González Oro reclama haber sido el pionero en llevar el juego del truco a la televisión hace más de 17 años, criticando la falta de originalidad en los medios actuales. Aunque Susana Giménez también ha popularizado el juego, se argumenta que su interés es personal y no inspirado por Oro. La situación genera tensiones y reflexiones sobre el reconocimiento profesional y las dinámicas en la industria televisiva.
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00:00Aburrido!
00:30in the Negro Oro. It's because she has a relationship with playing the trick that she loves and it seems to me that from there, from that personal taste, they take it to the TV.
00:38That's boring.
00:40That's sponsored. The trick is a sponsorship. It's a commercial action.
00:45No, but the margin of that, I remember that I went to play with Susana in 2009.
00:49Oh yeah?
00:50It's been years since I've done it.
00:51That's why it's been years.
00:52Well, it's been 17 years. It's been before I did it.
00:54Because with the production he got caught, not with Susana, but ...
00:57I told the lady.
00:58The lady.
00:59But they weren't intimate friends. I told her you were her intimate friend.
01:01Intimate.
01:02But lately it seems to me that ...
01:03The Negro is angry with a lot of people.
01:05With life.
01:06I love it like that.
01:07Don't convince me.
01:08But he's angry with ...
01:09Well, if you say it, I'll ask you again.
01:11But why?
01:12Why?
01:13No, he's angry with a lot of people.
01:14Why?
01:15He calls you.
01:16I don't know why.
01:17Is he a friend of Babi?
01:18They're not that close now.
01:20Why?
01:21I don't know.
01:22I'm telling you from what Babi has said.
01:25They had given him work in Buenos Aires.
01:28The wine, the chicken, the possibility of staying.
01:31He got angry and left angry. Do you remember?
01:33With Cintia.
01:34With Cintia.
01:35With Cintia.
01:36But he always, from the moment he arrived, said that he was not going to stay.
01:40Don't propose anything to him because he doesn't want to stay.
01:43I assume something that he can travel.
01:45Well, he puts this story in this time of the year.
01:48Subjective.
01:49Where they start to move.
01:50Because you worked with him, right?
01:51All the radio, the channels.
01:54He's brave.
01:55Yes, he's brave, but so am I.
01:57So one day we got together.
01:59Why? Tell me.
02:01Why did you get together?
02:02Because I got to the radio.
02:04I did it on Monday morning.
02:06At 10 in the morning.
02:07Do you remember?
02:08Laura.
02:09When you left, I came in.
02:10Yes.
02:11They pass me with Fantino.
02:12We did El Enroque.
02:13I got pregnant with Laura.
02:14So that I could come in later.
02:15Laura passes my schedule.
02:16I was there.
02:17So I got there.
02:19And they tell me.
02:20They fill my head a little.
02:22That they wanted to kick me out of the show.
02:24Me and a partner.
02:26And it's hard for you to start.
02:27And it's hard for me to start.
02:28I'm young on top.
02:29Of course, with all the hormones there.
02:31How?
02:32Pregnant.
02:33I said, the big one.
02:34Janina with Wanda.
02:35And Wanda with Janina?
02:36Yes.
02:37I said, yes.
02:38You squeezed it.
02:39Do you want to know?
02:42Not him.
02:43Not him, but the person who tells me.
02:45I said, yes.
02:46After two minutes.
02:47Look, nothing happened.
02:50Look what I have to dance.
02:51Look what I have to dance.
02:52They told me a lot that it was from going to the boss.
02:55I have to dance.
02:56To ask for heads.
02:57I have to dance.
02:58It was a lot of.
02:59Boss of.
03:00Go to the bosses.
03:01And I asked you for the head.
03:02And well.
03:03I'm telling you what happened to me.
03:04Ah, well.
03:05You see?
03:06That it was a lot.
03:07That he had that trick.
03:08And also.
03:09But then no.
03:10Then we worked well.
03:11In reality it is complicated, yes.
03:12But it is demanding.
03:13And here, why do you think he jumped with Susana?
03:14Because I would be watching him.
03:15And he felt.
03:16Really.
03:17He got mad.
03:18He got mad.
03:19Uh, I did this.
03:20I did this.
03:21In the program.
03:22In postdata.
03:23He needs to be recognized.
03:24He needs to be recognized.
03:25He needs to be recognized.
03:26And not be forgotten.
03:27No, it's true.
03:28But he needs to be recognized.
03:29And the truth is that he has been a professional.
03:30He is an important professional.
03:31And not be forgotten.
03:32I think that.
03:33Here I get a date.
03:34He had the.
03:35The radio was first.
03:36But he is afraid.
03:37He is afraid to be forgotten.
03:38Let's see Laura.
03:39I think.
03:40The black.
03:41The black.
03:42I worked for six years with the black.
03:43He is a great creator of formats.
03:44If he says he did this.
03:45Because it was.
03:46The black.
03:47The black.
03:48The black.
03:49He invented the trick.
03:50And he would like to do it.
03:51It's a format.
03:52You let me talk.
03:53It's the first.
03:54You let me talk.
03:55It's the first.
03:56He is the first who sang.
03:57The first who sang on the radio.
03:58When.
03:59He got a CD.
04:00Yes.
04:01That yes.
04:02They all sang later on the radio.
04:03They were the first to make the passes.
04:04Thanks to Dad.
04:05And everything else.
04:06Then they made passes.
04:07It's the truth.
04:08We are talking about him being a bad partner.
04:09No.
04:10That he is a talented.
04:11And that he did ten years of success.
04:12This no one.
04:13No one argues.
04:14Nor a bad partner.
04:15Because when he had to.
04:16He said every thing.
04:17Look.
04:18When I joined, they had grabbed each other by the hair with Feynman.
04:24I joined first, in the week, there.
04:27And on the weekend, La Canosa had grabbed each other by the hair with Luis Pedro Toni.
04:34It was my debut on that radio.
04:35Listen, listen to what they tell me.
04:37Ennegro never beat anyone in post-data.
04:40It was always a failure on TV.
04:42Or success on the radio, on TV.
04:44They say it goes very well with post-data.
04:47For Susana, Ennegro was a heavy, never-friendly hang-up.
04:52And he also asked for the time of La Nata.
04:55Bad friend, bad partner, Garca.
04:58I didn't tell you.
04:59The time, now.
05:01I like it because it gives him the tone.
05:02The time, now, of La Nata.
05:04Yes, yes, yes.
05:07Also, playing the trick is not Spielberg.
05:10No, wait, wait.
05:11The format is true, I know how you have it in this channel.
05:13La Nata goes well.
05:14That's a lie, it doesn't go wrong.
05:15It goes very well.
05:16I remember Marcela Tiner's green wig.
05:18There were a lot of guests.
05:19Yes, but still.
05:20I mean, I think it's cool that one gets on the bus alone.
05:23Of course.
05:25But Ennegro has that habit.
05:29President Miley was waiting for him to return to Argentina.
05:32What?
05:33He said in an interview.
05:34For what?
05:35I think in La Nacion Mal, they made a note or in TN, I don't remember.
05:38And he said, no, Miley is asking me to return to Argentina.
05:41He has like a bad ego.
05:43Maybe he asked Darin, who also invited Darin so that he wouldn't say a word.
05:47Maybe he would have liked to be invited to play him.
05:49He wouldn't have been there.
05:50No, he wouldn't have been there.
05:51He was very bored yesterday, Susana.
05:53He would have brought out more things.
05:54He's bored.
05:55The black guy would have brought out more things, Susana.
05:57Yes, what happens is that also, you see, the media is like that.
05:59One day they love you and then...
06:01Hey, it's great tomorrow, you know?
06:02Of course, it's great.
06:03What happened with the black guy.
06:04The same with Mancera.
06:05The same with Mancera.
06:06I was thinking about him.
06:07Mancera wasn't almost 60 points.
06:09Yes.
06:10He was a pioneer.
06:11He had 10 years of tyranny.
06:12When you have 10 years or 17 years of tyranny in one place,
06:15you know, the other one that we always laugh at.
06:18When you have so many years of tyranny in one place,
06:21when you run out of power,
06:23and then those who suffered from you take it from you.
06:27Ah, well, but the black guy wasn't that great either.
06:29They didn't hit you.
06:30There are some who are more fresh than us.
06:33Why don't you say 10 years of this and 10 years of that?
06:36No, I'm also telling you.
06:37No, no.
06:38I'm also telling you.
06:39There are people who are successful in one way,
06:43and other people who are successful in another.
06:45He also gave us a lot of titles.
06:49He also raised us, the black guy.
06:51But I'm not against the black guy professionally.
06:55I think it's spectacular.
06:56When he did the morning of the 13th, he did it spectacularly.
06:59He's a great professional.
07:00I liked it a lot.
07:01I'm talking about something else.
07:03Of course.
07:04Of how he handles himself in this work environment.
07:06When he had to do choral conductions,
07:08he went up and wanted to be left alone with the conduction.
07:11Oh, you met him.
07:12You had to remember him.
07:13He was always weaving with the boss.
07:16And you had to pamper him a lot.
07:18If he didn't give it to Martin Fierro, he got depressed.
07:21You had to pamper him a lot.
07:22He was like...
07:23He's a figure.
07:24He's a figure.
07:25Figures are like that.
07:26And yes, yes, all of them.
07:27No, not all of them.
07:28Most of them.
07:29In 95.
07:30But 10 years of success, guys.
07:31First time on the radio.
07:32He's number one.
07:33I'd like to talk to the black guy.
07:35Yes, I loved him.
07:36Carlos.
07:37The saxophonists.
07:38The saxophonists, all of them.
07:40Stop, stop.
07:41They're telling me to call him.
07:42He's very busy.
07:43I don't give a fuck what he said.
07:44Bye.
07:45Hey, I'm not coming that day.
07:47I'm embarrassed.
07:48No, it's obvious.
07:49He's a pampito.
07:50He's a pampito.
07:51Everyone was a pampito.
07:52Carlos.
07:53Who is it?
07:54The black guy said.
07:55Of course.
07:56Who is it?
07:57A disrespectful one.
07:58Yes, the truth.
07:59Just like the things you said.
08:00Mouth to mouth.