Mumbai: in an exclusive conversation with Director Mudassar Aziz and stars Arjun Kapoor and Bhumi Pednekar, where they share their experiences working on the movie "Husband ki Biwi". She also reveals where she draws inspiration from to play her role. Additionally, Bhumi opens up about which language's character she found the most challenging to portray.
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00:00I believe that both opinions are correct, both opinions have their own place and both opinions are correct.
00:11Having said that, those who have the opinion that I liked that song a lot, what have you done?
00:19If this is their opinion, then I respect this opinion because it is good on you that you remembered that song.
00:27Good on you, I humbly accept it. Good on you that you remembered that song.
00:32But at the same time, there is a whole generation who had never heard that song.
00:40And what is the guarantee that if that song had not been sung like this,
00:44then who would have encouraged them to go and listen to that song?
00:48So both opinions have their own place and it is our job to accept both opinions.
00:54And this is not just about Hindi cinema, it is not just about Tamil cinema, Telugu cinema, Malayalam cinema.
00:59Even if you go abroad, you will see a film A Star Is Born.
01:05It is being made by going round and round.
01:08In every generation, the meaning of that relationship, that emotion changes.
01:13That is why that film makes itself a candidate.
01:18And similarly, there are some songs that make themselves a candidate,
01:22that we can continuously age for 4-5-7 decades.
01:27So if this happens in such songs, then I personally do not consider it wrong.
01:32I think when it comes to films, when it comes to stories, songs,
01:36creativity cannot only be defined in our film or in most cases, that is a song.
01:41If you look at our film's album, it is not like we have all remixes or remakes or imaginations.
01:47This suited our storytelling also.
01:49If you look at the video, we have depicted our story in the video itself.
01:52A boy who is trapped between two girls, who is struggling for his affection.
01:57So I feel as long as you are using it in good context,
02:00if you do something meaningless and it has no logic and does not connect with the film,
02:05then I will say, why did you do it?
02:07We have tried to take a tune, an emotion that is awakened by listening to an audio.
02:12Guriya Kalaiya, there are so many people of today's generation,
02:15who must have heard this song and do not know where it is from.
02:18We have used it with genuineness towards our film.
02:21And with all humility.
02:22We have 4 other songs that are original.
02:24So I do not believe that this is not originality.
02:26Somewhere this was a memorable song, we used it creatively well, I believe.
02:31And like you said it is fair, sometimes you have to take both sides and understand everyone's opinion.
02:35We have tried to use it creatively well.
02:39A song fits in a film.
02:41So I think with that concern, I would say we have been creative about using a song that already exists,
02:46in a very honest way in our film.
02:48So it is not a dishonest, see it might have not been the biggest blockbuster we have picked up.
02:52We have picked up a song that also fits the meter of our film.
03:01This is a very strange situation where he is trapped.
03:05Because normally in these types of films,
03:08one boy has to choose between two girls, who will he marry.
03:11That is the end of the film.
03:13Our film starts there where most love stories end,
03:16most comedies also end.
03:18All the chaos was happening in the world so that he could get married.
03:21Here this man is moving forward after the marriage.
03:24So I found that very interesting.
03:26And then your past comes back and says,
03:28Son, I will not let you go so easily.
03:30So when a common man gets trapped,
03:32a common man, an upper middle class boy,
03:34the one who was moving forward is stopped.
03:36And this chaos has to end.
03:38I found that new.
03:40Inspiration wise I would say,
03:42I think the film, he as a director has grown up watching these kinds of films.
03:46I think he enjoys these comedies with romance in it,
03:49with emotion, with family.
03:51Recently De De Pyar De Aayi Thi, which I liked a lot.
03:54I will not say that it is an inspiration.
03:56But I think that is a great reference point,
03:58especially in today's day and age when you do this genre.
04:00My father made a film called Judai,
04:02which is a very nice reference point as a film.
04:04Not only performance.
04:06You can take Govinda Ji's Sajan Chale Sasura.
04:09So is there something that stays in your mind
04:11as an actor when you choose Mati?
04:13BV No. 1 also.
04:15Interpretation of this character was that
04:18this is the first time you have got a boy
04:20who is moving from one marriage to another.
04:22So I thought that was a novelty for me as an actor to explore.
04:25But definitely these films help you choose
04:28that these people enjoy this world.
04:30And also many people ask me this question in a fun way.
04:33I usually don't go into its clarification
04:35because I say that if you are enjoying it, then it is a good thing.
04:37But there is no one in this film.
04:39Correct.
04:40There is no one in this film.
04:41Correct.
04:42This is the story of two wives.
04:44And it is the story of a person
04:46who is not doing anything by choice between those two wives.
04:52This is not an adulterated soul
04:54who is trying to find something outside his marriage.
04:57Not at all.
04:58The idea is very different.
04:59Situational comedy.
05:00Yes, there is situational comedy.
05:02But I feel that from the perspective of the character,
05:05he is not going out looking for fun.
05:07He is not doing it on purpose.
05:08He is not looking for another woman.
05:10One was his woman
05:12and one is meant to be his woman.
05:14So it's a very classic
05:16you know, I don't know what to do situation
05:19as opposed to a guy going out there.
05:26His hold on language is very strong.
05:29So most of my work referencing came from Mudassar sir.
05:33If my language would have gone up or down,
05:37he would have corrected me.
05:38So I was very fortunate that I got to play a character like this
05:42with him because I was very much protected.
05:44And as you said,
05:46I have not done such a Surki film before
05:48and I have not done such a character before.
05:50When I read the script,
05:52I felt a lot of similarity between Praveen and me.
05:56And I think there are some traits of my personality
06:00in which I did a little more digging,
06:03a little more deep.
06:04And because of that,
06:06the same shared experiences that I have seen other girls,
06:10girls like Praveen,
06:12and I know a lot of girls,
06:13because we have a quality that
06:15when we go crazy, we go crazy.
06:17And she is a very stubborn girl.
06:19And due to that stubbornness,
06:22there is a lot of entertainment in the film.
06:24There is a lot of confusion.
06:26As you said, it is a situational comedy.
06:28The situation is that I am his ex and I have lost my memory.
06:31And my memory has gone from that day to that day
06:34when he proposed to me.
06:36But our divorce has been five years.
06:38He has moved forward.
06:39He has proposed to her for the love of his life.
06:43But in that,
06:44as sir was saying,
06:46it has become a comedy of errors situation
06:49where what Ankur will do now,
06:52this story will be somewhere on that.
06:55That's the story.
07:01But I really enjoy picking up different languages.
07:04But I think the toughest for me would have been
07:08Buddelkhandi, which I had adopted in Sonchiriya.
07:12I had been coaching for 7-8 months for Buddelkhandi.