• 2 days ago
Sturm der Liebe - Manipulierte Gefühle (4301 )

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Transcript
00:00
00:04So I'm supposed to convince Markus
00:06to sell his shares to you?
00:09Under the condition that you both
00:11immediately leave the prince's court.
00:14
00:18Mr. Saalfeld?
00:19
00:23I'll try.
00:24
00:35You don't owe the deal to Philipp,
00:37but to his father.
00:38He made the contact to the breeder.
00:40Yeah, and that you transfer your problems
00:41with Philipp to him?
00:43Are you serious?
00:44And you're just making me jealous?
00:46It's just a question.
00:49Please think about it again.
00:52Leave the deal.
00:56You know it's pretty hard
00:57to find something in Bichelheim.
01:01It wasn't that hard, to be honest.
01:03Are you talking to us?
01:07That's great.
01:09I've changed my mind, by the way.
01:11No lasagna after all.
01:13What? Of course.
01:14No, I mean,
01:16I would invite my father to our wedding.
01:18Really?
01:19Well, provided it's okay for you.
01:21Of course it's okay.
01:22Why all of a sudden?
01:24Good news.
01:26Heinz called.
01:28He just sent the contract.
01:31Already?
01:32So fast?
01:34Yes, he should be here tomorrow.
01:36And then you just have to sign it.
01:40Hello.
01:41
01:48Great, then I'll come by tomorrow
01:52and sign it.
01:54Yes, then the two beauties belong to you.
01:57Clever decision.
01:59Yes, I think so too, yes.
02:01Yes, you recently saw in the Equine Passes
02:04that the two have an excellent lineage.
02:06Yes, the trees were really very impressive
02:09and without your advice
02:10I would never have found them.
02:11Thank you again.
02:12Not at all.
02:14With Cassiopeia and Cleopatra
02:16you will build up a successful breeding.
02:18I hope so,
02:19because the two are really not cheap.
02:21The money is well spent.
02:22Believe me.
02:24So, then we'll see each other tomorrow
02:25as soon as the contracts are there.
02:27See you tomorrow.
02:32Anna, why don't you listen to me?
02:37Vincent, I really appreciate
02:39how much you put into it.
02:41Anna, we'll find other studs.
02:42Please don't make a hasty decision.
02:45I really believe
02:46that you don't need to worry.
02:49If I didn't have serious concerns,
02:51I wouldn't say anything.
02:54I have a good feeling, okay?
02:57Trust me.
03:03Yes, the beauty.
03:16Hi.
03:17I didn't hear you coming.
03:19You were really deep.
03:20Are you feeling better again?
03:22Yes.
03:23What do you have there?
03:25It's a brochure of a winery
03:27near Baden-Baden.
03:29And what are you going to do with it?
03:32I actually wanted to order wines for the hotel,
03:35but now I saw that it was for sale.
03:38Look here.
03:40How beautiful.
03:41It's quite nice.
03:42And the Bavarian wines
03:43are not to be missed either.
03:45How nice.
03:46Look at this house
03:47in the middle of the vineyards.
03:49Yes, it's on the west side.
03:50Wonderful.
03:51Not too hot in summer.
03:52Yes, and the view from the terrace.
03:54Imagine that at sunset.
03:57Hey, we could live there together.
04:01Now you've really
04:03taken a bloodbath.
04:05Yes.
04:07Now you've really
04:09taken a bloodbath.
04:11You're already a proud owner
04:13of a winery.
04:15Yes, but I'm legally bound
04:17to the prince's court.
04:18After all, you are guaranteed
04:20annual income.
04:23Imagine that.
04:24We would really be independent.
04:27That's what we've always wished for.
04:29And our winery,
04:31it could also be in Tuscany.
04:33Or in Spain.
04:35The wines in the Toro Valley
04:36are a sensation.
04:38And Noah, who's pretty close by,
04:40could come and visit us
04:41with the children.
04:44What children?
04:45You didn't tell me
04:46that he's going to be a father.
04:47No, he won't.
04:48But until then,
04:49he'll hopefully have some children,
04:50if we live there
04:51and are old and grey.
04:54Why old and grey?
04:56Well,
04:57I would say
04:58we still have 20 to 30 years.
05:00Or what did you think
05:01when we settled down?
05:05That means the tax report
05:06should be here soon.
05:08All right.
05:09Thank you for the information,
05:10Mrs. Krodinger.
05:11Yes.
05:13Bye.
05:14Come in.
05:16Hey.
05:17Hi.
05:18Yes, I'm glad to see you too.
05:20Do you have a moment?
05:22Always for you.
05:23What are you going to tell me today?
05:26Okay, Philip.
05:27It's clear.
05:28We won't be friends in this life.
05:29Then I'll be your opinion,
05:30just in case.
05:32I need your help.
05:34It's about Anna.
05:37Something's not right
05:38with this horse deal.
05:40Are you starting with that again?
05:41Philip, please.
05:42I have a really bad gut feeling.
05:44Does Anna have that too?
05:45No.
05:46Anna wants to sign
05:47the purchase contract tomorrow.
05:49See?
05:50Her money, her decision.
05:51Just accept it.
05:52I can't.
05:53I would,
05:54if I were you.
05:55Philip,
05:56if you were me
05:58and you were sure
05:59that something was wrong,
06:01you would do everything
06:02to protect Anna.
06:04Right?
06:06Please.
06:07Let's talk to her together.
06:09Then she'll think about
06:10the whole thing again.
06:12And we'll gain time
06:13to check it thoroughly.
06:15But you have no proof at all.
06:17Your bad gut feeling
06:18is based only on prejudices
06:19you have against my father.
06:22Do you remember
06:23when Anna fell off the horse
06:24and we were looking for her?
06:25You only had your gut feeling.
06:27Yes, and?
06:28If I hadn't listened to you,
06:30we would never have found her in time.
06:32That's something
06:33completely different.
06:35Listen.
06:36I trust my father.
06:39And I will not interfere
06:40with Anna's deal.
06:43If your trust in your father
06:45turns out to be wrong,
06:47Anna will get the ransom.
06:52But if you don't care...
07:00I don't care.
07:03I don't care.
07:28Darling, I'm home.
07:30Ah, hey.
07:31Hi.
07:32I made caprese.
07:34And after that,
07:35there's lemon tagliatelle
07:36with cherry tomatoes.
07:38How do I get the honor?
07:39Well,
07:40last time you cooked me,
07:41now it's my turn.
07:43Please, take a seat.
07:44Just a moment.
07:45It's about to start.
07:46Just a moment.
07:47Wait.
07:48First,
07:49I have to welcome
07:51the most beautiful woman in the world.
07:56What is that?
07:58Open it.
08:02Michael, you're crazy.
08:05You don't like it?
08:07I do.
08:08It's beautiful,
08:09but I can never accept it.
08:11Why not?
08:14Is today a special day?
08:17I don't need a special day
08:19to give you a little something.
08:24Okay, it's way too valuable.
08:28I'm just glad
08:31that you like it,
08:33darling.
08:38There.
08:44Wow.
08:47The Venus of Botticelli
08:49couldn't be more beautiful.
08:57Hey, there you are.
08:59Yeah, sorry,
09:00I had something to take care of.
09:04Are we going to have a nice drink?
09:06It's non-alcoholic.
09:08And no,
09:09there's nothing to drink nicely.
09:11I wanted to toast with you.
09:13There are other great news.
09:16Mr. Seidel called me earlier
09:17and he said the construction work on the stele is going really well.
09:20That means we can put the Stutenwald under construction.
09:23Nice.
09:24And that's why I had another idea.
09:28What do you think about
09:30having a memorial service for Wilma
09:32at the inauguration of the stele?
09:34With family and friends.
09:36That's a nice idea.
09:38Without Wilma,
09:39you couldn't realize the dream.
09:41Exactly,
09:42and I've never really celebrated my inheritance
09:44and I'd like to do that now.
09:46Good.
09:49You're still angry
09:50because I didn't listen to you.
09:52Anna, I'm not angry.
09:53I'm just thinking seriously.
09:55You don't have to.
09:59I know what I'm doing
10:02and I've made up my mind.
10:03Please accept it.
10:06Please.
10:11Okay.
10:12You know what you're doing.
10:17To Wilma
10:18and to our future together at Guttalheim.
10:33Good evening.
10:34Christoph.
10:39Oh, Mrs. Saalfeld.
10:42Because of the inconsistencies
10:44in this wine delivery,
10:45have you already moved on?
10:48I'm on it.
10:50Good.
10:51Be so kind
10:52and take care of it.
10:53The sooner it's settled,
10:55the better.
11:00Oh.
11:13Wait.
11:14We'll have that in a minute.
11:15Do you have a towel?
11:16Yes, yes, yes.
11:17We'll have it in a minute.
11:27Merkel?
11:28You don't have any wine stains, do you?
11:32What's going on?
11:39Christoph Saalfeld
11:40is killing me.
11:42What?
11:44He just asked you
11:45a professional question.
11:48Yes, but
11:49I'm tense all the time.
11:52One little thing
11:53is enough
11:54and I lose my temper.
11:57Is that why
11:58you attacked Alexander yesterday?
12:00Yes.
12:02I'm not myself anymore.
12:04But because of Christoph
12:06you don't have to worry
12:07about best interests.
12:09You say that so easily.
12:11You never know
12:12when his peace-making
12:13will end.
12:14Yes, well,
12:15you always have to be on your toes.
12:16But hey,
12:17you yourself
12:18pleaded for us
12:19to all travel together.
12:21Yes, I did, but
12:24I underestimated
12:25the whole situation.
12:28It's really killing me.
12:32I even dream about it,
12:34when I'm sleeping at all.
12:36And about drawing,
12:37look,
12:38I can't concentrate
12:39on drawing either.
12:40Oh, you.
12:42That's not so bad.
12:44But also not good.
12:45Oh, you.
12:47I understand you.
12:48Christoph is, God knows,
12:49no dream roommate.
12:51But hey,
12:52that will change soon.
12:54Because if he lives
12:55with Alexandra
12:56in a new apartment,
12:57then she has him on her back.
12:58And here,
12:59the situation will calm down again.
13:00And if not?
13:01After all,
13:02I also have to work with him.
13:04Katja, you're so black-eyed.
13:05I don't even know you like that.
13:07That will settle down again,
13:08definitely.
13:24Philipp!
13:25What's up?
13:26What are you doing here?
13:28Morning.
13:29Morning.
13:30Tell me, Roland,
13:32how well do you really know
13:34this breeder?
13:36Heinz?
13:37Half an eternity.
13:41Why?
13:44I don't know.
13:47I don't know.
13:49I don't know.
13:51I don't know.
13:54Vincent has doubts.
13:59Ah, the vet, huh?
14:01Do you want a coffee?
14:03No, thanks.
14:05Did you get infected by him?
14:08It's not about me at all.
14:10It's about Anna.
14:13And what about her?
14:14Does she also have doubts?
14:16She still wants to buy the studs.
14:19Yes.
14:20That's not a problem, is it?
14:22Vincent advised her to think again.
14:24Man, this guy, really.
14:27So much mistrust.
14:29Terrible.
14:31But for Heinz,
14:33I'll hide.
14:36Roland,
14:39are you sure about that?
14:41Heinz is an honest person.
14:45Look,
14:47we'll do the following.
14:48We'll go through the equine tests again.
14:51Okay?
14:52I don't know.
14:53Yes.
14:54Vincent probably already did that anyway.
14:56Doesn't matter.
14:57Double holds better.
15:02I'm glad you like the room.
15:05Yes, it's really nice.
15:06Thank you very much.
15:07And it's really not too small for you?
15:09No, I don't have that much stuff anyway.
15:11Since the separation from my ex-girlfriend,
15:13I've shrunk quite a bit.
15:14Well, then I'd say we sit down,
15:16have a coffee,
15:17and discuss all the formalities.
15:21Ah yes, of course, the rental contract.
15:23Yes, well, we'll do it like this.
15:27Welcome to the new home.
15:30Thank you very much.
15:31And I'll join you.
15:32Oh, thank you.
15:33We're really very grateful
15:34that you're renting the room, Louis.
15:36Yes, that saves us a lot of time.
15:38And we're looking forward
15:39to a nice rental from Roland.
15:42And what are we doing now
15:43to celebrate the day?
15:44We'll go on a picnic.
15:47That won't work.
15:49The move-in transporter will be here soon.
15:52Oh, you've already organized everything?
15:53Yes, of course.
15:54I didn't want to be late.
15:57Okay, then I'll help you.
16:05Hello.
16:06Nicole!
16:08Good morning.
16:09Hello.
16:10Did you bring the extra supplies
16:11for the seminar group?
16:12Yes.
16:13Rybnik cake
16:14and black forest cherry cake,
16:15as ordered.
16:16That will sweeten up
16:17the lectures for you.
16:19How are you?
16:21Come on, sit down for a moment.
16:31Is everything okay
16:32between you and Michael again?
16:34Yes, he's making
16:35a lot of effort now.
16:37That sounds good.
16:38But sounds like a but.
16:42He exaggerates a lot.
16:44Can you exaggerate?
16:46The Aphrodite of Botticelli.
16:49Me, exactly.
16:51Yes, those were his words
16:53when he gave me a beautiful
16:55but far too expensive necklace yesterday.
16:59That's probably his way
17:01of making up
17:02after it didn't go so well
17:03with you recently.
17:05Yes, but he's never given me
17:06such an exaggerated gift.
17:08He just wants to show you
17:10how much you mean to him
17:11and how much he loves you.
17:12Yes, he said that too.
17:14Yes, you see.
17:15Nevertheless,
17:16somehow he's different.
17:20His behavior
17:21is sometimes almost imposed.
17:23I just feel
17:24that there's something
17:25between us.
17:30Excuse me
17:31if I ask you again,
17:34but your bad conscience
17:36about Eric Klee
17:38doesn't matter at all?
17:40Your kiss,
17:42that you feel attracted to him.
17:45Yes.
17:47No, well,
17:49the kiss was a mistake.
17:51That's no question.
17:54But
17:56it's something else.
18:09Thank you very much
18:11for telling me
18:12about this immune therapy.
18:14Without my research,
18:15you would have found out yourself.
18:17Yes, but not quite so quickly.
18:19And you told me yourself
18:21that speed is crucial
18:23for Manus Immobilis.
18:25When do you start
18:26with the therapy?
18:27Today.
18:28I've already prepared
18:29the prescription.
18:30Oh, I see.
18:31Yes,
18:32I've already prepared
18:33the prescription.
18:34Yes,
18:35I've already prepared
18:37Today?
18:38Yes.
18:39I've already talked
18:40about it to my coll...
18:43Excuse me.
18:44That,
18:45that makes me happy.
18:48For me,
18:49the whole thing is still
18:51a shock.
18:53Not knowing
18:55whether I can continue
18:56to practice is...
19:00I understand.
19:02Yes,
19:03Yes, and I haven't found a way yet to deal with the situation properly.
19:10Have you already told your girlfriend about it?
19:15No.
19:17I think it's best not to involve her.
19:21And actually, it's not right for you to be burdened by it.
19:26You should concentrate on your doctor's work.
19:28You can talk to me about it at any time. That's not a question at all.
19:33And as far as your life partner is concerned...
19:35She would only worry.
19:38And she can't help me.
19:41Yes, but keeping a disease quiet only makes it worse.
19:46At some point, she would find out herself that you're keeping something quiet.
19:50And even more important, you need her by your side.
19:57You're right.
20:03You really don't have to be afraid of horses anymore.
20:06You don't have to emphasize that every time, Roland.
20:08I'm just happy.
20:10Now you just have to get used to the mice.
20:14Can you remember that?
20:15Of course.
20:17Christmas, you were about four.
20:19You were totally excited about getting your first bike.
20:22You were just unpacking the whole box,
20:25when suddenly, a mouse came out under the Christmas tree.
20:30You didn't go into the living room anymore.
20:33Before I caught the mouse and released it out in the garden.
20:39Okay.
20:40Which leg do we start with?
20:42Pick one.
20:43When did we start here?
20:45Yes.
20:46Here.
20:46Equine pass Cleopatra.
20:49Compare the drawn drawings with the drawings on the fur.
20:55You mean this one?
20:55Yes.
20:57Okay.
21:03Equine pass Cleopatra.
21:08They are identical.
21:10Exactly.
21:11An equine pass is something like a Perso,
21:14just without a photo.
21:16And the drawings,
21:18in combination,
21:19they are so unique.
21:22It's like a fingerprint.
21:25So, with this pass, I can actually identify every horse?
21:28That's exactly how it is.
21:29Here, now let's look at Cassiopeia.
21:32All right.
21:57Yes.
21:59The voice changer.
22:01What did you expect from him?
22:06Actually, nothing.
22:07Vincent drove me totally crazy.
22:12I just want Anna not to be pulled over at the deals.
22:17You can be very calm.
22:31You can be very calm.
22:43Werner hasn't woken up yet?
22:46I don't have the slightest problem having breakfast alone with you.
22:54From Eleni.
22:56She's asking if we'll come to her when it's time.
22:59What kind of question is that?
23:00We have to welcome our grandchild.
23:03That's how I write it.
23:09You're the most beautiful granny I know.
23:14My grandson can call me granny.
23:16My fiancé can't.
23:17All right, then I'll call you Bibi.
23:19Call me Grandma on Swahili.
23:22You know something like that.
23:24Thanks to the internet.
23:26I'll look for flyers in my office.
23:33Wait a minute.
23:36Eleni says she wants Markus to come with her.
23:40Would you mind if we all flew together?
23:44As long as he doesn't sit in front of me in the plane and fold his back.
23:49Eleni will be happy.
23:51And I'm happy that you and Markus have finally changed your grave fights.
23:59Okay.
24:06It's a shame that your father had to go.
24:08But nice of him to invite us to breakfast.
24:12Yeah, he's really trying hard lately.
24:16I'm just about to go over to breakfast.
24:18Do you want to come with me?
24:19I'd love to, but I still have to wash clothes and do a few other things in the household.
24:23Okay.
24:25Come on.
24:30I can't.
24:56Hey.
24:56Hi.
24:58Hi.
24:59I've been thinking about what you said, Vincent.
25:02Okay.
25:02And?
25:03I've compared the equine passes with the studs and the drawings, and everything fits.
25:09Yeah, you're right. My son is very penniless. He could have become a bookseller.
25:13Yeah.
25:15Anna.
25:16You can buy the studs without any hesitation.
25:19Great. Thank you, Philipp.
25:21Thanks.
25:23Hey.
25:23How's it going?
25:25We're throwing a welcoming party at Talheim soon.
25:27When the new stable is finished.
25:28It'll also be a commemoration party for Wilma.
25:31Come too.
25:33Yes.
25:34That would be nice.
25:37Yeah.
25:38Thanks for the invitation, but better not.
25:42Talheim is now your project, and I wish you all the best in the world.
25:47Thanks.
25:47Thanks.
25:51Okay.
25:58Okay.
26:02Nicole, what I'm trying to tell you is...
26:06With me, Manus Immobilis was diagnosed, and that means that as a doctor I no longer...
26:28♫ Dramatic music ♫
26:42Eat your soup, or it'll get cold.
26:45Yeah.
26:47And you, have fun with the others.
26:49Thanks. Don't worry. I'll be back soon.
26:52No, no. Please.
26:54Stay as long as you want.
26:56Have fun.
26:57Smoke the dance floor.
26:59♫ Dramatic music continues ♫
27:13Ah!
27:15I'll help you.
27:16Sorry. Sorry. I'm sorry.
27:21It's okay, Michael.
27:23I'm sorry.
27:24♫ Dramatic music continues ♫
27:36Michael?
27:39Nicole!
27:41That was fast.
27:44What's going on?
27:45It sounded so important on the phone.
27:51Um...
27:54Michael?
27:56You're making it really exciting.
28:00Nicole, what I'm trying to tell you is...
28:11Let's go around the houses tonight.
28:15Let's rock the dance floor.
28:19Is that what you wanted to tell me?
28:21And for that, I'll leave everything in the café and come here?
28:24Hmph!
28:30Come on, Jenny. First, let's get out of here.
28:33We'll open the bookshelf first, so we can roll it in right away.
28:36I'm thirsty.
28:37Practically set up, or are you already fixed and ready?
28:41I just didn't know you were such a read-a-lot.
28:43Yes, my cookbook collection has to go with it, of course.
28:45It's a small weakness of mine.
28:48And...
28:49What's your big weakness?
28:50Yes, you know that very well.
28:52The transporter is already here.
28:54Yes!
28:55When I think about the fact that we have to clean all of this up...
28:58Because of what? I don't have much stuff.
28:59Well, certainly not as much as you do.
29:02Come on, let's not talk about your stuff anymore.
29:05Mr. Klee, where are you?
29:06In the kitchen.
29:06What's that?
29:07Here comes the garbage-packing guy.
29:10You brought me in here, didn't you?
29:11Yes, but you can at least help the handicapped, can't you?
29:15Ms. Solmich, are you moving out?
29:17If you move in, yes.
29:19See, that's what I mean.
29:20You're really so nice that you're all helping.
29:22Yes, thank you very much.
29:24If we all pack up, we'll be done with the stuff very quickly.
29:28All together.
29:29Yes.
29:29Okay.
29:30Okay.
29:31Good, let's go.
29:32Oh, by the way.
29:34I have a little surprise for you later.
29:36Oh, really?
29:37That would be great.
29:41Yes.
29:42What kind of surprise is it?
29:43Straight ahead.
29:44Ah, watch out.
29:44Up the stairs.
29:45Then it's not a surprise.
29:46Großer?
29:48Deine stillheit.
29:50Meine Kopfschüssel.
29:51Oh, nein.
29:58Auch eins?
29:59Ja.
30:17Mmh.
30:18Der Stuhl hier, der ist ja wirklich fantastisch.
30:22Mmh.
30:23Mmh.
30:25Sag mal, magst du deinen nicht?
30:28Hm?
30:28Möchtest du den haben?
30:33Nee, Kopf hoch, Junge.
30:36Ja, das sagt sich immer so leicht.
30:39Vorhin, da hast du mir den Beinen wahre Größe gezeigt.
30:43Ich weiß, das ist hart.
30:47Du wolltest eigentlich mit Anna aufs Gut ziehen.
30:49Und jetzt hat sie dich mit einem anderen ausgetauscht.
30:52Das ist Quatsch.
30:53Ich hab's schon vor langer Zeit verbockt.
30:56Aber darüber möchte ich genauso wenig reden,
30:58wie du bei deiner Zeit im Knast.
31:01Ja, vorbei ist vorbei.
31:03Hast recht.
31:04Man muss nach vorne schauen.
31:05Mir bleibt ja eh nichts anderes übrig.
31:09Es geht um dich.
31:10Mir bleibt ja eh nichts anderes übrig.
31:13Es geht nicht von jetzt auf gleich.
31:15Du hängst noch an ihr, ne?
31:20Roland.
31:22Ich liebe Anna.
31:25Aber leider beruht das nicht auf Gegenseitigkeit.
31:31Du packst das, Junge.
31:33Glaub mir.
31:35Was macht dich da so sicher?
31:36Hm.
31:38Wir haben die gleichen Gene.
31:40Wir rappeln uns immer wieder auf, wenn wir am Boden liegen.
31:45Der Pfarrer im Knast,
31:47da hat man einen ganz guten Satz zu mir gesagt.
31:53Wenn du etwas loslässt,
31:55dann kommt immer etwas Neues auf dich zu.
31:57Und meistens ist das Neue besser als das Alte.
32:07Ja, schön wär's.
32:11Du hättest es auf jeden Fall verdient.
32:15Der Strudel, der ist fantastisch, ey.
32:19Willst du nicht doch ein bisschen was?
32:22Hm?
32:24Nein, danke.
32:25Echt?
32:26Wahnsinn.
32:29Ich kann das ja eigentlich auch selbst machen.
32:31Komm, gib her.
32:32Ach, jetzt hab ich's doch gleich.
32:34Mami, was ist denn los?
32:38Ich halte das einfach nicht mehr aus mit Christoph Saalfeld.
32:42Ich bin ja auch kein großer Fan von ihm,
32:44aber er zieht jetzt bald aus
32:46und immerhin hat er mir das mit dem Schlafmittel vergeben.
32:50Hm.
32:52Und ihr habt ja eigentlich auch sowas wie Waffenstillstand geschlossen, oder?
32:59Ich soll Markus davon überzeugen,
33:01seine Anteile an sie zu verkaufen.
33:03Unter der Bedingung, dass sie beide sofort danach den Fürstenhof verlassen.
33:07Angenommen, es gelingt mir.
33:09Und Markus und ich sind weg.
33:11Dann lassen sie aber auch wirklich die Angelegenheiten mit Maxi auf sich beruhen.
33:19Das war schon echt großzügig von ihm.
33:22Hätte ich mir gar nicht erwartet.
33:26So.
33:29Zack, schon fertig.
33:31Du bist die Beste.
33:33Ich muss los in die Klinik.
33:35Blutdruck-Chat bei meinen Probanden, den klau ich mir, ja?
33:37Klar.
33:38Tschüss.
33:39Frau Neubach.
33:40Oh, hallo.
33:41Wie läuft's mit Ihrer Studie auf dem Weg zum Doktortitel?
33:44Bestens, danke. Ich bin nur ein bisschen in Eile.
33:46Wiedersehen.
33:47Tschüss.
33:49Wie sieht's aus?
34:01Sind Sie bei Markus schon weitergekommen?
34:07Ich brauche Ihre Hilfe, wenn ich ihn dazu bringen soll, dass er seine Anteile an Sie verkauft.
34:12Mir ist es auch recht, wenn er hinter Gittern landet.
34:15Sie müssen sich schon entscheiden und dann liefern, sonst wird's ungemütlich für Ihre Tochter.
34:19So einfach wie jetzt bekommen Sie ihn nie wieder los.
34:22Sie müssen mir nur helfen.
34:28Wie stellen Sie sich das vor?
34:32Seien Sie einfach Sie selbst und machen mich vor Markus fertig.
34:45Als Philipp Freund abgelehnt hat, zum Fest nach Thalheim zu kommen,
34:50und mir und Vincent auch noch alles Glück der Welt gewünscht hat,
34:54das klang endgültig.
34:57Ob er wirklich mit mir abgeschlossen hat?
35:00Das wäre für uns drei bestimmt das Beste.
35:03Ich sollte froh sein, wenn er nach vorne schaut.
35:08Aber wieso tut's mir dann weh?
35:11Ich versteh's nicht.
35:13Wahrscheinlich, weil es sich immer erst komisch anfühlt, wenn ein Abschnitt endgültig vorbei ist.
35:20Und so ist das nun mal mit Philipp.
35:26Und so ist das nun mal mit Philipp.
35:42Zum Steinbutt in Beur-Blanc würde ich Ihnen einen im Holzfass gereiften Chardonnay empfehlen.
35:47Klingt wunderbar.
35:48Danke, vielen Dank.
35:49Danke Ihnen, nehme ich gleich mit.
35:51Vielen Dank.
35:55Frau Thies und ihr Mann würden zum Hauptgang den 22er Chardonnay nehmen.
35:59Alles klar, bring ich Ihnen.
36:00Danke.
36:04Ich hab nicht ewig Zeit.
36:08Es geht los.
36:10Das ist jetzt schon der zweite Tisch, der sich über Ihre Weinempfehlung beschwert hat.
36:15Der Herr wollte zu seiner Lammkrone einen leichten Grauburgunder, der wäre total unter.
36:19Und wenn der Gast Essig bestellt, das ist seine Sache.
36:22Der Gast ist König und nicht ihr gelehriger Schüler.
36:35Er fühlte sich belehrt und da ist er nicht der einzige.
36:39Die Gäste fühlen sich bevormundet durch ihre ewige Besserwisserei.
36:42Christoph, was ist denn in dich gefahren?
36:44Unsere Gäste wollen hier Urlaub machen und kein Weinstudium absolvieren.
36:48Aber ich...
36:49Wenn das nochmal vorkommt, Frau Saalfeld, dann sind Sie die längste Zeit Sommeliere am Fürstenhof gewesen.
36:53Haben wir uns verstanden?
36:57So redest du nicht mit unseren Händen!
36:59Mit Ihren Verhalten stellen Sie mich als hörendes Zerrum an Ihr Bett hin!
37:02Das lasse ich nicht zu!
37:10Ja, ihr beiden, wir bringen euch bald in euer neues Zuhause, ja?
37:19Du hier?
37:20Du hier anscheinend auch.
37:28Danke.
37:30Ich muss mich bei dir bedanken.
37:32Du hast meine Bedenken doch ernst genommen.
37:34Ich weiß das zu schätzen.
37:36Ich hab das nur für Anna gemacht.
37:38Ja, ich weiß.
37:42Und wie es scheint, ist mit den beiden ja auch alles in Ordnung.
37:48Ja.
37:50Ich hab keine Ahnung, was da los war mit meinem Bauchgefühl.
37:53Ich versteh's nicht.
38:02Ritter?
38:05Frau Selbig.
38:06Hier geht's ihm im Kater.
38:11Zahnfleischbluten?
38:12Okay, na dann kommen Sie doch bitte heute noch in die Praxis.
38:18Okay.
38:31Das kann doch nicht.
38:33Oh.
38:36Boah!
38:38Boah!
38:41Vor laufen du hin spend!
38:43Tu ich doch!
38:44Dreh du mal lieber ein bisschen mehr die Pedale.
38:47Entschuldige, bitte!
38:48Ich streifel mir hier einen ab und du lenkst nur!
38:51Oh, ich drehte auch.
38:52Ja, das seh ich.
38:54Komm, wir tauschen.
38:56Ja, Ruhe auf den billigen Plätzen da hinten.
38:58Ich muss mich jetzt hier auf den Weg konzentrieren.
39:01Let's see if that's fair.
39:03No, that's not fair.
39:05That's not fair at all.
39:08Where are we even going?
39:11You'll see in a minute.
39:13Isn't there a little picnic?
39:15Oh, there's the lake up ahead.
39:17Not bad, huh?
39:19I can't go any further.
39:21Not far anymore.
39:23But when we get back, I'll sit in the front.
39:25I'm not so sure about that.
39:27We'll see.
39:29Oh, it's so beautiful here.
39:31Oh, a dream.
39:33Oh, stop.
39:35Okay.
39:37Wait.
39:39Oh, the sunflowers are so great.
39:43First they get us fast move-in helpers.
39:45And then such a tandem.
39:47And a wonderful picnic.
39:51You really hit it off with them as a landlord.
39:53Definitely.
39:55So.
39:57Okay?
40:01Make yourself comfortable.
40:11So.
40:15Wow.
40:19The best thing is that in the future
40:21we'll be able to do
40:23exactly such things much more often.
40:27Yes.
40:31So.
40:33Wait a minute.
40:37Yes, please.
40:41Dr. Niederühl.
40:43Ah, from Neuwach.
40:45With the best regards from Dr. Röhler.
40:47Thank you very much.
40:49I know.
40:51My colleague has already told me
40:53that you'll bring me the medication.
40:55Um...
40:57I can't...
40:59No.
41:01I haven't told Nicole anything yet.
41:05I wanted to tell her something.
41:07Honestly.
41:09But I didn't take it to heart.
41:13It would really be a difficult situation.
41:17Yes.
41:19I only decided to tell her
41:21when I knew
41:23that she was going to need therapy.
41:29I'd probably do the same for her.
41:31And wait until there's hope.
41:39It's not what I think it is.
41:49Calm down, Cleopatra.
41:51Calm down.
42:07It's just water.
42:09Calm down.
42:21Calm down.
42:43Here's the press, Mr. Saalfeld.
42:51What was that about Katja Saalfeld?
42:53Hello, Lexi.
42:55The hallway radio
42:57is faster than our Wi-Fi.
42:59I should talk to Mr. Licht about that.
43:01Did you have to?
43:03Yes, I had to.
43:05But not like this.
43:07And not in front of all the guests.
43:09It's always the most effective
43:11to discuss things immediately.
43:13Oh.
43:15Then you'll cancel the staff meetings
43:17in the restaurant, on the terrace, in the gym?
43:19A glass of water, please.
43:21With pleasure.
43:25Do you think Katja Saalfeld
43:27is still angry that she reported
43:29this to the police?
43:31What? It's all in the past.
43:33Why are you humiliating her?
43:35You just shook hands.
43:37Some guests have problems
43:39with the way they talk.
43:41I'm hearing that for the first time.
43:43Mrs. Saalfeld is the best sommelier
43:45we've ever had.
43:47According to Markus,
43:49you were often insulting.
43:51I will soon
43:53wrap my criticism in cotton balls
43:55with flowers around them.
43:57That's not funny, Christoph.
43:59What were you thinking?
44:01
44:15Yes?
44:19Katja.
44:23My God, I'm so sorry.
44:25It was terrible.
44:27It was...
44:57It's no use.
44:59He...
45:01He just has a personal aversion to me.
45:05But you're a Saalfeld.
45:07You're related.
45:09He still makes my life hell.
45:11You saw it with your own eyes.
45:13Oh, God.
45:17My darling.
45:21I can't stand this guy anymore.
45:27It's terrible.
45:33Is there anything
45:35I can do for you?
45:37I would love
45:39to make you happy again.
45:41
46:11
46:41What?
47:11That's not fair!
47:13We're both, we're the only relatives.
47:15Now he's right about his concerns.
47:17Don't you get it?
47:19I'm just taking back
47:21what's ours.
47:23Are you in?
47:27You really think I don't have a style?
47:29No taste, no idea or what?
47:31No, no.
47:33But a wedding suit is something else
47:35than your cute pajamas or something.
47:37I'll show you.
47:41I'm worried about Philipp.
47:43But Anna, there could be a lot of reasons
47:45why someone doesn't answer their phone.
47:47What could have happened to him?
47:49I don't know, but I just have this stupid feeling.
47:51Congratulations from the great-grandfather
47:53to the great-grandmother.
47:55Isn't she charming, little Anna?
47:57Ha ha, enchanting. What a pretty name.
47:59What do you say?
48:01Okay?
48:03Okay, what?
48:05Okay, cool or
48:07okay, that doesn't work at all?
48:09I don't like it.

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