Igra sudbine 1244 Epizoda
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00:00I'm not an alcoholic. Not anymore.
00:03Once an alcoholic, always an alcoholic.
00:06You, Ivan, shouldn't have to go through the alcohol business.
00:10You shouldn't have to stand on a bar, or lick alcohol.
00:13Bar? I'm begging you not to speak to me in that tone.
00:16You know, I'm not an alcoholic.
00:18I'm not an alcoholic.
00:20I'm not an alcoholic.
00:22I'm not an alcoholic.
00:24I'm not an alcoholic.
00:26I'm not an alcoholic.
00:28You shouldn't have to speak to me in that tone.
00:31I'll speak to you the way I want.
00:34I have the right.
00:36Do you know who gave it to me?
00:38Me. By myself.
00:40And don't pretend to be a victim here.
00:43Where are you from?
00:45I came back for a drink, on a break from work.
00:48Is it forbidden?
00:50Drinking is not forbidden.
00:52Then you should go to work now.
00:55I don't have any patients at the moment.
00:58Or do you have a break from work?
01:01I'm sorry, Una, this is my wife Gabriela.
01:04Gabriela, this is Una.
01:06Nice to meet you.
01:08Nice to meet you too.
01:10Why do I have the impression that we've known each other for a long time?
01:15Listen, you yourself know that the business club is in serious trouble.
01:18I don't see the point in giving money to something where there is no return.
01:22I have a dream that it's not all negative and positive.
01:25Maybe, but the math here is clear as day.
01:27That's what I'm talking about. It's not all in math.
01:30The business club is good for the image company.
01:33That's what I'm talking about.
01:35Is it for the birth of children?
01:37Of children? Who are you talking about?
01:40The birth of a child exists to point out the mistakes you make.
01:45Whatever it is.
01:47I'm not the worst man in the world.
01:50Who told you that? You're a good man.
01:52But, you have your bad habits.
01:55Okay, which ones don't I have?
01:57I should go.
01:59No, no, no, Gabriela just left.
02:01Me?
02:03Aren't you going to invite me for a drink?
02:05You interrupted us in the middle of the conversation, Gabriela.
02:07Okay, relax. I didn't even plan it, I was with my friends.
02:11Anyway, a drink on a break and back to work.
02:15Enjoy.
02:18I understood perfectly.
02:21Thank you for coming.
02:23I'm worried. I'm worried, Ivan.
02:25Someone in this family has to do it.
02:27And I, obviously, by default, yes.
02:33That means he took that space for his new business.
02:36What?
02:37I mean, it looks like he took that space for his new business.
02:40So, Miki Tambura has a new business, huh?
02:43Yes, that's what they told me.
02:45And how did that information get to me?
02:47What kind of business?
02:49What do you think, what can you do with Milorad?
02:51Whatever he takes to work, it's not a clean job.
02:54Yes.
02:56It turned out that I accused you of blackmailing, but it wasn't like that.
02:59Okay, it doesn't matter.
03:01It does matter.
03:03It doesn't matter, I just wanted to draw your attention to some things that need to be done.
03:07Okay, I understand.
03:09I know it's hard for you here with us, especially since we're all here.
03:13No, no, I like to work for you.
03:15Where are you, Milo?
03:16Finally, three beautiful women are entering this place together.
03:20Hi, honey.
03:21You're cool.
03:22You're cool.
03:24What are you doing?
03:25Nothing, we're enjoying ourselves.
03:27What? Where are you going?
03:29We're going to sit down.
03:30Why?
03:31We're going to sit down.
03:32Why don't you sit here at the table?
03:35We want to sit down for a while at that far table.
03:37Why?
03:38What do you mean why?
03:39Because we want to talk a little.
03:42You can talk here, I won't stop you.
03:45I know, but we want to talk about some women's stories.
03:48I would like to have a nice relationship.
03:51Of course, there are no problems.
03:54So we made up?
03:56We never argued.
03:58Can we have a coffee?
04:00Yes.
04:01Later.
04:02Did you forget me?
04:03I'm here, I want a coffee.
04:05What is this, a survey?
04:06Testing the product.
04:09Wait, you have to calm down.
04:12We're not at work.
04:13I am.
04:15Please.
04:17This is my new project.
04:24I'm not sure if I want to judge for Milet.
04:27Later.
04:31You know, I'm not sure if I want to judge for Milet.
04:36I totally understand, it's Milet.
04:39You have to think carefully if you want to give in or not.
04:43I'm thinking.
04:44But I'm not sure if I still love him.
04:47Okay, take it easy.
04:49This is serious.
04:50So you already accepted Luka's offer?
04:53Yes.
04:55Well, congratulations.
04:58You'll get out of work.
05:00I know.
05:02And we probably won't go drinking anywhere except here.
05:05Well, what's here, is here, right?
05:25I met Pavlo's girlfriend.
05:28Oh, Nebojsa.
05:29What a surprise.
05:30Have a seat.
05:33Are you okay?
05:34I'm fine.
05:36Where are you from?
05:39We have a potential problem.
05:41Yes.
05:43Sit down.
05:58Ah.
06:29Hi.
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08:00Hi.
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08:02Hi.
08:03Hi.
08:04How are you?
08:05How are you?
08:06I'm good.
08:07Look, I have a gift for you.
08:08What is it?
08:09It's a donut for you.
08:10I'm sorry, but I can't do that now.
08:11There must be something we can help with.
08:12Shouldn't you focus on your work?
08:13You have a ringing tinnitus?
08:14Where do you work?
08:15At my club.
08:16The other one didn't work.
08:17I can't!
08:18If it didn't work, what are you doing?
08:19I called Miss Meika.
08:20She's here now.
08:21I need to talk to you.
08:22I spoke to all of you.
08:24That's all I needed.
08:28What?
08:30Well, to see that girl, that woman of dubious morals,
08:35she was pretending, cheating, pretending...
08:40Mom, I have to tell you something.
08:47You look to me as if you would like Pavle to never be with a single girl.
08:54What are you talking about?
08:58You know very well what I'm talking about.
09:09Well, you promised me.
09:11What?
09:14You promised me you wouldn't do dirty work anymore.
09:17Okay, so?
09:19So what?
09:21I bought a magazine.
09:24Did you buy a magazine from Cannes Capital?
09:27Come on, sit down.
09:29I won't now.
09:30Sit down if you want to talk.
09:32I can't listen to you while I'm sitting on my head.
09:34Sit down.
09:38Who told you that?
09:40That's the least important thing now.
09:42Did you buy a magazine or not?
09:45Yes.
09:46And? What's the problem?
09:51THE PROBLEM
09:57You know what, guys?
09:59As soon as you came here,
10:01unannounced at this time,
10:03it's clear to me that there is a potential problem.
10:07Really?
10:08Yes.
10:10What have you done now? What's the problem?
10:12Well, this...
10:14We didn't make the problem.
10:16We made the problem.
10:18You?
10:19Yes.
10:20What's new now?
10:22What's it about?
10:26Well, someone made us a problem,
10:28someone who made you a problem many times in your life.
10:32The list of those people is longer.
10:34Yes, this is your friend, this is Miki Tambura.
10:36Yes.
10:38Tambura.
10:44Well, Tambura always made problems and confused.
10:48And, of course, he always confuses someone behind their back.
10:51What did he do?
10:53Well, nothing new.
10:54He confused us, too.
10:56So I told him what to do.
10:59What happened?
11:01I'll tell you later.
11:03Okay.
11:19Where did you get the right to address me like that?
11:22And to constitute such nonsense?
11:25What kind of nonsense is that?
11:28It's not true that I wouldn't want Pavle to have someone.
11:31Above all, I would want him to be happy.
11:34But that Una, she can only bring him some...
11:37...illness.
11:39What do you mean?
11:42Mom, your possessiveness towards Pavle goes beyond all boundaries.
11:45I'm not possessive.
11:48That's why you brought a private detective into the house...
11:50...to find out as much as you can about a woman there.
11:53I mean, you see that I was obviously right.
11:56You see that there is something between him and that woman.
12:02Do you hear yourself?
12:04Are you aware of how you sound?
12:07Are you trying to say that I'm crazy?
12:09I don't know.
12:10But sooner or later you'll have to realize that your little prince has his own life.
12:14Which, I imagine, the girl also understands.
12:18Do you know what that means?
12:21It means that he won't be able to belong to you for the rest of his life.
12:25Your expectation that he will only hold your dress for the rest of his life is really abnormal.
12:30And painful.
12:32I'm extremely surprised by your behavior.
12:35I find it very unpleasant.
12:37What, have you decided to hurt me?
12:40Come on, mom.
12:42Why would I do that?
12:44I just decided to tell you the truth.
12:47Well, your truth has left me speechless.
12:51Well, there you go.
12:53And we experienced that.
12:55To leave Biljana speechless.
13:13You don't see any problem in buying a magazine from a company that owns Cannes Capital?
13:20No, I don't see any problem.
13:23And what do you think you're doing with that magazine?
13:26Well, you see, it's none of your business.
13:28And you thought you were going to end up in jail?
13:31You know, I'm sick and tired of those jails.
13:33Look, I'm not going to let you do it.
13:36Easy.
13:37You know?
13:38Easy.
13:39Just easy.
13:40You came here to teach me how to do my job.
13:45I bought that magazine because it was on sale.
13:48And I paid for it.
13:50Legally.
13:52Everything I do.
13:54But everything I do, you associate with crime.
13:57What's wrong with you, man?
13:59Is this some kind of professional deformity?
14:01Or are you trying to heal traumas from childhood, so you're taking my side?
14:05You see, it's impossible to talk about that.
14:08Look.
14:10Either return the magazine to the ganachists,
14:13or forget about me.
14:15I'm sorry.
14:34While Andrija Bošnjak was running Kahn Capital, he bought a company.
14:38And that was the biggest acquisition of that period.
14:41Okay.
14:43Within the scope of that company, there was a magazine
14:47that wasn't included in the transaction when it was bought.
14:50What do you mean, it wasn't included in the transaction?
14:53Well, that's what the contract says.
14:55The magazine doesn't belong to the company.
14:57And we thought it did.
14:59Why didn't you read the contract?
15:01We read the contract, but we didn't expect that part.
15:04You two made a problem.
15:07Okay, we made a problem.
15:09Yes.
15:12And now what?
15:14I mean, what about the magazine?
15:16Nothing. It turned out that the magazine wasn't ours.
15:20And then we decided to find a new owner
15:23and get the magazine back from him, but...
15:27Okay, what is it?
15:29But it turned out that he had already sold the magazine to someone else.
15:33Who?
15:35We told you. Tambur is the owner.
15:39Tambur?
15:42That's not funny.
15:45It's not funny.
15:56Well, I'm done talking. We can go.
16:00I'm not going yet. I want to stay a little longer.
16:03You've already started working overtime.
16:06I have to get to know the place.
16:08Okay, I'll see you tomorrow.
16:10I mean, I won't see you.
16:12Okay.
16:14Bye. Good luck.
16:16Bye.
16:30Hello.
16:31Hello.
16:32Do you want something to drink?
16:34I'm wet. I won't drink alone.
16:36I work, I don't drink.
16:38I work, too.
16:40I understand.
16:42Vanja Milatović.
16:44Deputy financial director of KUKAN Capital.
16:47Irma Latas.
16:49Nice to meet you.
16:51Sorry, I'm not informed. I don't know what's going on.
16:54Well, I got a job offer to help you run a business club.
16:58Of course, financially.
17:07Tamburo didn't just buy a magazine in our company.
17:10That's right. I'm sure he'll achieve something.
17:13He wants to. Who knows what he wants.
17:15It's in our heads.
17:17That's why they came to you, to tell us what to do.
17:22I'm used to you coming to me whenever you make a problem.
17:26We didn't make a problem.
17:28It doesn't matter.
17:30As soon as you get into something, you come to me.
17:33I solve it for you like I have a magic wand.
17:36That's right. We came to you.
17:38Go to Debeljka. He'll solve it for you.
17:40You're a man of magic. You solve problems.
17:42Vuki, you always solve everything.
17:44You always solve it for us.
17:46You're a white ninja.
17:50I'd like to help you guys, but I really don't know how.
17:54This situation is beyond my power.
17:58You can't help us, or maybe you have some advice.
18:03I have an advice and a proposal.
18:05The advice is to read the contract until the end,
18:09even in small letters.
18:13You're very kind.
18:15As for the right side of this situation,
18:19there's only one solution.
18:22What solution?
18:25Go to Tambur and try to get the magazine from him.
18:30Get the magazine from him.
18:33That's my advice.
18:45Okay, whatever the bosses say.
18:48I was with Luka and Aleks, and I gave them a problem.
18:52They said they'd send help.
18:54And the help has arrived.
18:56I'm sorry I'm confused.
18:58I didn't know the help would arrive so soon.
19:01No, Luka understood the situation very seriously.
19:04Okay, I'm glad.
19:06It's important to react while we can.
19:08Don't worry, we'll find a solution.
19:11Okay.
19:13Why didn't you tell me you'd come?
19:15It was a challenge. You know he has a lot of work.
19:18I came on my own this evening.
19:20Okay, it's important that you're here.
19:23It's an informal dinner.
19:25I'm working from tomorrow.
19:27I'm far from finance. I'm not an expert.
19:31Okay, that's fine.
19:33I just need you to guide me.
19:35Whatever you need.
19:37First, let's have a drink.
19:39Okay, I'll have a lemonade.
19:41Okay, great.
19:53A few hours later
20:03I hope I didn't interrupt anything.
20:05No, you didn't. Come in.
20:07I wanted to ask you if everything's okay.
20:10Why? Or does it look like it's not?
20:13You've been acting very worried for a while now.
20:17You can see that, right?
20:21So, there's a problem?
20:25There is a problem, yes, but it's not business as usual.
20:30I didn't want to get my nose into private matters.
20:33No, no, it was a long time ago.
20:35You've already asked.
20:37Maybe what I need is a friendly advice.
20:39Sit down, please.
20:43So?
20:45What is it about?
20:48Believe it or not, it's about my mom.
20:51I'm sorry if this is too private for you.
20:54Well, no.
20:55Well, she can react to private things,
20:57but not to business.
21:01I wasn't thinking about you in this case.
21:05No, no, I know, I know, of course.
21:07I'd be the first to say it's like that.
21:10At least you know me.
21:12Yes.
21:14And what is it about?
21:17I don't know.
21:28And this?
21:33Hey, Luka.
21:34Hey, Irma. Come in, please.
21:36Sit down.
21:41How are you?
21:42I'm fine.
21:44I just don't have a lot of time.
21:46I have to go back to the club.
21:48Yes, I wanted to tell you that I was thinking about your application.
21:51I know.
21:53How do you know?
21:55Well, I know.
21:57Because I saw that you took some steps already.
22:00You saw that I took...
22:02How did you see that I took some steps?
22:04Well, I met Vanja.
22:06Oh, you met Vanja?
22:08Last night he was at the business club, drinking.
22:14You know, my mother is a terribly possessive woman.
22:17I'm trying to tolerate and understand that.
22:20But this time she's really overdoing it.
22:23All mothers are like that.
22:25Here's my over-concern.
22:27I'm not quite sure they can be compared, but okay.
22:30Let's try.
22:32Now, the fact is that my mother is a very possessive woman.
22:35And I'm a very possessive woman.
22:37And I'm a very possessive woman.
22:39And I'm a very possessive woman.
22:41Let's try.
22:43Now, the facts are no longer important.
22:45But here, for example, I'm in a dilemma.
22:47She invited me to lunch at her place.
22:50And I'm just telling you that I'm thinking about not going.
22:53So you're not in a dilemma if you've already decided?
22:56But my conscience is biting me.
22:58It would be a monster if your conscience didn't bite you.
23:02And what should I do?
23:04It doesn't matter.
23:06You'll see her anyway.
23:09Well, that's true.
23:11And?
23:12Do you want to go to lunch?
23:15I think my mother will understand a lot of things if I just refuse.
23:19Yes, just tell her not to do those things she's already done.
23:24Somehow.
23:27I feel sorry for your mother.
23:33I needed to think about my voice.
23:37Always.
23:44The patients are in the waiting room.
24:01So you two don't waste time?
24:03Never.
24:05I would like you to hear more from me, but...
24:08No, no, everything is fine.
24:10It's important that the problem is solved.
24:12That's right.
24:14We called Vanja because she's one of our best people for finance in the company.
24:21I know. She's the deputy financial director.
24:24I don't have to tell you.
24:26I'm telling you, we met.
24:28Yes, you met.
24:30Vanja wants to set up a business club.
24:34In terms of finance, of course.
24:36I hope so, honestly.
24:38Yes.
24:40I mean, I'm fighting for all this because the business club is important to the company,
24:45but it's also important to me personally.
24:47I understand.
24:49That's right. So we'll connect you, we'll organize everything,
24:53and then it's up to you and Vanja to make a miracle.
24:57Okay, we don't have to make a miracle.
24:59It's important that she knows what she's doing,
25:01that she's good at it, and that's it.
25:03Yes, she knows what she's doing, she's good at it,
25:05you know what you're doing, you're good at it,
25:07and I think you'll be a great team.
25:09Thank you very much.
25:10You're welcome.
25:11Okay, then back to work.
25:13Onward to work.
25:14Okay, see you.
25:15Bye.
25:29Hi.
25:40If you think I didn't notice you turning your eyes,
25:44I'm sorry.
25:46Good afternoon.
25:47Nice to meet you.
25:49What can I do for you on this beautiful day?
25:52Don't be so nice.
25:54It doesn't suit your character at all.
25:56What do you want?
25:58I came for what's mine and what belongs to me.
26:01Aha, so that's what you came for.
26:03And what is that, I don't know.
26:05Okay, don't play dumb.
26:07I came for a part of the market.
26:10Excuse me?
26:12What do you mean, excuse me?
26:13Give me that money and don't delay it.
26:15Wait, I'm not informed that I should give you
26:19even a part of the money.
26:21I told you, come on, can I?
26:23No, you can't, no, no, no, no, no, no, no,
26:25this is a serious cafe.
26:27You know the rules.
26:29I can't do anything on my own.
26:31You know what, I'll just tell you.
26:33I'm not moving from this place
26:35until I get a part of the market, got it?
26:50Hey.
26:53I wanted to ask you something about the magazine.
26:56I left it. Sit down.
27:00We were thinking that we could give Tambor
27:03and we could buy the magazine from him
27:05so I could hear your opinion.
27:07The business logic is absolutely clear.
27:09Absolutely, yes.
27:11And I thought you'd say something.
27:13I think it's most logical
27:15to become the owners of all the objects
27:17on the land we've already bought.
27:20I still don't know how we could do that.
27:22I know it's not ideal
27:24and it's not going to cost us the magazine
27:26but it's the only good decision.
27:31Let's get this straight.
27:33It's my opinion about the business logic.
27:36As far as the relationship between Nacik and Tambor is concerned,
27:39I really don't know.
27:41I mean, I have no opinion about that.
27:43See, that's why I came to you.
27:45I knew you'd deal with the business logic.
27:47Well, we'll give Tambor the offer.
27:50What can I do when I agree with you?
27:52I don't know.
28:22Come in.
28:33So, Professor,
28:35what's new?
28:37Any business?
28:39Well,
28:41there's no business today.
28:43That's probably why I'm in a good mood.
28:45I took a little break.
28:49Professor,
28:51if anyone deserves a break,
28:53then it's definitely you.
28:58Those wizards have a soul, huh?
29:02Wizards?
29:04That's what they call me.
29:13Is she the same?
29:15I was just wondering
29:18if you'd react the way you're used to.
29:24What's new with you?
29:28Professor, nothing special.
29:31There's no business, so I'm taking a little break.
29:35Okay.
29:37Work creates man,
29:39and rest keeps him at work.
29:42Even God took a break one day
29:44when he created the world.
29:46Why can't we, ordinary mortals,
29:48do the same?
29:50Come on, cheers!
29:52You're right, Professor.
29:54Come on.
29:59Huh?
30:01Better than last time.
30:04No, you just got used to it.
30:07But, Professor,
30:09tell me, why did you call me?
30:13I don't need a reason.
30:15I don't need you to come.
30:17Really?
30:19I just wanted to have a drink.
30:21Nothing else.
30:23Professor, I just wanted to have a drink
30:26and hang out a little.
30:28That's right.
30:30That hasn't been the case lately.
30:33I told you last time.
30:35We haven't seen each other like this before.
30:38It's nothing, Marinko.
30:41Everything changes in life,
30:43and so do we.
30:45Right?
30:47As long as you're healthy.
30:49That's right, Professor.
30:51I'm healthy.
30:54Huh?
31:07Lepasova,
31:09the woman of God,
31:11is it clear to you that I can't do anything on my own
31:14and that no one told me to give you money?
31:17It's because you're making it up.
31:19Come on, take it. Give it to me.
31:21I can't.
31:23I have to consult with Uncle Mido first.
31:26You're making me nervous.
31:28Mido, Mido.
31:30As if Mido is a deity.
31:32Are you listening to what I'm saying?
31:34No.
31:35No, I see.
31:36No, not because you're talking nonsense.
31:38I'm talking nonsense.
31:40And I don't care about your excuses.
31:42Mido needs to give me money.
31:44And he doesn't.
31:46And I don't want anything more than what I have.
31:49In your relationship, Uncle Mido is yours,
31:51and I'm going to call Panchetta from here,
31:53and she's going to tell me if I should give her money or not.
31:56What does Panchetta have to do with this?
31:58What does Panchetta have to do with this?
32:00Panchetta is...
32:01It would be better if Panchetta would stop
32:03cutting my hair instead of dressing it around Mido.
32:07Oh, come on.
32:19Ah.
32:50Professor,
32:52I've never heard you talk like this.
32:55Is everything all right?
32:57No.
32:59I mean, yes.
33:02Well, no.
33:03No, it's not all right.
33:05Until recently, I was sure that there was no
33:09case, no problem in this world that I couldn't solve.
33:15But now, all of a sudden,
33:18I feel like I'm standing on a wall,
33:20and I can't believe what's going on.
33:23Everything seems to have
33:26faded,
33:28lost its meaning.
33:30Either I've completely changed,
33:33or the world has completely changed.
33:35In general,
33:37I'm not interested in anything anymore.
33:39Do you understand?
33:41Nothing.
33:43There's nothing left.
33:48Professor, did you really call me
33:50to have a drink and talk about
33:53the passage of time?
33:57What's missing to talk about the passage of time?
34:02The door, Marinka.
34:05Professor, did you leave them?
34:07Are you closer?
34:13Come in.
34:20Come on, have a drink.
34:22All right, I'll give it to you.
34:24My hands are shaking.
34:27Marinka.
34:29What's your name?
34:32Come on, cheers.
34:34Come on, cheers.
34:43Cheers.
35:01Honey.
35:07You came after all.
35:13Come on.
35:32What a tragedy.
35:34What a tragedy.
35:40Just shut up.
35:42Shut up and dig.
35:44Everything is clear to me.
35:46But let me tell you,
35:48she's a fat, old hag.
35:50You know.
35:52Did someone here talk about me
35:54or did I pretend?
35:58Excuse me.
36:01I really don't see what's so controversial here.
36:04I'll be right back.
36:06Excuse me.
36:20Either wait for it to cool down
36:22or blow on it.
36:24All right, Mom.
36:28Marinka.
36:30No matter how big and adult you are,
36:32you will be children to us.
36:42How are you, son?
36:58What would you like to do now?
37:00I didn't want to do it.
37:02I mean, I'd like you to work with me
37:04even though I'm stupid.
37:06Hey.
37:26Hey.
37:28Hello.
37:30Hello.
37:34What are you looking for?
37:36Have you seen my laptop?
37:50You're still mad at me.
37:54I can't believe it.
37:56Listen.
38:00You...
38:02You're...
38:04You're not rude.
38:06You're a fool.
38:08And the difference is big.
38:10Except in the first word.
38:26He didn't want to tell me
38:28why he bought that magazine from you.
38:30Of course.
38:32But he told me
38:34he bought it legally
38:36because he wanted to do legal business.
38:38I can imagine how much legal business.
38:40Oh.
38:56Banshee!
39:00Banshee!
39:02Stefano!
39:10Banshee!
39:14I don't know what to tell you.
39:16It has nothing to do with our relationship
39:18and openness.
39:32It's good.
39:34We have a guest, Lepović.
39:36Cheers.
39:38Cheers.