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Nina De Azúcar Capítulo 30 Completo HD
Nina De Azúcar Capítulo 30 Completo HD
Nina De Azúcar Capítulo 31 Completo HD
Nina De Azúcar Capítulo 32 Completo HD
Nina De Azúcar Capítulo 30 Completo HD
Nina De Azúcar Capítulo 30 Completo HD
Nina De Azúcar Capítulo 30 Completo HD
Nina De Azúcar Capítulo 30 Completo HD
Nina De Azúcar Capítulo 30 Completo HD
Transcript
00:00I'm sorry for the bad moment. We lost our job and we were in need.
00:12We only took what was in the fridge. We are good people.
00:16I understand, but nothing justifies violence.
00:19Let alone scaring innocent people. With guns.
00:24They're toys.
00:26Toys!
00:31Look, you can always find a motivation to change your behavior.
00:37You just have to find it.
00:40We appreciate Jaguar. We are fans of him and Valientes.
00:44See? And just like Jaguar Moran has a lot of determination to get ahead, you can do it too.
00:49I'm sorry, Nina. I'm sorry, Jaguar.
00:52Please forgive us. We won't do it again.
00:56Are you going to report us?
00:58For now, there won't be any reports.
01:01Thank you for touching two people with a big heart.
01:05Not only that, they won't report you, but they will also offer you a job.
01:09A job?
01:10Yes. You need a lot of help here in the countryside, with the cabin, so we can start again.
01:14And don't do this.
01:16Thank you! We will never do this again.
01:18We promise. Thank you very much.
01:21Very good!
01:28I need you to be calm to answer my questions.
01:32You sound like a lawyer.
01:34I am. Oh, right.
01:36Ready?
01:37Yes.
01:39Why isn't it public knowledge that you are Nina's father?
01:42Well, I found out about this recently.
01:45She doesn't know and I'm not going to tell anyone.
01:48And you? What do you know about it?
01:50Exactly the same. I have nothing to add.
01:55What is your relationship with the victim's mother?
01:58Victim?
01:59Victim.
02:01Sorry, what is your relationship with Nina's mother?
02:04Difficult. I prefer her to keep me quiet.
02:08Did she abandon you?
02:10My mother didn't separate us.
02:11Very typical of that manipulator of Paloma.
02:14Objection! I only speak ill of my mother.
02:17I ask for respect for the interrogation, please.
02:19For two.
02:20Does your mother know about Nina?
02:21She is Nina's best client.
02:23And she never missed her granddaughter's steps.
02:27And what do you feel about Mirta?
02:29Excuse me?
02:31Excuse me, but it must be mobilizing to meet a woman
02:35who is the mother of your only daughter.
02:37Doctora... Valentina.
02:39Doctora Montes.
02:42Out of respect, Angel,
02:43that she doesn't know anything about this,
02:45is that I stay out of it.
02:47You're right.
02:49We all love Angel.
02:50That's why we must prepare the moment.
02:55Good morning.
02:56End of the interrogation.
02:57Good morning.
03:08He says no.
03:10But I see Angel very nervous.
03:13Maybe if I propose to make him alive.
03:16Mom, take out your cell phone
03:18and I swear I'll tell the doctor that you suffer from homophobia.
03:21How do you insult your mother like that?
03:23It's not an insult.
03:24It's addiction to cell phones.
03:29Do you feel that delicious smell?
03:31Fresh bread just out of the oven.
03:33It's closed.
03:35I know, Mrs. Emma.
03:37I've only prepared it to relax a little.
03:39I'm sure that very soon we will have good news.
03:43What do you know?
03:45Look, if I throw the card,
03:47I'll find out that you're hiding something.
03:49No.
03:50How can you think of it, Mrs. Emma?
03:52I don't say it because you know I'm a man of great faith.
03:56Well, I can't lie to you.
03:58The truth is that...
03:59Ramiro!
04:00Answer!
04:02Tell me, Ramiro.
04:05No!
04:06No!
04:07No, for God's sake!
04:09My daughter!
04:10What's wrong?
04:11Oh, Angel, please say something,
04:12because my son is going to hear me.
04:13What's going on?
04:14Don't upset us with your easy mouth.
04:15Nino appeared.
04:20I knew it, I knew it!
04:23What did you know?
04:26Mrs. Emma, don't you think
04:27I should do a live broadcast
04:29to tell all this to your audience?
04:31Well, it's true.
04:32I don't give myself to my audience.
04:34What are you hiding?
04:37Hello!
04:38Hello, my followers!
04:40Emma Lover!
04:42Thank you very much!
04:43This is Emma the Little Witch,
04:45and to give you some wonderful news...
04:49Nino appeared!
04:53Thank you, thank you, thank you all!
04:56Thank you, thank you to this wonderful community
04:59for the support!
05:01Thank you, thank you!
05:02May you keep growing!
05:03Thank you very much!
05:04Hey, what are you doing here?
05:06Not now, not now!
05:07Get out, get out, get out!
05:09Well, let's continue, let's continue.
05:10I'm not alone, I'm here!
05:12I'm here to see you, my little tiger!
05:14Nino got away from everyone and didn't come to me.
05:16He doesn't love me anymore as a best friend,
05:18it's obvious.
05:19Oh, don't worry, Dayana, please.
05:22I'm sure my little miracle will find her.
05:24Seriously.
05:25Besides, I came for something else.
05:27I came to talk about your suitors
05:29in exchange for a new look.
05:31Uh-huh, well.
05:33Look at my great work of art!
05:35Hello!
05:37Oh, Margarita Tricolor!
05:40Oh, Margarita Arcoiris!
05:42I love it!
05:43I'm so proud of you!
05:45Oh my God, who's knocking?
05:46Don't come to the sign that says closed.
05:48Hello!
05:50Nina appeared.
05:52Oh, I knew my little miracle
05:54was going to find her.
05:55Oh my God!
05:56And I found out about you.
05:57We thought you wanted to know.
05:59That's why we came.
06:01The two of us?
06:02Well, actually, Ramiro kicked us out of his house.
06:04Oh, to be alone with Nina.
06:05Oh, of course.
06:06Since you have nothing to do,
06:07what do we do?
06:08Well, let's go to Diana's.
06:10It's the last wheel of the car, Diana.
06:15Why doesn't anyone care?
06:17Don't worry, I...
06:18I'm very important to her.
06:19Don't worry, I can take care of myself.
06:21I can take care of myself.
06:36That's it.
06:38That's it.
06:39Ramiro, why are you so serious?
06:42That's it.
06:43Turn around, turn around, turn around.
06:45That's it.
06:46Now yes.
06:47That's it.
06:48I opened it.
06:49Don't turn around, don't.
06:51Don't turn around.
06:52No!
06:56Are you calmer?
06:57Yes.
06:58How did you save your life today?
06:59I hit the wall.
07:00You ruined it, you mean?
07:02You ruined it.
07:03What?
07:04Besides, we were both playing on the floor
07:07and you told me, Ramiro, I...
07:09Me?
07:10Yes.
07:11What was I going to tell you?
07:12Ramiro, I...
07:13What?
07:14What?
07:15What?
07:16What?
07:17What?
07:21I thank you.
07:22I thank you.
07:23I thank you, Ramiro, for rescuing me and saving me.
07:27For risking your life for me and being the hero.
07:31Let's see if you understand it once.
07:34I need you.
07:36Yes, I know.
07:37To fulfill the contract, I know.
07:39No.
07:41I need you, Nina Azucar.
07:44You.
07:48Now yes.
07:58And this?
08:00A surprise for you.
08:03You did all this for me?
08:06I wanted you to sit at home.
08:14And look.
08:16Look, look, look.
08:18No.
08:20Are you serious?
08:24Oh, well.
08:25You wanted me to be clear.
08:27Of course.
08:29So you can see that my intentions are clear.
08:33What do you say?
08:37Come.
08:41Very well.
08:45Let's talk.
08:47But first...
08:50I'm hungry.
08:52I'm dying to eat something.
08:54Eat me!
08:55The flavor is yours.
08:57Everything is ready, Mrs. Quesada.
09:05Thank you, mom.
09:06It's very good news.
09:08You don't know.
09:10Mom says Nina is fine at Ramiro's house.
09:14Uh-huh.
09:16Uh-huh.
09:18You're not going to tell me anything else?
09:19You've been worried about Nina all this time.
09:25What's up?
09:28She's going to tell you the truth.
09:29Because of you.
09:30Why me?
09:31Did you tell her not to say anything?
09:32No.
09:33It's your fault.
09:34Really?
09:36It's not easy, Bruno.
09:38But do you trust me or not?
09:41This is different.
09:46It involves you.
09:48Did she tell you?
09:50Did she tell you about my daughter?
09:51Bruno knows about my daughter.
09:52Stop saying my daughter,
09:53because they're going to find out everything that's missing.
09:56What could be so bad?
09:57I don't want to lie to you,
09:58but I don't want to hurt you either.
10:00She told him.
10:01I'm going to stop this.
10:04Valentina,
10:05I think sometimes it's better to give things time,
10:08process them, understand them.
10:10You guys know too.
10:13There's something here that all of you know that I don't know.
10:15Obviously, if you're not from the family.
10:17Mom.
10:18And you better ...
10:21Look, you know what?
10:23Ignacio is right, Bruno.
10:24I need to think things through, process them, please.
10:28Take the day off, okay?
10:33Or I ...
10:35I've come to paint you.
10:38Of course.
10:39Now I understand.
10:40Now I understand why the silence was that.
10:42Oh my.
10:55Very good.
10:57Did you see what Mamita Jaguar's milanesas are like?
10:59It's very good.
11:00It's crazy.
11:02And you didn't try the chori.
11:03The chori of the bombonera I have to take you.
11:05Of the bombonera?
11:06You don't know what they are.
11:07I haven't tried them.
11:08Greasy, big.
11:09Really?
11:10With chimichurri.
11:11With all the creams, you say?
11:12No, tremendous, tremendous.
11:13Good.
11:14And grilled.
11:15But you have to try my barbecue.
11:16Not any barbecue.
11:17My barbecue.
11:18Do you make barbecue?
11:19As I play football, imagine how I make the barbecue.
11:20What are you saying?
11:21Even better.
11:22Look at you.
11:23Good.
11:25At the end, the sound of sugar and salt.
11:36I like to be like this.
11:39Me too.
11:44I hope you believed what I told you about those women.
11:49You don't know how I felt.
11:52Yes, I saw you.
11:54But it's a lie.
11:56Cesar denied it.
11:59In the media he denied it.
12:01The three of them agreed to fuck me.
12:04And this happens to me for ...
12:05Yes, for fame.
12:06These things happen.
12:07And it will always be like this?
12:09And it may be that something like this is repeated.
12:11But we have to be united.
12:13If there is trust.
12:15And we communicate everything.
12:16It will work.
12:18I promise you.
12:19I promise you.
12:21Really.
12:23We have everything to win.
12:25I promise you.
12:27Look, for my championships I have won.
12:28I promise you.
12:30That if a person wants to hurt you using my name.
12:34But ...
12:35I don't tell you what I do to him.
12:37I don't allow it.
12:38I promise you.
12:40Really?
12:41Yes.
12:42Swear it.
12:43I swear it.
12:45We have to get married.
12:47But this time without a farmhouse.
12:50Without a horse.
13:03What happened?
13:05Oh my God.
13:07The milanga is also like that.
13:09It is repeated and repeated.
13:11The milanga of the mamita jaguar?
13:13Yes.
13:14This.
13:15I'm getting stuck.
13:16Yes, I'll bring you water.
13:17I'll bring you water.
13:26Macaron or eclairs?
13:28That is the question.
13:30Well, turn of the macaron.
13:32Or as we call it here.
13:34Macaroninos.
13:36Does Paris smell like almonds?
13:39Well, we're going to find out.
13:41We open the vote.
13:44You always surpass yourself, mom.
13:47Oh daughter.
13:48You don't know how much.
13:50Today you know what?
13:51I want to talk to you about some issues.
13:54But serve me a coffee.
13:55Do you want?
13:56Yes, of course.
13:58Oh, I still have a lot to do.
14:01Work?
14:02I don't think so, right?
14:03Sorry?
14:04Hey, while you were here in the pastry shop.
14:07I was preparing the suitcase with Nina's clothes.
14:10That Cesar has asked me.
14:12Are you going to stay where Ramiro?
14:14Oh, it was time.
14:16For the doubts.
14:18I sent him.
14:19His little clothes.
14:21For the war.
14:23How?
14:24What little clothes for the war, mom?
14:26Oh, Mirta.
14:27In what stage of prehistory do you live?
14:29Oh, mom, please.
14:32What is this?
14:33Does sex make you nervous?
14:35Oh, enough.
14:36Enough.
14:37Hey, but it's natural to talk about sex.
14:39I know, mom.
14:40I already know those things.
14:43Or maybe Angelito is a little tired.
14:48Oh, mom.
14:49Enough.
14:52What happened?
14:53Mirta.
14:54All right?
14:55What's going on?
14:56You know, it's a matter of intimacy.
14:58Enough.
14:59Mom.
15:02I'm nervous.
15:05For Ignacio.
15:07Ah.
15:09I understand.
15:12Do you have erotic dreams with him?
15:15Mom, enough.
15:16Hey, but, but, but.
15:17But free yourself, daughter.
15:19Dreaming doesn't make you endless.
15:22Mom.
15:23Ignacio wants to talk to Nina before the wedding.
15:25Well, I could talk to Cesar
15:27and send some fans of the brave bar
15:30to convince him not to do it.
15:33Mom, I'm serious, please.
15:36Well, okay, okay.
15:37Yes.
15:38You know that I think that life is easier if we laugh.
15:43But I also understand that you don't want to.
15:46So I want to make you a proposal.
15:49Okay, but no thugs or threats.
15:52No, no, no, daughter.
15:53We'll go on the legal side.
15:56You tell him that your mother is going to travel
15:59and that you need me to be here when Nina finds out
16:02to give us family support.
16:06But that's a lie, Mom.
16:07You're not going anywhere.
16:09Oh, well.
16:10I also wanted to talk to you about that.
16:12And pass me the cell phone, please.
16:20A travel agency loves my videos
16:23and says that I have a spark.
16:25And you have it, Mom.
16:26You are the spark of the family.
16:29They take me to Paris with everything paid.
16:32They want me to broadcast the tour they offer.
16:34That's why I was just talking about their pastry shop.
16:38You're going to Paris!
16:40We're not going to Paris!
16:42Did someone say Paris?
16:44Well, here's the fashion icon.
16:54The last one.
16:56The last one.
16:59Miti, Miti.
17:00What? But look.
17:01Miti, Miti.
17:02I shared.
17:03I shared.
17:06It's all nicer when you share.
17:08You see?
17:13We need to kiss.
17:14I wanted to toast.
17:15Wait, wait.
17:17There you go.
17:18Chin chin.
17:20For being like this.
17:21Calm.
17:22Always.
17:23Always.
17:24Always, always.
17:25Well, as long as you can, right?
17:26Yes.
17:28But it's so nice when we're alone, the two of us, calm.
17:31Of course, right?
17:32We get along well.
17:33No women, no baths.
17:35Stop it.
17:36Accept it.
17:37Give it to me.
17:40What if we get married in secret?
17:42What?
17:43Of course.
17:44Let's see.
17:45Of course.
17:47In secret.
17:48Both of us.
17:49Of course.
17:50No temptations, you say.
17:51Stop it.
17:52What do you want me to do?
17:53I mean, you condemn me for being boorish.
17:55I was born boorish.
17:56It's not my fault.
17:57What do you want me to do?
17:58They come.
17:59Stop it.
18:00I'll tell you anyway.
18:01I come pretty well because I'm not doing anything used on the field by the coach.
18:06They never put me.
18:07I don't play anything.
18:08I'm a waste.
18:09Okay, Mr. Waste.
18:12What are you thinking about?
18:14Nothing.
18:16We take a shower.
18:18We change.
18:19We go to the judge and sign.
18:22Like a madness of love.
18:25I mean, like Las Vegas, right?
18:26Because you go to Las Vegas.
18:27Exactly.
18:28And you get married like madness of love.
18:29Of course.
18:30Divorce.
18:31Something like that.
18:32It's not the idea, but ...
18:33No.
18:34No.
18:36Let's go.
18:37Yes?
18:38Let's go.
18:41Are you ready?
18:42Yes.
18:43Are you ready?
18:44Always.
18:46Hey, dad.
18:47Where are you going?
18:48To the shower.
18:49We're going to shower together.
18:50Moran.
18:51Well.
18:52I'm a crack.
18:53I always have to play against something.
18:54When I have it ready, I play it.
18:56Of course.
18:57Look, Moran.
18:58If we go to the civil registry right now.
18:59All the journalists are going to follow you.
19:01My family is going to find out.
19:03And there they will disinherit me.
19:04That can't happen.
19:05Well, calm down.
19:06You're with Jaguar Moran.
19:08I call a peace judge to come here.
19:10And they send it to me.
19:11Forget it.
19:12Oh, you're so ...
19:13So, so ...
19:14Believed?
19:15And what do you want with the future wife I have?
19:19You do all this for a shower, right?
19:21I'm a sweet brother.
19:22I deserve it.
19:24He left?
19:26Hey, you already passed.
19:28Always in the middle of you, huh?
19:29Don't complain.
19:30Thanks to that you have a tremendous bank account.
19:33I brought Nina's clothes.
19:34Really?
19:35Thank you very much.
19:36Not at all.
19:37Rather.
19:38Do you need anything else?
19:39Any plan that can help you?
19:42Nothing.
19:44Okay.
19:45I'm going to change.
19:46Okay.
19:51Very good.
19:52You broke everything.
19:53You broke everything.
19:54Yes, yes, yes.
19:55Yes, yes, yes.
19:58My grandma is over.
20:02I'm going to change this.
20:03Nothing else.
20:05You see?
20:08It's cute, but it's not for the moment.
20:13What do you think?
20:14That I'm going to the beach?
20:21No.
20:23Ramiro, lend me the shirt.
20:26Don't lie to us, Valentina.
20:28It's obvious that you didn't want me to be able to pose calmly.
20:30Without the fool in the middle.
20:31Bruno, it has nothing to do with that, please.
20:33It's obvious that it does have to do with it.
20:35Hey, Valentina.
20:36Could we lower the volume a bit, please, to concentrate?
20:38Oh, I'm sorry.
20:39I'm disconcentrating you.
20:40Do you think this volume?
20:41Calm down, picapieras.
20:42Do you think?
20:43Hey, hey, hey.
20:44Please, hey.
20:46I'm just trying to create the ideal atmosphere for creation.
20:51I'll give you an idea.
20:52What if you paint fruit trees and that's it?
20:57Dead nature.
20:58That's what it's called.
20:59Don't treat me like an idiot.
21:00Don't behave like one, then.
21:02Enough, please.
21:03Let's see, look, Joaquín.
21:04This is the ideal atmosphere.
21:06And Bruno stays here, okay?
21:12I don't like secrets in a relationship.
21:15Oh, Bruno, please.
21:16Don't tell me that you never had a secret with a girlfriend.
21:18You don't understand.
21:19I never had a girlfriend.
21:21I've never loved anyone like you.
21:24And if you don't tell me your secret, then there's no trust.
21:26And if there's no trust,
21:29there's no us, princess.
21:38Angel, day and night are needed.
21:41No matter how different they are.
21:43Mr. Leandro, you and Miss Sheila
21:46collide more than day and night.
21:48They're like a hurricane and a beautiful spring day.
21:51Do you really think I have the strength of a hurricane?
21:54With all due respect, Mr. Leandro, I didn't say it for you.
21:58Besides, a relationship with a public figure from the cumbia
22:02would extend your presence a lot, right?
22:05You think?
22:07I think my change of look and my jovial energy have added a lot to me.
22:11Yes, but if you allow me,
22:14there's a limit between being jovial and being a sugar daddy.
22:20It's like that, Mr. Leandro.
22:22So what do I do? Do I declare myself or not?
22:25Look, according to Sigmund Freud, the father of psychoanalysis,
22:30he highly recommends listening to dreams.
22:34It's true. He was talking about dreams, right?
22:36Yes. I want to help you, Mr. Leandro.
22:38What do you think if you start writing down your dreams?
22:40The ones you remember.
22:42That's how we're going to improve.
22:43Angel, I'm moved by your loyalty.
22:48I'm going to raise your salary.
22:50Thank you very much, Mr. Leandro.
22:51Oh, there's something else.
22:52Yes.
22:53Role-playing game. What's that?
22:56Let's see.
23:00We represent an imaginary situation, right?
23:04You are you.
23:05Yeah.
23:06And I'm going to be the tropical mermaid.
23:08What do you think?
23:09Perfect, yes.
23:10Good.
23:11You declare your love, right?
23:13But with all your confidence.
23:15Loose, no pressure.
23:16What do you think?
23:17Okay. Yes, yes, yes.
23:23Think of me. Think of me.
23:26Read.
23:28Do you have something to tell me?
23:30The tropical mermaid is listening to you.
23:33Miss Mermaid, I've waited so long for this moment.
23:42To tell you that I love you.
23:48It's not what it looks like, huh?
23:49It's not what it looks like.
23:50It's never what it looks like in this house.
23:51I leave you to Mr. Ignacio.
23:57Role-playing game.
24:00Sorry, I'm going to analyze the video session.
24:04Yes, yes, yes.
24:05I'm very happy about Nina's appearance.
24:09Thank you, Mr. Ignacio.
24:11Sorry.
24:19You.
24:20Are you okay?
24:22Yes, yes, yes.
24:23Angel was helping me.
24:25I'm going to resume the theater.
24:27Oh, look, I didn't know you had those qualities.
24:30Yes, I'm a surprise box, you know.
24:34And what brings you here?
24:36I wanted to ask you about Valentina.
24:39Is she good at keeping secrets, yes or no?
24:43Well, if it suits her, yes.
24:44If it doesn't suit her, no.
24:45She's my daughter.
25:01Hi.
25:03We are Mi Glamour and I.
25:04And we only have five minutes to talk.
25:07Yes.
25:08Yes, I understand.
25:09We are not friends.
25:10No.
25:11Well, no, no.
25:12But it's not that.
25:13It's not that important.
25:14What happens is that they are extorting me.
25:15A guy named Miguel Vergara.
25:17I reported him a long time ago and now he wants to charge me.
25:19Holy cakes.
25:21Have you said holy cakes?
25:23Yes.
25:24Can I help you with something?
25:25No.
25:26What do you want?
25:27You tell me.
25:28I need an act of compassion, Alessandra.
25:32It's not very strong, but let's see.
25:35I need you to prevent Ignacio from talking to Nina before the wedding.
25:42It's difficult, Mirta.
25:43Ignacio doesn't usually do what I tell him.
25:46But it's okay.
25:47I will understand.
25:49Oh, thank you.
25:52You don't know how much this means to me.
25:53Especially for Nina and for Angel.
25:56I am really very grateful for your collaboration.
25:59There is something I should know and I think it will calm you down.
26:04I don't understand what?
26:06Valentina already found out that Ignacio is Nina's father.
26:10And I think your daughter is very soon to know the truth and I will be her stepmother.
26:15Sorry.
26:23So, how did it go?
26:24Very nice, brother.
26:25Did you like it?
26:26Yes.
26:27Let's see, let's see.
26:28Let's see.
26:31Hello.
26:32It's nice, right?
26:33Come in, please.
26:36We were talking.
26:37It's the car winner.
26:38How are you?
26:39Thank you very much.
26:40Thank you very much for having found me.
26:42Really, thank you very much.
26:44Hello, how are you?
26:45Thank you very much.
26:46Thank you very much.
27:17Her name is Aileen.
27:19And this is her personal sign.
27:22She is happy to have found us again.
27:25And to meet us.
27:27Tell her thank you very much.
27:34You know sign language.
27:36She is a crack.
27:37A sweet box of surprises.
27:40Well, tell Aileen that she is a genius for making her the only woman I care about in this life.
27:57This crazy heart, my crazy heart fell in love with pain.
28:11I see you.
28:12Oh, what happens is that I want to help you, Emma.
28:15I don't want you to carry too much luggage.
28:18I understand that you don't have experience in traveling, like me.
28:22But the ideal thing is to carry an empty suitcase and then bring a full one.
28:28That's for you, you're a common mortal.
28:31The stars.
28:32We have to have several changes in the day.
28:35I couldn't go to Paris without my outfits.
28:39What?
28:41Are you leaving, Emis?
28:42Without me?
28:44Right at the most crucial moment of my life that I have to decide between Cesar and Luis and you leave and don't take me?
28:49You are sensitive, you are bad.
28:50Yes, that's how he left your hair.
28:53Why doesn't anyone love me?
28:55First my best friend left and now you, Emma.
29:00Look, Emma, what you did to him.
29:21He says he doesn't want the car.
29:25No?
29:26At least not in the form of a car.
29:29Nina, we don't understand anything. Please explain to us better.
29:33They don't understand.
29:35It is important that you learn sign language.
29:40She works in the supermarket for the well-being of her family and to pay for her college studies.
29:45And she knows that although life is not easy...
30:04The best thing will be to sell that car.
30:07And with that money be able to pay for the studies of her siblings, her studies, and why not, buy a house for her mother.
30:13I'll buy it for you.
30:14And if?
30:15No, no, wait.
30:17If she has made so much effort to communicate, I will also do it so that she understands me.
30:40She doesn't understand.
30:44She doesn't understand.
31:05Sorry, I'm not crying. I just got a cute jaguar in my eye for a while.
31:12Did you understand?
31:13Of course.
31:14Everyone understands the language of the heart.
31:16Tell her that we are going to help her find the best house for her and her siblings.
31:34Hey, I'll take care of the search.
31:39I never wanted to marry you as much as I do now.
31:43Me with you.
32:13Our lemon delight, creamy, refreshing.
32:17A delicious hug for the soul.
32:20Take your lemon delight and participate in the raffle to access the sugar wine recordings.
32:25I wait for you.
32:27Go for yours.
32:35Dreams visit us all life.
32:37But some come to stay.
32:40They help us make decisions.
32:42They inspire us.
32:43They guide us.
32:44Today let them connect you with your wisest part.
32:48With the one that rests in the bottom of your heart.
32:51Let that figure come in that illuminates you and that you worship.
32:55Here I am.
32:56Let me enter you.
33:13I am your mermaid of love with a lot of glow.
33:17For you.
33:20If my skin sweats, your aroma is because I'm thinking of you.
33:25If I don't stop thinking of you, oh Leandro, come to me.
33:31In love and crazy.
33:34I don't care anymore.
33:37Because I, Leandro, think of you.
33:39I think of you.
33:40I think of you.
33:41I think of you.
33:44I can't be without you.
33:47Because I, Leandro, think of you.
33:50I think of you.
33:52I think of you.
33:55I can't be without you.
33:58Because I, Leandro, think of you.
34:01I think of you.
34:03Feel me.
34:04Enjoy me.
34:06My Leandro.
34:08Oh, yes.
34:11I'm your mermaid.
34:13I want to dance softly.
34:16You're going to go crazy.
34:19My temperature rises and I lose control.
34:22I'm the mermaid of glow.
34:24Mucho amor.
34:26Y pasión.
34:28Mi Leandro.
34:30Soy tu sirena.
34:54I think of you.
34:55I think of you.
34:57I think of you.
34:59Come back to me.
35:01Come back to me.
35:03Come back to me.
35:05Come back to me.
35:07Hey!
35:09What?
35:10What?
35:11What's the matter?
35:12Leandro, get over me.
35:14I'm not crazy.
35:15I was just meditating.
35:18I needed to dream.
35:19Well, it's over.
35:20Because I need your help.
35:21What's going on now?
35:22The Bergaras are extorting me.
35:24Well, you called them corrupt in your last report.
35:26Okay, well, I'm Alessandra de la Torre, the owner of the truth.
35:29But it's costing me dearly.
35:30Okay, well, negotiate something.
35:32I don't know.
35:33Tell him.
35:34Draw a little what you said about them.
35:35I don't know.
35:36I can't.
35:37I would become the queen of lies.
35:38Well, but you would stay alive.
35:39You're not cooperating, Leandro.
35:41You ask, I answer.
35:43And speaking of answers.
35:44What does Valentina know about your husband?
35:47Why?
35:48I don't know.
35:49I'm worried because Valentina knows something about him
35:51that she has to keep quiet.
35:53She hasn't even told me.
35:56What?
36:06Oh la la.
36:08Wonderful.
36:09Divine.
36:10Perfect.
36:11Wasn't the noise supposed to distract you?
36:13To disconcentrate you?
36:14Then paint in silence, yes.
36:16And you tell me.
36:17That you would have only painted in the nest.
36:18Enough, please.
36:19Yes?
36:20If not, I'm leaving.
36:21I'll put on music.
36:22Yes?
36:26Just for ...
36:29Understood.
36:31Or for bored, you mean.
36:32That's enough.
36:34I can't believe this clown.
36:36Who are you calling a clown?
36:38That's enough for me too.
36:40Joaquin.
36:41I've had a hard day.
36:42Please, let's continue at another time.
36:44Are you choosing him?
36:48Oh, sorry.
36:49I didn't mean to interrupt.
36:50I'm going to be ...
36:52No.
36:53Don't interrupt anything, Ignacio.
36:54Please.
36:56Look.
36:57Sit there.
36:58I think the time has come for you to have a portrait of yours.
37:03What?
37:05Yes.
37:06Joaquin can portray you very well as the politician you are.
37:11Well, I hadn't thought about it,
37:12but I think you could portray me
37:15as president.
37:16With the presidential cane.
37:18The band.
37:28The last one.
37:30Oh, thank you, little angel,
37:31for asking Mr. Leandro for permission to take me to the airport.
37:34It's a pleasure, niece.
37:36Well, I still left you dreaming.
37:38Here the only one who fulfills the dream is Emma.
37:42Oh, look, and with three suitcases.
37:46Enjoy it a lot, mommy.
37:50Well, thank you all for the good vibes.
37:54Group hug.
37:57Hey, and Nina?
37:58Oh, she's at Ramiro's house, but we can make a video call.
38:06Hello.
38:08She took off the dress I sent her and she's wearing the shirt.
38:13That means it worked.
38:17What? I don't understand.
38:18How did it work?
38:20Emma's live.
38:24How is that?
38:25I'm going to Paris.
38:27And for free.
38:28What? Grandma, are you going to Paris?
38:30Oh, please take me.
38:31Well, say goodbye, because I have to take her to the airport now.
38:35Bye.
38:37Look how beautiful.
38:38Yes, right?
38:39Yes.
38:40Paris.
38:41It's going to be so good.
38:42Well, we're going to be close there in Europe.
38:44We're getting closer and closer.
38:45Yes, it's true.
38:46I just have to play once and we're there.
38:49Meanwhile, we can wait.
38:51Relaxed, right?
38:52Yes.
38:53What do you say?
38:54Yes.
38:55We can, I don't know, relax, give ourselves some cuddles, play something.
39:00Ah, yes, of course.
39:02I love it.
39:03What do you want to play?
39:04Let's play.
39:06Strip poker?
39:08Okay, okay.
39:09Let's play a trick.
39:10I'll teach you how to play the trick.
39:11Okay.
39:17Bruno, I really can't talk.
39:19It's not a secret of mine.
39:20But I'm not going to say anything.
39:23It's about the life of someone I love very much.
39:26You have to trust me.
39:28And if you don't, I'm sorry.
39:30I'm not going to betray someone I care about.
39:32Ah, I love it.
39:34Yes, that's the smile I wanted.
39:36I love it.
39:50This silence.
39:52When you notice that mom is not here.
39:55Well, I'm still very happy for her.
39:58And if all this is a scam, I don't care.
40:00And if all this is a scam, Mirtha?
40:02If the flight never takes off, what do we do?
40:04Oh, we'll find out soon when I enter through that door.
40:07Hey, hey, hey, hey, there's a car coming.
40:09It's her.
40:10Ah, no, no, false alarm.
40:14It looks like you were waiting for me.
40:17Oh, for all the saints.
40:20Marga.
40:22But if you look like Samson, because with that hair you will be empowered.
40:26Oh, oh, Javier.
40:30Oh, oh, oh, oh, oh, oh, oh.
40:36Oh, who, who, who?
40:40We are going to leave the mimos and the aromacos for home, because they are calling me.
40:44Let's see.
40:46My exclusive stylist.
40:48Hello?
40:50A lot of my exclusive stylist, Margarita, but I don't see you here accompanying me.
40:53Because everyone leaves me alone.
40:55And just the day I have to choose between my two men.
40:57Oh, listen to me. Stay calm, please, Dayana.
41:01And tell me, did you do what I told you?
41:03That of making a list of pros and cons of the candidates?
41:06Yes.
41:08I have it here in my hand.
41:09Well, then read it to me.
41:10Already.
41:12Pros of Cesar.
41:14He is serious.
41:15Responsible.
41:17Skillful.
41:18Capable.
41:20Gentleman.
41:22Manly.
41:23And handsome.
41:24And the cons?
41:25That Luis appeared in my life.
41:27Oh, well, then let's go with Luis.
41:29Pros of Luis.
41:31He is serious.
41:32Responsible.
41:34Expeditious.
41:35Skillful.
41:36Capable.
41:37Gentleman.
41:39Manly.
41:40And handsome.
41:42Very clear.
41:43And then?
41:44I think I've already made a decision, Margarita.
41:46And which ones?
41:47Look, of the two, I have chosen ...
41:51This is urgent!
41:53Excuse me, but I'm already closing the salon.
41:55And this hair needs a lot more time, right?
41:57It's very serious.
41:59Yes, I see it.
42:00Do you wash this?
42:01Yes, I wash my hair.
42:02Cesar and Luis were in a candle store in the neighborhood
42:06and suddenly it started to burn and they were locked up.
42:10What?
42:11I don't know if they are alive or dead.
42:22I want you, that's all I want.
42:26I have to live with you, I can't.
42:30Take me with you, that's all I want.
42:32You play.
42:34Trick.
42:38I want a re-trick.
42:39I want worth four.
42:41You're loaded, aren't you?
42:42You're loaded, aren't you?
42:43Ready?
42:44Just to see.
42:45Let's see, I want, I want, I want.
42:46Ready?
42:47Let's see.
42:48Go.
42:49I want.
42:50Go.
42:51No, no, no.
42:52It can't be.
42:53Who was playing?
42:54No.
42:55You got three in a row.
42:56What's wrong with you?
42:57I didn't know how to play.
42:58You're cheating.
42:59What are you talking about?
43:00You're cheating because you got three in a row.
43:01The best card.
43:02I don't have anything.
43:03You're cheating.
43:04Calm down, I already know all your tricks.
43:05So go over there.
43:06Your tricks, your tricks.
43:08Mate?
43:09Mate.
43:11You know I've never tried mate?
43:13Oh, no?
43:14Well, it's always a first time.
43:16It's very bitter but delicious.
43:18There it is.
43:19I'm a sugar girl.
43:20I don't know if I'm going to like it.
43:21For sugar you have this dulce de leche.
43:23Let's see.
43:24Try it.
43:27You know what they say?
43:28When you look at the person drinking mate,
43:30you can't get away from them.
43:32It's hot.
43:35Very hot.
43:36Do you like it?
43:39Yes.
43:40The mate, I mean.
43:41No, no.
43:42It's very bitter and very hot.
43:44And I just burned my tongue.
43:46Let me help you.
43:47Timbre.
43:48Timbre.
43:49Opa.
43:50Esteas.
43:51How do you run to marry me?
43:53I hope my family forgives me.
43:55Especially my dad.
43:56It's going to be all right, don't worry.
43:58Buenas.
44:04A force.
44:08You.
44:09Hi, Ramiro.
44:10Do you invite me to come in?
44:13Who is it?
44:16Pilar.
44:17Your great love.
44:38Mr. Ignacio.
44:39They left you this envelope.
44:40They passed it under the door.
44:44She played with fire.
44:48But this is infidelity,
44:50and infidelity is a betrayal.
44:52I can't forgive a betrayal.
44:54I'm Alexandra de la Torre, the owner of the truth,
44:56and I'm going to honor her.
44:57And she burned herself.
44:59We thought that pretending,
45:01let's say they pretended a romance,
45:04was the best thing to save me.
45:06I mean, they used Nina.
45:08What a mess that comes in
45:11Sugar Mine.
45:13How many more do I have to endure?
45:15I don't understand.
45:17No, no, no.
45:18Tomorrow at 9.40 p.m.
45:20On America.