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00:00The music that touches the heart is good.
00:07For our understanding, we call it folk, film or classical.
00:13These are labels that we have made for us to understand.
00:17Music is music.
00:19If a youth wants to become a vocalist, where should he start from?
00:23Because in Gujarat, there is a lot of confusion
00:27If a youth wants to become a vocalist, where should he start from?
00:32There is no formula for this.
00:37Whatever we like.
00:39See, every person has a tendency.
00:42Sometimes, someone enjoys the music.
00:47Sometimes, he doesn't enjoy the music.
00:51He says, when the music starts, I will enjoy it.
00:55There are different tendencies.
00:57He is born with that talent.
01:00So, based on this, his likes and dislikes will be decided.
01:07What is in his genes?
01:10Does he like the music more or the taal?
01:15It depends on what type of music he likes.
01:20The learner should start singing first.
01:25Then, listen and decide what you like.
01:29Then, you can learn.
01:31Is there a trending raag or a popular style of singing?
01:37No, there is no such thing.
01:39There is Khyal music.
01:41There are different types of Khyal music.
01:45I think, Khyal music is the most popular.
01:50What are you going to sing for us today?
01:53The last performance of the 8th day.
01:56I have decided to sing a raag for Jai Jai Banti.
01:59After that, I will sing a raag for Sampoorn Malkaus.
02:02What is the right time for this performance?
02:06We are going towards midnight.
02:11So, I have decided to suit that time.
02:15What else is special about this performance?
02:19There are 8 prahars, 24 hours.
02:22They are divided into 8 prahars.
02:26For each prahar, there are different raags.
02:29There are many raags of our raag music.
02:33200, 250, 300, I don't know how many.
02:37So, the raag that is suitable for a particular prahar,
02:42that should be sung at that time.
02:45That is what I think.
02:48I believe in this.
02:50That is why, I am thinking of singing at midnight.
02:55So, we will be back at midnight.
02:58Ashwini ji will conclude her performance for the 8th day.
03:03With cameraman Mukesh Jodia, ETV Bharat Ahmedabad.
03:11We have one tabla ustada with us.
03:14And we have one more tabla ustada with us from Maharashtra, Pune.
03:18Ramdas Parshule ji.
03:20Ramdas ji, first tell us,
03:23what is the importance of tabla in Indian music?
03:27In complete classical music.
03:29Tabla is such a instrument,
03:32which I think is the most popular percussion instrument of the world.
03:36Not just India, not just North India.
03:39Because it has a wide range.
03:42From dhrupad dhamar music, khayal music,
03:47to bollywood music, jazz music,
03:50it blends with everything.
03:53It has a wide range.
03:56Actually, when khayal music started with dhrupad dhamar music,
04:04tabla was born out of the same.
04:12As khayal music was becoming popular,
04:15to accompany it, the tabla instrument was invented.
04:20And that also started becoming popular.
04:23And then, like there are six gharanas in singing,
04:28there are six gharanas in tabla as well.
04:31It has a very long tradition.
04:33There have been many composers.
04:35And thousands of compositions have been made by them.
04:39Ustad Ramdas ji, which gharana do you belong to?
04:43My lineage is from Farrukhabad gharana.
04:46My guruji, Pandit Talyogi Suresh Trivalkar ji,
04:50his guruji, Pandit Pandarinath Nageshkar ji,
04:54and his guruji, Ustad Amir Hussain Khan sahib,
04:57who is the khalifa of Farrukhabad gharana.