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00:00The 8th Kagayaku Nihon Cassette Tape Taisho!
00:07The 8th!
00:08Wait, wasn't the show already over?
00:10Did it come back?
00:11Suji-san, Suji-san, you don't have to say it.
00:14It's called the BS world's swing state.
00:17It's shaking, it's shaking.
00:18It's shaking, it's shaking.
00:19And it comes back again.
00:20Ah, the trampoline.
00:21No, it came back.
00:23That's how it is.
00:25Speaking of Cassette Tape Taisho,
00:27you're Ton-chan, right?
00:28Yes!
00:29Nice to meet you.
00:30Nice to meet you.
00:31Thanks to you,
00:32when I heard about Cassette Tape Taisho,
00:34I thought,
00:35is it the end of the year again?
00:36I started to feel it.
00:37You started to feel it, right?
00:38Yes, I did.
00:39That's right.
00:40But every year,
00:41the judge for the costumes
00:43gets strict from the staff.
00:45Ton-chan,
00:46today is Cassette Tape Taisho.
00:47Why are you so plain?
00:49And I got scolded a lot earlier.
00:50That's true.
00:51You know,
00:52the usual curtain style.
00:53No, no, that's not it.
00:54Like an accordion curtain.
00:55That's not it.
00:56That's not it, that's not it.
00:57It's like red.
00:58That's right.
00:59So I tried to avoid red,
01:01but when I tried to go back to the beginning,
01:03Going back to the beginning?
01:04Isn't that a costume you can wear on the train?
01:06No, no, no, no.
01:07It's better to wear a costume you can't wear on the train.
01:09No, no, no, no.
01:10I'm wearing a red dress on the train.
01:13You are?
01:14I am, I am.
01:15Really?
01:16You look like Masako Ohya.
01:18I'm Masako.
01:19Ton-chan,
01:20I think blue suits you better than red.
01:22What do you mean?
01:23Blue, blue, blue.
01:24I have a new feeling.
01:25There it is.
01:26It's an adult blue heart.
01:28An adult blue heart.
01:29I drew it. Thank you.
01:31This is...
01:32Blue, blue, blue.
01:33I can only feel it in my eyes.
01:35I'll give it to you.
01:36Please show it to me.
01:37I'll give it to you.
01:38Please show it to me.
01:39The inside is real, too.
01:40It's already done.
01:41It's already done.
01:42It's completely done.
01:43I'll give it to you.
01:44It's always the outside.
01:57The best 203-year-old award is announced!
02:01Yes.
02:02The word, 203-year, has been mentioned quite a lot on this show, hasn't it?
02:07Yes, it has.
02:08We have prepared a variety of songs today.
02:10There are many songs to drink.
02:12Yes.
02:13A typical one.
02:14It became a hot topic on this show.
02:16Yes.
02:17It's a classic song.
02:18Yes.
02:19It's a classic song.
02:20Yes.
02:21It's a classic song.
02:22It's a classic song.
02:23Yes.
02:24It became a hot topic on this show.
02:26Yes.
02:27It got a buzz on the street.
02:28It got a buzz.
02:29It got a buzz.
02:30It got a buzz.
02:31It got a buzz.
02:32You'll know where it is.
02:33So, listen to the song.
02:34Please listen to it.
02:48It feels good here!
02:51It's beautiful here!
03:24It's a very important element, and if you use it at the right time, it will make you feel good.
03:31It's often used in the Grammys, but it's also used in the In Memoriam.
03:37It's like a tweet.
03:40In fact, it was recognized as the first 203 years in Japan after the war,
03:46and it was a very memorable 203 years.
03:55Here it is. Please listen.
04:03You understand, right?
04:16Tokyo Mugi-Uki
04:25Tokyo Mugi-Uki
04:29Kokoro zuki zuki waku waku
04:33Umi wo watari kibiku wa Tokyo Mugi-Uki
04:39Fuji no otori wa sekai no odori
04:43Hikari no yume no ano uta
04:46Uchibu egu kyou koito
04:50Fui no melody
04:53Hoyuru kokoro no uta
04:55Amai koi no uta
04:58Koe ni kimi to odorou yo
05:02Koyoi mo fuki no shita de
05:05Tokyo Mugi-Uki
05:08Tokyo Mugi-Uki
05:10Kokoro zuki zuki waku waku
05:13Seiki no uta
05:15Kokoro no uta
05:17Tokyo Mugi-Uki
05:23It was right after the war.
05:26It was right after the war.
05:28The word Mugi-Uki and the sound of the blue notes were so shocking.
05:37And the most important part was Tokyo Mugi-Uki.
05:42Tokyo Mugi-Uki
05:44Yeah!
05:45Tokyo Mugi-Uki!
05:51That's Shuri.
05:53Shuri-chan.
05:54It's this year, right?
05:56It's this year.
05:57That's right.
05:58It was held until March.
06:00That's right.
06:01The 203rd year of Japan started from here.
06:05It started!
06:06It started!
06:07Wow!
06:08No, no, no!
06:09My mouth!
06:10My mouth!
06:11That's not fair!
06:13That's what happened.
06:15I hope you won't forget this.
06:17I understand.
06:18That's what happened.
06:19After 40 years,
06:22I have a strong image of the 203rd year.
06:27The 203rd year that I feel you.
06:30Please listen to that song.
06:36Tokyo Mugi-Uki
06:41Is it over?
06:43It's not over yet.
07:04When is it coming?
07:06It's not over yet.
07:07It's not over yet.
07:08Calm down.
07:09Calm down, ladies.
07:14When is it?
07:18Not over yet.
07:24May everyone exams be successful.
07:29Not over yet.
07:39Ahh......
07:43a
07:46Poem
07:55Yes, they're quite a
08:00Anata anata
08:02And you did
08:04Me
08:06Boy, I'm gonna talk about it. I'm gonna say he's a
08:12Korean which is just a set to me. She must get any acts on them. Oh, this is a key metal
08:15You are a little casual. It's called a little total
08:17We've got a lot of money more you can buy it there
08:19No, no, I don't just get off. I'm gonna get a good time. No, not gonna make a money. That's not it
08:24You can make a money must be
08:26Hi, this is a little more you can keep it. That's right
08:34Yeah
08:50I
08:52Supposed to put it back up. I don't want to get it. I don't say what you're not gonna cut that I wasn't
08:56I guess I gotta eat it. It's not always I'm gonna show me images. Oh, that's your name
09:00Okay, don't walk on you. I'm gonna go to the studio. This is what we use. You know, it's about a year. Oh, sorry, now
09:06You have to sign a new book. Oh, she didn't
09:09Get Coco. No, she looked at ski on this day
09:12I'm not just a chameleon. Oh, I'm not sure she wants to keep it. You know, I don't know. Come on
09:16I didn't do Joe this name. We're gonna hold it. I'm not today. It's got you know, they are
09:21Step foot. I'm not a man. I'm not a school cook. Oh, she's got it. Isn't it?
09:24Do you got to keep it? You must got it. What's the book? Thank you. Take it up. You have to sell it
09:54Oh
10:24Oh
10:54Oh
11:24Oh
11:54I
11:56Don't need to make
12:08You know
12:11I got a
12:13Little knocked on it. They thought I'd say not to put you guys on the scene this kid
12:17I don't think I'll say on the day. It's your book. Oh, thank you. Oh, so today
12:20I'm not gonna sleep over
12:26You know
12:50Oh
13:21Melody
13:27Do you
13:29Know bucket. Oh, I'm sure it was a boy. Yes
13:32Oh, it's a little bucket. I can't hear you. I can't make it. Oh, you're not gonna cut it
13:36Oh, yeah, I'm not gonna cut it. Oh, you're not gonna cut it. Oh, you're not gonna cut it. Oh, you're not gonna cut it
13:41I don't know
13:50Oh
14:21It's gonna you
14:31You gotta go she don't try
14:42No, they need to be
14:50No
15:20Oh
15:35Well, I don't know
15:39You know you saw you know, yeah, what does he got there?
15:42Oh, that's good. I'm just don't know. I'm a king. I'll steal it. I don't know
15:44That's not a young picture. I'll tell you
15:46Honey, what the point is kiddo the one that you know, okay, they know that you got to talk to him. That's kind of course
15:51Oh, well, let's look cool. Kaga. I got in this
15:54Melodica and do you have to send it? Oh, it's not easy. It's got you. Do you say?
16:02Yeah
16:10Come on
16:16I
16:47Don't know
16:51Hi
17:17You
17:21Say you shoot collaboration show know how pure s
17:26Good at the side no no collaboration. What was he up? I keep tying them up on a cube. I don't want you to stop
17:36Casey
17:40So that's it so that's it so that's exactly so that's it
17:46I
18:03You need it a massive Noah Otakei
18:05It's no maybe the demise Joe so this is an instant ramen the CM song
18:09Yeah, long vacation the house by no Zen Nen Nikolai CM. You're not there. It's all on the touch
18:14You know, there's an entire Otakei sound you know, it's got to be Kansai
18:18Chiho there are long vacation no album has by is in me. Lombok a sound oh, they might
18:24Come on, come on, come on. That's good. Oh, that's a sugoi
18:28Yeah, cool. Okay. So that I got a collab with
18:31Koto see you soon. You do your name. Oh, no, I mean that's the Okina side. No kid. I thought I was
18:36Saigo no
18:39Koko got Kida Taro
18:42Stick cut to the robot. Hey
18:44Yeah, that's our awesome guy. Yeah, I don't know. I don't sound a little bit. I know it's you can't see what I know
18:49They might eat your sake. Yeah, I'd say
18:51It's okay. You don't think that's that's it. Yes. Come to my name
18:54How do you name you don't go back?
18:55You're gonna have to know this today
18:57That I'm on top of a long vacation to each show Nikolai could have had that kind of get it on the show
19:01I'm not you don't have to do you see any no B. I'm gonna get that you don't see
19:04You
19:07What I see what I'm gonna make what I'm gonna
19:13Say
19:16Okay, I got it. I'll tell you what I said. I got it
19:20I said I was
19:21We're gonna come on show guys through the video. I'll tell you what. Oh, well, I'm gonna follow it. You go me this man
19:26So you shoot and no
19:29I know
19:32Roosters do you smoke wait a bit?
19:35Bando, yes, you're name and I look no this name was high a speed gun a to beat to know
19:40Roosters a molly cut or more a bar chorus or of course they might
19:46They don't go to that good Erica. She didn't want a guitar solo. No, don't go on. You can't she did a boy
19:51Meet I know
19:55You don't know you also got mostly
19:581981 and I thought you more just a concious data to you Kotoga Kono Kyokura. What are you must popcorn?
20:04So she take off key pop
20:06More boy to the cutter. I thought I was it that boy to this coach. I think was I must
20:21You know
20:52Boy-boy
21:07Boy-boy
21:21Oh
21:51Oh
22:21Honey he can eat
22:36Forever more that the more hockey pop
22:41Cocoa got that's your major Chaka. Go got that. Let's see. Oh, it's a moto moto Hokkaido nobilo. She's in the band
22:47Oh, yeah, the Hokkaido do kick. Oh, it's a tiny ink you got that
22:51So I'm a day I'm a tickle Oh
22:53Bando Toka need a title shit, isn't it?
22:56So the Zen's I'll put a mirror you're not what does it get it there?
22:58What kind of it don't you got me?
23:00You're still digging it. I need you kind of popcorn there. You should cook show to you know, just show us. I don't know
23:05Kodoku no message
23:07It'll tell you about me there. Oh, no, not that I don't want to pop. Oh, it's not a little bang
23:12We don't stay with the cookie pop, you know, I don't mean I don't get off
23:15Oh
23:45It's a very fast beat, a late beat, and on the other hand, it's a very beautiful chorus.
23:53Yeah, in the middle.
23:54From the beginning, it's like this.
23:57In the shadow of the building.
24:00It's a little relaxing.
24:02When the chord changes, the light shines from the shadow of the building, and you can see a faint hope.
24:10It's a little poetic and lyrical.
24:13It was very impressive.
24:15After that, it's like a dream that won't come true.
24:19It suddenly locks.
24:21It's really cool.
24:22I thought it was new.
24:24If you look at the jacket, the producer is Tsukuto Goto.
24:28Oh, Tsukuto!
24:30So I won't take it off anymore.
24:31Oh, I see.
24:32That's why it's a little reddish.
24:34It's a cool arrangement.
24:36It's Goto.
24:38You said there was a boy in it, right?
24:40Anyway, the guitar solo part is like a boy.
24:44Suddenly Mr. Hotei jumps out.
24:47Mr. Hotei.
24:48Yes, please.
25:09Baby blue.
25:17That's great.
25:18It's well done.
25:19It's well done.
25:20Did you put too much in?
25:22I wonder if there was too much in it.
25:26It's an all-in-one Cadillac cream that you can put in one message.
25:33It's a cream.
25:34It's a cream.
25:35But from this point of view, I think it's okay.
25:42That's important.
25:44J-pop has a lot of elements.
25:49It's the first J-pop in Japan.
25:51It's the first J-pop in Japan.
25:52I want a lot of people to cover this song.
25:55I want a lot of people to cover this song.
25:56Mrs. Green Apple.
25:58Mrs. Green Apple.
25:59It would be nice if she sang in a high-pitched voice.
26:02That would be nice.
26:04Enjoy more freely.
26:06BS-12 Duel-Bi