#myfavoritechild2
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00:00This story is fiction.
00:11That's enough!
00:13We're taking a 10-minute break.
00:15This story is fiction.
00:28Kuroko, can I talk to you for a minute?
00:30Yes.
00:31This story is fiction.
00:43Four months have passed since the first live broadcast of Shinsei B. Komachi.
00:49Since then, we've held several small live broadcasts,
00:53and we've been uploading videos on a regular basis,
00:56and we've been getting more and more fans.
00:59Onii-chan says he doesn't want to be an actor,
01:03but he's got a lot of work to do.
01:05To be honest, I don't know what he's thinking.
01:09Oh, that's right.
01:10Onii-chan has a cute girlfriend right now.
01:15They started dating because of the show,
01:18and they're going to be on the same stage as Senpai next time.
01:23He says he's just a lover of work.
01:27I think he's a scumbag and a woman's enemy.
01:34I'm doing fine right now.
01:39Until the day I stand on the stage of the Dome,
01:44I will continue to be an idol with all my might.
01:49Watch me, Mom.
01:53Tokyo Blade
01:56The popular manga, Tokyo Blade, which has over 50 million volumes,
02:00is a battle story where teams from all over Japan
02:04go on a rampage to deepen their friendship and love for each other.
02:08Arima belongs to the Shinjuku Cluster,
02:12and Akane and I belong to the Shibuya Cluster,
02:15which stands up as enemies.
02:18In this drama, the scenario is based on the Shibuya Cluster,
02:22where these two teams fight.
02:25Is this the last time you'll be acting with Arima?
02:28It's a shame that there aren't many scenes with Kana-chan.
02:31She seems to get along with Kana-chan.
02:34She even came with me when we met.
02:36No, it's the other way around.
02:38When it comes to acting, she's too passionate and scary.
02:43It's a relief that she doesn't complain when she's on set.
02:47That's true.
02:49But isn't it fun to talk about acting?
02:52I can do it infinitely.
02:54Give me a break.
02:55Only people who are passionate about acting can do that.
03:00Aren't you passionate?
03:02I'm not.
03:05The people on stage are basically people who like acting
03:09and are sincere about acting.
03:13I'm not.
03:15Acting is a means to get closer to the truth of love.
03:19It's a means to get closer to this man,
03:22who has the potential to influence love,
03:25even if he's the 7th representative of the theater troupe.
03:30It's almost time to take a break.
03:32Yeah.
03:33Wait a minute.
03:41Let's go.
03:43The next day
03:49Shinjuku, which has always been a lawless area,
03:52seems to have been unified by a man.
03:55I think his name is Blade.
03:57Interesting.
03:59I'll go see what kind of guy he is.
04:02Don't try to start a fight without thinking.
04:06Can I join you?
04:08There's no bad guy this time.
04:10My name is Iwadachi.
04:13It's natural for Arima-chan, who has a long career,
04:15and Rararai to be able to act.
04:18I was wondering what would happen when Melt-kun saw Kyouama's performance,
04:22but it was pretty good.
04:24I heard it was the first time for Aka-kun to be on stage,
04:27but I can't help it because I can see everything around me.
04:29When Kaburaya sends someone else,
04:31it's a tough battle.
04:33Arima-chan and Akane-chan's
04:35generation-to-generation young genius battle is also hot.
04:39The way they enter the role,
04:42and the way they adapt to the acting around them.
04:45The way they act is also symmetrical.
04:47It looks like Akane-chan is one step ahead.
04:51I hope Arima-chan doesn't lose either.
04:54I don't know.
04:56This sword is too much for a country samurai.
05:01I have Himekawa.
05:10Huh?
05:17Arima, right?
05:19You don't have to worry about it.
05:26Do you want me to do it?
05:28It doesn't look like we can solve it by talking.
05:32The stronger one will be a partner of the sword.
05:35How about that?
05:37It's easy to understand.
05:41Don't complain even if you die.
05:44You too.
05:49Is that all?
05:51It's like you're a ghost.
05:53Don't be so excited.
05:56What's wrong? Do you want to surrender?
05:58Don't talk to me like that.
06:01This is the end.
06:07What's wrong?
06:09You're strong.
06:11Get away from me.
06:23Arima, Kana. How about dinner after this?
06:25Sounds good.
06:27I have a lot of things I want to ask you.
06:29Melt, come here.
06:31Me too?
06:32It's natural because there are a lot of supporting scenes.
06:36Kana...
06:38A while ago, she wasn't the kind of person who acted in front of me.
06:43She wasn't the kind of person who could act like she was looking at me.
06:50Confidence, determination.
06:52I got something from being a idol.
06:55I haven't been able to do it lately.
06:58I got a 2.5.
07:00I thought I needed some kind of stimulation to get the cast from the outside.
07:06I've lost too many times.
07:09There's no way I don't think about it.
07:13I have to think about how to fight him.
07:19If you're an actor.
07:30I'm sorry.
07:36The stage has a training period of about a month.
07:40It's a six or seven-hour gathering at night.
07:44There are a lot of busy people, so not all of them can gather.
07:48Especially the main cast often can't participate in training for other jobs.
07:53Training is a big role.
07:55There are few cases where you hire a stand-in.
07:58But actors like to act.
08:01There are many people who want to participate at night.
08:08Arima, can I ask you something?
08:10What?
08:11What do you call this place?
08:13Sakimori.
08:14I see.
08:15I thought this was a blind man.
08:18Arima is smart.
08:19This is normal.
08:21Why are there so many people who can't read kanji?
08:24Why don't you read a little more books?
08:27I'm not good at reading books.
08:29I only watch movies.
08:31Oh, I know.
08:32I only read manga.
08:35On the third day, there is a training group.
08:40Main cast group.
08:42I see.
08:43LaLaLai group and assistant group.
08:47And...
08:50My boyfriend is alone.
08:54I don't think he's good at getting along with people.
08:58He has a great aura.
09:02I feel a little close to him.
09:13Are you looking at Kana?
09:16Yes.
09:17Yes?
09:19Then I...
09:20Arima has a habit of acting according to the level of the people around her.
09:25It may be a strategy for Arima, who has lost her job because of her strong desire to self-examination in the past, to survive in this industry.
09:34Until now, she was surrounded by actors who were not good at acting.
09:39But...
09:40The person next to me this time is Taiki Himekawa, the signboard actor of LaLaLai.
09:45If you come to that level...
09:48Akane.
09:49Akane.
09:50You want to beat Arima, don't you?
09:52At this rate, you'll lose.
09:54It's a big difference.
10:01If you're going to get angry, get angry.
10:03Are you a child expressing your emotions?
10:05It's not the time to worry about others.
10:07Aka-kun, at this rate...
10:08I didn't want to win from the beginning.
10:12I don't think I can beat someone with talent.
10:20All the people in Shinjuku...
10:24Kill them all.
10:28Kurokawa.
10:29You can act a little stronger there.
10:31To match the tension of the people around you.
10:33I understand.
10:36Stronger...
10:37Stronger acting...
10:39Like this?
10:42Kill all the people in Shinjuku.
10:47Okay, let's go with that.
10:49Next, Shinjuku.
10:51From Arima.
10:52Yes.
10:53Was that okay?
10:57Which way is Shibuya?
10:59Haven't you been there?
11:00That's not possible.
11:02I've said it many times.
11:03Don't make fun of me.
11:04It's suspicious.
11:05He's a bit of a liar.
11:07What? He's a liar?
11:08When?
11:09Didn't you notice?
11:11I'm sorry.
11:15This time...
11:17I had a bad start.
11:20The reason is in this script.
11:23Saya-hime, who plays me, doesn't have much of a role in the original.
11:28At first, she appeared as a heroine of the same period.
11:32However, her popularity with Tsurugi, who was the enemy, increased.
11:36As a result, she was eaten as a partner of the same period.
11:40In other words, she's a loser heroine.
11:44In the latest episode of the original,
11:46the character of Fugu, whose nickname is almost set to death.
11:51Men like a girl who has a lot of expressions like Tsurugi.
11:57That's right.
11:59Even in the original, I feel like I'm cutting you off.
12:03If you're quiet, you'll be taken away by a girl like this.
12:07The fact that Saya-hime doesn't have much of a role means that she doesn't have much material for character analysis.
12:13I have to make a character out of myself by storing the pieces I lost in delusion.
12:19However, it seems that my interpretation of the character and the interpretation of the script are quite different.
12:25Or rather, it's very different from the original.
12:28It's a very symbolic character.
12:31Originally, the princess was a kind girl who had a hard time apologizing to people.
12:37In order to reduce the stage length, she has become a front-runner in the battle.
12:42This is a murder-loving crazy.
12:46Even if it can't be helped to make some changes to drop the manga into a different medium called theater,
12:52it's used so conveniently in the script.
12:56It's a pity, Saya-hime.
12:58It's not the same in the original work, but it's treated like this on stage.
13:04I like it.
13:06But it can't be helped.
13:09The original teacher gave me an OK with this.
13:13I have no choice but to do it with this.
13:21Yaho, I'm here.
13:23How's it going?
13:25The schedule for the script is a mess.
13:28It was hard to get it fixed by morning.
13:32I'm sleepy.
13:33You're here for the script, right?
13:35Yeah.
13:36I heard that the original author is coming today, so I came to say hello.
13:41Hey, what do you think of this script?
13:44Hmm?
13:45It's a little different from the original, isn't it?
13:48Yeah.
13:49But I think it's a pretty good script.
13:52Eh?
13:53It's 90 times better than the script I wrote before.
13:57KyoAma was terrible.
14:00If you have any questions, why don't you ask me directly?
14:03No!
14:04Acting is taught by the director.
14:07If a lot of people say that, the actors will be confused, right?
14:12It's not good for Kindaichi-san to have a bad relationship with other actors.
14:17Hmm...
14:20Is this the Smash Heaven park?
14:22I think you can still get a seat.
14:24Yeah.
14:25Excuse me.
14:26It seems that Kurokawa has a question about the script.
14:30Eh?
14:31Based on the opinion of the director, Kindaichi-san, if you could ask...
14:35Wait, Aqua-kun!
14:37If you ask both at the same time, you'll get through, right?
14:40That's true, but...
14:42Hmm? What is it?
14:44Go ahead, Kurokawa.
14:46Um, about Saya-hime's character...
14:49How should I put it...
14:51Based on the script, I don't really understand the character.
14:55I mean, this intention...
14:57Yeah, it's a lot more competitive than the original.
15:01That's right!
15:02In the original, the conflict was more...
15:04Well, yeah.
15:06I was also quite worried about that.
15:08However, when the conflict is converted into acting,
15:12There's nothing you can't do, but it's a bit too long.
15:16In manga, you need a long performance to convey the feelings of the character to the audience.
15:25Even if it's for free, there are a lot of characters,
15:28and there are a lot of plot twists.
15:31If you want to put it in a two-hour play, you need to organize it in a simple way.
15:36Otherwise, all the scenes will be over 30,000,
15:39and it will be a difficult work to convey to the audience.
15:42If you want to do everything as in the original, you don't need to be a scriptwriter.
15:47You have to decide where to liven up and select the elements.
15:52I'm also a fan of the original, so I don't really want to get involved.
15:57I think that kind of dirty role is also part of my job.
16:01But I'm playing Kurokawa-san,
16:04so if there's something wrong, I'll fix it right now.
16:07Don't be spoiled.
16:09I also read the first few volumes of the original,
16:12but if you put in the feelings of Sayahime, it will be noisy.
16:16By making it a more active character, the conflict structure will be simpler,
16:20and you can show the parts you want to show in an easy-to-understand way.
16:23As a writer, this decision is not wrong, so I adopted it.
16:28In this stage, your role is not to show the depth of your feelings.
16:33I think it's a convincing stage device that makes it easier to understand the conflict between people.
16:39That's what it sounds like, but are you convinced?
16:42Yeah.
16:48Easy to understand, huh?
16:52Yes, good work!
16:54A special guest has arrived!
16:56Ah, um, hello.
17:00I'm Abiko-sensei, the author of Tokyo Blade.
17:03And I'm Kichijoji.
17:05Kichijoji-sensei, it's been a while!
17:08Thank you!
17:09It's been a while since we had a meeting.
17:12I'm glad to see you again, Aqua-san.
17:15It's an honor.
17:16Sensei, good morning.
17:18Ah, hello.
17:20I know, but it's a little salty.
17:24Of course, you were messed up in KyoAma.
17:27From the author's point of view, it's like revenge for his parents.
17:30Well, yeah.
17:33Sensei, nice to meet you.
17:38Come on, Sensei, say hello properly.
17:41Handsome and beautiful...
17:42Just by looking into each other's eyes...
17:44Well, I understand, but...
17:47Please take your time.
17:58Wow...
18:00What do you think, Sensei?
18:02Everyone is good at acting.
18:05I think we can make a good stage.
18:07Of course!
18:08There are only top-notch actors in La La Land.
18:12I'm sure everyone is practicing a lot.
18:17Sensei, when you're on stage, you shouldn't say practice.
18:20You should say rehearsal.
18:22Oh, is that so?
18:23I'm sorry.
18:24I'm sorry.
18:25I didn't know anything.
18:28It's amazing.
18:29I can't do it.
18:33That's why...
18:37I have to say it.
18:43The script...
18:45Can you fix it now?
18:49Of course.
18:51Which part?
18:53Which part?
18:55Well...
18:57Everything.
19:01What do you think, Sensei?
19:03Everyone is good at acting.
19:06I think we can make a good stage.
19:08Of course!
19:09There are only top-notch actors in La La Land.
19:13I'm sure everyone is practicing a lot.
19:18Sensei, when you're on stage, you shouldn't say practice.
19:21You should say rehearsal.
19:23Oh, is that so?
19:25I'm sorry.
19:26I didn't know anything.
19:29It's amazing.
19:30I can't do it.
19:34That's why...
19:38I have to say it.
19:44The script...
19:46Can you fix it now?
19:50Of course.
19:52Which part?
19:54Which part?
19:56Well...
19:57Everything.
20:20La La Land
20:23I thought La La Land was easy.
20:26But it's not easy at all.
20:29But half of the cast is foreign actors.
20:32You don't have to be nervous.
20:35I'm not nervous.
20:40Melt.
20:42Hey.
20:44I heard that P.Kaburagi is in charge of casting foreign actors.
20:49In other words, we're a Kaburagi group.
20:52Nice to meet you.
20:54Nice to meet you.
20:56What's going on?
20:59Well, I understand.
21:01Some people can't act well.
21:03I think it's a nightmare again.
21:06I know.
21:08That was my first time acting.
21:10I don't ask you to watch it a lot.
21:14I've been studying for 9 months today.
21:19I think I'm doing better than before.
21:22If you don't like it, don't hesitate to tell me.
21:29I'm Melt Narushima.
21:32I'm in Sonic Stage.
21:35Nice to meet you.
21:38I'm Kana Arima.
21:40Nice to meet you.
21:41I'm Kana Arima.
21:43I'm Aqua Hoshino.
21:46Nice to meet you.
21:51You're all early.
21:53It's only 10 minutes before the show starts.
21:55Let's get started.
21:58My name is Raida.
22:00I'm in charge of this park.
22:03This is Kin-chan, the director.
22:06I'm Toshiro Kindaichi.
22:08I'm Goa.
22:10I'm Sakuya Kamoshida.
22:14Nice to meet you.
22:15He's also in the Kaburagi team.
22:18I'm Norio Mita.
22:22I'm May Adashi.
22:24I'm Koyuki Yoshidomi.
22:26I'm Kiyro Hayashibara.
22:28I'm Ryoma Funato.
22:29I'm Akane Kurokawa.
22:31Nice to meet you.
22:34I'm in charge of this park.
22:36I'm in charge of this park.
22:43Wake up, you idiot.
22:45I'm in charge of this park.
22:48I'm in charge of this park.
22:52Anyway, I'm Taiki Himekawa.
22:55Anyway, I'm Taiki Himekawa.
22:57Let's become one with these members.
22:59Let's lead the Tokyo Blade successfully.
23:05You look tired today.
23:07It seems that all the main members are here.
23:10Let's read the book.
23:13Let's start with Anne.
23:15Don't talk too much.
23:16Get ready.
23:18Yes.
23:19Aka-kun, good morning.
23:22Even if you say good morning, you sometimes meet me to make a part-time job, right?
23:26That's true.
23:28But I'm glad to see you at work again.
23:32I've been bothering you a lot lately.
23:37The stage is my main job.
23:39This time, I'll help you.
23:42You seem to be confident.
23:44No, it's not like that.
23:46I'm not confident at all.
23:50This time, we have a lot of scenes together.
23:54So I want you to rely on me anytime.
24:00I'll talk to you if anything happens.
24:02Yes.
24:06Are those two dating?
24:08What's going on in the reality show?
24:11That's what's going on in the show.
24:14But it's like a business relationship.
24:16That's right.
24:17It's not good to date someone you just kissed.
24:22They seem to get along well.
24:26He's a good actor.
24:30I think he's good at casting.
24:34I don't like to link the real information of the actor to the board.
24:38I don't like it because it's noisy.
24:40Basically, it's better to have all the information that the audience has.
24:46I don't know if the promo side has that kind of meaning.
24:49It's been the same since two centuries ago.
24:52Oh, that's sharp.
24:56Arima, you were a little more...
24:59I was the leader at that time.
25:01I just didn't want to make the atmosphere at the scene worse.
25:04I like this kind of thing.
25:07I'm glad I didn't have to be so careful.
25:10If you had come to me from the beginning, I would have noticed my weakness earlier.
25:17No, that's an excuse.
25:19Forget it.
25:21We have a lot of supporting scenes, so we'll look back on it with acting.
25:28Cheers!
25:31Thank you for coming in the middle of your busy schedule.
25:35I'm a month-long serial.
25:38If it's not near the deadline, I'm usually free.
25:41But you still invited me...
25:44What are you talking about?
25:46Even though I was an assistant, Mr. Samejima is already a great writer.
25:51Besides, I've already surpassed him.
25:55The manga and anime are all big hits.
25:58The weekly manga artist invited me to drink.
26:02Of course I'll come.
26:04So, what do you want to talk about?
26:08You have experience in both anime and drama, right?
26:13This is my first time, so I don't know anything.
26:18I have a lot to say, but I don't know how far to go.
26:26There's a Tokyo Blade play coming up.
26:29I'm a little...
26:31Would you like to come with me to see the play?
26:39It's not like I can do anything.
26:42It's okay. I'll go with you.
26:44All right. Thank you.
26:48Welcome.
26:52I'm sorry for the food.
26:55Well, this is what the elderly pay for.
26:58Let's go to the second room.
27:00Oh, before that, can I brush my teeth?
27:03After I eat something, I feel sick if I don't brush my teeth right away.
27:07Oh, that's right.
27:09I'll be right back.
27:13Among the manga industry, Mr. Abiko has quite a strong habit.
27:19At worst, he can write a manga by himself.
27:22However, many people are involved in the media industry, so it takes a lot of energy.
27:27It's true that if you leave it to the site, you'll be beaten up as you please.
27:32I've heard all kinds of stories about the original author being weird and the site being chaotic.
27:38So you need some kind of push and pull.
27:43Mr. Abiko is...
27:49I'm going to the bathroom, too.
27:57Hmm...
28:02Huh? What are you doing?
28:05I'm brushing my teeth.
28:07If I use two toothbrushes, I can brush my teeth at twice the speed, right?
28:11I can't keep the teacher waiting, so I'm doing it at twice the speed.
28:17He's a weirdo after all.
28:20I hope I don't get in trouble with the TV station.
28:25Please fix all the scripts.
28:28I knew it!
28:30All of them? That's...
28:33I've already gotten permission for this script, and I'm already in training.
28:37There are only 20 days left until the show.
28:40I've told you many times to fix it.
28:43But if you look at the actual movement, you'll see that this script is fine.
28:49I said, if it's really okay, it's okay.
28:53But it's not okay because it's not good, right?
28:58Teacher!
28:59First of all, please allow me to apologize for posting a script that doesn't meet your expectations.
29:06Of course, I'm going to fix as much as I can from now on.
29:10But...
29:12I've talked to you several times in advance,
29:15and I've made up my mind.
29:19What should I do from now on?
29:22You're the one who wrote this script, aren't you?
29:26I told you in advance that I wanted to fix it, but you didn't read it.
29:32What should I do?
29:34Are you really reading Tokyo Blade?
29:36Of course I'm reading it!
29:39On top of that, the script to bring out the charm of the original work...
29:42Is this what you're going to do after reading it?
29:45The script you're writing...
29:47This character doesn't say things like this, and he doesn't do things like this.
29:52It's okay to change the development.
29:55But...
29:57Don't you think it's rude to change the character?
30:01Our children aren't stupid like this!
30:05That's because of the nature of the media called theater.
30:09No, if you give me a correction, I'll respond.
30:13That's why I can't fix it no matter how much I say it!
30:18I thought I was just being licked,
30:21but it seems that the scriptwriter doesn't understand it.
30:25If you say this after reading the original work...
30:28This person has a little sense as a creator...
30:31Abiko-sensei! Wait a minute!
30:33Sensei! Come here!
30:35I'm sorry!
30:36I'm still not used to it!
30:40I wonder if it's a big return.
30:42You've had a lot of practice today.
30:44Let's go home.
30:52When it comes to media mixing,
30:55it's really common for the original author and the scriptwriter to argue.
31:00As a production flow for the script,
31:03the first draft is created based on the meeting between the producer and the director.
31:08Then, the second draft and the third draft are rewritten,
31:11and the original author is confirmed at a stage close to completion.
31:16I'm sure Abiko-sensei was dissatisfied with the script.
31:21He must have written a correction and sent it to her in a similar way to Ikari.
31:26However, many adults interfere between the original author and the scriptwriter,
31:32and the rewriting is almost a telephone game.
31:36Abiko-sensei has a sense type that doesn't rely on logic,
31:39so there's a possibility that the editor can't get a hold of that thread.
31:43This is a show, but it's not emotional at all!
31:46It's not fixed at all!
31:48It's a group of people who talk about their feelings on the street,
31:50and it's a group of people who are in a hurry!
31:52Do something!
31:54When it comes to manga, Abiko-sensei suddenly becomes multilingual.
31:58It's hard to organize and script.
32:01I can't convey this angry sentence to the scriptwriter.
32:06I have to make the words mild somehow.
32:09It seems that the original author doesn't know anything about the stage.
32:13With this correction, a new set will be required, so the schedule is impossible.
32:18Also, don't reduce the protagonist's turn.
32:21Throw it to Koa-chan like that.
32:23Yeah.
32:25As the original author's intention,
32:27it seems that he wants the way of expressing feelings to be overflowing.
32:31Hmm...
32:33Then I'll add this.
32:35I think it's more emotional to have fewer lines,
32:39but if the original author says it, it can't be helped.
32:42It's even more bizarre!
32:44It's as big as a theater festival!
32:46Yeah.
32:47The actors will soon enter the rehearsal period,
32:50so the production team wants to go with this script.
32:53If you look at where the actors are actually moving,
32:56I'm sure you'll be convinced.
32:59If you look at the real thing, it's getting better.
33:03I hope so.
33:07There is no creator who says that he will make his work worse.
33:13The best of each other.
33:17Interpreters who can't translate it well.
33:21The original author and the scriptwriter are arguing somewhere today.
33:26Abiko-sensei's anger didn't come out of nowhere.
33:30I'm sure it also includes a strong protest against his intention,
33:33which is not reflected in the first draft.
33:36To be honest, this scriptwriter...
33:39Isn't it not suitable for my work?
33:42Look, the correction here...
33:44Only stupid women can see the difference in lighting.
33:47You have no sense.
33:48The correction is also out of place.
33:50I don't think you understand entertainment.
33:53Please let me write all the scripts.
33:56No, that's...
33:58It's the same for the editing department.
34:00No, really...
34:02I will definitely do it.
34:04If I don't, I'll take away the permission for this play.
34:10Sensei, if you do that, there will be a lot of...
34:12How much is the deposit?
34:15I'll pay for it.
34:17I can't do that!
34:19In the end, the company will pay for it!
34:22Then pay for it.
34:25It seems that Abiko-sensei's intention is strong,
34:28so I can't do that.
34:31No, but the position of the scriptwriter is...
34:34I don't need a gala.
34:36The name is the same.
34:38Please pay the scriptwriter a gala.
34:42But you don't have to get involved anymore.
34:47You're like a child.
34:49Mangakas are very particular,
34:51and there are many people who put emphasis on sociality.
34:54Of course, Abiko-sensei is extreme.
34:57Are you sure?
34:59I'm saying whatever I want.
35:01If this continues, I'll be fired.
35:03I can't help it.
35:05The position of the scriptwriter is much lower than you think.
35:11If the boss says something,
35:13you can easily change your mind.
35:16This happens a lot.
35:19Even if you're serious about making something good,
35:22if it's a little different from the original author's hobby,
35:24you'll be hated.
35:26If it's boring,
35:28you'll be exposed to the fans.
35:31If it's fun, it's all thanks to the original author.
35:34If you're cornered by the producer's hobby,
35:36you'll be pressured to increase the amount of money.
35:40Even so, you have to make it work as a work.
35:45Rewriting is the creation of hell.
35:53That's how it is.
35:56I don't mind being fired.
35:59But can you erase my name from the credit?
36:05I have the pride to make the script that you wrote like my own.
36:13The staff has already announced it.
36:16The cost of rewriting the poster and the fanfare is...
36:22I don't think Goa's script is wrong.
36:26I can say with confidence that this is a good script.
36:30I hope you don't drink it because you think it's an accident.
36:40I understand.
36:43I don't care about the credit.
36:45Please treat me to a meal next time.
36:48I'm really sorry.
36:50Please eat whatever you want.
36:54I've been reading the original since the first episode.
36:58I've been working on the schedule of other jobs.
37:03I wrote the script with my soul so that it would be a good stage.
37:08No matter how many retakes come in the middle of the night,
37:11I worked on it in seconds.
37:13I twisted my head so much that I got a fever when I made a reckless order.
37:18I pushed Neruma and held on to the time limit.
37:25I did my best.
37:29He has a good sense as a creator.
37:37Damn it.
37:47Once the script is back to normal,
37:51I'll contact you as soon as I get a new script after negotiating with the original site.
37:56Until then, the rehearsal will be canceled.
37:59It's a big deal.
38:02You can't do what the original author doesn't allow you to do.
38:07I don't want to interrupt the rehearsal.
38:10This stage is a stage around, so I want to take a lot of rehearsal time.
38:15By the way, what is that stage around?
38:18What? You didn't know that?
38:21If you don't know that, you can't imagine it.
38:24The stage of a play is almost the same.
38:28What?
38:29Aqua, you don't like the stage that much, do you?
38:32Did you notice?
38:33Of course I noticed.
38:35I don't like it. I just don't like it.
38:39Why?
38:40Every time I change the scene, I change the set and the tempo is bad,
38:43and the movable set is cheap.
38:46I can't get into the exaggerated acting of the play.
38:49If you're going to use the same time, you'd better watch the video.
38:53That's pretty much the answer I expected.
38:56That's what I heard.
38:58That's true. It's one of the challenges of acting that I've been told for many years.
39:03There was a rumor that acting is a corporate culture.
39:09But I think that answer is a little old.
39:12It's hard for an actor to recognize that.
39:16I've never seen a stage in my life.
39:19What?
39:20What?
39:24Since we have time, let's go on a date.
39:29I'll tell you that acting is more of an experience than a video.
39:35I'll tell you that acting is more of an experience than a video.
39:38Look, look! I'm on Playboy!
39:42Hey...
39:43Sometimes I'm invited to the ultimate idol program.
39:46I don't want to stay in this class anymore!
39:49I can say that I'm a celebrity, right?
39:52Are you still worried about that?
39:54Of course.
39:56Every time we talk about entertainment activities,
39:58it's hard for me to get into the conversation.
40:01From my point of view, co-workers are more awkward.
40:05Oh, I know what you mean.
40:07Is that so?
40:08Even if we talk about work,
40:11we can't hear it from co-workers.
40:14I want to tell the police that I was invited to dinner by an actor yesterday.
40:20You're proud of that, aren't you?
40:22Did you find out?
40:23Frill's story is a different dimension.
40:26Ray-kun?
40:28I don't know.
40:29I don't know what he's talking about.
40:32By the way, I heard that Ananami from Asazora
40:36got a DM from Doyama-kun.
40:38He's doing it.
40:41P.A.M.! Give me more work!
40:44I want to work so much that I can complain to my co-workers!
40:48I don't know what you're talking about.
40:51Then I'll ask P.A.M. for a collaboration.
40:54A collaboration is fine, but I want to do a live performance.
40:58I can't do a live performance until Arima-san's stage is over.
41:01It's going to take some time.
41:07Is the stage rehearsal over?
41:09To be precise, it's over.
41:11The original author's teacher and staff quarreled.
41:14I might have to stay for a few weeks.
41:17Really?
41:19What about Onii-chan?
41:21That guy...
41:24Onii-chan
41:28He's amazing.
41:30I'm glad I got a ticket.
41:32It's a pretty popular stage.
41:39This...
41:42Look forward to it.
41:55What's that?
41:57A wind?
41:584DX reaction?
42:12Is this for real?
42:15The End
42:23How was it?
42:25Well, to be honest...
42:28It was 50 times more fun than I imagined.
42:31Right?
42:32First of all, I was surprised that the screen was a monitor.
42:35With that, I could use a lot of video production.
42:39Most of all, I was surprised that the seats were rotated 360 degrees.
42:44With this, I can prepare the stage itself in advance and change the scene quickly and seamlessly.
42:50Yeah.
42:51It physically solves the structural constraints of the play.
42:56It's not just the facilities that were good.
42:58The stage itself was really good.
43:00The production was full of ideas that didn't come from people in the field of video.
43:05Because of that, I got used to the actor's acting.
43:09The story was pretty good, too.
43:11To be honest, it was good.
43:13It was really good.
43:15I understand why Akane said it was an experience-type content.
43:18It's true that this is an experience you can't taste in the video.
43:23Your face is crumbling.
43:25Why are you doing that?
43:26Because I was worried that Aqua-kun wouldn't enjoy the play.
43:31I thought Aqua-kun would understand how good it was.
43:35Of course, this is one of the most luxurious theaters in Japan.
43:40Other plays are more conventional than Aqua-kun thought.
43:44But it's also attractive that you're solving physical problems in a creative way.
43:50I'd be happy if you could understand how to enjoy the play through this.
43:55Well, I'm a little more positive.
43:58I think that's good.
44:00Aqua-kun is originally a person in the field of video.
44:04Hello, ladies and gentlemen.
44:06Mr. Daida.
44:07Why are you here?
44:08Why?
44:09Because I'm in charge of this play.
44:12When I'm a little depressed, I look at the audience's faces.
44:16The audience's faces are honest.
44:18When they're having fun, they smile.
44:21When they're not, they look sad.
44:23When I look at them, I feel motivated.
44:26Aqua-kun's face was good.
44:28The old man is happy.
44:31I wanted to see it.
44:32What kind of face did you have?
44:34Do it again.
44:35No.
44:36I found their faces, so I came to say hello.
44:40Did I bother you?
44:42No, not at all.
44:44Mr. Daida.
44:45Are you okay with the script?
44:49Yes.
44:50I talked to the publisher today.
44:53It seems that the author's teacher is tough.
44:56Goa-kun told me to get off the script.
44:58He told me to rewrite the script.
45:03It's impossible, isn't it?
45:04I thought of it when I saw the play today.
45:06The script of Tokyo Blade was designed to make full use of the strength of this box.
45:11Even a little long lines can fit in this box.
45:15The author probably doesn't know anything about the stage or the equipment.
45:19The script that was supposed to be done at the high school gymnasium will come up.
45:24Today's stage was a professional job with a high level of script and equipment.
45:29Even if you're a manga artist, you can't make a stage script at that level.
45:35Well, I'll follow that.
45:39Did you notice?
45:40Goa-kun also wrote the script for today's stage.
45:45He's excellent.
45:47He likes acting from the bottom of his heart and is passionate about studying.
45:51He's also serious about rewriting the script.
45:55The audience always leaves the hall with a smile on their face.
46:01I really didn't want to get off the script.
46:05You can't do anything about it?
46:07It's tough.
46:08We're not strong enough to compete with a big publisher.
46:13But only you can do something about it.
46:21That's true, but...
46:32I wonder if Goa-san will get off the script.
46:36From my point of view, it would be a lie if I said that I wasn't dissatisfied with Goa-san's script.
46:42But overall, I thought it was a good script, so I followed it.
46:47Well, both the author and the script writer have their own opinions.
46:51The problem is the lack of communication.
46:54If you can overcome that, you can even make a better stage.
46:59Well, you showed me a good stage today.
47:03I'll give you a little bit of a boost.
47:10Excuse me.
47:12Welcome, everyone.
47:14Hi.
47:15I'm sorry. I don't have anything to do with KyoAma.
47:18It's okay. I'm glad you came.
47:24It's my first time at a mangaka's house.
47:27It's my first time, too.
47:31I've been there a few times when I was in the movie.
47:35That's amazing.
47:37How do you draw?
47:39This is called a liquid tablet, and you can draw directly on the monitor.
47:43It's all digital, isn't it?
47:45That's the latest trend.
47:48You're amazing, mangaka-san.
47:50You draw and write your own script.
47:53Yeah, I guess so.
47:55I knew you wouldn't let me do it!
47:58Well, I think you've gotten better at it.
48:02I thought I'd toast right away, but how old are you guys?
48:06I'm 16.
48:0717.
48:0816.
48:0917.
48:10Oh, I'm dying.
48:13I'm sorry.
48:14Then I'll go by myself.
48:17You're from North America, aren't you?
48:20There's a good sake shop.
48:22And the fish is delicious.
48:24I love fish!
48:26Hey, I think it was about giving Goa a lifeboat.
48:30How did that lead to you coming to see the teacher?
48:34Someone I've been taking care of told me before.
48:38It's not just the mangaka.
48:40I think I'm the most capable creator I've ever sold.
48:46I don't have to listen to what the editor says, and I don't have to listen to the advice of the people around me.
48:53The only one who can listen to the advice is a colleague.
48:56If it's a senior or a teacher, it's even better.
48:59If you want to win, you have to get a horse.
49:03This is the only person who can convince Abiko Samejima.
49:07I see.
49:09Thank you for your time, teacher.
49:12No, I'm a monthly visitor.
49:14When I'm free, I'm really free.
49:17Does Abiko-sensei feel like he can't come?
49:20Well, he's a weekly visitor.
49:23The last time I was here, I was forced to make time.
49:28Basically, weekly series are not for humans.
49:32It's a job for soldiers who have their brains tuned up for the week.
49:36I'm scared.
49:37Even when I'm on a date, I'm the only one who thinks about the name.
49:42I don't want to.
49:44Abiko-sensei must be especially busy right now.
49:48It's an anime or something, and there's a lot of color illustrations to draw.
49:55Have you been friends with Abiko-sensei for a long time?
49:59I was an assistant at home when I was a child.
50:04I've been a strange kid for a long time.
50:07I'm not very good at getting along with people.
50:10Even among assistants, I can't talk much.
50:13I just can't eat manga.
50:16If you read manga, you'll know what kind of person the author is.
50:23How do you know?
50:25I can tell by the picture.
50:27What are you particular about?
50:29How do you get out of it?
50:32I read Abiko-sensei's manga and I knew right away.
50:35She wants to get to know others, but she can't do that.
50:39She's a suffering child.
50:41So if I get in the way, she'll nod.
50:46She's a cute girl.
50:49Well, after that, I decided to do a serialization.
50:53I became famous in a flash.
50:55I was overtaken in an instant.
50:58I didn't even know I was going to fail.
51:00I think my opinion is absolute.
51:04Don't you pay attention to editing?
51:09There are two jobs for editing.
51:12What do you think it is?
51:13Making a manga that sells.
51:15Correct.
51:16That's the first one.
51:18What's the second one?
51:20Putting in lines.
51:23The correct answer is...
51:25Not to finish the manga that sells.
51:28Scary.
51:29If you finish a manga that sells, it'll be a hit.
51:32But you can't finish a manga that's in the media mix.
51:37That's why you need to take care of the author's mental health.
51:41Editors are like baby-sitters.
51:46As a result...
51:48I'm busy.
51:50I can't do this.
51:51Famous manga artists are growing.
51:54They tend to make excuses for their busy schedule.
52:01What's wrong, Arima?
52:02I'm so used to it that I want to die.
52:06I can't live without Yes-man around me.
52:09What if it sells?
52:10I'm so confident that I'm going to grow.
52:15The scriptwriter is about to be fired.
52:19Can't you convince Mr. Abiko?
52:25I care about Mr. Abiko as much as I want to die.
52:33The people on the stage are in trouble.
52:36Why don't you help them a little more?
52:42Aren't you overdoing it?
52:45What?
52:46I trusted him and left it to him.
52:49That's what happened to Kyo-Ama.
52:56I think 90% of the world's creations are counterfeits.
53:01In other words, 90% of the world's creators are third-rate.
53:06The only thing I can trust is my personality.
53:11You trust others too much.
53:14You can be strong next time.
53:18Well, I can say that because you're a genius.
53:27Teacher, I won the anime award.
53:31That's fast. Congratulations.
53:33I was told that I could get a great prize if I got more than 10 million copies.
53:39It's not like I didn't think anything of it when I saw it sell so quickly.
53:45But...
53:46I've always thought of you as my teacher.
53:53I have to be on your side.
53:57I'm sorry.
53:58I understand Mr. Abiko's dissatisfaction with the original work.
54:04I'm not good at judging people's work.
54:07I'm the kind of person who leaves everything up to the media mix.
54:11But I feel the same way as Mr. Abiko.
54:14If possible, I want you to love the character.
54:17Because the character is like your own child.
54:21I'm really sorry.
54:22I know you're pushing the schedule of the stage.
54:25But I don't think I can help you with this.
54:28I'm sorry I said something I shouldn't have.
54:32I understand.
54:34But can you give this to Mr. Abiko?
54:54Mr. Abiko, I'm coming in.
54:57Mr. Abiko, I'm coming in.
55:03I'm in the middle of a meeting, so I'm sorry.
55:06Huh?
55:07Wasn't your deadline yesterday?
55:11Are you overdoing it?
55:12Yes.
55:14I'm sorry. It's a dirty room.
55:16Dirty isn't a level, is it?
55:18Can you call an assistant for this?
55:20I don't have an assistant right now.
55:23What?
55:24No matter how many times I tell you, you won't let me paint.
55:26I can't express my emotions at all in the background.
55:29It's faster to draw on my own than to fix it over and over again, so I fired him.
55:35Since when?
55:37Last month...
55:38No, it was episode 163, so it was two months ago.
55:42Are you sleeping?
55:44I sleep for two hours a day.
55:47Well, somehow.
55:49I'm in bed today, so I'm not sleeping.
55:53You're going to die.
55:55To put it more realistically, you'll never be able to draw again at your original pace.
56:01No, I want to die.
56:03I have a color next week, and I have to write down the draft of the draft.
56:08What about the script for the stage?
56:10Oh, that's right.
56:12I have to do it when I'm done with this manuscript.
56:16I'll help you.
56:17I'll fill in the background.
56:20No, it's okay.
56:22Please sit down.
56:24This isn't the time to be talking.
56:34Oh, what's with this amount of writing?
56:37It's a habit, and it's not the density to do it alone.
56:41Hurry up and hire an assistant.
56:43I told the editor, but he didn't bring anyone who could use it.
56:48I'm sending all the good people to Ogojo anyway.
56:51I can't use that person.
56:53It's just too much.
56:55An assistant is something to raise.
56:57I don't have time for that.
56:59Even if I try to raise it, I'll quit if it's a little strict.
57:04It's definitely not a little bit.
57:06I know you're particular about your work, but you can't live like this.
57:10Even if you compromise a little, live a human life.
57:14If I compromise on my work, it's over.
57:17I'll be separated from the reader in an instant.
57:20That's not true.
57:21It's just a bad way to do it.
57:23What do you know?
57:26At least this is wrong.
57:28You're just a hostage of the quality of the work and running away from the proper communication.
57:34You can only blame people for what you can't do well.
57:38That kind of thing goes around and tightens your neck.
57:42You can say that after you sell 50 million copies.
57:46I'm fighting at that level.
57:48I'm doing my best every week.
57:52I haven't been told by anyone who's been doing it for a month.
57:56You're starting to say that.
57:58There are very few manga artists in this industry who can say that.
58:02It's a really invincible beginning.
58:04I'm not as popular as you are.
58:07But I'm sorry, but I'm more interesting because I'm writing.
58:11I'm sure it's fresh for the reader to rely on your sense.
58:17But that's it.
58:18It's not really entertainment.
58:20Oh, there it is.
58:22A self-proclaimed professional who mistook the development of the reader for entertainment.
58:27It's an old way of saying that the common development of the monogamous type is a big deal.
58:31That's exactly what's been going on lately.
58:33It's honestly subtle since the 12th volume, when the reader started to fall in love with it.
58:37What's the coupling of the sword and the sword?
58:39You're in the middle of it because you're so popular with the reader.
58:43Don't write a half-baked manga.
58:45It's terrible.
58:46I'm trying to live up to the expectations of the reader.
58:49Are you kidding me?
58:51Did you lose your mind because of the reader's opinion?
58:54Did you forget who the hell you are?
58:57I've seen it all.