• 6 minutes ago
Pobre novio Peru Capitulo 28 Completo HD
Pobre novio Peru Capitulo 28 Completo HD
Pobre novio Peru Capitulo 28 Completo HD
Pobre novio Peru Capitulo 28 Completo HD
Transcript
00:00You have a little secret with Cesar.
00:04And people can find out about Ivancito.
00:07Do you understand me?
00:08So, look, you know how it is.
00:11You lend me those reales and I, look...
00:14I give you my silence.
00:16You lend me those reales and I...
00:26He's blackmailing me.
00:27But...
00:28But?
00:29They moved us to a hostel here in Lima.
00:32Here in Lima?
00:33Yes.
00:34And the good thing is that we already know what the hostel is.
00:36I've come to bring you your favorite desserts.
00:39You won't believe that I can send them by WhatsApp, right?
00:42Oh, no, well, it would be very ugly, right?
00:44Eat them by WhatsApp, it's not funny at all.
00:47The good thing is that you have to eat in person, don't you think?
00:51Well, I think so.
00:53But the age difference is very big.
00:57It's a lot.
00:59And besides...
01:03Don Arturo...
01:05He's not always going to be with us.
01:07Oh, Rosie Rose, what's wrong with you?
01:09Why do you say that?
01:10As if he were going to die.
01:11What's wrong with you?
01:12I miss him.
01:15I miss him.
01:21I don't want to lose her.
01:24I don't want to live without her.
01:29At this moment, my silence is worth gold.
01:31Did you hear that?
01:32I can already imagine what you did.
01:34Stop bothering Mrs. Betty and please stop blackmailing people.
01:41Genesis, is your dad blackmailing my mom?
01:49It's the lab.
01:51The DNA result.
01:54It's ready.
01:59What does Betty say?
02:01What does she say?
02:17For God's sake.
02:18What does Betty say?
02:19The genotype.
02:21The allelic profile.
02:24No, I don't understand anything.
02:26I really don't understand anything.
02:27I'm so nervous that I don't understand anything.
02:28I can't.
02:29Read it, please.
02:30I can't.
02:38Based on the results and the analysis obtained,
02:42the samples are compatible.
02:44Therefore, the probability of paternity of Don Cesar GarcĂ­a is 99.9999%
02:51What?
02:52I told you.
02:53I told you.
02:54I knew it.
02:55You are Ivancito's father.
02:57It can't be.
02:58There must be a mistake here.
02:59No.
03:00How can it be a mistake?
03:01This is scientific, Cesar.
03:02There it is.
03:03No, but it says here that there is 99.99...
03:09No, no, no, no.
03:10But we still have a 0.00001% chance that I'm not Ivancito's father.
03:16No, no.
03:17Don't be silly.
03:19This is impossible.
03:21Ivancito is your son.
03:26No.
03:32Okay, okay, Betty.
03:36But Vilma is going to die when he finds out.
03:39Ivancito too.
03:43For him, Caspar is his father.
03:48What are we going to do, Betty?
03:52What am I going to do?
03:55I don't know.
04:03Why don't you answer me?
04:04Is your dad blackmailing my mom?
04:05I don't know what you heard, Ivan.
04:06I heard it and I wouldn't be surprised.
04:08Because your dad has to be looked at from afar.
04:10Remember that you told me he's a bad person.
04:12Look, I know what I told you, but maybe Cesar was a little bit telling you that.
04:16Why are you defending him now?
04:17I'm not defending him.
04:18Then answer me.
04:19Why does he want to blackmail my mom?
04:20I don't know.
04:21I don't know.
04:22I have no idea.
04:23You know your mom got nervous when she left.
04:25That's why I just called her.
04:27And what did she say?
04:28Nothing.
04:29She didn't tell me anything.
04:31In any case, if your dad wants to do something like that,
04:33he's going to have a hard time with my mom.
04:35Because she's a decent woman and she has nothing to hide.
04:37Well, but in that case, we don't have anything to worry about, do we?
04:41You're the one who should be worried.
04:43For covering her back.
04:45Right?
04:46Look, Ivan.
04:47You know I respect your mom a lot.
04:49Then tell your dad not to mess with her.
04:51And if you're covering her back, you're the one who's going to be left out.
04:54I'm sorry.
04:55I'm sorry.
04:56I'm sorry.
04:57I'm sorry.
04:58I'm sorry.
04:59I'm sorry.
05:00I'm sorry.
05:01I'm sorry.
05:02I'm sorry.
05:03I'm sorry.
05:04I'm sorry.
05:05I'm sorry.
05:06I'm sorry.
05:07I'm sorry.
05:08I'm sorry.
05:09I'm sorry.
05:10I'm sorry.
05:11I'm sorry.
05:12I'm sorry.
05:13I'm sorry.
05:14I'm sorry.
05:15I'm sorry.
05:16I'm sorry.
05:17I'm sorry.
05:18I'm sorry.
05:19I'm sorry.
05:20I'm sorry.
05:21I'm sorry.
05:22I'm sorry.
05:23I'm sorry.
05:24I'm sorry.
05:25I'm sorry.
05:26I'm sorry.
05:27I'm sorry.
05:28I'm sorry.
05:29I'm sorry.
05:30I'm sorry.
05:31I'm sorry.
05:32I'm sorry.
05:33I'm sorry.
05:34I'm sorry.
05:35I'm sorry.
05:36I'm sorry.
05:37I'm sorry.
05:38I'm sorry.
05:39No.
05:40A mess!
05:41Who said no?
05:42Who said no?
05:43But it's supposed to happen.
05:44But anyway, give me a little respect.
05:45Just make sure you finish my cookies when you leave.
05:46Oh, you're trying to make me starve?
05:47What do I look like, really?
05:48Well, look.
05:49You're gonna look like a profile wrecker.
05:50What did you eat?
05:51Now you're the hero here, like one of the Avengers!
05:54Yeah!
05:58The investigator who called me in the morning,
06:01the one who's looking for the son of the lady you told me about, is Johnny.
06:05He's coming from the airport.
06:07The detective of Mrs. Rosa is coming here?
06:10He wants to ask me some questions.
06:12Mrs. Mirta, how's the search going?
06:15Tremendous story!
06:16There he is. I'm going to open it.
06:19I'm going to be in the office with him.
06:21You guys just follow me.
06:22Okay.
06:24Where are you going?
06:25Where are you going?
06:26Where are you going?
06:27Where are you going?
06:28Where are you going?
06:29Where are you going?
06:30Where are you going?
06:31Where are you going?
06:32Where are you going?
06:33Where are you going?
06:35This ruined my life, Betty.
06:36What am I going to do?
06:37Oh, my stomach hurts.
06:39We're going to have to keep quiet.
06:40We'll see what we do later.
06:42No, Betty, because now your little friend is blackmailing us
06:44and if we don't pay him what he asks for, he's going to tell everyone.
06:47And then we'll be fried.
06:48That's not true.
06:49Oh, now all the misfortunes have fallen on us.
06:53And me with the exam in my pocket.
06:55It's dangerous.
06:56Can you imagine if Vilma reads it?
06:57Give it to me.
06:58Give it to me.
06:59But what if Ivan reads it?
07:00I'm going to keep it in my safe.
07:02No, no, no.
07:03Why do you have to keep the exam, Vilma?
07:05It's dangerous.
07:06Oh, no.
07:09I'm leaving.
07:10No, don't go.
07:11It's going to be worse.
07:12Do it.
07:19Hello.
07:20Hello, my love.
07:23How are things?
07:24I just got home and I met Betty.
07:26How are you?
07:27Bye, bye.
07:28Wait, wait, wait.
07:30I like to have found you together.
07:32I...
07:33I wanted to talk to you.
07:34With me?
07:35Oh, no.
07:36If you're going to come and make a scene here
07:37because you found me talking to Cesar,
07:38we're all wrong.
07:39No, no.
07:40I was the calmest.
07:41In peace, talking to him.
07:42Don't worry.
07:43I'm not going to make any scandals.
07:44And I know what you've been talking about.
07:47What?
07:49We've been talking, Mr. Cesar.
07:52And, well, nothing.
07:53I've been thinking about what happened between the two of us.
07:56Oh, no.
07:57Are we going to start with the same thing?
07:58No, no, no, no.
07:59I'm already here.
08:00No, please.
08:01Listen to me, Betty.
08:02No.
08:03I've just been thinking
08:04and I think we owe each other an opportunity, right?
08:07Excuse me?
08:10I want us to be friends again.
08:16Yes.
08:44Can I come in?
08:45No.
08:46I'm working.
08:47Isa.
08:49I've come to apologize.
08:51Gordo, you can't come here all the time without telling me.
08:54You're absolutely right.
08:56But I'm already here.
08:57Can you hear me?
09:02Come in.
09:03Come in.
09:14I need to know when we broke up.
09:20Do you remember how we were before?
09:24We were happy.
09:27With plans, projects, trips.
09:34Do you remember the house in Paracas where we used to dream?
09:38You wanted the room to have a view of the sea.
09:40Yes, I remember.
09:44Isa.
09:46I love you.
09:49And I've only loved two women in my life.
09:54You and Manu's mom.
09:56Gordo.
09:58Isa.
10:00And I can't stop praising them.
10:05I can't.
10:09Isa, I offer you my whole life.
10:14All I want is to make you happy.
10:29I love you.
10:42According to what they reported in the other hostel,
10:44it was a boy who was transferred to this one here in Lima.
10:47When he was eight years old.
10:49The year... One second.
10:522001, yes?
10:542001.
10:55Let me see for a moment.
11:00Two thousand...
11:012001, here it is.
11:062001.
11:09What did he say his name was?
11:12According to the records of the hostel, it was...
11:16David.
11:17David?
11:18You know, I don't remember any David.
11:21But let's see.
11:29David.
11:34Is something wrong?
11:36It can't be.
11:38The only David who entered was...
11:44Juan David.
11:45Juan David.
11:58Friends?
11:59Friends again?
12:01What?
12:02It's a trap.
12:03Are you making fun of me?
12:05No, it's serious.
12:06It's a sincere offer.
12:08Of course, first we owe each other a conversation,
12:10if you think so, right?
12:13Well, now, if you don't think so...
12:14No, it's not that.
12:16It's just that you caught me off guard.
12:17I thought you were going to come and pull my hair,
12:19throw something at me, I don't know.
12:21Well, I would have done it a few days ago.
12:24But I was thinking and...
12:26I think it's bad to be like a witch,
12:28chasing you with a broom.
12:30Especially after the friendship we've had,
12:32the two of us.
12:34I've been talking to Cesar.
12:36Right, Cesar?
12:37Yes, yes, yes.
12:38We talk.
12:39We talk.
12:40My Cesar has always thought
12:41that it doesn't make sense for us to be fighting.
12:44We have been like sisters,
12:46in the good, in the bad, in the worst.
12:49And well, if Santi is now in good terms with Pamela,
12:52it doesn't make sense for us to be fighting, right?
12:55Yes, of course.
12:56I also believe that with good will
12:58things can be fixed.
13:00But you have to admit
13:02that there has not been very good will on your part.
13:05Well, on your part neither, right?
13:08But that's it.
13:10The important thing is that now we are eager to fix things.
13:15Life is short, Betty.
13:18And I don't want to be left with a pending account.
13:21It's not worth it for girls to fight.
13:25What do you say?
13:26Shall we talk?
13:28Yeah, well.
13:30Let's talk.
13:32But we alone, right?
13:35Yes, that's fine.
13:36In my house.
13:37No, no.
13:38Better in a neutral place.
13:40What do you think of Sergi?
13:41It's been a thousand years since we went to Sergi.
13:44Then it's fine.
13:46Let's go at night and talk.
13:49Yes, it's fine.
13:50Okay.
13:52Well, I have a lot of pending accounts,
13:54so I'm going home.
13:55Let's go, Cesar.
13:56Let's go, my love.
13:57Let's go.
13:58Let's go, my love.
13:59Let's go.
14:16Hello, beautiful.
14:17Look, don't forget about the loan, okay?
14:20I'll pick you up at two tomorrow.
14:22Bye.
14:23Oh, no.
14:25Oh, no.
14:28Oh, no.
14:33No, Eduardo.
14:34I don't want to confuse you.
14:36It's okay.
14:37Don't say anything.
14:38It's okay.
14:39Why?
14:40Because I already made a decision and I need my love.
14:41Cesar, Cesar.
14:42I know that this kiss doesn't mean that we're back,
14:44but you can't deny that you still feel something for me.
14:48Yeah, but it's not enough.
14:49I know it's not enough.
14:51There's a lot to fix and a lot to improve.
14:55But I know that ours is real.
14:57And that we can be together forever.
15:01And this kiss confirms something that I've always felt.
15:05What?
15:07You love me.
15:12And if you've gotten away from me, it's my fault.
15:15Love has to be taken care of and I haven't taken care of you.
15:19I've been more worried about work, stress, day to day.
15:23I've been clumsy and careless.
15:27But I love you.
15:31Eduardo, I can't promise you anything.
15:33It's okay.
15:34You don't have to promise anything.
15:36Let's see what happens.
15:37Take your time.
15:38Like this.
15:39Spontaneously.
15:40I know what you're saying, but you're looking for me.
15:42You're texting me.
15:43No, no, no.
15:44I swear.
15:45But I do want to ask you something.
15:49What?
15:50Go back to the office.
15:53It's not fair that Cesar leaves alone.
15:55You're my partner.
15:56We need you in the office.
15:58I promise I won't bother you.
16:00I won't ask you questions.
16:02I swear.
16:04I'll think about it.
16:06Perfect.
16:07That's what I wanted to hear.
16:10Well.
16:12I'll let you work.
16:14Okay.
16:38Hey, Jhonny.
16:39Are you a cat?
16:40That looks like a kangaroo.
16:42Or how are you today?
16:43What kangaroo?
16:44Cat it is?
16:45Yes, girls?
16:46What do you think?
16:47Kangaroo.
16:48It's a cat.
16:49You, you, you.
16:50Come on.
16:51It's a cat.
16:52Let's go, let's go.
16:53Hey, hey, hey.
16:54What's up?
16:54Come, come, come, come.
16:56Is it a cat or not?
16:58Oh, what's that?
16:59It's a kangaroo cat, huh?
17:02You see?
17:03You see?
17:04It looks like a bully.
17:05It looks like a kangaroo.
17:06It looks like a bully.
17:07What kind of cat is it?
17:08Does it have a cat mustache?
17:09Does it have a cat tail?
17:10It doesn't look like a cat.
17:11It doesn't look like a cat.
17:12Where's the kangaroo bag?
17:14Johnny, the Lord wants to talk to you.
17:24Did you see Betty's face?
17:26She was pale.
17:27It looked like she had seen a ghost.
17:29Yes, she was frozen.
17:31I thought she was going to be happy with the offer.
17:34She was caught off guard.
17:36But she must be happy, right?
17:38I was also surprised.
17:39I didn't think you were going to approach her
17:41like that, so suddenly.
17:43I took advantage of the fact that I saw them both together
17:45and I said, this is the moment.
17:47If I don't take a step forward,
17:48we're going to get old and we're going to keep fighting.
17:51Also for Marquito.
17:52He can't be paying for all this.
17:54Yes.
17:55Honey, you're going to go to the surgery, right?
17:57Yes.
17:58Be very careful, okay?
18:00Why?
18:01It's a quiet area.
18:02Let's go and come back in a taxi.
18:04I mean, I'm telling you as advice, honey.
18:07Don't be asking for a jar after a jar of blood
18:09and in the end they go crazy and talk nonsense.
18:13Do you remember that time we started singing
18:15and dancing on the table?
18:17The girls who were in the karaoke.
18:19They wanted to kill us.
18:20It's that they put the Pandora.
18:22Well, I'm from the fan club of Pandora.
18:25How am I not going to dance?
18:26Yes, my love, but that was about 10 years ago.
18:28They're not for drunkards anymore.
18:30Well, maybe that's what we need.
18:33Let go, loosen our tongues,
18:35take out everything we have stored.
18:37That's how resentment goes, for God's sake.
18:39I'm going to make lunch.
18:42Hello, compadre.
18:44Don't forget about the loan, okay?
18:46Tomorrow at 2 o'clock I'll pick you up.
18:57What's up, boss?
18:58They tell me you want to talk to me.
19:00Yes.
19:01I think it would be better if you talk in my office.
19:04Okay, boss.
19:05I'll see you tomorrow at 2 o'clock.
19:08Yes.
19:09I think it would be better if you talk in my office.
19:13Is something wrong?
19:14Your name is Juan David Pidella, right?
19:16Yes, that's me.
19:17But everyone calls me Johnny.
19:19Can you come with me, please?
19:28Mrs. Mirta, is Johnny in trouble or something?
19:31No, son.
19:32I think a miracle has happened.
19:34Something extraordinary, Santi.
19:38Yes.
19:59Mona, I thought you were coming in the afternoon.
20:01A patient left me standing
20:03and I took the opportunity to come and rest for a while.
20:06I just made coffee. Do you want some?
20:08Yes, it's delicious.
20:10I'll tell you that Eduardo came to apologize.
20:15I don't know, Mona, I felt it differently.
20:17Like before, like when we were just together.
20:21He kissed me, but...
20:22Did they come back?
20:23No.
20:24No, no, no, not at all.
20:25I made it clear to him that it was just a kiss.
20:28But I don't know.
20:30You don't know what?
20:33Mona, I loved him a lot.
20:34You know I loved him.
20:36He still loves you.
20:38Yes, he says he'll wait for me
20:39and that he thinks what we're going through is a crisis.
20:43And what do you think?
20:44I don't know.
20:46I really don't know.
20:48I feel like I don't know anything.
20:51What happens, Mona, if I really love him
20:53and I don't want to realize it because I think he'll always be there?
20:57Maybe I could start a family with him
20:59and all the things that girls want, right?
21:02But...
21:03Isa, do you think we can talk about this later?
21:06Sorry, my head hurts too much and I need to go for a while.
21:09No, don't worry. Do you want a pill?
21:11No, thank you, but I'll take Rafa.
21:13Okay.
21:24Hello, Arturo. How are you?
21:25Eduardo.
21:26Thank you for receiving me without prior notice.
21:29Please, I needed more.
21:31You will always be welcome.
21:34Sit down. Do you want a coffee?
21:35No, I'm fine, thank you.
21:37Actually...
21:40I came to talk to you.
21:44Yes.
21:45I don't know if you know that Isabela and I broke up.
21:47Oh, yes, yes. I found out and I was very sorry.
21:51You know that I have a lot of affection for you, right?
21:53Thank you. Me too.
21:58Well, sit down.
22:01Talk. That's why you're here.
22:07Isabela has mentioned something about Santiago Garcia.
22:10Well, yes, it's part of her job, right? She's the poor boyfriend.
22:16And I haven't told her anything else?
22:19No, well, yes, in passing. You know how she is.
22:23Let's see.
22:25I don't know if I should tell you this, but...
22:29Isabela has confused herself with that guy.
22:32I don't know what's wrong with her, I don't recognize her.
22:35It seems that she has bought the character that we have put together and...
22:39she forgets that when the raffle ends, it will be the same poor devil,
22:42starving to death, and that they left him planted on the altar.
22:48So far you haven't told me what you want.
22:50So far you haven't told me what you want, Eduardo.
22:55I need you to advise me.
22:58Tell me what I can do to get Isabela back.
23:03The first thing I would tell you is that you forget Santiago Garcia.
23:07There is nothing that makes a supposed rival grow more than talking about him
23:11over and over and over again.
23:17I really love Isabela and I don't want to lose her.
23:21I want to form a family with her, I want to make her happy.
23:24There is nothing that gives me more happiness than her smile.
23:27Well, then focus on what she needs, Eduardo.
23:32Isabela is a modern girl, she is independent and very intelligent.
23:38She doesn't like to be pressured or told what to do.
23:43And surely, seeing you so obsessed with the subject of the poor boyfriend,
23:48she must not like it very much.
23:51Forget your jealousy and focus on her, on making her happy.
23:57But with actions, with concrete facts, not with words,
24:00because words are taken away by the wind.
24:02They are useless.
24:07Thank you, nephew.
24:10With great pleasure, Eduardo.
24:12And one thing, you know that Isabela is the most important thing in my life
24:19and I will always support her decisions.
24:24But in this case, I would very much like her to decide to stay with you.
24:38Yes, come in.
24:41Why don't you tell me to help you, mommy?
24:43When do you help me?
24:45When you ask me.
24:46Oh yes, of course.
24:47Well, sometimes you help me, but today I'm in a hurry.
24:50So I wanted to be quick, I'm going out at night.
24:52Don't tell me you're going out with the pesado, Genesis' father.
24:55No, I'm not going out with him, please, nothing to do with it.
24:59Mom, I want to ask you something and I want you to be very honest with me.
25:04Yes, son, tell me.
25:05Is that guy bothering you?
25:07Why do you ask me that?
25:08Don't answer me like another question.
25:10I feel that something strange is going on with that guy.
25:13No, nothing to do with it, nothing to do with it.
25:14I don't know where you get those things from, son, please.
25:16I thought he was the queen of drama, but it turns out not, you beat me.
25:21Mom, I'm not stupid.
25:22Do you know what I think?
25:24That he's blackmailing you.
25:25Me? Is he blackmailing me?
25:26Why would he blackmail me?
25:28Do I have a secret?
25:29Do I hide things or what?
25:31I know you, mommy.
25:32Look, I'm sure you don't want to tell me.
25:34But that guy comes at any time and you get very nervous.
25:37No, my love, no, no, no.
25:39It's pure imagination of yours.
25:41The truth is, I think you're losing money.
25:42You should dedicate yourself to being a writer and not studying administration.
25:46Come on, my love.
25:48Get those things out of your head.
25:49Get it out, get it out now.
25:52Rather, why don't you ask me who I'm going out with today?
25:55With your friends from school?
25:56No.
25:58Guess.
26:00With your godmother, with your Aunt Vilma.
26:03Seriously?
26:04Yes, I'll tell you.
26:05You know she came here, imagine.
26:07And she told me,
26:09Hello, I want us to be friends.
26:11And I told her,
26:12Oh, I don't know, because you've been very chinche, very antipathetic.
26:15And she told me,
26:16Well, let's clean up your laziness, let's go to the cereje and talk.
26:19And I told her,
26:20Enough, but be careful with the blood.
26:21You don't have to be getting drunk.
26:22Because you're not saying it right.
26:23You're saying it wrong to me.
26:24No, no, no.
26:25I can't.
26:26Enough, it's fine.
26:27I'm just going to have two drinks.
26:28Enough.
26:29Nothing else.
26:30Oh, son, I'm nervous.
26:32Do you think we'll be friends?
26:33That would be amazing, Mom.
26:35Look, how are you going to go face to face and not say hello?
26:37You have been the best friends.
26:39And you have been like a family to me.
26:41My godfather is like a second dad.
26:43Yes, of course.
26:45Of course, son.
26:47And I'm willing to turn the page
26:49as long as your Aunt Vilma accepts her mistakes.
26:53It's good that things are getting better.
26:55And that that guy Meloso
26:57doesn't even think about coming to screw your plan.
26:59Mommy, look,
27:00if he's bothering you,
27:02just let me know that that's what I'm here for, okay?
27:04To take care of you.
27:06Oh, my friend.
27:08I love you so much, son.
27:10I love you too.
27:23Yes, we're going to go to La Serejé
27:25to have a few drinks and talk.
27:27Yes, we're going to go to La Serejé
27:28to have a few drinks and talk.
27:30Well, I'm very happy.
27:32That's good news, isn't it?
27:34Well, it also depends on what we talk about.
27:36I mean, she also has to admit
27:38that she got the four legs in well
27:40and so we can go back to our friendship.
27:42Do you think I'll do it again like before?
27:44I think so, Mom.
27:46I mean, you were great friends, remember?
27:48Besides, look,
27:50I wouldn't have to be hiding with Genesis like this.
27:52Oh, my love.
27:54This is also for you.
27:56And largely thanks to your father.
27:58And me, what?
28:00Nothing, thanks to you and our conversation
28:02you made me realize
28:04that this fight is harming everyone,
28:06especially our Marquito.
28:08Yes, well,
28:10hey, don't you want to eat some empanaditas in the afternoon?
28:13Oh, and some chicken chili.
28:15I had already caught them.
28:17Well, then, taking advantage of the fact that you can already,
28:19I'm going to buy some empanaditas where Betty lives.
28:22Go ahead, Dad.
28:25Son, how good it feels to be at peace.
28:29So, you arrived here,
28:31according to what I have here,
28:33you arrived on July 19, 2001.
28:37Of course, 2001.
28:39Yes, well, I was eight years old.
28:42Why are you telling me this?
28:44Do you remember when you arrived at the albergue?
28:46Yes, of course.
28:48How could I forget?
28:50Boss, there are things that mark you for life.
28:52What happens is that the nuns who took care of me left.
28:55They returned to their country
28:56and they started beating me up.
28:58I found two albergues.
29:00They sent me from one place to another, from one place to another,
29:02with my purse.
29:04Well, they grabbed my purse.
29:06Two pants, two polos.
29:08That was all I had.
29:10Until I happily fell here.
29:12Here they received me like in my house.
29:14Mrs. Mierda is an angel.
29:16What, but why do you want to know this?
29:18Can I help you with something?
29:20Look, according to the information I've been gathering,
29:22it seems to be,
29:23the chances are quite high
29:25that the boy I'm looking for,
29:27the son of the woman who works for my client,
29:29seems to be you.
29:31Me?
29:33As I told you, we have to confirm it, but ...
29:35No, there is a mistake.
29:37No, there you have been confused.
29:39Why?
29:41Okay, Pamela Chumbe, who is the ...
29:43There it is.
29:45Pamela Chumbe, who is Mr. Arturo's girlfriend,
29:47she is my friend
29:49and she asked me for help.
29:51Because, as I grew up here all my life,
29:53I didn't know much about the albergues,
29:55so I'm helping her,
29:57so maybe that's why she got confused.
29:59Look, the data match perfectly.
30:01What data?
30:03All the data.
30:05Your age, the French nuns' albergue,
30:07then you went to two albergues in Trujillo
30:09and returned to the capital, to this place.
30:11The name your mother gave you,
30:13David.
30:15My name is not David.
30:17I am Juan David.
30:19That's why they call me Johnny,
30:21because Juan, Juan in English, Johnny, Johnny.
30:23The albergue added Juan's name to it.
30:25How are they going to add a name?
30:27Sometimes it happens.
30:29People add names of saints
30:31or people who work in the place.
30:33That must have happened with your last name.
30:35With my last name?
30:37What's my last name?
30:39The lady who works for Mr. Thompson
30:41was named MartĂ­nez.
30:43MartĂ­nez Huerta.
30:45Well, boss, it has nothing to do with it.
30:47If I am Videla, there it is.
30:49Well, if I were one of those ladies,
30:51I would have a MartĂ­nez for me, but I don't have one,
30:53because I didn't have a birth certificate.
30:55So they gave you the last name of your superior mother,
30:57Sor Beatriz Videla RodrĂ­guez.
30:59The thing is that when you return to Lima
31:01and you are transferred to this albergue,
31:03you are re-baptized as Juan David Videla RodrĂ­guez.
31:06But your real name
31:08should be David MartĂ­nez Huerta,
31:11like Mrs. Rosa's.
31:18José Gregorio sent me a WhatsApp.
31:20Me too.
31:21He wants the money for tomorrow at two.
31:23He told me the same thing.
31:25What are we going to do, Betty?
31:27What are we going to do?
31:29So far I don't know where I'm going to get that money from.
31:31I don't know either.
31:33But we have to get it, yes or yes.
31:35Or that bastard will open his mouth
31:37and Vilma and Ivan will find out the whole truth.
31:39And that's when the hiccup will break loose.
31:41I need to ask you something.
31:43What?
31:45Six hundred dollars.
31:47What? I didn't understand.
31:48I need you to lend me six hundred dollars.
31:52Six hundred dollars?
31:55What's up? Is something wrong?
31:57No, well, yes, son.
32:00Don't you have any extra money
32:02that you can lend me?
32:04Yes, yes, let me see. I have something here.
32:06I have 60 soles. Does it work?
32:08The agent and the producer arrived.
32:10Excellent, Sarita.
32:12Let's see that commercial then.
32:14What happened?
32:16I didn't see you happy that time.
32:18Nothing, nothing happened.
32:20Okay.
32:23I was with Isa.
32:25Did you see each other again?
32:27No, no. Step by step.
32:29The first step is to get him back to the office.
32:31And the second step is to get my arms back.
32:33What good news.
32:35Guys, they're waiting for you.
32:37Oh, Santiago is exceptional.
32:39That's why all women die for him.
32:41Yes or no, Camila?
32:43Yes, yes, totally.
32:45Well, we've made two versions.
32:46One for television
32:48and one for social media.
32:50The boss is particularly nice today, isn't he?
32:53It looks like he's friends with Isa.
32:55Well, let's watch the video.
32:57Of course.
33:03Of course his name
33:05is not the same as the one you gave him.
33:07Oh, no? And what's his name?
33:09Due to a series of irregularities
33:11in his subsequent registrations,
33:13both here and in Trujillo,
33:14his name is no longer David MartĂ­nez,
33:17but Juan, Juan David Videla.
33:19As far as I understand,
33:21he's also helping you find your son, right?
33:23What? Johnny Johnny?
33:33And how can I help you?
33:37I would like you to help me find out
33:39what's wrong with my mom.
33:41Because that guy is bothering her
33:42and she wants to put him in his place.
33:44Godfather, I don't have anyone to ask for help.
33:47And you're like my dad.
33:51Could you give me a hand?
33:53There's one thing you need to know.
33:56Because if I don't tell you now,
33:58I'm going to have a thorn
34:00stuck in my heart
34:03and I won't be able to sleep in peace
34:05for the rest of my life.
34:07What? I don't understand.
34:09What are you telling me?
34:11What do I have to know?
34:14The truth, Mirna.
34:16You have to know
34:18the whole truth.