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True Colors (2025) Episode 3 English Sub
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TV
Transcript
00:00The colourful Diva, who controls the colour beautifully, was the word that honoured me as a photographer.
00:17Until the eye disease occurred.
00:24It is a chronic disease in which the cells that control the vision and colour of the water-body dystrophy no longer function normally.
00:36Is there a way to cure it?
00:38Unfortunately, in modern medicine...
00:41Does the disease also affect the colour?
00:44I was originally colour-blind since I was born.
00:48Why have you been hiding it from me all this time?
00:50Even if the colour is a little different, it doesn't affect my expression.
00:55I can't sell you, who is not the best, to a top-class client.
01:00You want to say that I'm a scapegoat, don't you?
01:05I've been thinking about it a lot, but I've decided to cancel all my new jobs.
01:11All of them?
01:13Including going to Paris next month?
01:15All of Marco Andretti's jobs next year.
01:19No way!
01:21Why?
01:22I'll talk to the company.
01:24Come at 1 p.m. tomorrow.
01:49I can't believe it right away.
02:01I can't believe that the colour-blind diva was colour-blind.
02:05The difference in colour perception function should be recognized as individuality.
02:10The colours that you and I, who think we are colour-blind, can see clearly are subtly different.
02:17Is that true?
02:19More than colour-blindness, it's individuality.
02:22Even if Misaki Tachibana was colour-blind, I think it's even more so.
02:28She tried to bring the world of colour that she saw closer to the colour that we saw.
02:34As a result, that vivid colour expression was born.
02:39It was Shinya Makigami who found Misaki Tachibana, but it was her ability to grab the position of star photographer.
02:47She should have started walking on her own sooner.
02:52It's her misfortune that she fell in love with a perfectionist who has a strong desire for independence.
02:59Oh!
03:04Misaki-san!
03:08I'm sorry.
03:19Let's have a meeting later.
03:21I'll change my position.
03:31Editor-in-chief!
03:33Is it true that you cancelled all the contracts with Misaki Tachibana's overseas brand?
03:37From now on, it's up to the person who falls.
03:41So that you won't fall...
03:42It's the company!
03:49We should avoid the risks we can expect.
03:52That's Mr. Makigami's idea, isn't it?
03:54I'm the editor-in-chief of the Loose Salon.
03:56I'm also the executive of this publisher.
03:59I'm representing the company's interests.
04:01Who made the contract with Misaki Tachibana to monopolize Misaki's talent?
04:07If you treat her too respectfully, our company's reputation will be damaged.
04:15This is the answer I came up with to not hurt Misaki.
04:27Sanamai-chan.
04:28Yes?
04:29Why are you following me?
04:31I'll walk you downstairs.
04:34It's the last time.
04:36The last time?
04:37I don't think I'll ever come here again.
04:41That's too sudden.
04:44The Loose Salon is no longer an exclusive contract.
05:09I'm fine here.
05:15Take care.
05:23Um...
05:31If I become the editor-in-chief in the future, please shoot me again.
05:37You heard that, didn't you?
05:39I...
05:40I like Misaki's photos.
05:44The colors move my heart.
06:04I can become the editor-in-chief.
06:34This coffee tastes terrible.
06:47Please take care.
07:07Take your time.
07:34Would you like to take a look?
07:36Ah...
07:38Yes.
07:39Please.
07:49Oh my, Mr. Tachibana.
07:57It's rare to see a famous photographer like you here.
08:06What a day.
08:08You betrayed me and switched to commercial photography.
08:13Why are you here?
08:15Huh?
08:17You should be ashamed.
08:20I can't believe I'm meeting someone like you on a day like this.
08:25Senpai.
08:27How old are you going to be this year?
08:31It's the worst.
08:33I...
08:34Why don't you become independent and take your own photos?
08:52It's the worst day of my life.
09:03Mr. Tachibana.
09:06What a face.
09:37How is it?
09:39Is it good?
09:41Yes.
09:43I see.
09:52You are as kind as ever.
10:05Did you see the photo exhibition?
10:08Yes.
10:09I happened to pass by.
10:12I was nostalgic, so I went in.
10:14Mr. Komura told me about it.
10:17He's a great photographer.
10:20Really?
10:25How long has it been?
10:2912 years.
10:31That long?
10:36Mr. Tachibana.
10:40I'm sorry.
10:43I wanted to turn you down.
10:4612 years ago, when you were away for a long time,
10:52I left the studio.
10:56When I came back,
10:59I heard you went to New York.
11:02I laughed.
11:05I auditioned for a photo studio over there.
11:08I thought I could only go now.
11:10I couldn't stand it.
11:12You found what you wanted to do.
11:14You couldn't stand it.
11:17Who can stop such a young man?
11:20I don't like it.
11:22Who can stop him?
11:31You are my proud daughter.
11:40I'm not the kind of daughter you can be proud of.
11:53I lost all my jobs.
11:56That's not calm.
12:01I had a genetic disease.
12:07I was diagnosed with it.
12:11I was diagnosed with it.
12:14I was diagnosed with it.
12:19I was diagnosed with it.
12:25You had a genetic disease, too?
12:32Me, too.
12:34It's called a genetic disease.
12:38It's not a disease now.
12:42Really?
12:43It's not that rare.
12:46I had a lot of children.
12:50I had a lot of children.
12:52I had a lot of children.
12:56Really?
12:57There were only one in 20 men.
13:02It's not a big deal.
13:07There are old men who have been working as cameramen for 60 years.
13:21If you can't be confident in your color as a professional,
13:26you can take a picture in black and white like me.
13:30I was called a color diva.
13:36I'll give you a hint.
13:42Listen carefully.
13:45If you mix all the colors of this world, what color will it be?
13:50It's black.
13:52That's right.
13:54Black is the richest color.
13:58It has an infinite gradation.
14:10What is the color of this plate?
14:14It's black.
14:16Black is blacker than the color of a crow's feather.
14:23It's the blackest color for Japanese people.
14:28It looks like this.
14:30It looks like a variety of colors in the state of light.
14:34It's a supple black.
14:38I want to make black like this someday,
14:43but it's quite difficult.
14:47If you mix white with red, it becomes pink.
14:51If you mix it with blue, it becomes light blue.
14:55White and black are deep.
15:01Fumi-chan.
15:04Yes.
15:06What is the most important thing for a photographer?
15:10I told you before, but do you remember?
15:16Don't let go of the camera.
15:21That's right.
15:23As long as you're a photographer,
15:26don't let go of the camera no matter what happens.
15:36Yes.
15:39You went to fashion early.
15:44You know Robert Capa, right?
15:48Of course.
15:50He's a legendary battlefield photographer.
15:53Robert Capa shot the last scene on the battlefield in Indonesia.
16:00This is the same Nikon camera.
16:06I admired it when I first became a photographer.
16:10It's the same 50mm as Capa's.
16:13Take a look.
16:19I didn't know Capa was using a Japanese camera.
16:24When I died in Indonesia,
16:29I didn't let go of the camera.
16:39What's wrong?
16:43I'm embarrassed to think that I still have something
16:47that I'm so obsessed with.
16:52Even if you don't have time,
16:55you'll find it eventually.
16:59So,
17:02don't let go of the camera.
17:18Don't take a picture of me like this.
17:21I'll fix it.
17:32By the way,
17:35how's the M4 you gave me
17:38when I won the New Artist Award?
17:43I'm keeping it well.
17:47Is it your treasure?
17:50No.
17:51I can't use the camera you bought
17:55because it's too expensive.
17:58You must have lost to the camera.
18:02Of course.
18:04It's the world's most expensive camera.
18:07It's not mine.
18:09It's the camera's.
18:12The camera in your hand
18:15requires a person to be prepared.
18:19Prepared?
18:21When you travel with a camera like that,
18:24you'll meet beautiful things.
18:27Landscapes, people, flowers, birds, light and shadow.
18:32It has the power to attract those things in front of the camera.
18:37I feel like I'm being tested by the camera.
18:53Give me your hand.
18:58This is my favorite monochrome film.
19:03It goes well with the M4.
19:06Bring it to me.
19:09I'll show you the real light and shadow.
19:34When you travel with a camera like that,
19:42you'll meet beautiful things.
19:50Landscapes, people, flowers, birds, light and shadow.
19:58When you travel with a camera like that,
20:06you'll meet beautiful things.
20:15Landscapes, people, flowers, birds, light and shadow.
20:27When you travel with a camera like that,
20:32you'll meet beautiful things.
20:37Landscapes, people, flowers, birds, light and shadow.
20:42When you travel with a camera like that,
20:47you'll meet beautiful things.
20:52When you travel with a camera like that,
20:57you'll meet beautiful things.
21:02Landscapes, people, flowers, birds, light and shadow.
21:07When you travel with a camera like that,
21:12you'll meet beautiful things.
21:17When you travel with a camera like that,
21:22you'll meet beautiful things.
21:47When you travel with a camera like that,
21:52you'll meet beautiful things.
21:57When you travel with a camera like that,
22:02you'll meet beautiful things.
22:07When you travel with a camera like that,
22:12you'll meet beautiful things.
22:17When you travel with a camera like that,
22:22you'll meet beautiful things.
22:27When you travel with a camera like that,
22:32you'll meet beautiful things.
22:37When you travel with a camera like that,
22:42you'll meet beautiful things.
22:47When you travel with a camera like that,
22:52you'll meet beautiful things.
22:57When you travel with a camera like that,
23:02you'll meet beautiful things.
23:07When you travel with a camera like that,
23:12you'll meet beautiful things.
23:17When you travel with a camera like that,
23:22you'll meet beautiful things.
23:27I missed the timing.
23:30It's a matter of life and death.
23:34Don't worry about me. Are you okay?
23:39I think I'm okay.
23:45Are you at home now?
23:48Are you eating something delicious?
23:51You seem to be worried about me.
23:55Junko said so.
23:57Junko?
23:59She's at home.
24:01I'm going shopping. Wait for me.
24:03Did you hear that?
24:06I'll talk to you later.
24:26I'm home.
24:39Thank you for waiting.
24:41Wow.
24:43Everything looks delicious.
24:45It's like a picture.
24:48Let's have a toast first.
24:55To a new start.
24:58That's a good idea.
25:00I don't know where to go.
25:03That's fine now.
25:05Let's look ahead.
25:08That's right. I think that's important.
25:15To a new start.
25:20Cheers.
25:26The white wine is delicious.
25:30What kind of wine is it?
25:32I got it from Mr. Makigami.
25:39Wine is not a crime.
25:42Do you have any other wine?
25:45Yes.
25:46Let's drink it all.
25:48Let's eat.
25:50Let's eat.
25:54It looks delicious.
25:59It's delicious.
26:00Is it good?
26:19You have a lot of things.
26:23How long have you been living here?
26:28About three years.
26:31I have to move soon.
26:33The rent is high here.
26:39I'm sorry for what happened to you.
26:46I wanted to cancel the contract.
26:53I don't want to be a slave in a long trial.
26:58So I decided to cancel the contract.
27:03I can pay you enough to eat until the next job is decided.
27:11I think it was the best decision.
27:16I was worried about what would happen.
27:20I'm sorry.
27:22I can't afford it.
27:24Don't worry about it.
27:27There's nothing we can do for you.
27:32Let's drink together.
27:51It's a little late.
27:54Why are you wearing makeup?
28:01Why?
28:02You're not wearing makeup.
28:08You can't get excited.
28:13Makeup is not just to show people.
28:20It's to improve yourself.
28:30Let's drink together.
28:32Now?
28:44How is it?
29:01It's done.
29:05It's beautiful.
29:14I thought it would be perfect.
29:18It's good.
29:20I'm a professional.
29:26Get up.
29:29It's work.
29:34This lens is bright.
29:37I'll do it.
29:44One more.
29:46Smile.
29:57This is the last one.
30:04I want one, too.
30:07Me, too.
30:08I don't want my picture.
30:10Please.
30:14I got it.
30:18T3 is good.
30:21I know why it's so popular.
30:25I like Snap.
30:27I was going to buy it used.
30:29But it was too expensive.
30:31How much is it?
30:33300,000 to 400,000 yen.
30:36Used?
30:38I'll give it to you.
30:40Thank you for today.
30:43You were a great assistant.
30:57I'll give it back.
31:00What?
31:02Don't say that.
31:06I won't.
31:08You won't quit, right?
31:13You won't quit, right?
31:14I don't know.
31:17Not yet.
31:23I don't know.
31:27I don't know what will happen to me.
31:30I don't know what I want to do.
31:38I'm sorry.
31:42But...
31:44I won't let go of the camera.
31:48My master told me.
31:51If I have a camera, I can go back to being a photographer.
31:56Are you talking about Ms. Kijima?
32:09I got this camera from my master.
32:15As a photographer, I stand on my own two feet.
32:20I think that's what it means.
32:26So I want you to get my favorite camera.
32:39If that's the case, I'll keep it until Ms. Kijima comes back.
32:46Just say thank you.
32:49Ms. Junko, give me a drink.
32:53I drank too much.
33:07I totally forgot about this.
33:10I've been keeping this for you.
33:14What's this?
33:15It's a postcard for you.
33:31Take care.
33:52I love you.
34:23I love you, too.
34:41Ms. Junko.
34:44It's been 18 years since we parted.
34:50How have you been?
34:53I've seen your activities on magazines and TV.
34:57I'm happy to see you and your mother together.
35:05I couldn't find your address.
35:08So I sent this letter to the editor of your magazine.
35:16My mother and I are poor.
35:21I went to a university in Fukuoka.
35:25Now I'm a teacher at the elementary school in Hondo.
35:30I think it's all thanks to Tsujimura's father,
35:35who gave me the dream of becoming an educator.
35:46There's one thing I want to tell you.
35:50I'm going to get married.
35:56I'm going to get married on September 24th.
36:02I'm going to get married on September 24th.
36:09I'm going to get married on September 24th.
36:14Will you marry me?
36:20I want you to marry me.
36:36I didn't tell my mother and Tsujimura's father that I wrote this letter.
36:43I don't want you to feel bad about it.
36:47I'm sure my mother will stop me.
36:52Last year, my mother passed away.
36:55I've been crying a lot lately.
36:58When I talk about my sister, I cry.
37:03Please let me know that I'm the only one who wants to see my sister.
37:12No matter what my mother says,
37:14I want my sister to be happy.
37:30You should wear a wedding dress next week.
37:35I'll do it at home.
37:38I can't wear a wedding dress.
37:42You can wear a wedding necktie.
37:45I have a lot of responsibilities.
37:50Goodbye.
37:55If my mother and Tsujimura's father don't want to see me,
37:59I don't mind going to a funeral.
38:03But I want you to meet my husband.
38:09I'll give you my email address and phone number.
38:14I'll wait for your reply.
39:33I'll wait for your reply.
40:04The Lord has called me.
40:15I am his son.
40:26I am his son.
40:45I don't like this picture.
40:51I like the clouds in the picture.
40:53It's like a picture of a constable.
40:56I copied it.
41:00If you like it, take it.
41:09Do you like this picture?
41:14Yes.
41:17If you like it, come back to see the real picture.
41:25You can only see the clouds and the sky in the picture.
41:47I am his son.
42:06Shotaro.
42:08Did you get used to this place?
42:17Yes.
42:22Shotaro.
42:26What's the weather like today?
42:28It's cloudy today.
42:30Let's go to Ayajima.
42:47Ayajima
43:17Ayajima
43:47Ayajima
43:49Ayajima
43:51Ayajima
43:53Ayajima
43:55Ayajima
43:57Ayajima
43:59Ayajima
44:01Ayajima
44:03Ayajima
44:05Ayajima
44:07Ayajima
44:09Ayajima
44:11Ayajima
44:13Ayajima
44:15Ayajima
44:17Ayajima
44:19Ayajima
44:21Ayajima
44:23Ayajima
44:25Ayajima
44:27Ayajima
44:29Ayajima
44:31Ayajima
44:33Ayajima
44:35Ayajima
44:37Ayajima
44:39Ayajima
44:51Ayajima
44:53Ayajima
44:59Next is Misumi cable car station
45:01If you are using the Maxa ferry, please use this platform.
45:10Next stop.
45:12The Maxa ferry departs from platform 2.
45:28The Maxa ferry departs from platform 2.
45:35The Maxa ferry departs from platform 2.
45:40Ready to depart.
45:49Beautiful, like a wind.
46:07Departure.
46:20The Maxa ferry departs from platform 2.
46:25The Maxa ferry departs from platform 2.
46:49The Maxa ferry departs from platform 2.
47:19The Maxa ferry departs from platform 2.
47:49The Maxa ferry departs from platform 2.
48:07Departure.
48:20That man...
48:23Why?
48:34Hey, isn't that Misaki?
48:38She's the same girl who always makes us wait.
48:42That's Misaki!
48:44You met Jotaro, didn't you?
48:46I'm glad you're back.
48:48You and Nanase are still on bad terms, huh?
48:51I'm the one who cut ties with you and left the island.