• 2 days ago
Transcript
00:00My name is Gion Taro. I am a taxi driver with no blood.
00:10I was born and raised here in Kyoto.
00:14I am ashamed to say that I have never left Kyoto, surrounded by mountains.
00:20But this land is so beautiful, and the scenery is so beautiful.
00:27I don't know where to go, leaving such a blessed and sophisticated town.
00:33I will never stop loving this land.
00:39I don't have such a happy job to guide my beloved Kyoto.
00:54Take care.
00:57What will happen if I cross that mountain?
01:02One day, I was interested in the world.
01:06I thought that I could know more about Kyoto and love it more by comparing it with the world.
01:20The world is beautiful.
01:24The world is beautiful.
01:28The world is beautiful.
01:32The world is beautiful.
01:37The world is beautiful.
01:40And when I look back, I see a world where I had never seen before.
01:44What?
01:47No, no, no, no.
01:50It's impossible.
01:52I have never seen such a beautiful place.
01:55No, no, no, no.
01:57I have never seen such a beautiful place.
02:01What is happening in the world?
02:03Many tourists who visit Kyoto have lost their way.
02:07Tourists are lost.
02:10Oh, I'm a tourist!
02:14I'm a taxi driver, so I can't drive fast.
02:20I'm dying!
02:26Goodbye, Kyoto.
02:28Goodbye, my hometown.
02:30There is a storm in my nose.
02:32Is it goodbye or life?
02:37I became a taxi driver who ran away from the wilderness.
02:43There is nothing in the wilderness.
02:45Oh, the wilderness.
02:47There is no name in the wilderness.
02:49There are no guests.
02:50There is no TV.
02:51There is no radio.
02:52Only the blue sky that spreads in the darkness with the sand and the sun,
02:57only the infinite air,
02:59chases me.
03:04Can I say that I am a taxi driver now by driving an air taxi?
03:11Oh, the earth is round.
03:13If I go on like this, I will return to Kyoto someday.
03:15I will return to the grave of a tourist zombie.
03:20Oh, I'm a tourist!
03:23I'm a tourist!
03:25Don't come! Don't come!
03:28Don't come!
03:29I'm a tourist!
03:31I'm a tourist!
03:33I'm a tourist!
03:35I'm a tourist!
03:36Taro, that butterfly is big.
03:40Do you want to fly?
03:41Wake up.
03:42Oh, it's a tourist zombie!
03:45I'm back in Kyoto!
03:48What kind of dream is it?
03:50It's a little interesting.
03:52Yusuke Iyami.
03:54You seem to be free as usual.
03:56Do you have a tourist bird on your seat instead of a tourist?
04:00You still have a good sense of humor.
04:02But you can't talk about people.
04:05In my case, I just decided not to work badly.
04:08Oh, it's time for Pilates.
04:11After that, I went to a vegetarian restaurant with Pilates friends.
04:14I didn't ask you anything.
04:16What is it?
04:17Then, please continue your dream.
04:22There were so many customers in my dream.
04:25I have to be a driver who can be chased.
04:29But I'm sleepy.
04:36Mr. Customer, are you here?
04:39Mr. Customer, are you here?
04:41Mr. Customer, are you here?
04:44Mr. Customer, come here!
04:46What is this dream?
04:49What is it about?
04:51A child, a thirsty heart, an old man's anxiety.
04:55Armageddon, Angolmois, and the extinction of mankind.
04:58Oh, no!
04:59I can't get out of the spider web.
05:01I'm sorry.
05:05God didn't leave me alone.
05:10He gave me a drop of life from heaven.
05:15Can you take me to Gion Corner?
05:18Gion Corner!
05:20I'll take you to Gion Corner.
05:22Please get in.
05:24I'm sorry.
05:25Okay.
05:26The car is ready.
05:27Check the front.
05:28Check the rear.
05:29Check the weather.
05:30I got out of the darkness.
05:32I, Gion Taro, will take you to Gion Corner.
06:02Gion Corner
06:33Gion Corner
06:52Do you know this song?
06:54Yes.
06:55I'm a taxi driver.
06:57But I still have to sing this song.
07:00I'm sorry.
07:01Yes?
07:02You've been driving around Gion.
07:04Yes.
07:05I'm in a hurry.
07:07You said Gion Corner, so I was driving around Gion.
07:11No, no, no.
07:12Please get off at Gion Corner.
07:15What?
07:16Is there such a place?
07:19Yes.
07:20Is it such a facility?
07:22Don't you know it?
07:24I don't come to Gion often.
07:27Can you show me around?
07:31The driver's name is Gion Taro.
07:34But you don't know Gion.
07:36I'm so tired.
07:38I'll change my name.
07:39I'll change my name to Gion Muchizo.
07:40No, no.
07:41You can't change your name.
07:43I see.
07:44I'm sorry to keep you waiting.
07:51Thank you for waiting.
07:53Thank you, Muchizo.
07:55No, no.
07:56I'm really sorry.
07:58Until we meet again, please call me Gion Taro.
08:02What?
08:03Of course.
08:04I'll take care of Gion Tourism.
08:06I'm proud of you.
08:10I'd like to draw a realistic Gion,
08:13based on Yoshifusa Kagezen of Gion,
08:15which has been going on since the Edo period.
08:18I'm going to hold an audition
08:21and make a film aimed at the local people.
08:26Next, I'd like to introduce Yoshifusa Kagezen,
08:30who is in charge of planning and planning.
08:35I'd like to introduce Yoshifusa Kagezen,
08:39who is in charge of planning and planning.
08:43I'm Tomo Imanishi.
08:46I'm in charge of planning and planning.
08:49Hello.
08:50Mr. Taro, what's wrong?
08:52Your face is melting.
08:54Hey, please.
08:58I heard you're going to hold an audition.
09:05I'm not interested.
09:07You can't get real happiness through an audition.
09:11I'm not telling you to take it.
09:13Here you go.
09:15Next, I'd like to hear from Tamako Oku,
09:18who plays the heroine.
09:21Hello. My name is Tamako Oku.
09:24What?
09:25That's not true!
09:26You're the one I saw earlier!
09:28Really?
09:29Tamako Oku is from Tokyo.
09:32That means...
09:34if I pass the audition...
09:35Ready, action!
09:38Mr. Taro.
09:39Tamako.
09:41Don't let go of me.
09:44I promise.
09:51I'm sorry.
09:56Cut!
09:57Cut!
10:00Cut!
10:01Cut!
10:02Cut!
10:04Don't let go of me.
10:05Don't let go of me.
10:07I won't.
10:10Next scene!
10:11Cut!
10:12Cut!
10:13That's it.
10:14Cut!
10:15I won't let go of you.
10:16Bravo!
10:17Bravo!
10:21Now, now, now.
10:26What are you doing?
10:29I'm sick.
10:30I need to go to the hospital.
10:32Great!
10:33I'm going to the audition!
10:35Are you kidding me?
10:36You're not going to work?
10:38I'm not a taxi driver anymore.
10:41This is not the real place for me.
10:45I'm going to live in a screen.
10:47See you at the cinema.
10:49Hello!
10:51Please introduce yourself.
10:53My name is Gion Taro.
10:55I'm a taxi driver.
10:57I'm a taxi driver.
10:59Wow, that's perfect for this movie.
11:01Yeah.
11:03Can you tell me what you think of when you hear the name Gion?
11:07Well, um...
11:09Geisha, Maiko, Yatsuhashi...
11:13Geisha, Yatsuhashi, Maiko...
11:18You're a taxi driver, aren't you?
11:20Yes, I am.
11:22Then why don't you tell me what you think of it?
11:24Because I'm a passenger.
11:28I don't know anything about Gion.
11:31Gion is a city of celebrities.
11:33It's very expensive.
11:35I can't even afford to go there.
11:37It's a tourist attraction.
11:39So your name is Gion Taro?
11:41Yes, that's my real name.
11:43So, Gion Taxi?
11:45I'm sorry, but your name is crying.
11:48You're making fun of me.
11:50No, I'm not.
11:52It seems that my ancestors lived in a hut.
11:54My name is Gion,
11:56but my family name is Gion.
11:58My family name is Gion,
12:00but my family name is Gion.
12:02My family name is Gion,
12:04but my family name is Gion.
12:06My family name is Gion,
12:08but my family name is Gion.
12:10I'm sorry, I couldn't think of it.
12:12Next, please.
12:14Wait a minute.
12:16Give me a little more time.
12:18I'm confident in my acting.
12:21It's a little hard to see.
12:23Can you move?
12:25Iyami, do you know?
12:27Why do you think I'm a pilates student?
12:29I don't know.
12:31Next, please.
12:33Hello, I'm Iyami Yusuke.
12:37I can't miss this.
12:39My name is in the way of my life.
12:42What's that?
12:44What's that?
12:46That voice is...
12:48Tamako Oku.
12:50Are you auditioning?
12:52I'm embarrassed.
12:54Oh, you can act.
12:56To be honest, I'm not good at acting.
12:59I see.
13:01Then I'll ask the producer.
13:03Please don't.
13:05Please don't.
13:07Tamako Oku.
13:09Tamako Oku.
13:11Please cast Gion Taro.
13:13What?
13:15I didn't expect that.
13:19But you said you didn't know Gion while living in Kyoto.
13:22I thought it was very realistic.
13:25Am I the only one?
13:27You said you wanted to draw a realistic Gion, right?
13:31Of course I did.
13:36I haven't said yes yet.
13:38I'll do my best.
13:40I haven't said yes yet.
13:42Well, well, well.
13:44Let's do it.
13:45Mr.Kagizen.
13:46I want a lot of local people to audition.
13:49I'm counting on you.
13:51That's what he said.
13:54I'm glad.
13:56Is it decided?
13:58Let's go to study Gion.
14:02Yes.
14:04Excuse me.
14:06I'm a young man.
14:08I'm a young man.
14:15I'm a young man.
14:16I'm a young man.
14:19I'm a young man.
14:22This is the south seat.
14:25Is there a north seat?
14:27No.
14:29No.
14:30Oh, I found it.
14:32Oh, I found it.
14:34I'm going to study Gion.
14:36Welcome.
14:38This shop sells traditional food from Kyoto.
14:43I'm so excited.
14:47It's so beautiful.
14:50It's a coral.
14:52It's a coral.
14:54I'm so excited.
14:57I'm hungry.
14:58Do you have any recommendations?
15:00Please wait a moment.
15:02Here and here are popular.
15:04It's okay.
15:06Mr. Mochizou.
15:08Oh, no.
15:09I may have made a mistake as a man.
15:16Hello, Mr. Mochizou.
15:18It looks delicious.
15:20I'm a taxi driver on the first floor.
15:23Is it okay for me to eat with an actress?
15:26I can't eat anymore.
15:30Let's eat.
15:32Here you are.
15:33Oh, it's Okutama.
15:35Oh, I'm sorry.
15:37I can't take a picture.
15:39Can you delete the data?
15:40No, it's okay.
15:41I'm sorry, Mr. Mochizou.
15:49Thank you for waiting.
15:52It's wonderful.
15:55Oh, no.
15:56It's a latte.
16:00I can't drink it.
16:04No, it's a latte.
16:05It's just a latte.
16:07What's wrong?
16:09I'm nervous.
16:12It's strange to be with Mr. Taro.
16:15You are honest.
16:18Oh, no.
16:20I try not to care about the customers.
16:26I see.
16:28I want to be loved by people.
16:31But I'm afraid of people.
16:34I care about people.
16:38What do I want to do?
16:41You are a delicate actress.
16:45I don't know what's difficult.
16:47I think it's because of your charm.
16:51You should worry a lot when you worry.
16:55Oh, Mr. Mochizou said something great.
17:04She is good at acting.
17:14I'm used to it.
17:16I'll do my best.
17:18I'm always alone.
17:22I'm lonely.
17:25It was delicious.
17:27Do you want to go to a flower garden?
17:29Or do you want to go to the museum?
17:32Oh, no.
17:37She is a delicate actress.
17:39She is not gentle.
17:42I want to cry.
17:44I want to hold her hand.
17:47I want to be surprised.
17:50What's wrong?
17:52I feel different when I'm alone.
17:56Really?
17:58I'm not in Shinjuku.
18:00I'm lost.
18:02Where am I?
18:04You are too excited.
18:06I'm lost.
18:10I'm sorry.
18:12I'll leave the island soon.
18:14I'm sorry.
18:15Please hide.
18:17It's me.
18:18What?
18:19Please take this.
18:21I don't need it.
18:23Please.
18:24I said I don't need it.
18:26I don't care.
18:27I said no, thank you.
18:29Please.
18:30Throw it away.
18:31I don't need it.
18:35Is this a self-portrait film?
18:37Is this a party?
18:40Let's run away.
18:41What?
18:42What?
18:43Wait.
18:45Who is that?
18:46Wait.
18:48Why is this a maze?
18:50I don't know.
18:51Which way?
18:52Wait.
18:54Wait.
19:00Let's run away.
19:03Let's hide.
19:05Are you okay?
19:07What are we doing?
19:10I don't know where to go.
19:12Let's hide.
19:14They are coming.
19:17Come on.
19:19This way.
19:20That way.
19:22Wait.
19:30What is this place?
19:31It looks like a graveyard.
19:34What is that?
19:35It's just a bar.
19:38It's okay.
19:39We can't be cornered here.
19:41Don't worry.
19:42I will protect you.
19:45Calm down.
19:46Let's make a plan here.
19:48I will protect you.
19:52You are too loud.
19:54Taro.
19:55I'm sorry.
19:56There is a suspicious man.
19:58It's Taro.
20:00Let's hide.
20:05Let's hide.
20:17Hey, boy.
20:18Where?
20:19Come here.
20:21Damn it.
20:24He is near us.
20:25What?
20:32You?
20:33Me?
20:34Yes, me.
20:35What?
20:36You?
20:37Me?
20:38Same?
20:39No, no.
20:40He is here.
20:45He is chasing us.
20:59He is the owner of the kakisei.
21:04I've never seen a person who runs a kakisei at full speed.
21:08I didn't run because I wanted to.
21:11You should take the gun away from the kakisei.
21:15I've never seen or heard of such a thing.
21:19Why are you involved in this?
21:21It's an important time before the shooting.
21:23We don't know, either.
21:26I'm sorry.
21:27Who is he?
21:28He has been shaking for a while.
21:31Who was he chasing?
21:33I don't know, either.
21:35I was assigned to carry this case to the locker of the station.
21:41Then...
21:43Do you want to open it?
21:46Yes.
22:00Why did you close it?
22:02It was dangerous, wasn't it?
22:04Yes, but I missed it when I closed it.
22:08I hope you didn't open it.
22:10Who are you talking to?
22:12Mr. Taro, do you want to open it?
22:14You pushed me.
22:15It doesn't matter if I open it.
22:17I'll open it.
22:26Tropical juice or a drug?
22:30It's probably the latter.
22:33I don't like the logo, either.
22:35Oh, you already have it.
22:38What is this?
22:40I don't know.
22:42I thought I could live a normal life in Japan.
22:47But wherever I go, I'm always in danger.
22:53I have to do something dangerous.
22:57I can't go anywhere.
23:01What's your name?
23:04Tom. Tom Garrickson.
23:06That's a cool name.
23:08Tom Garrickson.
23:10Tom Garrickson is a good name.
23:12Tom Garrickson, work for me.
23:15I'll be hiding for a while.
23:17What?
23:18I don't have a successor anymore.
23:21My son went to a private school, so he's normal.
23:26It's my fault for not being able to tell you the charm of tropical juice.
23:32I don't know what to say to you.
23:37The powerlessness of that time attacks me.
23:42Maybe everyone has that scenery in their hearts.
23:50That's what I felt.
23:53Well, this movie is the last struggle.
23:57I'm sure everyone will be disappointed that it's over.
24:03At least I want to show the beauty of excellence.
24:07I'm counting on you for the movie.
24:09Yes.
24:10This is today's crankin.
24:12Nice to meet you all.
24:14Let me introduce the cast.
24:17This is Tamako Oku, who plays Yoshiko, the signboard girl of Kagezen.
24:21I'm Tamako Oku.
24:23Nice to meet you.
24:26I haven't introduced you yet.
24:28Oh, I see.
24:30And the subcontractor.
24:32Oh, you're my employee.
24:35How about a foreign guest?
24:38I'm sorry, but I don't want anyone to appear in the movie.
24:43It's my job to protect the quality of the movie.
24:45I know.
24:46I hope you understand.
24:48Please do your best.
24:51Are you okay?
24:53She's been shaking all the time.
24:55That's right.
24:57Nice to meet you.
24:59Wait a minute.
25:01Let's start with Shinichi's first scene.
25:05Yoshiko, who has transferred from Patissier.
25:09I want you to be fascinated by Kyogashi.
25:11I want you to polish the woman.
25:13I want you to be fresh.
25:14Yes.
25:15Gion Taro, who drives a taxi.
25:17I want you to be fascinated by Kyogashi.
25:20I'm excited.
25:22Mr. Utenishi, who drives a taxi.
25:24Nice to meet you.
25:26I want you to sit on this bench and wait for my order.
25:28Yes.
25:30I want you to look out the show window.
25:34Yes.
25:35I don't want to appear in this scene.
25:38I don't want to appear in this scene.
25:40I don't want to appear in this scene.
25:42Please calm down.
25:43I want you to sit on this floor.
25:45Yes.
25:46I'm looking forward to working with you.
25:48Action.
25:49Welcome.
25:52Why are you looking at me?
25:54You are close.
25:56What is he doing?
25:58Bring me a normal girl.
26:00I'm sorry.
26:02What is that?
26:03What is that news?
26:06He is a fugitive.
26:08He is a fugitive.
26:10Cut.
26:11Cut.
26:15Don't look at the camera.
26:17He is looking at me.
26:19Of course.
26:21Take off your mustache.
26:24What is that news?
26:26I was waiting for this scene.
26:29Iyami, what is that?
26:31It's a scandal.
26:34Tamako, it's a scandal.
26:36What's going on?
26:37I was just eating.
26:40Do you know what you are doing?
26:42You are a heroine.
26:44You are in charge of this movie.
26:46You are the face of this movie.
26:48And you are acting.
26:51Don't look at the background.
26:54I'm sorry.
26:58Look at me.
27:00What?
27:01The moment your soul moves,
27:03I will kill you.
27:05I understand.
27:08You were the most realistic.
27:12But I don't think this scene is realistic.
27:15You don't have to do this scene.
27:19Is this the scene of the movie?
27:21I may have stepped in.
27:27Let's start from the scene of your appearance.
27:29Let's start from the scene of your appearance.
27:30Okay.
27:31What is the line?
27:33Let's start from the line.
27:34Okay.
27:36Ready.
27:37Action.
27:38Please follow me.
27:41What is this?
27:42What are you doing?
27:43Is this a camera?
27:44What does this mean?
27:46Zenyan.
27:47Who?
27:48Is this a movie?
27:49Where is the boss?
27:50Is he gone?
27:52Did he come back?
27:53Can't he come back?
27:55Do you want to go to my house?
27:59Why did you come back?
28:02What is this scene?
28:04I don't know.
28:05Cut.
28:07Excuse me.
28:08Please follow the script.
28:10Who is he?
28:12He is my son.
28:15I'm sorry.
28:16I'm shooting a movie.
28:18What are you wearing?
28:19I'll tell you later.
28:21Can you move?
28:22Okay.
28:24I don't have money.
28:25This is the only place I can go.
28:27Can you give me a ride?
28:29I don't have a place for you.
28:31I'll give you a ride.
28:34It's him.
28:39Damn it.
28:43Go after him.
28:44What?
28:45Go after him.
28:46This is Gion.
28:48This is the present of Gion.
28:49Get rid of the reality of Gion.
28:51Okay.
28:52But I haven't finished the drama yet.
28:55This shop has been running for 300 years.
28:58It's over.
28:59The history of Jujutsu Kaisen is over.
29:02This is the beginning of a family drama.
29:05But this is not good.
29:08But this is a real family drama.
29:11I see.
29:12This is a family drama.
29:14This is a story about the bond of the family.
29:17I want to see both.
29:18Which one should I shoot?
29:20Which one?
29:25Okay.
29:30Damn it.
29:32Damn it.
29:38It's a good picture.
29:39Did he care about the picture?
29:41No way.
29:42Nesuko?
29:43I'm worried about him.
29:47I haven't seen him for a long time.
29:49I think he's happy.
29:52No way.
29:53How can he be happy?
29:55He's a pervert.
29:56Master.
29:57It must have been hard for him.
29:59It's good.
30:00He made a frame.
30:02He always blamed himself.
30:06He said he felt responsible.
30:09Why did he shoot a movie?
30:12He hated this kind of thing.
30:14It's a 300-year-old history.
30:16It's a culture.
30:17He couldn't do anything but hard things.
30:20That's why he started making this movie for you.
30:25He made this place for you to feel free.
30:30He's a good son.
30:34That's right.
30:36I'm sure he's a good father.
30:39That's right.
30:42What are you doing here?
30:44If you come here, bring me some new information.
30:49I'm so jealous of this place.
30:53I don't know my parents.
30:55I don't know where to go in the world.
31:00I see.
31:03My father made a good place for me.
31:07And he kept protecting the place where you can come back.
31:12I can't imagine such a generous father abandoning his son.
31:23Why are you crying?
31:27I don't know.
31:29I'm just a wild cat.
31:31I don't have a home.
31:33I'm just a stray cat.
31:36I don't know if you're a cat or a tiger.
31:40I'm counting on you.
31:53I wonder how he feels.
32:01There's a man with a gun.
32:03It's getting serious.
32:13Tom, are we being targeted again?
32:16I'm sorry.
32:20A gunshot!
32:24Help me!
32:34Master?
32:36Why is he singing?
32:53Taro?
32:55Wait a minute.
32:57What should I do?
32:59It's dangerous.
33:01Wait a minute.
33:03It's dangerous.
33:05It's dangerous.
33:07I'm sorry.
33:10Taro, I'm sorry.
33:12What should I do?
33:17Tamako!
33:20Stop it!
33:22I said stop it!
33:25Who are you?
33:27What would you think if your loved ones were in this situation?
33:30Taro...
33:32I'm a taxi driver.
33:34I won't forgive you if this happens.
33:42Don't touch my head.
33:44Don't touch my head.
33:50Taro!
33:52Tamako!
33:54I'll do anything for you.
33:59I feel like I've won the love of my life.
34:11There's a lot of drama.
34:13Do you want me to stop singing?
34:15Not yet.
34:17Let's continue the miracle.
34:21What should I do?
34:23What's going on?
34:25There it is.
34:27You guys are good at this.
34:34Dad!
34:36What are you doing?
34:47Dad!
35:12Dad, are you okay?
35:14Stop the camera!
35:18I'm sorry.
35:24I'm sorry.
35:26It's a special effect.
35:28What?
35:29Did you film it?
35:31I did, but it's not funny.
35:33I thought it would be funnier.
35:36It's real.
35:38Is that so?
35:39There was no action scene like this before.
35:41That's right.
35:43What are you doing?
35:45Kage-san!
35:48What?
35:49What are you doing?
35:51This is too much.
35:53Look outside.
35:59What is this?
36:01This is...
36:15What is this?
36:21What are you doing?
36:23What is this?
36:25What are you doing in our town?
36:29I'm doing something funny like a movie.
36:34I'm sorry.
36:36I'm done.
36:38I'm done with everything.
36:40It's not over yet.
36:42I'm sorry.
36:44It's my fault.
36:46I got everyone involved.
36:48It's my fault.
36:50It's not your fault.
36:53I'm sorry.
36:55I'm sorry, everyone.
36:57I did a bad job.
36:59I did a bad job.
37:01It's okay, Tom.
37:03How do you feel?
37:05How about a cup of tea at the end?
37:09Well...
37:11Thank you very much.
37:19First of all, please eat a piece of trash.
37:22I didn't expect these people to come.
37:25Thank you for the food.
37:26Can I ask you something before I eat?
37:29What was that suspicious bottle?
37:32I don't know, either.
37:35We don't know what that chemical weapon is.
37:38Someone else is coming.
37:40Who is the enemy and who is the ally?
37:42What do you mean?
37:44Why are you so involved in this?
37:46Isn't that a weapon that can invade the world?
37:49Master.
37:50Where is it going?
37:52Master.
37:53What?
37:54Do you have a change of shoes?
37:56What?
37:57You're talking about something important.
37:59It's okay.
38:01I don't have a change of shoes.
38:04But...
38:05Hey.
38:06What are you doing?
38:07You're eating too much.
38:09What is this?
38:10It's delicious.
38:11It's a new taste.
38:12No, it's not a new taste.
38:14It's been around since the Muromachi period.
38:16By the way, what is this made of?
38:20This is it.
38:21This is the identity of Kuzukiri.
38:24What?
38:25This is Kuzukiri?
38:28It's heavy.
38:30This looks like this?
38:32Hey.
38:34Hey.
38:35Are you kidding me?
38:37This is just a stick.
38:38I'm not kidding.
38:40By the way, do you know this?
38:41How does this become Kuzukiri?
38:44Do you know Kuzu?
38:48The starch extracted from the root of Kuzu is used to make Kuzuko.
38:53The Kuzuko is melted in water, hardened, and immediately cooled in cold water.
38:57Kuzukiri is made by cutting Kuzu.
38:59The simpler it is, the more delicious it is.
39:02I want to take it home and eat it.
39:06That's good.
39:07It's very nutritious.
39:09You can grow it in the desert.
39:11Is that so?
39:12You can also get it from here.
39:15It's not just delicious.
39:18This Kuzukiri is very versatile.
39:21Now?
39:23Did you feel it now?
39:26I see.
39:27I have a suggestion.
39:29How about planting Kuzu?
39:32What?
39:33It looks like that now.
39:36It's like gardening.
39:39Did you hear that?
39:41He proposed a six-day exercise.
39:44I want to try it.
39:46You can give it to me anytime.
39:48You can eat a lot of Kuzukiri.
39:53There may still be seeds left in Yoshino.
40:02Zenya.
40:03Would you like to go to Yoshino with me?
40:07You idiot.
40:08I'm not going.
40:10Even in this situation?
40:14Don't you think it's painful to be alone with your father?
40:30Get ready.
40:32The mountain has moved.
40:35I have a bad feeling about this movie.
40:54Please subscribe.
41:14I don't know if there are any seeds left this time of year, but I'll show you around Urayama.
41:45I'm worried about this area, too.
41:55All right. All right.
41:57No seeds.
41:59No seeds.
42:01Oh, there it is.
42:04Dung is a great source of nutrition.
42:07My father said so, too.
42:09In fact, dung is planted in all kinds of agricultural activities.
42:13What is it?
42:15Well, we're going to...
42:17Please take this dung.
42:19It's a preservative, so I think it'll be okay for a while.
42:24Mr. Zenya, and this.
42:27It says how to make dung that hasn't changed since the old days.
42:33Please do your best.
42:35Thank you very much.
42:43Urayama
42:49Thank you for waiting.
42:51I brought dung seeds.
42:55I'm very sorry to bother you.
43:00If you can help us, would you like to plant dung together?
43:08The history of mankind has been a repeat of a flood.
43:12We've been through a lot of hard times.
43:15We'll keep going without giving up.
43:17And this town has survived.
43:20Please plant dung together.
43:26I'm sorry, Dad.
43:29No matter how much dung you cut, I won't cut you off.
43:38I won't cut you off.
43:40Okay.
43:41I got something amazing.
43:43Are you sure?
43:44Yes.
43:45The last dung...
43:46It's okay.
43:47You can turn it over.
43:50That's all.
43:51Everyone, crank up.
44:31Thank you very much.
44:33How was it?
44:35I still can't get out of this dilemma.
44:42Now, I'd like to invite the cast of this film.
45:06Mr. Taro, you're on the screen.
45:13I wasn't invited.
45:16Everyone, please comment on the film.
45:21To be honest, it was completely different from what I had imagined at the time.
45:26I was going to make a comedy film, but...
45:28What was the title?
45:29It was a documentary film.
45:31That's right.
45:33I grew and evolved into a documentary film.
45:38There were some cast members I didn't expect.
45:43I'm sorry for the inconvenience.
45:46I feel that I have grown thanks to this film.
45:52Thanks to you, I was able to solve the problem of my subcontractor.
45:59I'm sorry to bother you again.
46:08I hope many people will enjoy this film.
46:12All of me, however, remains here.
46:15Thank you very much.
46:21I'm very grateful to the people who participated in this film
46:25and to the people who live in Gion, who kept watching over us.
46:30As you can see, there was no script at all.
46:35It's time for me to say something.
46:38I have to clear up the scandal that has plagued the sports magazine.
46:42I have to prove that this is a clean and sincere relationship by proposing here.
46:48Among them, the director broke my immature shell.
46:55She did a good job.
46:58It's all thanks to you.
47:00No, no, I'm grateful to you.
47:02Me, too.
47:04This is your movie.
47:06I couldn't do anything without you.
47:08I just watched it.
47:10Your eyes made me an actress.
47:14You were attractive as a person.
47:16That's because of you.
47:18I'm a man who only has a brain for movies.
47:21Hey, hey, hey, how long are you going to be a fool?
47:26I have a secret to tell you.
47:29Actually, we are going to get married.
47:32I will do my best for you.
47:39Congratulations.
47:41There is a lot of good news in the movie.
47:46I would like to give you a blessing.
47:49Now, I would like to hear from the cast who participated in the audition from their hometown.
47:56How was it?
47:59I'm usually a taxi driver.
48:03But this is my movie.
48:11Oh, he's here.
48:13I'm sorry. I'm live.
48:16Oh, I see.
48:17How was it?
48:20Now, I would like to hear from Mr. Yoshifusa Kagizen.
48:24Today, we have a special movie for you.
48:27We have prepared a performance for you.
48:31Hello, everyone.
48:33I'm going to show you the dumplings I made with the scraps I planted.
48:38This is a miracle drop.
48:42Please have a look.
48:44It's moist and soft.
48:49It's a little bit colored inside.
48:53Each one of the dumplings has a secret.
48:59Is it good?
49:01It's salty.
49:04Is it?
49:05It's sweet, though.
49:07Now, let's take a commemorative photo.
49:10I would like to end today's performance.
49:14Please say, Gion.
49:17One, two, three.
49:19Gion!
49:27How long will this wilderness last?
49:30Whether this is Gion or a wilderness,
49:33whether a gun is fired or a weapon explodes,
49:37there are people who love me.
49:40They made me stronger.
49:44Now, I'm nothing.
49:48I'm just sand dancing in the wilderness.
49:53I'm the sand of the wilderness with its flowers.
49:59I'm the only one who came back here.
50:04I see.
50:06The wilderness is my hometown.
50:10A taxi driver.
50:12Where are you going in the emptiness?
50:17Will the flowers bloom again?
50:20Bloom!
50:21Until the tears dry up.
50:25I'll always be here.
50:34Oh, it's an actor.
50:38Bourbon, please.
50:40You've changed your drink.
50:43You don't have bourbon, do you?
50:45Scotch.
50:46You don't have that, do you?
50:48Tequila.
50:49Soju.
50:50Sake.
50:51Bring me sake!
50:53Sake! I need sake!
50:55Bring me sake!
50:56It's fine.
50:57This is Junkissa.
50:58Go away.
50:59I was dumped.
51:02I know.
51:03I saw it on TV.
51:04We went on a date.
51:06It wasn't a date.
51:07We talked about our problems.
51:09You should have.
51:10We made eye contact.
51:11You saw it, didn't you?
51:13Why are you crying?
51:15I'm not Shunki.
51:17I'm an old man.
51:20I can't work anymore.
51:23I'm so lonely.
51:24You're so human.
51:26Let's talk about this.
51:28You have a job interview next week.
51:30You're still a kid.
51:33This is it!
51:34Did you see it?
51:35Isn't it early?
51:36This is it!
51:37It's the first flower in the garden.
51:38It's not your date.
51:40You're so rude.
51:41I'm scared.
51:42How do you read this?
51:43What language is this?
51:44Where is he?
51:45I'm scared.
51:46Let's go pick him up.
51:47It's too early.
51:48Forget it.
51:49I don't care.
51:50Give it back.
51:51I have an interview.
51:53Give it back.
51:54It's personal.
51:55Where are you going?
51:59My name is Taxi Driver Giontaro.
52:04I'm not going anywhere.
52:06I can't do anything.
52:08I just want to burn my life.
52:19To be continued...
52:49To be continued...
53:19To be continued...
53:49To be continued...
54:19To be continued...
54:49To be continued...
54:52To be continued...
54:55To be continued...
54:58To be continued...
55:01To be continued...
55:04In this movie, there are shops and people in the city of Gion.
55:09But it's a story I made up.
55:13Gion is a very nice place.
55:17It's easy to come and play.
55:20Thank you very much.