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00:30And a story is born.
00:40My name is Cho Jun Seok, and I was born on December 26, 1980.
00:45I used to dance Michael Jackson songs for my mom and dad when I was a kid.
00:50We also had a guitar at home, so dancing has always been a part of my life.
00:54It's a wonder how I became an actor.
00:57And since 2004, I've been working very hard.
01:02I've done a lot of theater, cinema and television.
01:05I've been making a lot of effort.
01:07And you, well, now that I think about it, I haven't seen you in a long time.
01:15I thought, what if I started a YouTube channel?
01:18Because I really enjoy singing and making music in general.
01:22It brings me a lot of joy.
01:25With it, I vent, and I also express myself.
01:28I take this very seriously.
01:30And I still feel like this today.
01:34If I were to release a music album, I really wouldn't know what to do.
01:38I don't know anything about that.
01:40But then I think, well, I just do it and that's it, right?
01:42I must be seeing everything very simple.
01:45This album would be 99% through contacts, and only 1% thanks to my effort.
01:56I like champagne.
02:02We did the math with the programming, and it's going to be 100 days.
02:08100 days?
02:09Yes.
02:10100 days.
02:11Yes.
02:13And that's how I got here.
02:15I had never thought of releasing a song.
02:18Never.
02:20When I finish recording the series of Capturing a King,
02:23I'm going to be 100 days before Hedwig, the musical.
02:26So I thought I'd use that time for this.
02:30Or was it just a half idea?
02:33I thought I could finish everything in that time.
02:38Well, but you're still having fun, aren't you?
02:40Sure.
02:42I'm just a little frustrated for not having much time.
02:45If we had a little more time, or if we had started this before,
02:51it's very little time.
02:57Hello, hello.
02:58How are you?
02:59The day has finally come.
03:01Exactly.
03:02It's finally here.
03:03This is the rental contract.
03:05Rent the studio 100 days according to the terms.
03:08Complete a first LP album.
03:10How much is it?
03:11Too much.
03:12Very well.
03:13I'm going to sign.
03:14Okay?
03:16We don't know what kind of music you're going to make,
03:18but the LP album sounds serious.
03:20LP?
03:21Does a mini-album count as an LP album?
03:23No.
03:24An LP is not an LP.
03:26Then what is an LP?
03:28For your album to be considered an LP, it has to have at least seven or eight songs.
03:32In the first meeting, we mentioned three or four songs.
03:35And then I said, wow, only 100 days?
03:38I have to focus.
03:40Now that I hear the number of songs, I don't know if it will be achieved.
03:48100 days.
03:51100 days.
03:58Here it is.
04:01Wow, this is so big.
04:05I'm nervous.
04:11Wow, that's crazy.
04:16I want to stay and live.
04:18This place is incredible.
04:23Wow.
04:24It's incredible.
04:26This looks great.
04:28I'm getting excited.
04:30I'm getting very excited.
04:32How wonderful.
04:34Really.
04:36This is the keyboard I'm going to use.
04:40I'm very nervous.
04:42I did a lot of research.
04:43On the internet?
04:44Yes, on the internet.
04:45Good YouTube musicians use this model a lot.
04:49I'm going to put it here.
04:51Look how nice.
04:52Wow.
04:53When it comes to making models, it's important to have the right equipment.
05:01Ready.
05:02All set.
05:04Excellent.
05:05The frequency...
05:06Oh, Sanjoon.
05:07Hello, Sanjoon.
05:08What are you doing?
05:09Me?
05:10Yes.
05:11Working on my music.
05:12Why are you doing that?
05:14I told you I had already started on the songs.
05:17Right.
05:18Why don't you come?
05:19Really?
05:20Can I?
05:21Of course.
05:22But I don't think I should bother you while you work, so...
05:28It's really here.
05:30Hey, are you here yet?
05:32It's outside.
05:33Wow.
05:34What is this?
05:36Well, Sanjoon is...
05:38A friend I appreciate a lot.
05:40And of all the people I know, he's the most talkative.
05:44What is this?
05:46That's crazy.
05:47I mean, didn't you just need a little corner?
05:50Do you really need such a big place?
05:53Hi, how are you?
05:55I'm a very close friend of Cho Jung Seok.
05:59It's a pleasure.
06:00100 days.
06:01So my LP has to be finished in 100 days.
06:06And you can do it in just 100 days?
06:08I can do it.
06:09It usually takes up to three years.
06:11Well, you're not going to compose, are you?
06:13Are you going to listen to demos?
06:15No, I'm going to compose.
06:17You're going to compose?
06:18Yes.
06:19I'm going to write some and not the others.
06:21Ah, okay.
06:22But most of them are from others, right?
06:24No, in fact, the idea is that I do most of them.
06:28Wow.
06:29Well, did you come to offer me help or make me suffer?
06:33Oh, yes.
06:34I'm sorry.
06:35Yes, yes.
06:36I support you.
06:46Did you think it was weird?
06:48It's fine.
06:49It's not like you're going to release it, is it?
06:52Let's see.
06:53Give me ideas.
06:54Ideas?
06:55Let's see.
06:56Let's say you're composing a song.
06:59When do you plan to have it finished?
07:01For example...
07:02No idea.
07:03What?
07:04Don't you think...
07:05Don't you think it would be better if you had a schedule or something like that?
07:09Some things in this period, others in this.
07:11And at a certain point, you already have several songs ready.
07:14But for this, you're going to need someone from outside to give you perspective.
07:19Mm-mm-mm.
07:20You need people for that.
07:22Would you like to do it?
07:23What?
07:24No.
07:25How do you think?
07:26Okay.
07:27I'm going to look for someone.
07:28Don't worry about me.
07:29Okay.
07:30Since you insist.
07:31I'm going to consider it.
07:33Since you insist so much.
07:35No.
07:36I couldn't tell you no.
07:38Yes, I need someone.
07:39Things are going to get frantic soon.
07:42Yes.
07:43Once you have the songs finished, you have to continue with the cover and all that.
07:47Advertising.
07:48Simple.
07:49And even a music video.
07:50A music video?
07:51Yes.
07:53Okay.
07:54And now?
07:55Cheers.
08:23You're not drunk, are you?
08:25In fact, yes.
08:29Yes, yes.
08:30If you think about it, I'm like your manager, right?
08:33The CEO of the company, right?
08:35The CEO?
08:36Yes, your manager.
08:38Respect me.
08:39I hope we can have one more person.
08:42Another person?
08:43Mm-hmm.
08:44Who?
08:45Sanjun, Sanjun.
08:46Sanjun, Sanjun?
08:47How?
08:48Moon Sanjun.
08:49Moon Sanjun?
08:51Yes.
08:52You see, he started out in series too.
08:54Ah, well now he has a million and a half subscribers.
08:57He has very good ideas.
08:58Imagine him as a marketing director.
09:00I would be the control tower.
09:02And you, the artist.
09:03The structure.
09:04After hearing Sanjun talk about music videos and that, I thought of adding someone else.
09:10And he mentioned Moon Sanjun and I think it would be excellent.
09:13Yes.
09:14It's a good idea.
09:15We would be like a triangle.
09:17The strongest structure.
09:19The one that never falls.
09:20The most stable.
09:36Tell me.
09:37Hello, hello, Sanjun.
09:38How are you?
09:39This is Moon Sanjun.
09:40Hey!
09:41Moon Sanjun.
09:42Oh my God, what a joy.
09:43A pleasure to meet you.
09:44Hello.
09:45Ben.
09:46Ike and Travis.
09:47Likewise.
09:48What a pleasure to see you.
09:49Likewise.
09:50It's an honor to be here.
09:51Likewise.
09:52Thank you very much.
09:53I mean, I was in complete shock.
09:54When he was in the film?
09:55Yes, it's just that, let's see, he's a great actor.
09:56He's great.
09:57How amazing.
09:58I don't care if it's a little.
09:59I don't care if it's a little!
10:00He's a great actor.
10:01Really.
10:02We should all act like that.
10:03It's very natural.
10:04It motivated me a lot.
10:05Seriously?
10:06No.
10:07No.
10:08No.
10:09No.
10:10No.
10:11No.
10:12No.
10:13No.
10:14No.
10:15No.
10:16No.
10:17No.
10:18No.
10:19No.
10:20Seriously?
10:21No.
10:22Were you motivated?
10:23Yes.
10:24Your acting motivated you?
10:25No.
10:26No, seriously?
10:27Yes, I deeply admire you both.
10:28Junsuck, show some respect, he has a doctorate in YouTube.
10:30Right.
10:31Your channel has more than a million followers.
10:32Right.
10:33What about your sketch channel?
10:34My channel?
10:35You have how many?
10:36I don't have a channel anymore.
10:37Oh, sorry, perdón.
10:38Discúlpame.
10:39But now, he's like my CEO.
10:40Ah, okay.
10:41Yo, vea un.
10:42I'm the CEO of this company.
10:45You could say I'm one of the leaders of this project.
10:48I just had a great idea.
10:50What?
10:51What I just came up with is to create an entire agency.
10:54Like what?
10:55Jung Sang Productions.
10:56Like what?
10:57It's like a sketch I made out there,
10:59with people doing eccentric things.
11:01But if Jung Sang Hoon is the CEO,
11:03he should be called that for good reason.
11:05Sounds great.
11:06I was just wondering how to name our agency.
11:08Right.
11:09We wouldn't be using my full name if it was like that.
11:11Jung Sang means to go to the top.
11:13It could also be Jung of Jung Seok and Sang of Sang Hoon.
11:16That's it. Jung and Sang.
11:17Jung of Jung Seok, Sang of Sang Hoon.
11:19Jung Sang Productions.
11:20You know what?
11:21We can leave the decision-making to another day.
11:23We'll decide later.
11:24Yeah, it doesn't have to be today.
11:25But together.
11:27We're preparing this musical project.
11:30Do you think he could be a good musician?
11:32Do you think it's feasible?
11:34Well, I'm going to do my part to make that happen.
11:37Oh.
11:38Really?
11:39Yes.
11:40We're planning to release seven songs.
11:42But maybe less than seven, or even zero.
11:45Okay.
11:46And even if he does it, it could be awful.
11:48I understand.
11:49Okay, then.
11:50Let's say his music is awful.
11:51Uh-huh.
11:52Well, I haven't listened to it.
11:54Maybe in the end, it'll be good for him because...
11:56It's hypothetical.
11:57Hypothetical.
11:58If in the end, everything was awful,
11:59people will still love Cho Jung Seok for his work as an actor.
12:02We can fix up the story with a behind-the-scenes
12:05like with Perejil or Hong Holi.
12:07Okay.
12:08You put him on top and he looks good.
12:09You put him on top and he looks good.
12:10You put him on top and he looks good.
12:13Exactly.
12:14He'll look better.
12:15We can add things about his life as an actor.
12:17Ah.
12:18Or we could make people wonder what he thought
12:20when he was writing a specific song,
12:22and they want to see...
12:23Let's see if I get this right.
12:24The essence is not that important, right?
12:27No.
12:28And you'd make it look good,
12:30the same way you'd make a dish, right?
12:33Sang Hoon, you haven't stopped saying
12:35that the essence doesn't matter,
12:37that the music is bad,
12:38and that the final product is going to be awful.
12:40No.
12:41Let's be honest.
12:42We have to think about all the scenarios.
12:43Exactly.
12:44We have to think about the worst scenario.
12:45That's why I say it,
12:46because we have to think about the worst scenario.
12:48Which one do you think is the worst scenario?
12:49Tell us.
12:50That you guys fight.
12:52It's the third fight you've had since I got here.
12:58These days,
12:59YouTube is an indispensable tool for an artist.
13:02It's hard to be there.
13:03Yes.
13:04And there's something called an algorithm.
13:05Covers are the trend now.
13:07Covers?
13:08Yes, there are singers who specialize in covers.
13:10Yes, I know several.
13:11I'm going to show you a song,
13:13and try to guess who sang it.
13:19Who is it?
13:22Do we know her?
13:23That's right, you know her.
13:24What?
13:25Is it Gomi?
13:26Yes, she looks a lot like her, doesn't she?
13:28Is she?
13:29Exactly.
13:30Really?
13:31Oh, so...
13:32That's what the algorithm is pushing now.
13:34I came up with this.
13:35Okay, we can move the camera so you can't see her face.
13:38Jun-seok would sing the song even if you can't see her.
13:41And we modify her voice a little and say it's Iya.
13:45As if it's not.
13:46Normally, another Iya comes out doing playback.
13:48But in this case, it's going to be the real one.
13:50It's not a bad idea.
13:51First, they're going to like what they hear.
13:53And then they're going to say,
13:54Wow, it's Choi Jun-seok.
13:55It's amazing.
13:56That also excites them.
13:57I liked the idea a lot.
13:58I feel that it is even possible
14:00that people appreciate music more
14:03when they know that I'm the one singing.
14:05If that interests them,
14:06it's more likely that they'll stay to see your original content.
14:09I think it could work well.
14:11You're so smart.
14:13I was fascinated by all your ideas.
14:15Really?
14:16Really, I loved everything.
14:17Let's see if we open the channel.
14:19What name do you think we could give it?
14:22We have to start there.
14:24These things are what excites me the most.
14:26Something intuitive.
14:27Okay, intuitive.
14:28I like the word Chong Ye San.
14:30I think it would be a good idea.
14:32It would be very good.
14:33Or how about Deng Yi Ji?
14:34Deng?
14:35Deng Yi Ji.
14:36It was my daughter's nickname before she was born.
14:39I like the word records.
14:41Chong Ye San, Deng Yi Records.
14:43I love it.
14:44What do you think?
14:45Do you want to be the manager?
14:46Of course, I can be the manager.
14:47The manager and PR.
14:48It's perfect.
14:49Thank you very much.
14:50We're going to start this.
14:51Good?
14:52Of course.
14:53Thank you very much.
14:54On the contrary, thank you.
14:56Hey, it's crazy that we both call each other the same.
14:59Yes.
15:00I think that's why we get along well.
15:02It's ready.
15:03Are you together?
15:04Yes, that's right.
15:05Well, I have to go out for a moment, okay?
15:07Okay.
15:08San Jun, thank you for what you do.
15:10You're welcome.
15:11Oh, and the mail is CGSD100.
15:13It's for Chong Ye San, day minus 100.
15:15Why are there 100 days left?
15:17Oh my God, what stress is that of the days.
15:20Yes, there are 100 days left.
15:22He's not here now, but the truth is, I'm a little distressed.
15:26Did you hear his music?
15:27There's nothing yet.
15:29Between you and me, the situation of time, I do think it's a little complicated.
15:33But he has erasers, right?
15:35He probably doesn't even know how to do them.
15:37I don't think he has a complete song.
15:39That's why I'm telling you there's no time.
15:41Okay, and at this point, we'll take a song and...
15:46I haven't told him anything, John Sock.
15:48We'll take a song and...
15:50I haven't told him anything, John Sock.
15:53Why don't we let some experts listen to the songs first?
15:58The aspiring idols are evaluated once a month.
16:02They have to keep preparing.
16:04You see what he told you?
16:05Why do you say my music is going to be horrible?
16:08But if it were, there's no way we wouldn't tell him.
16:10Of course.
16:11But I don't think the experts will say,
16:12Oh, why do you say my music is ugly?
16:14Exactly.
16:15And that's preferable to being told by the public.
16:17You're right.
16:18Better now than when it's too late.
16:20Have you seen in the movies when the artist goes to the label,
16:23John Sock would be thrown into the street,
16:26and then his suitcase would be thrown.
16:28We could record that.
16:30We could go to Big Hit Entertainment
16:32and have the guards throw John Sock with everything and suitcases.
16:37I think we have to do it anonymously.
16:41You're absolutely right.
16:43He has to be an important composer.
16:45I think it would be best to invite a composer or lyricist
16:48and have him criticize the songs.
16:50Let's do the evaluation.
16:52We'll see if it works.
16:53Since we're on his side, our criticism is not objective.
16:56It's just like, wow, how beautiful.
16:58We'll just say good or bad.
16:59Exactly.
17:00We need strong criticism.
17:02John Sock.
17:03Yes.
17:04John Sock.
17:05That's very cliché.
17:06Exactly.
17:07Let's see.
17:08Again.
17:09This sounds very ordinary.
17:10John Sock.
17:11You didn't become a musician for this.
17:12John Sock.
17:13You'd better go back to the theater.
17:21Hey, it's more sunny.
17:22Yes, it's beautiful.
17:23What a great day.
17:24I can even hear the snow melting.
17:25Exactly.
17:26Although, with this kind of weather...
17:28Yes?
17:29We'd rather go have fun.
17:30We should go eat.
17:31Yes, we have to go out.
17:32There are many places around here, right?
17:33We have to look for a restaurant or something.
17:35At the last meeting,
17:37we said that for now,
17:39the most urgent thing on the list
17:41is to hear how your music is going.
17:43We want to hear the music you have so far,
17:47because we haven't been able to hear anything so far.
17:49It's because there's nothing for now.
17:51Nothing at all?
17:52That's right.
17:53Not even a little bit?
17:54Well, just rhythms, little pieces,
17:56and I've barely written a verse,
17:58and some chord progressions.
18:00Yes, with pleasure.
18:02I can play it with the guitar.
18:03The verse?
18:04In fact, all my drafts are on my hard drive,
18:09and the thing is, I didn't bring it,
18:11but I do have something there.
18:13I worked on that yesterday.
18:15I'm going to tell you something that's very important.
18:18You're only going to work on the cloud
18:20when it comes to your music, from now on.
18:23Saying you didn't bring the disk
18:25is not going to work for you.
18:27We can always wait for you
18:29if you say you weren't inspired.
18:31No pressure, okay?
18:33Okay.
18:34Nervous?
18:35A lot.
18:36I just thought of this.
18:38I was wondering what some singers and musicians
18:41already positioned about your music would think.
18:44So I thought we'd invite some
18:46so they can hear your music in person.
18:49I think it's perfect.
18:50Yes, I agree.
18:52Are you willing for others to hear you?
18:54Of course.
18:55I think it would be fabulous.
18:56Really?
18:57Yes.
18:58But until I finish at least the first verse, okay?
19:01Of course.
19:02You can't come in empty-handed.
19:04Exactly.
19:05Speaking of which, let me tell you something else.
19:07Yes?
19:08Well, I was thinking that you could...
19:11I was thinking that in terms of a calendar,
19:14we should do this next week.
19:17So soon?
19:19We want to rent a small auditorium
19:21to receive the critics.
19:23Something very simple.
19:24No pressure.
19:25Well, not a regular auditorium.
19:27You know what?
19:28It could even be here.
19:30Are you serious?
19:32Yes.
19:33I'm sorry.
19:34Are you serious?
19:35Yes.
19:36Are you telling me that you want me to stand there and sing?
19:39Well, that's one option.
19:40The other would be for you to sing sitting down.
19:42That's not what I mean.
19:43And it's not that I don't want you to hear my songs,
19:46but how am I going to do a live performance?
19:49I haven't even practiced.
19:50How am I supposed to do it and make everything work?
19:53I know it sounds complicated, but it'll help you move forward, right?
19:56Who are the guests?
19:58Maybe there aren't any guests.
19:59Oh, so it's just the staff.
20:01Exactly.
20:02If it's just them, I think I can do it.
20:06Hey, don't take it so seriously.
20:08What day of the week?
20:10Well, when we say next week...
20:12We mean it's going to be in six days.
20:15Six days from today?
20:17That's right.
20:18Probably.
20:20I can't.
20:22They want me to go crazy.
20:25Live performances make me too nervous.
20:39Okay, I'm going to start writing right now.
20:42This sounds good.
20:46This...
20:48Ah...
20:49It's very tiring.
20:51In fact, it's not easy to write a song.
20:54Even if it's a test.
21:02What was I thinking to get into this?
21:11Well, today is Saturday.
21:13Uh-huh.
21:15Two days left.
21:17Two days left.
21:23It would be nice to have more time.
21:26God, I'm so worried.
21:33I've never done anything like this before.
21:35I've never lied to Yunsuk like this before.
21:37I thought I'd be under a lot of pressure.
21:39That's why I said we'd only rented a small living room.
21:43Yeah, we couldn't do this test on the street.
21:46We have to recognize the four guests we're going to have.
21:49If we put all their repertoire together,
21:52would it be as big as a karaoke catalogue?
21:54Well, no, really.
21:56Okay.
21:58Yunsuk is going to be very, very surprised.
22:01Who are the guests?
22:03If it's just the Daleks, I think I can do it.
22:06This will definitely help you with your music.
22:09Oh, yes, a lot.
22:10That's the purpose of the evaluation.
22:12We have to go for our goal.
22:13Now, let's go.
22:17Oh, it's so cold.
22:19Hey, can you record my shoes?
22:22I want my presentation to come out well.
22:24So I put on the shoes that GD gave me as a gift.
22:27He gave them to you?
22:28Yeah, I never thought I'd wear them.
22:30They're a treasure.
22:32Now I know I'm going to do well.
22:35Anyway, I'm just going to sing for the members of our production team, right?
22:41If we get there and it's full,
22:43I'm going to my house.
22:44How many people maximum?
22:46I can't think of a number.
22:48About 20?
22:50Okay, thanks.
22:53Hello, hello.
22:54Oh, my God, he's here.
22:55My dear artist, he's here.
22:57Perfect.
22:58I couldn't sleep, man.
22:59You didn't sleep at all?
23:00No.
23:01So you don't feel well?
23:02I'm going to practice with the guitar for a second.
23:04But you just got here.
23:05I know, but it has to be now.
23:07Yes, you're very nervous, aren't you?
23:08Well, of course.
23:10Oh, my God.
23:11Well, then?
23:12What?
23:13Am I going to sing or not?
23:14No, you're not going to let us hear you.
23:16I'm going crazy, really.
23:18It's good, right?
23:19Yes, it's very good.
23:20It's like when you ask the best students at school if they studied and they say,
23:23no, I didn't sleep at all.
23:26Oh, my God.
23:28You're going to be fine.
23:30Why do you seem like you're more nervous than me?
23:33That's not important.
23:34It's normal.
23:35The place is not full.
23:37No, no.
23:38Well, anyway, today is the first time you're going to perform in public,
23:42and we don't know if the staff will like it.
23:44They haven't said a word yet.
23:47Oh, the safest thing is that they evaluate you very coldly.
23:52We were very nervous.
23:54We haven't told Yunsuk about the guests yet.
23:57No.
23:58He didn't want to bother me.
24:00He's like you.
24:01And I was very nervous.
24:04So you should practice.
24:07Oh, so we practice.
24:08We're leaving?
24:09We should go first.
24:10Yes.
24:11To sweep and stuff.
24:12Okay, I'm going this way.
24:20I'm going to leave our artist's CV here.
24:23He's like my own height.
24:25Yes, I think so.
24:26Okay.
24:27Hey, I'm going to leave our artist's CV here.
24:30He's about my height, right?
24:32Yeah, I think so.
24:33What happens if Jungsuk comes into the room,
24:35sees the people and says,
24:36What is this? I can't believe what they did.
24:38He wouldn't do it, would he?
24:40God does.
24:41That's why you and I have to have everything well organized
24:45to help Jungsuk.
24:47Exactly.
24:48What?
24:49Who is it?
24:50It's Grey.
24:51Hello.
24:52Hello.
24:53How are you?
24:54Come in, please.
24:55Hello.
24:56Nice to meet you.
24:57Nice to meet you.
24:58Hi, Mrs. Kim.
24:59Nice to meet you.
25:00Hi.
25:01John Shin.
25:02You came.
25:03Nice to meet you.
25:04You came.
25:05How are you?
25:06How are you?
25:07How are you?
25:08I'm so excited.
25:09I can't believe everyone came.
25:11This is amazing.
25:12Apparently we're going to do that all the time.
25:14My most recent hit is the song I Am,
25:17sung by Ivy.
25:19And also Good Day You and I by You, among others.
25:25All of them.
25:26Those are my lyrics.
25:27We often have the opportunity to be judged by artists
25:30or give them feedback.
25:33I'm Yoon Jong Shin.
25:34I'm a singer and composer.
25:36I hope we can see each other more often.
25:39Now that we have Jong Shin here...
25:42It looks like this is serious.
25:44In this salon, I was a judge for the first time in Superstar K.
25:47Really?
25:48Yes, in episode 6, I think.
25:50That's why I think it's exaggerated that we do this here.
25:53I'm sorry.
25:54If we were going to do it anyway, it's better to do it in big.
25:58I'm very intrigued to know how your songs are going to sound.
26:01What did you think, Sang Hoon?
26:03From a fan's perspective, I liked them.
26:05But surely things change when they are professionals
26:07who do it for business, those who listen to them.
26:09For business.
26:10What did I say?
26:11Don't you dare say that they only do it for business.
26:13No, don't worry.
26:14The expression is fine.
26:15Life is business.
26:17We ask you to listen to Yoon Seok's music with the objectivity of business.
26:21He doesn't know you're here.
26:23No.
26:24He doesn't know...
26:25He has no idea.
26:28What floor are you going to?
26:29I feel like all of this has become a snowball.
26:33Like out of control?
26:34Exactly, out of control.
26:36If there are more than 20 people, I'm leaving.
26:40I was so nervous that I forgot my shoe.
26:42That's why I'm checking with my fingers.
26:52I want to go home.
26:55Let's go.
26:59How many people are there?
27:01How many were there?
27:02I'm going crazy.
27:06Excellent.
27:07And now?
27:08Let's start with the monthly evaluation of the first artist of Yoon Sang Productions.
27:15Now, please welcome Mr. Cho Yoon Seok.
27:18A big round of applause for him.
27:20Go ahead.
27:24It's normal to be nervous and tense.
27:27I imagine that if you are presenting it like this, your music must be good.
27:33I'm coming in.
27:37I'm so...
27:38What do I do now?
27:41What do I do?
27:42What do I do?
27:44What do I do?
27:46What's up, Yoon Seok?
27:48Go ahead.
27:56They want me to go crazy.
28:01What am I going to do?
28:03Wait.
28:05All this...
28:06Yoon Seok, please.
28:07Please forgive us for this.
28:09It's not them.
28:10We only invite the doubles.
28:20I thought it would only be for our staff.
28:23I never imagined something like this.
28:25I didn't think they were going to do this.
28:27I don't know what to think.
28:28I'm very confused, really.
28:30I wanted to go home.
28:34Please give another round of applause to Yoon Seok.
28:37A round of applause.
28:39I really didn't know anything.
28:41You must be in shock.
28:42I'm sorry.
28:44I'm in trouble.
28:45I'm really surprised.
28:48It looks like an audition show.
28:49I had only seen this there.
28:51It's okay.
28:52Relax.
28:53First of all, thank you all for joining us today.
28:56As you probably know, I'm not a singer.
28:59But I wrote some songs.
29:01And then somehow I ended up standing here.
29:03Yes.
29:04Okay, before we start with this,
29:06let me share with you the evaluation method.
29:09While you listen, you can turn on the light
29:12if you like the song.
29:13Okay.
29:14Let's see, I'm going to try it.
29:16Sure, you can turn it on and off.
29:18Let me distribute the lyrics of the first song.
29:21Sure.
29:22What do you think if we first listen to Yoon Seok
29:26tell us how the process of composing this song was?
29:31I thought I was there just to interpret the song.
29:35When they started distributing the lyrics,
29:38I really wanted to run out and hide.
29:43It's called I Just Wanna Loving.
29:46Can you explain to us?
29:49The grammar.
29:51What's the title?
29:55Love Loving.
29:56Ah, what is it?
29:57It's I Just Wanna Loving.
29:59Ah, I see.
30:00Loving.
30:01This is called poetic license.
30:03Poetic license, right?
30:04Can he take a seat?
30:05Sure, of course.
30:06Ray and Loco, do you think you can?
30:08The truth is, it's hard for me to tolerate.
30:10Ah, I didn't imagine you'd start the criticism
30:13before you sang.
30:14They're already stalking you just for the title of the song.
30:17We have to be objective.
30:18What a scandal.
30:19I like it.
30:20I can't ask.
30:21I loved it, really.
30:22Consider it a very honest creative approach.
30:24Tell us a little more about the song.
30:26Okay.
30:27It's inspired by a couple who both want to feel loved,
30:31even in fights.
30:32I wanted to portray all those emotions
30:34so confused in the lyrics of this song.
30:37Shall we begin?
30:38Yes.
30:39Yes?
30:44I started playing the chords.
30:46Oh, but I felt like my hands were freezing.
30:50How awful.
30:56♪♪♪♪♪♪
31:26♪♪♪♪
31:56♪♪♪♪
32:27♪♪♪♪
32:40♪♪♪♪
32:57♪♪♪♪
33:08Ah.
33:09Oh!
33:10Wow.
33:15Oh, God, that was awful.
33:17I don't think I've ever been so nervous in my life.
33:20Our judges really surprised us.
33:23We have three lights on.
33:25Let's hear them, please.
33:26Well, I turned on the lights because...
33:29So far, this seems like a blur.
33:32Something like that.
33:33Uh-huh.
33:34I think the song still needs a lot of work.
33:36Sure.
33:37You can feel that the song is taking a certain direction.
33:40Oh!
33:41I turned on the lights to say that I do see potential.
33:44Now I see that it can compose.
33:46It does know how to do it.
33:48Many don't have the ability.
33:50However, it wasn't a resounding
33:52Yes, what a great song to put on the album.
33:55To be honest, I loved the first part.
33:57The part that was in Korean.
33:59But the second part didn't captivate me at all.
34:02In fact, it was even annoying.
34:04But since I felt something beautiful in the first part,
34:07I was able to enjoy the rest of the song.
34:10But only at the beginning.
34:12So far, we've heard pretty good evaluations, right?
34:15Three of the judges turned on the lights.
34:17However, we have one that didn't.
34:19Yes.
34:20Composer Ana, it's your turn.
34:22If I were the producer,
34:24I would think that your voice is being wasted here.
34:29You are a singer who can give us more energy.
34:34But this song doesn't help you.
34:36It's weak.
34:37It seemed too simple to me.
34:40Yes.
34:41Too much.
34:42Although I hardly had time,
34:44I still prepared a lot for today.
34:46But I think it wasn't enough.
34:48No.
34:49It hurts me that I didn't sing with my usual energy.
34:53When you write lyrics,
34:55the choice of words has to be similar to how you speak on a daily basis.
34:58Do you often use the word discolored?
35:00In fact, no.
35:01But when we compose, sometimes we change words.
35:04That's how you end up with a cliché.
35:06I think the lyrics should reflect how you speak on a daily basis.
35:10If you insult a lot, you can also bring some blasphemy.
35:13I want to see courage.
35:14It doesn't matter what words you use.
35:16Speaking of the lyrics,
35:17I would like to add that you have to take advantage
35:20of the skills you already have as an actor and bring them.
35:24Let's see, when they give you your script,
35:26I'm sure you don't just go and say,
35:29my character is a party boy.
35:30No.
35:31Rather, you use a certain language to show that your character is a party boy.
35:34As an actor, you surely interpret the text going beyond what it says.
35:39And that way of acting appears naturally in your singing.
35:43I think singing and acting are the same kind of expression.
35:47I think when a good singer has to act, he can do it.
35:50And when a good actor has to sing, he can do it very well for that same reason.
35:55I just realized how complex all this is.
35:58Thank you very much.
36:00When we heard this song, we could only say,
36:03oh, how beautiful, play it again, we want to hear it again.
36:06But it definitely enriches the opinion of those who do this for business.
36:11We've already talked so much, and it's just the first song.
36:14Exactly.
36:15How fun.
36:16Yes, a lot.
36:17Well, the second song, The Standard of Medium, is called...
36:22I like the title.
36:23It's catchy.
36:24Yes, right? It's catchy.
36:25Yes, I thought of the girl I liked from church when I was a teenager.
36:30From church?
36:31That's why I wrote it.
36:33For this song, we collaborated with Barry.
36:37He's also known as Young Min.
36:39While he played the piano, I wrote the melody, and then I wrote the lyrics.
36:46I was curious to know how you write your songs, because you're the best.
36:50Oh, please.
36:51Seriously, you're the best, really.
36:53First, I met Young Min through G. John, my wife, and we became friends.
36:59I wanted to ask him a lot of questions, and that's why I decided to call him.
37:04Bam, bam.
37:05He started with those notes, then the melody came up, and then the lyrics.
37:15No, this is wrong.
37:16Again.
37:17Let's see.
37:21There it is.
37:22Sounds good, doesn't it?
37:23And are you going to play it?
37:24No, with a track.
37:25With a track?
37:26It's going to be with a track.
37:27Okay.
37:28How about if I use the guitar just a little bit, too?
37:30Okay.
37:31Okay.
37:32Let's go.
38:03My heart is forever
38:07Like the sun in the sky
38:10You warmly hugged me
38:14I'll always be your light
38:17You and me, loving for you tonight
38:22The day I'm with you
38:26I've been waiting for a long time and I've been excited
38:31I love you, my love
38:35I'll protect you forever
38:39For you
38:42Thank you for listening.
38:48After listening to four bars, Ana pressed the button, and with force.
38:52Yes.
38:53Wow, it felt so...
38:54Extraordinary.
38:55Yes, a lot.
38:56I was very excited.
38:57It was super duper.
38:58We were recovering.
39:00Oh, my God.
39:03Hey, and why is it called The Standard of Medium?
39:05Because it's mid-tempo.
39:08It's a preliminary title.
39:09I think it would be good if it stayed as a title.
39:12It generates intrigue, right?
39:13It's good, it's good.
39:14The Standard of Medium.
39:15I know it's a preliminary title.
39:16Yes.
39:17But I think you can generate certain ideas in people,
39:19like, it must be a ballad, or it's probably something else to dance to.
39:23If you keep giving the titles the same format,
39:26I think that can make you give a very distinctive style to your first album.
39:31And this would be a good title for the album, in fact.
39:34Oh, The Standard of Medium, really?
39:35If everything is mid-tempo, even his clothes can be medium.
39:39Let everything be medium, even his size.
39:41His flesh in the middle.
39:43Don't you think his voice was incredible in this one?
39:45Totally.
39:46Yes, his voice was very solid in his point.
39:48Exactly.
39:49He started with that voice, attacking from the beginning.
39:51From there, he was already getting the best out of his range.
39:54The voice that everyone expects to hear from you,
39:56they're going to have it from the A part of the song.
39:58Of course.
39:59What I want to tell you is that if you plan to use people who are in this business,
40:02I would like to contribute as a lyricist.
40:07There are several key elements in this song.
40:09The melody can be chosen depending on the meta.
40:11I thought he...
40:12She is the best lyricist in the country.
40:14The best.
40:16Of course I would love to count on her.
40:18Those who do it for business, getting involved.
40:20We are very intrigued.
40:21What a difference.
40:23I loved the song.
40:24However,
40:27I personally thought
40:30that the song was something predictable.
40:33An inflection point would have helped you.
40:36Many use that resource.
40:38It would have been better if you had put an unexpected change in the melody or rhythm.
40:44I would recommend doing it when you work on the arrangement.
40:47I didn't want to press the button because
40:50in the time I have composed, I have thought a lot about
40:53why everything sounds the same.
40:54Why does everything always have to look like a cliché?
40:57And when that happened to me, I tried rhythms out of my comfort zone.
41:02And that method helped me with many songs.
41:04You could probably get a great variety of new songs if you try this method.
41:09Thank you very much.
41:10I am writing down all these tips in my heart.
41:13Well, those were the two songs we prepared for today.
41:17Ah, only two?
41:18However, when I asked her how she was doing, she showed us fragments of this other one.
41:22Personally, I felt that this song was also a wonder.
41:27We wouldn't mention it if they hadn't turned on the lights.
41:30Did we hear it?
41:31I think he's already mad.
41:33Hey, Moon was the one who mentioned it.
41:35It's just that it doesn't even have lyrics.
41:38It's just nonsense that I recorded with my phone in 2016 or 2017, more or less.
41:43The guide vocals were made by Gomi.
41:46Sounds promising.
41:48She's going to make our hearts race.
41:51Let me lower the guitar.
42:17Moon
42:20Moon
42:25Moon
42:32Moon
42:35Moon
42:39Moon
42:41Moon
42:47Wow!
42:49Is that the one you liked the most?
42:50Really?
42:51Yes.
42:52Very pretty, I loved it.
42:54The progression was very normal, but very refreshing.
42:57It seemed to me something like a ski track.
43:00Of course.
43:01It gave me that same vibe.
43:02I think it would be good if it was released in this quality.
43:04The chords.
43:05Like recorded on an iPhone.
43:06Yes, that sounds interesting.
43:07I would like to hear more as if they were laughing while singing together.
43:10I don't know, something like the sound of the blanket.
43:12I love that kind of thing.
43:14I think they contribute a lot.
43:15And that's very fashionable.
43:16Yes, it's a trend.
43:17It was very nice when they sang together.
43:19Yes.
43:20Right?
43:21Even as a special track, if you record a song in your room,
43:24it doesn't sound like what you did.
43:26That special sound.
43:28I think it would be good if they did it.
43:30It would sound incredible if it overlaps with the sounds of the session.
43:33Ah, half a song?
43:34Yes, that can change a lot.
43:35This part.
43:36Oh, I'm glad we did it.
43:38God, what a pleasure.
43:39Which of the two did the melodic line?
43:41We did it together.
43:43The two sounded very nice.
43:45And that's why we wanted to record it.
43:47Ah, okay, okay.
43:48I think it's very important that you dare to let people listen to your music
43:53instead of keeping it for so long just for you, you know?
43:56You're right.
43:57Would you turn on the light for this song?
44:00Oh, of course.
44:01Yes, of course.
44:02Hey, four lights on!
44:05I think it's the first time he's received so much praise.
44:08The four lights.
44:09Lastly, I just want you to know that I'm very grateful for everything you shared with me today,
44:14and I want to express my great passion for music with these shoes that GD gave me.
44:19Oh, wow!
44:20GD gave them to me.
44:21And I've always treasured them.
44:24I put them on for the first time today because I wanted to do a good job.
44:28I would have had zero lights if it weren't for GD.
44:33In general, good actors are good singers,
44:36and good singers are good actors.
44:38Our artist does both things well.
44:42He's starting to make music.
44:44If he were a kid, this would be like taking his first steps.
44:48Or like his first teeth, right?
44:49Yes.
44:50They look like rice.
44:51Something like that.
44:52Or also like...
44:53Yay!
44:54Cheers!
44:55Cheers!
44:56Let's toast.
44:57Cheers!
44:58Cheers!
44:59Cheers!
45:00Cheers!
45:02Ah...
45:03To be honest, I...
45:04To be honest, I...
45:05Well...
45:06Okay.
45:07I had a very bad time today.
45:10Okay.
45:11Young Woo, thank you for your help.
45:13You're welcome.
45:15You did a great job.
45:16I was like, what are they doing here?
45:19Why am I here listening to comments like...
45:21From shows like Sing Again?
45:22Wait, where am I?
45:23Who am I?
45:24Why are these people here?
45:26At that moment, it was finally happening.
45:30Wow.
45:31It was a real hit.
45:32Yes, it was a real hit.
45:33And it left me very confused.
45:35The truth is, everything was very confusing.
45:37I took a strange mix of feelings.
45:39I understand.
45:42Well, I don't care if it's good or bad.
45:46My goal is to give my best effort to make songs that people love.
46:00I didn't know what to do.
46:04A singer for a collaboration?
46:09I mean, I have to tell my acquaintances what I'm doing.
46:13Jung Seok!
46:14Oh, hi!
46:15Jung Seok!
46:16Oh, hi!
46:17Jung Seok!
46:18Jung Seok!
46:19Jung Seok!
46:20Jung Seok!
46:21Jung Seok!
46:22Jung Seok!
46:23Jung Seok!
46:24Jung Seok!
46:25Jung Seok!
46:26Jung Seok!
46:27Jung Seok!
46:28Jung Seok!
46:29Jung Seok!
46:30Jung Seok!
46:31Jung Seok!
46:32Jung Seok!
46:33Jung Seok!
46:34Jung Seok!
46:35Jung Seok!
46:36Jung Seok!
46:37Jung Seok!
46:38Jung Seok!
46:39Jung Seok!
46:40Jung Seok!
46:41Jung Seok!
46:42Jung Seok!
46:43Jung Seok!
46:44Jung Seok!
46:45Jung Seok!
46:46Jung Seok!
46:47Jung Seok!
46:48Jung Seok!
46:49Jung Seok!
46:50Jung Seok!
46:51Jung Seok!
46:52Jung Seok!
46:53Jung Seok!
46:54Jung Seok!
46:55Jung Seok!
46:56Jung Seok!
46:57Jung Seok!
46:58Jung Seok!
46:59Jung Seok!
47:00Jung Seok!
47:01Jung Seok!
47:02Jung Seok!
47:03Jung Seok!
47:04Jung Seok!
47:05Jung Seok!
47:06Jung Seok!
47:07Jung Seok!
47:08Jung Seok!
47:09Jung Seok!
47:10Jung Seok!
47:11Jung Seok!
47:12Jung Seok!
47:13Jung Seok!
47:14Jung Seok!
47:15Jung Seok!
47:16Jung Seok!
47:17Jung Seok!
47:18Jung Seok!
47:19Jung Seok!
47:20Jung Seok!
47:21Jung Seok!
47:22Jung Seok!
47:23Jung Seok!
47:24Jung Seok!
47:25Jung Seok!
47:26Jung Seok!
47:27Jung Seok!
47:28Jung Seok!
47:29Jung Seok!
47:30Jung Seok!
47:31Jung Seok!
47:32Jung Seok!
47:33Jung Seok!
47:34Jung Seok!
47:35Jung Seok!
47:36Jung Seok!
47:37Jung Seok!
47:38Jung Seok!
47:39Jung Seok!
47:40Jung Seok!
47:41Jung Seok!
47:42Jung Seok!
47:43Jung Seok!
47:44Jung Seok!
47:45Jung Seok!
47:46Jung Seok!
47:47Jung Seok!
47:48Jung Seok!
47:49Jung Seok!
47:50Jung Seok!
47:51Jung Seok!
47:52Jung Seok!
47:53Jung Seok!
47:54Jung Seok!
47:55Jung Seok!