アナザーストーリーズ 2025年2月3日
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00:00It's been about half a century, and this song is still engraved in people's memories.
00:09The curtain rises as usual.
00:14It's autumn.
00:15Autumn.
00:16It's that person.
00:17Chiyaki Naomi.
00:18Yes, Chiyaki Naomi.
00:19Her voice.
00:20The curtain goes up like this.
00:21Yes.
00:22There is that atmosphere.
00:24The sadness that I kept in my heart.
00:27She represented our voices.
00:30This is a fire.
00:34I think it's a message that is deeply engraved in people of all ages.
00:44On the occasion of her 55th anniversary of her debut last year,
00:48Chiyaki Naomi's music broadcast was canceled.
00:51Even now, Chiyaki Naomi is gaining popularity from a wide range of generations.
00:58The curtain rises as usual.
01:04Behind the birth of the famous song, there was an unknown struggle.
01:12I didn't want to sing it, but it was hard.
01:17It was similar to what happened in the past.
01:24After that, she released a song that changed the image of the world.
01:37I felt a sense of fear on Chiyaki's stage.
01:41I thought she was a terrible person.
01:44As a singer, she went further.
01:48However, her activities were suddenly suspended.
01:53Until now, she has not appeared in the media at all.
01:57She has been silent.
02:00The work itself, Chiyaki Naomi,
02:04I think it meant that the project itself was over.
02:09From three perspectives,
02:11The truth hidden in Chiyaki Naomi's song.
02:39The curtain rises as usual.
02:43I sing a love song.
02:50Overwhelming singing ability and excellent expression,
02:54Chiyaki Naomi still fascinates many fans.
03:01The turning point of fate is
03:07September 10, 1972.
03:11The day when her representative song, Kassai, was released.
03:17She sang this song while thinking of her ex-lover.
03:22Only three months after its release,
03:25It won the record for the shortest time in history.
03:30The first perspective is
03:33Akira Higashimoto
03:36Akira Higashimoto was the director of Kassai.
03:43From this song, he became deeply involved with Chiyaki.
03:46After that, for many years,
03:48I supported her singing activities.
03:53In fact, the recording of this Kassai
03:56It is said that it was done in an extremely unusual way.
04:02How was the popular song born?
04:08Another story behind the birth of Kassai.
04:18Akira Higashimoto, who still has faith in Chiyaki
04:21and is in charge of the production of Kassai as a director.
04:29In fact, this song was a song of Chiyaki.
04:36Akira Higashimoto still remembers the singing voice he heard on the recording.
04:44It was perfect.
04:46It was amazing.
04:51However, the birth of Kassai was not easy.
04:591968
05:03At that time, there was a rumor in the ears of Higashimoto,
05:08who was a young director of a record company.
05:13A singer who is comparable to Misora Hibari will make his debut.
05:21Immediately, he got a demo tape and listened to the singing voice.
05:29I thought it was amazing.
05:32What is it?
05:33It's a sense of rhythm and a natural form of birth.
05:40It's very good.
05:43Chiyaki Naomi, who later became a famous new singer.
05:52At the age of four, she went around the U.S. military camps all over the country with singing and tap dancing.
05:58At the age of five, she stood on the stage of Nichigeki.
06:05At the age of 13, she was the predecessor of Yukioh Hashi and the Komadori sisters.
06:11He said he was improving his singing ability.
06:15If I had met such a person at my place, I would have wanted to do it.
06:24At that time, Chiyaki already had another person in charge, so Higashimoto paid attention to her.
06:41Chiyaki's debut song in 1969, Ame ni Nureta Bojou, was a hit that sold about 170,000 copies.
06:52However, at that time, Chiyaki's catchphrase was a fascinating husky boy.
07:01It was a promotion that showed off her looks rather than her singing ability.
07:08In the 1970s, when female idols became active,
07:15Chiyaki also released a song that incorporated the idol route.
07:22She continued to hit the charts and became a popular singer.
07:38Kiss me gently.
07:45However, popularity did not last long.
07:48The sales of records followed a downward trend.
07:57Chiyaki later talked about her feelings at the time.
08:04If I don't hit the records, I can't make money.
08:12I want to sing as hard as I can.
08:20At that time, Chiyaki was whispered that if she didn't hit the charts with two consecutive hits, she was over.
08:30Chiyaki was cornered.
08:35That's where the arrow of Shiraha stood.
08:42She decided to compete with her original charm and wanted to make a song.
08:50I didn't care about idols.
08:54I focused on Chiyaki's singing ability.
08:59I didn't care about popularity.
09:03I thought it would be better to release a song that was the best way to make money.
09:10The song was written by Yoshida Oh, who brought out Chiyaki's charm in her debut song.
09:20I thought a lot about what would be good.
09:24I thought it would be nice to write a song that would make Chiyaki a singer.
09:30I wrote a song about how a girl who made her debut in general came out of her hometown.
09:40After that, I wrote a song about the death of a lover who broke up with her.
09:52The lyrics were based on the lyrics of a singer who stood on the stage while thinking about his ex-lover.
10:00Then, a certain person made an unexpected reaction.
10:07It was Taiji Nakamura, the hit maker at the time who composed the song.
10:16I was told that I didn't have to kill my lover at all.
10:20I just had to break up with her.
10:23I was told that it wouldn't be a drama if I did that.
10:27I was told by Mr. Taiji that my acting was bad and that I had a terrible personality.
10:34The lyrics of the song, called Kuroi Fuchidori, remind us of the death of a lover.
10:39Taiji Nakamura showed his toughness.
10:44Yoshida was still a rookie at the time.
10:48But he didn't give up a single step to Taiji Nakamura, the hit maker.
10:55It was hard to persuade him.
10:57But gradually, Taiji Nakamura thought it was a good idea.
11:05When the song was finished,
11:07Taiji Nakamura tried many times to make the lyrics memorable.
11:19When I was at home, I got a phone call.
11:22Taiji Nakamura played the guitar for me.
11:25I thought it was a good idea.
11:30I thought it was a good idea.
11:35Finally, the song was finished and the recording was over.
11:41But this time, Taiji Nakamura said something unexpected.
11:48I didn't want to sing. It was hard.
11:53It's a strange story.
11:55It was similar to what happened in the past.
12:03When Chiaki was working at Yukio Hashi's company,
12:07she received a letter from a man she liked.
12:14He said,
12:16the lyrics seemed to overlap with her real experience.
12:23She was persuaded and decided to sing.
12:28But she suddenly acted in a way that surprised everyone around her.
12:36She pulled the curtain so that no one could see her.
12:40She sang in her own world.
12:45She put a black curtain on the glass window of the studio
12:49and created a space where she could focus on singing.
12:55The recording started without anyone seeing Chiaki.
13:02Her singing voice was surprising.
13:08It wasn't a wave.
13:11The quality of her voice was good.
13:14It was perfect.
13:21At first, the title of this song was Makuga Aku.
13:28But Higashimoto added the title at the end.
13:38The image of Chiaki on stage.
13:42Suddenly, a word came down.
13:46I thought she was good at singing in a quiet place.
13:53So I thought the word Kassai would be good.
14:00Kassai.
14:02She stood on the stage as Rin.
14:07She decided the title.
14:11Kassai sold well.
14:15She was nominated for the record of Japan.
14:19But the record of this year.
14:22The title was Koyanagi Rumiko's Seto no Hanayome.
14:27Everyone thought it would be difficult to win the title.
14:34I heard the word Kassai.
14:40I didn't know at first.
14:42I was surprised.
14:45I thought it was true.
14:48Kassai won the record of Japan
14:52for the shortest time in history.
14:59She didn't cry.
15:03But she was crying.
15:06She was not calm as usual.
15:09I think it's natural.
15:12I think that's human.
15:16Kouhaku Utagassen was broadcasted right after the award.
15:21Chiaki sang with all her heart.
15:27The curtain opens as usual.
15:32I sing a love song.
15:38I received a message.
15:45There was a black bird.
15:54It was you who stopped me three years ago.
16:00I left you alone.
16:04A train started to move.
16:09I jumped off alone.
16:16Kassai became a big hit that sold 800,000 copies in a row.
16:23It became the representative song of Naomi Chiaki.
16:27Naomi Chiaki became a big hit of Kassai.
16:32She became the top of the Japanese pop music industry.
16:40But after that,
16:44she began to wonder what kind of song she really wanted to sing.
16:52At that time, there was a person who pushed her back.
16:59The second perspective is
17:04Kazuki Tomokawa, a singer who provided music to Naomi Chiaki at that time.
17:11Kazuki Tomokawa's song, Yoru e Isogu Hito,
17:15opened Naomi Chiaki's heart and shocked everyone.
17:24What happened to Naomi Chiaki before she became a big hit as a singer after Kassai?
17:33Another story that chases the ideal song and approaches the unknown days.
17:44There is a shop where fans of Naomi Chiaki gather in Golden Street, Shinjuku.
18:03There is a shop where fans of Naomi Chiaki gather in Golden Street, Shinjuku.
18:15There is a song that has become a talk of the town among the fans.
18:22I was singing Yoru e Isogu Hito on TV.
18:27The impact at that time was great.
18:29I liked both the voice and the impact of the face.
18:35I was really excited to sing with my soul.
18:42I think I broke Naomi Chiaki as a pop singer and moved on to another dimension.
18:52Yoru e Isogu Hito was released five years after Kassai.
19:23Tomokawa Kazuki, a singer-songwriter, provided this song to Naomi Chiaki.
19:40I felt a kind of madness on Naomi Chiaki's stage.
19:44I thought, what is this madness?
19:48At that time, I couldn't speak.
19:51I thought she was a terrible person.
19:55This song will change the image of singer Naomi Chiaki.
20:05What is the madness of her that Tomokawa saw?
20:09Naomi Chiaki established her presence as the second-in-command of the dramatic singing in the three-part work of Kassai, the theater, and the night flight.
20:27The next challenge was the world of Enka.
20:39Naomi Chiaki, a singer-songwriter, established her presence as the second-in-command of the dramatic singing in the three-part work of Kassai, the theater, and the night flight.
20:46Naomi Chiaki established her presence as the second-in-command of the dramatic singing in the three-part work of Kassai, the theater, and the night flight.
20:53Naomi Chiaki, a singer-songwriter, established her presence as the second-in-command of the dramatic singing in the three-part work of Kassai, the theater, and the night flight.
20:59There is a person who saw the change closely.
21:04Toru Hasegawa was the audio staff of Naomi Chiaki.
21:10Nice to meet you.
21:14In terms of sales,
21:16when you go to the countryside,
21:18Enka music was very popular at that time.
21:20So I was doing Enka music.
21:24But she was not a singer
21:26who would stick to a specific genre.
21:34When she went home
21:38I remember her singing
21:41with a loud voice
21:43the same way
21:45I sang Ohashi Junko.
21:49I wanted her to do
21:51her favorite music
21:53as well as Enka music.
21:58One day,
22:00Hasegawa was called
22:02by Chiaki's manager.
22:05I asked her
22:07if she knew Tomokawa Kazuki.
22:09She looked serious.
22:13At that time,
22:15Tomokawa Kazuki
22:17was a well-known singer-songwriter.
22:34I saw Tomokawa Kazuki singing at 11 p.m.
22:50I was moved.
22:52I wanted to meet him.
22:58Tomokawa Kazuki was taken to Hasegawa,
23:00a friend of Tomokawa Kazuki.
23:03When he went to Chiaki's office,
23:05he was asked
23:07to write a new song.
23:16It is still unknown.
23:18I think it is a third-rate song.
23:23It has never been sold.
23:27Tomokawa Kazuki was surprised
23:29that a big hit singer
23:31asked him to write a song
23:33like his own.
23:35But Tomokawa Kazuki accepted it.
23:40Tomokawa Kazuki asked me
23:42to write a song
23:44like my own.
23:47I knew that
23:49I couldn't write a song
23:51like Tomokawa Kazuki's.
23:53So I asked Tomokawa Kazuki
23:55to write a song
23:57like his own.
23:59I went to listen to Tomokawa Kazuki's song.
24:03I was surprised
24:05how powerful it was.
24:07It was like
24:09Janis Joplin.
24:13At that time,
24:15Tomokawa Kazuki sang
24:17a song like Janis Joplin,
24:19a rock singer
24:21and a singer.
24:39Chiaki sang a powerful song
24:41like Janis Joplin's
24:43with husky voice.
24:45Tomokawa Kazuki was surprised
24:47when he saw it.
24:50I couldn't get it.
24:53Chiaki was crouching
24:55and crying.
24:57I couldn't get it.
24:59I was terrified
25:01when I saw Chiaki's performance.
25:03I don't think
25:05there's anything
25:07that can convince people
25:09in human expression.
25:11No matter how terrified they are,
25:13there's a big difference
25:15in their potential.
25:17I was surprised
25:19that Tomokawa Kazuki
25:21was so serious.
25:23I tried to sing
25:25Chiaki's song
25:27even though I don't sing it.
25:31There's nothing
25:33but Chiaki's madness
25:35that can express
25:37the darkness of the heart
25:39that everyone has.
25:41Tomokawa Kazuki
25:43was trying to express
25:45the darkness of the heart
25:47that everyone has.
25:51Hasegawa Kazuki
25:53took Tomokawa's song
25:55to Chiaki.
25:59I felt like
26:01I could sing it right away.
26:03I didn't have to fix anything.
26:05I was serious
26:07at that time.
26:11On the day of recording,
26:13it was common
26:15for Chiaki to record
26:17the vocals separately.
26:21But at this time,
26:23she was particular about
26:25singing with the band.
26:27She kept singing
26:29until she was satisfied
26:31with the performance.
26:35This is how
26:37the song was completed.
26:39Chiaki was planning
26:41to perform this song
26:43at the Kouhaku
26:45Singing Contest
26:47that year.
26:49However,
26:51the program
26:53offered to sing
26:55Kassai again.
26:57However,
26:59Chiaki said
27:01she couldn't sing
27:03unless she was in a hurry
27:05at night.
27:07I was like,
27:09I'll do my best.
27:13Chiaki kept
27:15her faith.
27:17She sang
27:19Kouhaku
27:21with her particular song.
27:37She sang Kouhaku
27:39with her particular song.
27:41She sang Kouhaku
27:43with her particular song.
27:45She sang Kouhaku
27:47with her particular song.
27:49She sang Kouhaku
27:51with her particular song.
27:53She sang Kouhaku
27:55with her particular song.
27:57She sang Kouhaku
27:59with her particular song.
28:01She sang Kouhaku
28:03with her particular song.
28:05My heart
28:07My heart
28:09Is in the deepest darkness
28:11Is in the deepest darkness
28:13Is in the deepest darkness
28:15application
28:17application
28:19let me
28:21let me
28:22let me
28:25even if I know
28:27even if I know
28:29I don't
28:33I thought, wow, that was amazing.
28:36When I heard the song, when I heard the voice,
28:39I lost my voice.
28:41I didn't think it would be that amazing,
28:44including the choreography.
28:46I really thought that Chiraki was doing what he wanted to do.
28:50And I was happy.
28:52I thought, wow, that was amazing.
28:55When I heard the song, when I heard the voice,
28:58I lost my voice.
29:00I thought, wow, that was amazing.
29:02I didn't think it would be that amazing, including the choreography.
29:08Chiraki will continue to pursue the path of singing
29:12the songs he wants to sing as a singer.
29:21He will challenge himself to various genres of music
29:24and release an album.
29:26He will also challenge himself to musicals.
29:30The third point of view is...
29:36Nobuo Kurata, who has worked on many of Chiraki's songs
29:39and has also performed in musicals as a pianist.
29:48It is said that he was not able to hide his surprise
29:51by the performance of Chiraki in the musical.
29:56And later in the year,
29:58Chiraki stopped his activities.
30:00Why is he still silent?
30:03Kurata noticed a reason.
30:09Another story that approaches the reason
30:12why Chiraki Naomi is silent,
30:14which the pianist saw.
30:16Another story that approaches the reason why Chiraki Naomi is silent,
30:19which the pianist saw.
30:23知る人ぞ知る
30:25Chiraki's representative work,
30:27the stage,
30:28Lady Day.
30:32Chiraki's solo stage,
30:34played by the legendary jazz singer of the United States,
30:37Billie Holiday,
30:39was a big hit at the time.
30:43Nobuo Kurata,
30:45who was a pianist on this stage.
30:49His appearance on the stage
30:51is still etched in his memory.
30:57Well, it's like...
31:00Is it Billie Holiday himself?
31:02It's like that, isn't it?
31:04There's no way it's Billie Holiday.
31:07It was amazing.
31:12It's been over 30 years
31:15since Chiraki,
31:17who has shown such various activities,
31:20stopped his activities.
31:23Chiraki Naomi,
31:25the work itself,
31:27the project itself,
31:29I think it meant the end.
31:33Chiraki, who devoted everything to singing,
31:36What did he show at the end?
31:42In 1978,
31:44Chiraki decided to get married
31:47and stopped his singing activities,
31:53but his passion for singing
31:55never faded away.
32:00For a while,
32:01he wanted to focus on his wife's business,
32:05but he still couldn't give up singing.
32:10Mr. Higashimoto,
32:12who worked as a director at Kassai,
32:15once again started composing music for Chiraki.
32:20I said,
32:21It's been a long time.
32:23There was a talk about making an album,
32:26and I said,
32:27I'm working hard on it now,
32:29but I'm interested in it.
32:31We had a common goal
32:33to spread the world more.
32:36I think she had a mission.
32:38I said,
32:39I want to sing a lot of songs,
32:41so let's do what we want to do together.
32:45I said,
32:46Let's do that.
32:48That's how it started.
32:52At the same pace every year,
32:55Chanson,
32:56Jazz,
32:57Portugal's Fado,
32:59etc.
33:00He released an album
33:02incorporating foreign music.
33:08Chanson,
33:10Jazz,
33:12Portugal's Fado,
33:14etc.
33:16He released an album
33:18incorporating foreign music.
33:21Chanson,
33:23Jazz,
33:25Portugal's Fado,
33:27etc.
33:29Chanson,
33:31Jazz,
33:33Portugal's Fado,
33:35etc.
33:37Chanson,
33:39Jazz,
33:41Portugal's Fado,
33:43etc.
33:56At the time,
33:58Kurata was responsible
34:00for the arrangement of the album.
34:04He sang in a large studio.
34:08Everyone was singing along.
34:11Everyone was excited
34:13to hear him sing.
34:15But Chanson was like,
34:17hmm...
34:18hmm...
34:19hmm...
34:20hmm...
34:21hmm...
34:22hmm...
34:23hmm...
34:24hmm...
34:25hmm...
34:26hmm...
34:27hmm...
34:28hmm...
34:29hmm...
34:30hmm...
34:31hmm...
34:32Hmm...
34:33He tried to express
34:35as much as he could.
34:38And it's because he wanted to do it,
34:41the melody didn't always
34:43cope with his singing.
34:48And he worked hard in acting
34:51for multiple openings
34:54in dramas and films,
34:56which made him respected as well.
34:59Come and listen to my opera.
35:01It's not like that.
35:03At that time, an unexpected story comes to mind.
35:10Billie Holiday, who fought against racism and suffered from addiction to drugs,
35:19was offered a musical, Lady Day, to reflect on her life.
35:26At that time, it was a work that was very popular on Broadway.
35:31The producer of this play noticed Chiaki's singing and acting.
35:39He said he couldn't remember the long lines,
35:43but he was encouraged by the people around him and decided to appear.
35:49Lady Day, a musical, is a one-man play with a pianist on the stage.
36:01The pianist was Nobuo Kurata, who was involved in the production of the album
36:07and was entrusted by Chiaki.
36:13I was told that if Mr. Kurata didn't play the piano,
36:18Chiaki wouldn't sing.
36:22I thought it was a problem.
36:26But if he said so...
36:30In addition, Yoshida Oh, who has written many of Chiaki's songs,
36:36was in charge of translating the lyrics of the song.
36:42Normally, I would say,
36:45I can't write this world because I know it.
36:50But there was something I had to accept,
36:55so I accepted it right away.
36:58I thought I had to choose words that would express Billie Holiday to Chiaki.
37:06In this way, the curtain of the stage opened.
37:13I was really surprised.
37:16I had heard of Billie Holiday's songs,
37:19but when I saw her singing,
37:23I felt again that her music was really deep.
37:31At that time, there was a precious sound source that was hardly seen.
37:37This song was sung by a black man who was lynched and hanged by a tree.
38:07When the wind shakes its body,
38:17the tears of blood fall down.
38:29I wonder what the essence of singing is.
38:33I want people to understand my feelings by singing this song.
38:43I can't help but feel like I'm in Billie Holiday.
38:48Especially in the final scene,
38:56I feel like I'm going to cry when I remember it.
39:00At the end, I feel like I'm going to go up to heaven.
39:30The life of Billie Holiday, who devoted everything to singing,
39:46Chiaki also sang and performed with all her heart and soul.
39:53That figure overwhelmed what I saw.
40:01The next year, she was re-enacted,
40:04and the next year, she sang in the Long Run Park.
40:08It became an unfulfilled dream.
40:14She lost her beloved husband, who was also a producer,
40:19and Chiaki stopped her activities.
40:24The song that Kurata composed,
40:28the Long Run Park,
40:31and Chiaki's concert tour.
40:36This was the last tour.
40:48Chiaki experienced a great loss.
40:52Since then, she has not appeared in the media at all.
40:57She has been silent.
41:05Kurata sent a letter to Chiaki,
41:09asking her to sing again after Chiaki's activities were suspended.
41:15But there was no reply.
41:19I think Chiaki Naomi's project itself meant the end.
41:30More than 30 years have passed since her activities were suspended.
41:35However, she has never used the word retirement.
41:43Chiaki Naomi's song, Kassai.
41:45Kassai sang a song about her lover,
41:49who she lost more than half a century ago.
42:13Kuroi fuchidori ga arimashita
42:21I don't think she will come back.
42:27On the contrary, I think it's better not to come back.
42:35I think it's better not to sing Kassai.
42:43I think it's a little too much.
42:49I think it's okay.
43:05Mimi ni watashi no uta ga
43:10Torisugite yuku
43:17Itsumo no you ni makutataku
43:22Furisosogu light no sono naka
43:29Soredemo watashi wa
43:34Kyou mo koi no uta utatteru
43:58Densetsu no concerto, Candies.
44:04Debut kara kaisan made no sokuseki wo tadorimasu.
44:07BS nigatsu nanoka kinyou, yoru shichi-ji.
44:15Shin BS Nippon no Uta.
44:17Enka wa mochidon.
44:18Mood ka you kara,
44:19Idol songu made mori dakusan.
44:21Hosou wa kokonoka nichiyou,
44:23Yoru shichi-ji sanjuppun.
44:29BS Sekai no Dokumentary
44:31AI no gijutsu de daisansha no ka wo porno-douga ni kousei suru deepfake porno.
44:35Amerika no aru daigakusei ga mi ni oboe ga nai douga wo kakusan sareta.
44:39Why would someone want to do this?
44:41And who would do this?
44:43Namae ya gakkoumei ga sarasareta douga.
44:45Kizuita toki ni wa suusenkai mo saisei sarete ita.
44:48Hoka no higaisha to tomo ni hanin sagashi ni noridasu tsugata wo minchaku shuzai.
44:52AI jidai no kyoufu wo egaita dokumentary.