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20:30Bien, pues ya estamos todos.
20:34¿Qué receta querían contarme?
20:39Eh...
20:40Albóndigas con salsa de almendras.
20:44Una pena que no tenga un poquito más de tiempo, doña Amalia,
20:47porque tenemos unas guarniciones
20:49que le van de guinda a esta receta.
20:52Unas verduras guisadas,
20:54una patata confitada con cebolla y vino...
20:56No, no.
20:57Ciñanse a las albóndigas, por favor.
20:59Ya las guarniciones las dejamos para otro momento.
21:03Adelanta, muchacho.
21:05Sí.
21:06Bien, lo primero es condimentar la carne picada
21:08con sal y pimienta,
21:10aunque también admite otras especias.
21:12Y hierbas, como la mejorana y el perejil.
21:16Y ajo picado.
21:18Sí, y una cebolla bien pochada,
21:20que le da textura y sabor.
21:22Y yema de huevo.
21:24Me hago la idea.
21:26Continúen, por favor, con la receta.
21:30Bueno, pues ya...
21:32Solo queda mezclarlo todo bien,
21:35darle la forma y freírlas.
21:41¿Y sería ya preparar la salsa con el propio jugo de la carne?
21:45Sí, y ahí, doña Amalia,
21:47es donde está la chicha de esta receta.
21:51Porque esa salsa es una invención de López.
21:55Uno de sus secretos, de los mejor guardados.
21:59Ya veo, ya.
22:01Si es tan secreto, mejor dejar la receta aquí.
22:05Bueno, verás que si no le contamos a doña Amalia
22:09lo de la salsa,
22:11nos queda una receta de albóndigas mondelironda.
22:16Será mejor eso que revelar uno de los secretos mejor guardados.
22:20Es una forma de hablar.
22:22Además, estamos con gente de confianza, ¿no?
22:27Sí, sí, claro.
22:29¿Entonces a usted no le importa
22:31que revelen sus secretos de la cocina, doña Simona?
22:34Bueno, depende de cuál sea el secreto en cuestión.
22:39¿Es que acaso hay unos secretos que tienen más valor que otros?
22:43Por supuesto, sí, sí, sí.
22:45Y como bien dice López,
22:47también depende a quién se le cuenta ese secreto.
22:51Vamos, digo yo.
22:54Bueno, y en este caso yo creo que ha quedado bien claro
22:57que el secreto puede aparecer en mi recetario, ¿no?
23:01Sí, sí, por supuesto, doña Amalia.
23:03Por mi parte no hay ningún problema.
23:09¿Por dónde íbamos?
23:11Ah, sí. Bueno, entonces para la salsa
23:14tenemos que dejar reservada cebolla pochada
23:18porque esto le va a dar color y textura
23:21a las albóndigas en salsa de almendras.
23:34Vaya, eso sí que no me lo esperaba.
23:37Pues si no te ha gustado tendrás que devolvérmelo.
23:45¿Qué lees?
23:47El vespertino, pero ya he tenido suficiente.
23:49No habla más que de la guerra en Europa.
23:53¿Y bien? ¿Qué te tiene tan contenta?
23:57Pues que nos vamos a casar.
23:59¿Y el otro motivo?
24:01Vengo de hablar con Simona.
24:04Entiendo.
24:06¿Y qué? ¿Ha dado su consentimiento para nuestra boda?
24:09No te burles. ¿Sabes qué? Me tiene mucho cariño.
24:13Entonces te lo preguntaré en serio.
24:15¿Ha dado su visto bueno?
24:17Al principio le costó.
24:19Pero finalmente nos ha deseado todos los parabienes
24:22para nuestro futuro matrimonio.
24:24Me quedo más tranquilo entonces.
24:27Vengo a pedirte algo.
24:30Ya decía yo que tanto cariño tenía un precio.
24:34Y ya sabes que no necesitas besos para pedirme lo que necesites.
24:38Siempre que esté en mi mano, dadlo por hecho.
24:40¿Eso lo dices para ganarte otro beso?
24:43Quizás.
24:50¿Y en qué te puedo ayudar?
24:52Quiero que me acompañes mañana a un brindis que se va a hacer en nuestro honor.
24:57Sí que ha volado a la noticia.
24:59¿Y quién es nuestro anfitrión?
25:02¿La duquesa de Cerezuelos?
25:04Frío, frío.
25:06No sé.
25:08¿La condesa de Navalmoral? Era amiga tuya, ¿no?
25:11Frío.
25:13Carolina, si pretendes que vaya recorriendo una a una todas las casas nobles de Andalucía,
25:17podemos estar así hasta mañana.
25:18Y aún así no acertarías nunca.
25:20¿Por qué? ¿No es en Andalucía?
25:22No es en una casa noble.
25:24El brindis es con el servicio.
25:26Así podremos contarles nosotros la noticia.
25:29Pero no acabas de hablar con Simona.
25:31Sí, así es, pero lo celebraremos con todos los demás.
25:34Y también podremos contarles el motivo de la boda.
25:38Pero no tenemos que dar explicaciones, y menos a los criados.
25:41Bueno, quizás me he expresado mal, pero quieras o no,
25:44ellos han sido parte fundamental en nuestra relación.
25:47Sé que igual no es lo que más te apetece, Pelayo, pero para mí es importante.
25:54¡Haya!
25:55Si es la pareja de moda.
25:57Con permiso de tu hermano y Cenicienta, claro.
26:00¿Qué es lo que quiere?
26:02¿Qué va a ser?
26:03Daros la enhorabuena.
26:05Por partida doble.
26:06Muchas gracias, Capitán.
26:11¿Qué ocurre? ¿No están los ánimos para felicitaciones?
26:18Señor Conde, yo sé que entre usted y yo ha habido diferencias en el pasado,
26:21pero quiero que sepa que mi deseo es sincero.
26:24Ojalá sean tan felices como lo han sido hasta ahora.
26:31Mejor lo dejo abierto.
26:34No queremos que las malas lenguas especulen sobre su vida privada, ¿verdad?
26:41Déjalo, Catalina. No merece ni una pizca de atención.
26:47Está bien.
27:04Señor Bézar.
27:06Don Manuel.
27:07I was waiting for your visit.
27:10I would have welcomed you with open arms.
27:14I'm glad to see that you haven't lost your sense of humor.
27:24I'm sorry.
27:26I'm sorry.
27:28I'm sorry.
27:30I'm sorry.
27:32I'm sorry.
27:35Something's happening.
27:39Rómulo, I've come to see how you are.
27:42So my problems don't matter.
27:44Yes, they do matter.
27:45Besides, I'm telling you that there's nothing new to tell here.
27:52That's about to change.
27:54Look, right now my father is in Puebla de Tera.
27:57He's talking to a friend of his, a politician.
27:59And he might be able to get him out of here.
28:01Don't put your hopes in vain, sir.
28:04Remember that none of your father's contacts
28:07could do anything for you when he was in prison.
28:10Who would intercede for this old mayor?
28:12Whoever it takes.
28:14You are innocent and you are going to get out of this cell.
28:17Besides, that's not the only news I have for you.
28:20This afternoon I've been in touch with Sergeant Burdina.
28:23And I told you not to get involved.
28:25It's dangerous.
28:27All I've done is give him the names of the three men
28:30with whom Gregorio fought.
28:32The day he didn't come to our first meeting.
28:34Now he'll just have to interrogate them.
28:36I appreciate it.
28:37Yes, I'm sure that among those men,
28:39it may be the one who ended Gregorio's life.
28:42And now, are you going to dismiss your inquiries
28:45or do we still have time?
28:48An adventure that has to do with the clashes
28:51of Miss Expósito and the Marquises.
28:53Am I wrong?
28:55Not at all.
28:58My parents still don't give up.
29:03If you allow me to compare,
29:05you already knew that this was a trench warfare.
29:09What you have to do is maintain your position
29:12and let the enemy wear out little by little.
29:15I need to move forward, Romulo.
29:17I can't be patient with Hanna.
29:19We work too much to wait without more.
29:23That's why I asked my parents
29:26for Hanna to have her own dormitory in the noble zone.
29:30Well, the request is not small.
29:34It's what they would do if Hanna were a noble.
29:37But it's not.
29:39And although I agree that things should be that way,
29:43we both know that it can be a constant source of conflict.
29:48Then get used to it.
29:51No, but I'm not talking about the Marquises.
29:54I'm talking about Miss Expósito.
29:57What does she think of this change?
30:02She doesn't know.
30:03Let's see, but what are you waiting for to tell her?
30:06She is the main affected.
30:07I know.
30:09But I don't want to tell her anything until this problem is solved.
30:13The last thing I want is for this to end up hurting her
30:16and for everything to turn against her.
30:20Let me give you some advice.
30:23You know how much I value you.
30:26Miss Expósito is not a fragile porcelain doll.
30:32She doesn't need protection.
30:35Miss Expósito is a stronger woman than you and me.
30:39She doesn't make the mistake of keeping her locked up
30:42in a glass cabinet as if it were a trophy.
30:50I've noticed you're sadder.
30:52It's not because I miss you, Teresa.
30:54Hanna was so excited about that snack.
30:57If the gentlemen are from Sarao, say yes and say also.
31:00I'm sure there are occasions for another banquet, dance or snack.
31:04Maybe, but none as good as this one.
31:07It was going to be petit comide.
31:09What does that mean?
31:11It's French and it means small meal.
31:14Well, go ahead.
31:16You're stupid, son.
31:18What does it mean when there are few people,
31:21when it's a private thing?
31:23Did it strike you that you cancel the snack from one day to the next?
31:26The guts are what you have, Teresa.
31:28They don't let you know when you're going down.
31:30Maybe, Maria.
31:32But I don't know. I think there's a cat in here.
31:35You know something else I don't.
31:37And you're already talking about it.
31:39Look, the foundation is over.
31:41It's time to go.
31:43You're starting to talk.
31:45Look, the foundation is over.
31:47What do you think?
31:49I look pretty, don't I?
31:51Start talking.
31:53Come on, Teresa.
31:55You could also help me with the pieces.
31:57Easy, easy.
31:59I don't give for nothing.
32:01Start talking.
32:03Okay, but this isn't my thing.
32:05The thing is, the other day I heard Adelfa telling Mari Carmen...
32:09Don't shut up, even if it's disgusting.
32:11Well, the thing is, they were saying who cancels a snack
32:14in less than a week just because of a bad gut.
32:16Maybe it was something more serious than a fart.
32:20In less than a week?
32:22Well, yes, you don't understand the truth.
32:25And besides, it was an intimate snack.
32:27I mean, if the man hadn't found himself better,
32:30maybe he could have canceled it in less time.
32:33That's true, but what does Mr. Manuel's friend gain
32:36by saying no to a snack that he himself organized?
32:39She just got here.
32:41But behind all this, there's always the same woman,
32:43the Marquise.
32:45And she doesn't cut her hair, if she has to hurt Hanna.
32:48But that doesn't make any sense.
32:50How has the Marquise managed to cause a bad gut
32:53to the man's friend?
32:55Oh, he's fallen off a cliff.
32:57I'm not lying, Marcelo. Have you seen that friend?
32:59No.
33:00Well, I'm telling you, he's healthier than you and me.
33:03And I think this is going to be the first of many.
33:05Because the Marquise is not going to sit idly by.
33:07Well, neither Hanna nor Manuel,
33:09who are more stubborn than the mule of the Ambrosio.
33:12I have it.
33:14And if we organize a snack for Hanna to cheer her up?
33:17And what do we gain from that, Marcelo?
33:19Or are you going to invite Mr. Manuel's friends?
33:22No, we'll be alone, but that way the girl will be a little happy.
33:25I think it's a good idea.
33:27After what happened with Don Rómulo, Doña Pia and this,
33:30it's going to be good for us to change the air.
33:32What do you say, Teresa?
33:35Let's do it.
33:38Hmm?
33:40Look how beautiful this is.
34:02Well, first of all, I ask you to excuse my frankness.
34:06But I sincerely believe that the Count of Ayala
34:08is not the most suitable person for you.
34:15Good morning, dear.
34:17Good morning.
34:20Have you been able to think about what I told you about my cousins from Pamplona?
34:24What was it about?
34:26If I should invite them to the wedding.
34:28It is true that I do not have much dealings with them,
34:31but I am sure they will appreciate the invitation.
34:34And they will be generous with the gift.
34:37If you think it's worth it.
34:39I would believe it if it weren't because ...
34:42I know I'll have to put up with the torture of their presumptions
34:46and their insipid conversations.
34:49Then don't invite them.
34:51I'm afraid I have no choice.
34:53I am comforted that with their money we will buy a better wine for the invitation
34:57and that will help them swallow it.
35:00Do I have something in my mustache?
35:02No.
35:05What's wrong, Margarita?
35:07Nothing, I was just thinking about something else.
35:10Well, I would have thanked you a little more for your attention
35:13when I told you everything about my cousins from Navarra.
35:16Good morning.
35:18Good morning, daughter.
35:20Will you join us for breakfast?
35:22I had thought to take advantage of the cool of the morning
35:25to take a walk in the gardens.
35:27Of course, come in peace.
35:32But ... can you come with me?
35:35Mother, I wanted to show you the roses.
35:38They have thrown some beautiful and huge late flowers as you like.
35:42Well, let's go.
35:44Now? But you haven't tried the sandwich.
35:47Well, I have a closed stomach.
35:49I guess it will be the nerves of the wedding.
35:52Well ...
35:54Give me five minutes and I'll go with you.
35:57No, but ... What interest can you have in those roses?
36:00No, calm breakfast.
36:01Calm breakfast, besides Cruz is having breakfast outside
36:04and Alonso has not yet returned from his management in Puebla de Itera.
36:08Shall we go, daughter?
36:22Yes.
36:40Good morning, ma'am.
36:42What's up, Petra?
36:44Well, the cooks today by mistake have made an excessive order
36:48of aubergines and zucchini.
36:50Something that has a difficult solution,
36:52since it can no longer be returned.
36:55So I've been working with them on a proposal for a weekly menu.
37:00Aren't you supposed to supervise all orders?
37:04That's right, ma'am.
37:06But I don't know how many aubergines are needed to cook them with wine
37:09and how many pumpkins to make creams.
37:12Very well.
37:14You can go.
37:21I find you a little down, ma'am.
37:25Maybe I have no reason to be.
37:28I understand that it has to be difficult to reconduct the situation of your stepdaughter.
37:32The situation?
37:34Catalina's freshness has so little understanding
37:37that she has not even avoided being overwhelmed by the useless of meeting him.
37:42Thank goodness that, at least, is solved.
37:48Does that mean that there will be a wedding?
37:51The Marquis and I have not given them another option.
37:54I just hope that it will be celebrated as soon as possible
37:56and there is no time for the scandal to break out.
37:58Well, I will conveniently select the service, sir.
38:01I hope so.
38:04Well, it seems that in the end you have fulfilled your goal.
38:09Well, Catalina's little girl will disappear from my life forever.
38:14Although Pelayo has proven to be the most useless ally I could have found.
38:20Well, soon it will stop being a concern.
38:24She does.
38:25But there is still the illusion of my son.
38:30And I am convinced, ma'am, that you will be able to get him on the right track as you have always done.
38:35I no longer have the strength of before.
38:37And my son does not cease in the attempt to get us into that mess, even in the soup.
38:42I could ask him what he has done now.
38:45Can you believe that he intended for us to give him an alcove in the noble plant?
38:51That is an insensitivity.
38:53I beg your pardon, Mr. Manuel.
38:55Forgive none.
38:56He does it premeditatedly.
38:58All with the sole intention of torturing his mother.
39:01Really, let's see when this nightmare ends.
39:04It is true that this misfortune has crossed too many limits, ma'am.
39:08It is also causing damage in the service.
39:11I imagine her giving herself airs of grandeur, all because she is my son's beloved.
39:15Or if she saw her.
39:16I don't even know what tasks to assign to him.
39:21Put him to clean the paintings, but with his hands naked,
39:25so that the manure under the nails cannot be removed.
39:28Let's see if my son opens his eyes at once.
39:30If you order it, sir.
39:32Of course not.
39:35It would make him a martyr and legitimize his fight against us.
39:39Concretely.
39:41To finish with Hanna Expósito, you need cunning.
39:45And that foolish woman has gone to give with the fur of her shoe.
39:59You can't be more handsome there.
40:02It's huge, Mrs. Pia.
40:04It has grown a lot since the last time I saw it.
40:07What, Dieguito? You already have a bigger toy, don't you?
40:10They didn't want me to come every day to La Promesa.
40:13And what problem would there be? Right, Dieguito?
40:15Well, being both in Luján, the truth.
40:17Do you know anything about your return to La Promesa?
40:20Mrs. Marqués already gave her last word.
40:23And Mr. Marqués?
40:24Because I imagine they had something to talk about,
40:26he and Don Rómulo, when they launched the whole plan to get rid of Gregorio.
40:30Mr. Marqués gave me money to complete the maintenance of Dieguito
40:34and he also gave me time to look for a new job.
40:36Luckily, I have the hospitality of Beni,
40:38who lets me stay at her house as long as I need.
40:41That woman is better than the bacon broth.
40:44Well, yes.
40:45Let's see, I try to help in the mill work,
40:47for not being hand in hand.
40:49You have never been hand in hand.
40:51But that job is not for someone like you, Mrs. Pia.
40:54This house has not seen a better and more capable keymaker
40:57in all the centuries it has.
40:59Candela, that's already in the past.
41:01No one will want to hire a keymaker with a son and no husband.
41:05So what are you going to do?
41:07For the moment I will stay in Luján,
41:09until Don Rómulo is released from the barracks, of course.
41:12Do you think he can make the Marquéses look different?
41:15I don't think so.
41:16I don't want to leave here and let him stay there.
41:18I prefer him to be free.
41:19Mrs. García, Mrs. Marqués.
41:23Mr. Pellicer, I'm sorry I came without warning.
41:27You don't have to apologize.
41:29Dieguito, do you know what a bicycle is?
41:31Come with me, I'll show you what a bicycle is.
41:34Come on!
41:36Wait, Mrs. Candela, let's go with you.
41:38Look.
41:42Well, it seems that Candela has forgotten that you wanted to tell her something.
41:45Yes, yes, it seems so.
41:47Yes, Mr. Pellicer, if I have kept my promise it is because ...
41:50Well, I was hoping to meet you.
41:53For what reason?
41:54Because we have a long conversation.
41:56I already told you at the time everything I had to tell you.
41:59Please, give me a chance to explain myself.
42:02Why?
42:03Facts speak for themselves.
42:05I was not worthy of her trust when they decided to pretend her death.
42:10So now I am not either.
42:12Mr. Pellicer, it was not planned.
42:14I don't need you to give me any explanation.
42:16I want to give it to her.
42:19I'm sorry, now I can't attend to her.
42:21I have to talk to Mrs. García.
42:33Catalina?
42:38Are you okay?
42:40Yes, yes, I was just resting for a while.
42:47You know ...
42:50I think I've seen you spend your whole day lying down in my life.
42:56I don't know.
42:57I think I've seen you spend your whole day lying down in my life.
43:02Except that time you had to stay because you got intoxicated with the smoke of the fire.
43:08I'm fine, really.
43:10It's just that a few days ago I had a terrible dream.
43:14Of course, because of the pregnancy.
43:16Yes, every day I notice changes.
43:18It's strange.
43:20Sometimes it's hunger, sometimes it's sleep.
43:22And nausea?
43:23No, fortunately not.
43:26What were you looking for me for?
43:28You see, I needed to have a quiet chat with the only sane person in this house.
43:33What did Cruz do this time?
43:37You know what? I'd rather not talk about her.
43:40Why don't you tell me how you are?
43:42I've already told you, I'm tired.
43:45But I wasn't asking you about that.
43:48Well ...
43:50I feel like a boat drifting.
43:55Sometimes on the crest of the wave, hoping that everything will go well.
44:00But sometimes I feel so small.
44:04At the mercy of the tide.
44:10You know, sister?
44:13I would have my doubts about anyone else.
44:16But about you?
44:19I'm sure you'll stay afloat.
44:23I already told you no.
44:26I had my doubts when I knew what was waiting for me.
44:30The world fell on me.
44:33You were afraid that Pelayo would leave you.
44:37You've seen that it hasn't been like that.
44:41No.
44:43We're going to get married.
44:46If it were up to my father, the wedding would be this week.
44:50And what do you think of the wedding?
44:53Do you agree with her?
44:56Well, I love Pelayo as much as you love Hanna.
44:59So, yes.
45:01Deep down, I can't be happier.
45:04Besides, it's the best thing for me and the baby.
45:09Can I?
45:12Yes, but it's too soon, you won't notice anything.
45:16Still.
45:20Hi, nephew.
45:22Or niece.
45:25You're right.
45:28Hi, niece.
45:38You know, it's a miracle that you have a child growing up inside you.
45:44It's life, Manuel.
45:47It's life, Manuel.
45:50Yes.
45:54I have to admit that when Pelayo announced that you were pregnant,
45:59it hurt me a little.
46:02Why?
46:05I guess everything that happened with Ximena came to me.
46:09How I got excited when she said she was pregnant.
46:13And how I suffered when everything went wrong.
46:17Everything was a lie, Manuel.
46:19You don't have to torture yourself.
46:22I know.
46:24You and Hanna will have your children.
46:28And that will make you happier.
46:33Sister, I'm already very happy.
46:36The arrival of Lujan to the family is always a source of joy.
46:40And you will be the best uncle in the world.
46:44That's easy, you'll be his only uncle.
46:46That's true.
46:59Martina.
47:02You're back?
47:04That's right.
47:06How was the walk?
47:08Nice.
47:09And before I ask, the roses were also very good.
47:12Wait.
47:14Where is your mother?
47:17Well, I guess in her room, because she came back before me.
47:21And why haven't I seen her?
47:24She's been on guard at her door.
47:26Answer my question.
47:27I did.
47:28She came back before me because she was tired of walking.
47:33You can't lie to me.
47:35What happens to your mother is not tiredness.
47:37It's your fault.
47:40Let me go, because I haven't done anything.
47:42You're messing with us again to cancel our wedding.
47:46That's not true.
47:47No, no, I swear it's not true.
47:52Maybe what's happening is that she's realizing how you really are.
47:55Shut up, insolent!
47:57I was kind and tolerant with you when you attacked my life, but I can change my mind.
48:03And who was going to believe you?
48:06Because he said in front of everyone that he may not have been poisoned.
48:09What are you going to do?
48:10Find a third doctor?
48:11Make him a diagnosis?
48:12That he refutes what he has refuted?
48:15I have many ways to get rid of you.
48:18I already sent you to a asylum.
48:20And I put you at the gates of jail.
48:22Do you remember?
48:24I'm not scared of his games.
48:26Because I know what he's made of.
48:28If you knew, you wouldn't be so calm.
48:59Can I come in?
49:01What do you need?
49:03I would like to talk to you.
49:05It's about the squares.
49:08Wow, well, this time you can't complain.
49:12Well, I do have to complain because I've seen that you haven't assigned me any tasks.
49:17Now it turns out that the problem is not working.
49:20Look, I thought that was your goal.
49:25I don't know what you mean.
49:28Come in.
49:32Whenever a maiden falls in love with a man,
49:37she ends up acquiring certain privileges.
49:39In fact, some have even managed to have their own little house,
49:42away from the rest of the maidens.
49:46Look, my relationship with Don Manuel and my work have nothing to do with it.
49:52But get into my situation, Hanna.
49:54How am I going to give orders to the woman who shares the bed with the next Marquis de Luján?
50:00I am not the lover of any man, Mrs. Petra.
50:03And as a keymaker, I should know that I sleep in my room,
50:06the one I share with María Fernández, and in my bed.
50:11If you are not his beloved now, it is because Mrs. Jimena passed away.
50:14And you no longer have anyone to cover the scandal.
50:18What are you insinuating?
50:19Insinuating that maybe now you won't sleep with Don Manuel.
50:26But you have done it before.
50:27Otherwise, you wouldn't have him as enchanted as you have him.
50:32Look, you have no right to intimidate me.
50:34I have not been the one who has made the four winds blow, Hanna.
50:39But it's okay, you have come here for work.
50:41Well, you will work and iron.
50:44Work that does not compromise the hands of a future Marquis.
50:48But if all I want is ...
50:49What do you want?
50:51Have you come here demanding the same treatment as the others?
50:53And do you come with requirements?
50:55No, Mrs. Petra.
50:58You have come here looking for work, right?
51:00Well, you already have it.
51:17Martina!
51:22Martina!
51:28Martina!
51:30What are you doing?
51:34Calm down, calm down.
51:41What happened?
51:42What happened?
51:45The idiot of the Count of Havana.
51:48What did he do this time?
51:50Threaten me with ... or send me to jail.
51:55But why does he come back with that again? It doesn't make sense.
51:57For a walk.
51:59I'm not sure he's crazy.
52:01It's okay.
52:03It's just that I don't understand why ...
52:05Why a walk? A walk with whom?
52:09I just don't want to talk about it, really.
52:11No, no.
52:12Martina, it's not good that you keep it inside.
52:14If that man has threatened you, everyone has to know.
52:16And your mother first.
52:17I swear I don't want to talk about it.
52:22Martina, what's wrong with me?
52:26Lately you've been strange.
52:28And if there are more people, you know how to pretend it, but alone?
52:31It's obvious that you're upset about something.
52:33Of course I'm upset.
52:34I swear.
52:36How dare you reproach me for being strange to you
52:38when you're the first one to hide things from me?
52:42What are you saying?
52:46I can't.
52:47No, no.
52:48Please, Martina.
52:49I've told you there's nothing romantic between her and me.
52:51No, the shots don't go that way. Don't play dumb.
52:53Well, then?
52:54I don't understand anything.
52:55I think you're very upset.
52:56I'm upset because you don't tell me things.
52:58What things?
53:02How have we managed to have
53:04all the confidence in the world
53:08for this?
53:11For this what?
53:13Yes, Martina, don't be offended.
53:15But I think I can explain it much better.
53:17I think you have to explain this.
53:21It's okay.
53:23I'll explain whatever you want.
53:25If you tell me, what the hell are you upset about?
53:29What about the fact that Han is your sister?
53:42Good morning, Father.
53:43How are you?
53:44Hello.
53:45Take them to my chambers.
53:46How was the trip?
53:47Longer and more tiring than I would have liked.
53:50I asked them to make us a drink in the living room.
53:52Well, I appreciate it,
53:53because I haven't eaten anything since I left Puebla de Tera.
53:59Father, what has your friend the politician told you?
54:01What is he going to tell me?
54:02He's going to try.
54:04But does he have any hope?
54:06That he can free Romulo from prison?
54:08Not directly.
54:09No one has that power, except the judge.
54:11Or Alfonso XIII himself, if I may say so.
54:15And then?
54:16Because of his political career, he has certain tendencies about the governor.
54:20Maybe he can mediate so that Romulo can be appointed a favorable judge.
54:24Well, that's not a small thing.
54:26No, it's not if he gets it.
54:28But the truth is that I have my doubts.
54:31Well, what about here?
54:34Any news?
54:36You better not ask.
54:37What happened?
54:39What happened, father, is that my mother and I have argued again.
54:42It's not the time, Manuel.
54:43Don't you see that your father is tired of the trip?
54:45It's not the time for what?
54:48Do you remember the conversation we had before he left?
54:51Ah.
54:52That you still insist on that nonsense.
54:54I insist and I will insist, father.
54:56Hanna is my fiancée and therefore deserves a dormitory on the noble floor.
54:59We'll see about that.
55:00You'll see, I assure you.
55:01No, Manuel.
55:02Because this is my house.
55:04Well, that's enough, both of you.
55:07It seems to me that it would be convenient for all of us to give ourselves a little more time to meditate on this issue and to reflect.
55:13Haven't you had enough time to reflect?
55:15It is evident that no.
55:18Actually, there is not much to think about.
55:19What you ask for is an impossible.
55:22A maid, no matter how much she loves a man, cannot sleep on the noble floor.
55:27She wouldn't even know how to behave.
55:29She's not used to it.
55:31It's her last word.
55:32And the first.
55:34Neither your mother nor I have ever given Pablo such nonsense.
55:40It's okay.
55:45It's okay.
55:48If the presence of Hanna bothers you so much, I will spare you the trouble of having to see her every day.
55:56What do you mean?
55:58That Hanna is leaving this palace later.
56:00Very well.
56:04But I will go with her.
56:16Hanna and you, brothers.
56:18Please.
56:20Did he tell you that?
56:21For now, don't tell me he made it up.
56:23Curro.
56:24Where did you get that nonsense from?
56:26Well, I don't know.
56:27Because I...
56:28Don't deny it to me.
56:29No one in the village knew who it was.
56:31But I already told you.
56:32Patience and caution.
56:34But I couldn't go on like this, Mrs. Petra.
56:36What you can't do is take a false step.
56:39And you know it well, Santos.
56:40Your father is not going to tell you anything.
56:42We have to find a way to find out the truth without your father knowing your intentions.
56:48A few weeks ago, I would have told him that I loved him deeply, but...
56:53Right now, I don't know what to say.
56:55And even so, he's going to marry her.
56:57Well, yes, that's what I've decided.
57:00But I admit that I don't finish taking his pregnancy.
57:02I've already taken the first step to do it.
57:04A step that I don't know if it was a false step.
57:07Did he really threaten you?
57:08He reminded me of my stay in the asylum.
57:12And he told me that...
57:14That if he was about to send me to jail once, I could do it a second time.
57:18I'm going to have to talk to him, at the end.
57:20I've learned to move forward on my own.
57:22And I don't need his help anymore.
57:24We all make mistakes.
57:27But let me fix them.
57:29I want to help you.
57:31Tell me what happened for you to want to leave this house like this.
57:34Manuel, the capricious nanny.
57:36Catalina, pregnant.
57:38The truth is that youth is in decline.
57:40I always say it.
57:41Well, enough!
57:42Enough!
57:43Who do you think you are?
57:45To be criticizing my nephews, who have the noblest heart than any of us here.
57:49Darling.
57:50No, not darling, not at all.
57:52I need you to tell me what's going on with your parents.
57:55I already told you.
57:57They don't accept that I want to marry you.
58:00Manuel, I think there's something else you're not telling me because you don't want me to worry.
58:04It's time to put the cards on the table.
58:06Speak, Simona.
58:08We can stop this farce.
58:10We know that...
58:12Vera is actually his daughter.