La modelo Dakota, cuyo verdadero nombre es Evelyn, ha generado controversia tras compartir un audio donde expresa su descontento con el cantante. En el mensaje, Dakota lo acusa de dejarla en situaciones incómodas y de usarla para limpiar su imagen.
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00:00Again, because she took a fleeting step in this novel,
00:04Miss Dakota.
00:06Welcome to this novel.
00:08Evelyn, Evelyn.
00:09I would put, I give time to Rafa, I would put a last moment also.
00:12Last moment.
00:13Because in this novel, which is going to continue.
00:15She spoke Dakota.
00:16She spoke Dakota.
00:18Very good.
00:19What happens to Dakota, who is actually called Evelyn,
00:22and travels a lot to Dubai,
00:24because as Mrs. Tawada said,
00:26she sometimes works in Dubai because she is a model.
00:29Do you remember that in a moment,
00:31there we see the images of Wood Cardashian.
00:34What did we think?
00:35That she was the new girlfriend.
00:36We saw them from here to there.
00:38Moriche, drink, food.
00:40What happens to Dakota today with Elegante?
00:45Do you want to listen?
00:46Yes, please.
00:47We listen.
00:48What a country.
00:49We listen.
00:53Do you listen there?
00:54Ah, sorry.
00:55Let's see.
00:57Up, up.
00:58Put it higher, we don't listen.
01:00Apart from Mar del Plata, I listened.
01:02I don't understand anything.
01:04Come back.
01:05Come, Kari, here.
01:06Oh, nothing else.
01:08Help her.
01:09Stop, don't stop.
01:10You have it on mute.
01:11Put it on mute, put it on mute.
01:12Put it on mute, put it on mute.
01:13Kari can't.
01:14Better.
01:16What's up with you?
01:17In the end, you ended up reusing me.
01:20They are killing me everywhere.
01:22They are calling me by thousands of numbers.
01:25I don't know where they got my phone.
01:27They are treating me like a cat, like a whore.
01:29I am neither a cat, nor a whore of yours, nor of anyone.
01:32I think that was pretty clear to you.
01:34You yourself told me that this was useful to you,
01:36all this show was useful to you to clean up Dicardi,
01:39because he had paid a couple of judges,
01:41that I don't know, so as not to fall into the trap.
01:43If I was so useful to you for that,
01:45don't let people mess with me either.
01:47On top of that, you start sharing stories,
01:48you make me look like a whore.
01:50You have to think a little about the other person.
01:52Besides, in Mar del Plata you made me go through some horrible moments,
01:55you made me go through some horrible moments,
01:57when you left, when they were about to hit you,
01:59I don't know what happened there, you left me alone,
02:01pretending that I had gone with you.
02:03You left me very stressed.
02:05In the after, too.
02:07I don't know why the hell you took me.
02:09I don't know why the hell you took me,
02:10if you were going to behave like that.
02:12On top of that, you are not even able to apologize,
02:14to tell me, hey, whore, you know what?
02:16I realized, well, maybe you didn't realize,
02:18maybe you are so crazy all the time,
02:20that you don't realize that if you take a person with you,
02:22you have to take care of them minimally.
02:25Please.
02:26No, I thought it was wonderful.
02:27Curious Dakota.
02:28Curious.
02:29Curious, my friend Dakota.
02:30She felt used.
02:31She felt used by Elegante.
02:33You're right.
02:34If Elegante was like her.
02:35Can you play the audio again?
02:36Run away from the monitor, guys, I want to see...
02:40Do you want to read what she said?
02:41I want to read, I want to read.
02:42Exactly, because some things seem brilliant to me.
02:45Go ahead, play it, Dakota.
02:50What's up with you, asshole?
02:51In the end, you ended up reusing me,
02:53they are killing me everywhere,
02:55they are calling me by thousands of numbers,
02:58I don't know where they got my phone from,
03:00they are treating me like a cat, a whore,
03:02I am neither a cat nor a whore,
03:04neither yours nor anyone else's.
03:05I think that was pretty clear to you.
03:07You yourself told me that this was useful to you,
03:09all this show was useful to you,
03:10to clean you of Icardi,
03:12because I had paid a couple of judges,
03:14that I don't know,
03:15so I don't end up in jail.
03:16If I was so useful to you for that,
03:18don't let people mess with me either.
03:20On top of that, you start sharing stories,
03:21you make me look like a whore,
03:22you have to think about the other person.
03:24Besides, in Mar de Plata,
03:25you made me go through some horrible moments,
03:28a lot of shit in the club,
03:29when you left, when they were about to hit you,
03:31I don't know what happened there,
03:33you left me alone,
03:34pretending that I had gone with you,
03:35you left me really down,
03:37in the after party too,
03:39I don't know why the hell you took me,
03:41I don't know why the hell you took me,
03:42if you were going to behave like that.
03:44On top of that, you are not even able to apologize,
03:47to tell me, hey, asshole,
03:48you know what, I realized,
03:49well, maybe you didn't realize,
03:51maybe you are so crazy all the time,
03:53that you don't realize,
03:54that if you take a person with you,
03:55you have to take care of her at least.
03:59Dakota is right.
04:01Let's see, there is Guati, there is Layus,
04:04there is Kande here in Buenos Aires,
04:08well, please,
04:09the three of us have to look for Dakota tomorrow,
04:12I don't know if she will be there,
04:14if I don't send them to Dubai,
04:17No, she is here, she is here.
04:19She is here.
04:20She is not bad.
04:22I have a clue where you can look for her.
04:25I'm scared.
04:26It's okay, it's okay,
04:27because it seemed interesting to me,
04:29although she knew she was in the novel,
04:32it seems interesting to me that she says,
04:34look, it was clear that it was to be in the novel,
04:38nothing more,
04:39that nothing happened between them.
04:41I would like her to clarify,
04:42that she is not a cat,
04:43that she is not a peyote,
04:44that she feels mistreated.
04:48You told me that Icardi was useful to you,
04:50because Icardi would have paid judges
04:52not to go to Canada.
04:54It's terrible.
04:55You can call her,
04:56sorry Guido,
04:57you can call her to declare Dakota,
04:59because what she says is a very serious accusation.
05:02It's very serious.
05:03Elegante was arrested.
05:04No, no, but we are talking about Mauro,
05:06who would have paid,
05:07Mauro, listen,
05:08a minute of silence,
05:10a second and I finish the idea,
05:12as José says.
05:13What Dakota says,
05:14alias Evelyn,
05:15or the other way around,
05:16is very serious,
05:17because he says,
05:18you would have paid,
05:19you told me that Mauro would have paid judges
05:22for the cause,
05:23it's not a nonsense.
05:24Of course, no, no, no.
05:25You are going to call Dakota justice,
05:27to say,
05:28where did you get that from?
05:30What evidence do you have, ma'am?
05:32And besides,
05:33you took me to the police station,
05:34where you went,
05:35because they were about to hit you.
05:37Of course.
05:38This girl is a fabulist.
05:39And what do you know if she is a fabulist?
05:41No, because now,
05:42I didn't hear this part.
05:43Why would I go to Icardi's prison?
05:46But because, I don't know,
05:47for violence.
05:48That's why, guys.
05:49No, guys, there is no cause for that.
05:50Why would I go to Icardi's prison?
05:51Well, but,
05:52that's what Dakota says.
05:53That's why I'm looking for her.
05:55But who says that?
05:56Maybe she knows,
05:57that's why we're looking for her for tomorrow,
05:59because maybe she knows something
06:00that we obviously don't know.
06:02Or maybe Legante wanted to tell her something else,
06:04and said,
06:05I interpret that,
06:06guys,
06:07we're talking about people
06:08who have a hard time talking,
06:09who have a hard time communicating.
06:10I think the audio is very clear,
06:12with double meaning.
06:13She also says,
06:14you were so flying,
06:15she's saying,
06:16you didn't realize.
06:17I mean,
06:18it seems to me that one is,
06:19let's not minimize Dakota.
06:20Dakota, watch out for Dakota.
06:22It seems to me that
06:23she is another person
06:24who enters this story.
06:25There is no innocent here,
06:26obviously.
06:27Of course.
06:28And besides Dakota,
06:29she is already very friendly
06:30of the whole group,
06:31of Legante.
06:32It's not from now,
06:33it's not sudden.
06:34No,
06:35of Legante's sister,
06:36she was not a friend.
06:37No, and also,
06:38of course,
06:39of Legante's sister,
06:40of the half-sister.
06:41Yes, of course,
06:42the half-sister
06:43that we had commented on
06:44last week.
06:45Now I say,
06:46it's from the group,
06:47from the group.
06:48Strong.
06:49From the friends.
06:50I want to take a side
06:51because you see
06:52that it is said
06:53that in the end
06:54they want to be with the girls
06:55or with the children,
06:56each one respectively,
06:57to show
06:58that they are all the same,
06:59right?
07:00Yes.
07:01And then they go out at night
07:02and leave the children.
07:03All.
07:04Well,
07:05they have done it to everyone.
07:06In the case of Mauro
07:07for a job,
07:08they have been
07:09in Mar del Plata,
07:10the girls,
07:11her children,
07:12with someone
07:13they would have stayed,
07:14with her mother,
07:15with the person in charge.
07:16Perfect.
07:17I have nothing against it.
07:18On the other hand,
07:19we know that Wanda
07:20was with Elegante
07:21in a boliche
07:22in Don Torcuato,
07:23also with someone
07:24the boys stayed,
07:25sleeping.
07:26In the morning,
07:27when Francesca's birthday,
07:28she wakes her up
07:29with the birthday tray,
07:30the mother was present.
07:31But I mean
07:32that they are parallel.
07:33Add this,
07:34that last night,
07:35China and ...
07:36No, because of that.
07:37For the mango.
07:38And that they have my daughter-in-law.
07:39That they have my daughter-in-law.
07:40Of course.
07:41Eye, stop.
07:42I also ...
07:43Maybe the money is running out,
07:44Marce.
07:45Yes, yes.
07:46Let's see.
07:47I have also left
07:48with my mother,
07:49my son,
07:50at some point.
07:51He has gone to work.
07:52But the brand of ...
07:53The mango was there.
07:54The beer brand
07:55was given to him
07:56by Fortuna.
07:57Yes,
07:58next to the private plane.
07:59Let's see, Wati.
08:00No, I want your brand
08:01last night,
08:02China and Mauro
08:03were in Anasagasti.
08:04Yes.
08:05Yes.
08:06Yes.
08:07Yes.
08:08Yes.
08:09Yes.
08:10Yes.
08:11Yes.
08:12Yes.
08:13Yes.
08:14Yes.
08:15Yes.
08:16Yes.
08:17Yes.
08:18Yes.
08:19Yes.
08:20Yes.
08:21Yes.
08:22Yes.
08:23Yes.
08:24Yes.
08:25Yes.
08:26Yes.
08:27Yes.
08:28Yes.
08:29Yes.
08:30Yes.
08:31Yes.
08:32Yes.
08:33Yes.