The spectacular amorous adventures of Lady Gloria in the famous Orient Express.
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Short filmTranscript
00:00:00You
00:00:30I
00:01:00I
00:01:12Come on possible
00:01:14El desfile
00:01:18Me paso el dia sola en el hotel alguna vez salimos a cenar fuera pero siempre son aburridas cenas de trabajo
00:01:24Maybe John is jealous.
00:01:26I don't know. He's changed a lot lately.
00:01:30He's strange. He seems to be blocked.
00:01:33Listen to me. Get out of the shell.
00:01:35Maybe you can find a better company.
00:01:38You'll see, Elsa. Besides being boring, I'm also sad.
00:01:42My husband and I haven't been in love for a long time.
00:01:46A long time? How long has it been? Come on, let it out.
00:01:50Almost two months.
00:01:51Poor Gloria. What are you going to do?
00:01:54Me? Well, my age.
00:02:22I should have realized from our first meeting in Barcelona.
00:02:26You are my friend and I can tell you.
00:02:29John is very insecure, morbid, even a little masochistic.
00:02:33One morning I left the bathroom door open.
00:02:36He realized, but he didn't take advantage of it and spied on me through the window.
00:02:40The story of that day ended there.
00:02:42And then, as usual, you got married, right?
00:02:44Yes. John is an interesting man and I fell in love with him.
00:02:47We had a wonderful year.
00:02:49And now you want to help him because you know he loves you, don't you?
00:02:52You understood me perfectly.
00:02:54We arrived. You stay here, right?
00:02:55Yes.
00:02:56I wanted to talk to you. I'm sorry you're leaving.
00:03:00I'm sorry too, but you know they're waiting for me.
00:03:03Come on, Elsa.
00:03:04And don't forget, call me as soon as you can. We'll spend the day together.
00:03:08Be careful.
00:03:14Goodbye.
00:03:16See you soon.
00:03:19Goodbye.
00:03:23Leave me near the railway station.
00:03:25All right.
00:03:39Ma'am, I hope you enjoy your trip to the Orin Express.
00:03:49Goodbye.
00:04:09Ma'am, are you traveling alone?
00:04:14No, I'm waiting for my husband.
00:04:16Your husband?
00:04:17As usual, he arrives late.
00:04:19But I don't mind. Please, come in and sit down.
00:04:27I would never expect a woman as beautiful as you.
00:04:30Especially with legs like yours.
00:04:32I'm glad you like my legs.
00:04:35If I said otherwise, it would be absurd and a real sin.
00:04:38Wearing a bra hides the heart of life.
00:04:40Well, it's an inconvenience that can be fixed in an instant.
00:04:47I'm sorry.
00:04:53It's good that you put it on.
00:04:55It's a beautiful fragrance.
00:04:59A fragrance that seems to come from a flower bathed in dew.
00:05:05John, you're crazy.
00:05:09I have to forgive you for everything.
00:05:11The delay, my anxiety.
00:05:13I want to caress you.
00:05:15Do you know that your flower drives me crazy?
00:05:17I like to caress it like a bee.
00:05:19It has a very sweet warmth and fragrance.
00:05:22It makes me dizzy.
00:05:45I love you.
00:06:15I love you.
00:06:45I love you.
00:06:53The train has already left.
00:06:55Maybe this is a special trip that changes things.
00:07:01Everything will change.
00:07:03It's possible.
00:07:05I will look at you carefully and intensely.
00:07:07You are so beautiful.
00:07:09Now I want to smoke a cigarette.
00:07:11Well, give me another one.
00:07:21Abelda, give me the comb.
00:07:27And now the mirror.
00:07:29The mirror.
00:07:35Good, good.
00:07:37Like this.
00:07:41Take it away.
00:07:43Now the rinse.
00:07:45Yes, yes.
00:07:47Woman, woman.
00:07:49Take it.
00:07:57Yes, yes, yes.
00:08:01Come on, dry me.
00:08:03I'm going.
00:08:05It's great.
00:08:07Come on.
00:08:37I can not resist.
00:08:41And now?
00:08:43Let's go to bed.
00:08:45Yes, of course.
00:08:47But what are you doing?
00:08:49I'm your husband.
00:08:51But now we are alone.
00:08:53Yes, of course.
00:09:01What's up?
00:09:03Not in bed.
00:09:05On the floor?
00:09:07I sleep on the floor?
00:09:09You on the bed and I on the floor?
00:09:11Yes, you on the floor.
00:09:15On the floor?
00:09:17Yes, on the floor.
00:09:19Is it okay here?
00:09:21Of course.
00:09:25Are you sure?
00:09:27I told you on the floor.
00:09:29On the floor.
00:09:31That's it.
00:09:35Oh!
00:09:41I do not want to hear you breathe.
00:09:43I do not move.
00:09:45Sleep.
00:09:47Good night.
00:09:49Good night, Teresa.
00:10:05Good night.
00:10:11Good night, sir.
00:10:19Excuse me.
00:10:21Of course.
00:10:29Excuse me.
00:10:31Do you mind if I stay?
00:10:33No, it's not a problem.
00:10:35On the contrary, your presence is a natural obstacle.
00:10:37If I did not have certain impediments, I would always win.
00:10:45Good blow.
00:10:47Congratulations.
00:10:49It's normal.
00:11:01Be careful.
00:11:03Excuse me.
00:11:51Excuse me.
00:11:57Excuse me.
00:12:21John.
00:12:23John, wake up.
00:12:25It's terrible.
00:12:27I'm ashamed to even talk to you.
00:12:29Come on, what's wrong?
00:12:31What happened?
00:12:33I was about to make love to another man.
00:12:35You were in the corridor.
00:12:37While you were sleeping.
00:12:39Wait, calm down.
00:12:41I think I do not understand.
00:12:43You were going to make love to another man.
00:12:45But what do you say?
00:12:47Are you dreaming?
00:12:49No, I was not dreaming.
00:12:51I do not know how it happened.
00:12:53The man came up to me and ...
00:12:55You were in the corridor.
00:12:57It's incredible.
00:12:59Tell me everything.
00:13:01I can not do it.
00:13:03Yes, you can.
00:13:05Come on, tell me everything.
00:13:07From the beginning.
00:13:09While I was in the corridor.
00:13:11A young man came up to me.
00:13:13And he told me a confession.
00:13:15And then what did he do?
00:13:17Then he took my hand.
00:13:19And he told me beautiful things.
00:13:21But what did he tell you?
00:13:23The usual.
00:13:25How beautiful you are, I like you.
00:13:27But that's not the most important thing.
00:13:29Yes, you're right.
00:13:31Please continue.
00:13:33He took my hand.
00:13:35And he kissed my palm.
00:13:41I was like in a trance.
00:13:43And I let him do it.
00:13:45John, help me.
00:13:47Calm down, love.
00:13:49Continue.
00:13:51It will help you.
00:13:53He put his hand on my chest.
00:13:55The hand.
00:13:57And with a very slow movement.
00:13:59Very slow.
00:14:01He did it.
00:14:03I saw it.
00:14:05He wanted to cut it, but it was stronger.
00:14:09Then he kissed me.
00:14:11He raped you.
00:14:15No.
00:14:17I managed to separate and return to the compartment.
00:14:19Love, maybe it was just a nightmare.
00:14:21Try to calm down.
00:14:23You should not be afraid.
00:14:25Now you are with me, my love.
00:14:27You should relax.
00:14:29Do not think about it anymore.
00:14:31It was a nightmare.
00:14:33Do not believe me.
00:14:35My love, I love you.
00:14:37I love you, my love.
00:14:39My love.
00:14:43John.
00:15:09John.
00:15:39John.
00:15:53John.
00:15:55Do you remember that night?
00:15:57At that club.
00:15:59We had not met for a long time.
00:16:01Yes, of course I remember.
00:16:03Why?
00:16:05Because from time to time I remember that flamenco dancer.
00:16:07Do you know what I often think?
00:16:09That day I was very excited.
00:16:37That day I was very excited.
00:16:39That day I was very excited.
00:16:41That day I was very excited.
00:16:43That day I was very excited.
00:16:45That day I was very excited.
00:16:47That day I was very excited.
00:16:49That day I was very excited.
00:16:51That day I was very excited.
00:16:53That day I was very excited.
00:16:55That day I was very excited.
00:16:57That day I was very excited.
00:16:59That day I was very excited.
00:17:01That day I was very excited.
00:17:03That day I was very excited.
00:17:05That day I was very excited.
00:17:07That day I was very excited.
00:17:09That day I was very excited.
00:17:11That day I was very excited.
00:17:13That day I was very excited.
00:17:15That day I was very excited.
00:17:17That day I was very excited.
00:17:19That day I was very excited.
00:17:21That day I was very excited.
00:17:23That day I was very excited.
00:17:25That day I was very excited.
00:17:27That day I was very excited.
00:17:29That day I was very excited.
00:17:31That day I was very excited.
00:17:33That day I was very excited.
00:17:35That day I was very excited.
00:17:37That day I was very excited.
00:17:39That day I was very excited.
00:17:41That day I was very excited.
00:17:43That day I was very excited.
00:17:45That day I was very excited.
00:17:47That day I was very excited.
00:17:49That day I was very excited.
00:17:51That day I was very excited.
00:17:53That day I was very excited.
00:17:55That day I was very excited.
00:17:57That day I was very excited.
00:17:59That day I was very excited.
00:18:01That day I was very excited.
00:18:03That day I was very excited.
00:18:05That day I was very excited.
00:18:07That day I was very excited.
00:18:09That day I was very excited.
00:18:11That day I was very excited.
00:18:13That day I was very excited.
00:18:15That day I was very excited.
00:18:17That day I was very excited.
00:18:19That day I was very excited.
00:18:21That day I was very excited.
00:18:23That day I was very excited.
00:18:25That day I was very excited.
00:18:27That day I was very excited.
00:18:29That day I was very excited.
00:18:31That day I was very excited.
00:18:33That day I was very excited.
00:18:35That day I was very excited.
00:18:37That day I was very excited.
00:18:39That day I was very excited.
00:18:41That day I was very excited.
00:18:43That day I was very excited.
00:18:45That day I was very excited.
00:18:47That day I was very excited.
00:18:49That day I was very excited.
00:18:51That day I was very excited.
00:18:53That day I was very excited.
00:18:55That day I was very excited.
00:18:57Bravo!
00:18:59Let's go!
00:19:01Come on, miss!
00:19:03No, I don't know how to dance.
00:19:05Cheer up!
00:19:07It's okay.
00:19:27It's okay.
00:19:57It's okay.
00:19:59It's okay.
00:20:27Come on!
00:20:51Let's go!
00:20:53Let's go!
00:20:55Bravo!
00:20:59Your chest!
00:21:01You've been great.
00:21:03Thank you for the applause.
00:21:05You're unique, darling.
00:21:09Look, that's your style of flamenco.
00:21:11Let's dance now, Gloria.
00:21:13Come on.
00:21:15You know you've been very provocative
00:21:17by pretending to be Carmen from the table where we were.
00:21:19Carmen was fine,
00:21:21but the dancer was a burden.
00:21:23I was excited when he put his arm around my body.
00:21:25Go ahead, continue.
00:21:27I was full of desire.
00:21:29You moved your skirt,
00:21:31leaving the attractive whiteness of your thigh
00:21:33exposed from time to time.
00:21:35A really exciting action.
00:21:37Maybe you didn't realize it,
00:21:39but you weren't the only one who was excited.
00:21:41Oh, is it possible?
00:21:43My dancer was also excited.
00:21:45Oh, really?
00:21:47How do you know?
00:21:49To confirm it,
00:21:51I leaned on him
00:21:53and I noticed on his thigh
00:21:55the obvious sign.
00:21:57Of ecstasy?
00:21:59No, the unmistakable sign
00:22:01of excited virility.
00:22:07Will you marry me, Gloria?
00:22:09Yes.
00:22:11When I think about it,
00:22:13I always wonder
00:22:15why you asked me
00:22:17to marry you.
00:22:21Come to sleep, Gloria.
00:22:27Yes, love.
00:22:41I think
00:22:43we should follow them to Zurich.
00:22:45Then we'll see where they go.
00:22:47But I'm afraid
00:22:49the police will follow us.
00:22:51What are you saying?
00:22:53The police?
00:22:55Don't worry.
00:22:57I'll eat them.
00:22:59Oh, yes, you're very brave.
00:23:11Are you all right, ma'am?
00:23:13Yes, thank you.
00:23:19Gloria,
00:23:21come on, eat something.
00:23:23Have a croissant.
00:23:25It's freshly made.
00:23:29I suppose yours is a pleasure trip.
00:23:31Yes, yes.
00:23:33The Orient Express is the great accomplice
00:23:35of the couples.
00:23:37It's like a great palace with wheels.
00:23:39I'm a Turkish dancer,
00:23:41specialized in belly dancing.
00:23:43A dance that excites men.
00:23:45We do it all for our men.
00:23:47Us too.
00:23:49You see,
00:23:51I can understand
00:23:53how a young man travels
00:23:55alone on a train like the Orient Express.
00:23:57Perhaps he has been given
00:23:59a scholarship.
00:24:07We're not curious,
00:24:09but can you tell us
00:24:11how a young man like you travels alone?
00:24:13Yes, as your friend said.
00:24:15I'm here to pass my exams
00:24:17and my father gave me a trip
00:24:19on the Orient Express.
00:24:21See? I told you.
00:24:23Have you seen the couple on the train?
00:24:25Not only have I seen them,
00:24:27I've been following them all night.
00:24:29He seems to be in love with her.
00:24:31Yes, but I'm sure he's the one with the money.
00:24:33Maybe they're not married.
00:24:35Do you have a spoon in the car?
00:24:37We'll be noticed.
00:24:39Don't worry.
00:24:41I hope you know how to behave.
00:24:43Is that clear?
00:24:45Yes.
00:25:05The train to the destination
00:25:07is arriving.
00:25:21This way or that way?
00:25:23That way.
00:25:25Good morning.
00:25:27Good morning.
00:25:29Good morning.
00:25:31Good morning.
00:25:37Give me your hand.
00:25:41Do you have time to take a walk?
00:25:43Yes, we'll take a walk.
00:25:45Have fun.
00:25:47I ask you to be punctual.
00:25:49The train will leave at 6 o'clock sharp.
00:25:51Hurry up.
00:25:53I'm coming, darling.
00:25:55Be careful.
00:25:57What happened to you?
00:25:59I tripped.
00:26:01Why are you dressed like that?
00:26:03You look like a gangster.
00:26:05You look like a gangster.
00:26:07You don't like what I'm doing.
00:26:09What am I going to do?
00:26:11You'll see how much you like it.
00:26:13It's lovely.
00:26:17Don't you see them?
00:26:19Where are they?
00:26:23I think they're going that way.
00:26:25Let's go.
00:26:27What do you think?
00:26:29Do you like it?
00:26:31Yes.
00:26:33I told you.
00:26:35Let's go.
00:26:55Let's go.
00:27:19Turn around.
00:27:21Can you see where they are?
00:27:23What do you see?
00:27:25They're practicing.
00:27:27Come here.
00:27:29I want you to kiss me.
00:27:31Really?
00:27:33Let's go.
00:27:35Aren't you in love?
00:27:37Smile.
00:27:43We're right in the middle of the city, aren't we?
00:27:45There you can see the church.
00:27:47There's another bridge over there.
00:27:49What's that?
00:27:51It's a terraplein that was fortified in its time.
00:27:53It's beautiful.
00:27:55It's a beautiful place.
00:27:57Even the seagulls seem to be happy to live here.
00:28:01Look at the beautiful buildings.
00:28:03Yes, I can see them.
00:28:11Let's stop here.
00:28:13If we get closer, they might recognize us.
00:28:15Let's synchronize the clocks.
00:28:17Why?
00:28:19It's what they do.
00:28:21Let's go.
00:28:35They're beautiful.
00:28:37Nothing attracts a woman as much as skin.
00:28:39But I hope it's not the only thing.
00:28:41Look at that jewel.
00:28:43Look at that diamond.
00:28:45Let's go in.
00:28:47I want to give you a gift.
00:28:49You're a treasure.
00:28:51A gift that will be the memory of our trip.
00:28:53A sweet memory.
00:28:57Have you seen where they went?
00:28:59A simple watch in that store costs a million.
00:29:01I told you they had a lot of money.
00:29:03Let's go.
00:29:05Yes.
00:29:07Thank you, my love.
00:29:09Thank you, my love.
00:29:11It's beautiful.
00:29:13Do you like it?
00:29:15Yes, I like it very much.
00:29:17Let's put it on.
00:29:19I did not know that.
00:29:39Let's go.
00:30:09Let's go.
00:30:25Good evening.
00:30:27Good evening.
00:30:33Your champagne, sir.
00:30:39May I offer you a glass of champagne?
00:30:47I accept.
00:30:49Do you want to come in?
00:30:51Please.
00:30:55Excuse me.
00:30:57How can I help you?
00:30:59Excuse me for my boldness, but we are travel companions.
00:31:01My name is Farrell.
00:31:03Steve Farrell.
00:31:05Nice to meet you.
00:31:07Excuse me.
00:31:09He does not answer.
00:31:11Excuse me.
00:31:13Never ask an indiscreet question to a lady.
00:31:15However, if I have been indiscreet, I apologize.
00:31:17Lady without a name.
00:31:25And if it is fair not to enter the little secrets of a woman,
00:31:27tell me,
00:31:29what should I do?
00:31:31I want something to please you.
00:31:33To begin with,
00:31:35why don't you serve us champagne in the glasses?
00:33:03John.
00:33:23Wake up.
00:33:25I didn't dream it this time.
00:33:27I did it again.
00:33:29Really?
00:33:31Tell me everything.
00:33:33From the beginning.
00:33:35His name is Steve.
00:33:37He is a pilot.
00:33:39He is in the compartment next door.
00:33:41He is handsome and muscular.
00:33:43Has he excited you?
00:33:45That's what a woman needs.
00:33:47He is a gentle and charming man.
00:33:49And then?
00:33:51First,
00:33:53he caressed my face.
00:33:55Yes.
00:33:57Then, little by little,
00:33:59he kissed my lips.
00:34:01Yes, go on.
00:34:03Then, I started kissing him.
00:34:07The finger.
00:34:09Yes.
00:34:13He had his eyes closed.
00:34:15And he?
00:34:17He liked what I did to him.
00:34:19And he was dressed?
00:34:23Yes,
00:34:25but soon after,
00:34:27I kissed his face.
00:34:29Then, I caressed his chest.
00:34:31Go on.
00:34:35Then,
00:34:37I got closer to him.
00:34:39Yes.
00:34:41What did you do?
00:34:43I started licking his chest.
00:34:45For a long time?
00:34:47I don't know how long.
00:34:49For a while.
00:34:51He liked it.
00:34:53I realized by his breathing
00:34:55that he was getting more and more excited.
00:34:57And he didn't say anything to you?
00:34:59No, no.
00:35:01He caressed my shoulders.
00:35:03He caressed my hair with one hand.
00:35:05But he didn't ask me for anything.
00:35:07He let me do it.
00:35:09I was the one who directed the game.
00:35:11I caressed him with my tongue.
00:35:13Yes.
00:35:15His taste gave me great pleasure.
00:35:17Besides, the sweat of his skin
00:35:19tingled me sweetly.
00:35:21And then?
00:35:23Yes.
00:35:25And what did you do?
00:35:27I kissed him with ecstasy.
00:35:29But soon after,
00:35:31I left him and came here.
00:35:39John.
00:35:41Tell me.
00:35:43I don't understand what's happening to me.
00:35:45Try to think.
00:35:47You'll see how we'll find a solution.
00:35:49It's as if I had two personalities.
00:35:51Yes.
00:35:53I've never behaved like this.
00:35:55Calm down, my love.
00:35:59Well, of course.
00:36:01It's my debut in London
00:36:03with the rich Leto.
00:36:05Could you please sign this?
00:36:07Of course, my dear.
00:36:09Adele, give me a picture.
00:36:11Yes.
00:36:13Oh, I didn't bring it.
00:36:15In that case,
00:36:17give me a free ticket for this young man.
00:36:19I don't have one.
00:36:21And you don't have a poster with my face on it.
00:36:23It's impossible.
00:36:25No.
00:36:27Nothing.
00:36:29Do you have a pen?
00:36:31I'm sorry.
00:36:33I don't have one either.
00:36:35Oh, come on.
00:36:37You don't have anything.
00:36:39How is that possible?
00:36:41All right.
00:36:43I won't sign autographs from now on.
00:36:45I won't sign autographs.
00:36:47Me neither.
00:36:49And it's not over yet.
00:36:51Yes, my love.
00:36:53Are you sure?
00:36:55Of course.
00:36:57All right.
00:37:17Have you seen those two?
00:37:19Oh, yes.
00:37:21They seem to be spying on us.
00:37:23I'm sure it's a trap.
00:37:25I agree.
00:37:27You're right.
00:37:29It's like you said.
00:37:31Yes.
00:37:33What a world.
00:37:35Besides,
00:37:37in front of her husband,
00:37:39it's a disgrace.
00:37:41You're right.
00:37:47Good morning.
00:37:49Good morning.
00:37:51Would you like to have breakfast with us?
00:37:55It will be a pleasure.
00:37:57Sit down, ma'am.
00:37:59John told me
00:38:01that he saw you
00:38:03in your play.
00:38:05Really?
00:38:07Yes.
00:38:09He also told me
00:38:11that it's a difficult technique
00:38:13and, above all,
00:38:15I think this is the right time.
00:38:17Keep an eye on her.
00:38:19I don't see her.
00:38:23Let's go.
00:38:25I only eat sweets
00:38:27at breakfast.
00:38:29It's my weakness.
00:38:31You're right.
00:38:33We love sweets.
00:38:35So you're a gourmet.
00:38:37Are the sweets in your country good?
00:38:39Have you ever tried the sweets in my country?
00:38:41No.
00:38:43The Turkish sweets are very good,
00:38:45but you have to try them in my compartment.
00:38:47It will be a pleasure to accompany you.
00:38:49They are handcrafted.
00:38:51Really?
00:38:53I think a trip like this is a good reward.
00:38:55No, you go.
00:38:57I want to read the newspaper
00:38:59and have another coffee.
00:39:01See you later.
00:39:03I'll give you my glass.
00:39:13Love, love, love, love, love, love.
00:39:17Are you better?
00:39:21Get out of here.
00:39:23Get out of here.
00:39:25I have to take care of my voice.
00:39:27I have to take care of my voice.
00:39:41Sit down.
00:39:45These are ordinary sweets.
00:39:47Where did I put them?
00:39:49Let's see.
00:39:51Here they are.
00:39:53Serve yourself.
00:39:55Speaking of the belly dance,
00:39:57I always thought it was a very special dance.
00:39:59You're not wrong.
00:40:01In fact, it's a very special dance.
00:40:03In addition, it is very ancient.
00:40:05It resurfaces with Mahoma as a rite of fertility,
00:40:07an invitation to love.
00:40:09It's very interesting.
00:40:11Do you want to see it?
00:40:13I would like to.
00:40:15It would be a gift, and I would like to learn it.
00:40:17You are too thin,
00:40:19and the body is very important.
00:40:21Now look at me.
00:40:23I'm sorry.
00:40:25I'm starting to understand
00:40:27why your folklore is so difficult.
00:40:29You see,
00:40:31the torso must remain completely still.
00:40:33Only the belly is swaying.
00:40:35Like this.
00:40:37Come on.
00:40:51I'm sorry.
00:40:53We're on the border,
00:40:55and soon we'll be at the customs.
00:40:57I'll get ready.
00:41:01Thank you for everything.
00:41:03I need to go to the restaurant
00:41:05and buy some fruit.
00:41:07Good morning.
00:41:09Let's go.
00:41:11Passport, please.
00:41:17Have a nice trip.
00:41:21Ma'am, your passport.
00:41:23I'm sorry.
00:41:25Oh, yes, the passport.
00:41:27I must have it inside.
00:41:29Come in, please.
00:41:31I'll get it for you.
00:41:33I think it's here.
00:41:35Yes, it's here.
00:41:41Here.
00:41:43Good.
00:41:45Here.
00:41:47Come on, look for it.
00:41:49Check where it is.
00:41:51Good.
00:41:55Here.
00:41:59Good.
00:42:01Or here.
00:42:05Or here.
00:42:07No, it's not here.
00:42:09Now I remember that my husband has it.
00:42:11So, go and look for it.
00:42:13But, ma'am.
00:42:15Do you want to see the passport?
00:42:17No, no, no, I don't want to see the passport.
00:42:19I've had enough of passports.
00:42:21I'm sick of them.
00:42:31We were lucky.
00:42:33He didn't want to see the passports.
00:42:35He let me in without any problems.
00:42:37But the passports are correct.
00:42:39The passports, yes, but the rest...
00:42:41You should have seen it.
00:42:43I was so nervous.
00:42:45You are divinely pagan.
00:42:47You remind me of a book I brought with me.
00:42:49Which one?
00:42:51It's not a normal reading book.
00:42:53It's a series of wonderful illustrations.
00:42:55At least it's amenable.
00:42:57Illustrations of the pagan world.
00:42:59Have you checked the suitcase?
00:43:01No, why?
00:43:03Because it's a mess.
00:43:05There's no money.
00:43:07And...
00:43:09Your new Cartier watch.
00:43:11Oh, no.
00:43:15It was a souvenir.
00:43:17I liked it so much.
00:43:19Be patient.
00:43:21I'll buy you another one in Paris.
00:43:23At least I had it on my finger.
00:43:25Thank goodness.
00:43:27I'm going to make a report.
00:43:29The thief is probably still on the train.
00:43:57Excuse me, where is the bathroom?
00:43:59Over there, ma'am.
00:44:01Hurry up, please.
00:44:03We're leaving soon.
00:45:27...
00:45:29...
00:45:31...
00:45:33...
00:45:35...
00:45:37...
00:45:39...
00:45:41...
00:45:43...
00:45:45...
00:45:47...
00:45:57...
00:45:59...
00:46:01...
00:46:03...
00:46:05...
00:46:07...
00:46:09...
00:46:11...
00:46:13...
00:46:15...
00:46:17...
00:46:19...
00:46:21...
00:46:23...
00:46:25I was very young, almost a child.
00:46:28I was there with another man.
00:46:30Where did you do it?
00:46:33We went to a retreat.
00:46:35How?
00:46:37I did it again.
00:46:40With my mouth.
00:46:42And did you like it?
00:46:46Yes, I think so.
00:46:49Although it was very different.
00:46:52Because I was more or less a child.
00:46:55Besides, the environment was so different.
00:46:59The smell was nauseating.
00:47:01I assure you that I felt like a prostitute.
00:47:04Come on, go on.
00:47:07Inside me I was ashamed.
00:47:10Why?
00:47:12It was a shame that burned me.
00:47:15For what I was doing, but at the same time.
00:47:20I assure you that I felt a total pleasure.
00:47:23I had never felt like that.
00:47:27So well now.
00:47:29Are you ashamed?
00:47:32No, I assure you.
00:47:50Please, gentlemen.
00:48:00Excuse me, may I?
00:48:03Of course.
00:48:05Please.
00:48:07Sit down, dear.
00:48:15Welcome, gentlemen.
00:48:17What do you want to order?
00:48:19I'll read you the menu.
00:48:21As soon as you enter the Orien Express,
00:48:23I propose jamón y tartufo,
00:48:25almejas con gelatina,
00:48:27and canapés de trucha,
00:48:29all made according to the French tradition.
00:48:32Then, vol-au-vein with pumpkin cream
00:48:35and saraceno wheat pancakes.
00:48:37Then we propose the following choice.
00:48:40Mussel soup to the queen,
00:48:42onion soup or milk,
00:48:44or spring soup.
00:48:46Then we propose the following choice.
00:48:49Cheese tart, oyster tart,
00:48:52mozzarella,
00:48:54toast,
00:48:56and for dessert,
00:48:58chocolate profiteroles,
00:49:00brown glacé,
00:49:02charlotte,
00:49:03tarte tatin,
00:49:04strawberries from the forest,
00:49:06and a variety of tropical fruits.
00:49:08And of course, coffee and liqueurs.
00:49:12I want sausages.
00:49:14Did she say sausages?
00:49:16Sausages for the lady.
00:49:18I'll serve them right away.
00:49:26Have you seen that?
00:49:41It's incredible, in front of her husband.
00:49:44What a shame.
00:49:49Javier,
00:49:51serve here, please.
00:49:53Excuse me.
00:49:55Sausages for the lady.
00:49:57Excuse me.
00:50:00All right, gentlemen?
00:50:01Yes, thank you.
00:50:02And you, ma'am?
00:50:03Perfect.
00:50:04Thank you, and enjoy.
00:50:05Maitre, please.
00:50:07I want salted cod.
00:50:09But how?
00:50:10After the Catalan cream,
00:50:11you want salted cod?
00:50:12It's good for the voice.
00:50:13But it's in the dessert.
00:50:30Very good.
00:50:31Very good.
00:50:40Tell me,
00:50:42how did you,
00:50:43so young,
00:50:45take a train like the Orient Express?
00:50:49I'm a train enthusiast.
00:50:51I wanted to see
00:50:56the atmosphere of the Orient Express.
00:51:01I have a model in my house.
00:51:06I understand.
00:51:07I see that you like railways.
00:51:10Yes, I like them a lot.
00:51:13The fascination of the coach and bed,
00:51:15the adventures of the journey.
00:51:18Then, next time,
00:51:20you'll take the Trans-Siberian.
00:51:22The Trans-Siberian, yes.
00:51:30Or maybe
00:51:32the other train,
00:51:34the Bluebird,
00:51:36the Bluebird.
00:51:40Yes, yes,
00:51:41the Bluebird, yes.
00:51:48Excuse me,
00:51:49I'd rather go for a walk.
00:51:51I'm not hungry.
00:51:53Do you mind?
00:51:54No, no.
00:51:55We'll see each other later.
00:51:56I'll go after the coffee.
00:52:07Sit here.
00:52:09Can the gentleman sit at your table?
00:52:11Of course, of course.
00:52:13How are you?
00:52:14Very kind.
00:52:15Let me introduce you to my wife, Teresa.
00:52:18Nice to meet you.
00:52:19Magal.
00:52:20Look, I brought you a chair.
00:52:21Please.
00:52:25Are you comfortable?
00:52:26We are delighted to have you at our table,
00:52:28Chair Magal.
00:52:30Put the service.
00:52:31Can you see my seat?
00:52:36Excuse me.
00:52:37I have to do something.
00:52:39If you'll excuse me.
00:52:40Of course.
00:52:41Have you seen him?
00:52:42He's following her to her cabin.
00:52:43But he's a young man.
00:52:44The husband is old.
00:52:45Do you sell whisky?
00:52:47No, I make whisky.
00:52:49So you're on a business trip?
00:52:51Yes, I've managed to buy a new factory.
00:52:54Then you'll travel with a lot of money.
00:52:56Aren't you afraid?
00:52:58Oh, no, never.
00:52:59I'm not afraid of anything.
00:53:01I've got it all here,
00:53:03at a good price.
00:53:04As we can see, you're a foreman.
00:53:06Exactly.
00:53:07Yes.
00:53:08Too much.
00:53:35Oh.
00:53:36Oh.
00:53:37Oh.
00:53:38Oh.
00:53:39Oh.
00:53:40Oh.
00:53:41Oh.
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00:59:25I
00:59:32Reba or at the top got to have a heart beat. You know, it's a mint astute or me as vamos
00:59:42Buenas noches buenas noches
00:59:55I
01:00:12Come permiso perdone
01:00:14I
01:00:18Spare a senior silly a caído algo diría que son joyas gracias
01:00:26Que es tú pido
01:00:32Una agujero
01:00:34Soy joyeros a permítame
01:00:38Encantado soy bulgari el gusto es mío buenas noches buenas noches
01:00:44I
01:01:14Oh
01:01:44Oh
01:01:54It's a little bit more so we actually think I'll send your bullet. He went to see a senora
01:02:05Can s bullgari to yo no el es búlgaro de ese país como se llama bulgaria
01:02:11Oh
01:02:13siempre serás el mismo cretino
01:02:15daisy
01:02:16Ami aquel matrimonio de allí no me convence no sé por qué tampoco me convencer a mí para nada
01:02:24Javier
01:02:26Los señores van a desayunar es y claro pero usted no es aquel señor que visto jugar al golf en el pasillo
01:02:32Además es un buen jugador
01:02:34Handicap 28 ciertamente un buen jugador otros vamos a londres y usted edinburgh es inglés
01:02:40Oh, no, es que es encantado mcgall
01:02:44Pero usted señor mcgall a que se dedica además de él
01:02:48Al alcohol soy fabricante de whisky entonces beberá mucho y no se emborracha nunca
01:03:10Oh
01:03:27Muy amable
01:03:40Oh
01:04:03Not a prisa
01:04:11Oh
01:04:24Alto policía orlando hasta algo
01:04:31Soy culpable
01:04:36Mira la trufe
01:04:40Estamos haciendo de turistas
01:04:57Fíjate está lleno de cosas hermosas
01:05:06Por cierto al otro lado del río vive mi amigo moris
01:05:10Ahora vamos a su casa hace tiempo que no le veo vamos te gustará
01:05:21Estamos en la ruida y si o mira este es el frente bombarde
01:05:28Te gusta es característico precioso creo que es aquí
01:05:36Si si vive aquí es el número entremos
01:05:46Le gusta
01:05:48No lo sé
01:05:50Me parece el laberinto sin salida que quiere entender no hay nada que entender no se debe entender es mejor no entender
01:06:01Me has traído la típica burguesa estúpida
01:06:05Vamos no te enfades no entiende la pintura contemporánea a ella le gustan solo los clásicos
01:06:12en cambio
01:06:14ella te gusta
01:06:16Mira qué guapa si tiene una cara bonita sin embargo a ella no le gustan mis cuadros
01:06:21No es cierto que no me gusten sólo he dicho que para mí y son difíciles de entender
01:06:26Moris porque no le haces un dibujo un retrato al carbón un esbozo de su cuerpo que recuerde su belleza desnuda
01:06:35Pero
01:06:46Moris es un pintor y quizá piense de forma diferente
01:06:58Ya basta me cansado
01:07:00Pero que te pasa gloria no seas así gloria cálmate estoy cansada se acabó el juego basta gloria por favor
01:07:16Amor quieres un cigarrillo no no quiero nada
01:07:25Adelante está abierto
01:07:31Benito a traerles esto creo que suyo
01:07:36O si mi cartier
01:07:39Verán la danza del vientre solo un hobby en realidad soy agente especial de policía destinada al control en los trenes
01:07:46a menudo en el orien express viajan también personas realmente poco recomendables como
01:07:51ladrones espías vendedores de droga jugadores de azar yo intervengo para detenerlos como acabo de hacer con el falso matrimonio
01:07:58Felicidades pero en la danza del vientre es usted muy buena podría hacer una demostración para él no verá
01:08:05es necesaria la música adecuada y aquí perdería todo su encanto
01:08:10hasta pronto y buen viaje muchas gracias
01:08:16Estoy contentísima
01:08:18Y
01:08:26El gusto está inmóvil solo se balancea el bien si claro ahora te enseño
01:08:38Así de inexperta una eres más excitante
01:08:49Es
01:08:52A veces te comportas como quizás si lo fuera podría hacerte más
01:08:59Estamos casi al final del día el tiempo ha volado salgamos al pasillo
01:09:04fuera vestido y claro que tiene de extraño vamos a ver muy bien
01:09:18Como cuando empezó el viaje
01:09:33Si el desayuno señor son las 8 entre está abierto
01:09:48Ah
01:09:52Buenos días señor el desayuno está en el carrillo muy bien gracias
01:09:57Gloria
01:09:59amor despierta es tarde
01:10:03si no queremos perder el avión tenemos que darnos prisa
01:10:06gloria
01:10:08pero yo no nos hemos ido estamos en el hotel claro que no nos hemos ido
01:10:13Hoy estás extraña hace un rato que te observo has tenido un sueño muy agitado
01:10:18murmuradas palabras sin sentido y después de reías gemías como si hicieses el amor
01:10:23escucha he tenido un sueño extraordinario
01:10:26es soñado que viajábamos en tren
01:10:29en el orin express
01:10:36Hoy y yo porque no anulas la reserva del avión y coges dos billetes para el coche
01:10:43Y porque no me parece una idea muy brillante
01:10:48Que tal en el orin express
01:11:13You
01:11:43You
01:12:13You