El cantante Ricardo Arjona expresa su cansancio con las entrevistas tradicionales y decide ser entrevistado por una inteligencia artificial para promocionar su nuevo disco "Seco". Según Arjona, esta IA ha realizado un trabajo de investigación más profundo que muchos periodistas a lo largo de su carrera.
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00:00Listen, we'll be right back, but let's get back to Ricardo Arjona because he appears again, gives an interview, but pay attention to this because it's wonderful.
00:10Ricardo Arjona is a little tired of certain interviews that he did in the promotions of the albums or the releases.
00:17They say that a certain type of artist would no longer have to do those notes, if it is also when you started, that you want to present your career, blah, blah, blah.
00:23But the already consecrated do not need the promotion notes on time because many times they find people who send them that they do not know who they are, they do not know what they did, they do not know their songs, which is also true.
00:35In other words, you have to accept some criticisms.
00:38So what did he do? He said that I interview the artificial intelligence, that I never interview a journalist again, that the artificial intelligence comes.
00:45The chat of GPT?
00:47No, a girl who does not exist, now you are going to see her, a little doll. No, less real than Mari.
00:53Ah, ok, a literal machine.
00:55He does the interview, look.
00:58They are many years of career, and the concept that I have today of what an interview is, as such, is clear enough so that since a few years ago I have made the decision not to do it anymore,
01:19because it seems to me that it is an exercise that must be mandatory for people who are starting in their first five years, and after 15 or 20 years of career it should be prohibited,
01:30because those who are forced to do interviews after 15 or 20 years of career, are practically thrown into a vacuum of repetition in which the element that is going to appear sooner or later is boredom,
01:49self-boredom and the boredom of the one who asks, and of course the worst boredom of all, which is the boredom of those who receive the interview.
02:01Trying to run away from this, I must confess that I spent approximately 15 years of my career lying in the interviews, but I lied without any malice, I lied as an exercise to entertain myself,
02:18because when they asked me what my beginnings had been, I had said it so many times that I found it very tiring to say it again, then I invented another story.
02:28No Falto Quien reported a little and told me, but that was not what you said the other time, so that for me was like a symptom that the person in front of me, at least, had taken the trouble to read a little about me.
02:42I am two minutes away from trying a very crazy exercise, at the release of this album called Seco, we are going to do two interviews, once with me when I was a child,
03:01and the other is this, with a character that we have been talking about for a long time, and who, due to his characteristics, has done a research work that surely not all the journalists who interviewed me throughout my career did.
03:17I mean the madness of trying an interview with artificial intelligence, I don't know her, she knows me very well, she was warned in some way with some features and with some anecdotes,
03:34what is my way of seeing the interviews, I should also be prepared for those things, although we know that her specialty, luckily, is not yet emotion. I want to declare myself available to try this interview, which is very crazy, but that possibly manages to get out of me the things that they did not get out of all the interviews throughout my life.
03:58I was a copy without schedule in an advertising agency, the copy in advertising agencies are the ones in charge of creating the slogans of the campaigns, so I worked as a copy in an advertising agency for campaigns that were completely out of date and that a Mexican boy called me to create a phrase,
04:22but be careful, I don't come from being a copy to being a singer-songwriter, I already wrote songs, in fact, it is in a Bohemia after several drinks with a guitar in hand that the creative Mexican appears and listens to two or three songs and in the end the guy, while everyone gave me comments about my work and others, the guy told me, you are a copy, your song is full of phrases that could,
04:49and I say, well, at that time, I must mention, I studied at the University of San Carlos, I worked as a school teacher, I earned 240 quetzales a month, I gave guitar lessons to children to solve the matter a little and I played basketball.
05:05It went very well for me and I won very well, I won better as a copy without schedule than in all the other activities I did, including the basketball one. For example, the problem is not that you lie, the problem is that I believe you.
05:21Well, I propose now, Juana, this, if I start interviewing you, artificial intelligence, here in the edition they took it out, we do not see the doll in the interview, which was the grace of all this thing.
05:30We put artificial angels.
05:33But it doesn't depend on how you feed it, what you're going to ask.
05:36And look at Mari.
05:37Of course.
05:38Well, artificial intelligence supposedly sucks all the information there is.
05:42Yes, but it also sucks information that is wrong.
05:44Well, yes, fake, it eats fake.
05:46Then it is based on the same thing that the journalists asked him, I don't know why it is based on a human being, because it is the same.
05:52What happens is that artificial intelligence does not invent anything.
05:54Which I think, in this case, as much as it is an option, I think there are many media that build as their identity and that is why it is interesting that a person from that place goes to do it.
06:05A prepared person, because they probably sent him to a journalist who had nothing to do with it.
06:11But you can study.
06:13There are people who are prepared and there are people who do not even know who Sarjona is.
06:17Yes, that's true.
06:18That's the mistake.
06:19It was like that all his life.
06:20Yes.
06:21He had disappeared a long time ago because he had a health problem, he was in Barcelona.
06:29Practically, he thought he was going to get out of the wheelchair operation so he was not going to recover.
06:35But he had his recovery in Barcelona and well, he started to improve.
06:38Well, I suppose he still releases whole albums.
06:40Yes.
06:41He has already lost that habit.
06:42Yes, it is obvious.
06:43No, because now they release songs.
06:44They release songs, it is obvious.
06:46Luckily they release three songs.
06:48Maritza has a song and we are with her.
06:51It's a miracle, guys.
06:52It's not easy.
06:53Once I told Los Nocheros, we didn't see you do a show with 50 songs like you have, that I with a single song, 40 minutes.
06:59No, no, no.
07:00A ten-minute song.
07:01It's in remix.
07:02A ten-minute song.
07:03Now I have to be a trapper.
07:04Very difficult.
07:05Very difficult.
07:07You have to do a feed of La Cachaca with María Becerra or with Emilia.
07:10Of course, the collaboration.
07:11Yes, it's obvious.
07:12They break it.
07:13María, María, María.
07:14No, how is the composer, this genius?
07:16Pizarrap.
07:17Pizarrap.
07:18Pizarrap, what a genius.
07:19I like that.
07:20Speaking of La Cachaca, Tini got tits?
07:22Yes, yes.
07:23Today I saw that, but no, no.
07:24Arroca Salvo didn't like it.
07:26Why?
07:27No, he didn't like it.
07:28If you don't talk about the songs.
07:29He doesn't like it.
07:30He does whatever he wants.
07:31Everyone gets in or gets out whatever he wants.
07:33He didn't like it.
07:34I don't know why.
07:35Not the tits, but how?
07:36Is it a menial of tits?
07:37No, no, Tini's tits.
07:39It's like he doesn't mind that she's blonde.
07:42It's a paparazzi.
07:43It seems that Tini went to a clinic, right?
07:45Yes.
07:46Arroca, the name.
07:47Here in Buenos Aires.
07:48And she didn't enter through the door.
07:49Arroca, your friend.
07:50She didn't register.
07:51My friend, don't criticize her, please.
07:52Arroca, says Arroca.
07:53It's fine.
07:54Here in Buenos Aires, in Palermo.
07:55What's wrong with him?
07:56It's fine what he did.
07:57She didn't register.
07:58It's fine.
07:59She entered through the ambulance door.
08:00It's a sin.
08:01It's a sin.
08:02It's a sin.