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Short filmTranscript
00:00My name is Gion Taro. I am a taxi driver with no blood.
00:10I was born and raised here in Kyoto.
00:14I am ashamed to say that I have never left Kyoto, surrounded by mountains.
00:20But this land is so beautiful, and the scenery is so beautiful.
00:27I don't know where to go, leaving such a blessed and sophisticated town.
00:33I will never stop loving this land.
00:39I don't have such a happy job to guide my beloved Kyoto.
00:54Take care.
00:57What will happen if I cross that mountain?
01:02One day, I was interested in the world.
01:06I thought that I could know more about Kyoto and love it more by comparing it with the world.
01:20I am going to meet a beautiful girl.
01:23I will meet a girl who is beautiful.
01:27I will meet a girl who is beautiful.
01:31I will meet a girl who is beautiful.
01:34I will meet a girl who is beautiful.
01:38Beautiful
01:40And when I looked back, I was in a world of first meeting.
01:43What!
01:46I will meet a girl who is beautiful.
01:48No way.
01:51I just crossed a mountain.
01:55This is it!
02:00What is happening in the world now?
02:03Many tourists visit Kyoto have lost their way.
02:07We are not a tourist.
02:12I'm a tourist.
02:14As a taxi driver, I have no choice but to keep a safe distance from other cars!
02:17Gah!
02:18Nyaaah!
02:20I'm dying!
02:25Ah...
02:26Farewell, Kyoto!
02:27Farewell, hometown!
02:29There's a storm in my nose!
02:31Is it just goodbye?
02:33Or is it life?
02:37And so, I became a taxi driver who had to flee the wilderness.
02:42There's nothing in the wilderness.
02:44Ah, the wilderness...
02:46There are no names in the wilderness.
02:48No guests.
02:49No TV.
02:50No radio.
02:52Only the sand and the sun,
02:53the blue sky that spreads in the darkness,
02:56and the infinite air
02:58can keep up with me.
03:03I kept driving the air taxi,
03:06but could I really call myself a taxi driver now?
03:11Ah, the Earth is round.
03:13If I keep going, one day I'll be back in Kyoto,
03:16in the tomb of a tourist zombie.
03:19Hm?
03:20Ah!
03:21It's a monster!
03:23Don't come!
03:24Don't come!
03:25Don't come!
03:26Don't come!
03:27Don't come!
03:28Don't come!
03:29Don't come!
03:30Don't come!
03:31Don't come!
03:32Don't come!
03:33Don't come!
03:34Don't come!
03:35Don't come!
03:36Taro, that butterfly is huge.
03:40Are you going to fly?
03:41Wake up!
03:42Ah!
03:43There it is!
03:44The tourist zombie!
03:45I'm back in Kyoto!
03:47Wow!
03:48What kind of dream is that?
03:50It's interesting.
03:52Ah, Yusuke Iyami.
03:54You're as free as ever.
03:56You're not a tourist,
03:58but a tourist bird?
04:00You're as free as ever.
04:02But you can't talk about people.
04:05In my case, I just decided not to work.
04:08Ah!
04:09It's time for Pilates.
04:11After that, I'll go to a vegetarian restaurant with my Pilates friends.
04:14I didn't ask you anything!
04:16Why are you so excited?
04:18Then, please continue your dream.
04:22There were a lot of customers in my dream,
04:25but I have to be a driver who can be chased.
04:29But I'm sleepy.
04:36I don't have any customers.
04:38I don't have any customers.
04:40I don't have any customers.
04:42I don't have any customers.
04:44I don't have any customers.
04:46Ah!
04:47What is this dream?
04:49What am I dreaming about?
04:51The wilderness,
04:52the thirst,
04:53the unfulfilled heart,
04:54the anxiety of old age,
04:55the Armageddon,
04:56the Angolmois,
04:57and the extinction of mankind!
04:58Ah!
04:59No!
05:00I can't get out of the spiral!
05:01I'm sorry.
05:02Ah!
05:05God didn't leave me alone.
05:10He gave me a drop of life from heaven.
05:15Um,
05:16can you take me to Gion Corner?
05:18Gion Corner!
05:20I'll take you to Gion Corner!
05:22Please get in!
05:24Ah, I'm sorry.
05:25Yes!
05:26The car is ready!
05:27Check the front!
05:28Check the rear!
05:29Check the weather!
05:30I got out of the darkness!
05:32Well,
05:33I, Gion Taro,
05:34will take you to Gion Corner
05:35with my super-special
05:36safe driving
05:37with no speed limit!
06:03Ah!
06:04Ah!
06:05Ah!
06:06Ah!
06:07Ah!
06:08Ah!
06:09Ah!
06:10Ah!
06:11Ah!
06:12Ah!
06:13Ah!
06:14Ah!
06:15Ah!
06:16Ah!
06:17Ah!
06:18Ah!
06:19Ah!
06:20Ah!
06:21Ah!
06:22Ah!
06:23Ah!
06:24Ah!
06:25Ah!
06:26Ah!
06:27Ah!
06:28Ah!
06:29Ah!
06:30Ah!
06:31Ah!
06:32Ah!
06:33Ah!
06:34Ah!
06:35Ah!
06:36Ah!
06:37Ah!
06:38Ah!
06:39Ah!
06:40Ah!
06:41Ah!
06:42Ah!
06:43Ah!
06:44Ah!
06:45Ah!
06:46Ah!
06:47Ah!
06:48Ah!
06:49Ah!
06:50Ah!
06:51Ah!
06:52Ah!
06:53Ah!
06:54Ah!
06:55Ah!
06:56Ah!
06:57Ah!
06:58Ah!
06:59Ah!
07:00Oh, excuse me.
07:01Yes?
07:02I've been hearing a lot of Gion.
07:04Oh, yes.
07:05I'm in a bit of a hurry.
07:06Oh, I see.
07:07You said you were going to Gion Corner, so I was just passing by.
07:11No, no, no.
07:12So, please drop me off at Gion Corner.
07:14Huh?
07:15Oh, I see.
07:16Is there a specific place like that?
07:18Yes.
07:19Oh, is it a facility like that?
07:21What?
07:22You don't know?
07:23It's embarrassing, but I don't come to Gion very often.
07:26Could you show me the way?
07:30Huh?
07:31You're a driver.
07:32Your name is Kiyontaro, but you don't know Gion.
07:35Oh, I'm sorry to have troubled you.
07:38I'll explain.
07:39I'll call you Gion Muchizo.
07:40No, no.
07:41You can't change your name.
07:42Oh, I see.
07:43I'm sorry to have kept you waiting.
07:50I'm sorry to have kept you waiting.
07:53Thank you, Muchizo.
07:55No, no, no.
07:56I'm really sorry.
07:58Until we meet again, please call me Kiyontaro.
08:02Huh?
08:03Of course.
08:04I'll take care of Gion Tourism.
08:06I'm proud of you.
08:10I'd like to create a realistic version of Gion,
08:13based on the story of Yoshifusa Kagezen from the Edo period.
08:18I'd like to create a realistic version of Gion,
08:21based on the story of Yoshifusa Kagezen from the Edo period.
08:26Next, I'd like to introduce Yoshifusa Kagezen,
08:30who is in charge of planning and planning.
08:35I'd like to introduce Yoshifusa Kagezen,
08:39who is in charge of planning and planning.
08:43I'm Tomo Imanishi.
08:46I'm in charge of planning and planning.
08:49Hello.
08:50Mr. Kudo, what's wrong?
08:52Your face is melting.
08:54Hey, please.
08:58I heard you're auditioning.
09:04I'm not interested.
09:06You can't get real happiness through auditions.
09:10I'm not saying you should take it.
09:13Here you go.
09:15Next, I'd like to hear from Tamako Oku, who will play the heroine.
09:21Hello.
09:23My name is Tamako Oku.
09:25Thank goodness!
09:27You're the one I saw earlier!
09:29Really?
09:30Tamako Oku is from Tokyo.
09:33So, if I pass the audition...
09:36Ready, action!
09:39Mr. Taro.
09:40Tamako.
09:42Don't let go of me.
09:45I promise.
09:54Cut!
09:55Cut!
09:59Cut!
10:00Cut!
10:01Cut!
10:02Don't let go of me.
10:04Don't let go of me.
10:06I won't.
10:08Next scene.
10:10Cut!
10:11Cut!
10:12Cut!
10:13Don't let go of me.
10:15Bravo!
10:24Hey.
10:26Hey, hey, hey.
10:28What are you doing?
10:30Are you going to the hospital or not?
10:32All right!
10:33Let's go to the audition!
10:35Are you kidding me?
10:36You're not going to work?
10:38I'm not a taxi driver anymore.
10:41I don't belong here.
10:45I'm going to live in a screen.
10:47See you later.
10:48See you at the cinema.
10:50Please introduce yourself.
10:52My name is Gion Taro.
10:55I'm a taxi driver.
10:58You look great in this movie.
11:02What do you think of Gion?
11:06Well...
11:08Geisha.
11:10Maiko.
11:11Yatsuhashi.
11:13Geisha.
11:14Yatsuhashi.
11:16Maiko.
11:18You're a taxi driver, right?
11:20Yes.
11:21Then let me hear your story.
11:24I'm a passenger.
11:28I don't know anything about Gion.
11:31Gion is a famous tourist spot.
11:35I'm not a tourist.
11:39Is Gion Taro your real name?
11:41Yes, it is.
11:42And Gion Taxi?
11:44There's a name on the sign.
11:48You're making fun of me.
11:50No, I'm not.
11:51My ancestors lived in a hut.
11:54My family name is Gion.
12:00Gion means the god of the land.
12:04It's a very similar name.
12:08Sorry, I didn't get it.
12:10Next, please.
12:13Wait a minute.
12:16Give me a chance.
12:18I'm confident in my acting skills.
12:21I can't see you.
12:23Get out of the way.
12:25Are you making fun of me?
12:27Why do you think I'm a pilates student?
12:29I don't know.
12:31Next, please.
12:32Hello, I'm Yusuke Iyami.
12:37I can't miss this.
12:39My name is in the way of my life.
12:43Is that you?
12:45That voice is...
12:48Tamako Oku.
12:50Are you auditioning?
12:52I'm embarrassed.
12:54You can act?
12:56I'm not good at acting.
12:59I'll ask the producer.
13:03No, please don't.
13:07Tamako, Oku.
13:09Tamako.
13:10Producer, please cast Gion.
13:13What?
13:15I didn't expect this.
13:19You said you didn't know Gion.
13:22I thought it was realistic.
13:25Am I the only one?
13:27You said you wanted to act Gion.
13:31That's what I meant.
13:36I didn't say yes.
13:38I'll do my best.
13:40I didn't say yes.
13:42I hope you can act.
13:45Mr.Kagizen.
13:46I want a lot of local people to act.
13:49I'm counting on you.
13:52That's what he said.
13:54I'm glad.
13:56That's it?
13:58Let's study Gion.
14:02Yes.
14:04Excuse me.
14:06I'm a young man.
14:08I'm a swimmer.
14:15I'm going on a date.
14:19I'm going on a date with a famous person.
14:22This is Minamiza.
14:25Is there Kitaza?
14:27No.
14:30I found it.
14:31Gion.
14:32I'm going.
14:34I'm going on a date.
14:36Welcome.
14:38We sell traditional food in Kyoto.
14:43I'm so excited.
14:47He's a famous person.
14:50He's a monk.
14:54I'm so excited.
14:56I'm hungry.
14:58Do you have any recommendations?
15:00Please wait.
15:02This is popular.
15:04It's okay.
15:06Mr.Mochizou.
15:08I made a mistake.
15:10I made a mistake as a man.
15:16Mr.Mochizou.
15:18It looks delicious.
15:20I'm a taxi driver.
15:23Is it okay to eat with an actress?
15:26I can't eat anymore.
15:30Let's eat.
15:32Let's eat.
15:36I'm sorry.
15:38I can't take a picture.
15:40It's okay.
15:42I'm sorry.
15:50Thank you for waiting.
15:52It's wonderful.
15:55This is a latte.
16:00I don't want to drink it.
16:04This is just a latte.
16:07What's wrong?
16:09I'm nervous.
16:12It's strange to be with you.
16:15You are honest.
16:19I try not to care about customers.
16:25I see.
16:27I want to be loved.
16:30I'm afraid of people's eyes.
16:33I care about people's eyes.
16:37What should I do?
16:40You are a delicate actress.
16:45I don't know what's difficult.
16:47I'm worried about you.
16:51You should worry about me.
16:55Mr.Mochizou said a good thing.
17:04She is good at acting.
17:14I'm used to it.
17:16I have to do my best.
17:18I always get hurt.
17:22I'm lonely.
17:25It was delicious.
17:27Do you want to go to the flower shop?
17:29Or do you want to go to the museum?
17:32I'm in a bad situation.
17:35I'm in a bad situation.
17:37She is delicate.
17:39She is not gentle.
17:42I want to cry.
17:44I should hold her hand.
17:47I'm surprised.
17:50What's wrong?
17:52I feel different.
17:55You are right.
17:58I'm lost.
18:01Where am I?
18:04You are too excited.
18:06I'm lost.
18:10I'm sorry.
18:12I'll leave the island soon.
18:14I'm sorry.
18:15Please hide it.
18:17It's mine.
18:18Please keep it.
18:21I don't need it.
18:23Please.
18:24I said I don't need it.
18:26I don't care.
18:27I said I don't need it.
18:29Please.
18:30I don't need it.
18:35Is this a self-portrait?
18:37Is this a self-portrait?
18:39Let's go to the right.
18:41What?
18:42What?
18:43Wait.
18:45Who is that?
18:46Wait.
18:48Why is this a maze?
18:50I don't know.
18:51Which way?
18:52Wait.
18:54Wait.
18:57Let's take a break.
19:01Let's take a break.
19:05Are you okay?
19:07We are lost.
19:10We don't know which way to go.
19:12Wait.
19:13Wait.
19:15Someone is coming.
19:17Come on.
19:19This way.
19:20This way.
19:22Wait.
19:25Wait.
19:30What is this place?
19:31Is this a bar?
19:34What is that?
19:35It's just a bar.
19:38It's okay.
19:39If we are cornered, it's over.
19:41Don't worry.
19:42I will protect you.
19:45Calm down.
19:46Let's make a plan.
19:48I will protect you.
19:52Be quiet.
19:54I'm sorry.
19:56A man is coming.
19:58It's Mr.Taro.
20:00I will hide.
20:17Hey boy.
20:18Come on.
20:20Damn it.
20:24Mirrors.
20:25What?
20:32You? Me?
20:34It's me.
20:35What?
20:37You? Me?
20:38Same?
20:39No.
20:40What?
20:41Look at that.
20:45He is chasing us.
20:54What?
20:59He is the owner of the kaki-sen.
21:04I've never seen a person who runs Gi-on at full speed.
21:08I didn't run because I wanted to.
21:11You should take the gun away from Gi-on.
21:15I've never seen or heard of a gun.
21:19What are you involved in?
21:21It's an important time before the shooting.
21:23We don't know.
21:26I'm sorry.
21:27Who is he?
21:31Who is he chasing?
21:33I don't know.
21:36I was assigned to carry this case to the locker.
21:41Then...
21:44Do you want to open it?
21:47Yes.
21:53Why did you close it?
22:02It looked dangerous.
22:04But I missed it.
22:08Maybe you didn't open it.
22:10Who are you talking to?
22:12Taro, do you want to open it?
22:13You pushed me.
22:15It doesn't matter.
22:17I'll open it.
22:24Is it a tropical juice?
22:27Or is it a drug?
22:29I think it's a drug.
22:33I don't like the logo.
22:35You don't like it?
22:38What is this?
22:40I don't know.
22:42I thought I could live a normal life in Japan.
22:47But wherever I go, I'm always in danger.
22:53I can't live without danger.
22:57I can't go anywhere.
23:02What's your name?
23:04Tom.
23:05Tom Garrison.
23:07That's a cool name.
23:08Tom Garrison.
23:10Tom Garrison is good.
23:12Tom Garrison, work for me.
23:15I'll stay here for a while.
23:17What?
23:18I don't have a successor.
23:21My son is a teacher.
23:24It's normal.
23:26It's my fault that I couldn't show you my charm.
23:32I don't know what to say.
23:37The powerlessness of that time attacks me.
23:43I feel like everyone has that scene in their heart.
23:53This movie is the last struggle.
23:57I'm sure everyone will be disappointed that it's over.
24:03At least I want to decorate the beauty of excellence.
24:07Thank you for your movie.
24:09Yes.
24:10This is today's crankin.
24:12Nice to meet you all.
24:14Let me introduce the cast.
24:17This is Tamako Oku, the role of Yoshiko.
24:21Tamako Oku, please come in.
24:23Nice to meet you.
24:26I haven't introduced you yet.
24:28Oh, I see.
24:30And the subcontractor.
24:32Oh, he's my employee.
24:35How about being a foreign guest?
24:38I'm sorry, but I don't want to be a foreign guest.
24:43It's my job to protect the quality of the movie.
24:45I know.
24:46I understand.
24:48Please do your best.
24:51Are you okay?
24:53He's been shaking all the time.
24:55That's right.
24:57Nice to meet you.
24:59Wait a minute.
25:01Let's start with the first scene.
25:06This is Yoshiko, who has just transferred from Patissier.
25:09She's getting into the charm of Kyogashi.
25:11She's going to keep polishing women.
25:13Let's start with freshness.
25:14Okay.
25:15This is Gion Taro, the taxi driver.
25:18He's in the frame with a high school girl.
25:20I'm nervous.
25:22This is the other taxi driver.
25:24Nice to meet you.
25:26He's sitting on this bench and waiting for an order.
25:30This is a foreign guest.
25:32He's looking out of the window.
25:34Yes.
25:35I'm not in this scene, am I?
25:38I'm not in this scene, am I?
25:40I'm not in this scene, am I?
25:42Please calm down.
25:43This is also a foreign guest.
25:45Okay.
25:46Nice to meet you.
25:47Ready, action!
25:49Welcome.
25:51Why are you looking at me?
25:54It's close.
25:56What is he doing?
25:58Bring a normal girl.
26:00I'm sorry.
26:01What's that?
26:02What's that news?
26:05He's a fugitive.
26:07I can't see him.
26:09Cut!
26:11Cut!
26:14Don't look at the camera.
26:17He's looking at me.
26:19Of course.
26:21Let's shave your beard.
26:24What's that newspaper?
26:26It's this morning's newspaper.
26:27I was waiting for this scene.
26:29What's that?
26:31It's a scandal.
26:34What's going on?
26:37I was just eating.
26:40Are you aware of that?
26:42As a heroine,
26:44you're responsible for this movie.
26:46You're the face of this movie.
26:49And your acting is bad.
26:51I can't see your background.
26:53Stop it.
26:55I'm sorry.
26:58Look at me.
27:01I want to kill you
27:03as soon as my soul moves.
27:06I understand.
27:09You were the most realistic.
27:13But I don't think this scene is realistic.
27:16You don't have to do this scene.
27:20Is this the scene of the movie?
27:22I may have stepped in.
27:27Let's start from your scene.
27:30Okay.
27:31What's the line?
27:33Please take care of this floor.
27:35I see.
27:36Ready, action!
27:38Please take care of this floor.
27:41What's this?
27:42What are you doing?
27:43Is this a camera?
27:44What's going on?
27:46Zenyan.
27:47Who?
27:48The movie.
27:49Where's the boss?
27:50Is he gone?
27:52He's back.
27:54Why don't you go to my house?
27:59Why did you come back?
28:02What's this scene?
28:04I don't know.
28:05Cut!
28:07I'm sorry.
28:08Please do as the script says.
28:10Who's this?
28:12My son.
28:15I'm sorry.
28:16We're shooting.
28:18What's that outfit?
28:19Dad, let's talk about that later.
28:22Give me the box.
28:24We don't have money.
28:25This is the only place we have.
28:27Let's go to a brothel.
28:29We don't have a place for you.
28:31We have another place.
28:34This is it.
28:40Damn it!
28:44Go after him.
28:45What?
28:46Go after him.
28:47This is Gion.
28:48This is the present of Gion.
28:50Get rid of him.
28:52We're not done yet.
28:56This place has been here for 300 years.
28:59It's over.
29:00It's the end of history.
29:03It's a family drama.
29:05I don't like this.
29:08But this is real.
29:11I see.
29:12It's a family drama.
29:14It's a family story.
29:17I want both.
29:18Which one should I take?
29:20Which one?
29:25I'm sorry.
29:30Damn it.
29:37It's a good picture.
29:39Did he care about the painting?
29:41Of course not.
29:42What about your son?
29:44It's a good picture.
29:47I haven't seen him for a long time.
29:50I think he's happy.
29:52No way.
29:53How can he be happy?
29:55He's a pervert.
29:56It must have been hard for him.
29:59It was a good timing.
30:02He was always blaming himself.
30:06He said he felt responsible.
30:10Why did you take a movie?
30:12He hated being a pervert.
30:14It's been 300 years.
30:15It's a family drama.
30:17It's a family drama.
30:19I'm sure he made this movie for you.
30:25He wanted you to feel comfortable.
30:30You're right.
30:31You're a good son.
30:34I'm sure.
30:36I'm sure.
30:39That's right.
30:42What are you doing here?
30:44If you're coming, bring me some new information.
30:49I'm so jealous of the place where I can come back.
30:53I don't know my parents.
30:55I don't know where to go in the world.
31:00I see.
31:03My father made a good place for me.
31:07He kept protecting the place where you can come back.
31:12I can't imagine a father who has such a big heart abandoning his son.
31:24It's a good tear.
31:28I don't know.
31:29I'm just a whim.
31:31I'm just a cat.
31:34I'm a tiger.
31:36I'm a cat.
31:37I'm a tiger.
31:38I'm not sure.
31:40I'm looking forward to working with you.
31:53How did he feel when he left?
32:01There's someone who's been waiting for you.
32:03It's getting a little surreal.
32:14Tom, are we being targeted again?
32:16Sorry, Dale.
32:20It's a gunshot!
32:25Help me!
32:28Go!
32:34Master!
32:36Why is he singing?
32:52Here you go, Dale.
32:53What?
32:55Wait a minute.
32:56What should I do?
32:59Watch out!
33:01Wait a minute.
33:02It's dangerous.
33:03Stop it.
33:04It's dangerous.
33:05It's dangerous.
33:06It's dangerous.
33:07Stop it.
33:08I'm sorry.
33:09I'm sorry.
33:10Dale, I'm sorry.
33:12What should I do?
33:17Dale!
33:21Stop it.
33:23I told you to stop it.
33:25Who are you?
33:27What would you do if you met someone you love?
33:30Dale.
33:32I'm a taxi driver.
33:34I won't forgive you if you do this.
33:42Don't touch my nose.
33:44Don't touch my nose.
33:50Dale.
33:52Tomoko.
33:53I'll do anything for you.
33:58I felt like I had won a certain love in exchange for giving up all my strength.
34:11There's a traffic jam.
34:13Do you want me to stop the music?
34:15Not yet.
34:16Wait.
34:17Let's continue the miracle.
34:20What should I do?
34:23What's going on?
34:25There it is.
34:26You're going to shoot it right away.
34:34Dad.
34:36What are you doing?
34:49Oh.
35:04Oh, my God.
35:06Oh, my God.
35:08Oh, shit.
35:12Dad, are you okay?
35:14Stop the camera.
35:17Oh, my God.
35:24I'm sorry.
35:25It's a special effect.
35:27What?
35:28Did you shoot it?
35:30I did, but it's not funny.
35:32I thought it would be exciting because the scene of Don Pachi started.
35:35No, it's real.
35:37Is that so?
35:38There was no such action scene in the first place.
35:40Oh, my God.
35:42What are you doing?
35:44Hey, Mr. Kakizen.
35:46Mr. Kakizen.
35:48What?
35:49What are you doing?
35:50You're overdoing it.
35:52What?
35:53Just look outside.
35:55Oh.
35:59What is this?
36:01This is...
36:03Gion?
36:14Oh, my God.
36:21What are you doing?
36:22What's going on?
36:24What are you doing in our town?
36:26Oh, my God.
36:29You're doing something funny like a movie.
36:34I'm sorry.
36:36I'm done.
36:38I'm done with everything.
36:40It's not over yet.
36:42I'm sorry, sir.
36:44It's my fault.
36:46I got you all involved.
36:48It's my fault.
36:50It's not your fault.
36:53I'm sorry.
36:55I'm sorry, everyone.
36:57I did a weird job.
36:59I did a bad job.
37:01It's okay, Tom.
37:03How do you feel?
37:05How about some tea at the end?
37:11Thank you very much.
37:19First of all, please eat this.
37:22I didn't expect them to come.
37:25Let's eat.
37:26Can I ask you something before we eat?
37:29What was that suspicious bottle?
37:32We don't know, either.
37:35We don't know what that chemical weapon is.
37:38I'm sure there's another organization.
37:40Who's on our side?
37:42I'm talking to you.
37:44What's the matter with you?
37:46Isn't that a weapon that can invade the world?
37:49Master.
37:50Where is that going?
37:52Master.
37:53What?
37:54Do you have a change of clothes?
37:56What?
37:57You're talking about something important.
38:00It's okay.
38:01I don't need a change of clothes.
38:04But...
38:06What are you doing?
38:08You're eating too much.
38:10What's this?
38:11It's delicious.
38:12Isn't it a new taste?
38:13No, it's not a new taste.
38:15It's been around since the Muromachi period.
38:17What is this made of?
38:20This is it.
38:21This is the identity of Kuzukiri.
38:24What?
38:25This is Kuzukiri?
38:28It's heavy.
38:30Is this what it looks like?
38:33Hey!
38:35Are you kidding me?
38:37It's just a stick.
38:38I'm not kidding.
38:40You know what?
38:41How can you make Kuzukiri?
38:44Do you know what Kuzu is?
38:48It's made of starch from the root of Kuzu.
38:51It's made of starch from the root of Kuzu.
38:53It is cooled in cold water.
38:57It's called Kuzukiri because it's made of Kuzu.
38:59It's as delicious as a simple thing.
39:02I want to take it home and eat it.
39:06That's good.
39:07It's very nutritious.
39:09You can grow it in the desert.
39:11Is that so?
39:12You can grow it in the desert.
39:15It's not just delicious.
39:18It's very versatile.
39:21Now?
39:23Did you feel it now?
39:26I see.
39:27I have a suggestion.
39:29Why don't you try growing Kuzu?
39:32What?
39:33It looks like that now.
39:37It's like gardening.
39:39Oh!
39:40Did you hear that?
39:42He proposed a six-day exercise.
39:45Let's try it.
39:46You can give it to me anytime.
39:48You can eat a lot of Kuzukiri.
39:53There may be some seeds left in Yoshino.
39:58Oh!
40:02Zenya.
40:03Would you like to go to Yoshino with me?
40:07You idiot!
40:08I'm not going there.
40:10Even in this situation?
40:14You don't know your father, the town of Gion,
40:17and your feelings.
40:19Isn't it painful?
40:22Get ready.
40:31Hey, hey, hey.
40:32The mountain is moving.
40:34At the same time, I have a bad feeling about this movie.
41:23Seeds?
41:27I don't know if there are any seeds left,
41:30but I'll show you the back of the mountain.
41:45I'm worried about this area, too.
41:53Yoshino
41:55Yoshino
41:58Are there any seeds?
42:00Are there any seeds?
42:02Oh!
42:03I found it.
42:05Kuzu has a tremendous reproductive power.
42:08My father said so, too.
42:10In fact, Kuzu is planted in the six-day exercise of all countries.
42:13I see.
42:15Well, we're going to...
42:17Please take this Kuzu.
42:20I think it will take a while.
42:24Mr. Zenya.
42:25And this.
42:27It says how to make Kuzukiri, which has not changed since ancient times.
42:33Please do your best.
42:39Kuzu
42:49Thank you for waiting.
42:51I brought seeds of Kuzu.
42:55I'm sorry to bother you.
43:00If you can help me,
43:04would you like to plant seeds with me?
43:08The history of mankind has been repeated.
43:12We have overcome difficult times many times.
43:15We will continue without giving up.
43:18And this town has remained.
43:21Please plant seeds with me.
43:26I'm sorry to bother you.
43:30No matter how many Kuzukiri I plant,
43:33I won't cut you off.
43:38Cut!
43:39OK!
43:41I got a good one.
43:43Are you sure?
43:45The last one was a joke.
43:46I don't care.
43:47I don't care about that.
43:50That's all.
43:51Clank up!
43:53Thank you for your hard work.
43:55Thank you for your hard work.
43:58Thank you for your hard work.
44:03Thank you for your protection.
44:07Thank you!
44:27Thank you very much.
44:29How did you like it?
44:31I still can't get out of the after-effects of the film,
44:35which is a wild cut of the modern Gion.
44:39Now, I would like to invite the staff cast
44:43who risked their lives to make this film.
44:57Taro, are you in the film?
45:08No, I'm not.
45:16Everyone, could you please comment on the film?
45:21To be honest, it was completely different from what I had imagined at the time.
45:26Originally, I was going to make a comedy film, but...
45:29What was the title?
45:30Gion no Kiseki, which was really recorded.
45:32Yes, yes, yes.
45:33It turned out to be a documentary film.
45:38There were some cast members who I didn't expect.
45:43Yes, I'm sorry for the trouble.
45:46I feel that I was able to grow thanks to this film.
45:53Thanks to this film,
45:55I was able to solve the problem of the successor of my casino.
45:59Again, I'm sorry for the trouble.
46:07It's a film that many people have seen.
46:11Without hiding it, everything about us is contained here.
46:15Thank you very much.
46:18Thank you very much.
46:21I am very grateful to the local people who participated in this film.
46:25I am also grateful to the people who live in Gion.
46:30As you can see, there was no script.
46:35It's my turn.
46:37I have to clear the scandal that has plagued sports.
46:42By proposing here, I will prove that it is a clean and sincere love.
46:55She did a good job.
47:00I'm grateful to you.
47:04This is your film.
47:08I just watched it.
47:12You made me an actress.
47:14You are attractive as a person.
47:16That's true.
47:18I'm a person who only has a brain in the movie.
47:21How long are you going to pretend?
47:26I secretly reported it to my husband.
47:29Actually, we are going to get married.
47:32I will do my best.
47:39Congratulations.
47:41There was a lot of good news in the movie.
47:46I would like to bless you.
47:50I would like to ask the cast who participated in the audition.
47:57How was it?
47:59I'm usually a taxi driver.
48:04It was hard for me to act in the movie.
48:11What?
48:13I was broadcast live.
48:16Is that so?
48:21In addition, Mr. Yoshifusa Kagizen has prepared a speech for the completion of the movie.
48:31Hello.
48:33I'm going to shake the dango that I made with the garbage I planted.
48:38This is a miracle drop.
48:42Please.
48:44It has a moist and soft finish.
48:49It is slightly colored inside.
48:53Each bean paste has a meaning.
48:58Is the bean paste delicious?
49:01It's only salty.
49:04Is that so?
49:06Let's take a commemorative photo.
49:09I would like to conclude today's completion presentation.
49:13Please shout out.
49:17One, two, three.
49:19Gi-o-n!
49:27How far will this wilderness continue?
49:30Whether this is Gi-on or a wilderness,
49:33Whether the gun is pierced or the weapon is destroyed,
49:37There are people who love me.
49:40I wonder what made me strong.
49:44Now I'm nothing.
49:48I'm just sand dancing in the wilderness.
49:53It's the sand of the wilderness where the flowers have withered.
49:59I'm the only one who came back here.
50:04I see.
50:06Is the wilderness my hometown?
50:10Air taxi.
50:12Where do you go with emptiness?
50:17Will the flowers bloom again?
50:20Blossom.
50:22Until the tears dry up.
50:25I'll be here forever.
50:35Oh, it's an actor's visit.
50:38Bourbon, please.
50:40As expected.
50:42Did you change your clothes?
50:44I don't have bourbon.
50:46I don't have that either.
50:48Tequila.
50:49Soju.
50:50Japanese sake.
50:51Sake! Bring me some sake!
50:53Sake! I need sake!
50:55Bring me some sake!
50:56It's okay.
50:57This is Junkissa.
50:58Don't say that.
50:59I was dumped.
51:02I know.
51:03It was broadcast on TV.
51:04We had a date.
51:06It wasn't a date.
51:07We talked about our worries.
51:09We usually do that.
51:10We had a good relationship.
51:11You saw it, didn't you?
51:13Why are you crying?
51:15I'm not in puberty.
51:17I'm not an old man.
51:20I can't work anymore.
51:24I doubt your humanity.
51:26By the way, I have a consultation.
51:28I have a job interview next week.
51:30It's about this flower.
51:33This flower!
51:34Did you see it?
51:35Isn't it beautiful?
51:36This is it.
51:37It's a flower that blooms in the garden.
51:38It's not a love story.
51:40You're rude.
51:41I'm scared.
51:42How do you read this?
51:43What language?
51:44Where are you?
51:45I'm scared.
51:46I'll pick you up.
51:47It's too early.
51:48Forget it.
51:49It's better to be early.
51:50Give it back.
51:51I have an interview.
51:53Give it back.
51:54It's personal information.
51:55Where are you going?
51:59My name is taxi driver Giontaro.
52:04I'm not going anywhere.
52:06I can't do anything.
52:08I just want to burn my life.
52:14To be continued...
52:44To be continued...
53:14To be continued...
53:44To be continued...
53:49To be continued...
53:54To be continued...
53:59To be continued...
54:04To be continued...
54:09To be continued...
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54:24To be continued...
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54:34To be continued...
54:39To be continued...
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55:49To be continued...