あちこちオードリー 2024年12月31日 本音ノーカットトークSP
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00Today we have a special edition of Achikochi Odori!
00:03Happy New Year!
00:06Happy New Year!
00:07Happy New Year!
00:10It's a good luck joke.
00:11Happy New Year.
00:13It's a good year.
00:14It's a good year.
00:16It's been about 52 minutes since we started in 2025.
00:21It's been about 52 minutes since we started in 2025.
00:22It's us again, TV Tokyo.
00:25It's us again, TV Tokyo.
00:28It's like we're doing it for real.
00:30No, we've been doing it for about 3 years.
00:33That's right.
00:34That's right.
00:35We, the TV Tokyo, will be the ones to celebrate the new year.
00:41That's a good thing.
00:43We'll be doing it in real time, so please don't talk too much.
00:50It's a shame.
00:52Of course, we'll be doing it.
00:55I'm looking forward to the people who come.
00:58We've been doing this for a long time.
01:01We've been doing this for a long time.
01:05We even prepared AK Racing's intro.
01:08It's like a real broadcast.
01:10We're doing it for real.
01:12I don't think we have to do this much.
01:15We'll be doing it in detail.
01:18Let's get started.
01:19Let's go.
01:20The New Year's Dance No Cut Talk Special!
01:28It's 12 minutes and 53 seconds.
01:30That's right.
01:31We'll be doing it in real time.
01:33Last year was over in a blink of an eye.
01:36That's right.
01:37It was about an hour.
01:39That's right.
01:40Can you hurry up and invite us?
01:42I can talk to you every week.
01:44There are people who can't talk every week.
01:47That's true.
01:48I can talk to you every week.
01:51It's New Year's Day.
01:52Hurry up and invite us.
01:54Let's take it easy.
01:56Let's get started.
01:57The first guest of the week is...
02:00It's a no-cut talk that can't be edited.
02:03We have two people we trust.
02:07Mr. Ijuin and Mr. Mukai.
02:11I'm sorry.
02:12Congratulations.
02:14Congratulations.
02:16You two are the best.
02:18You two are the best.
02:20I'm so happy. Thank you.
02:22I noticed something last time.
02:25We don't benefit from this method.
02:28The staff doesn't have to edit it.
02:32It's quite beneficial.
02:34But we don't know what to do if we talk carelessly.
02:37That's right.
02:38It happens a lot.
02:39It's a no-cut talk.
02:41We don't cut it.
02:43Mr. Ijuin's manager told me to be careful.
02:46Mr. Ijuin's manager is strict.
02:49He's strict.
02:50He's a mysterious fan of Audrey.
02:53I don't know what he's talking about.
02:54He bought me a lot of goods.
02:56It's okay to stop when you buy goods.
02:58At first, I was in charge of listening to the radio.
03:02She's the last woman in her 20s.
03:05I was listening to the radio.
03:07She was listening to the radio.
03:10I was addicted to Audrey and Haraichi.
03:12She asked me to write a story because she wanted a novelty.
03:16I don't know why.
03:18I don't want to get it from the industry.
03:21That's amazing.
03:22I might publish it under a mysterious pen name.
03:26Maybe that day will come.
03:28What does that mean?
03:29There aren't many co-stars on the radio.
03:37That's right.
03:39I feel like I'm watching a VR video of a radio fan.
03:45That's right.
03:47I'm happy to be here.
03:51It's a radio dream.
03:52It's a dream.
03:53It's like a relationship.
03:56You said it yourself.
03:58I'm happy to be here with these four.
04:01I'm happy to be here early in the new year.
04:04When the radio started in the morning, I was introduced to you.
04:14After that, when I decided to be the MC,
04:21I saw the script and your name was on the panel.
04:25I thought you would be on the show.
04:27I thought you would be on the show.
04:31I'm happy.
04:32I was nervous.
04:34I was nervous at that time.
04:36I'm a careful man.
04:39I was the one who was most careful with my manager.
04:42My morning program ended with a lot of things.
04:47I couldn't make it clear.
04:49When I was wondering why it was over, I accepted it.
04:53The people around me were happy to hear my voice on the radio.
05:03The people around me were happy to hear my voice on the radio.
05:08But when I talked to you, I thought you were more funny.
05:16I was asked to do the best part of the morning.
05:23I was asked to do the best part of the morning.
05:27I was a little faster when I passed you.
05:31I don't know.
05:34It's not about my head, it's about my body.
05:37When I first came to the show, I thought you would be funny.
05:43When I first came to the show, I thought you would be funny.
05:47I have to say this today.
05:49I have to say this today.
05:52I'm not going to say it.
05:54I thought it would be a good start.
05:58I'm really happy to have this opportunity.
06:01I'm really happy to have this opportunity.
06:04I don't know if I'm the only one, but I saw you on TV.
06:08I saw you on TV twice.
06:11I saw you on TV twice.
06:14I'm sure you're curious.
06:16I saw you on TV twice.
06:17I saw you on TV twice.
06:23I saw you on TV twice.
06:26I used to live in Nagoya.
06:30It was a show I didn't do in Nagoya.
06:35Nagoya's radio is amazing.
06:39There are many popular programs in Nagoya.
06:42I couldn't hear it in Nagoya.
06:45I didn't have a radio when I came to Tokyo.
06:49I was surprised when I came to Tokyo.
06:52I was surprised when I came to Tokyo.
06:54I was surprised when I came to Tokyo.
06:59I heard the radio from Nagoya.
07:02I heard the radio from Nagoya.
07:05I heard the radio from Nagoya.
07:08I heard the radio from Nagoya.
07:11I heard the radio from Nagoya.
07:13How many programs did you do?
07:16I'm exaggerating.
07:18I did 10 minutes of daytime and 30 minutes of nighttime.
07:25I do another program called late-night.
07:30I also work at NHK.
07:33I did 11 to 12 programs each week.
07:38around 1 p.m. on Saturday
07:43I saw J센 walking down the dark alley on Nippon High School's red light district.
07:48I was like, what is he doing at this hour?
07:52He came to read the story mail.
07:56I don't know what you're talking about.
07:58It's 1 a.m.
07:59It's 1 a.m.
08:00It's more convenient to read the mail than the story mail.
08:05However, there is an individual information protection law.
08:09And the Japanese broadcast server is too strict.
08:14We haven't been able to deal with it.
08:17We can only read the mail that is available in Japan.
08:22So we have to go to the store and read all the mail.
08:27We have to do that before the time is up.
08:29We have to read all of the mail.
08:32The story mail.
08:34I and Mr. Naitsu have been trying to decide how long we should read.
08:41But there's no sound.
08:44As expected, coming here and winning by the number of votes is just the beginning.
08:50It's too amazing.
08:52I have to somehow add one more person to the office.
08:54It's said.
08:56But what I've noticed recently is that
09:00just because the radio is called a radio,
09:03everyone's style is so different.
09:06I say this a lot, but for example, if an idol is tired and falls asleep during a talk,
09:11that's an interesting radio.
09:13For example, the one-person talk radio and the two-person talk radio
09:17are actually completely different.
09:19It's completely different.
09:20That's why each one is so different.
09:23And everyone uses the word stickiness too well.
09:27I want to choose as many emails as possible from my office.
09:32It's a stickiness.
09:33Stickiness, if you look at the dictionary,
09:36it means to stick to something that other people don't care about.
09:43So it's not a positive image.
09:45If I say I want to do something that will work better if I leave it to others,
09:50it's like a disease that I want to see all the emails.
09:54It's hundreds of emails.
09:56It's thousands of emails.
09:58Sometimes when I choose all the emails,
10:00especially in the afternoon radio,
10:03there are emails that I don't understand at all,
10:05so I don't know what's interesting, but it's interesting.
10:08Yes, yes, yes.
10:09There are emails like that.
10:10Yes, yes, yes.
10:11The other day,
10:13what was it?
10:14It was about pinch hitters.
10:17The other day, I don't know much about baseball,
10:20but when Kiyomiya came out on the field and hit a hit,
10:23he went straight to the first base.
10:25And then, as the game went on,
10:27the person on the field said,
10:28There are things that happen on a regular basis, right?
10:30It's a normal email,
10:32but from the middle,
10:34when my parents passed away,
10:37the person who took care of me
10:40changed to the story that she became my mother
10:43because she took care of me from the middle.
10:46And at the end, suddenly,
10:47Kiyomiya said,
10:48Please do your best.
10:50This is probably...
10:52No.
10:53Depending on your preference, it will be a loss.
10:56It happens, doesn't it?
10:58I can't get used to it.
10:59I get used to it.
11:00And in that case,
11:02it's really one in a million,
11:04but I get used to it.
11:06I can't stop choosing.
11:07There's something interesting about it, isn't there?
11:10Even for myself,
11:11I have a lot of time and I want to read a lot,
11:13so I try to cut this part or leave this part.
11:16I do a little correction,
11:19but the correction doesn't end.
11:22I feel like I'm throwing away that kind of thing.
11:25If you leave it to me,
11:26there are times when it doesn't come to you.
11:28That's right.
11:29On the contrary,
11:30there are people who are good at leaving it to me,
11:32so I think it's better not to leave it to me,
11:35so I really don't have a heart.
11:39It's so interesting that I can't use my back.
11:42I can't stop stretching my back.
11:44Do you leave it to me?
11:45No, it depends on the program,
11:48but I want to do it myself.
11:52And there's a guy who's in a critical condition.
11:55That's right.
11:58He's in a critical condition,
12:00but at the end he suddenly leaves it to me.
12:03There's something like that.
12:04That's why it's good.
12:06It's really good.
12:10I like talking about radio.
12:13It's interesting.
12:14Let's look back on the year
12:16and listen to the good news of 2024.
12:22Are there any good news?
12:24There's a list of them.
12:27How about you, Mukai?
12:28The good news of 2024.
12:30For me,
12:31Wakabayashi-san was the judge of M-1.
12:35Oh, really?
12:36This is really annoying.
12:39Where did you hear that?
12:41Hey, Wakabayashi-san!
12:43I didn't hear that.
12:44Last year, when I said I was ready to do it,
12:49you said you'd never do it.
12:51I said I'd never do it.
12:53He said he didn't have the confidence to judge on a variety of media.
13:01To be honest, at this point in the recording,
13:04the actual show hasn't ended yet,
13:07so I thought he was going to ask me that.
13:10I thought he was going to ask me that.
13:12But he didn't ask me.
13:14Of course he did.
13:15Of course he did.
13:17He didn't ask me.
13:18Ask him next week.
13:20As Mukai said,
13:22the staff said,
13:24you're not a good person anyway.
13:26What?
13:27That's what they said.
13:29We don't have time to talk about it.
13:32We're already in the embarrassing zone.
13:34I see.
13:35I understand.
13:37That's why I said I'd do it.
13:40I see.
13:41How did you change your mind?
13:45At first, I didn't want to do it.
13:49Many people I respect don't judge.
13:53Like Ota-san, Takeshi-san, and Kin-chan.
13:58At first, I didn't want to do it.
14:02There are many jobs that come to you as you get older.
14:09Many?
14:10There are many jobs that come to you as you get older.
14:13What kind of job is that?
14:15If I were to rank the entertainers who are working now because of M-1,
14:23I think we're at the top of the entertainers who would have been in trouble if it wasn't for M-1.
14:27Life has changed.
14:28If I hadn't been there in 2008, I think I would have been a machine gun.
14:35In that world line?
14:37No, no, no.
14:38Machine guns are amazing.
14:41I thought I wouldn't be able to appear on TV.
14:44I thought it wasn't good to run away.
14:48When I got in, my thinking changed.
14:52I was worried about it for about a month.
14:54It's been a month since it's been hard.
14:56There's no such thing as virtue.
14:59There's no virtue.
15:00It's because we're in an era where judges are being judged.
15:05You're told a lot of things.
15:08Of course.
15:10From the announcement to the internet, it's all about work until you're beaten for three days.
15:17It's still a process.
15:20I'm prepared.
15:21It's hard.
15:22You're the one who made a name for yourself in M-1.
15:25The style you made a name for yourself in M-1 is the same as this.
15:30What's this?
15:31It's the same thing as this.
15:33It's the same thing as this.
15:35It's hard as a standard.
15:37That's right.
15:38I've never seen a full score.
15:42I've heard about nine people.
15:49It's a variety of angles.
15:52It's a Tokyo show pub angle.
15:54It's a Tokyo Kasuga angle.
15:57Do you know the agency called KS Stage?
16:00That's what I heard.
16:02If it's 9-1, I'll be honest.
16:06I've never done a M-1 class before.
16:11There are people who don't exist among the people I first heard about.
16:15There are people who really exist.
16:17That's right.
16:19When I was asked to do a corner with Mr. Sakuma,
16:25I was so nervous that I didn't want to do it.
16:31I was so nervous that I didn't want to do it.
16:32I was so nervous that I didn't want to do it.
16:37When I ask people who have decided,
16:42there are people like Mr. Ishida and Mr. Hanai.
16:46I don't know about myself.
16:48I don't know if that's how people see me.
16:52But I have a M-1 degree.
16:55Do you consult someone?
16:57I can't do that.
16:58I can't do that.
16:59You have to decide for yourself.
17:02I consulted Kasuga.
17:05You have to be confident.
17:07You have to be confident.
17:10You have to be confident.
17:11You have to be confident.
17:13Did you consult someone?
17:16You were so confident.
17:19I didn't consult anyone.
17:21I didn't consult anyone.
17:22I can't do that.
17:24You were pushed by Kasuga.
17:29You lied in front of the radio.
17:33I didn't consult anyone.
17:35I don't want to be exposed.
17:39I don't want to be exposed.
17:42You have a strong office atmosphere.
17:46You work at YARENGE and GOLDBRAUN.
17:50You work at YARENGE and GOLDBRAUN.
17:54When M-1 was announced in 2024,
17:59you didn't say a word.
18:02You didn't say anything about YARENGE and GOLDBRAUN.
18:06I don't want to be exposed.
18:07I don't want to be exposed.
18:08You don't say anything.
18:10I wonder if there is something.
18:16There were two police officers.
18:21Everyone says it's spicy and sweet.
18:28Everyone says it's spicy and sweet.
18:31Of course, Yoshimoto has a lot of fans every year.
18:36I thought there were only two of them.
18:39This is a pretty good candidate for the championship.
18:43It's impossible for both teams to remain.
18:46I thought it would be a big problem.
18:51But if you think about it, Yoshimoto's fans are like that every year.
18:55In the end, Yoshimoto's judges are Yoshimoto's fans.
19:00I think it's okay.
19:03Speaking of M-1, I talked about it on the radio.
19:08When did the judges of M-1 become so full of manzai people?
19:13At the beginning, there were Koukami Shoji, Danji Sho, and Ita-chan.
19:21Danji Sho is a man of individuality.
19:24I'm serious, but I'm going to talk nonsense, so I don't want you to get angry.
19:28I think it's okay for all the people who have been on M-1 and become M-1 staff to be judges.
19:37It's very special.
19:39That kind of culture doesn't perish.
19:43Both the audience and the judges are full of manzai people.
19:52I'm glad I met Tendon again.
19:56This is a competitive style of manzai.
19:59It's like a big laugh that you can't catch quickly.
20:03It's getting bigger and bigger.
20:05It's going to be destroyed.
20:08It's a 100-question analysis.
20:11Manzai is at a high position in all entertainment.
20:17It's just fun.
20:21I think it's good for people who are acting to see it in their own way.
20:27I don't have a good habit of watching a lot of people win.
20:40To be honest, I'm getting less and less interested in this.
20:44It's really interesting.
20:46The most interesting thing about W was that Kintaro was so caught that he slipped.
20:56Kintaro was the best.
21:00It's absolutely desperate, but it's still broken.
21:05I want to see that feeling more than the humor of an interesting female entertainer.
21:15In my opinion, Kintaro won the Grand Prix.
21:22In that sense, M-1 went too far to decide the best manzai.
21:32I'm getting more and more educated.
21:37I'm getting older, so I don't know how I used to do it.
21:44There's a reason for those people.
21:47It's not about the technicality of manzai.
21:50It's about the size of the ball as a human being.
21:53It's about the size of the scale of the belly of Kintaro.
22:01It's like a scale I've never seen before.
22:04He's the kind of person who can see the explosion of that scale.
22:08That's a good thing.
22:12If we talk about diversity,
22:14entertainers are creatures that don't like to be judged by others.
22:21Entertainers have a lot of pride in their manzai.
22:31I have something to say about that.
22:37Wait a minute.
22:38I don't like to hear it in front of the judges.
22:44I'm getting older.
22:47I'm getting older.
22:49I'm getting older.
22:51I'm getting older, but tell me to go to Wakabayashi.
22:56I'll ask you.
23:01I don't want to see the judge of Wakabayashi.
23:04It's Wakabayashi's idea.
23:07I think it's a good idea to be prepared for the big flow.
23:11The more you get older, the more you have to take on bad jobs.
23:16I think the radio will be more interesting if you do that.
23:23I don't think it's interesting if you don't go.
23:26That's right.
23:28The worst part is the most interesting.
23:31That's right.
23:34I sometimes think it's better to do it.
23:37I don't want to do it because it's my home.
23:40There are two people.
23:42I don't want to go to the radio, but I think it's a good idea to do it with two people.
23:48But if you go there, something will happen.
23:52That's right.
23:57Do you have anything to say?
24:00There are so many entertainers these days.
24:06The range of entertainment is so wide.
24:09MC, commentator, actor, singer.
24:15The range of entertainers in the entertainment industry is so wide.
24:24That's why people are sensitive to calling themselves entertainers.
24:30Some people say that they are entertainers if they do entertainment.
24:34Some people say that they are entertainers even if they don't do entertainment.
24:40I don't think that's the case.
24:47What should I call myself?
24:51If you say entertainer, I think people who do show racing will say no.
25:00Do you think so?
25:02I think so.
25:04I don't think I'm an entertainer when I see a barbecue entertainer.
25:11I think I'm an entertainer when I see a barbecue entertainer.
25:16I think I'm an entertainer when I see a barbecue entertainer.
25:21What do you think is the definition of an entertainer?
25:28The worst thing is...
25:30I'm an entertainer who plays the commissioner of the Butcher Brothers.
25:36I don't want to lose to Butcher Brothers.
25:39I brought an old man who was the representative of the Butcher Brothers.
25:45I told him that I was teaching Mandarin.
25:48You made him an entertainer.
25:50I made him an entertainer so that he could speak Mandarin.
25:55I understand it the best.
25:57I quit rakugo and became a radio DJ.
26:00If there is no one who does entertainment,
26:06I think I'm an entertainer.
26:08I think I'm an entertainer when I see a comedian who is struggling with his opinions.
26:15I think I'm an entertainer when I see a comedian who says you're not doing anything.
26:20I don't care about it now.
26:22I thought it would be good when I was young.
26:25I think I'm an entertainer when I talk to entertainers.
26:28I don't make a joke even if I'm an entertainer.
26:34I'm a total sleeper.
26:36When I'm with a lot of other entertainers,
26:40Shizuka is doing a comedy, and Matsumura is doing an impersonation.
26:44I don't know anything because I'm a talking person.
26:47When I think like that, I understand it.
26:49I don't know what an entertainer is.
26:51I don't know what to say.
26:53I don't know what to say.
26:57It's not just about doing it.
27:00YouTube has increased.
27:03No one can say anything about singing.
27:09What do you do?
27:11What do you do when you write a job description?
27:15I'm an entertainer.
27:17I'm an entertainer.
27:19I'm an entertainer.
27:21I'm an entertainer.
27:23I'm an entertainer.
27:25I'm on stage.
27:27I'm making new content every month.
27:30I'm making new content every month.
27:32I'm making new content every month.
27:34I think I have a feeling of this.
27:38When we say that,
27:41We're standing on a board.
27:44We're standing on a board.
27:46We're standing on a board.
27:48The Yoshimoto Oni who said,
27:50The Yoshimoto Oni who said,
27:52I won't do it anymore.
27:55I won't do it anymore.
27:57I won't make it into a full-length program.
28:01I won't make it into a full-length program.
28:06That's right.
28:08Your fans will also say that.
28:10Your fans will also say that.
28:12Your fans are hot, right?
28:14Do you think you're a TV talent, not an entertainer?
28:18It's important to see if you can do it or not on a mental level.
28:23I'm sure everyone has experienced the embarrassment of saying or not saying something.
28:28But at that time, the words you say start to get in the way,
28:32and it's my job for everyone to decide.
28:37I'm an immigrant, so I don't have any other genre.
28:43It's really lame, isn't it?
28:45It's not something to say.
28:46I'm sure everyone has experienced the embarrassment of saying or not saying something.
28:54Even if you're in a variety show,
28:57people who are very active are called entertainers.
29:02Like Ogasawara.
29:03Ogasawara is an entertainer.
29:05He's like an entertainer.
29:07Isn't it a little unfair?
29:09What's unfair?
29:10Isn't it a little unfair?
29:12Ogasawara and Kasuga are both funny, but...
29:16Kasuga just came in.
29:19There's a difference here, too.
29:22I don't want to make it sound like a compliment,
29:25but I had a job at NHK the other day.
29:29There was a program called Today's Dialogue,
29:32and I was put in the key of a fishing club in the city.
29:36When I entered the cosmetics company,
29:39I saw a lot of people saying,
29:41Oh, that's how you do it.
29:43I'll show you the before and after.
29:45The entertainer is someone who has a sense of humor.
29:48I'm not saying this in front of you,
29:51but when Mukai-kun, who helped me with the episode,
29:56was the host,
29:59I think he has a sense of humor
30:02because he can change the atmosphere like Onmyoji.
30:05I don't think the general public can understand that.
30:09That's what I'm worried about.
30:12I'm sure there are a lot of people who wake up late
30:16and want to know a little bit about comedy.
30:20I've given up,
30:22but I think everyone is saying too much behind-the-scenes.
30:26If this is really about comedy,
30:29it should be about comedy, including the parts that no one notices.
30:33We feel like we're not doing anything.
30:38I feel like that's X,
30:41so I have a habit of saying it.
30:44If he says it, I'll do more.
30:49It's stimulating.
30:51The viewers want to hear it,
30:54and they can understand it.
30:57If you say you're behind the scenes,
30:59you're not behind the scenes anymore.
31:01That's right.
31:02The behind-the-scenes will declare it.
31:05I don't think this will be transmitted.
31:08That's right. It's difficult.
31:10Is there anything you're worried about in 2020?
31:13I'm worried about Uwa-chan's disappearance.
31:16Disappearance?
31:19I don't know, but I...
31:21Is it a topic that makes you feel good?
31:24When Uwa-chan came out, there was something.
31:27That's right.
31:29There was something like that.
31:31The world told me that I couldn't forgive him because he was like Fuwa-chan.
31:36I said it wasn't good to deny Fuwa-chan,
31:40but the people around me were very rebellious.
31:43After that, when I happened to listen to Fuwa-chan's radio,
31:47I thought, this girl is interesting.
31:50It doesn't matter if I like it or not,
31:53but I'm sure there are people who are encouraged by this girl's unusual behavior and unusual brightness.
32:02I was doing my best.
32:04One day, something happened.
32:06It doesn't matter if it's bad.
32:08It doesn't matter if everyone gets angry.
32:10But I thought there were a lot of people who said,
32:12Please forgive Fuwa-chan.
32:14Especially in radio conversations.
32:16I don't know, but it's not good.
32:18There are some places where it's not good,
32:20and there are some places where it's not good.
32:22I thought there were people who said that,
32:24but they died so beautifully.
32:26That's right.
32:28I was a little nervous.
32:30Now, in the world,
32:32there are people who are very angry.
32:34It's true that I'm angry.
32:36This person is also angry because he is angry.
32:39But I was sensitive to it.
32:41And it was too popular.
32:44I got a lot of responses from sponsors.
32:47But I don't think it's okay to be angry on the radio.
32:50That's right.
32:52That's scary.
32:54I don't judge people based on the fact that they are angry.
32:59I don't judge people based on the fact that they are angry.
33:03I don't judge people based on the fact that they are angry.
33:07That's right.
33:09I want to see people being angry like Kaiji no Tekkotsu Wazare.
33:12I don't know if people will like it or not.
33:15That depends on the mood.
33:17This person jumped into the pond.
33:20He has to rest a little more.
33:23He's already tired, so he's back to Tekkotsu.
33:28What kind of route is that?
33:30I don't know that.
33:32I realized and crossed again.
33:34I'm not the one who fell.
33:36I'm sweating, I'm tired.
33:38It depends on the person, but you have to do it.
33:40It depends on the person.
33:42This is a middle-aged decision.
33:44I don't know.
33:46For me,
33:48in X,
33:50it's easier to argue.
33:52I think they're just writing
33:54what they've been thinking.
33:56I think it's better to fix
33:58the number of counts
34:00and the influence.
34:02In the old days,
34:04when you wanted to see how much a sheet of paper cost,
34:06you'd see a lot of angry people
34:08writing on the edge.
34:10And it wouldn't reach you right away.
34:12You'd open it one night,
34:14go to the post office,
34:16and of course,
34:18you'd think it's bad.
34:20But if you see 10 people
34:22writing X,
34:24you'd think
34:26they're writing
34:28with a lot of money.
34:30I think that's the real thing.
34:32You treat it
34:34the same way you treat X.
34:36You treat it like,
34:38everyone is angry.
34:40Everyone is rooting for this.
34:42Everyone is angry.
34:44I know
34:46they're going to stop,
34:48but
34:50it's scary.
34:52It's scary.
34:54I want them to stop.
34:56It's been years.
34:58This atmosphere.
35:00Which one are we going to take?
35:02Takeshi changed that.
35:04Until then,
35:06no matter how much you earned,
35:08entertainers were clearly discriminated against.
35:10I'm saying this,
35:12but it's what entertainers say.
35:14And
35:16my father,
35:18compared to the entertainers
35:20he earned a lot,
35:22he earned a lot less,
35:24but he thought it was better than being an entertainer.
35:26I was a little out of balance.
35:28It was a bad thing.
35:30I was out of balance.
35:32But now I'm respected,
35:34I get political comments,
35:36if I want to run for office,
35:38I will.
35:40I can't let people
35:42make fun of me.
35:44I can't do that.
35:46I see.
35:48I see.
35:50It's really difficult
35:52to do a live radio show.
35:54It's the most difficult.
35:56It's really difficult.
35:58I thought you were going to say,
36:00please do it.
36:02It's really difficult.
36:04It's not a piece of cake.
36:06It's more difficult.
36:08I want to get insurance.
36:10I want to be able to join.
36:12Insurance.
36:14It's a risk.
36:16Live radio shows
36:18are reflective.
36:20And you have to be in good health.
36:22I feel like I'm going to say something today.
36:24There are days when I'm careful,
36:26but I'm afraid of fun days
36:28and work.
36:30I'm afraid.
36:32I'm afraid to say it without realizing it.
36:34At the time of the Olympics,
36:36Mr. Kitaguchi said,
36:38it's cute.
36:40He said that a lot.
36:42He said that a lot.
36:44He said that on his Nagoya radio show.
36:46He said that on his Nagoya radio show.
36:48Of course,
36:50that's not a good way to say it.
36:52But he said,
36:54I wonder if I would have said this.
36:56I wonder if I would have said this.
36:58When I presented it,
37:00only one part of it
37:02became an article.
37:04I'm scared.
37:06I think so.
37:08So I'm a language-loving person.
37:10When it became a net news,
37:12I was hit a lot.
37:14I'm like you.
37:16I'm like you.
37:18I'm like you.
37:20I'm like you.
37:22No, I was angry.
37:24No, I was angry.
37:26Then I said it was a good title.
37:28Then I said it was a good title.
37:30Well,
37:32I still remember it clearly.
37:34I wasn't the official followers.
37:36I wasn't the official followers.
37:38I was the official Hollywood-ish intolerant human.
37:40I was the official Hollywood-ish intolerant human.
37:46I thought,
37:48if I killed the flow,
37:50I started by telling him not to make a fool of Todo.
37:53It's weird, isn't it?
37:54It is weird.
37:56And then I started to talk about something else, something really different.
38:02Can you imagine?
38:03That's so sad.
38:04And then I reached the point...
38:05I'm like, as a whole,
38:07do you know anything about the food waste of Todo?
38:10He's been talking about fat for a while now.
38:12I've heard a lot about that.
38:15That's true.
38:16He's got a long story.
38:20Thank you very much.
38:22It's already 1.32pm.
38:24It's over in 20 minutes.
38:27I was like, is it already over?
38:29And he was like, you guys already talked.
38:32It's your fault.
38:34There are a lot of things that can't be digested.
38:38How about you, Mukai?
38:41I saw Nakata-san's video on his YouTube channel.
38:45He talked about how he was in a middle-age crisis.
38:51I was really surprised.
38:54What is a middle-age crisis?
38:56It's like a middle-age crisis.
39:00I've done a lot of things.
39:04But the moment one thing comes true, I don't know what to do.
39:09It's like a burning fire.
39:11It's like a state of helplessness.
39:14It's a middle-age crisis.
39:16And Nakata-san made it.
39:19I've been his junior for a year.
39:21I've been watching him closely.
39:24I've been watching him closely.
39:26I've been watching him closely.
39:30I've been watching him closely.
39:34I don't know what to do.
39:39But I think I know what to do.
39:43You've gained experience.
39:45I like radio.
39:48I've been listening to the radio.
39:51I've been listening to the radio.
39:54I don't know what to do next.
39:58I don't know what to do next.
40:01Did you have a moment like that?
40:05I was really nervous.
40:08I was really nervous.
40:11But there's no one who can teach me how to get out of it.
40:15But there's no one who can teach me how to get out of it.
40:18I'm leaving.
40:20I'm leaving.
40:23I'm leaving.
40:26I'm leaving.
40:29I've heard that if you use the same part of the brain circuit for many years,
40:35I've heard that if you use the same part of the brain circuit for many years,
40:40it's like a fire.
40:44If you work like a fire, you'll burn out.
40:47Kasuga is on TV like water.
40:50Kasuga is on TV like water.
40:54Kasuga is on TV like water.
40:58If you burn it, you'll use it for years.
41:02If you burn it, you'll use it for years.
41:05Did you have a moment like that in your career?
41:09Did you have a moment like that in your career?
41:12I'm very detailed.
41:15I'm very detailed.
41:18I've been repeating it over and over again.
41:21I've been repeating it over and over again.
41:24I've been repeating it over and over again.
41:27I've been repeating it over and over again.
41:30I've been repeating it over and over again.
41:33I've been repeating it over and over again.
41:36I've been repeating it over and over again.
41:39I've been repeating it over and over again.
41:42I've been repeating it over and over again.
41:45I've been repeating it over and over again.
41:48I've been repeating it over and over again.
41:51I've been repeating it over and over again.
41:54I didn't edit the lyrics.
41:57I didn't edit the lyrics.
42:00I didn't say anything.
42:03I didn't say anything.
42:06I couldn't speak at the big event.
42:09I couldn't speak at the big event.
42:12I couldn't talk without a talisman.
42:15Even in private.
42:18I had a friend who bought me a toy microphone.
42:22He asked me what I wanted for dinner.
42:25I didn't say anything for a month.
42:28I'm speechless now.
42:31Wait, you were talking for an hour?
42:34That's crazy!
42:37What's going on here?
42:39Is this like Eclipse?
42:42That's right.
42:45Everyone is trying to make money with me.
42:50I was thinking about it.
42:52If I make money, I can continue to do radio.
42:55I can't deny it.
42:57But if I don't do it, I'll be in trouble.
43:00I've been doing it for about three weeks.
43:04It's said that it happens a lot when your illness improves.
43:12But this time, it's the other way around.
43:15Everything is wonderful.
43:18In my case, I saw the traffic light in front of the Nippon Broadcasting Station.
43:22I saw the traffic light in front of the Nippon Broadcasting Station.
43:29Then I felt good about everything.
43:33If I can experience that again, I think I'll be fine.
43:40Then the traffic light won't come.
43:44Did you get over it?
43:46All of a sudden.
43:48If you have a little premonition, I'd like to talk to you.
43:56I got over it about three weeks ago.
44:00No one told me how to get over it.
44:04Experienced people will leave.
44:07I was surprised to hear from Mr. Ishii.
44:11He's not here.
44:12He didn't talk about it on the radio.
44:15The energy and vitality of the energy are always in Golden.
44:22It's shiny.
44:24It's different.
44:26Three weeks ago, I thought everything was wonderful.
44:30I thought it would be nice to go to New York.
44:33I'm collecting it now.
44:34Is there such a phase?
44:36I'm collecting it with the same passion as a European model.
44:40I'm looking for food because it's fun.
44:44I was surprised.
44:45All of a sudden?
44:46All of a sudden.
44:47I don't know what it is.
44:49I told you.
44:50You two have a lot of energy.
44:54When the aging starts, I'm impressed that I'm doing this at this age.
44:59People who have climbed Mt. Fuji so far.
45:03When I was young, I went to Mt. Everest.
45:07I climbed Mt. Takao at this speed at the age of 55.
45:11It will be recognized by everyone.
45:14In that sense, if you have the conviction that you can get over it,
45:18I think you can do it.
45:22That's what I think.
45:24Did you pour it like water?
45:26I didn't pour it.
45:28I didn't pour it.
45:30It's a type of water.
45:32It's a type of water.
45:34Do you think it will disappear if you pour it on us?
45:37This is the hope of Mr. Izui.
45:40That's right.
45:41I've been dancing around for years.
45:45A few years ago, I opened my earrings.
45:48Last year, I dyed my hair blonde.
45:51In the end, it was like that.
45:53I couldn't stand it anymore.
45:56It was like an electric shock.
45:58I dyed my hair blonde.
46:00It was stimulating.
46:03If this happens, I'll put a tattoo here this year.
46:07I didn't have it.
46:09But I think that's what it is.
46:13If you keep that in mind, you'll be able to get over it.
46:18I want you to put a tattoo.
46:20I put a tattoo in the middle of the night.
46:23It's an interesting story.
46:25In the corner of Hirazumi and Shinsho,
46:29There was a line of people who wanted to win in this society.
46:35There was a line of people who wanted to win in this society.
46:39There was a line of people who wanted to win in this society.
46:43I think a lot of people are thinking about it.
46:46I think it's related to the radio.
46:48The industry of radio itself has fallen to the right.
46:54In the old days, there was no flashy radio.
46:57In the old days, there was no flashy radio.
47:02In the old days, there was no flashy radio.
47:07Once you're fired up, you'll be able to do it again.
47:12There are people who are fresh.
47:16I want you to come back.
47:19That's right.
47:21While I was on TV, I thought it was a fun moment.
47:27It's a city legend special.
47:30It's an etude.
47:33It's a gag that overlaps with the city legend you're talking about.
47:37It's a difficult way to use it.
47:41I prepared a gag for you.
47:46I won't tell you this.
47:48I prepared a gag for you.
47:51It was really fun.
47:53If I did this to other people, I would be young.
47:58It's a gag that doesn't make you laugh.
48:01I was looking forward to it.
48:03I was looking forward to it.
48:06It was a lot of fun.
48:08I want you to come back with a happy face.
48:11I want you to come back with a happy face.
48:14It's a funny gag.
48:16It's a funny gag.
48:19I talked to Mr. Nakata on the radio the other day.
48:23Mr. Nakata said he wanted to do something with everyone.
48:30He said he was sorry.
48:34That's right.
48:37King Kong was on the radio early.
48:42He did a lot of things, so he'll come back.
48:47He'll be more macho and come back with a funny gag.
48:51There are times when you have to take a fighting pose to get the top.
48:56I love Mr. Nakata now.
48:59I saw it on TV.
49:01I think it's a good idea to have a man sitting there.
49:04I think it's a good idea to have a man sitting there.
49:07Mr. Nishino.
49:10It's funny.
49:13It's funny.
49:16It's a new martial art.
49:19It's a new martial art.
49:22It's a new martial art.
49:25It's only 10 minutes left.
49:29I prepared it just in case.
49:32It's like an opening talk.
49:34Let's have a final decision on the first day of the show.
49:40It's the end of the year.
49:41We don't want to get to the end.
49:43We don't want to get to the end.
49:47Let's have a final decision.
49:51We don't have much time left.
49:54Let's have a final decision.
49:58Is there a gag that doesn't hurt the viewers?
50:03There are people who want us to do a gag that doesn't hurt the viewers.
50:09Which one is it?
50:15Tell me the name of the work.
50:18There are people who give me Chaplin.
50:21This guy is the most stupid.
50:25Chaplin is cruel.
50:28There is warmth in the cruelty.
50:31There is a human nature.
50:35In the United States, there are people who say that weak people only attack strong people.
50:45In the United States, there are people who say that strong people only attack weak people.
50:49It's worse than in Japan.
50:52It's tough.
50:54It's tough.
50:57It's difficult.
51:01Even if you don't say anything bad, there is a moment when someone is hurt.
51:10It's a strange word.
51:14There are people who listen to MUKAI's radio.
51:20They say that I'm a good listener.
51:23I don't like it.
51:26The other person said he would do his best.
51:29I don't like that.
51:32I don't like it because I'm hurt.
51:34I think it's impossible not to be hurt.
51:37I think it's impossible not to be hurt.
51:40It's impossible.
51:42I think people who don't like it as much as possible will be judged as not funny.
51:51They won't laugh at that kind of thing.
51:54But I don't think there are any words that are not suitable for that kind of situation.
52:06I don't think so.
52:08I think it's okay to laugh at that kind of thing.
52:10I don't think we need to laugh at that kind of thing.
52:17That's right.
52:20We have to be prepared.
52:22It's dangerous to think that you won't hurt anyone.
52:27That's right.
52:29It's also dangerous to think that there is a laugh that no one will hurt.
52:35I'm always grateful to Mr. Yoshimura.
52:39Mr. Yoshimura is a teacher, and he is a teacher who reflects on his students.
52:45If I, Mr. Yoshimura, go too far, Mr. Yoshimura will come back to me.
52:52I'm glad to hear that.
52:55Mr. Yoshimura, do you feel like you're going too far?
52:58Of course.
53:01I respect and admire people who can go too far.
53:06There are some people who continue to save by themselves.
53:10This is also difficult.
53:13I understand a little bit of the feeling that delicate people don't like this.
53:18But if it gets too much, I can't say anything.
53:24I don't like comedians who hurt others.
53:34I don't like comedians who hurt others.
53:37I don't like comedians who hurt others.
53:45We have very little time left.
53:49Next, I would like to ask Mr. Mukai a question.
53:52Do you have to work hard to learn how to lose?
53:58I'm worried about this.
54:01At an event the other day, there was an event where five comedians competed in reasoning.
54:07Kuro-chan, Nobuko-kun, and Mr. Yoshimura were there.
54:11I was in a position where I was fast at reasoning.
54:21After reasoning for about two hours, the results were announced at the end.
54:28The results were announced in order from No. 5.
54:31No. 5 was Kuro-chan.
54:33I got zero points.
54:35I was very surprised.
54:36I was wondering what I had been doing for two hours.
54:40No. 4 was Mukai.
54:43Mukai got 10 points.
54:47I was very surprised.
54:50I was wondering if I could laugh at No. 4.
54:54I should have said,
54:57I should have said,
55:00I should have said,
55:04I should have said,
55:10Mr. Yoshimura said,
55:12Mr. Yoshimura said,
55:16Mr. Yoshimura said,
55:18I attacked Kuro-chan again and got zero points.
55:21I was wondering what I was doing at that time.
55:26I was wondering what I was doing at that time.
55:30When you do this,
55:34when you do this,
55:37I'm sure it's difficult.
55:39I'm sure it's difficult.
55:42That's right. I will pretend to know in two hours.
55:46I'll pretend to know all the answers.
55:51I'll pretend to know all the answers.
55:56Even if it's just a little bit, it's not a big deal.
56:01I think it would be bad if you two weren't really good at it.
56:07It's hard to say from that point of view.
56:09And it's really hard to say when you're old and have a body like this.
56:15Even when I really want you to say it now,
56:19Well, well.
56:21Well, the knowledge is going down.
56:25I'm doing a kanji quiz with other people.
56:29It's a kanji quiz.
56:30I'm doing the one I have to get right when I want to give it to the last guest.
56:38And at that time, everyone's like,
56:41I'm serious.
56:44It's hard to say at times like this.
56:47Well, I guess so.
56:50It's not like I'm going to take it.
56:52That's right.
56:54It's the final move.
56:57Akabayashi-kun, you're pretty good at it.
56:59I'm sure you'll get it right.
57:01I'm going to go to the uninhabited island on the streetlights of the school revolution.
57:06All four themes are in fourth place.
57:10I'm not doing anything anymore.
57:12No, it's not like that.
57:16It's not scary.
57:17I know it's too much to take.
57:20I haven't been good at self-reflection for 15 years.
57:24So I'm not doing anything.
57:28Is that the right answer?
57:30I don't know if it's the right answer.
57:32You'll find out if you're good at it or not.
57:36I'm not good at it.
57:38I was going to say one more thing.
57:41Is that Kanpei really 30 seconds?
57:45I'm sorry, guests.
57:46I can't get a little longer.
57:49I'd like to ask you to do it for about two hours next year.
57:53I'm sorry, it's over.
57:55I'm in the middle of it.
57:57I'm in the middle of it.
57:59It's five o'clock.
58:00I just finished a time when I couldn't do it well.
58:03Thank you for your cooperation this year.
58:05That's it.
58:06Thank you for your cooperation this year.
58:08Thank you for your cooperation this year.
58:10Thank you for your cooperation this year.
58:13I think it's better to have a doll for the survey.
58:16I haven't done it at all.
58:19I haven't done it at all.
58:21I haven't done it at all.
58:24Nappu Nakanishi, Kuro-chan, Fukutome, Mitsuho are here.
58:28I'm going to have a three-leaf clover.
58:30I'm going to have a three-leaf clover.
58:32You're really going to say hello.
58:34I'm going to have a three-leaf clover.
58:36Kuro-chan, who has never been on a talk show, is in a big trouble.
58:40Look at the kanji of the house over there and compare which is the upper Nakanishi.
58:44It's the most dangerous in the flow of today's story.
58:47What is the action tone of Nakanishi that is too dangerous to surpass Kuro-chan?
58:50The five-day talk show.
58:52The five-day talk show.
58:54Wait a minute.
58:55I haven't spoken at all.
58:58I'm just going to put on a white blur on the scene where I'm on.
59:01The first poem is followed by...
59:04Aji Kochi Odori is on TVER U-NEXT.