27:55that the Casablancas come in line to interrogate me?
27:58Yesterday the Genoveva is going to let herself fall here.
28:00And now your friend.
28:01And all because?
28:02Because they don't think I'm dating Jonas Casablanca?
28:06Then they are together.
28:08What?
28:10You're going to forgive me, Angel, but that doesn't matter.
28:14And if it were, it's my problem.
28:16I need you to give me a couple of days of leave.
28:19So much so?
28:20Yes, so much so, I'm up here, up to the crown.
28:24You've never taken a license in your life, so ...
28:26So that you can see how they have me.
28:28They have me fed up, fed up.
28:31Come on, Angel.
28:34Are you going to give me a few days of leave, yes or no?
28:40Why do you like to mess with horses so much?
28:45I don't know.
28:46Maybe because it's my job.
28:47Do you think this is funny?
28:49Why not me?
28:50Last night I couldn't blink
28:52thinking about the manzo tete you're in.
28:55Hey, what tete?
28:56Not at all.
28:57I'm not stupid.
28:58I know perfectly well what I'm doing.
29:00Yes, black-legged Casablanca.
29:03Torment.
29:04If that's not playing with fire, I don't know what it is.
29:06Hey, stay calm.
29:08No, don't worry.
29:10You won't even notice when they kick you out of Aras.
29:14And when they kick you out,
29:15do you think it's very easy to find a job somewhere else?
29:18Look, sister.
29:19Sorry, maybe this may sound a little arrogant,
29:21but anyone who has a horse would love to work with me.
29:25So hit me, I won't miss it.
29:27No, no, no.
29:28Not if Raymundo Casablanca kicks you out.
29:30Look, one call,
29:31and you don't work with pure-blood horses again,
29:34or with fair horses.
29:36Is it worth it?
29:37Seriously, for a heat?
29:40Hey, I respect myself now.
29:41This is not a heat.
29:42No, I mean hers.
29:45You are so stupid to think that Alexandra Casablanca
29:48is also in love with you.
29:51Women like your boss
29:52don't fall in love with men like you, Torment.
29:55Well, I didn't know her.
29:57Maybe it's different.
29:58You're naïve.
30:00Look, enough.
30:02Let's suppose so.
30:03Let's suppose she feels something for you.
30:05Do you really think she's going to break up
30:07and leave everything for you?
30:10I don't know.
30:11Time will tell.
30:12Oh no, Torment, brother.
30:15Let's see.
30:18Please.
30:20Face reality.
30:23End with that woman.
30:25You're cute.
30:27You're loving.
30:28You're hardworking.
30:30Women interested in you have always existed.
30:33Well, but I'm interested in her.
30:37Look, when they catch you,
30:38don't tell me anything because I warned you.
30:41These people never lose, Torment.
30:43Get that in your head.
30:45Never lose.
31:04Ahem.
31:27Lu, Lu.
31:28Phone.
31:29Who is it?
31:30Sergio Romero.
31:31He says you interviewed him for the report
31:33on the caretakers of the General Cemetery.
31:35Sergio Romero?
31:36Yes.
31:37I left it for you at two.
31:40Hello?
31:42Your phone doesn't work anymore?
31:46Juan Pablo.
31:48Him?
31:49What happened?
31:50Did you block me?
31:51Did you eliminate me?
31:52We changed the number.
31:53Everyone's number has been changed here at the office,
31:55I mean.
31:57Notable.
31:59What?
32:01Do you think I'm going to believe that absurd lie?
32:03Well, it's not my problem if you believe me or not.
32:06It turns out that just the day after our meeting,
32:09your company is about to change the number of all the workers?
32:13Weird, isn't it?
32:15Your nose is going to grow, Pinocchio.
32:17You changed it for me.
32:19The world does not revolve around you,
32:20don't be so self-referent.
32:23Well, come on, come on.
32:24Let's pretend I believe you.
32:26Give me your number again, then.
32:29No.
32:30No?
32:32No.
32:33Why would you have to have your brother-in-law's number?
32:37Luciana.
32:39Luciana, nothing.
32:40Enough, stop with the bullshit.
32:42This was the last time, okay?
32:44Ours is closed.
32:45Closed forever?
32:47Yes.
32:48I don't believe you.
32:49Well, I don't care if you believe me or not.
32:51Don't call me bad at work,
32:52much less making you go through someone else.
32:54It's pathetic.
32:57Oh, man.
33:00Fuck.
33:31Come in.
33:33Hi.
33:34Excuse me.
33:35Am I interrupting?
33:37Hi, sister-in-law.
33:38No, nothing.
33:39I was checking the street sector,
33:40and I was wondering if you were looking for your husband.
33:44No.
33:45I was looking for you.
33:47There's something I'd like to know.
33:49Tell me.
33:50What were you doing this morning at Iván's hotel?
33:52What were you doing this morning at Iván's hotel?