Al Fondo Hay Sitio Cap 512 Completo 2024 - Al Fondo Hay Sitio Temporada 11 Cap 139 Completo 2024
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Al Fondo Hay Sitio Cap 512 Completo 2024:
#AlFondoHaySitio
#AlFondoHaySitio2024
#AlFondoHaySitioTemporada11
#AlFondoHaySitioCompleto
#AlFondoHaySitioCompleto2024
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FunTranscript
00:00[♪ music ♪
00:02Aha!
00:03[♪ music ends ♪
00:04[♪ music ends ♪
00:05[♪ music ends ♪
00:06Okay.
00:07Did he take you out of nowhere like that?
00:10Yes.
00:13Cristóbal didn't talk to you, huh?
00:15He didn't write to you?
00:16He didn't text you?
00:17No, I've checked my cell phone, my email, everything.
00:22Okay, cousin, if something's clear, it's that he wants you to forgive him.
00:26He's taken his time doing this.
00:28Yes, of course, if not...
00:30If not, why would he send me something so beautiful?
00:34It's very beautiful.
00:36I can't deny that.
00:42Do you think I should forgive him?
00:50Oh, cousin.
00:53I don't want to be the best counselor in the world right now.
00:58But if there's one thing I know,
01:01it's that you're wonderful.
01:03And you don't deserve anyone to mistreat you.
01:06Or make fun of you.
01:14There's no night when I think about that idiot kissing Lucía.
01:22But that idiot was also the one who made me the happiest woman in the world.
01:31Love is very complicated.
01:35It never turns out the way you want it.
01:48I'm going to forgive him.
01:52I'm going to forgive him.
01:54I'm going to forgive him.
02:21What an elegant chair!
02:24Félix.
02:25Have you thrown away this chair?
02:27Yes, well, all this is recycling.
02:29Once a week, they come to pick up the recycling, right?
02:33Oh, but it's still good.
02:35Yes, it's great.
02:37That way the wealthy people, the people with money,
02:39throw away new things.
02:42If not, where do you think I got my teapot for my little box?
02:46So...
02:47Can I take it?
02:49Well, I had already taken a look at it, but...
02:51It's okay, you better take it.
02:53It's like very attractive for my work in Guatemala.
02:56Oh, thank you, Félix.
02:59Let's see.
03:03What happened?
03:04Oh, no, Félix.
03:05Do you think you can help me taking it to my house?
03:07What happens is that my hip hurts a lot.
03:09Oh, it hurts you.
03:10Of course, of course, I'll take it.
03:11Yes, because they have already forgiven you.
03:13Oh, I'm doing my best.
03:15Oh, it's okay, I can take it.
03:17Do not worry.
03:24If they take so long,
03:26I'm not going to wait all day standing either, right?
03:39They already left.
03:53Oh my God!
03:54Thank you!
03:55Nothing like a good blow in the morning to know that I'm alive.
04:05Hi.
04:07Hi.
04:10I received your gift.
04:13Look, I don't know how to tell you this.
04:15I took it by surprise and...
04:16And I was thinking...
04:17Jolie, before you say anything.
04:20I had that gift made a month ago.
04:24What?
04:26Yes, when we were together.
04:28And I've tried to prevent it from reaching you all day, but...
04:32It couldn't be done.
04:37Yes, it was...
04:39It was just what I thought had happened.
04:43I came to give it back to you.
04:53And I learned that falling in love is not so easy.
04:58And I learned that I can no longer be without you.
05:04I love you and I can't forget you.
05:09I feel alone thinking of you.
05:15And I learned that falling in love is not so easy.
05:20I'm sorry.
05:21And I learned that I can no longer be without you.
05:27So we demand better treatment.
05:29We ask for a little consideration.
05:32And this is your way of solving things, Mr. Director?
05:35Let's see, let's calm down.
05:38There is no need to oversimplify this situation.
05:40It's not that serious.
05:51Let's go!
06:21I love you.
06:36Cousin, what happened?
06:39He's an idiot!
06:51He's an idiot!
07:09Cristobal!
07:11Stop bothering my cousin and send her presents!
07:14I sent this present to her a month ago.
07:16Oh yeah, sure, and it's coming today!
07:18Look, if you don't believe me, I don't care.
07:20Why don't you meddle in your own business instead of meddling where no one calls you?
07:23I meddle where I want to meddle, because she's my cousin!
07:25And what's wrong with you?
07:26Now you want to solve everything by hitting.
07:28You hit Salvador, now you want to hit me too?
07:30I don't have a problem doing it!
07:32How can you tell that you're an idiot?
07:34What?
07:35What? What were you going to say?
07:36Were you going to say that I'm an idiot?
07:37A savage?
07:40Go on, hit me.
07:41Go on, hit me.
07:42Come out and tell me in the street or do you want me to come in?
07:43Hey, hey, hey, what's going on here?
07:45Why are the animals so angry?
07:46What's going on?
07:47Ask this jerk who came back from Mexico wanting to hit everyone.
07:50You're not going to see the faces of idiots.
07:52Yeah, yeah, yeah, yeah.
07:53Let's see, let's see.
07:54Calm down.
07:55Cristobal, go inside the house.
07:56But this imbecile...
07:57Jimmy!
07:58What?
07:59This fight ends here.
08:00You took the words out of my mouth.
08:01This fight ends here!
08:14Hello?
08:15Cristobal, please come.
08:16We need you.
08:17We're stuck.
08:18We don't know how to get the clients.
08:20I'm coming.
08:21Is everything okay?
08:23How did it go with the gift from Julie?
08:24Bad.
08:25Bad.
08:26It was bad for me.
08:27I couldn't stop them from giving it to her.
08:28No.
08:29And that's not the worst thing, sister.
08:30Jimmy's energumen came to try to frame me.
08:33But it's not your fault.
08:35And you think he understood?
08:36He even wanted to hit me.
08:46Let's go!
08:47Let's go!
08:49Bandits!
08:51Our time has come!
08:54The bad guy is ours!
08:58Now we have the control!
09:00Let's go!
09:03Maca, Maca, Maca.
09:05I'm scared, Maca.
09:06We're going to die.
09:07There's a lot ahead.
09:08I'm still Chibolo, Maca.
09:09What am I going to do?
09:10Calm down, calm down.
09:11You're not going to do anything.
09:12We're not monsters, damn it.
09:13How can you be so calm, Maca?
09:14We're going to die.
09:15We're going to die.
09:16Do you understand?
09:17You don't like me very much, Macarena.
09:20Maca.
09:21What?
09:22I have my cell phone here.
09:24They didn't take it from me.
09:25I kept it in my thighs.
09:28I'm going to call Pero Flaco.
09:29Even if Pero Flaco doesn't answer.
09:31I'm going to call my uncle Pepe.
09:33You distract him.
09:34I need you to distract him.
09:35Do something to cheer us up.
09:37Distract him.
09:41Hi, guys.
09:42Hi, guys.
09:43I know it's been a bit of a mess.
09:46But do you want to see something funny?
09:48Because I'm going to act like a duck.
09:50Or a chicken.
09:54Uncle Pepe, uncle Pepe.
09:55How are you?
09:56Are you okay?
09:57I'm not okay.
09:58I'm here with some dangerous criminals.
10:01They caught Maca and me.
10:03We came to make them laugh.
10:05But now we're here crying.
10:07Uncle, listen to me.
10:09I...
10:10I'm not a clown.
10:12You always have them in your heart.
10:15Okay?
10:16And please.
10:17If my songs get a lot of votes.
10:19Okay.
10:20Give them to Pero Flaco and my wife.
10:23Now I really need you to please...
10:27Look for Noni.
10:29What are you doing?
10:30It's funny.
10:35Do you think this is a clown?
10:37No, no, no.
10:39I have ADHD.
10:41I don't understand things.
10:43I need a doctor.
10:44Look, Moni.
10:45This is a revolution.
10:46And if you're not with us.
10:48You're against us.
10:50Yes, yes.
10:51I understand.
10:52I understand.
10:53One more that you do.
10:55Because I like cocoa.
10:56I like cocoa.
10:57And you don't count it.
10:59Neither do you.
11:01I'm cured now.
11:02I don't count it.
11:03You don't know.
11:05You don't know.
11:08You don't know.
11:21Look!
11:22Joel sent a video.
11:26Let's see.
11:27Uncle Pepe, Uncle Pepe.
11:28How are you?
11:29Are you okay?
11:30Well, I'm bad.
11:31I'm here.
11:32I'm here with a dangerous criminal.
11:34They have caught us.
11:35And me.
11:36We came to make them laugh.
11:37But now we're here crying.
11:39Uncle, listen to me.
11:41I...
11:42The clown killed him.
11:45Always.
11:46You have his heart.
11:48Okay?
11:49And please.
11:50If my songs are out there.
11:51Vote for a gift.
11:53And give it to him.
11:54The skinny dog.
11:55And my old lady.
11:57What a good monkey.
12:00Now I really need.
12:01I really need.
12:02Please.
12:04Look for Noni.
12:05Hey, how funny.
12:06Gifts for his hits.
12:07He says.
12:08Yes.
12:09My brother was always going to make me happy.
12:10When he was skinny.
12:11Skinny?
12:12Why?
12:13Oh, for nothing.
12:15When are we going to have lunch?
12:16The eggs are getting cold.
12:18But what about Julie?
12:19No.
12:20She's not going to have lunch.
12:21She says she's not hungry.
12:22And she has a lot to study.
12:24It's an octave of chicken for each one.
12:26Oh, good.
12:37Maca.
12:39I'm dying, Maca.
12:40Maca.
12:41I'm hungry.
12:42I'm thirsty.
12:43What are we going to eat?
12:44What are we going to drink?
12:45I read that you can only last three weeks without eating.
12:47And three days without water.
12:48God, yes.
12:49Without going to the bathroom.
12:50Oh, I'm distracted.
12:51Then I'm saved.
12:52You distract me.
12:53But I don't drink, Maca.
12:54I flow.
12:55I go three times a day.
12:56Minimum.
12:57I'm like a duck.
12:58What do you want?
12:59What?
13:00Maca.
13:01We're going to die of thirst.
13:02Oh, no.
13:03We're going to die of hunger.
13:04No, no, no.
13:05What's wrong?
13:06My nose is always hot.
13:07I got hyperventilated, Maca.
13:08What happened?
13:09I got hyperventilated, Maca.
13:10I'm dying.
13:11My God.
13:12Here I go, sir.
13:13Where are we?
13:14I got depressed and I got hot.
13:15Another, another, Maca.
13:16Another, another, Maca.
13:17People.
13:18Look at how those chickens are grabbing each other.
13:29I swear I don't recognize him.
13:31Jimmy has always been a quiet boy.
13:33Someone calm who doesn't get into trouble.
13:35Two different people in less than 48 hours.
13:38What am I going to do?
13:41You already did it.
13:42You broke up with him.
13:43But I love him.
13:44And I want to help him.
13:47I'm too stupid to think like that.
13:49Ale, sometimes there are things you can't solve.
13:52I don't know.
13:57Answer me something.
13:59Is this the first time you've had serious problems?
14:02No.
14:04Have you broken up several times?
14:07Yes.
14:11The way I see it, he's not for you.
14:16And maybe you're not for him.
14:24Well, let's get back to business.
14:26How do we attract clients?
14:32Women are beautiful.
14:38What a delicious chicken you've cooked for us.
14:42Hold your bus, comrade.
14:44I ordered the chicken.
14:46These days he suggested helping me.
14:48Because he saw me so obsessed with everything I had to do.
14:51This house is too big.
14:53Don't think my mom kept it tidy for so many years.
14:56Yolinda too.
14:57And both cook like gods.
14:59I have so much to learn in two days.
15:02And Juana will do it all her due time.
15:04What I want most in this life.
15:07And that pompous chair, where did it come from?
15:09Yes, right?
15:10Ah, you will find it on the street.
15:12Ah, what luck.
15:14Well, you have to see if you like Linda, right?
15:16And why is she there, compadre?
15:18Because that's her place.
15:19I mean, since Charo left, she occupies the head of the table, Pepe.
15:22Ah, but I don't intend to take her place.
15:24It's just that, as she's not here right now, in the meantime, I use it.
15:27And it doesn't go well.
15:28It also makes you look like the queen you are.
15:30Oh, thank you, my king.
15:32How did you call me?
15:34My king.
15:35Oh, my queen, my son, my king.
15:37What's going on here?
15:39Do you tell him or do I tell him?
15:41Ah, it depends on what you want to communicate to the family.
15:46Wait a minute.
15:47Wait a minute, please.
15:48Are you going to stand up?
15:49Yes, I have to stop, compadre.
15:52Family, I have decided to give love a new opportunity.
15:58And with the same stone.
15:59No, compadre.
16:00Sorry, Pepe.
16:01You know that the mouth shoots itself.
16:04Well, Juanita and I have been in cotton again.
16:10Oh, poor thing.
16:12Oh, Juanita.
16:13No.
16:22Come on, Taito.
16:23Come on, guys.
16:25Friends.
16:26Hi guys.
16:27Little friend.
16:28Mr. Taita.
16:30A consultation.
16:31In a brief last name of yours.
16:32Because I really don't want to rush.
16:33It doesn't matter.
16:34I want you to know that I understand you.
16:36Really, I understand you.
16:38But guys, violence is not going to get you anywhere.
16:41On the contrary.
16:42Think about why you are here.
16:43Why?
16:44Why?
16:45Because you are violent.
16:46Don't you think it's time to change the narrative of your lives?
16:52What do you know about what we've been through here?
16:54Not even decent food they give us.
16:58Just in case, I wanted to tell you.
17:00I know a respectable criminal.
17:03Oh yeah? Who?
17:05Gaspar Goyoneche is his name.
17:07Who is that funny guy?
17:09Taita, are you sure he's another clown?
17:13I also know another one called Koki Reyes.
17:22Really, really, I know him.
17:24He's our friend and he's also our mayor.
17:29She's talking pure clown.
17:47After this we could go to the room to rest for a while.
17:50What do you say?
17:52You don't know how eager I am.
17:54But I still have to clean the freezer,
17:56water the plants, take care of the winery.
17:59It's just that since Teresa moved,
18:01I've been left with everything by myself.
18:03The winery.
18:06Pepito,
18:08what bank do you have your money in?
18:11What bank?
18:12None.
18:14Oh no? And where do you keep your savings?
18:17I have a much safer place, but
18:19once I failed.
18:29Oh, but how mysterious, Pepito.
18:32No mystery, the money is kept under the mattress.
18:35But now I have nothing.
18:37Why?
18:38It is that recently I had a strong expense with the micro, right?
18:41And you understand that my compadre has a daughter,
18:43he does not have to spend money on her.
18:45Ah, and well, you had to cover with all the expenses.
18:48Gentleman, no more.
18:50I totally understand.
18:55My king.
18:57Lend me this.
18:58Yes, of course.
19:02I want to propose something to you.
19:04Oh yeah?
19:06It's just that ...
19:08I don't think you work so much and you live so tight.
19:12What do you think if from now on
19:15I help you manage your money?
19:18No.
19:19Yes, we have to think about our future.
19:22And well, I have seen that you are spending on little things
19:25that I really don't think are so necessary.
19:28Oh yeah?
19:30Yes, my king.
19:31Look, with some adjustments I can make you save a lot of money
19:35and together we will save a lot.
19:37What do you say?
19:39I say that ...
19:41it seems that with you I am going up.
19:45Yes, of course.
19:47Oh, how cute you are.
19:49You are the best.
19:50That together we are a team.
19:52You win and I manage.
19:55And don't go.
19:56Oh, how cute, Pepito.
19:58How cute.
19:59What do you think if we start right now?
20:01Let's see, tell me.
20:02How much did you win today?
20:08Did you change cards?
20:09No, they have nothing against food.
20:12The problem is ...
20:13I don't want to go to La Chingana where they get beaten up.
20:15Literally.
20:17Let's see.
20:20What hurt us was a client who spoke badly about the restaurant.
20:26So what we need is someone who speaks wonders
20:34and has reach.
20:36What do you think of an influencer?
20:39That.
20:40That, that.
20:41Someone who is dedicated to that.
20:43It's not a gastronomy account,
20:44but sometimes I upload restaurant recommendations.
20:46And how many followers do you have?
20:48Wait, ten thousand.
20:50No, no, it's very little.
20:51We need someone of weight.
20:52Let's look, let's look.
20:53Yes.
21:01Is this just, Pepito?
21:03It's for our work regime,
21:05but I assure you it's more than enough.
21:08What regime is that?
21:09It's very simple.
21:10My compadre and I, after breakfast,
21:12we go out for a walk, right?
21:14We stop for a while to rest.
21:16His bread with torrijas, his chelita.
21:18My compadre is half an hour in Eñoba.
21:20And out there, if we are in the mood,
21:22we do a second round, but without hurry.
21:24Ah, if you are in the mood.
21:27Yes, it is a differentiated regime to work relaxed,
21:31because working stressed is harmful.
21:34Oh, well, bad.
21:36Very bad.
21:37That way you won't get anywhere.
21:39You should be earning at least the triple.
21:42Do you think so?
21:43Yes.
21:44Who works less than eight hours?
21:46For example, I work more than eight hours.
21:49You have seen that I get up early,
21:52I'm doing one thing, I'm doing another,
21:54and I'm not done yet.
21:56Pepito, if you want us to move forward together,
21:59we're going to have to sacrifice ourselves.
22:01I think it's good, yes.
22:03Yes, and so we can quickly gather our money
22:07to build the third floor that you have told me so much about.
22:10Our third floor.
22:12But we're going to have to put a lot of work into it.
22:15So no more lunch breaks.
22:19Ready, ready, ready.
22:20Are we?
22:21Ready, ready.
22:22Today I talk to my compadre, this suits him too.
22:24Oh, that's how you talk, my king.
22:27What did you call me?
22:29My king.
22:30Oh yeah? Let's see again.
22:32My king.
22:37My king.
22:47Let's see, guys.
22:48First things first.
22:49If you want me to talk well about your restaurant,
22:51my rate is 10,000 soles.
22:5310,000?
22:55That includes a 20-second reel showing your dishes
22:58and a positive review from me.
23:0020 seconds?
23:01You don't need more.
23:03500,383 followers, the word of Foodie King Esley.
23:08This is a little more than we had estimated.
23:12Ah, correction, 500,384.
23:15Ah, and going up, 500,385.
23:18But if you're going to give us the exposure we need.
23:21How sweet.
23:22That's just my basic fee.
23:24Then come the, what do I call them, perks.
23:27I need 20 free scenes for me and my people.
23:30Why so many?
23:31Well, to evaluate them well.
23:32I don't want to talk without being sure.
23:34Eating here once isn't enough for me.
23:36And neither is my team.
23:39You have to understand that I am an opinion leader
23:42and as such, I must be responsible with what I recommend.
23:54And in other news, blood and fire in the Penal Piedras Flacas.
23:58A riot broke out after the rioters
24:00felt offended by a show of two clowns.
24:03Two clowns.
24:04Yes, you heard right, two clowns.
24:06They went to do a show to cheer up the prisoners.
24:09We are informed that their artistic names are
24:12Pallasita and Mondonguito.
24:14Mondonguito.
24:15What?
24:16It's Aguamendito, no.
24:17It can't be.
24:18It's Miss Macarena and Juelz.
24:20No.
24:21This is an emergency.
24:22Emergency.
24:24Emergency.
24:26What's going on? What's going on?
24:28What? What happened?
24:29A disaster has occurred.
24:31The rioters of the Penal Piedras Flacas
24:33have taken Miss Macarena and Juelz as hostages.
24:36What?
24:37I'm sure I did it because of the video you sent.
24:39I'm sure they sent you another one, right?
24:41Of course, that video is a joke.
24:42Don't take it seriously.
24:43No, I haven't seen any video.
24:45I've heard the news on the radio.
24:47Yes, a riot has broken out because of the clowns.
24:50So it's true.
24:51They are kidnapped.
24:52We have to warn the police.
24:54Let's go.
24:55Yes, let's go.
24:57Pepita, Pepita, Pepita.
24:58What?
24:59I'd better stay.
25:00I don't think it's wise to leave the house alone.
25:01You know, there are a lot of bad people
25:02who can take advantage of our misfortune to get in.
25:04Oh, I hadn't thought of it that way.
25:06Yes, yes, you're right.
25:07See you later, okay?
25:08Good luck, my king.
25:10What? What?
25:11How did you say?
25:12My king.
25:13Really?
25:14Yes.
25:15Very good.
25:16Good luck.
25:21I told you to wait at the door.
25:23Claudio, please, it's an emergency.
25:24Call everyone.
25:25What is everything?
25:26What happened?
25:27Hey, hey, hey, don't worry, don't do anything to him.
25:29Oh, oh, what?
25:30Now you defend him?
25:31Tell me.
25:32Yeah, I understand.
25:33Now work for him.
25:34Yeah, what a lot of soap operas
25:35if we're not going to do anything to the vampire.
25:37Have you done anything again?
25:38No, no, I haven't done anything, Uncle Pepe.
25:40And what am I going to do if we're done
25:42and there's no way we can go back?
25:47Bye.
25:51So why did they come in like a herd?
25:53The prisoners have kidnapped Joel and Macarena in prison.
25:58Okay.
25:59I'll give you 20 free dinners.
26:01Anything else?
26:02Yes.
26:03I want to close the restaurant for my birthday next week.
26:06Isn't a table enough for you?
26:08Darling, look at it as a benefit.
26:12My friends are going to take a thousand photos for their networks.
26:14They're just going to take pictures, they're not going to eat.
26:16Of course they're going to eat, but I don't pay.
26:18You guys invite.
26:19With all due respect, foodie king.
26:21I think you ask too much.
26:24I'm just getting started.
26:25I want 10 free dinners for me and my followers.
26:29So, in addition to the 10,000 soles, you also want ...
26:34Did I say soles?
26:35Pardon me.
26:36Dollars.
26:3710,000 dollars.
26:39In addition to that, you want 20 free dinners for your team.
26:44Close the restaurant for your birthday
26:46and 10 dinners for your followers.
26:50Look at it as ...
26:51Another benefit.
26:52Exactly.
26:53I give away the soles on my networks.
26:55So, more advertising for you.
26:57Yeah.
26:58What do you say?
26:59Shall we close the business?
27:04I think I have to tell you no.
27:08What do you mean no?
27:09I'm foodie king, baby.
27:11The most important gastronomic influencer in this country.
27:14I can put them on the map or delete them with a post.
27:18Are you threatening me?
27:20For good reason, no.
27:21No, no and no.
27:23And the only perk you're going to get from me is that glass of water.
27:26Amateurs.
27:27Mrs. Ali?
27:29Yes?
27:30Please, give the gentleman his fortune cookie.
27:35I'm foodie king, baby.
27:36I'm foodie king, baby.
27:37I'm foodie king, baby.
27:38I'm foodie king, baby.
27:39I'm foodie king, baby.
27:40I'm foodie king, baby.
27:42That's it.
27:46What now?
27:50Look, here is some news.
27:52We're fed up!
27:54This is not a whim, just in case.
27:55It's a protest.
27:57We are people.
27:59And we want what's fair.
28:01We want good food.
28:03Full, abundant!
28:05And I'm not going to let anyone go
28:07if they don't do what we ask.
28:09Is that clear?
28:11♪♪♪
28:14-♪♪♪
28:15-♪♪♪
28:23There you are! It's them!
28:25Well, if we want to help, we have to act all together,
28:28leaving aside our differences.
28:30Yes, yes, we will do that.
28:31We all want Joel and Macarena to return safe and sound.
28:34But we are seven, they are a hundred.
28:38Oh, I know!
28:40We have a chef who has won the Chebolín award on our side.
28:43Yes, we came.
28:44Ah, yes, that, that.
28:45Well, we can offer them to cook for a while.
28:48What a good idea.
28:49Well, I have the phone of the general.
28:50If Alessia agrees, I'll start coordinating right now.
28:55Oh, what can I do with this?
28:59It's not much, but it's something, right?
29:04How?
29:06Oh, that shit.
29:09There it is.
29:10Good morning.
29:12Can you give me the list, please?
29:14Oh, of course.
29:17Oh, no.
29:18I forgot my wallet.
29:20Oh, do you think I can trust you, please?
29:22Look, I work here for the Benavides,
29:24a few houses from here.
29:25Don Gilberto already knows me, he already knows who I am.
29:29Of course I can trust you,
29:31but I'm going to have to cover a small interest.
29:35Interest?
29:37Yes, it's just a little one,
29:39it's just that they are the new rules of the bodega.
29:42Yeah, well.
29:43Yes?
29:44Yes.
29:45Perfect, let's see what's on this list.
29:48Let's see, rice, sugar.
29:50I'll bring it to you right now.
29:51Yes, please.
29:54Listen to me carefully.
29:55This is not just cooking, it is saving lives.
29:58It doesn't matter if you haven't touched a plane in your life,
30:00I'm going to guide you, okay?
30:01You need all the hands and every second counts.
30:05Joel and Macarena's lives depend on us.
30:08So focus, follow my instructions,
30:11and give your best.
30:13I trust all of you.
30:15Yes.
30:16I'm going to cook those 100 dishes right now.
30:18Well done, Joel!
30:19That's it, that's it, good.
30:20Let's go.
30:22But, but, Teres, have you been given the voice?
30:25I called her, but she doesn't answer.
30:26How strange, what is she doing?
30:29How delicious my rice!
30:32It's egg, it's egg!
30:34How delicious my rice!
30:37It's egg, it's egg!
30:38And how is the egg?
30:41It's egg, it's egg!
30:43Egg, egg, egg, egg!
30:48Egg, egg, egg, egg!
30:50How delicious my rice!
30:59Hey! Tell me, Bernie!
31:01What are you doing?
31:02You have to tell me!
31:04But it's very greasy!
31:06It's very greasy, tell me!
31:08[♪ singing in Spanish ♪].
31:37I want you all standing at the door.
31:39If the goons come in, we'll pour hot oil on them,
31:41whatever it is, but don't let them in.
31:43Is that clear?
31:44Mr. Taitita, Mr. Taitita.
31:45Don't say anything to him.
31:47Don't make it worse.
31:48Mr. Taitita, listen to me.
31:50I just want to make a comment.
31:54You, your person, with all your serious drumming.
31:57You didn't recognize me because I'm wearing makeup.
32:00But I'm a singer.
32:02I don't know if you remember me.
32:04We had a musical here with my partner, La Payacita.
32:07That's Mr. Yoda and the legend.
32:08And the girl.
32:10Guys, guys.
32:11People here say you're famous.
32:14Do you turn them around or not?
32:16No, no, no.
32:18No, no, no.
32:20No, no, no.
32:21Do you recognize me?
32:25Sing.
32:26This one, this one.
32:31I'll take you to the moon if you ask me.
32:34I'll give you everything, everything you want.
32:36A night on a deserted beach.
32:39You and I alone with the stars.
32:44Tonight we can't sleep, we lose control.
32:49We forget everything and love flows.
32:52Everything can happen to you.
32:55And I beg you to be my woman.
32:59You know you make me happy.
33:02That just seeing you makes me die for having you.
33:05We are one for the other.
33:08I know we're crazy, but we still give it all.
33:15And?
33:17At least I've killed more people.
33:19No, goodbye.
33:20I didn't do it.
33:22Mr. Taytita, listen to me.
33:24Listen to me. I was part of that singer too.
33:26I'm an actor, I'm a producer, I'm a director, I'm an editor, everything.
33:28And suddenly I can produce it, right?
33:30I don't know, here with your people, with your drums,
33:32we make a work.
33:34It can be a musical, no, no, with high standards.
33:37What are you talking about, clown?
33:39A musical work, with music, with songs.
33:42And you can act, right?
33:44You can act.
33:45And it can be in a cool theater, a nice one,
33:48just like the National Theater, it can be too.
33:51What an idiotic idea.
33:52Let's go to bed.
33:57Piedras Flacas, the musical.
34:01It's not a bad idea.
34:05Be careful.
34:06That's it.
34:07But don't turn around.
34:09Yes, of course.
34:10Listen to me, please.
34:11The commander needs to hide this microphone.
34:14But it has to be in a very safe place.
34:17This espionage device is very modern and of the latest generation.
34:22That is, very expensive.
34:24It is the only one in the country.
34:27And it emits a signal of up to 500 meters.
34:31Wow!
34:34And where are they going to put it?
34:35That's the point, man.
34:37They'll have to put it in their clothes.
34:38No, the first thing the criminals are going to do is their clothes.
34:43Boss, is it essential that we use the microphone?
34:46Affirmative.
34:47We need you to give us detailed information
34:50about everything that happens inside the prison
34:53so that we can put together a better rescue plan.
34:58I know.
34:59We're going to make a special empanada.
35:04Episode 2
35:12I'm glad the house is finally alone.
35:14I'd rather be alone than have bad company.
35:24Coming!
35:31Your order, miss.
35:38Thank you very much.
35:39Have a nice day.
35:53Wow!
35:55My dress is so pretty!
35:58I love it!
36:04Episode 3
36:18Come in, come in.
36:23Close it, close it.
36:25There are my nephews.
36:27They came for us.
36:30Now what do we do?
36:33Don't worry, leave it to me.
36:39Friends!
36:40Your request has been heard!
36:43Good!
36:47Are you going to win your fortune cookie?
36:49Now, put on a nice face.
36:52In a moment, you're going to taste the best food
36:56from the best restaurant in Peru,
36:59cooked by our chef, Alessia Montalban.
37:05Shut up!
37:08Now, in the restaurants, you eat at the same time.
37:13I don't want to see anyone eat before the other.
37:15I'm going to be watching you all.
37:19Understood?
37:20Understood?
37:21Yes!
37:29Episode 4
37:36There are like 20 people.
37:40They're armed with sticks and knives.
37:45It looks like they're watching us for a while.
37:47What if something happens to him?
37:49We have to wait.
37:50If we don't have news in 10 minutes, we go in.
37:54No, 10 minutes is a lot of time, boss.
37:57Don't worry, the police are ready to act.
38:09Just a fork, I have a knife.
38:11Yes, yes.
38:15You're welcome.
38:16Thank you, baby.
38:18Thank you for the cookie.
38:27Just one.
38:33What's that?
38:34It sounds like a bubble.
38:36It sounds like a dog barking.
38:39Yes, it sounds like a sound produced by a wild animal.
38:45The empanada was good.
38:47But it was a little hard.
38:49I think they didn't take the lemon out.
38:51But it was good.
38:53And the next one?
38:55With banana?
38:57Yes!
39:02Honey, I don't know, but I feel like spending more time here.
39:05Really? And what's that for?
39:07I don't know, you tell me.
39:09You don't talk to me like that, honey.
39:11What's wrong with you?
39:13I'm talking to you naturally, normally.
39:15Look how you put that lipstick on him.
39:17Come on, calm down.
39:21Active pause.
39:23I'm going to check my phone.
39:27Maybe someone has called me.
39:32No.
39:33What's wrong?
39:35You don't think Julia is coming?
39:37No, on the contrary.
39:39It's going to take a long time.
39:41How do you know?
39:43The prisoners just kidnapped him.
39:45What?
39:48It was good.
39:50Where's the empanada?
39:52Where's the empanada?
39:54Did you make the empanada?
39:56It was good.
39:58No.
40:00I thought you had made it.
40:02Yes, but you ruined it.
40:04Okay, guys.
40:06You can start now.
40:08Now we're going to eat good.
40:10What?
40:12What is this?
40:14Calm down.
40:17What is this?
40:19This is not even a canary.
40:21Are they taking our hair?
40:23So much for a little of this?
40:25No, but it's good.
40:27Try it first.
40:29Are they making fun of us?
40:31No, those are the dishes of our letter.
40:33What letter?
40:35Taita, Taita.
40:37This is your fault.
40:39You should have asked for helicopters.
40:41So we could escape.
40:43And not that they don't give us this party.
40:46What's wrong with you?
40:48What's wrong with you?
40:50Taita, Taita.
40:52Don't make a noise.
40:54Don't make a noise.
40:56General, it's been too long without hearing from them.
40:58And that noise, Fernan, doesn't go away.
41:00I think they're gone.
41:02No, man.
41:04I should have gone with them.
41:06I think it's better to order the tactical team to come in.
41:08I think it's better to order the tactical team to come in.
41:10I think it's better to order the tactical team to come in.
41:13What's wrong with you?
41:15What's wrong with you?
41:17What's wrong with you?
41:19Divide and conquer.
41:21Calm down, calm down, calm down.
41:23Mr. Taita, are you going to let them talk to him like that?
41:25Mr. Taita, if he leaves once, they will always do it to him.
41:27Mr. Taita, if he leaves once, they will always do it to him.
41:29I'm going to hit him.
41:31Totally.
41:33If you're going to leave, hit him.
41:35If you're going to leave, hit him.
41:37Grandma, what?
41:39Grandma, what?
41:42Let's go.
41:44Let's go.
41:46Let's go.
41:48Where do you think you're going?
41:50Hurry up.
41:52Why don't you help us?
41:54I liked the idea of the musical.
41:56Can I use it a little?
41:58Yes, yes.
42:00I hope you like it.
42:02I'm going to call you.
42:12The hostages are leaving.
42:14All right.
42:16All right.
42:18All right.
42:20All right.
42:22Don't look at me with a little face.
42:24What face?
42:26Or you don't learn.
42:28Hey, hey, hey.
42:30Hey, hey, hey.
42:32Hey, hey, hey.
42:34Hey, hey, hey.
42:36Hey, hey, hey.
42:38Hey, hey, hey.
42:41What is this?
42:43See you later.
42:45Mr. principal.
42:47Good morning.
42:49My name is Jaime González Flores.
42:51I'm a student at your prestigious university,
42:53thanks to a scholarship I got in Peru.
42:55First of all, I wanted to apologize for my absence
42:57and see if I could rejoin ...
42:59My God.
43:01We are ruined.
43:10Oh
43:12Oh
43:37La verdad es imposible
43:42Como explicarle al corazón que no