Category
🎥
Short filmTranscript
00:00:00🎵
00:00:31Fuck.
00:00:33🎵
00:00:58Fuck.
00:01:01Lizzy, how did you get into this mess?
00:01:13Normal.
00:01:19Disgusting crab, but what kind of character are you?
00:01:30Hmm?
00:01:35Here.
00:01:46How predictable are you, crab.
00:01:52But what the fuck?
00:02:00🎵
00:02:05Old man, where are you?
00:02:25Wow.
00:02:30🎵
00:03:00🎵
00:03:30🎵
00:03:44🎵
00:04:01What's going on here?
00:04:06Oh, shit.
00:04:09Occupied.
00:04:10What are you doing here?
00:04:11You told me to go anywhere, so I went.
00:04:13Have you come to wash my back?
00:04:15I've come to soap your neck.
00:04:17No, kitty, sorry.
00:04:19Yesterday you missed your only chance.
00:04:21This is not your house.
00:04:23But where did this girl come from?
00:04:25From Illichops, near Odessa.
00:04:27Do you know him?
00:04:29Get out of here.
00:04:30I'm finishing.
00:04:31Do you want me to cut your water?
00:04:33Okay, I'll cut it.
00:04:36I'm out. Happy?
00:04:38I'll introduce you to the police.
00:04:40How can you be so shameless?
00:04:42Didn't they teach you not to take things from others and respect the elders when you were little?
00:04:47When I was little, they told me many things, but life taught me others.
00:04:50That the most important thing is money.
00:04:52Not you?
00:04:53What differentiates a human being from an animal are principles and moral values.
00:04:58And why are you so wise? You live among the shit.
00:05:01Because I don't want to have anything in common with people like you.
00:05:04Don't tell me.
00:05:05And yesterday, for some reason, you wanted to have it and you didn't differentiate from an animal.
00:05:09And that makes me ashamed. And you don't.
00:05:11And do you know why?
00:05:12Why?
00:05:13Because you are.
00:05:14Who am I?
00:05:15You.
00:05:16And?
00:05:17Bitch.
00:05:29I'm telling you the same thing.
00:05:35What?
00:05:36What do you mean?
00:05:37Why are you yelling at me like that?
00:05:39Is that your way of congratulating me on my birthday?
00:05:42Thank you. Let's see, no one understands you.
00:05:59Definitely, life is not like it used to be.
00:06:02There is so much negativity, dammit.
00:06:05Yesterday I shared a post about Svetieva.
00:06:07And some guy wrote to me.
00:06:08It's not Mariska, it's Marina.
00:06:10Dammit, how stupid.
00:06:11What did I write, really?
00:06:13Oh, don't worry.
00:06:14Clearly, some fat cow is going crazy with envy.
00:06:17Believe me.
00:06:18Sure, I'm telling you it is.
00:06:29Lison is here.
00:06:31Did you know?
00:06:32Camarenco kicked her out.
00:06:34Don't tell me. What happened?
00:06:35I'm not aware of everything.
00:06:37Oh, hi girls.
00:06:38Hi, Lisita.
00:06:39How are you?
00:06:40Good, how are you? Where have you been?
00:06:43Where have I been?
00:06:44Where have you been?
00:06:46Yesterday I was calling you and you didn't pick up.
00:06:48Yes, sorry, I haven't noticed until today.
00:06:51Oh, girl, yesterday I ran out of battery.
00:06:54And what? Has something happened?
00:06:56Nothing, everything is great.
00:06:57Lisi, how can I say this?
00:06:59We don't want to get into your personal life,
00:07:02but if you ever need to talk, we're here.
00:07:05Yes, we are really worried.
00:07:09Really worried.
00:07:11Lisa, okay, we know.
00:07:14Camarenco kicked you out of the house yesterday.
00:07:17Camarenco?
00:07:19Me?
00:07:20On top of that.
00:07:21He would have wanted that.
00:07:23I left on my own.
00:07:26He wouldn't let me pick up my things.
00:07:28He was on his knees, looking at me with his good dog eyes.
00:07:32Hey, what happened?
00:07:34Nothing.
00:07:35But let it go, Lisa.
00:07:37Well...
00:07:40I found someone cooler.
00:07:42Oh, my God.
00:07:43What are you saying?
00:07:45And what?
00:07:46Who is it?
00:07:55Hello.
00:07:56What did you say?
00:07:58He said hello.
00:07:59Where?
00:08:00Anywhere.
00:08:01Oh, then hello, hello.
00:08:04Where, where?
00:08:05Oh, this way.
00:08:07Hello, girls.
00:08:08Hello, Sasa.
00:08:11Alexander Nikolayevich.
00:08:13My respects.
00:08:14You are unrecognizable.
00:08:16The new court has rejuvenated you.
00:08:18I am the new court.
00:08:20I am the new court.
00:08:22I am the new court.
00:08:24You are rejuvenated.
00:08:25Well, yes.
00:08:26We were worried about you.
00:08:28We haven't seen you in a long time.
00:08:30Things have piled up for me.
00:08:32While I was solving this and that, as they say.
00:08:35In fact, here...
00:08:37I brought help.
00:08:39We took the opportunity to celebrate our birthday.
00:08:42In fact, where is he?
00:08:44In his room, in a bad mood.
00:08:45And what mood do you want him to be in?
00:08:47If you're that guy, he started a scandal over the phone.
00:08:50Why the hell did you come?
00:08:52I didn't invite you.
00:08:58He misses you.
00:08:59Of course.
00:09:03Well, since this Dan is yours.
00:09:05Well, now, more than anything, the charity stuff.
00:09:07And where does he get the money from?
00:09:09I already told you, he has a business in Europe.
00:09:11It's just that now he's on vacation.
00:09:12Oh, yeah? And where does he live?
00:09:13In Bogdanovka.
00:09:14What luck.
00:09:15Uh-huh.
00:09:16What a luxury.
00:09:17Uh-huh.
00:09:18Oh, my God.
00:09:19He has an entire mansion there.
00:09:21How many meters?
00:09:22Meters?
00:09:23He'll say hectares.
00:09:24Really?
00:09:25I was amazed.
00:09:26He has a sauna, just like the whole gym.
00:09:28I don't even tell you about the chalet.
00:09:30And he's not married?
00:09:31Uh-huh.
00:09:32And he offered you to live there with him?
00:09:33Uh-huh.
00:09:35Wow, wow, wow.
00:09:37It's a dream, how cool.
00:09:39The house looks a lot like Sandrika's.
00:09:41Sandrika?
00:09:42Uh-huh.
00:09:43Who's that?
00:09:44Do you remember that Inga was involved with a judge?
00:09:46They accused her of a crime and he fled abroad.
00:09:48Yes, I remember.
00:09:49Uh-huh.
00:09:50Well, she showed me a resemblance.
00:09:52Maybe they have the same visual merchandiser, the designer, I don't know.
00:09:57That happens.
00:09:58Yes, it's true, that happens.
00:10:00Fuck, why the fuck are you showing me?
00:10:02Now I'm dying of envy.
00:10:03It's a fucking dream.
00:10:04I'm so sorry, kitty.
00:10:16Why are you standing still?
00:10:19We choose, we serve, we sit down.
00:10:22Come on, come on.
00:10:23We congratulate Mikhail Ivanovich and thank Alexander Nikolayevich.
00:10:27Did he take his pill?
00:10:28Yes, of course.
00:10:29Are you sure?
00:10:34So what?
00:10:36Things get better, they get worse.
00:10:38I don't know.
00:10:39I don't know.
00:10:40I don't know.
00:10:41I don't know.
00:10:42I don't know.
00:10:43I don't know.
00:10:44I don't know.
00:10:45Things get better, your mood has improved.
00:10:47Yes, yes, I'm going to get better here.
00:10:49It's true.
00:10:50How are you?
00:10:51And how are you?
00:10:52Do you think I don't know why you're here?
00:10:54That interests me.
00:10:55Why?
00:10:56To humiliate me.
00:10:57It's my birthday and he serves this luxury table.
00:10:59Tell me, how long have you been waiting for all this?
00:11:01A year?
00:11:02I'm sure you've taken it out of your reserve and it's to humiliate me.
00:11:05Why would I humiliate you?
00:11:06I'm trying to tell you.
00:11:08My niece has come and she has brought me gifts.
00:11:10Niece?
00:11:11Yes.
00:11:12Gifts?
00:11:13Yes.
00:11:14You only want to humiliate me because you've envied me all my life.
00:11:18I envy you?
00:11:19Yes.
00:11:20You?
00:11:21Me.
00:11:22And what reason do I have?
00:11:23When we both represented Hamlet, my Hamlet was a hundred times better than yours.
00:11:26Yours?
00:11:27Mine.
00:11:28Better?
00:11:29Yes, better.
00:11:30Your Hamlet could only be represented in a circus.
00:11:31Mine?
00:11:32Yes.
00:11:33In a circus?
00:11:34In a circus.
00:11:35With clowns.
00:11:40Misa, you go to the circus.
00:11:45For the health of my daughter.
00:12:03Don't even think about it.
00:12:04Understood?
00:12:05The refuge is closed.
00:12:10Don't stay there.
00:12:11They'll think I've opened a brothel.
00:12:15Get out of here.
00:12:16And forget about the way back.
00:12:20What did you go through to come back here?
00:12:44I'm sorry.
00:12:45I'm sorry.
00:12:46I'm sorry.
00:12:47I'm sorry.
00:12:48I'm sorry.
00:12:49I'm sorry.
00:12:50I'm sorry.
00:12:51I'm sorry.
00:12:52I'm sorry.
00:12:53I'm sorry.
00:12:54I'm sorry.
00:12:55I'm sorry.
00:12:56I'm sorry.
00:12:57I'm sorry.
00:12:58I'm sorry.
00:12:59I'm sorry.
00:13:00I'm sorry.
00:13:01I'm sorry.
00:13:02I'm sorry.
00:13:03I'm sorry.
00:13:04I'm sorry.
00:13:05I'm sorry.
00:13:06I'm sorry.
00:13:07I'm sorry.
00:13:08I'm sorry.
00:13:09I'm sorry.
00:13:10I'm sorry.
00:13:11I'm sorry.
00:13:12I'm sorry.
00:13:14So what now?
00:13:17You!
00:13:19How did you get through?
00:13:21It's open.
00:13:22It's closed.
00:13:23The window was open.
00:13:25First of all, you're a burglar
00:13:27and aERONAUT.
00:13:28Yes, I am a burglar and an host.
00:13:30I can tell.
00:13:31You like to run abandoned houses.
00:13:33I just wanted to say sorry about yesterday
00:13:36and you didn't show up.
00:13:37Leave the roof open again if you don't like it.
00:13:39It's unnecessary.
00:13:41All right.
00:13:43What are you doing standing there?
00:13:48Well, since you've come, come in.
00:13:51But at least through the door.
00:13:54Hey, the empanadas are delicious.
00:14:14It's my grandmother's recipe.
00:14:16You made them?
00:14:19Then you've fixed the oven.
00:14:22I see.
00:14:24You're a handyman.
00:14:26I got it from my grandfather.
00:14:28By the way, you're very similar.
00:14:31He's just as strict as you, but fair.
00:14:34Okay, stop it.
00:14:37Tell me, what are you doing here?
00:14:40But it's true, I wanted to apologize.
00:14:42I've deceived an old man, and on top of that, I've told him a lot of nonsense.
00:14:45Do you know how much weight I have on me?
00:14:47Yes, a lot.
00:14:50Am I not a human being?
00:14:54Well...
00:14:57I'm sorry for calling you a shitty actor.
00:15:02Okay.
00:15:03I mean it.
00:15:05You're a great actor with a capital letter.
00:15:09Leave him alone.
00:15:10Seriously, playing that millionaire, you've been great.
00:15:15The bomb.
00:15:17It's like, bravo, bravissimo.
00:15:19It's from Oscar.
00:15:22From Oscar, she says.
00:15:24How do you want me to tell you?
00:15:25I wasn't born yesterday, you know?
00:15:27I've seen a lot of characters in my life.
00:15:30But one like you...
00:15:32I trusted every word you said.
00:15:34And I ran off, I don't know where, like a fool.
00:15:38Without thinking.
00:15:40And besides, I left my boyfriend.
00:15:43And all thanks to your talent.
00:15:49Yeah.
00:15:52That's how it is.
00:15:55Elizabeth, you...
00:15:57Forgive me.
00:15:58I didn't want it to end like this.
00:16:00I didn't have bad intentions.
00:16:02I really didn't.
00:16:03But don't be sad.
00:16:04Everything will be fine.
00:16:05They're young people's things.
00:16:07I don't think so.
00:16:08What do you mean you don't think so?
00:16:10Can you explain it in one way or another?
00:16:13I've explained it a thousand ways.
00:16:15And?
00:16:16Nothing.
00:16:18And there are no options?
00:16:22Well, there is one.
00:16:25Forget it.
00:16:27You really won't accept it.
00:16:28You have your principles.
00:16:31Okay.
00:16:33Good night.
00:16:36I'm going to pray.
00:16:38And I'm going to bed.
00:16:49Elizabeth, listen to me.
00:16:51I'll tell you one thing.
00:16:52This is my house.
00:16:54And I'll decide if I accept it or not.
00:16:57Well, this is the plan.
00:16:58Shall we sit down?
00:17:03Sit down.
00:17:07Tomorrow is the birthday of my friend's lover's wife.
00:17:10The old woman turns 50.
00:17:11And her boyfriend organizes a luxury party for her with Ramazzotti.
00:17:13And there will be Cramarenco.
00:17:15Cramarenco is my boyfriend and Ramazzotti is an Italian singer.
00:17:17Well, we have to go to the party, get closer to Cramarenco...
00:17:20Yes.
00:17:21...and convince him that you are my uncle, a favorite artist.
00:17:23That's what I told him when I had to apologize to him.
00:17:26Just tell him I'm your niece and nothing else.
00:17:28She doesn't believe me.
00:17:29She believes you.
00:17:30How are we going to get there?
00:17:31I have everything planned out.
00:17:32Look, we'll take the limousine you and I were in.
00:17:34I've already made a deal with the driver.
00:17:35He's a good guy.
00:17:36We'll leave him a passport as an engagement.
00:17:38Yours or mine, it doesn't matter.
00:17:39Mine.
00:17:40Mine, okay.
00:17:41And we'll return the money later when my rich boy comes back.
00:17:43Are you talking about rags?
00:17:44Rags are not a problem.
00:17:45I have a friend who works in a boutique.
00:17:47Lenka.
00:17:48She's very nice.
00:17:49We'll get them from there and then we'll return them without removing the labels.
00:17:51I'll comb your hair and fix your beard.
00:17:53In short, nothing complicated.
00:17:54You just have to agree.
00:17:56Well, please, honey, you'll never see me again.
00:17:59I swear.
00:18:04And you really tell me that only.
00:18:06You've come to apologize.
00:18:10Does that mean yes?
00:18:30Good night.
00:18:31Your invitations, please.
00:18:33What?
00:18:34The producer of Ramazzotti needs an invitation?
00:18:37Is he the producer of Ramazzotti?
00:18:39They just sang, uh, Who's the best?
00:18:41Wait a minute, Fettuccine.
00:18:42Security, cretinato.
00:18:43Cretinato?
00:18:44Mucho cretinato.
00:18:45Yes, gentlemen.
00:18:46He is the producer of Ramazzotti.
00:18:48Do you need an international scandal?
00:18:50What kind of organization do you have here?
00:18:52Excuse me.
00:18:53Pass me the invitation.
00:18:54Yes, sir.
00:18:55The producer of Ramazzotti.
00:18:56Do you need an international scandal?
00:18:58Excuse me.
00:18:59Pass me, please.
00:19:00Grazie, bambino.
00:19:01Grazie.
00:19:05Have you seen?
00:19:06I tell you that this kind of salami are always so chaotic.
00:19:09Anyone can enter.
00:19:18Who are these people?
00:19:21Obviously, I don't know everyone, but most of them are people ricachona.
00:19:26This, for example, is Bosque.
00:19:27Bosque?
00:19:28Is it his last name?
00:19:29No, he's stealing it.
00:19:32And that's Gas.
00:19:35And this one...
00:19:36of communal services.
00:19:39Is it clear?
00:19:43In a few words.
00:19:45Satanic dance.
00:19:47Vampires.
00:19:49Scoundrels.
00:19:51Demons.
00:19:52Shut up.
00:19:53You're watching the house of a shit eater anyway.
00:19:55He has gone to Europe so that they don't catch him here.
00:19:57What are you saying?
00:19:58What you hear.
00:20:00Well.
00:20:01You stay here and have some fun.
00:20:03I'm going to look for that bastard.
00:20:05Calm down a bit, producer.
00:20:07Drink something.
00:20:12I'm asking you, please.
00:20:13Bite something.
00:20:14We already know each other.
00:20:15You know what?
00:20:16Yeah, yeah, calm down.
00:20:17Just eat something.
00:20:22Come here.
00:20:25Come here.
00:20:56Do you also think that oysters are not enough to give you a prize?
00:21:02Serving oysters off-season.
00:21:03Of course.
00:21:04How lame.
00:21:08Mihailo Romanovich.
00:21:09Yuri Ivanovich.
00:21:10Hello.
00:21:11How are you?
00:21:12I've heard about your storms with the golf club.
00:21:15Don't even ask me.
00:21:16Our country is something that...
00:21:17I don't know.
00:21:20How can you give up 20 hectares of this land
00:21:22to build houses and also this shit of social housing?
00:21:26Can you imagine?
00:21:28In this place, with this nature, and fill this with concreting and...
00:21:32How do you say?
00:21:33I always forget.
00:21:34How is it?
00:21:35People?
00:21:36Of course.
00:21:37Indigenous people.
00:21:38I've already remembered.
00:21:39Well.
00:21:40Imagine.
00:21:41While in England they are with the countryside.
00:21:44They have built one.
00:21:46Don't tell me.
00:21:47Yes.
00:21:48Thank God.
00:21:49Thank God.
00:21:50Kramarenko has helped to declare it illegal.
00:21:52And they have overthrown it right away.
00:21:54At least there would be no people.
00:21:56No.
00:21:57No.
00:21:58What do you say?
00:21:59Although I don't know.
00:22:01Good evening.
00:22:02Sorry.
00:22:03Excuse me for the interruption.
00:22:05Honey.
00:22:06I need to introduce you to someone.
00:22:07Of course.
00:22:09Sorry.
00:22:10Well, how are you?
00:22:11Are you encouraged?
00:22:12Yes.
00:22:13With these people you are encouraged a lot.
00:22:14Come on.
00:22:15Now you confirm my words to Kramarenko.
00:22:16And you leave with a cool wind if you want.
00:22:18You're not going to miss anything, Ramasotti.
00:22:19He's not coming.
00:22:20That easy?
00:22:21The insurance companies must have freaked out.
00:22:22That's for sure.
00:22:23Well.
00:22:24To the mess.
00:22:27Sergey.
00:22:28How are you?
00:22:31Hello.
00:22:32What are you doing here?
00:22:34The same as you.
00:22:35I'm having fun.
00:22:37By the way.
00:22:38I introduce you.
00:22:39This is my uncle Sasha.
00:22:40From Zaporizhia.
00:22:43This is Sergey.
00:22:44My close friend.
00:22:45Alexander.
00:22:46Pleased to meet you.
00:22:47From Zaporizhia.
00:22:48Of course.
00:22:49My uncle is an artist.
00:22:50Yes.
00:22:51I'm here.
00:22:52By the way.
00:22:53To Cannes.
00:22:54To the festival.
00:22:55Understood.
00:22:56Of cinema.
00:22:57Of course.
00:22:58Of Cannes.
00:22:59Yes.
00:23:00Understood.
00:23:01Greetings, little guns.
00:23:02Greetings.
00:23:03Little monkey.
00:23:04I lost you.
00:23:08Uncle.
00:23:09I introduce you.
00:23:10This is Margot.
00:23:11My friend.
00:23:12Also intimate.
00:23:13Alexander.
00:23:14Lisa's uncle.
00:23:15I'm here.
00:23:16By the way.
00:23:17To the festival.
00:23:18Of Cannes.
00:23:19How funny.
00:23:20From Zaporizhia.
00:23:22Well, guys.
00:23:23We'll let you talk for a while.
00:23:25And Margot and I.
00:23:26We're going to make up a little bit.
00:23:35I'm from Zaporizhia.
00:23:36From Zaporizhia.
00:23:37From Zaporizhia.
00:23:38From Zaporizhia.
00:23:39Zaporizhia.
00:23:40Zaporizhia.
00:23:41Zaporizhia.
00:23:42Zaporizhia.
00:23:43When they told me that I had to go to the festival.
00:23:46I said.
00:23:47And why not?
00:23:48Are you stuck?
00:23:51Well.
00:23:52What I wanted.
00:23:53It was to tell you that.
00:23:54If you.
00:23:55And my niece.
00:23:56Lisa.
00:23:57You have argued.
00:23:58That.
00:23:59I did not want it.
00:24:01Just.
00:24:02It was a long time.
00:24:03That.
00:24:04We did not see each other.
00:24:05And.
00:24:06I went too far.
00:24:07Of joy.
00:24:09She.
00:24:12It has grown a lot.
00:24:14It has become beautiful.
00:24:15It has matured.
00:24:16Yes, uncle.
00:24:17The other day you chose.
00:24:18A good drunkard.
00:24:19Oh, friend.
00:24:20I do not understand what you complain about.
00:24:22Now I'm with Cramarenco.
00:24:23And what?
00:24:24It does not matter that he is my man.
00:24:25Friend.
00:24:26Why the hell is yours?
00:24:28You left him planted by the Danish this.
00:24:32Ah.
00:24:33You're going backwards.
00:24:34And suddenly the Danish became the uncle of Zaporizhia.
00:24:37It's not your business.
00:24:38And you're not going to decide.
00:24:40If it's mine or not.
00:24:42Listen to me, witch.
00:24:43I'm telling you for the good.
00:24:45Get away.
00:24:46From Cramarenco.
00:24:48And if not, what?
00:24:51Do you want to see it?
00:24:54I still remember when it was like this.
00:24:56Running naked through the house.
00:24:58Without any brain.
00:24:59It was all in the mouth.
00:25:01Yes.
00:25:02The truth has not changed much.
00:25:04Hey.
00:25:05Be careful.
00:25:06It's my niece.
00:25:07Do you want it or not?
00:25:09It may not be a well of wisdom.
00:25:11But it's a good girl.
00:25:13Uncle, you do not have to worry about Lisa.
00:25:16Lisa.
00:25:17Nothing's going to happen to her.
00:25:27Bitch.
00:25:29Are you crazy?
00:25:31Have you lost your mind or what?
00:25:33What are you doing?
00:25:34I'm not kidding, fuck.
00:25:38No.
00:25:39Fuck.
00:25:54Lisa.
00:25:55Lisa.
00:25:56Lisa.
00:25:57How could you think I'd change you for this witch, honey?
00:26:00How?
00:26:01Lisa.
00:26:02Lisa.
00:26:03Lisa.
00:26:04Lisa.
00:26:05Lisa.
00:26:06Is it possible? Why are you like this? You asked me to come and tell you.
00:26:12Old man!
00:26:13Nicolaits, are you sleeping?
00:26:15Nicolaits!
00:26:16Open!
00:26:21Come on, Nicolaits, open!
00:26:23Old man, are you deaf?
00:26:29I'm coming!
00:26:32Nicolaits, are you alive?
00:26:37Nicolaits, really, what are you?
00:26:41Hi.
00:26:42Hi.
00:26:46What?
00:26:47What do you mean?
00:26:49Well, woman, something else?
00:26:50Yes, something else.
00:26:51Is Nicolaits here?
00:26:52No.
00:26:54And who are you?
00:26:55Me?
00:26:56Yes.
00:26:57His niece.
00:26:59I think he doesn't have a niece.
00:27:01I'm the bastard.
00:27:03I think he doesn't have a niece.
00:27:05I'm the bastard.
00:27:06And you, what, are you documenting your life?
00:27:08I'm not tracking anything.
00:27:09Niece, tell Nicolaits that the day after tomorrow a commission of social security will come to formalize the subsidy.
00:27:14It will be necessary to present you a passport, family book, pension certificate, income certificate.
00:27:19Stop! My brain is about to explode. Who's coming?
00:27:22I've already told you, the social security commission in relation to the subsidy.
00:27:26The important thing is that you tell him and that Nicolaits knows everything.
00:27:29Okay.
00:27:30And where's your uncle? Is he sleeping or what?
00:27:33He's sleeping. In Zaporilla.
00:27:38And what does this mean?
00:27:40Expropriation of expropriators.
00:27:43What?
00:27:44No, he didn't get caught in a convolution.
00:27:47I understand, they're new words.
00:27:49I'll make it easier for you.
00:27:51Restoration of social justice.
00:27:55Great, and who said yesterday that you can't take what's not yours?
00:28:01I almost swallowed it and everything.
00:28:02Good girl, you remembered it well.
00:28:04You can't take what's not yours, right, but you can take what's stolen.
00:28:08In what sense?
00:28:09All this, everything you see.
00:28:11It was stolen from the village.
00:28:13And who am I?
00:28:15A hypocrite.
00:28:17I don't react to the attacks of a woman of low moral responsibility.
00:28:21Do you understand?
00:28:22Speak clearly, explain it to me in Christian.
00:28:24Please, sit down.
00:28:31Look.
00:28:34Yesterday at the party, I looked at all these people and I saw how they treat ordinary people.
00:28:41It's fucking amazing.
00:28:45My God, all those people.
00:28:49They haven't earned a single cent with work in this.
00:28:53They've stolen it and they spend their lives spending the money of the village.
00:29:00And who am I?
00:29:02I am the village.
00:29:03And I have full right to take advantage of what is mine.
00:29:09Any questions?
00:29:11No questions.
00:29:12Good.
00:29:16Old man.
00:29:17Tell me.
00:29:18Am I also part of the village?
00:29:25In a way, yes.
00:29:28And can I also take advantage of what is mine?
00:29:32That's right.
00:29:34Like a sauna?
00:29:35Of course.
00:29:37And the pool too?
00:29:38For the love of God.
00:29:39We'll come here every day.
00:29:41We'll wash, we'll swim in the pool.
00:29:44And in general...
00:29:48You know what?
00:29:49What?
00:29:53Why walk from one side to the other?
00:29:56You know what we're going to do?
00:29:58We're going to move here.
00:30:00We're going to live in this house.
00:30:02With full pension.
00:30:04That's what these shameless people deserve.
00:30:07We're going to move right now.
00:30:09Right now?
00:30:10Yes, why wait?
00:30:11Follow me.
00:30:13How are you here?
00:30:15Have you arrived in Escoba?
00:30:17In the elevator.
00:30:18In the elevator?
00:30:20Does it have an elevator?
00:30:22Yes.
00:30:23Where is it?
00:30:27What a piece of shit.
00:30:29Well...
00:30:30People limit themselves to turning on a light bulb, saving money.
00:30:34And this guy has his own elevator.
00:30:38He's crazy.
00:30:43It's very comfortable, of course.
00:30:46Let's go.
00:30:47To make me give up...
00:30:49...the revenge.
00:30:51What is a man...
00:30:52...if he only has to eat and sleep?
00:30:56What are you saying?
00:30:57All these shameless people...
00:31:00...Potapenko and Kramarenko...
00:31:03...end up in jail and go to hell.
00:31:06Begging for a new car.
00:31:08They wear shoes worth a thousand euros.
00:31:10And when you want new clothes, they tell you you're already pretty?
00:31:13The main thing is that they leave their castles, yachts...
00:31:17And the smallest, the biggest yacht.
00:31:20At least Kramarenko.
00:31:24Kramarenko...
00:31:26...has a yacht?
00:31:40Yes.
00:31:41Corrupt.
00:31:43Three shortcomings in one word.
00:31:45This signature, suspended.
00:31:47Do I correct it?
00:31:48No, no, no, no.
00:31:49That's better.
00:31:51It seems that the illiterate people have written it.
00:31:54Drowned in despair.
00:31:58Damn it, someone's coming.
00:32:10If they come here, they're going to catch us.
00:32:13Old man, where do we hide?
00:32:15Why are you so quiet?
00:32:18Old man?
00:32:22Old man?
00:32:23Lisa!
00:32:25What are you doing standing there?
00:32:26How did you get here?
00:32:27With my legs. Come here.
00:32:29Quickly.
00:32:34Papachito, wait.
00:32:36You're so fast.
00:32:37I can't follow you.
00:32:38I told you, we got the wrong yacht.
00:32:40What a brown.
00:32:41I know it better inside.
00:32:43Great.
00:32:44Hey, what are you telling me?
00:32:45Leave it now.
00:32:46Come on, go.
00:32:47Wait.
00:32:49Have you seen?
00:32:50Your best friend is with him.
00:32:52Well, what a friend I have.
00:32:53Yes, yes.
00:32:55It would be more correct to say, friend in functions.
00:32:57You're already touching my nose.
00:32:59Shut up.
00:33:00Okay, stay here and smoke.
00:33:02Tejoncito, wait.
00:33:04You promised to show me the yacht.
00:33:06Lisa, you don't deserve any yacht.
00:33:20Stay here.
00:33:21I'll be right back.
00:33:22Okay.
00:33:23And shut up.
00:33:24Okay.
00:33:36Okay.
00:34:06Okay.
00:34:07Okay.
00:34:37Okay.
00:34:38Okay.
00:35:06Why do people not like the Maco?
00:35:12They also had to write a scamp and an idiot.
00:35:16I have to record all this.
00:35:18It is a great opportunity.
00:35:19Hey.
00:35:24What's going on?
00:35:25They're about to leave.
00:35:26There you have your hidden commission 20%.
00:35:29Let's go.
00:35:30Your Tejoncito is very foresighted.
00:35:32Sure.
00:35:33Your tea is very good.
00:35:35Sure.
00:35:37Well, let's embark.
00:35:39Where?
00:35:42Three hundred, four hundred, five hundred, six hundred, seven hundred, eight hundred.
00:35:47In total, ten thousand and something.
00:35:49By beard.
00:35:50What do you mean by beard? And for Kotlevich?
00:35:53I know who he is.
00:36:00What are you talking about?
00:36:01I don't understand. Do you want to keep all the money? Isn't it too much?
00:36:04Keep everything? I'm not a bandit. I'm Robin Hood.
00:36:08Who are you?
00:36:10Friend of Kotlevich.
00:36:12This money was stolen from the village. And it will be returned to the village.
00:36:17Wait, old man. What village?
00:36:20How do you imagine this? Are we going to go through the neighborhood and distribute some money?
00:36:24Don't play dumb. Of course it's not a lot of money. There's not enough for everyone.
00:36:28So we're going to donate it to a charity.
00:36:30Yes, man. I even know one of those. Kramarenko is the founder.
00:36:33Well, to an orphanage.
00:36:35Old man, what world do you live in?
00:36:37The children will get a chupa-chups, and with the rest, the principal will build a house.
00:36:41Maybe she builds it or maybe not. Who knows? Not everyone is like you.
00:36:45Maybe not everyone, but there are many who are like that.
00:36:47Well, accept my condolences. We'll go for each of them.
00:36:52Old man, be a man.
00:36:54I've been running all night. I'm very tired and very nervous.
00:36:59Then go and get some rest.
00:37:02You'll see that you sleep well with a clear conscience. Good night.
00:37:07Yes.
00:37:09But how?
00:37:28Good morning.
00:37:29Hello.
00:37:30How did you sleep?
00:37:31On my legs. And you? Where are you going so early?
00:37:37You know what? I want to go.
00:37:39Where to?
00:37:40To my house. To see my mother.
00:37:44Seriously, an old man is keeping me. And that's not good.
00:37:48Can you help me?
00:37:49Of course I can.
00:37:50I'm going to see my mother.
00:37:52Seriously, an old man is keeping me. And that's not good.
00:37:56Can you help me?
00:37:57Of course I can.
00:37:59Why all of a sudden? It looks like you didn't mean to.
00:38:03Well, imagine. I couldn't sleep all night.
00:38:06I kept thinking.
00:38:08You know, you're right.
00:38:11About the money and about me too.
00:38:15How long will I keep running like this for life?
00:38:18It's time to come to terms.
00:38:21I'll go home. I'll finish university.
00:38:24Anyway, I'll have to work.
00:38:26You're right. Well done.
00:38:29At least, not in vain.
00:38:31Fate brought us together, you and me.
00:38:33Maybe up there they'll believe me.
00:38:36For saving a lost sheep.
00:38:39Yes.
00:38:44Well, Nikolaich, let's say goodbye.
00:38:46Are you leaving already? Sit down and have breakfast.
00:38:50You know I don't eat in the morning.
00:38:52Yes.
00:38:53Well, that's it. I'm leaving.
00:38:58I thank you for everything.
00:39:01Really. Thank you.
00:39:04You're a great man.
00:39:51Hello, Vadimchik.
00:39:53I'm calling because I need a decent apartment.
00:39:55Something central.
00:39:58Well, I don't know. For a year. We'll see.
00:40:02Do you have an option?
00:40:04You're my little sky.
00:40:06Thank you very much. I'm coming, I'm coming.
00:40:08Kisses, kisses.
00:40:21A YEAR LATER
00:40:47Hello again.
00:40:48Did you forget something?
00:40:52You know what?
00:40:54I've decided to have breakfast.
00:40:56Well said.
00:40:57Breakfast is the most important meal.
00:40:59Serve yourself.
00:41:00Tortilla, mint tea.
00:41:02Mint tea is very good, by the way.
00:41:04It calms the nerves and eliminates stress.
00:41:06Thank you very much.
00:41:08And your mother, may God bless her.
00:41:10You can wait. It's okay.
00:41:12Well, look, I'm not going anywhere today.
00:41:14Why?
00:41:16Because a new life has to start on Monday.
00:41:18Aren't you ashamed?
00:41:20Do you think you'll be conscious on Monday?
00:41:22Come on.
00:41:24What's the moral here?
00:41:26Yesterday you stole the money that didn't belong to you.
00:41:28Weren't you ashamed?
00:41:30For the umpteenth time, it's not for me.
00:41:32It's for the people.
00:41:34And I tell you that my tits are also for the people.
00:41:36Yes, imagine that they admire and applaud them.
00:41:38Mother Teresa, who needs your tits if you don't have anything to eat?
00:41:42We're done with the food.
00:41:44People don't just need bread.
00:41:46They also need a circus, you know?
00:41:48And all of a sudden, you've become a cult person.
00:41:52And it looks like you've never been to a class.
00:41:54Don't take me for a fool.
00:41:56You don't need me to call you.
00:41:58You've already shown it to yourself.
00:42:00You're 25 years old and you have the same level of development as a donkey.
00:42:02You only use it to pick up shiny things.
00:42:04You have birds in your head and smoke in your ass.
00:42:06And worst of all, you're a thief.
00:42:08I hope I don't have to see you anymore.
00:42:10If you don't like it, don't look.
00:42:12Go to hell. No one forces you to be here.
00:42:14You won't get away with this.
00:42:16I won't?
00:42:17Yes.
00:42:18We'll see about that.
00:42:19And what do you have in mind?
00:42:20I'll report you.
00:42:21Right now.
00:42:22I'm going to the police and I'll report you for bringing me to this house and trying to rape me.
00:42:26What happened?
00:42:30What a puncture.
00:42:32Oh, my God.
00:42:38Elizabeth, I've had a puncture in my back.
00:42:41Can you take me to the couch, please?
00:42:43Don't be a bad person.
00:42:49You're a witch.
00:42:51Well, accept my condolences.
00:42:53I think I've created a monster.
00:43:06That doesn't surprise me, you know?
00:43:08Look at what you're telling me instead of thanking me.
00:43:10Me, who dragged you to the car first and then to the ambulance.
00:43:13And as soon as you get better, you bark again.
00:43:15I'm not doing anything.
00:43:17Oh, it's normal. You never get tired.
00:43:18Come on, get going.
00:43:19I'm going.
00:43:20Focus on the car.
00:43:21And not on me.
00:43:22You're very heavy.
00:43:23No one told you anything. Come on.
00:43:29You won't find it anywhere at this price.
00:43:31In fact, what's the price?
00:43:321,400.
00:43:34How much?
00:43:36It's natural dog wool.
00:43:38It's a natural robbery.
00:43:40I'll take the cream.
00:43:42Not the cardigan.
00:43:44Okay, fine.
00:43:45The doctor said you should buy it.
00:43:47Buy it, Miss.
00:43:48Take it.
00:43:49And why are you giving me orders?
00:43:51I'll buy it if I want to.
00:43:52It's my back.
00:43:53Here, keep the cardigan.
00:43:55Yes, of course.
00:43:56So that I have to drag you again later.
00:43:58No, my dear.
00:43:59Take it, please.
00:44:02Pay, Grandpa.
00:44:04Grandpa.
00:44:05Health is worth more than money.
00:44:08Your wife will be grateful.
00:44:10What's going on?
00:44:11Does everyone agree today or what?
00:44:16Okay, happy?
00:44:25God, you look terrible.
00:44:27What do I look like?
00:44:28Like a beggar.
00:44:29Why a beggar?
00:44:31I don't know why.
00:44:34Look, the shoes are a shame.
00:44:36And the pants...
00:44:37The pants are very comfortable, very wide.
00:44:40And that the shirt is older than me, do you care?
00:44:51This shirt...
00:44:54I care.
00:44:55It's a memory.
00:44:57My God.
00:44:58Artist of the people.
00:45:01Worthy of respect.
00:45:03Although from another time.
00:45:06Idol, as they say.
00:45:08Of millions.
00:45:09And he walks like a miserable beggar.
00:45:15But tell me.
00:45:17Do you really think you don't deserve normal clothes?
00:45:21And that you have money.
00:45:24Your people will not be poor if we
00:45:26buy their artist a fucking shirt, right?
00:45:30It's over because I'm worried about you.
00:45:34I'm not your lover or your wife.
00:45:36Seriously, why do I do it?
00:45:40Lisa.
00:45:42What?
00:45:45Well, okay, we'll look at something.
00:45:47Okay, but why do you insist?
00:46:00Tattoos stuffed, lips glued, nails sawed.
00:46:04Negative removed, positive put on.
00:46:08And Dodo put on.
00:46:17Wow.
00:46:18Wow what?
00:46:19What kind of clothes is this?
00:46:21It's what's fashionable.
00:46:22I don't want to go to fashion.
00:46:23I want to be comfortable, do you understand?
00:46:25And is it uncomfortable?
00:46:26Of course it's uncomfortable.
00:46:27I feel uncomfortable wearing this.
00:46:29I can't.
00:46:30Okay, okay, don't get nervous.
00:46:31Girls, something classic.
00:46:34How dare you bring me this?
00:46:35I'm ashamed to be seen like this.
00:46:37What are people going to say?
00:46:38It's like, fuck.
00:46:47This is better.
00:46:48Mr. Haley does not wear this type of shirt.
00:46:51What? He doesn't wear what?
00:46:52Haley.
00:46:53The shirt he wears.
00:46:55And why the hell have I been testing this for half a day?
00:46:58Okay, okay, calm down.
00:46:59Now we're going to look for something for your Heldi.
00:47:01Of course, choose.
00:47:02Girls, jackets.
00:47:03And that hunter.
00:47:25We're going to paint this knife today.
00:47:28And we're in style.
00:47:33Look how cute.
00:47:34I love it.
00:47:35It's wonderful.
00:47:36I think I'm going to keep it.
00:47:41It looks great on you.
00:47:43Yes, of course.
00:47:44Yes, honey.
00:47:45I'm telling you.
00:47:46It's super elegant.
00:47:47You tell him.
00:47:48It looks great on him.
00:47:51Really?
00:47:52Uh-huh.
00:47:53It's just missing a pair of pants and it's going to be a bomb.
00:47:56And some shoes.
00:47:57And shoes.
00:47:58And some socks.
00:47:59And socks.
00:48:00Look, now they have an offer.
00:48:02You buy two units and the third one is given to you.
00:48:04I can also choose a shirt.
00:48:06It's free anyway.
00:48:07Free?
00:48:08Uh-huh.
00:48:09Look how good.
00:48:10Well, nothing, if it's free, what you have ...
00:48:11Thanks.
00:48:13Pants.
00:48:15Honey.
00:48:16Shoes.
00:48:24And a bag, can I?
00:48:26Of course, for God's sake.
00:48:50Excuse me, young man.
00:48:51Haven't you seen around here a shabby grandfather with a football shirt that says something from 94?
00:48:58What's wrong with you, handsome?
00:49:00I'm thinking.
00:49:01If he had seen me now, Zalavski.
00:49:03Zalavski?
00:49:04Who is he?
00:49:05Well, a character from a previous life.
00:49:07And he's dead or what?
00:49:08Hopefully.
00:49:10Awesome, then he's going to die.
00:49:11Any garment gives you joy twice.
00:49:13One when you buy it and another when your friend dies of envy when she sees it.
00:49:17You think so?
00:49:22Then let's go.
00:49:24Oh, honey, what news.
00:49:27Everything as usual.
00:49:29In the morning we went to the masseur with daddy.
00:49:32Then shopping.
00:49:34And now we have a little fashion show.
00:49:37Yes, yes, a pret-a-porter, exactly.
00:49:40Honey, the show is already starting.
00:49:41I'll call you later.
00:49:42Sweet kisses.
00:49:44And what?
00:49:45They all stayed out?
00:49:47You can't imagine.
00:49:48Furor.
00:49:49And?
00:49:50We just started.
00:49:51Don't make plans.
00:49:52We have visitors.
00:49:53What visitors?
00:49:54They're not visitors.
00:49:55It's high society.
00:49:56The elite.
00:49:57In short, a nest of vipers.
00:50:00Let's go.
00:50:04Okay, go ahead.
00:50:05Tell me, who have you invited?
00:50:06Well, they are.
00:50:07The fool with luck.
00:50:09The engender of the third division.
00:50:11And Dr. Honoris Causa of the academy of assholes.
00:50:14Are there academies of that kind?
00:50:15No, but there are academics.
00:50:17And Dr. Zalamsky, whom you already know, is.
00:50:20Work has to give us many pleasures, not money.
00:50:27Salary?
00:50:28What salary?
00:50:29What does that have to do with it?
00:50:31Think about it, gentlemen.
00:50:33I recommend it and I insist.
00:50:37And you too.
00:50:39Alberto Benediktovich?
00:50:40Yes, it's me.
00:50:41Good morning.
00:50:42Good morning.
00:50:44Tell me, do you need anything?
00:50:46Ali, it's only been 15 years and you're talking to me about you?
00:50:50My God.
00:50:52Sasha.
00:50:54Merkulov.
00:50:56Yes, yes, yes, yes.
00:50:58Yes, yes, yes, yes.
00:51:00Yes, yes, yes, yes.
00:51:02Yes, yes, yes, yes.
00:51:04Yes, yes, yes, yes.
00:51:06Yes, yes, yes, yes.
00:51:08But what are you doing here?
00:51:10Well, I've come to my hometown and I've thought, why not stop by the theater?
00:51:14How glad I am to see you, fuck.
00:51:17How glad I am.
00:51:19There are few assholes like this.
00:51:2115 years ago he fired me from the theater for being unprofessional, can you imagine?
00:51:27But he didn't do it alone, they helped him.
00:51:29The first actress in the theater, for example, also helped him.
00:51:32She is the star of 5 official husbands and 15 unofficial lovers.
00:51:37Boyarkova Olga Mikhailovna.
00:51:40Fuck, asshole.
00:51:41That's what you are, do you understand?
00:51:43Let you know that if I had not found Zalavski and they had not told me that you were here,
00:51:48that you would have disappeared another 15 years.
00:51:50Olga, he just told me that you were here.
00:51:53And I ran out to buy you flowers.
00:51:55Now I see how stupid I have been, well, by your side.
00:51:58Any flower is horrible.
00:52:00Oh, I hate you.
00:52:02I had a little love affair with her.
00:52:06And for a role in the first theater, he took my heart out.
00:52:10He also took me out of the theater and his bed.
00:52:14We continue, Petrusa.
00:52:16The official husband of the aforementioned first actress.
00:52:19Panties, lick asses and cuckold.
00:52:22And besides all that, he is a completely private actor of any talent.
00:52:26Well, come on, tell me, how are you?
00:52:29Where are you? What are you doing?
00:52:31I'm burning with curiosity.
00:52:33Olga, you have to heat the empanadas alone.
00:52:36My God, but what empanadas.
00:52:38Look who has come to see us.
00:52:40Petrusa.
00:52:42Sasa.
00:52:43Petrusa.
00:52:44Sasa.
00:52:45Sasa.
00:52:47And I was thinking who is in the dressing room with my Olga and it turns out that it is you.
00:52:53Hold this.
00:52:55Hold this.
00:52:56Let me hug you, Sasa.
00:52:59Sasa.
00:53:02And finally, my favorite, the playwright Gunco.
00:53:05Real talent.
00:53:07It's like Julio César.
00:53:09He can write plays with one hand,
00:53:11scribble complaints with the other
00:53:13and drink with both hands at the same time.
00:53:16No, Igor Olegovich.
00:53:18I'm not going to give him a loan or credit, not even a mortgage.
00:53:21It's over.
00:53:23No, Nadenka, it's not for me.
00:53:25It's for Mrs. Adelina.
00:53:27Aren't you ashamed?
00:53:29What are you telling me?
00:53:31Adelina Kristoforovna has high blood pressure.
00:53:33Cognac has forbidden it.
00:53:35Nadenka, you don't have a heart.
00:53:38A bottle of Gravsky for me and my friend.
00:53:41Let's see if you can do it now.
00:53:48How is it?
00:53:53Alexander Nikolayevich.
00:53:55But you, how can it be?
00:53:58You are my savior.
00:54:00And tomorrow we will receive this charming little group in our palace.
00:54:05And why the hell did you invite them?
00:54:07Because enemies must be morally destroyed in your land.
00:54:11Old man, you are a horrible person.
00:54:13No, I'm not horrible.
00:54:15I'm fair.
00:54:17I had four black arrows for the four sorrows I have endured.
00:54:19And for the four evil men who tyrannize us and run us over.
00:54:34Gentlemen.
00:54:37Are we wrong?
00:54:39No, the address is correct.
00:54:41What did he tell us?
00:54:43A farmhouse?
00:54:46Or am I wrong?
00:54:47Or am I wrong?
00:54:54My friends.
00:54:56Finally.
00:54:58What a joy to see you.
00:55:00I want to hug you all.
00:55:04And the taxi?
00:55:06Has the taxi already left?
00:55:08Well, yes.
00:55:10Well, they usually take you home, but it's okay.
00:55:14We'll take a walk around the farm.
00:55:15It's not far.
00:55:17Please.
00:55:19It's not far.
00:55:26Granite buckets.
00:55:28National product.
00:55:30Common chestnuts.
00:55:32The fountain I made small.
00:55:34I didn't want to get lost.
00:55:36It fills my soul and makes my eyes happy.
00:55:38My God, Sasha.
00:55:40I can't believe it.
00:55:42Is this your house?
00:55:43It's just a small farmhouse.
00:55:46My house is on the other side of the world.
00:55:49But as they say.
00:55:51You have to make your home the home of all.
00:55:59The home of all.
00:56:01It will be worth about 15 or 20 kilos.
00:56:03Envy is a very negative feeling, Igor.
00:56:05You're right, Albert.
00:56:07But right now it's what I feel.
00:56:10Let's go.
00:56:11No, please, with the stairs.
00:56:13Don't hurt your legs, please.
00:56:15The love of my life.
00:56:17Lisa.
00:56:19Good morning.
00:56:21Hello.
00:56:23Lisa, let me introduce you to my colleagues.
00:56:25My love, why didn't you tell me we had a visit today?
00:56:28I'm sorry, my love, I missed it.
00:56:30But it was you who gave the service a party.
00:56:33We were so eager to be alone.
00:56:35Well, you understand me.
00:56:37Give me five minutes and I'll wait for you all at the table.
00:56:42Well.
00:56:45Lisa.
00:56:47My friends.
00:56:51We haven't seen each other, if I'm not mistaken, for 15 years, right?
00:56:5615 years.
00:56:5815 years.
00:57:00You know, there wasn't a single day I didn't think of you.
00:57:03Not when I was down.
00:57:05Not when I got to the top.
00:57:07Sometimes I think.
00:57:09Maybe I survived it all.
00:57:11To be here today, sitting at the table with all of you.
00:57:15To be able to look you in the eye and see you smile.
00:57:21And also your tears.
00:57:25For you, my friends.
00:57:27No, Sasha, for you.
00:57:29For you, guys.
00:57:31I'm so happy.
00:57:33So happy.
00:57:35Eat, please.
00:57:36I'm eating, I'm eating.
00:57:38Alexander Nikolayevich.
00:57:40Tell me.
00:57:42You have an extraordinary collection of white weapons.
00:57:45Where did you get them?
00:57:47I've collected them all my life, as they say, all over the world.
00:57:51Which one do you like?
00:57:56For my friends, everything is little.
00:57:58Choose the one you want.
00:58:06For you, guys.
00:58:08The truth is, you make a great couple.
00:58:12Thank you, Sasha.
00:58:14Alexander Nikolayevich, can I keep this one?
00:58:17Yes, please, don't cut yourself.
00:58:19You don't know how grateful I am.
00:58:22Look at you.
00:58:24I don't understand.
00:58:26Why do men like new wine?
00:58:29Well, yes, it has a brilliant flavor.
00:58:31It makes you drunk quickly.
00:58:33It gives you joy.
00:58:34And then what?
00:58:36Headache, dizziness.
00:58:40Does it really deserve it?
00:58:42Tell me, Sasha.
00:58:44And what do you propose?
00:58:46Don't drink anything?
00:58:48No, I didn't say that.
00:58:50Drink whatever you want.
00:58:52But choose well what you're going to drink.
00:58:55With time,
00:58:57wine has a better flavor.
00:59:00It becomes softer,
00:59:02more elegant.
00:59:04It excites your imagination.
00:59:07It relaxes your tongue.
00:59:10A good childhood
00:59:12makes you feel very different, Sasha.
00:59:14I don't know.
00:59:16For me,
00:59:18any wine produces pyrolysis.
00:59:21I like fresh beer.
00:59:25With earrings.
00:59:27Petrusha,
00:59:29why don't you go
00:59:31get a beer?
00:59:32Is there beer?
00:59:34Yes, in the fridge in the winery.
00:59:36Can I really?
00:59:38Take whatever you want.
00:59:40Great.
00:59:44Sorry, it's a pretty urgent call.
00:59:47From work.
00:59:52Hello.
00:59:54Where are you?
00:59:56What happened?
00:59:58What happened?
01:00:00Your niece didn't tell you anything?
01:00:02Are you drunk?
01:00:04The commission is knocking on your door
01:00:06half an hour ago.
01:00:08Or are you going to give away
01:00:10all your state subsidies?
01:00:12Oh, damn!
01:00:14Tania, stop them, please.
01:00:16I'm coming.
01:00:18Olga,
01:00:20I need to send an urgent fax.
01:00:22Business.
01:00:24Do you understand?
01:00:32I'm coming.
01:01:03And where is he?
01:01:05We have 14 more addresses.
01:01:07I understand, dear.
01:01:09He's coming right now.
01:01:11He's an old man.
01:01:13He just left for some business.
01:01:15Here it is.
01:01:17Thank God.
01:01:19Now, Nikolayevich, take care of yourself.
01:01:21I'm going.
01:01:23Thank you, dear.
01:01:25Thank you, Tania.
01:01:27Thank you very much.
01:01:29Sorry for the delay,
01:01:30but we have to go.
01:01:32Dear, we've been here for half an hour.
01:01:34I don't want to offend you, son,
01:01:36but when you get to my age,
01:01:38you'll see how this process
01:01:40is not easy
01:01:42or at all
01:01:44fast.
01:01:46Misa, can you examine the house?
01:01:48While I write down your data.
01:01:50What do I have to examine?
01:01:52There is no heating, no hot water,
01:01:54and the bathroom is all I have in the yard.
01:01:56You know, there were several cases.
01:01:58Some hide radiators behind the curtains,
01:02:00some in the attic,
01:02:02the TV under the bed.
01:02:04They all want to charge for the pad.
01:02:06Everything is fine.
01:02:08There is nothing.
01:02:10As I told you, I have nothing.
01:02:12Well, Alexander Nikolayevich,
01:02:14how much do you charge for the pension?
01:02:161500, like everyone else.
01:02:18Minimum pension.
01:02:20This is good.
01:02:22Yes, perfect.
01:02:24Better than better.
01:02:26Oh, sorry.
01:02:28Well,
01:02:30give me your passport
01:02:32and we'll formalize it.
01:02:35Passport?
01:02:37I have it
01:02:39upstairs in the attic.
01:02:44I'll be right back.
01:02:58Come on.
01:03:11The other day I was with some students
01:03:13and they told me they didn't want to teach.
01:03:15So...
01:03:17Gentlemen,
01:03:19I propose a toast
01:03:21to the hostess of the house.
01:03:25Lisa, to you.
01:03:27To you.
01:03:39Lisa, remember
01:03:41that you owe me the last dance.
01:03:43Igor Olegovich, calm down.
01:03:45The lady is not going to dance anymore.
01:03:50What about that?
01:03:52You decide for her.
01:03:54Okay.
01:03:55You know what?
01:03:58Shit!
01:04:02Igor, I think
01:04:04that's enough.
01:04:06Don't worry.
01:04:08I know my limits.
01:04:23Here you go.
01:04:25Are you okay?
01:04:27Yes, yes, I'm fine.
01:04:29It's just that this...
01:04:31the pressure has suddenly gone up.
01:04:33Of the joy of knowing
01:04:35that I will be able to receive the...
01:04:37grant.
01:04:39Excuse me.
01:04:42Tell me.
01:04:44Listen, where are you?
01:04:46They'll kill each other.
01:04:48What?
01:04:56What are you doing here?
01:04:58What are you doing here?
01:05:00What are you doing here?
01:05:02What are you doing here?
01:05:04Stop it, guys.
01:05:06Where were you?
01:05:08Where should I be?
01:05:10What happened?
01:05:12Don't fuck with me, Grandpa.
01:05:14I'll show you what talent is.
01:05:16I'll write you a letter.
01:05:18So much talent.
01:05:20Calm down.
01:05:22I have so much talent.
01:05:23I can't read.
01:05:25Come here.
01:05:28Shit!
01:05:32Now what?
01:05:39Don't just stand there.
01:05:41Come here.
01:05:43Call.
01:05:45Who? Ambulance or police?
01:05:47The taxi.
01:05:49Taxi?
01:05:51Yes.
01:05:53Let's go.
01:06:15The safe is locked
01:06:17and I can't get the medicine out.
01:06:19The hypertension has to be treated.
01:06:21So I use this old method
01:06:23called...
01:06:25Ivanov.
01:06:27It makes me feel better
01:06:29and the world shines again.
01:06:31Want some?
01:06:45Revenge is shit.
01:06:47It's just a whim.
01:06:50And justice
01:06:51can't be achieved
01:06:53by revenge.
01:06:55The wrongdoer died
01:06:57in an instant
01:06:59and without pain.
01:07:01And I have to live
01:07:03with this pain.
01:07:08Forgive me, Master.
01:07:42Thank you, Alejandro Nikolayevich.
01:07:45I'll pay you back every cent.
01:07:47Okay.
01:07:49Now we can fix the roof.
01:07:52We'll buy a new accordion
01:07:54and the costumes.
01:07:56Thank you so much.
01:07:58Thank Lisa.
01:08:00Thank her for everything.
01:08:02God bless her.
01:08:04She's a good girl.
01:08:06You're lucky to have her.
01:08:08That's true.
01:08:13Come on.
01:08:15Stop it.
01:08:16Now
01:08:18you'll have a better life.
01:08:20I'm so happy.
01:08:22I'm so happy.
01:08:24I'm proud of myself.
01:08:26Me too.
01:08:28So much money.
01:08:30I'm so sorry.
01:08:46I'm so sorry.