ಹಳ್ಳಿ ಹೈದ ಪ್ಯಾಟೆ ಮಂದಿ ಖ್ಯಾತಿಯ ಸುನಾಮಿ ಕಿಟ್ಟಿ ನಟನೆಯ ಕೋರ ಚಿತ್ರದ ಪ್ರೆಸ್ ಮೀಟ್ ಉತ್ತರ ಕರ್ನಾಟಕದಲ್ಲಿ ನಡೆದಿದೆ, ಕಾರ್ಯಕ್ರಮದಲ್ಲಿ ಚಿತ್ರತಂಡ ಭಾಗಿ.
The press meet of Halli Haida Pate Mandi starrer Tsunami Kitty was held in North Karnataka, the film team was present in the event.
#uk #kora #sunamikitti #kannadaupcoming #uttarakarnataka #kitti #hallihydapyategbanda #biggBoss #sunami #korapressmeet #pressmeet
~HT.188~ED.35~PR.324~
The press meet of Halli Haida Pate Mandi starrer Tsunami Kitty was held in North Karnataka, the film team was present in the event.
#uk #kora #sunamikitti #kannadaupcoming #uttarakarnataka #kitti #hallihydapyategbanda #biggBoss #sunami #korapressmeet #pressmeet
~HT.188~ED.35~PR.324~
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NewsTranscript
00:00The title of Managakkadu and the letter M are all by the grace of Krishna Panna.
00:09When I was doing Mungaramalai, I used to go to the office in the evening and read the title Mungaramalai.
00:20The title Mungaramalai is a title that is used by the upper class people to describe the farmer.
00:29I was very excited. I didn't know that I would have to describe the farmer.
00:37I was very excited. I was very excited. I was very excited. I was very excited.
00:49The first word that came to my mind was Kadabu.
00:54Kadabu is nonsense. I don't know anything about Kadabu.
00:57I don't know anything about Kadabu.
01:01I liked his common sense and experiential wisdom very much.
01:09I would like to welcome Krishna Panna as a speaker and as a guide.
01:15Thank you Krishna Panna.
01:18I would like to introduce the film's hero. His name is Sumukha Bhairavaniveli.
01:29When I went to make the film six months ago, there were a lot of faces, a lot of photos.
01:37There were a lot of faces, a lot of photos.
01:44At that time, I didn't have the courage to ask Ganganna and Krishna Panna.
01:49I didn't have the courage to ask Ganganna and Krishna Panna.
01:54At that time, I called them for a title.
02:01I called them for a title.
02:04I called them for a title.
02:10I saw Ganganna's photos.
02:14I like Krishna Panna very much.
02:18I saw Ganganna's photos.
02:21I asked him to come home. He said he would come at 11 o'clock and would be in traffic by 1 o'clock.
02:27I asked him to come home. He said he would come at 11 o'clock and would be in traffic by 1 o'clock.
02:32Krishna Panna was not able to come. He had to be in a good mood for an hour.
02:37He had to be in a good mood for an hour.
02:42He had to be in a good mood for an hour.
02:47He had to be in a good mood for an hour.
02:52He had to be in a good mood for an hour.
02:57He had to be in a good mood for an hour.
03:02He had to be in a good mood for an hour.
03:07He had to be in a good mood for an hour.
03:12He had to be in a good mood for an hour.
03:17He had to be in a good mood for an hour.
03:22He had to be in a good mood for an hour.
03:27He had to be in a good mood for an hour.
03:32He had to be in a good mood for an hour.
03:37He had to be in a good mood for an hour.
03:42He had to be in a good mood for an hour.
03:47He had to be in a good mood for an hour.
03:52He had to be in a good mood for an hour.
03:57He had to be in a good mood for an hour.
04:02He had to be in a good mood for an hour.
04:07He had to be in a good mood for an hour.
04:12He had to be in a good mood for an hour.
04:17He had to be in a good mood for an hour.
04:22He had to be in a good mood for an hour.
04:27He had to be in a good mood for an hour.
04:32He had to be in a good mood for an hour.
04:37He had to be in a good mood for an hour.
04:42He had to be in a good mood for an hour.
04:47He had to be in a good mood for an hour.
04:52He had to be in a good mood for an hour.
04:57He had to be in a good mood for an hour.
05:02He had to be in a good mood for an hour.
05:07He had to be in a good mood for an hour.
05:12He had to be in a good mood for an hour.
05:17He had to be in a good mood for an hour.
05:22He had to be in a good mood for an hour.
05:27He had to be in a good mood for an hour.
05:32He had to be in a good mood for an hour.
05:37He had to be in a good mood for an hour.
05:42He had to be in a good mood for an hour.
05:47He had to be in a good mood for an hour.
05:52He had to be in a good mood for an hour.
05:57He had to be in a good mood for an hour.
06:02He had to be in a good mood for an hour.
06:07He had to be in a good mood for an hour.
06:12He had to be in a good mood for an hour.
06:17He had to be in a good mood for an hour.
06:22He had to be in a good mood for an hour.
06:27He had to be in a good mood for an hour.
06:32He had to be in a good mood for an hour.
06:37He had to be in a good mood for an hour.
06:42He had to be in a good mood for an hour.
06:47He had to be in a good mood for an hour.
06:52He had to be in a good mood for an hour.
06:57He had to be in a good mood for an hour.
07:02He had to be in a good mood for an hour.
07:07He had to be in a good mood for an hour.
07:12He had to be in a good mood for an hour.
07:17He had to be in a good mood for an hour.
07:22He had to be in a good mood for an hour.
07:27He had to be in a good mood for an hour.
07:32He had to be in a good mood for an hour.
07:37He had to be in a good mood for an hour.
07:42He had to be in a good mood for an hour.
07:47He had to be in a good mood for an hour.
07:52He had to be in a good mood for an hour.
07:57He had to be in a good mood for an hour.
08:02He had to be in a good mood for an hour.
08:20He was working ten hours per day.
08:25Raghuram.
08:27What is this?
08:29When you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak, when you speak
08:59when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
09:06when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
09:13when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
09:20when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
09:27when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
09:34when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
09:41when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
09:48when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
09:55when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
10:02when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
10:09when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
10:16when you speak, when you speak, when you speak, when you speak, when you speak, when you speak,
10:23when you speak, when you speak, when you speak
10:53If you want to do something, you have to do it all the time.
10:57What else can you do? You have to do it all the time.
11:00A few minutes ago, I had a steel house.
11:06I can't show it to anyone.
11:09I have a strong continuity.
11:13I want to see my continuity.
11:16Just look at this.
11:19I have a steel house. Who is going to look for this?
11:23I don't know.
11:26To give a person a new form,
11:30Costume, beard, hair, make-up, everything is needed.
11:37But this is the age of maturity.
11:40At the age of maturity, everything looks new.
11:44I want to give you a new look.
11:53I don't have this much, so I'm going to make it difficult for you.
11:57You don't have to tell him.
11:59It's not a complaint.
12:02When did you start to open up?
12:05You should have opened up earlier.
12:10I've been here for 100 years.
12:14I'm still here.
12:17I'm still here.
12:20I was born in Nata.
12:24I came from Rangabommi.
12:27I'm 100 years old.
12:30I have to do everything.
12:33I'm not going to live.
12:37I'm sorry.
12:40Why?
12:43You are still 60-70 years old.
12:47This vessel is like that.
12:50How can I understand this?
12:54I can show that I'm 100 years old.
12:57I can show that I'm 60-70 years old.
13:02That's when I started to do something.
13:05There was a scene.
13:08Look, this hand is still coming out.
13:11I couldn't use my hand.
13:14This is a good thing.
13:17In Bharatanatyam, there is a poet named Kali.
13:22Many people like him.
13:25No.
13:28In this film, I couldn't use my hand.
13:31That's it.
13:34I couldn't use my mouth.
13:37Amitabh Bachchan did a black novel.
13:40I couldn't use my head.
13:43That's it.
13:46Do I have to act like a robot?
13:49Look.
13:52The director is telling me.
13:55The director is telling me.
13:58Dialogue delivery.
14:01Dialogue delivery.
14:04Some people said yes to try.
14:07Some people said yes to try.
14:10If you go there,
14:13Very interesting.
14:16I can't speak loudly.
14:19I can't speak loudly.
14:22Look at this.
14:25There are so many impositions on me.
14:28Again, I wrote a play called Vatika.
14:31You shouldn't listen to what I say.
14:34You shouldn't listen to what I say.
14:37You shouldn't listen to what I say.
14:40You shouldn't listen to what I say.
14:43You shouldn't listen to what I say.
14:46What is Vatika?
14:49He won all the food.
14:52I didn't win.
14:55I was born.
14:58If people like this movie,
15:01If people like this movie,
15:04They should like my satirical acting.
15:07They should like my satirical acting.
15:10If they like it,
15:13The climax of my acting life will come.
15:17It will be a complete credit.
15:20It will be a complete credit.
15:23I am planning like that.
15:26I am planning like that.
15:29I am planning like that.
15:32I am planning like that.
15:35I am planning like that.
15:38I am planning like that.
15:41I am planning like that.
15:44I was travelling for 5 hours.
15:47Chennai was also beautiful.
15:50It was Saturday morning.
15:53It was Saturday morning.
15:56The sea was closed.
15:59I had come from Kottayamadu.
16:02I had come from Kottayamadu.
16:05I had come from Kottayamadu.
16:08I had come from Kottayamadu.
16:11Sea was knocking me from inside.
16:17As it was difficult,
16:20As it was difficult,
16:23I went down.
16:26Under the sea.
16:29Under the sea.
16:32For many hours I went under the sea in Kottayamadu.
16:35For many hours I went under the sea in Kottayamadu.
16:38If you don't have anything, how can you walk 6 feet?
16:42If you adjust and don't have anything, how can you walk 6 feet?
16:49You have to balance.
16:52I don't know about this man. He doesn't know how to walk.
16:55He just walks like this.
16:59I don't know why I shouldn't walk like this.
17:03I tried, but it didn't work.
17:06There are some people in our village.
17:09Pratap is there.
17:11Our make-up artist.
17:14Malmesh is there.
17:17If he can't walk, I can't.
17:21He is a local person.
17:24He can't walk without a jacket.
17:27That's the correct way.
17:29I can't walk without a jacket.
17:31I can't walk without a jacket.
17:33I know this much.
17:35I don't know how to walk from there.
17:38I have all this courage in my hands.
17:42This is not part of cinema.
17:44This is part of real life.
17:48If you do all this, you can make great films.
17:59I have a production partner.
18:04He works so hard.
18:07I knew it for the first time.
18:09He has to work so hard.
18:12Otherwise, what will he do?
18:17That's not it.
18:19That's real courage.
18:23I don't know what will happen to me when I come to the parlour.
18:28I don't try to be like them.
18:32I try to be like you.
18:34I am a good man.
18:36I am a good man.
18:41I am a good man.
18:43I am an unbeliever.
18:46I am a good man.
18:49Let me tell you about Mungaramalai.
18:51When I watched the film,
18:55Ganesh, the director, the music director, the lyricist, the art director, the choreographer, the cameraman, everyone was there.
19:10I have never seen the film being made by Ganganna or Pratap.
19:20They are making this film because they want to show their positivity.
19:28They want to make a good film and give it to people.
19:33Mungaramalai was born because of that.
19:37Manadakadu was born again because of that.
19:41The positivity of both of them was a great strength for people to move forward.
19:51The creators of this film, Krishna Prasad, Ganganna and Pratap,
19:59were a great force for this film to move forward and to see a rise.
20:05The combination of Krishna Prasad and Yogaraj
20:12was a great combination.
20:18It was a film about trust.
20:20There was a great courage for both of them to trust each other.
20:26They have made such a big film with the support of people from far and wide.
20:31They have made it in so many places.
20:33They have made it in so many different locations.
20:37The present situation in Kannada has become very low.
20:41There is no doubt that this film will become a new milestone.
20:47When it comes to Yogaraj Saranda, it is always musical.
20:53This film is also a great experience to watch a film with music.
21:02I have a hope that this film will reach Kannada people.
21:06I hope that this film will reach Kannada people.
21:13I have a hope that this film will be a great success for Yogaraj Saranda.
21:25Yogaraj Saranda always has a book full of errors.
21:32He always has a book full of doubts.
21:36Jayanthana has the power to clear those doubts.
21:41Jayanthana has the power to clear those doubts.
21:46Jayanthana has the power to clear those doubts.
21:51I have come this far to make this film.
21:56I have come this far to make this film.
22:02I have come this far to make this film.
22:07I am very happy to work for Yogaraj Saranda.
22:12I never thought I would stop making films.
22:18In theatre, we need 5 or 6 acts for a movie.
22:21We need 10 or 15 acts for a movie.
22:24We don't know why it doesn't work.
22:27It will be like that.
22:28If we do it again, it will be a new act.
22:31We haven't brought any new act.
22:34It is a big thing to work without so much strain.
22:39That's why...
22:41That's why...
22:43What is that dance?
22:46Why did you ask about it?
22:49That dance...
22:51What is that dance?
22:53That dance...
22:55Which dance?
22:57Traaaa...
22:59I didn't learn to dance that.
23:02I am afraid of losing my tongue.
23:06What is that?
23:08It is very difficult to sing, sir. I have never sung before.
23:12I am very scared to read it.
23:16I have heard that singing is a tongue twister.
23:20Reading it is also a tongue twister.
23:23It will be right in front of us. I will make a mistake.
23:27It is not singing. It is tongue singing.
23:30Sir, it is tongue reading singing.
23:33It is singing singing.
23:35It is a tongue twister.
23:38It is a tongue twister.
23:41It is a tongue twister.
23:43Sir, it is a tongue twister.
23:46Greetings to all.
23:49I don't know where to start.
23:52I am so happy. Thank you for starting it.
23:56Mr. Yograj, Mr. Krishnappa, Mr. Gangadhar, Mr. Santhu.
24:00To the whole team, thank you so much.
24:03On the first day of shooting, I was really scared.
24:09Mr. Yograj said,
24:12No matter how difficult it is, he makes it so easy.
24:16He gives a comfort zone to the artist.
24:19He doesn't do anything wrong.
24:22He doesn't notice our mistakes.
24:25Mr. Yograj, thank you.
24:27Mr. Krishnappa, thank you so much.
24:33Thank you to the whole team.
24:36How is it?
24:39It is sweet and simple.
24:42It is sweet and simple.
24:45He was in our film, Padamipuram.
24:51After that, Gangadhar and I,
24:55In the film, Hero and Heroine,
24:58We did a lot of work.
25:01When we were told that we don't need this casting,
25:05He reminded me and gave me an order.
25:08He was standing in front of me.
25:11We were all very excited for this day.
25:15First of all, I would like to thank Mr. Yograj and Mr. Krishnappa.
25:24Sir, I don't know what to say.
25:27But you have made my dream come true.
25:30You have actually changed my life.
25:33I will never forget it.
25:36Mr. Santhosh, I am working with you for the second time.
25:39Your patience, your kindness,
25:42And your talent, I will never forget.
25:47You have helped me a lot.
25:50In dialogues, acting, auditions.
25:56Rashika, Sumukha,
25:59It was a pleasure working with both of you.
26:02I hope it was the same for you.
26:05Raghu sir is my new best friend.
26:08He doesn't think so, but I think so.
26:11My character's name is Anjali.
26:13I don't know what to say.
26:16But I will say that
26:19In Kannada industry,
26:22I have not seen such a nuanced female character.
26:25She is not just black and white.
26:28She is very colourful.
26:31I am so proud to say that
26:34I have such a beautiful character with me.
26:39You have given a colour to Pan-India.
26:42You have shown a pan-India.
26:45Actually, our intention is like this.
26:48The story should be good.
26:51We are Kannadigas.
26:54We should make Kannadigas mature.
26:57We are trying to do that.
27:00We like Yuvraj Bhatt a lot.
27:03He is also like us.
27:06He is also like us.
27:09If I have to give my heart,
27:12I will give whatever they ask for.
27:15If I have to give my heart,
27:18I will give their effort and hard work.
27:21I am not against that.
27:24Everyone says that the story is going to be good.
27:27I have that confidence.
27:30I don't make films with any expectations.
27:33Why are there two girls and a boy today?
27:36Why are there new characters in this film?
27:39Why are there new characters in this film?
27:42Because we have new characters.
27:45We are not doing it for fun.
27:48Yuvraj Bhatt and I are trying to prove it.
27:51This film, Manadakadu,
27:54is made with the hope that
27:57everyone will be able to understand it.
28:00We need your support.
28:03But I want our new characters
28:06to be good in the future.
28:09I know that they will be good in the future.
28:12Even though they were good in the past,
28:15they have become good now.
28:18I wish them to be good in the future.
28:21I will pray for them.
28:24I will close my speech.
28:39I will close my speech.
28:42I will close my speech.
28:45I will close my speech.
28:48I will close my speech.
28:51If we want to stay away from cinema,
28:54we have made four films.
28:57Madhya Rajakana,
29:00Chitra Ranga,
29:03we have seen all of them.
29:06I don't know why,
29:09but we have to make a film
29:12that is not based on the method
29:15of Kannada cinema.
29:18I have put it on a wall.
29:21I don't want a chair.
29:24I don't want a chair.
29:27I don't want a chair.
29:30I don't want a chair.
29:33I don't want a chair.
29:36I don't want a chair.
29:39Can I introduce him?
29:41You have been doing this for the past 18 years.
29:44No, no. We have done it.
29:46We have done it for the Chief Minister as well.
29:49The question is, how many years did it take for you to do it?
29:53Listen, I have already told Butter.
29:56If I were him,
29:58I would have shown your talent with tears in my eyes.
30:03I would have been busy.
30:04But we should not take a break for his vote.
30:08I have no interest in cinema.
30:11I have my own business.
30:14I will focus more on that.
30:16After the election,
30:18we have been doing it for the past 3-4 years.
30:21Then Corona came.
30:23We could not do it.
30:24We have been doing it for the past year.