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Short filmTranscript
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00:08:15Go on. Come on.
00:08:25What's all this?
00:08:28Look up here.
00:08:35What's the matter with you?
00:08:37Nothing.
00:08:38It's just that...
00:08:40everybody's going home.
00:08:42And...
00:08:43And?
00:08:45And I'm leaving mine.
00:08:49I thought so.
00:08:51Crying your eyes out...
00:08:53just because you don't have a home of your own to go to...
00:08:56or a mother and father to tell you how pity and clever you are.
00:09:00Oh.
00:09:02Poor little thing.
00:09:03You've just got a voice...
00:09:05that comes to one in a million...
00:09:07straight from God to you.
00:09:10To you alone.
00:09:12And you sit there feeling sorry for yourself.
00:09:15Yes, you are. Sorry for yourself.
00:09:17If I were that kind of girl, do you know what I'd do?
00:09:19I'd stick my tongue out at myself. Right there.
00:09:21Bam!
00:09:31Get away. Get away. That's all right.
00:09:32You've been so wonderful to me, Miss Wiggins.
00:09:38Now, you go on up there to New York...
00:09:41and make those people love you as much as we do.
00:09:45And then maybe someday you'll meet a prince...
00:09:49and you'll live happily ever after.
00:09:51Hmm?
00:09:52Those fairy stories haven't come true for over a hundred years, Miss Wiggins.
00:09:57Fiddlesticks.
00:09:59You just have to dust them off...
00:10:01streamline them a bit.
00:10:03They'd still be fairy stories, wouldn't they?
00:10:05That's all life is. A fairy story.
00:10:08The trouble with you young people is you don't believe in anything.
00:10:11You're afraid. Afraid of hope. Afraid of happiness.
00:10:15What's New York? It's just another town.
00:10:17It's no bigger than you are.
00:10:19Go there and laugh in it, love in it, live in it.
00:10:21Make it yours.
00:10:33Hold it, Mr. Clinton.
00:10:38No, boy!
00:10:40Hold it, Mr. Clinton.
00:10:43No, boy! Come on!
00:10:45Hold it, Mr. Clinton.
00:10:50Hold it, Mr. Clinton.
00:10:54Isn't that wonderful?
00:10:56Right in the middle of the air.
00:10:57What's wonderful about it?
00:10:59It's like you were a bird.
00:11:00It's terrible. Throw that white bathing suit out.
00:11:02It fits like a flower sack.
00:11:03Yes, miss.
00:11:04Get my comb.
00:11:04Yes, miss.
00:11:05Send that editor a telegram telling him he's a darling for putting me on the cover.
00:11:08May I fix that spangle now, Miss Barbara?
00:11:10You should have done it before I put the dress on.
00:11:11But it wasn't loose then.
00:11:12Well, hurry up.
00:11:13Comb these curls out.
00:11:14Yes, Miss Barbara.
00:11:15I'll leave.
00:11:16It's finished. It's all finished. Just one more.
00:11:18Can you hold just a little still, please?
00:11:21Give me that comb. You can pull on it. It won't come off.
00:11:23I didn't want to hurt you, Miss Barbara.
00:11:25Get my perfume.
00:11:27Yes, miss.
00:11:28Is mother ready?
00:11:28Yes, I got her done an hour ago.
00:11:30What's she wearing?
00:11:31A new one from Hendricks.
00:11:32What's it like?
00:11:33You don't have to worry, miss. It's nothing like yours.
00:11:35Which one did you say, Miss Barbara?
00:11:37Clair de Lune Bleu.
00:11:37Yes, Clair de Lune Bleu.
00:11:39Bleu.
00:11:39Bleu.
00:11:40Bleu.
00:11:41Bleu.
00:11:41That isn't right, but you're getting warm.
00:11:43Oh, thank you, miss.
00:11:45Here's your coat, Miss Barbara.
00:11:46All right. Bring it along.
00:11:47Which flowers would you like, Miss Barbara?
00:11:49I don't care. Any of them.
00:11:50I think these would look very nice on you.
00:11:52They're terrible. Give me the gardenias.
00:11:54Yes, Miss Barbara.
00:11:55Call me at noon tomorrow. Be sure that I get up.
00:11:57Yes, Miss Barbara.
00:11:58And you call that Swedish girl. Put massage in the morning.
00:12:00You shouldn't dance so much, Miss Barbara.
00:12:02If Mr. Warrington calls, tell him to call back.
00:12:04If Mr. Patton calls, tell him I have smallpox.
00:12:07Yes, miss. A headache for Mr. Patton.
00:12:09Where's my bag?
00:12:11Oh, I forgot it.
00:12:12Well, get it.
00:12:14Mother, I'm ready.
00:12:16Where's Mother Walter?
00:12:18Are you ready?
00:12:19All but one cuff link.
00:12:20Mother, please.
00:12:22Oh, my darling child.
00:12:24You look so sweet.
00:12:28And that color's so good for you, too.
00:12:29Oh, maybe you're good for the cold.
00:12:31You know, I always say the woman makes the clothes.
00:12:33Mother, let's get started.
00:12:34Even Walter's ready.
00:12:35All ready and raring to go.
00:12:37But we can't go for quite a while yet.
00:12:39Oh, good.
00:12:40What's the matter now?
00:12:40Well, George and Terry aren't back with your cousin Constance yet.
00:12:43And they have the car.
00:12:44Well, let's take one of the other cars.
00:12:45Which one, my dear?
00:12:46The sedan is waiting for your father at his office.
00:12:48My little town car is in the garage having an oil treatment
00:12:51or whatever you call those things.
00:12:52And the big town car we can't use
00:12:53because the second chauffeur's off today.
00:12:55You know, the one who was born in February.
00:12:56What's his name?
00:12:57Nick for Nicholas.
00:12:59That's it.
00:12:59This is terrible.
00:13:00I can't be more than an hour and a half late for Wilma's party.
00:13:03She's one of my personal friends.
00:13:04Why did that child have to graduate today?
00:13:06Oh, but graduations are important.
00:13:08Well, what's much more important to me
00:13:09is that Wilma will think I'm deliberately
00:13:11sabotaging her party.
00:13:12Oh.
00:13:13Well, if that's the case, perhaps we'd better take a taxi.
00:13:15That's idiotic.
00:13:16No one can get comfortable in a taxi.
00:13:18If you'd learned to drive, we wouldn't have to ride in them.
00:13:21Driving is work.
00:13:23Not as much work as walking, perhaps, but still work.
00:13:26Walter, you came that close to making an epigram.
00:13:30Here they are, Miss Barbara.
00:13:32This one matches everything.
00:13:33Doesn't match anything.
00:13:34Throw it out.
00:13:35Now, run outside and see if you can find a taxi.
00:13:37Yes, ma'am.
00:13:38Can you whistle, Agnes?
00:13:39You mean like this?
00:13:40Whistle.
00:13:42Don't ever do that, Agnes.
00:13:44Well, I'm sorry.
00:13:44Will you please get that cab?
00:13:46Yes, ma'am.
00:13:46Get my coat, please.
00:13:47In the future, I hope someone will have enough sense
00:13:49to keep at least one chauffeur around here.
00:13:51Ditto.
00:13:52Now, now, it's all mother's fault, I know.
00:13:54But really, here they are.
00:13:58Hello.
00:13:58Where have you been?
00:13:59I'm sorry we're so late, Miss Barbara.
00:14:01We had a flat tire, ma'am.
00:14:02A flat tire on an $8,000 automobile?
00:14:04Impossible.
00:14:05We almost had to take a taxi.
00:14:07I'm very sorry, Mr. Bolton.
00:14:09You tell me all about that flat tire in the morning, Terry.
00:14:11Yes, ma'am, but I thought I'd-
00:14:12When you're going touring again, be sure there's
00:14:13somebody here to drive for us.
00:14:15Yes, ma'am.
00:14:15Oh, Mrs. Clinton, your flowers.
00:14:18What's the matter with my-
00:14:20Connie!
00:14:22Hello.
00:14:23Oh, my baby, I'm so glad to see you.
00:14:28Oh, Barbara, you haven't said a word to Connie.
00:14:30Hello, Connie.
00:14:31So happy you managed to get here.
00:14:33Walter, what have you to say to your cousin?
00:14:35Hi.
00:14:36Hello.
00:14:37We have to run.
00:14:38Some friends are waiting.
00:14:38We don't want to be late, but I'll
00:14:40toss your horoscope the first thing in the morning.
00:14:42Do you still sing?
00:14:43Yes, I do.
00:14:44Oh, I don't know why.
00:14:46And George, the minute Mr. Clinton comes in,
00:14:48be sure and tell him to go right by the-
00:14:49By the time we get there, there won't be a photographer left.
00:14:51Goodbye, Connie.
00:14:52Goodbye.
00:14:52Goodbye, goodbye, goodbye, goodbye.
00:14:58I'll show you to your room, miss.
00:15:02Please come this way.
00:15:08What time do you think Uncle Jim will be home?
00:15:10You mean Mr. Clinton, miss?
00:15:11Yes.
00:15:12The goings and comings of this family are none of my affair.
00:15:15But I might say, if they're out, Mr. Clinton usually is here.
00:15:19If they're here, Mr. Clinton usually is out.
00:15:23This way, miss.
00:15:28Here's your room, miss.
00:15:40Shall I put the window down, miss?
00:15:43Mm-hmm.
00:15:43I said, shall I put the window down?
00:15:46No, thank you.
00:15:47It's all right.
00:15:47May I help you unpack, miss?
00:15:49I think I can do it myself.
00:15:51Will there be anything else?
00:15:52No, thanks.
00:15:53Very well, miss.
00:15:54There'll be a nice supper service tonight.
00:15:56There'll be a light supper served in the dining room
00:15:58just as soon as you are ready for it, miss.
00:16:00No, thank you.
00:16:01But surely you'll want something.
00:16:04I don't feel like eating.
00:16:06Very well, miss.
00:16:56Good evening.
00:16:57Oh, supper already?
00:16:59Well, you certainly do things quickly around here, don't you?
00:17:01I thought you said that...
00:17:02Well, I'll be down as soon as I've changed.
00:17:04Certainly, miss.
00:17:05And don't make that supper too light.
00:17:06I'm famished.
00:17:09Some more chicken, miss?
00:17:10Oh, I couldn't really.
00:17:11Are you sure, miss?
00:17:12Oh, yes.
00:17:13Very good, miss.
00:17:15There is another little piece of white meat.
00:17:18Yes, there is another little piece of white meat, miss.
00:17:20I know what you're thinking.
00:17:22I hope not, miss.
00:17:23You're wondering if I always change my mind.
00:17:24I'll get your hot chocolate, miss.
00:17:26Oh, I wouldn't exactly.
00:17:28Will that be all, then, miss?
00:17:29Mm-hmm.
00:17:30Very good, miss.
00:17:34Do you think if one makes up one's mind about doing something,
00:17:36that that really helps one to do it?
00:17:38Indubitably, miss.
00:17:39Well, here's what I mean.
00:17:40I made up my mind that I like this house,
00:17:42and I like everybody in it.
00:17:43And everybody in it's going to like me.
00:17:44Very cheerful thought, miss.
00:17:46They didn't have to have me come here to live with them
00:17:47if they didn't want me, did they?
00:17:48No, miss, they did not.
00:17:50My Uncle Jim asked me to come here.
00:17:51So Mrs. Clinton told me, miss.
00:17:53Say, don't you ever smile.
00:17:54I'm sorry, miss.
00:17:55But if I may say so, gay butlers are a trifle rare.
00:18:00Do you like singing?
00:18:03Yes, I do, miss.
00:18:04And no, I don't, if you know what I mean.
00:18:06I'm sorry.
00:18:07Either you do or you don't.
00:18:09Well, it's this way, miss.
00:18:10Some people consider, boop, boop, didum, dadum,
00:18:13wadum, choo, an inspiring cantata.
00:18:16My preference is for something above that, miss.
00:18:18Oh.
00:18:20I'm sorry, miss.
00:18:22I'm sorry, too.
00:18:25Da, da, da, da, da, da, da, da, da, da.
00:18:31De amor es que lleno triste queja.
00:18:36De amor que sonó en mi corazón.
00:18:41Diviéndome asà con su dulce canción.
00:18:49Amapola, linésima amapola, serás siempre mi alma tuya.
00:19:01Yo te quiero, ara linda mÃa, igual que amo la flor, la luz del dÃa.
00:19:13Amapola, linésima amapola, no seas tan ingrato como yo.
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00:22:20Good afternoon, Miss Barbara. I've been waiting for you to wake up.
00:22:24Your pictures are in all the morning papers.
00:22:27What time is it?
00:22:28It's a little after two.
00:22:30Which kind?
00:22:31I brought orange juice, tomato juice, grapefruit and grapes.
00:22:35Sauerkraut.
00:22:36Oh, I never seem to be able to guess.
00:22:38I might have known you'd be in the mood for sauerkraut today.
00:22:41When Mr. Drake called, I told him.
00:22:43Who called?
00:22:44Mr. Drake. He called twice.
00:22:46Why didn't you wake me up?
00:22:48Well, I tried to both times.
00:22:50You did not.
00:22:51Oh, yes, I did.
00:22:52The pillow the first time, and then you threw the alarm clock the second time.
00:22:55Where'd he call from?
00:22:56Right here. Just got back in town.
00:22:58What'd he say?
00:22:59He just said he was going over to the club and wanted you to go riding with he and Miss Flory and Miss Van Everitt and a lot of people, and they were leaving at 2.30 sharp.
00:23:05Never be able to get there by 2.30.
00:23:08Couldn't you telephone him and ask him to wait?
00:23:10And make him think I'm running after him?
00:23:11I'd run after him. The papers say he's the catch of the season.
00:23:14If I could only stop him from leaving till I get there.
00:23:16I have an idea how to stop him, Miss Barber.
00:23:18You'd call me when he phoned. You wouldn't need any of your ideas.
00:23:21But it's a good idea, Miss Barber. Really, it is.
00:23:23I'm sure it is.
00:23:24I could hurry out to the club, see Mr. Drake, and think. That would stop him.
00:23:27Have this shined.
00:23:28Or I could throw myself under his horse's hoof.
00:23:30It wouldn't hurt me.
00:23:31I wouldn't mind doing it for you because I...
00:23:33Get that cousin of mine.
00:23:34Yes, Miss. She isn't here by the time I count ten, you're fired.
00:23:37Yes, Miss.
00:23:42Miss Connie.
00:23:43What is it?
00:23:44Miss Barber wants you this minute. Please hurry.
00:23:46Oh. Yes, all right, Agnes.
00:23:49Miss Connie, you'll be right in.
00:23:50Oh, I am?
00:23:51Oh, you are.
00:23:53Never mind.
00:24:01Yes, Barber.
00:24:02I want you to do something for me.
00:24:03Some friends of mine are going riding at the country club in a half hour.
00:24:05And I want you to delay their start till I get there. Understand?
00:24:07You mean stop them?
00:24:09Yes. At least stop Ted Drake.
00:24:10But I don't even know him.
00:24:11Well, you know what he looks like.
00:24:12No.
00:24:13Only the most notable young man in New York.
00:24:14You must have seen his picture.
00:24:16I don't think so.
00:24:17Well, you'll find one in that drawer.
00:24:20Which one?
00:24:21The top drawer.
00:24:23In the dresser?
00:24:24Yes, in the dresser. Just open it. You'll find it.
00:24:27I don't see any picture here.
00:24:29Oh, you don't see any picture. I told you it was there.
00:24:31Why don't you look for it?
00:24:33What do you think this is?
00:24:34Oh, I guess...
00:24:35Then please hurry.
00:24:37What'll I say to him?
00:24:38I don't care what you say as long as you keep him there.
00:24:41And be sure he doesn't know I sent you.
00:24:44I don't think I can do it, Barbara.
00:24:46All right. Don't then.
00:24:48Oh, I mean...
00:24:49After all this family has done for you,
00:24:50the first time we ask you to do something for us, you refuse.
00:24:54Well, I'll do it then, but I don't know what to do.
00:24:57Faint and make him revive you.
00:24:58Fall in front of him. Steal his horse.
00:25:00I don't care what you do as long as he's there when I get there.
00:25:02And hurry!
00:25:08Off a little stroll, Miss Conrad?
00:25:09Oh, yes. I mean, no.
00:25:10Oh, I'll need the car.
00:25:11Oh, and the hat. I left it in there.
00:25:13I'll get the car, Miss Conrad.
00:25:14Thank you. Will you? I'm in an awful hurry.
00:25:15Why?
00:25:16I have to stop Ted Drake's horse at the country club for Barbara.
00:25:18Oh, not his horse. Him, but he'll be on it.
00:25:21You know what I mean.
00:25:22Oh, perfectly.
00:25:23Well, I have to run now. Goodbye.
00:25:25Connie, give me a cigarette, please.
00:25:27Yes, a cigarette.
00:25:29When were you born, Connie?
00:25:30December the 4th.
00:25:31Sagittarius.
00:25:32Oh, how interesting.
00:25:34What time of day?
00:25:35Oh, I don't remember.
00:25:37I'm going to do your horoscope for you.
00:25:39So hurry back and I'll tell you all about yourself.
00:25:41Yes, Aunt Grace.
00:25:47You'd better wait here. They might recognize the car.
00:25:49I'll keep the motor running in case we have to make a quick getaway.
00:25:51Thank you, Terry. I'm awfully nervous.
00:25:53Don't worry.
00:25:54Mr. Drake, are the horses ready, Dan?
00:25:56Yes, sir. All 13 of them.
00:25:57Thirteen's bad luck.
00:25:58Oh, but we're not superstitious, are we?
00:26:00Oh, let's wait for Barbara.
00:26:01Sure, it's all a little after 2.30.
00:26:03Let's go. Barbara's a dear.
00:26:04But if we wait for her, we'll have to make this a moonlight ride.
00:26:06She'll probably just arrive by the time we get back.
00:26:08All right, let's go.
00:26:09Oh, I think if we go off without her, it'll be good for us.
00:26:12Kitty, kitty, kitty.
00:26:13I still think we should wait for Molly.
00:26:24Hey!
00:26:29Barbara know about this trip you're taking?
00:26:31Oh, I didn't even tell her family about it until this morning.
00:26:33When do you leave?
00:26:34About a month.
00:26:35When?
00:26:36In late September.
00:26:37The Amazon's a river, isn't it?
00:26:38Named after a certain tribe of women.
00:26:39Women?
00:26:40So that's what's behind this expedition.
00:26:41Barbara will be thrilled when she hears about this.
00:26:43Are you with us?
00:26:44No, I'm not with anybody.
00:26:45I'm alone.
00:26:46How cozy.
00:26:48Mr. Kirkpatrick!
00:26:50Wanted on the telephone!
00:26:55All right, Willie, I'll take it.
00:26:56Yes, sir.
00:26:57Won't be a minute.
00:27:06Mr. Drake!
00:27:07Wanted on the telephone!
00:27:11That must be Barbara.
00:27:12Maybe it's Dad.
00:27:13You go on along.
00:27:14Oh, we'll wait.
00:27:15No, no, go ahead.
00:27:16I'll meet you at the Willows.
00:27:17Don't be long.
00:27:18I won't.
00:27:19Very safe.
00:27:20Love you, too.
00:27:35Don't be afraid.
00:27:36I'm not going to hurt you.
00:27:37I just want to undo this.
00:27:38There.
00:27:39No, I'm not going to hurt you.
00:27:40See?
00:27:41Sugar.
00:27:42Sugar.
00:27:43See?
00:27:44I just want to undo this.
00:27:45See?
00:27:46There.
00:27:47That's it.
00:27:48Come on, get the sugar now.
00:27:49Come on.
00:27:50Got some more in here.
00:27:51You can have that when you get to the barn.
00:27:52Here.
00:27:53See the sugar?
00:27:54Now, come on.
00:27:55Come on, get the sugar.
00:27:56See?
00:27:57I have a whole lot of it here.
00:27:58And you can have it all if you just come to the barn.
00:27:59Now, come on.
00:28:00Come on.
00:28:01Come on.
00:28:02Come on.
00:28:03Come on.
00:28:04Get the sugar.
00:28:05Come on.
00:28:06Get the sugar.
00:28:07Now, come on.
00:28:08Come on.
00:28:09Now, get to the barn.
00:28:10Come on.
00:28:11Come on.
00:28:12Now, come on, I got some more for you.
00:28:13You like sugar, don't you?
00:28:14So do I.
00:28:15Now, come on.
00:28:16Come on.
00:28:17Come on, get the sugar.
00:28:18It's a good horsey.
00:28:19Come on.
00:28:20Come on.
00:28:21Say, did you call me to the phone?
00:28:22No, Mr. Drake.
00:28:23Well, there's nobody on it, and somebody called.
00:28:24I'm sorry, sir.
00:28:25What's going on with that horse?
00:28:26Come on.
00:28:27Come on.
00:28:28Come on, I got some more for you.
00:28:31Come on, there's lots more where this came from.
00:28:32I don't like my horse to have sugar.
00:28:34Oh, well, he likes it.
00:28:38Hey, Chevron! Come here, boy!
00:28:44Hey, Chevron! Here! Come back here!
00:28:46Here's another take.
00:28:52Hey!
00:28:59Come on, the horse is having enough trouble with this jump without looking out for you.
00:29:02Oh, Chasen.
00:29:04Listen, Chasen, you are chasing a horse, not that way. Look out!
00:29:08Let's get out of here before another horse takes after you.
00:29:11What are you trying to do, kill yourself?
00:29:13Between stuffing my horse with sugar and making yourself a steeplechase hat, you've had a pretty busy day, haven't you?
00:29:18If one of those jumpers had been short out there, you'd really have something to worry about.
00:29:21Now, run along and try and keep out of mischief.
00:29:33Oh, come on, you're all right now.
00:29:36Is there a handkerchief in there? Let me get it for you.
00:29:38It's nothing, it's just the natural react...
00:29:44This white horse is an awful lot.
00:29:46No, I don't, I just...
00:29:47You carry a lot of sugar around for them, then.
00:29:49Oh, that... Could you show me the way out of here, please?
00:29:52You can get out the same way you got in. I'm sorry, I've got some friends waiting.
00:29:55But it'd only take a few minutes. I'm a little dizzy.
00:29:58Well, that young lady is a masterpiece of understatement. You're the dizz...
00:30:08I wonder what's happened to her.
00:30:10I wonder what's happened to her.
00:30:12That's fine.
00:30:16Ted!
00:30:20What are you doing?
00:30:21Kid's fainted. She had a bad scare.
00:30:23You get some water, I'll take care of it.
00:30:25Who is she?
00:30:26I don't know. You'd better run down to the barn and get some water.
00:30:28All right, I'll be right back.
00:30:33All right, thanks.
00:30:35You didn't have to kill yourself.
00:30:38But you told me to keep him here.
00:30:39I didn't tell you to hang on his neck.
00:30:41Oh, but I didn't. He just held me up.
00:30:43All right, now go on home and don't let anybody see you.
00:30:45Well, I just wanted to thank him. He was awfully nice.
00:30:48Do you want to spoil everything now?
00:30:50Oh, no. No, but I...
00:30:51Then get out of here before he gets back and hurry up.
00:30:53But, Barbara, if you'd only just let me see him...
00:30:55Will you do what you're told for a change?
00:30:59But I only want to thank him, Barbara.
00:31:00All right, Barbara, now go on home before he sees you again.
00:31:02But...
00:31:04Can you get my horse out, Frankie?
00:31:06Oh, yes, Miss Clifton, right away.
00:31:07What's happened to our patient?
00:31:08Oh, that little brat.
00:31:09The minute you left, she ran off like a rabbit.
00:31:11She's a funny kid.
00:31:13Who do you think she is?
00:31:14You mean to say you don't know?
00:31:15Now, wait a minute.
00:31:16The first time I ever saw her in my life
00:31:17was when I caught her feeding sugar to my horse.
00:31:19I like your story.
00:31:20Your trouble is girls just will chase you around.
00:31:22Hello, Wilma.
00:31:23Barbara, I'm so glad you finally got here.
00:31:25The gang went on, Ted.
00:31:26I'll get my horse and be right back.
00:31:28You look lovely, Barb.
00:31:29If I slept this late, I'd have been in trouble.
00:31:31You're priceless, Wilma.
00:31:32You always look the same no matter what you do.
00:31:34Mademoiselle Bristol says that whenever she gives me a facial.
00:31:36You ought to try her for that frown.
00:31:37She's marvelous taking bad lines out.
00:31:39She must be miraculous.
00:31:40She is.
00:31:41You'd be surprised what she can do for your nerves.
00:31:43That's where you plump people are lucky.
00:31:44You have no nerves.
00:31:45Here you are, Miss Clifton.
00:31:47Be careful, dear.
00:31:48That hat might make him a little skittish.
00:31:50Oh, don't worry about the general.
00:31:51He has better taste than most people.
00:31:53They say horses always know more than their riders.
00:31:55Which path will we take, girls?
00:31:57The upper one is shorter, Miss Clifton.
00:31:59Which path will we take, girls?
00:32:00The upper one is shorter,
00:32:01but I'm afraid there are too many jumps for Barbara.
00:32:03Oh, don't worry about me.
00:32:04The upper road is at least 10 minutes faster.
00:32:06Ted and I'll accept that challenge.
00:32:07We'll take the lower one and race you there.
00:32:09Come on, Ted.
00:32:10All right, let's go.
00:32:11Careful of those jumps, dear.
00:32:24Barbara!
00:32:25How nice of you to hurry home for tea.
00:32:27Tea?
00:32:28My dear pet, what happened to you?
00:32:30Wilma Van Everett.
00:32:31Well, what did little Wilma do?
00:32:33Little Wilma?
00:32:34I'd like to kill little Wilma.
00:32:35Well, what did she do to you, dear?
00:32:36Something horrible, I trust.
00:32:38She just succeeded in making herself utterly ridiculous
00:32:40in front of everybody at the club this afternoon.
00:32:42Acting like such a fool over Ted Drake,
00:32:44it almost made me ill.
00:32:45That's terrible.
00:32:46Put them there, Connie, please.
00:32:47All right.
00:32:48You certainly covered yourself with glory today.
00:32:50Well, I only tried...
00:32:51You tried brilliantly.
00:32:52Never mind, never mind.
00:32:53I'll tell you a story, Barbara.
00:32:54You wouldn't believe it unless you were there.
00:32:56I would.
00:32:57She only advertised to everybody present
00:32:59that she was head over heels in love with Ted Drake.
00:33:01That's silly.
00:33:02It was revolting.
00:33:03Why?
00:33:04Girls do fall in love with Ted all the time.
00:33:06You don't know what you're talking about.
00:33:07She only just met him.
00:33:08Love at first sight.
00:33:09I've read about it.
00:33:10It's very rare.
00:33:11A Leo and Sagittarius might do it
00:33:13if Saturn were in accord.
00:33:15Let this be her birthday in December the 4th.
00:33:17How do you know?
00:33:19I certainly shouldn't.
00:33:20Oh, you know her, do you?
00:33:22Everybody knows Wilma Van Everett.
00:33:24She gets twice as much publicity as you do.
00:33:26She does not.
00:33:27Does.
00:33:28Doesn't.
00:33:29Does.
00:33:30Mother!
00:33:31Walda!
00:33:32Isn't that strange?
00:33:33That's the same birthday as you have, isn't it, Connie?
00:33:35Yes, yes, that's right.
00:33:37December the 4th.
00:33:38I'm going to fix Miss Van Everett, all right.
00:33:40I'll see her at the Drake's party.
00:33:42Oh, the Drake's going to have a party?
00:33:43On the 29th, and by that time,
00:33:44I'll have something very choice-figured out.
00:33:46Everybody in town will know about it
00:33:47because everybody's going to be there.
00:33:49Everybody?
00:33:50Connie, what are you going to wear?
00:33:53I...
00:33:54To the party you mean?
00:33:55I haven't been...
00:33:56I'm not going.
00:33:58Am I?
00:33:59Of course you are.
00:34:00Sister just said everybody's going.
00:34:01I haven't any...
00:34:02I'd have to wear...
00:34:04It's formal, isn't it?
00:34:06Barbara's probably got something upstairs
00:34:07in the dress department that'd suit you perfect.
00:34:09How about it, sister?
00:34:10And have people say she's wearing my cast-off.
00:34:12We wouldn't want that, would we?
00:34:14No.
00:34:15No, of course not.
00:34:16But I could wear my...
00:34:17Mother, now...
00:34:18Wait a minute, you're interrupting.
00:34:19Yes, Connie, you could what?
00:34:20Well, I was just going to mention
00:34:21that I could wear my graduation dress.
00:34:23It's very pretty and it's long and white.
00:34:25All white.
00:34:26Well, white's a pretty color.
00:34:27Yes, it is.
00:34:28This isn't a garden party.
00:34:29Well, I...
00:34:30I couldn't make it into an evening dress.
00:34:31I just had to fix the sleeves...
00:34:32See how simple it is?
00:34:33Well, I'll go up now and start figuring out
00:34:35just what to do with it.
00:34:36And thank you.
00:34:37Thank you very much.
00:34:38I took sewing in school, you know.
00:34:40I'll have to fix the skirt a little bit
00:34:42and maybe I can fix the neck.
00:34:44Mother, we're not going to drag her to the ball.
00:34:46If she fixes her dress and it looks all right,
00:34:48I'm afraid we'll have to take her now.
00:34:50You can't get out of it.
00:34:51You're very smart,
00:34:52but I don't think I'm going to be bothered with her
00:34:53once she gets there.
00:34:54You must be nice to her at the ball, sister.
00:34:56Or people have an excuse to say some of the things
00:34:58they've been thinking about you for years.
00:35:05I'm going to the Drake's ball.
00:35:07What are you going to do?
00:35:08I'm going to the Drake's ball.
00:35:09No fooling.
00:35:10Absolutely.
00:35:11See, I have to cut the sleeves out of this maybe.
00:35:13I have to make this into an evening dress.
00:35:15Does the Duchess know you're going?
00:35:16By breath, certainly.
00:35:17Do you think a tight loose sash
00:35:18should add enough color to that?
00:35:19They only just told me about it, you know.
00:35:21I mean, I was going.
00:35:22Oh, that's wonderful, Miss Connie.
00:35:23I'm so happy for you.
00:35:24Thank you, Agnes.
00:35:25I do want to look pretty when he sees me this time.
00:35:27I mean, when people see me this time.
00:35:29Well, I mean, you know.
00:35:31When who sees you this time?
00:35:32Everybody.
00:35:33Everybody in New York's going to be there.
00:35:35Now, let me see.
00:35:36What slipper should I wear?
00:35:37But who's the he you were just talking about?
00:35:39I didn't mean any particular person.
00:35:40I didn't even mean...
00:35:41Do you think these slippers will be all right?
00:35:42They won't show much with this skirt being long.
00:35:44Do you think...
00:35:45Well, maybe if I cut the neckline lower
00:35:46and sort of flare out the skirt.
00:35:47Miss Ollie could tell you she makes all her own clothes.
00:35:50Do you think she'd mind?
00:35:51Oh, no, Miss Connie.
00:35:52Ollie loves it.
00:35:53I didn't know you knew any he in New York.
00:35:56I didn't know any he.
00:35:57I mean, anybody.
00:35:58Just because you see a person
00:35:59doesn't mean you know a person, does it?
00:36:01Don't it?
00:36:02Certainly not.
00:36:03Let's go ask Ollie about the dress.
00:36:04She's in the kitchen.
00:36:06You know what, Miss Connie?
00:36:07George told us.
00:36:08Yes, George told us.
00:36:09Oh.
00:36:10Oh, they tell you about it?
00:36:11I couldn't help overhearing this,
00:36:12and I must say I'm almost as happy
00:36:13as if I were going myself.
00:36:14Yes, I've never been to a really big party like this before.
00:36:17It'll be a great night for you.
00:36:18Yes, it certainly will.
00:36:19Is that the dress you want to make over?
00:36:20Yes, it is, Ollie.
00:36:21Agnes said you might help me with it.
00:36:22May I put it down here?
00:36:23Yes, put it anywhere, Miss.
00:36:25You see, it still has sleeves in it.
00:36:26I thought maybe if we'd only use the skirt up to here
00:36:28and then make a bodice and then sort of flirt this gown.
00:36:31Don't mind me.
00:36:32I only eat here.
00:36:34That's my brother, Mike.
00:36:35This is Miss Connie.
00:36:36You know.
00:36:37I told you about her singing.
00:36:39How do you do?
00:36:40Go ahead.
00:36:41Don't let me stop the operation.
00:36:42I'm used to blood.
00:36:43Have you any more of this material?
00:36:45No, but I have a yard of silver lace upstairs.
00:36:46Maybe you can use that.
00:36:47Only a yard?
00:36:48Yes, but it's very pretty.
00:36:49I'll run up and get it.
00:36:50It's a yard long and a yard wide,
00:36:51and the design's lovely.
00:36:52You'll see what I mean.
00:36:53It's a good thing it wasn't one of the others
00:36:55that found you here.
00:36:56They would have called the police.
00:36:57Fine crack.
00:36:58Think you can fix it up all right?
00:36:59Well, I can try.
00:37:00I wish the waist was higher.
00:37:01Here, hold this.
00:37:02Gotta look beautiful at that ball
00:37:04for a very special reason.
00:37:05What's his name?
00:37:06What do you think I am, a tattletale?
00:37:08How about Hoops?
00:37:09Never mind the Hoops.
00:37:10You better watch that roaster.
00:37:11We'll have a terrible dinner.
00:37:12Oh, my gracious.
00:37:13Well done might be all right for the family,
00:37:15but I like my beef rare.
00:37:17Well, what can I do?
00:37:18Why don't you put some feathers on it?
00:37:20How about those things on the shoulders
00:37:21like football players wear?
00:37:23I just don't know what to do.
00:37:25I can tell you.
00:37:26This ought to be good.
00:37:28You take this dress, and first you hide it away,
00:37:32and then you go out and you buy her a whole new outfit.
00:37:35With what?
00:37:36With money.
00:37:37Whose money?
00:37:38My money and your money.
00:37:39And mine too.
00:37:40Count me in.
00:37:41And me?
00:37:42Which only goes to show you don't get nothing
00:37:44for nothing in this world,
00:37:45not even from your own sister.
00:37:46How much?
00:37:59Why, it wasn't hard to do at all, miss.
00:38:01I just want another yard or two of that lace
00:38:03and change the skirt here and there.
00:38:05Every bit of it seems different.
00:38:07Well, when I remodel a dress, Miss Connie,
00:38:09I really remodel it.
00:38:10The slippers just arrived,
00:38:11and I had to bring them up and see how she looked.
00:38:13Well, it's a perfect fit.
00:38:14It's really magnificent.
00:38:15I still can't believe it's the slippers.
00:38:17Wally did a lot of work on it.
00:38:19May I put these on, please?
00:38:21These aren't my slippers.
00:38:22Well, you see, we took them out to a man
00:38:24to have some silver put on, you know, like this.
00:38:27Like dyeing.
00:38:28Yes, and while he was doing it,
00:38:30he spilled it all inside,
00:38:31and you couldn't have worn them anyway.
00:38:33So he only did what was right.
00:38:35He got you a new pair.
00:38:36Oh, he shouldn't have done that.
00:38:38He's insured.
00:38:39Do they feel all right?
00:38:40Yes.
00:38:41Well, they're just a little bit new,
00:38:43but they fit perfectly.
00:38:44Come in.
00:38:45I just wanted to see how you looked, Miss.
00:38:47You couldn't even tell it was the same dress.
00:38:49You really look like a picture.
00:38:51I don't see how.
00:38:52Oh, Ollie must have worked day and night.
00:38:54Oh, turn around a minute.
00:38:55How does the skirt hang?
00:38:56Perfect.
00:38:57Why don't you go in Miss Barbara's room,
00:38:58meet me, see how you really look.
00:39:00Oh, that's a good idea.
00:39:01I'll be back in a minute.
00:39:02Oh, just a second, Miss.
00:39:03Just a second.
00:39:06Oh, thank you.
00:39:07These just can't wear, Miss.
00:39:09Oh, a corsage.
00:39:10How lovely you slid it.
00:39:11There wasn't any card in it.
00:39:12Probably some admirer knew you were going to the ball.
00:39:15What do you mean?
00:39:16No.
00:39:17How could he?
00:39:19Oh, I don't think so.
00:39:20But they just match your dress.
00:39:21Now, isn't that nice?
00:39:22Ollie!
00:39:23Oh, I've been expecting that.
00:39:24Ollie, where have you been?
00:39:26Well, I just...
00:39:27I want a large chiffon handkerchief, black.
00:39:28I'll get back the bracelet.
00:39:29Yes, ma'am.
00:39:32Pardon me a minute, Barbara.
00:39:33Excuse me.
00:39:34I just want to see how the skirt hangs in the back.
00:39:36I think it's all right, don't you?
00:39:38What school did you graduate from in that dress?
00:39:40We fixed it all up.
00:39:41You like it?
00:39:42I think the skirt hangs perfect.
00:39:43Oh, I forgot my locket.
00:39:44I better go get it.
00:39:45You look very nice, too, Barbara.
00:39:47Thanks.
00:39:48Only, I don't think I'd look so good in black.
00:39:50Oh, and you'd better hurry, Barbara.
00:39:52We don't want to be too late.
00:39:54Did you see that?
00:39:56Yes, miss.
00:39:57I think she looks very nice.
00:39:58What's the matter with her?
00:39:59Is she gone crazy, storming in here patronizing me?
00:40:01Oh, no, Miss Barbara.
00:40:02She's just so thrilled about going to the Drake's and all.
00:40:04She's taking an awful lot for granted.
00:40:06She isn't there yet.
00:40:07Bring my rag.
00:40:08Yes, ma'am.
00:40:10Did you hear that?
00:40:11Yes.
00:40:12What'd she say?
00:40:14Mother, are you ready?
00:40:15Yes, dear.
00:40:16I was looking up the stars for tonight,
00:40:17and we're going to have a really marvelous evening.
00:40:19I doubt that.
00:40:20Oh, you mustn't doubt the stars, dear.
00:40:21They control your destiny, whether you like it or not.
00:40:23Well, are we ready?
00:40:24That's a very smart gown you have on, actually.
00:40:26Oh, thank you.
00:40:27Have you seen my new vest?
00:40:28No, but Connie, it's amazing.
00:40:30My rag, please.
00:40:31Mother, shall we go?
00:40:32Certainly.
00:40:33George, is the car waiting?
00:40:34Yes, Miss Connie.
00:40:35Your cigarette case, ma'am.
00:40:36Where did you find it, George?
00:40:37I've got it.
00:40:38Mr. Clifton studied it.
00:40:39Oh, dear.
00:40:40Well, I'll leave it next.
00:40:41I hope all of you will come.
00:40:42Have you seen the newspaper?
00:40:43The society page is full of details about the ball.
00:40:45Really?
00:40:46It mentioned the names of all the famous people
00:40:47who are going to be there, and lots of them.
00:40:49It's sure to be a brilliant affair.
00:40:51Oh, yes.
00:40:52I hope they don't just play rumbus.
00:40:53You'd prefer a waltz.
00:40:54I like waltzes.
00:40:55I do, too.
00:40:56So do I.
00:40:57Dreamy ones.
00:40:58My rag.
00:40:59This one, Miss Barbara?
00:41:00No, the other one.
00:41:01Mother, I think I'll wear your pearl bracelet.
00:41:03It goes down your black dress.
00:41:05Certainly, dear.
00:41:06This isn't mine.
00:41:07It is tonight, Miss.
00:41:08Tomorrow it goes back in Cousin Egbert's show window.
00:41:10Oh, but really, I...
00:41:11Miss.
00:41:12Shh.
00:41:13If Mr. Clinton comes, tell him we'll be late.
00:41:15Yes, ma'am.
00:41:16Mother, suppose Uncle Jason comes in from Washington tonight
00:41:18and we're all out.
00:41:19Well, what makes you think he's coming tonight?
00:41:20Oh, nothing, except Aunt Louise said yesterday that he might.
00:41:23She did?
00:41:24Yes.
00:41:25I forgot to tell you about it when she called.
00:41:26Oh, let's all hope he doesn't arrive until tomorrow.
00:41:28But if he does come and there isn't even
00:41:29one member of the family at home,
00:41:30we'll never hear the end of it.
00:41:31I'll be glad to stay and welcome him, sister.
00:41:33He hates the sight of you.
00:41:34Can't say that I blame him.
00:41:35How about father?
00:41:36Oh, your father won't be home until all hours.
00:41:38Well, it's no great problem.
00:41:39Connie can stay and sing to him or something.
00:41:42You don't mind, do you, Connie?
00:41:44Tonight?
00:41:45Now?
00:41:46Your dear to do it, Connie.
00:41:48You mean I...
00:41:49I'm to wait here?
00:41:50Just make our excuses.
00:41:51And fuss over him when he arrives.
00:41:53No, I...
00:41:55No.
00:41:56No, you're not really going to make me miss the party.
00:41:59You can't.
00:42:00That isn't fair.
00:42:01You...
00:42:02You could have told me sooner so I wouldn't plan and...
00:42:05And wait and...
00:42:06You're going to argue about everything we ask you to do, Connie.
00:42:09I'll stay myself.
00:42:10Oh, no, you can't do that.
00:42:11The Drakes would be offended.
00:42:12We'll make it up to you, Connie.
00:42:15Barbara, you're only...
00:42:16I should think you'd be happy to do something for us once in a while.
00:42:19I could have told you a week ago this had happened.
00:42:21Just wanted to see if I guessed right.
00:42:23I did.
00:42:25Night.
00:42:30Harry!
00:42:31Sorry, madam.
00:42:32Follow the car.
00:43:02Harry!
00:43:32All right.
00:43:35I'll stay home.
00:43:37I'll say you will.
00:43:41Going to the ball wasn't my idea in the first place.
00:43:43You were pretty anxious.
00:43:45I like to dance.
00:43:46Is there anything wrong with that?
00:43:47Who would you dance with?
00:43:48Ted Drake?
00:43:49Oh, that's silly.
00:43:50Of course it's silly.
00:43:51Oh, I'm sorry.
00:43:52I'm sorry.
00:43:53I'm sorry.
00:43:54I didn't mean it.
00:43:55I'm sorry.
00:43:56I'm sorry.
00:43:57I'm sorry.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:00I'm sorry.
00:44:01Of course it's silly.
00:44:02If that's who you mean.
00:44:03And it's twice as silly to be getting any foolish ideas about it.
00:44:07I'm not getting any foolish ideas.
00:44:09Oh, no?
00:44:10What about that picture you cut out of the newspaper?
00:44:12Who was that?
00:44:13Ted Drake.
00:44:14That's who.
00:44:16I just cut it out.
00:44:17There wasn't any reason for cutting it out.
00:44:20I suppose there isn't any reason for keeping it hidden in that book, either.
00:44:23In what book?
00:44:24In what book?
00:44:25In that book.
00:44:27That?
00:44:28Now, stop being a silly girl.
00:44:30Get that picture and tear it up and throw it away this very minute.
00:44:34That's just exactly what I'm going to do.
00:44:36I'll throw it away.
00:44:37Here, see?
00:44:38I'm tearing it up.
00:44:39I don't want to hear any more about him or think any more about him
00:44:42or have any more silly ideas about myself or anybody.
00:44:47Georgia, I didn't know you.
00:44:49I knocked twice, miss, and when I heard you talking to someone,
00:44:52I thought I'd better step in.
00:44:54Well, there's no one in here.
00:44:56Talking?
00:44:58Oh, I must have been talking to myself.
00:45:01I'm sorry to interrupt, miss, but everything's been arranged,
00:45:04and you're going to the ball after all.
00:45:06I am?
00:45:07Indeed you are, miss.
00:45:08Uncle Jason's still in Washington.
00:45:09Oh, but Aunt Grace said, well, they'll be there.
00:45:11They won't arrive until midnight, miss.
00:45:13Midnight?
00:45:14Oh, they'll be there long before that.
00:45:15They've been gone for...
00:45:16Oh, no, they won't, miss.
00:45:17Everything's been changed about.
00:45:18You'll be there and back before they even arrive.
00:45:20How will I go, miss?
00:45:21In your car, and it's a fitting.
00:45:22Well, who'll take me?
00:45:23You'll have an escort of six white bikes.
00:45:25Six white what?
00:45:26Miss, the motor police.
00:45:29And there they are, miss.
00:45:34You mean I'm to go with them?
00:45:36They'll get you there before you can see Jack Robinson.
00:45:38Mike told me you were in a hurry.
00:45:39Mike?
00:45:40My brother, miss.
00:45:41These lads worked with him.
00:45:42They even borrowed the commissioner's car.
00:45:44Now, remember, miss,
00:45:45you're not to stay a minute later than 12 o'clock.
00:45:47I won't.
00:45:48And the boys will be waiting for you to bring you back.
00:45:52I... I just want to tell you all how much I appreciate all this.
00:45:55I'll never forget this.
00:46:00I'll never forget this night as long as I live.
00:46:02I don't care.
00:46:03I don't care if you leave me.
00:46:05That's all right, miss.
00:46:06You have the time of your life.
00:46:07You have the time of your life.
00:46:09Remember 12 o'clock.
00:46:11I'll never forget this.
00:46:12I'll never forget this.
00:46:26Everybody gone?
00:46:27Everybody, sir.
00:46:28That's good.
00:46:29What time will they be back?
00:46:30Very late.
00:46:31I'm quite sure, sir.
00:46:32That's good, too.
00:46:33Motorcycle.
00:46:36What'll that family think of next?
00:46:38I really don't know, sir.
00:46:39See that there's no noise around here until they get back.
00:46:42Very well, sir.
00:46:43Will that be all, sir?
00:46:44That'll be all.
00:46:46Police.
00:46:47Passport.
00:46:49Sir.
00:46:50Sir.
00:46:51Sir.
00:46:52Sir.
00:46:53Passport.
00:46:54Sir.
00:46:55No.
00:47:09Well, have you got it or ain't you got it?
00:47:11I know I had it yesterday.
00:47:12I usually keep it in the pocket in the store.
00:47:14I don't want to know anything about your personal habits, fella.
00:47:17All I want is to see the owner's license.
00:47:19Terry, tell the young man we have to go now.
00:47:21Yes, ma'am.
00:47:22I think the whole thing is ridiculous.
00:47:24Maybe it is and maybe it ain't, sister.
00:47:26But I gotta stop all cars of this make and model
00:47:28and see the owner's license or else take him in.
00:47:30This is my father's car.
00:47:31Maybe.
00:47:32Come on.
00:47:33Come on, buddy.
00:47:34You're making a big mistake, officer.
00:47:35This is Mr. Clinton's car.
00:47:36This is Mr. Clinton's family.
00:47:37That ain't my mistake, bud.
00:47:38That's Mr. Clinton's.
00:47:39Now, officer, we can't stay here all night.
00:47:41People are waiting for us and we're all going to a party.
00:47:43Ah, none of that.
00:47:44I gotta work till 2.30.
00:47:46You're being very insolent.
00:47:47I don't think you realize who we are.
00:47:49Oh, yes, I do.
00:47:50I guess three people all dressed up riding around in a car
00:47:52you ain't even got an owner's license for.
00:47:54Do we look like the kind of people
00:47:55who would steal an automobile?
00:47:57Why should I answer that and make you sore?
00:47:59You'll pay for this.
00:48:00We know our rights and when I tell my father
00:48:02what you've done to us...
00:48:03All I know is, lady, that I gotta do my duty
00:48:04and I'm doing it.
00:48:06How do I know that ain't a dead body?
00:48:09Why, that's Walter.
00:48:11Say something to the officer, Walter.
00:48:13Hello.
00:48:15See?
00:48:16He's all right.
00:48:18Could be ventriloquism.
00:48:20Make a move.
00:48:22You think I'm a dummy?
00:48:23I'll pass that question, too, brother.
00:48:25You're being deliberately difficult.
00:48:26You're humiliating us and keeping us here
00:48:28without any cause at all.
00:48:29I wouldn't do that for the world, lady.
00:48:31If you don't want to stay here, we'll go someplace else.
00:48:33Why don't you cut out doing that St. Vitus dance
00:48:35and admit you ain't got it?
00:48:36I guess I left it when I changed uniforms,
00:48:38or I lost it today.
00:48:39I've heard that a million times.
00:48:41May we go now?
00:48:42Right this minute, lady.
00:48:43And just because you've been so nice,
00:48:45I'm going to have the judge check your case
00:48:46before anybody else, right at 12 o'clock.
00:48:4812 o'clock?
00:48:49We won't go.
00:48:50We'll settle it right here.
00:48:51You're going, sister.
00:48:52Do you want to go in the car,
00:48:54or do you want to go on the bike?
00:48:57Follow me.
00:48:58I could have told you this would happen.
00:48:59I saw it in the stars.
00:49:00You and your stars, you told me
00:49:01this was going to be a perfect evening.
00:49:02I know, and it would have been, except for Venus.
00:49:04You see, my dear, when Venus...
00:49:05Tell her to the judge, mother.
00:49:18May I check your wrap, miss?
00:49:42Oh, yes, please do.
00:49:47Your check, miss.
00:49:49Where are you going to put this?
00:49:50In the checkroom just over there.
00:49:52It'll be all right there, won't it?
00:49:54Indeed it will, miss.
00:50:17Excuse me.
00:50:18Jolly little group here this evening, isn't it?
00:50:19Yes.
00:50:20I'm trying to think where we met before.
00:50:21Of course, I know you perfectly well,
00:50:22but I can't seem to remember your name.
00:50:23Not Fisher, not Fowler.
00:50:24Foster.
00:50:25Wrong.
00:50:26Follansby, I know.
00:50:27You're Caroline Follansby's daughter.
00:50:28Wrong again.
00:50:29I'm sorry.
00:50:30I have a remarkable memory for names.
00:50:31I'll get yours in a minute.
00:50:32Oh, I don't think you will.
00:50:33Oh, yes, I will, and when I do,
00:50:34I'll tell you where I met you.
00:50:35Oh, I don't think you will.
00:50:36Oh, yes, I will, and when I do,
00:50:37I'll tell you where I met you.
00:50:38Oh, I don't think you will.
00:50:39Caroline Follansby, I know.
00:50:40I'll tell you where I met you.
00:50:59Oh, I can't. I'm in such poor voice.
00:51:02My tour was so, so trying.
00:51:04I said to Doug, I will go, but I will not sing.
00:51:07Oh, you must sing, I insist.
00:51:08But I can't possibly.
00:51:10And I have no music with me, except, Doug, you have it.
00:51:13It's just a Strauss Waltz.
00:51:15A Strauss Waltz?
00:51:16And it's the only orchestra that I did mark.
00:51:17A change in tone in the first eight bars,
00:51:18in case they do have to play it, you know.
00:51:20We'll talk about that later.
00:51:24I have to run up with that.
00:51:26Oh, I'm sorry.
00:51:28Mr. Drake.
00:51:29I should have watched where I was going.
00:51:30Oh, no, it's all my fault.
00:51:31Having a good time?
00:51:32Oh, yes, yes, I am.
00:51:33Fine, I'm glad you came.
00:51:36Oh, are you?
00:51:37Oh, I didn't think I was going to get here at all.
00:51:39That would have been terrible.
00:51:41How's the rest of your, how's everybody?
00:51:43Oh, I don't know.
00:51:44I haven't seen them since, well, they're all right, I guess.
00:51:48How are you, you're...
00:51:49You still live at the same place on...
00:51:51Oh, yes.
00:51:52Yes, so do we.
00:51:54Ted, we're dancing this one.
00:51:55You're going to be around?
00:51:56Oh, I'll be around somewhere here.
00:51:58Excuse me, I'll see you later.
00:52:01Who's that pretty little girl?
00:52:02I don't know, her face is familiar.
00:52:04I can't figure out where I met her.
00:52:14Oh, good evening.
00:52:15How do you do?
00:52:16Good evening.
00:52:29Ladies and gentlemen, we are most fortunate
00:52:32in having with us tonight a singer
00:52:34whose greatness is exceeded only by a loveliness.
00:52:38She truly has the gift of song, a golden voice,
00:52:41an inspired talent, and a charming personality.
00:52:45Now, she's a very shy young lady,
00:52:47and though I know I should not impose upon her
00:52:49by making this request,
00:52:51I do so in the name of Mr. Drake, our host.
00:52:54And because it happens, quite by chance,
00:52:56that the orchestra has here a Strauss waltz,
00:52:59which I think we may persuade her to sing for us.
00:53:02Shall we ask her?
00:53:03Ladies and gentlemen, it is now my great privilege
00:53:06to introduce to you signorina Margherita Cotellini.
00:53:11Wrong again.
00:53:14I'm afraid someone's made a frightful mistake.
00:53:16You have made a mistake, Margarita.
00:53:19I'm not wearing my suit, but you have made a mistake.
00:53:22You've made a mistake.
00:53:24You have made a mistake.
00:53:26I'm not wearing my suit, but you have made a mistake.
00:53:29You have made a mistake.
00:53:31You've made a mistake.
00:53:33Oh, no, no. Whoever told you I could sing was right, but my name is not that, uh, senorina, whatever you say.
00:53:40Life is sweet and gay
00:53:43All the world's at play
00:53:45There are blossoms of sunbeams
00:53:48That glorify the day
00:53:49And the gentle breeze
00:53:51Wafting through the trees
00:53:53Serenades me with music of tender melodies
00:53:58Ah, ah, ah, ah, ah, ah, ah, ah, ah
00:54:05Life is sweet to me
00:54:07So sweet and heavenly
00:54:09Today I'm falling in love with life
00:54:15This is May time
00:54:19Flowers in bloom
00:54:21Varnish the gloom
00:54:23This is playtime
00:54:27Joy fills the air
00:54:29In the May time
00:54:34Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
00:54:46And my heart is so light and gay
00:54:53Spring in my heart is forever and ever to be
00:55:00And I'll sing to the birds as they sing to me
00:55:09And I'll sing to the birds as they sing to me
00:55:18And I'll sing to the birds as they sing to me
00:55:30Ah
00:55:40Spring in my heart is forever and ever to be
00:55:47And I'll sing to the birds as they sing to me
00:55:55Ah
00:56:04Springtime and I will never part
00:56:10Spring is in my heart
00:56:15Every day I feel spring in my heart
00:56:25In my heart
00:56:34Bravo!
00:56:35You are in the bravo!
00:56:38You are in the bravo!
00:56:42Great, great!
00:56:46My dear young lady, that was a real treat. I want to thank you for it.
00:56:49You're welcome. I like your singing.
00:56:50Gerald, Gerald! This young girl has a great voice.
00:56:53I thought you'd like her, Mr. Drake. You were splendid.
00:56:56Oh, are you...
00:56:57Yes, I'm Ted's father. Just between us I'm going to tell a young man something.
00:57:00We're not bringing you around sooner.
00:57:01Where is that boy?
00:57:02Right over there.
00:57:03Ted.
00:57:04Wasn't that great?
00:57:05I'm glad you liked it.
00:57:06I was just telling this young lady I was a little disappointed in you and keeping her
00:57:09hidden this long.
00:57:10All this long, why?
00:57:11I didn't even know that...
00:57:13No, no, no, son.
00:57:14I know I'm old, but there's nothing wrong with my eyes.
00:57:16I can tell just by looking at you two that you're real old friends.
00:57:19Mr. Drake.
00:57:20Would you like to dance?
00:57:21Do you hear that, Bevins?
00:57:22Would she like to?
00:57:23What's the matter with you young fellows nowadays?
00:57:24She'd love to dance.
00:57:25Yes, I would.
00:57:26Lovely young lady, Gerald.
00:57:27Yes, indeed, she is, Mr. Drake.
00:57:28I wish that boy of mine would get really interested in a girl like that and stay home instead
00:57:44of hopping off on that South American thing.
00:57:46Maybe he will.
00:57:47Yes, maybe.
00:57:48What did you say her name was?
00:57:50Now, don't stop that.
00:57:51I don't know.
00:57:53Oh, I'm sorry.
00:57:54It's my fault.
00:57:55I'm used to bleeding.
00:57:56You know, at school, we'd just bring girls to dance with one leg.
00:57:57And the other followed?
00:57:58That's right.
00:57:59How's your horse?
00:58:00Shamrock?
00:58:01Yes.
00:58:02I hope the sugar didn't make him sick.
00:58:03What's the matter?
00:58:04I'm sorry.
00:58:05I was just thinking how different you look.
00:58:06I'm glad it's over.
00:58:07It's over.
00:58:08It's over.
00:58:09It's over.
00:58:10It's over.
00:58:11It's over.
00:58:12It's over.
00:58:13It's over.
00:58:14It's over.
00:58:15It's over.
00:58:16It's over.
00:58:17It's over.
00:58:18It's over.
00:58:19It's over.
00:58:20It's over.
00:58:21Oh, I'm glad of that.
00:58:22I didn't see my face until I got in the car.
00:58:23You were in a pretty bad way there for a few minutes.
00:58:24I didn't thank you for being so nice about everything.
00:58:25I could tell you I was all right.
00:58:26I figured you were all right when I heard that you'd run away.
00:58:27I couldn't help that.
00:58:28Don't ever run away again, will you, without saying good-bye?
00:58:29I mean it.
00:58:30I hope the sugar didn't make him sick.
00:58:31I am sorry.
00:58:32I'm sorry.
00:58:33I never wanted to come here.
00:58:34I'm sorry.
00:58:35I know.
00:58:36I am sorry.
00:58:37I hate what I did.
00:58:38I am sorry.
00:58:39I hate what I did.
00:58:40I'm sorry.
00:58:41I'm sorry.
00:58:42I hate what I did.
00:58:43I'm sorry.
00:58:51♪
00:59:20♪
00:59:27♪
00:59:49There's too many people here.
00:59:51Yes, let's go outside.
00:59:53All right.
00:59:55♪
01:00:05Well, it isn't too cool for you, is it?
01:00:06Oh, no, no, not at all.
01:00:08You'd rather go inside, wouldn't you?
01:00:10No. Maybe you would, darling.
01:00:12Could get you wrapped.
01:00:13Oh, no, no, really, I'm all right.
01:00:15I...
01:00:16Go ahead.
01:00:17No, it's nothing. What were you going to say?
01:00:19Well, I was just thinking, I'm...
01:00:20I'm leaving here next week.
01:00:22Leaving?
01:00:24I'm going to South America with Dr. McKenzie.
01:00:26You've heard of him, haven't you?
01:00:28McKenzie? I think I have.
01:00:30He's the world's greatest authority on rubber trees.
01:00:32He's been to the Amazon 30 times.
01:00:34He always says, I'm very, very fond of the Wee River.
01:00:37He talks like that and calls me Lottie.
01:00:39Lottie?
01:00:44Do you have to go?
01:00:45I want to.
01:00:48Well, I've got a declaration of independence to Dad.
01:00:50He's got a lot of ideas about handing me a ready-made future.
01:00:54Oh, I see.
01:00:57Look at that traffic. It's after 12 o'clock.
01:01:00Yes, it certainly is.
01:01:02Will you be away long?
01:01:04Six months.
01:01:06Where will you stay?
01:01:07On our boat.
01:01:08It's a big sailboat.
01:01:10An auxiliary diesel engine.
01:01:13Sailboats are beautiful.
01:01:15Yes, they are beautiful.
01:01:18What's a diesel engine?
01:01:20Well, it's on the same principle as a regular gasoline engine,
01:01:24only instead of using crude oil, I mean, instead of...
01:01:27Did you say it was 12 o'clock before?
01:01:29It's after 12. See the clock down there?
01:01:31Well, good-bye.
01:01:37Wait a minute.
01:01:39Oh, my God.
01:01:41Oh, my God.
01:01:43Oh, my God.
01:01:45Wait a minute.
01:02:09You're not going to run away now, are you?
01:02:15No matter what you have to do to make a difference.
01:02:17Hello, Ted.
01:02:19Oh, hello, Mrs. Butler.
01:02:20Walter.
01:02:21Oh, we've had an appalling experience.
01:02:23We're jailbirds.
01:02:24What are you doing with that slipper?
01:02:25Oh, looking for its owner. I'll be right back.
01:02:27Who'd he say he was looking for?
01:02:28I don't know.
01:02:29Oh, he's probably playing some game.
01:02:31He certainly seemed delighted we were here.
01:02:33Hello, Graves.
01:02:34Oh, we thought you'd never get here.
01:02:35Well, we were delayed.
01:02:36On the law.
01:02:37It wasn't simply horrible, dear.
01:02:38It wasn't much fun.
01:02:39I don't know. I rather enjoyed it.
01:02:40Well, what happened?
01:02:41Well, you see, just as we were...
01:02:42Oh, Ted, your father knows the mayor, doesn't he?
01:02:45Your mother wants to reform the whole city government.
01:02:47Good.
01:02:48Oh, excuse me a minute.
01:02:49So you didn't see a girl go anyplace around here without a slipper, did you?
01:02:51No, Mr. Drake, I didn't.
01:02:52Well, I'll be back in a minute.
01:02:54I never heard of such inefficiency.
01:02:56Does anybody know who Ted's looking for?
01:02:58Probably the girl who was singing.
01:03:00He's certainly in a dither about her.
01:03:02Well, let's all go up and help him find her.
01:03:15Did you see that girl with the white wrap?
01:03:17She looked just like Connie.
01:03:18Why, dear, it can't be Connie.
01:03:19Connie isn't here.
01:03:20Did that wrap she was wearing have a hood on it?
01:03:22I don't think so.
01:03:23Have you seen Ted running around with that slipper in his hand?
01:03:25I thought it was yours till I saw how small it was.
01:03:27It belonged to some new girl somebody no one ever saw before.
01:03:29And she just ran away with the party.
01:03:31Nobody's even seen Ted since she sang.
01:03:33And when she danced, she just closed her eyes and looked away.
01:03:36Oh, dear.
01:03:37Oh, dear.
01:03:38Oh, dear.
01:03:39Oh, dear.
01:03:40Oh, dear.
01:03:41Oh, dear.
01:03:42Oh, dear.
01:03:43Oh, dear.
01:03:44And I laid my eyes and lost herself in a dream.
01:03:46Did that girl wear a silver lace dress?
01:03:48Mmm-hmm.
01:03:49Very sweet.
01:03:50Not severe like your black.
01:03:51Just girlish.
01:03:52Do you know her?
01:03:53I'll tell you later.
01:03:54Get my wrap, please.
01:03:55Yes, miss.
01:03:57We've been waiting for you, miss.
01:03:59Miss third!
01:04:00I don't know where to begin.
01:04:01Did you have any trouble getting in?
01:04:02No?
01:04:03You didn't run into Mrs. Clinton and the Bradts, did you?
01:04:05No, but I saw them.
01:04:06You did?
01:04:07Yes.
01:04:08Did they see you?
01:04:09No, I hid behind a post.
01:04:10They got in about midnight.
01:04:11How did you know...
01:04:12A little bird told us.
01:04:13Yes, and I sang.
01:04:14Good for you.
01:04:15I'll bet they cheered.
01:04:16Oh, and Mr. Drake.
01:04:17Oh, so that's the he.
01:04:20Agnes, it was what I wouldn't have given to see you.
01:04:23He was so nice, Agnes.
01:04:24Oh, don't ask me.
01:04:25Why don't you sing?
01:04:26The Strauss Waltz.
01:04:27You know.
01:04:28Da, da, da, da, da, da, da, da, da, da.
01:04:30You best go in the kitchen, miss, don't you think?
01:04:32I've got some hot chocolate and a nice piece of cake for you.
01:04:34And you start at the very beginning.
01:04:35You're lame.
01:04:36Oh, I've just lost my slipper.
01:04:37Well, how'd you do that?
01:04:38Oh, it was awful.
01:04:39I had to start running.
01:04:40No more here.
01:04:41The man's working in his study.
01:04:42And we'll get to the...
01:04:47I'm working.
01:04:48You're making noise.
01:04:49So we'll have to stop the work or stop the noise.
01:04:52Nobody saw it.
01:04:53It's my fault, Uncle Jim.
01:04:55Maybe theirs.
01:04:56We won't have any more of it.
01:05:05Uncle Jim.
01:05:06George told me to be quiet or go to another room
01:05:08so I wouldn't disturb you.
01:05:09Have a nice time at the party?
01:05:11What?
01:05:12Oh, yes.
01:05:13Wonderful.
01:05:14Dance, huh?
01:05:15Uh-huh.
01:05:16Met some nice people?
01:05:17Oh, yes, Uncle Jim.
01:05:18Very nice.
01:05:19What did your cousin say to you when she saw you?
01:05:21Well, I didn't speak to Barbara or Aunt Grace or Walter either.
01:05:25Smart girl.
01:05:27Run up to bed now.
01:05:29Good night.
01:05:30Good night.
01:05:31The family must have stopped someplace on their way.
01:05:34Yeah, stopped in jail.
01:05:36Kept them there till midnight.
01:05:37Should have kept them there longer.
01:05:39Jail?
01:05:41What happened?
01:05:42Don't know.
01:05:43They called me to get my lawyer.
01:05:44Couldn't get him.
01:05:46Couldn't remember his telephone number.
01:05:48Couldn't even remember his name.
01:05:51Couldn't remember anything.
01:05:54I don't understand.
01:05:56Had a good time, you said.
01:05:58What?
01:05:59You knew about Uncle Jason?
01:06:04I know a lot of things.
01:06:06I know Everett Cloud has a silver lining.
01:06:08They went to jail.
01:06:09You went to the ball.
01:06:11Uncle Jim, you...
01:06:13Car coming up the driveway.
01:06:16This is all a secret.
01:06:17Oh, never tell a soul.
01:06:18Make my life miserable if you do.
01:06:20Yours too.
01:06:21It's Barbara.
01:06:22You better stay.
01:06:23Good night.
01:06:31Hurry up, hurry up.
01:06:32The Duchess is coming in.
01:06:36Come in.
01:06:57Are you asleep?
01:06:58Uh-huh.
01:06:59The light hurts my eyes.
01:07:02Just wanted to see that you were in.
01:07:04I'm in tonight.
01:07:05What time is it?
01:07:06You were home all night.
01:07:08Uncle Jason didn't arrive.
01:07:10Sorry if I interrupted your beauty sleep.
01:07:13Oh, that's all right.
01:07:14So you were at the party, hmm?
01:07:35Yes.
01:07:36And you sang.
01:07:37Mm-hmm, I sang.
01:07:39Didn't I tell you to stay here?
01:07:41I didn't want to.
01:07:43Oh, you didn't want to.
01:07:45Nope.
01:07:46I knew Uncle Jason wasn't coming and I had a chance to go, so I went.
01:07:49You mean so you sneaked in.
01:07:50There's nothing you can do or say that could spoil this night for me.
01:07:53Would it spoil things if I asked how you turned your graduation dress into a Paris creation?
01:07:57Ollie made it over out of some silver lace I had.
01:08:00Not that it's any of your business.
01:08:02And that wrap, I suppose she made that out of a pair of pet ermine she's been keeping all these years.
01:08:06A friend of mine said I could, uh...
01:08:08I'm not going to quarrel with you, Barbara.
01:08:09I'm so sorry I wasn't there.
01:08:10You must have been wonderful.
01:08:13Now, if you're through being sarcastic...
01:08:14Even Ted said he never had so much fun in his life.
01:08:17He thought you were a nightclub singer pretending to be somebody important,
01:08:20so he decided to play up to it.
01:08:22It's so funny, Ted.
01:08:23And his imitation of you dancing with your eyes shut is wonderful.
01:08:26People just roll on the floor when he does it.
01:08:28He does it over and over again.
01:08:30And leaving your slipper, that was so touching.
01:08:32Ted's going to use it to try and find you again.
01:08:34He wants to hire you to play the same joke on a friend of his in Boston.
01:08:37Now, you get out of here.
01:08:38This is my room.
01:08:39Oh, you want to be alone.
01:08:41There's so much to think about and so much to dream over.
01:08:43Get out!
01:08:44All right.
01:08:45I'll go down in the kitchen and tell your chums what a success you were.
01:08:58Good morning, sir.
01:08:59Morning.
01:09:01Your orange juice, sir?
01:09:02Mm-hmm.
01:09:03Your coffee, black as usual?
01:09:04Mm-hmm.
01:09:05Anything else, sir?
01:09:06Not a thing.
01:09:12Then this is goodbye, sir.
01:09:15Going someplace?
01:09:17I'm leaving, sir.
01:09:19Miss Barbara sacked the whole staff last night
01:09:21when she found out we'd helped Miss Connie get to the party, sir.
01:09:23What?
01:09:24Oh, that's all right, sir.
01:09:25Not one of us would have stayed after Miss Connie left.
01:09:32Connie left?
01:09:34Bag and bag, sir.
01:09:35We wanted her to stay and have a talk with you, sir.
01:09:38But she said she had made enough trouble.
01:09:40Didn't leave a note?
01:09:41She said she'd write to you, sir,
01:09:42when she was settled and making her own way.
01:09:45I do think she was trying to make it easier for us all.
01:09:51Well, I'd like to talk to the other servants, George.
01:09:53They've been gone hours, sir.
01:09:55Jimmy!
01:09:57Oh, Jimmy, you may have to drive me to town.
01:09:59We have no chauffeur, you know.
01:10:01Did you know that Connie had left?
01:10:02Yes, so has everyone else.
01:10:03No cook, no butler, no mason.
01:10:05Then you're not with us anymore, are you, George?
01:10:07No, madam, I'm not.
01:10:08Such a pity.
01:10:09You're such a good butler, too.
01:10:10It was nothing personal, you know, George.
01:10:12Just a bad constellation for everybody.
01:10:14It won't happen again.
01:10:16Connie's a very young girl.
01:10:17We'll be out on our own.
01:10:19It's not right.
01:10:20I'm going to look up a horoscope
01:10:21and find out what evil influences brought all this about.
01:10:23And I'm also going to see if it's a good time
01:10:25to employ new people.
01:10:26You know, we have to wait until the stars are all right.
01:10:28I'm hungry.
01:10:29The cook has left, Mr. Walter.
01:10:32Say, Father, can you make coffee?
01:10:38Do you know that your cousin has left this house?
01:10:41I only know I'm hungry.
01:10:52Don't you think we'd better do something practical about Connie?
01:10:55I'm doing the most practical thing in the world,
01:10:57checking her complementary influence
01:10:58against Jupiter's emphasis.
01:11:00There's a trend of depression.
01:11:02That's been a problem for hours.
01:11:09Jim, what are you doing?
01:11:14Jim, it's taken me years to work that all out.
01:11:19I never liked this thing, either.
01:11:24Jim, stop it.
01:11:25You're losing your mind.
01:11:27Now you listen to me.
01:11:29I'm not going to listen to you.
01:11:31I'm not going to listen to you.
01:11:33I'm not going to listen to you.
01:11:35I'm not going to listen to you.
01:11:37Now you listen to me, gracious you.
01:11:39I've had all the twaddle I'm going to have
01:11:41about the eighth and ninth house
01:11:42and the influence of this and that
01:11:43and Leo being in the library
01:11:45that I'm going to have.
01:11:46I only make eat these things.
01:11:48But if I ever hear another peep out of you
01:11:50about the sun, the moon, or the stars,
01:11:52I promise you, by the big and little dipper,
01:11:54that you'll only be talking about stars.
01:11:56You'll be seeing them.
01:11:58Now you let the heavens take care of themselves
01:12:00and you get down to Earth.
01:12:02Right?
01:12:04Jim, you're a brute.
01:12:06Don't flatter me.
01:12:08I've only just begun.
01:12:09Father, have you gone crazy?
01:12:11Oh, you're up.
01:12:12That's fine.
01:12:13I was hoping I wouldn't have to go upstairs
01:12:15and pull you out of bed.
01:12:16Never mind your mother.
01:12:17Why did you make Connie leave this house?
01:12:18No, Father.
01:12:19Don't bother me.
01:12:20I know what you did.
01:12:21And for once in your life,
01:12:22you're going to pay the consequence.
01:12:23You selfish little dressed-up idiot.
01:12:24I won't be talked to like that.
01:12:25Yeah, well, stop talking.
01:12:27Mother!
01:12:28You're just a child
01:12:29and I'm going to treat you like a child.
01:12:31What are you doing?
01:12:32No.
01:12:33What are you doing?
01:12:34What are you doing?
01:12:35What are you...
01:12:37Let me out!
01:12:39Let me out of here!
01:12:41Get out of here!
01:12:43Mother!
01:12:44Get out!
01:12:46Let me out!
01:12:48I'll pay you for this.
01:12:50Oh, no, sir.
01:12:51This one's on me.
01:12:52There's one more thing I wanted you to...
01:13:05Don't you ever do anything
01:13:07but sit sprawled out on that chair?
01:13:09But, Father, I have a theory, you know.
01:13:11Really?
01:13:12A theory of relaxation.
01:13:14I worked it all out myself.
01:13:16In that chair?
01:13:17Mm-hmm.
01:13:18It's taken years.
01:13:19I believe that one, through relaxation,
01:13:21prolonged and constant,
01:13:22can store up sufficient energy
01:13:24to surmount any kind of physical or mental strain.
01:13:27I'm sure of it.
01:13:28I'm sure of it.
01:13:29I'm sure of it.
01:13:30I'm sure of it.
01:13:31I'm sure of it.
01:13:32I'm sure of it.
01:13:33It takes energy to surmount any emergency that arises,
01:13:36where vitality is called for and force is needed.
01:13:39Simple, isn't it?
01:13:40Almost too simple.
01:13:41You see, Father, I don't spend energy.
01:13:43I hoard it.
01:13:44Sort of sit on it.
01:13:46Exactly.
01:13:47I've already proved that all forms of exercise are wrong.
01:13:50Say a man gets up in the morning and does his daily dozen.
01:13:53The first time he stretches,
01:13:55bends over, touches the floor,
01:13:58he's spent 14 pounds of energy.
01:14:01Back to his normal position, how much do you think he spends?
01:14:04Uh, from the, uh, position that you were in just now?
01:14:08Mm-hmm.
01:14:09Identical with it.
01:14:10Mm-hmm.
01:14:11Just about...
01:14:12Well, practically none,
01:14:13because I'd help him like...
01:14:19Very well bowled, sir.
01:14:21Now, there's only one more thing we gotta do here,
01:14:24and that's to find Connie and bring her back here.
01:14:27Does everybody understand that?
01:14:31Yes.
01:14:37This is your station, miss.
01:14:55Oh, Miss Wiggins.
01:14:57Did you get my telegram?
01:14:59No.
01:15:00Please, that's all I have to do.
01:15:01Did I get your telegram?
01:15:03Get those bags over here.
01:15:08It's so quiet and restful here.
01:15:10It's going through that stage, eh?
01:15:12Cities are such noisy places.
01:15:14They're not dull and full of squealing girls.
01:15:17Are you surprised that I'm back?
01:15:19No.
01:15:20Oh, you must be.
01:15:21All right, then I will be.
01:15:22I'm surprised.
01:15:23Feel better?
01:15:26I want to teach music.
01:15:27Most of them want to be missionaries.
01:15:29Who?
01:15:30Never mind.
01:15:31Go on.
01:15:32You want to teach.
01:15:33Yes, but I'll have to have more training.
01:15:35I hope so.
01:15:36I'd like to get a scholarship at the Teachers' Conservatory of Music.
01:15:40Mm-hmm.
01:15:42I suppose it's only fair that I tell you
01:15:44why I've made this decision, Miss Wiggins.
01:15:46Practice that little speech on the way up?
01:15:51I guess I did.
01:15:52What's that?
01:15:53I guess I did.
01:15:54Never mind the rest.
01:15:55I know the important part.
01:15:57Your heart's broken.
01:15:58Your faith's gone.
01:15:59You want to be independent.
01:16:00Who told you?
01:16:01About 40 old maids I know.
01:16:02It happened to them, too.
01:16:04Make it 41.
01:16:05I've forgotten myself.
01:16:08What the...
01:16:09This is so...
01:16:10Well, you don't want to hear about it.
01:16:12Oh, go on.
01:16:13Get it off your chest.
01:16:14It might make you feel better.
01:16:15It won't make me feel any worse.
01:16:18First, you'll be a junior instructor.
01:16:20You'll get paid for that about half as much as you need to live on.
01:16:23You call it living.
01:16:25You wear last year's hats and two-year-old dresses
01:16:27and patched-up shoes.
01:16:29But it won't make much difference how you look
01:16:31because there won't be anybody looking at you
01:16:32except a lot of so-called students.
01:16:34I'll have my work.
01:16:36You'll have that.
01:16:37Later on, by scrimping, you'll have enough money to travel on.
01:16:40Third class and alone.
01:16:42Or with another teacher.
01:16:43I like to be alone.
01:16:45You don't even know what the word means, child.
01:16:48My pupils will love me.
01:16:50I hope as much as they love you.
01:16:51I'm a character.
01:16:52A crotchety, lovable old character.
01:16:54I hate being a character.
01:16:57Do you like cats?
01:16:59No, not much.
01:17:01You'll get to love them.
01:17:03They've got sense.
01:17:04They're like men.
01:17:05Feed them, pet them, and admire them, and they'll purr.
01:17:09Every woman wants to make somebody purr.
01:17:12You want to lock yourself up in a world of women.
01:17:14A little world, a sheltered world.
01:17:16A useless, polite, frightened world.
01:17:18Miss Wiggins, I'm not a child.
01:17:20I know what I want to do.
01:17:21Work and support myself and not depend on other people for happiness or anything else.
01:17:28All right.
01:17:31Where's your diploma?
01:17:33I'll have to send it along with the application for the scholarship.
01:17:38It's right here.
01:17:42There's a teacher's powwow here on the 6th.
01:17:45They'll be here from all over the state.
01:17:47You'll have to line up some votes for you while they're on the ground.
01:17:50Here's a list of credits.
01:17:52Hmm. Pretty separate.
01:17:54The other one, I suppose, is the one Mr. Blake had.
01:17:57Mr. Drake.
01:17:58What you keeping it for?
01:18:00Just having to pack it.
01:18:01There's something to cry into 20 years from now.
01:18:04We need to get rid of it.
01:18:10Now you will sing at that meeting.
01:18:12Show them a sample of what you know about music.
01:18:14Have them make up their minds right away.
01:18:17Oh, thank you. That'll be marvelous.
01:18:19It'll be terrible, but I'll do it.
01:18:21You'll get a new dress for it.
01:18:23I'll have all the girls go to the auditorium so you'll have an audience.
01:18:26And you'll sing something that'll be effective.
01:18:28The spring song.
01:18:29No, not the spring song.
01:18:31One Fine Day, Butterfly by Puccini.
01:18:34Know it?
01:18:36Yes.
01:18:37We have to work on it.
01:18:38That'll make them all cry.
01:18:40All the old maids will sniffle.
01:18:42You know, one fine day he'll come back to me.
01:18:45I'd rather...
01:18:47Rather what?
01:18:49Couldn't I sing something else?
01:18:51Why?
01:18:52Well, I don't think it's a good idea to make them sad.
01:18:55Make you sad to sing it?
01:18:57No. No, not me.
01:18:59You just said it to make them cry.
01:19:01Old maids are only happy when they cry.
01:19:03You'll find that out.
01:19:07Miss Wiggins, we just heard that Connie...
01:19:09Oh, hello, Connie.
01:19:11Good to see you.
01:19:12Good to see you.
01:19:15Go along, all of you, and stop that chattering.
01:19:25Why didn't you go with Connie?
01:19:27Oh, I don't know her.
01:19:29I just came in to see if you'd mark the cuts in this orchestration for me.
01:19:32Irene told me to go.
01:19:33I'll fix it.
01:19:34You will? Oh, thanks a lot, Miss Wiggins.
01:19:36Goodbye.
01:19:37I said I'll fix it, didn't I?
01:20:08One fine day we'll notice
01:20:15A thread of smoke arising
01:20:21On the sea
01:20:25In the far horizon
01:20:30And then the ship appearing
01:20:38Then the trim white vessel
01:20:44Glides into the harbor
01:20:52Then the squawker followed
01:20:58See you
01:21:02Now he is coming
01:21:08I do not go to meet him
01:21:14Not I
01:21:17I stay upon the brow of the hillock
01:21:23And wait there
01:21:26And wait for a long time
01:21:31But never weary
01:21:36Of the long waiting
01:21:42From out the crowded city there is coming
01:21:49A little, a little speck in the distance
01:21:57Climbing the hillock
01:22:06Can you guess who it is?
01:22:09And when he's reached the summit
01:22:12Can you guess what he'll say?
01:22:16He will call
01:22:19Butterfly from the distance
01:22:24I, without answering, hold myself quietly concealed
01:22:30A bit to tease him
01:22:33And a bit
01:22:36So as not to die
01:22:41I'll never see him
01:22:45And then a little troubled he will call
01:22:50He will call
01:22:54Dear baby wife of mine
01:22:58Dear little orange blossom
01:23:03The names he used to call me when he came here
01:23:11This will all come to pass as I tell you
01:23:17Then it shall end of things
01:23:22For he shall return
01:23:27He shall return
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