ザ・カセットテープ・ミュージック 2024年12月15日 【シーズン2.2 #1】第８回日本カセットテープ大賞 前編
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00The 8th Kagayaku Nihon Cassette Tape Taisho!
00:07The 8th!
00:08Wait, wasn't the show already over?
00:10Did it come back?
00:11Suji-san, Suji-san, you don't have to say it.
00:14It's called the BS world's swing state.
00:17It's shaking, it's shaking.
00:18It's shaking, it's shaking.
00:19And it comes back again.
00:20Ah, the trampoline.
00:21No, it came back.
00:23That's how it is.
00:25Speaking of Cassette Tape Taisho,
00:27you're Ton-chan, right?
00:28Yes!
00:29Nice to meet you.
00:30Nice to meet you.
00:31Thanks to you,
00:32when I heard about Cassette Tape Taisho,
00:34I thought,
00:35is it the end of the year again?
00:36I started to feel it.
00:37You started to feel it, right?
00:38Yes, I did.
00:39That's right.
00:40But every year,
00:41the judge for the costumes
00:43gets strict from the staff.
00:45Ton-chan,
00:46today is Cassette Tape Taisho.
00:47Why are you so plain?
00:49And I got scolded a lot earlier.
00:50That's true.
00:51You know,
00:52the usual curtain style.
00:53No, no, that's not it.
00:54Like an accordion curtain.
00:55That's not it.
00:56That's not it, that's not it.
00:57It's like red.
00:58That's right.
00:59So I tried to avoid red,
01:01but when I tried to go back to the beginning,
01:03Going back to the beginning?
01:04Isn't that a costume you can wear on the train?
01:06No, no, no, no.
01:07It's better to wear a costume you can't wear on the train.
01:09No, no, no, no.
01:10I'm wearing a red dress on the train.
01:13You are?
01:14I am, I am.
01:15Really?
01:16You look like Masako Ohya.
01:18I'm Masako.
01:19Ton-chan,
01:20I think blue suits you better than red.
01:22What do you mean?
01:23Blue, blue, blue.
01:24I have a new feeling.
01:25There it is.
01:26It's an adult blue heart.
01:28An adult blue heart.
01:29I drew it. Thank you.
01:31This is...
01:32Blue, blue, blue.
01:33I can only feel it in my eyes.
01:35I'll give it to you.
01:36Please show it to me.
01:37I'll give it to you.
01:38Please show it to me.
01:39The inside is real, too.
01:40It's already done.
01:41It's already done.
01:42It's completely done.
01:43I'll give it to you.
01:44It's always the outside.
01:56I'll say it with my lips.
02:05The best two hundred and three wins.
02:12The word two hundred and three years has been talked about in this show quite a bit.
02:18We have a lot of songs.
02:20There are a lot of songs to drink.
02:22It's a typical thing, and it's become a hot topic on this show.
02:26Even on the streets, people are like, oh, that's where it is.
02:29It's gone viral.
02:30It's gone viral.
02:31I think you can tell where it is.
02:33So please listen to it.
02:48This part feels good!
02:50This part is beautiful!
02:56It's like it's going up at once.
02:59Toru, do you understand this feeling?
03:01I understand, but the pressure on both sides is amazing.
03:04It's fun.
03:05If we listen to it for 203 years,
03:07we can't help but feel the pressure on our buttocks.
03:10The two of you are amazing.
03:11The chair is off.
03:12I'm sorry.
03:13Toru, you look like you're going to fall.
03:15Your butt is in between.
03:16I'm sorry.
03:17My buttocks are up.
03:19This technique is a very necessary element for J-pop and music.
03:25If you use it at this point,
03:27it will make you feel better.
03:30It's often used at Grammys,
03:33but it's also used at the In Memoriam.
03:36It's a bit of a tweet.
03:38Actually, this was recognized as the first 203 years in Japan after the war.
03:45It's a very memorable 203 years.
03:55Here it is.
03:56Please listen.
04:03You understand, right?
04:15I'm sorry.
04:27I'm sorry.
04:45I'm sorry.
05:09I'm sorry.
05:16I'm sorry.
05:24It was right after the war.
05:26It was right after the war.
05:27It's been three years.
05:28The word, Bugi-Ugi,
05:30and the sound of the blue note in Onkai,
05:34how shocking it was.
05:37And the most important part,
05:40Tokyo Bugi-Ugi.
05:42Tokyo Bugi-Ugi.
05:45Tokyo Bugi-Ugi.
05:51That's Shuri.
05:53Shura-chan.
05:54I see.
05:55It's this year, right?
05:56It's this year.
05:57That's right.
05:58It was held until March.
06:00That's right.
06:02The 203 years in Japan after the war started from here.
06:05It started.
06:06It started.
06:07It's amazing.
06:11This is unfair.
06:13That's what it is.
06:15Don't forget this.
06:17I understand.
06:18That's what it is.
06:19After 40 years,
06:22I have a strong image of the 203 years.
06:27The 203 years that I feel you.
06:30Please listen to that song.
06:35Tokyo Bugi-Ugi
06:39Tokyo Bugi-Ugi
07:04When will you come?
07:06Not yet.
07:07Not yet.
07:08Calm down.
07:09Calm down, ladies.
07:38Cold sand
07:41When I look back at my footprints
07:44I smile from a distance
07:48I feel you, I feel you
07:52Oh, Mickey
07:54Oh, Mickey
07:56It's good. It's cute.
07:57It's cute.
07:59It's cute.
08:01I feel you, I feel you
08:04Oh, Mickey
08:07I like this part.
08:09It's good.
08:10It's good.
08:11I'll explain it later.
08:14In the 203 years,
08:15there is a part called Kime
08:18and there is a part that is included in the song.
08:21This is also a part that is included in the song.
08:25There is also a Kime part.
08:26Is that so?
08:27Yes.
08:28Please listen to that part.
08:31Oh, Mickey
08:32Smile
08:33Accept it
08:37With your soft love
08:44La la la la la
08:47La la la la la
08:50It's good.
08:51I think it's a great song,
08:54but I can't forget the lyrics.
08:57The image of the blue coral is too strong.
08:59That's right.
09:00But as a song in the 203 years,
09:03it's a very good, wonderful, and fashionable song.
09:06As a song in the 203 years,
09:09I like this song very much.
09:12Now, let's talk about Kime.
09:15Kime is an arrangement.
09:18It's not a song,
09:20but it's a trick to step on the instrument.
09:25This is a very typical 203 years.
09:34Oh, it's good.
09:41I have a feeling that it will come out.
09:45I have a feeling that it will come out.
09:46It's interesting.
09:48I have a feeling that it will come out.
09:50I have a feeling that it will come out.
09:55I have a feeling that it will come out.
09:59It's good.
10:02I have a feeling that it will come out.
10:07It's good.
10:10I have a feeling that it will come out.
10:13It's good.
10:15I have a feeling that it will come out.
10:17It's good.
10:20I have a feeling that it will come out.
10:22It's good.
10:24Good timing.
10:28Love is not the first time.
10:35Love makes me different every time.
10:43You show me.
10:47Mysterious.
10:49Mysterious.
10:51Peach Pie.
10:55I can't hide it.
10:59I feel like a peach pie.
11:03My feelings.
11:06Melt into seven colors.
11:10I feel like a peach pie.
11:17I feel like a peach pie.
11:26It hasn't come out yet.
11:27It hasn't come out yet.
11:29It smells like something.
11:31It smells like something.
11:36It seems to come out.
11:38It is a classic kime-kei.
11:42This is the second stage.
11:45It's a little different from the first stage.
11:48I have a strong way of using it.
11:50I have a strong way of using it.
12:04It has come out.
12:06Wow!
12:07Wonderful!
12:08It's great, isn't it?
12:09It feels like the 80's are here!
12:11The 80's are here!
12:12It's here, it's here!
12:13Right?
12:14In 203 years, it's easy to feel good just by doing it,
12:17but it's even more effective if you change the whole note to a single note.
12:23In addition, I'll tell you something special about this device.
12:27The scale used in this da-da-da-da-da is called the Sorashidore scale.
12:33Sorashidore.
12:36Sorashidore.
12:40Sorashidore.
12:42That's a bit too much.
12:44A bit too much?
12:45It's not the same.
12:47Not the same?
12:49Right, right, that's how it's used.
12:51It's called the Sorashidore scale because of the scale of the instrument.
12:58Now, the results.
13:00Thank you very much.
13:02This is a very heart-wrenching song for people from the late 1990s to the early 2000s.
13:10At the end of the song, there is a melo-bake.
13:15Melo-bake.
13:17Melo-bake can also be called fake.
13:20Melo-bake is a melo-bake that has the same pattern as the original song, but at a certain point, it changes and becomes even more effective.
13:31That sounds emotional.
13:33That's right. Melo-bake came in 203 years, and this is 203 years in the song, so it's very effective because it only comes in one place in the end.
13:42Let's listen to it from the beginning.
13:50Melo-bake
14:20Melo-bake
14:50Melo-bake
15:20Melo-bake
15:30Melo-bake
15:40Melo-bake
16:00Melo-bake
16:20Melo-bake
16:30Melo-bake
16:40Melo-bake
16:50Melo-bake
17:00Melo-bake
17:10Melo-bake
17:21This is the announcement of the Best Collaboration Award.
17:26I think this is the song we want to hear this year.
17:35Ah, it's nostalgic.
17:51Ah, it's nostalgic.
17:59It's over.
18:01It's nostalgic.
18:03The song that came out in the world is called Dema Eiccho in the name of Eichi Ohtake.
18:07That's right.
18:08It's a commercial song for instant ramen.
18:10This is a commercial song before the release of Long Vacation.
18:14Oh, I see.
18:1580 years.
18:16It's the sound of Eichi Ohtake as a whole.
18:18Especially in the Kansai region, before the release of the Long Vacation album,
18:22The sound of Melo-bake was called Dema Eiccho.
18:25The ease of the East and the West is amazing.
18:29Who collaborated with Eichi Ohtake?
18:32This year, Kida Taro, a great talent who passed away in 2024.
18:37At the end,
18:38Oh, Dema Eiccho.
18:40This is Kida Taro.
18:42The logo is Kida Taro.
18:46So, about the so-called sound logo,
18:49Oh, Dema Eiccho was there first.
18:52And you docked it there.
18:54Actually, Long Vacation was supposed to be released in 1980.
18:58So it was supposed to be released with Long Vacation.
19:01However, it was extended to 1981 due to initial circumstances.
19:04This was released earlier.
19:05What is your favorite song?
19:07I like Rekotai.
19:10No, not Rekotai.
19:12That's a fake.
19:14No, it's not.
19:15It's Kasetai.
19:17It's Kasetai.
19:20Kasetai.
19:21I can say that I play it every time I introduce this song.
19:25Oh, this is quite an enthusiasm.
19:27The best, Unknown.
19:30Unknown is the keyword.
19:32It's called Roosters.
19:34It's an 8-beat solid rock band.
19:37It's a fast-paced 8-beat rooster.
19:42The chorus is off-course, too.
19:46It's also an elecassé.
19:49As for the guitar solo, it's like a boy.
19:54That's amazing.
19:56I can tell from this song that the Unknown was already completed around 1981.
20:03If you remember Popcorn and Cocky Pop, you'll remember this song.
20:09Here it is.
20:26Unknown.
20:52It's a boy voice.
20:55It's off-course.
20:57It's like a boy.
21:08It's an elecassé.
21:24It's a boy voice.
21:54It's an elecassé.
22:24It's an unreachable dream.
22:27It's a scream that doesn't become a voice.
22:33That was good.
22:37Cocky Pop is a carillax club, right?
22:40That's right.
22:42It was cool.
22:43It was really cool.
22:45Originally, it was a band from Obihiro, Hokkaido.
22:48It was very popular in Hokkaido.
22:51But it was replaced by a big band that was touring.
22:56It was doing something like that.
22:59It was very popular in Hokkaido.
23:01It won the best song award in the 20th edition of Popcorn.
23:05That's the message of this song.
23:07There was a TV program called Cocky Pop that was connected to Popcorn.
23:16There was a corner where the band was introduced.
23:23That's how the carillax came out.
23:26But only this song.
23:28I don't have a good impression of other songs.
23:31The actual activity period was until 1983.
23:35It's a moment.
23:36That's right.
23:37Then it was disbanded.
23:39I only made one album.
23:42I was impressed by the fast beat.
23:49On the other hand, the chorus was very beautiful.
23:53That's right.
23:54From the beginning, it's like this.
24:00It's a little relaxing.
24:04When the chord changes, the light shines from the shadow of the building.
24:08You can see a faint hope.
24:10It's a little poetic and lyrical.
24:14It was very impressive.
24:16After that, it's like a dream that won't come true.
24:20Suddenly it's rock.
24:22It's really cool.
24:23I thought it was new.
24:25When I saw the jacket, the producer said it was Goto Tsukuto.
24:29That's why I took it right away.
24:31I won't take it off.
24:32That's why it's a little red.
24:34That's right.
24:35It's a cool arrangement.
24:37It's Goto.
24:38You said there was a boy, right?
24:40Anyway, the guitar solo is like a boy.
24:45Suddenly Mr. Hotei jumps out.
24:47Mr. Hotei.
24:48Yes.
24:49Please.
25:09Oh, baby blue.
25:18That's great.
25:19It's well done.
25:20It's well done.
25:21Did you put too much in?
25:22Did I put too much in?
25:27It's an all-in-one product that can meet all your needs with just one message.
25:32It's a Cadillac cream.
25:33It's slim.
25:35It's slim.
25:36From this point of view, I think it's okay.
25:43That's important.
25:45J-pop has a lot of elements.
25:50It's the first J-pop in Japan.
25:52It's the first J-pop in Japan.
25:53I want a lot of people to cover this song.
25:56I want a lot of people to cover this song.
25:57Mrs. Green Apple.
26:00I want you to sing in a cool voice.
26:02That's good.
26:03That's good.