• last month
A woman who wakes up every night at exactly 3.33AM, in the middle of the so-called devil’s hour between 3AM and 4AM.
A woman keeps waking up every night at exactly 3.33 AM, in the middle of the so-called devil’s hour between 3AM and 4AM, for seemingly no reason. A social worker and a mother to her strangely detached son Isaac, Lucy Chambers keeps getting deja-vu, and visions of things that have never happened. At the same time, police are investigating a seemingly random chain of murders that somehow connect to Lucy and her son Isaac.

Category

😹
Fun
Transcript
00:00If you don't open the door, I'll break it like this.
00:13Open the door, Chloe.
00:16He's drunk.
00:20Chloe, listen to me.
00:21He doesn't do this every day.
00:23You're scared, Chloe, or else...
00:24Chloe, please listen.
00:28Listen to me once.
00:30Chloe.
00:33Chloe.
00:36I love you.
00:39Chloe.
00:41Please open the door.
00:45I'm a fool.
00:46No, you're not. Please listen.
00:48I'm hanging up.
00:49Chloe.
01:00Chloe.
01:16Mommy.
01:31Okay?
01:34Go to your room.
01:37Hey.
01:59Shane?
02:06Shane?
02:36Mom!
03:06Shane?
03:36Shane!
04:07I saw you
04:09when they took Shane away.
04:12I was standing there in the crowd.
04:16I'd been looking for you for so long
04:18and suddenly you were right in front of me.
04:21Right in front of me.
04:23I didn't know you were there.
04:26You were right in front of me.
04:29I didn't know.
04:31I didn't know.
04:33You were right in front of me.
04:35Right in front of me.
04:37After the beautiful play of fate.
04:40Beautiful?
04:41You knew him.
04:43Shane.
04:46You knew what he was going to do.
04:50No.
04:51No, no.
04:52I don't know.
04:53He does miss that little girl, Dilly.
04:55She's fine, isn't she?
04:58Lucy.
05:00The things I'm going to tell you today
05:03you may not believe them.
05:06But listen to me carefully.
05:08And then lie to me.
05:09Tell me.
05:10Make me believe that you don't believe all this.
05:13Why?
05:15If he thinks you believe me
05:18he'll believe you're unstable.
05:21And if you say you don't believe me
05:23he won't be able to prove you wrong.
05:25Look here.
05:27He won't be able to prove you're unstable.
05:30If I'm really unstable.
05:57Mike?
06:05Don't sleep, please.
06:08Why don't these feather pillows change?
06:11My eyes are burning.
06:13Then go home and sleep.
06:14It's already late.
06:17Are you okay?
06:19I'm fine.
06:21I'm fine.
06:23I'm fine.
06:25Are you okay?
06:26I'm fine.
06:28You didn't even talk about it.
06:29About what?
06:31The same thing that happened last week.
06:34Shane Fisher.
06:35Well, what do you want to hear?
06:37I just don't like it when you meet people like that.
06:40But meeting people is my job, Mike.
06:42Yes, I know.
06:43And that's what I don't like.
06:45And it never was.
06:46So now he's dead, right?
06:47At least you don't have to worry about him.
06:49Hey, I'm not kidding.
06:51I know.
06:55I...
06:58I don't want to think about it.
07:01Not right now.
07:02I just want to drink wine with you.
07:06I want to hear some bad jokes.
07:08And I want to love you for an hour.
07:12That's it?
07:15Two hours.
07:20I love you.
07:24I know.
07:28But...
07:30But I don't want you to love me.
07:32I want you to love Isaac.
07:34I tried, but...
07:36He'll have to accept me too.
07:38He loves you.
07:44You think if you love him a lot, he'll feel it.
07:48But that's not true.
07:50He can't be okay, Luz.
07:54I know.
07:59Hey.
08:03Hey.
08:05Hey.
08:11Do you know why Shah Rukh doesn't say hi?
08:16I don't know.
08:19Because it's my hand.
08:21What nonsense is this?
08:25Mike, don't sleep there. Get out.
08:34Isaac?
08:36What happened, sweetheart?
08:38There's a man in the garden.
08:51I'm sorry.
09:16Where did you see him?
09:20I don't know.
09:26What was he doing?
09:28He was watching.
09:40I'm scared.
09:45It's not a bad thing to be scared.
09:48And what you see isn't always true.
09:54You're cold.
09:58Go inside and sleep.
10:17Go.
10:35Take whatever you want.
10:37You can take as much as you want.
10:39Whatever you want.
10:41Okay?
10:42Go, I'm here.
10:47I'm here.
11:17Oh, you've been before that you don't want a man anymore.
11:30Hello, hello, hello, hello.
11:32What's going on, kid?
11:34You're having a lot of fun.
11:35What's your name?
11:37Isaac Stevens.
11:38Oh.
11:39The same evil Isaac Stevens.
11:43Looks like you're in the mood for fun again.
11:45I'll have to talk to your mom.
11:46You're my mom.
11:48I'm not your mom.
11:50I'm a law enforcer.
11:52Don't waste my time and get out of here.
11:56Isaac, come back, Sera.
11:59I was kidding.
12:00I'm not the police, I'm your mom.
12:05Isaac, I'll buy anything you say.
12:09Anything.
12:10First look at the whole store.
12:13Are you sure you don't want this police hat?
12:16Okay.
12:46Mom used to be a good singer, right?
12:49World Idol.
13:13Isaac, open the door for mom.
13:17Hurry, hurry.
13:18There's stuff in mom's hand.
13:24Isaac.
13:28Should I open the toy for you?
13:32Here you go.
13:40You're not going to play with this?
13:41You're not going to play with this?
13:46You told me to buy it.
13:47Now play with it.
13:49Please.
13:58Play with it.
14:11Come on.
14:31These are all the evidences we got from Bradside Lodges last night.
14:36We didn't find any names in the bookings.
14:37But I think this man killed them.
14:39Harold Slade and Shane Fisher.
14:43We don't know who he is.
14:45Nor do we know where he lives.
14:47We don't even know what he looks like.
14:49But we do know that he was looking for a woman named Lucy Chambers.
14:55I know you're all busy.
14:57But this man has killed two people in the last two weeks.
15:00So for now, leave whatever you're doing and empty these boxes.
15:04And don't forget to sign on the labels outside.
15:05Anything that has a date, time or name in it, put it in the red box.
15:11Photos of trees, poetry or drawings of bees, put it in the green box.
15:19Does anyone have any questions?
15:22Yes?
15:23Should we put important things in the green box?
15:26Why?
15:27Green is good, red is bad.
15:29Yes, but red means important.
15:32Red means important.
15:34Like a red flag?
15:37Green means...
15:39Okay, there's nothing to worry about.
15:40No, green means go, action.
15:42Red means stop.
15:44Stop is the action you have to take.
15:46Like when you're driving on the road, you stop at a red light.
15:48Okay, okay, Dawson.
15:50We need those things in the red box.
15:52We found a child phone in his laptop.
15:53We found a child phone in his laptop.
16:00And we also saw the word Hobson written on the wall.
16:05This must be Taylor's teddy bear.
16:08This isn't a joke.
16:12Let's get to work.
16:24Isaac, have you put on your shoes?
16:28Isaac?
16:36What are you doing, sweetheart?
16:38What are you doing, sweetheart?
16:43Hey.
16:45What are you looking at?
16:47Hey.
16:49What are you looking at?
16:53She's not allowed to join the table.
16:58Which table?
17:03Are you imagining things again?
17:11What are you looking at?
17:12What are you looking at?
17:15He knows he shouldn't be doing this.
17:27No, no, no.
17:28Not even one.
17:29Throw it all away.
17:30Okay, chef.
17:31Are you sure you've never met this man?
17:32I don't think so.
17:33Look at the picture carefully.
17:37I don't know who this man is.
17:40And have you seen him?
17:42Not at all.
17:43Who are these people?
17:45Harold Slate was murdered in his house last Monday.
17:47And Shane Fisher was found dead outside his ex-wife's house on Thursday.
17:50They were both locals.
17:51Slate used to live in Stanford.
17:53And Fisher in Gillington.
17:54I don't know anyone in Gillington.
17:56Must be a customer or an old colleague.
17:58Sorry, but what do I have to do with all this?
18:08Now what's this?
18:09The suspect was staying in a guest house near Highway 364.
18:12We found this in his room.
18:16This is nonsense.
18:17Are you sure you don't know any of these people?
18:21Your address is 33 Clinton Road.
18:23Am I right?
18:26There will always be a police car outside.
18:30We have to be careful.
18:31You're not alone in this area, Lucy Chambers.
18:34Just don't worry, Miss Chambers.
18:36We'll let you know if we find anything else.
18:40Thanks for your time.
18:54And every time, he chooses this toy.
19:00You must have a good collection of his, Isaac.
19:03What do you do with him?
19:09Nothing.
19:11He doesn't do anything with him.
19:15Okay, I'd like to try something.
19:18It might seem basic to you, but you have to do it.
19:30Isaac, I want you to look at some pictures with me.
19:34Okay?
19:36All right.
19:38Can you tell me if this person is happy or sad?
19:45Sad.
19:47And how do you know?
19:49He's crying.
19:53All right.
19:54Now look at this one.
19:56How does he look?
19:57Scared.
19:58Yes, he looks scared.
20:02And this one?
20:03Angry.
20:04Yes, he's very angry.
20:08And now look at this one.
20:11Happy.
20:12Very good.
20:13That's a happy face.
20:16What makes you happy, Isaac?
20:22I don't know.
20:25And what makes Mommy happy?
20:31Chips.
20:33Good, okay.
20:34Chips.
20:35And tell me, what else does Mommy like?
20:38Music.
20:39Music.
20:40Very good.
20:42And what makes Mommy sad?
20:50Me.
21:06Music.
21:26Mom!
21:35Mom!
22:05Thanks.
22:08Sorry.
22:11Are you okay?
22:17Yes, I think about him when I'm not there.
22:21I thought I killed him.
22:23When I was out of the house, that's what I was thinking.
22:28When I found out Shane was dead,
22:31I felt a little better.
22:36A man died and I felt better.
22:38No, a child survived.
22:40That's why you felt better.
22:42I thought Shane would kill him.
22:46And he would do that.
22:50Yes.
22:51Look,
22:53it's good that you already know.
22:57That's why you're in such a big position here.
23:01It's just a fancy chair.
23:02God, I know what my condition is.
23:04Should I tell you my condition?
23:06At least you get gold.
23:08Don't do that.
23:09What?
23:10Don't be rude to me in my office.
23:13I didn't do anything rude.
23:15Well, I'll mention it in the HR report.
23:20Are you okay?
23:22Yeah, I'm fine.
23:28Rob.
23:29Yeah?
23:30Whose Fiat Panto is this?
23:32I think it's Tina's.
23:34Why?
23:35I knocked it over.
23:36Her bumper has come off.
23:39Should I tell her?
23:40No, I'll tell her myself.
23:43Now go to your chair and pass the time.
24:30Are you sure this is where you want to go?
24:32We can arrange another house for you.
24:34No.
24:38Your house is still a crime scene.
24:41For how long?
24:42I don't know.
24:43I'll have to talk to the police.
24:46You still don't know?
24:48I'm sorry, but I don't know anything about this.
24:50My job is to keep you three out of trouble.
24:55Yeah, we're fine.
24:58Yeah, we're fine.
25:03I wish I had let him in.
25:06He was threatening you, Chloe.
25:08Yeah, because I was just thinking about myself.
25:15Did you think about what I told you?
25:17About taking advice from someone?
25:19I don't need anyone's advice.
25:21Do you understand?
25:22I just want to go home.
25:28Sorry.
25:32This is my sister's house.
25:35But there's no space here.
25:38You see, none of us are sleeping.
25:41I try to sleep, and when I wake up,
25:44chest pain starts.
25:47What kind of chest pain?
25:50I've had it for a while now.
25:53What do you call it? Acid reflux.
25:55Something like that.
25:57It feels like someone's stabbing you in the chest.
26:01When does it happen?
26:04I don't know.
26:0611 or 12 o'clock.
26:09But what difference does it make?
26:11It doesn't.
26:12Sorry.
26:16We'll send you home, okay?
26:19I'll talk to the police.
26:25Okay.
26:32Shit.
26:53Lucy Chambers?
26:54Yes?
26:55I'm Detective Ravi Dillard.
26:57This is D.S. Wallace.
26:58We're here to ask you a few questions.
27:00Can we?
27:01There's nothing to worry about.
27:03Yes, go ahead.
27:04Look at this picture and tell me.
27:08Do you know him?
27:11No, I don't.
27:13His name is Harold Slade.
27:15Have you heard this name before?
27:19And do you know him?
27:22No, I should know him.
27:28Have you ever seen this car before?
27:34Mrs. Chambers?
27:40It was already broken.
27:44Where have you seen this car, Mrs. Chambers?
27:46We live in 10 Brook.
27:48It's not crowded.
27:50About three years ago,
27:52we saw a red car in the middle of the forest.
27:55There was a footpath.
27:57People would park their cars there.
28:01But this car was parked there.
28:07We have a small community.
28:09We all know each other.
28:10But no one knows whose car it was.
28:12Then my neighbor saw it.
28:14Someone took it away at night.
28:16We started seeing that car in different places.
28:20One day, we saw it at the end of the housing lane.
28:24In our lane.
28:26Did you see the driver?
28:28No, no one has ever seen him.
28:31It's the same for everyone.
28:34Mrs. Chambers?
28:36Oh, me too.
28:38I don't know what I'm thinking.
28:41Then one day, this car disappeared.
28:44We never saw it again.
28:48Are you sure it was the same car?
28:51Why are you asking?
28:54This car was stolen.
28:56We're just trying to find out where we saw it last.
28:58But it's been three years.
29:00Don't worry.
29:02Thank you for your time, Mrs. Chambers.
29:10You should have told her.
29:12She's in danger.
29:13No, she's not.
29:14If anything had happened, it would have happened three years ago.
29:16What? I don't understand.
29:18This is not the Lucy Chambers she's looking for.
29:22But you should have told her the truth.
29:23We can't scare everyone by telling the truth.
29:25For now, we have to find Lucy Chambers.
29:28Give me some change.
29:29I don't have any change.
29:35Here, have fun.
29:37Thank you, sir.
29:38Take care.
29:40With this money, he can only drink.
29:42Oh, really?
29:43I used to drink with that money, too.
30:02What did you do at school today?
30:03Songs, spelling, acting.
30:06Who did you act as?
30:08I was a spaceman.
30:10A spaceman? Wow!
30:12Did you have fun?
30:14I don't know.
30:16Did you explore the moon?
30:19No, I just acted.
30:25Like Meredith?
30:27You act like her, too, right?
30:29No, it's true.
30:37Do you remember the little girl we saw playing on the street?
30:40Her name is Meredith.
30:42Meredith Warren.
30:43Meredith Warren?
30:44Come and sit here.
30:48What did you say?
30:49Meredith Warren.
30:50Go upstairs and think about what you did.
30:55No, darling, remember.
30:58I'm talking about the little girl who lives with her parents.
31:03They live here, too.
31:14What are you looking at?
31:23Stop it.
31:26Eat.
31:33How about some music?
31:36Let's listen to something nice.
32:02Take a good look at my face.
32:06You'll see my smile.
32:12I'm coming.
32:19Sorry, son.
32:20I just came to get breakfast.
32:23I won't stay for breakfast.
32:24I have to leave early tomorrow.
32:32You're welcome.
33:03All the mechanical toys thought they were great,
33:06and everyone else was useless.
33:08Their ideas were amazing.
33:10As if they were real people.
33:15What are you looking at?
33:18Isaac?
33:20There's someone there.
33:23There's no one there.
33:24It's just us.
33:25It's just us.
33:26It's just us.
33:27It's just us.
33:28It's just us.
33:29It's just us.
33:31There's no one there.
33:32It's just us.
33:38Isaac, look at me.
33:40Look at me.
33:42Close your eyes.
33:43Close your eyes.
33:55What are you looking at?
33:57He's walking.
34:01Stop acting, sweetheart.
34:03Mommy's scared.
34:05I'm not acting.
34:07Really?
34:09Is he the same man you saw in the garden?
34:17What is he doing now?
34:20He's looking.
34:23He's looking at us?
34:27I don't know.
34:38What is he doing now?
34:43He's standing next to you.
34:53There's no one here.
34:55Look.
34:56It's just your imagination.
35:02Sleep tight, darling.
35:04Sleep tight, darling.
35:15Goodnight, pumpkin.
35:25Goodnight, pumpkin.
35:55Goodnight, pumpkin.
36:25Goodnight, pumpkin.
36:56Goodnight, pumpkin.
36:58Goodnight, pumpkin.
37:25Sorry, did I disturb you?
37:26No, not at all.
37:27I was just doing housework.
37:29You are...
37:30Lucy.
37:31Lucy.
37:32You're number seven, right?
37:33I just came to say hello.
37:36And...
37:37Welcome to the neighborhood.
37:39Hello.
37:40This is for you.
37:42Cheers.
37:43I'm Debbie.
37:45Sorry.
37:46Actually, I...
37:47I don't drink.
37:49Oh.
37:50Okay, sorry.
37:53Would you like to come in and have some tea?
37:55Oh, no, I'm getting late.
37:56I just came to say hi.
37:57And...
37:58If you need anything,
38:00sugar or anything...
38:01Actually,
38:02we're out of sugar at home.
38:04Oh, really?
38:06No.
38:07I'm kidding.
38:09Me too.
38:10By the way, if you need anything...
38:12Number seven.
38:13Number seven, yes.
38:16Actually,
38:18can I have a cup of tea?
38:20Yes, you can.
38:21Come on.
38:24Lee has even thought of converting the loft.
38:27He was busy changing the layout of the house on the third day.
38:29It's hard for him to get work done.
38:31He can't rest until he breaks something.
38:35He wanted to buy your house too.
38:37My house?
38:38Yes.
38:39Number seven.
38:42I gave him a good offer.
38:44Maybe he'll be your son.
38:47Sorry.
38:48Why are you sorry?
38:50Maybe we weren't meant to be there.
38:52It's okay.
38:54So, only the three of you live here?
38:56Yes.
38:57Thank God.
38:58One child is enough.
39:00My daughter is cute, but...
39:02She can't take two kids.
39:03Or three.
39:05How old is Meredith?
39:06Seven.
39:08Her birth story is also different.
39:10Is she in Lyall Hill School?
39:12Rush Grove Primary.
39:13Rush Grove Primary.
39:16Has she ever studied at Lyall Hill School?
39:18No.
39:19Does your son go there?
39:28Sorry.
39:29I'll be right back.
39:30Hello?
39:32No, I was just painting.
39:35I thought it would rain today.
39:43I'm sorry.
40:13I'm sorry.
40:44You're not a saint.
40:46You shouldn't think like that.
40:48I know it's hard.
40:51I can understand everything.
40:54It's a little strange.
40:57It's impossible.
41:00But you're perfectly fine.
41:02Don't let anyone think that about you.
41:06I'm not fine.
41:09And neither are you.
41:11No, I am.
41:12I am.
41:14I am.
41:16I know what I've done.
41:19I know.
41:22I've been through all this.
41:28You remember, don't you, Lucy?
41:29I know.
41:32But you don't believe those memories.
41:35Because they're upside down.
41:39Everyone remembers their past,
41:41but how can anyone remember their future?
41:45But I can help you with that.
41:50You're playing with me.
41:52No, this isn't a game.
41:53You know we're doing much more important work than that.
41:57All I know is that they'll put you in jail
42:00and I won't talk to you again.
42:02Please don't do that, Lucy.
42:04What about your son?
42:05Where did he go?
42:08Where's Isaac?
42:10You came for him, didn't you?
42:13You still have questions in your mind.
42:17I can answer all of them.
42:27Look, there he is.
42:28I'm telling the truth.
42:29He'll do what you say.
42:30Say anything to him.
42:31He'll do it.
42:32Watch.
42:33Hey, Isaac.
42:36Stand on one leg.
42:40Sit down.
42:43Stand up.
42:47Put your finger in your nose.
42:51What are you doing?
42:52Disgusting.
42:54Hey, slap yourself.
43:01Again.
43:02Go.
43:05Harder.
43:07Harder.
43:11Harder.
43:12Hey, Finn.
43:14Again.
43:16Harder.
43:18Harder.
43:21Harder.
43:22Harder.
43:24Harder.
43:32Harder.
43:33Harder.
43:34Harder.
43:37Sir.
43:38A lady from the Social Services called.
43:40A case worker from Chloe Fisher.
43:42She asked when the police would leave Chloe's property.
43:44Tell Doss to talk to the forensics.
43:46I said you'd call.
43:47Maybe you should deal with her yourself.
43:49Yeah, okay.
43:50Why?
43:51Because her name is Lucy Chambers.
44:03PHONE RINGS
44:09PHONE RINGS
44:33PHONE RINGS
44:47Mrs. Chambers.
45:03No, you don't understand.
45:04Isaac doesn't lie.
45:05He doesn't know how to lie.
45:06But his imagination is extraordinary.
45:10So is he pretending?
45:11We're saying that before taking any action,
45:14we should check all the facts.
45:17Has Isaac ever hurt himself?
45:21No.
45:22Look, when a child hurts himself,
45:24we have to take a few steps.
45:26He didn't hurt himself because he wanted to.
45:30He did it because someone told him to.
45:33Not because he had a problem.
45:36We spoke to the counsellor.
45:37The counsellor has nothing to do with this.
45:39He doesn't need any special treatment.
45:41You know I took him to all the psychiatrists in the city.
45:44He doesn't need any special treatment.
45:46Not a single doctor could tell me
45:48why my son doesn't laugh or cry.
45:50And he doesn't hug me until I tell him to.
45:54No one...
46:00No one...
46:03can hurt himself.
46:05It's either anger or anger.
46:07Or guilt.
46:08But he can't feel any of that.
46:10He can't feel anything.
46:12Because he's broken.
46:16He's broken.
46:17He needs to be healed.
46:30If he's not safe in this school,
46:32I'll find another one.
46:39Excuse me.
46:40One minute.
46:44Mark.
46:45Why is this on your desk?
46:47What is this?
46:48What is this?
46:49It's the report for the day.
46:50The Weber case one.
46:51It's lying there.
46:52We're trying to move it forward.
46:53And it's still on your table.
46:54Move it forward.
46:56You've crossed the line.
46:59Can I help you?
47:00Yes.
47:01I'm D.I. Dillon.
47:02And this is D.S. Hollis.
47:03We want to meet Lucy Chambers.
47:04She's not in the office.
47:05When will she be back?
47:06No idea.
47:07She must be on a visit.
47:08Talk to Rob.
47:09Where can we find Rob?
47:10He's in a meeting.
47:11And when will the meeting be over?
47:13Wait for him.
47:15Is this him?
47:16Yeah, the one in the middle.
47:18Good guess.
47:19It's not a guess.
47:20Remember that Lodge 13 drawing?
47:22Yeah.
47:23This is him, Nick.
47:25I need Lucy's phone number right now.
47:28Please?
47:59When you're in pain,
48:00you feel better when you cry.
48:06Come here.
48:19I'll fix everything, okay?
48:22I love you so, so much.
48:25I love you so, so much.
48:37Come on.
48:51Okay.
48:54What will you have for dinner?
48:55There's chicken nuggets in the fridge.
49:00Wait there.
49:09Wait there, okay?
49:24Okay.
49:54Okay.
50:24Lucy?
50:26Sorry.
50:27I broke the glass.
50:28Oh, Mike.
50:29I didn't see you, so I...
50:31So you're just going to barge in like that?
50:34I had to go to the toilet.
50:36I was scared.
50:37Lucy, I need to talk to you about something important.
50:49Mike, won't you say hello to your son?
50:52Hello, Isaac.
50:53Do you remember me?
50:56Of course he remembers you, Mike.
50:58It's only been a few months.
50:59Why are you asking?
51:02How did he get hurt?
51:05School kids.
51:12Why did you come here?
51:14Actually, I need to tell you something.
51:16And then I'll leave.
51:19I'm trying.
51:20Okay, Isaac.
51:21Go play in your room.
51:26He's playing?
51:27You almost killed me, Mike.
51:32Were you...
51:33Were you smoking here, Mike?
51:36No, I quit.
51:41And what's the reason for coming here?
51:51I'm dating someone.
52:01Okay.
52:02She doesn't know about you.
52:04I mean, she knows that I'm married,
52:06but she doesn't know that we're still...
52:12She wants to move forward in our relationship.
52:15She wants to be with me.
52:21I should have told you about this earlier.
52:26So that's why you sneaked into the house?
52:29I didn't sneak in.
52:33Who's the guy you want to move forward in your relationship with?
52:37He must have a name.
52:39Uh, no.
52:41Harriet.
52:43Harriet Badcock.
52:45Badcock.
52:49Are you laughing?
52:50Sorry.
52:51That's a funny name.
52:53Whatever.
52:54I thought you should know.
52:55I didn't want you to find out through social media.
52:58I'm not on Facebook.
53:02Harriet Badcock.
53:07She's only interested in your surname.
53:09We're not getting married.
53:11Not yet?
53:12No, never.
53:13Loose.
53:15I don't want her.
53:17She's nice, but she's not loose.
53:19Mike.
53:20No, listen.
53:21I've thought about what you said to me.
53:24And I accept it.
53:26What do you accept?
53:28All your conditions.
53:29I'll be a good dad.
53:30I'll try.
53:31I'll do anything for you.
53:33No, Mike.
53:34We should be together, Lucy.
53:37We love each other.
53:39That's what matters.
53:41We'll fix everything together.
53:46Sorry.
53:47I thought you wanted me to come back into your life.
53:50And here I am.
53:51I'm trying.
53:52I want you to be in her life, Mike.
53:54That's all I want.
53:56I want her to have a strong relationship with her dad.
53:59I want you to spend time with her.
54:01Take her on a holiday.
54:03Do naughty things with her.
54:05Give her Christmas gifts.
54:07I can't do anything with her, Lucy.
54:09She doesn't have feelings.
54:11You don't know what's going on in her head.
54:13You don't know what's going on in her head.
54:15I don't know what's going on in your head, Lucy.
54:20Why are we having sex right now?
54:21Oh.
54:22No, no.
54:23Tell me.
54:24If you want me to play with your son, then...
54:25My son.
54:26He's my son, Mike.
54:37Do you still love me or not?
54:39It's not that simple.
54:40Okay, so...
54:42Tell me.
54:43Try to make me understand.
54:49When I have sex, I think about someone else.
54:57There's no specific person.
54:58There's no face.
54:59It's just...
55:03It's just that I know it's not you.
55:12Bye.
55:16Bye.
55:20Mike.
55:26Mike!
55:28Wait!
55:29I'm sorry.
55:31I was wrong.
55:32I'm sorry.
55:33I didn't mean that.
55:35Of course you did.
55:43Listen to me.
55:44Will you please turn it off?
55:46Okay, okay.
55:51Where's the key?
55:54What?
55:55Where's the extra key?
55:57I don't know.
55:58It must be under the mat.
55:59It's the back door key, Mike.
56:00Where did you keep it?
56:01But I came through the front door.
56:05What?
56:06I came through the front door.
56:08What happened?
56:09What happened?
56:11Loose!
56:15No, she's gone.
56:16She had to pick up Isaac.
56:18Who's Isaac?
56:19His son.
56:21His son's name is Isaac?
56:23What happened?
56:24Give me his address.
56:27Isaac!
56:32The 43 reference is in the name Isaac.
56:34I thought his link was in the Bible.
56:36But I didn't know.
56:37What didn't you know?
56:39He's not coming for Lucy.
56:41His target is that kid.
56:47I can't even imagine how you must have felt.
56:51I'm sorry you had to go through all this.
56:53Go away.
56:54Please.
56:55Lucy, please sit down.
56:56You...
56:57Shut up!
56:58Okay.
57:01Why did you do this?
57:03Look, it's not what you think it is.
57:05We didn't do anything wrong.
57:07We didn't even know you.
57:09Then why did you do this?
57:11How dare you touch him?
57:13Why did you do this?
57:14Lucy...
57:15Answer my question!
57:22Tell me, why did you take my son?
57:37Why did you take my son?
57:39Why did you take my son?
57:41Why did you take my son?
57:43Why did you take my son?
57:45Why did you take my son?
57:47Why did you take my son?
57:49Why did you take my son?
57:51Why did you take my son?
57:53Why did you take my son?
57:55Why did you take my son?
57:57Why did you take my son?
57:59Why did you take my son?
58:01Why did you take my son?
58:03Why did you take my son?
58:05Why did you take my son?
58:07Why did you take my son?
58:09Why did you take my son?
58:11Why did you take my son?
58:13Why did you take my son?
58:15Why did you take my son?
58:17Why did you take my son?
58:19Why did you take my son?
58:21Why did you take my son?
58:23Why did you take my son?
58:25Why did you take my son?
58:27Why did you take my son?
58:29Why did you take my son?
58:31Why did you take my son?
58:33Why did you take my son?
58:35Why did you take my son?
58:37Why did you take my son?
58:39Why did you take my son?
58:41Why did you take my son?
58:43Why did you take my son?
58:45Why did you take my son?
58:47Why did you take my son?
58:49Why did you take my son?
58:51Why did you take my son?
58:53Why did you take my son?
58:55Why did you take my son?
58:57Why did you take my son?
58:59Why did you take my son?
59:01Why did you take my son?
59:03Why did you take my son?
59:05Why did you take my son?
59:07Why did you take my son?
59:09Why did you take my son?
59:11Why did you take my son?
59:13Why did you take my son?
59:15Why did you take my son?
59:17Why did you take my son?
59:19Why did you take my son?
59:21Why did you take my son?
59:23Why did you take my son?
59:25Why did you take my son?
59:27Why did you take my son?
59:29Why did you take my son?
59:31Why did you take my son?
59:33Why did you take my son?
59:35Why did you take my son?
59:37Why did you take my son?
59:39Why did you take my son?
59:41Why did you take my son?
59:43Why did you take my son?
59:45Why did you take my son?
59:47Why did you take my son?
59:49Why did you take my son?
59:51Why did you take my son?
59:53Why did you take my son?
59:55Why did you take my son?