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00:00So Markus is supposed to convince him to sell his shares to you?
00:09Under the condition that you both leave the prince immediately afterwards.
00:18Mr. Saalfeld?
00:23I'll try.
00:30You have the deal not to thank Philipp, but to thank his father. He made the contact to the breeder.
00:40Yes, and that you transfer your problems with Philipp to him?
00:43Are you serious? And you are now making me jealous?
00:46It's just a question.
00:49Anna, please think about it again.
00:52Step back from the purchase.
00:56You already know that it is quite difficult to find something in Bichelheim.
01:01It wasn't that difficult, to be honest.
01:03Are you moving in with us?
01:07That's great!
01:08By the way, I changed my mind.
01:10No lasagna after all.
01:12What? Yes, of course. No, I mean, I would invite my father to our wedding after all.
01:18Really?
01:19Well, provided it's okay for you.
01:21Of course it's okay. Why all of a sudden?
01:24Good news!
01:26Heinz has called.
01:28He just sent the contract.
01:31Already? So fast?
01:34Yes, he should be here tomorrow.
01:36And then you just have to sign it.
01:40Anna?
01:48Great, then I'll come by tomorrow and sign it.
01:53Yes, then the two beauties belong to you.
01:56Clever decision.
01:58Yes, I think so too.
02:00Yes, you have recently seen in the equine passes that the two have an excellent lineage.
02:06Yes, the trees were really very impressive.
02:08And without your mediation, I would never have found the two of them.
02:11Thank you again.
02:12Not at all.
02:13With Cassiopeia and Cleopatra, you will build up a successful breeding.
02:18I hope so, because the two are really not cheap.
02:21The money is well spent. Believe me.
02:24So, then we'll see each other tomorrow, as soon as the contracts are there.
02:27See you tomorrow.
02:32Anna, why don't you listen to me?
02:37Vincent, I really appreciate how much you've put into it.
02:41Anna, we'll find other studs.
02:43Please don't make a hasty decision now.
02:45I really believe that you are worrying unnecessarily.
02:49If I didn't have serious concerns, I wouldn't say anything.
02:54I have a good feeling, okay?
02:57Trust me.
03:03Yes, the beauty.
03:20Hi.
03:22I didn't hear you coming.
03:24You were really deep.
03:25Are you feeling better again?
03:27Yes.
03:28What do you have that's so beautiful?
03:30It's a brochure of a winery near Baden-Baden.
03:35And what are you going to do with it?
03:37I actually wanted to order wines for the hotel.
03:40But now I saw by chance that it was for sale.
03:43Look here.
03:45How beautiful.
03:46It's quite nice.
03:47And the Bavarian wines are not to be despised either.
03:49How nice?
03:51Look at this house.
03:53In the middle of the vineyards.
03:54Yes, it's on the west side.
03:55Wonderful.
03:56Not too hot in summer.
03:58Yes, and the view from the terrace.
04:00Imagine that at sunset.
04:02Hey, we could live together there.
04:08Now you've really spilled blood.
04:12You're already a proud owner of a winery.
04:15Yes, but I'm legally bound to the prince's court.
04:18At least you have guaranteed annual income.
04:23Imagine.
04:24We would really be independent.
04:27That's what we've always wanted.
04:29And our wine, it could also be in Tuscany.
04:33Or in Spain.
04:35The wines in the Torotal are a sensation.
04:38And Noah would be pretty close.
04:41He could come visit us with the children.
04:44What children?
04:45You didn't tell me he's going to be a father.
04:47No, he won't.
04:48But until then, he'll hopefully have some children.
04:51If we live there and are old and grey.
04:54Why old and grey?
04:56Well, I would say we still have 20 to 30 years.
05:00Or what did you think when we sat down to rest?
05:05That means the tax report should be here soon.
05:08All right.
05:09Thank you for the information, Mrs. Krodinger.
05:11Yes.
05:12Thank you. Bye.
05:14Come in.
05:16Hi.
05:17Hi.
05:18Yes, I'm glad to see you too.
05:20Do you have a moment?
05:22I would always remember you.
05:24What's on your mind today?
05:26Okay, Philipp.
05:27It's clear, we won't be friends in this life.
05:30But not by chance, in your opinion.
05:32I need your help.
05:34It's about Anna.
05:37Something's wrong with this horse deal.
05:39Are you starting with that again?
05:41Philipp, please.
05:42I have a really bad gut feeling.
05:44Does Anna feel the same way?
05:45No.
05:46Anna wants to sign the deal tomorrow.
05:48You see?
05:49Her money, her decision.
05:50Just accept it.
05:51I can't.
05:52I would if I were you.
05:55Philipp.
05:56If you were me,
05:58and you were sure something was wrong,
06:00you would do everything to protect Anna.
06:03Right?
06:06Please.
06:07Let's talk to her together.
06:09Then she'll think about the whole thing again.
06:11And we'll gain time to check it thoroughly.
06:14But you don't have any proof.
06:16Your bad gut feeling is just based on prejudices
06:19you have against my father.
06:21Do you remember when Anna fell off the horse
06:23and we were looking for her?
06:25You only had your gut feeling.
06:27Yes, and?
06:28If I hadn't listened to you,
06:30we would never have found her in time.
06:32That's something completely different.
06:35Listen.
06:36I trust my father.
06:38And I'm not going to meddle in Anna's deal.
06:42If your trust in your father turns out to be wrong,
06:46Anna will be compensated for it.
06:51But if you don't care...
07:08I love you.
07:28Darling, I'm home.
07:30Ah, hey.
07:31Hi.
07:32I made caprese.
07:33And after that,
07:34there's lemon tagliatelle with cherry tomatoes.
07:37How did I get the honor?
07:39Well, last time you cooked me.
07:41Now it's my turn.
07:42Please, take a seat.
07:44Just a moment.
07:45It's about to start.
07:46Just a moment.
07:47Wait.
07:48First,
07:49I have to welcome
07:51the most beautiful woman in the world.
07:55What's that?
07:57Open it.
08:02Michael, you're crazy.
08:05Don't you like it?
08:07Yes, it's beautiful,
08:09but I can never accept it.
08:11Why not?
08:14Is today a special day?
08:17I don't need a special day
08:19to give you a little something.
08:24Okay, it's far too valuable.
08:28I'm just happy
08:31that you like it,
08:33my darling.
08:38There.
08:44Wow.
08:47The Venus of Botticelli
08:49couldn't be more beautiful.
08:57Hey, there you are.
08:59Sorry, I had something to do.
09:03Are we going to have a nice drink?
09:06It's non-alcoholic.
09:08And no,
09:09there's nothing to drink nicely.
09:11I wanted to toast with you.
09:13There are other great news.
09:15Mr. Seidel called me earlier
09:17and he said the construction work on the stable
09:19is going really well.
09:20That means we can put the stables under construction soon.
09:23Nice.
09:24And that's why I had another idea.
09:27What do you think
09:29if we have a commemoration
09:31for Wilma at the stables?
09:34With family and friends.
09:36That's a nice idea.
09:38Yes, without Wilma,
09:39you couldn't realize the dream.
09:41Exactly.
09:42And I've never really celebrated my inheritance
09:44and I'd like to do that now.
09:46Good.
09:49You're still angry
09:50because I didn't listen to you.
09:52Anna, I'm not angry.
09:53I'm just thinking seriously.
09:55You don't have to.
09:58I know what I'm doing.
10:01And I've made up my mind.
10:03Please accept it.
10:06Please.
10:10Okay.
10:11You know what you're doing.
10:16To Wilma.
10:17And to our future together.
10:19To Gut Talheim.
10:27To Gut Talheim.
10:33Good evening.
10:34Christoph.
10:39Oh, Mrs. Saalfeld.
10:42Because of the inconsistencies
10:44in this wine delivery,
10:45have you already moved on?
10:48I'm on it.
10:50Good.
10:51Be so kind
10:52and take care of it.
10:53The sooner it's settled,
10:55the better.
11:10Oh!
11:12Wait.
11:13We'll have that in a minute.
11:14Do you have a towel?
11:15Yeah, yeah, yeah.
11:16We'll have it in a minute.
11:26Merkel,
11:27luckily there are no wine stains in the water.
11:32But what's going on?
11:39Christoph Saalfeld
11:40is killing me.
11:42What?
11:44But he just asked you
11:45a professional question.
11:48Yes, but...
11:49I'm tense all the time.
11:52A little thing is enough
11:53and I lose my nerves.
11:55Oh.
11:57Is that why you started
11:58with Alexander yesterday?
12:00Yes.
12:02I'm not myself anymore.
12:04But...
12:05because of Christoph
12:06you don't have to worry
12:07about best wishes anymore.
12:09You say that so easily.
12:10With him, you never know
12:11when his peace of mind
12:12will come to an end.
12:13Yes, well,
12:14you always have to be
12:15a little bit on your toes.
12:16But hey,
12:17you yourself pleaded
12:18for us to all
12:19travel together here.
12:21Yes,
12:22I did, but...
12:24I underestimated
12:25the whole situation.
12:28It's really killing me.
12:32I even dream about it,
12:33when I'm sleeping at all.
12:36And drawing,
12:37look,
12:38I can't concentrate
12:39on drawing anymore.
12:40Oh, you.
12:42That's not so bad.
12:44But not good either.
12:45Oh, you.
12:47I understand you.
12:48Christoph is, God knows,
12:49not a dream roommate.
12:50But hey,
12:51that will change soon.
12:52As soon as he lives
12:53with Alexandra
12:54in the new apartment,
12:55then she has him
12:56on her back
12:57and here the situation
12:58will calm down again.
12:59And if not?
13:00After all,
13:01I also have to work
13:02with him.
13:03Katja, so black-eyed.
13:04I don't even know you like that.
13:06That will settle down
13:07again, definitely.
13:22Philipp!
13:23What's up?
13:24What are you doing here?
13:25Morning.
13:26Morning.
13:28Tell me, Roland,
13:31how well do you really know
13:32this breeder?
13:34Heinz?
13:36Half an eternity.
13:41I don't know.
13:42I don't know.
13:43I don't know.
13:44I don't know.
13:45I don't know.
13:46I don't know.
13:47I don't know.
13:48I don't know.
13:49I don't know.
13:51Why?
13:54Vincent has doubts.
13:59The vet, huh?
14:00Do you want a coffee?
14:02No, thanks.
14:05Did you get infected by him?
14:08It's not about me,
14:09but about Anna.
14:13And what about her?
14:14Does she have doubts too?
14:16She still wants to buy
14:17the studs.
14:18Yeah,
14:19that's not a problem, is it?
14:20Yeah, but Vincent told her
14:21to think about it again.
14:22Oh, man,
14:23this guy, really.
14:25So much mistrust.
14:27Terrible.
14:29But for Heinz,
14:31I'll hide.
14:34Roland,
14:37are you sure about that?
14:39Heinz is an honest person.
14:43Look,
14:44we'll do the following.
14:45We'll both go through
14:46the liquid tests again,
14:47okay?
14:49I don't know.
14:50Yes.
14:51Vincent probably
14:52already did that anyway.
14:53Doesn't matter.
14:54Double is better.
14:55Hm?
14:59Oh, I'm glad
15:00you like the room.
15:01Yes, it's really nice.
15:02Thank you very much.
15:03And it's really
15:04not too small for you?
15:05No,
15:06I don't have that much stuff anyway.
15:07Since the separation
15:08from my ex-girlfriend,
15:09I've shrunk quite a bit.
15:10Well,
15:11then I would like
15:12to give you
15:13a seat.
15:14Let's have a coffee
15:15and discuss
15:16all the formalities.
15:17Ah yes,
15:18of course,
15:19the rental contract.
15:20Yes,
15:21so we'll do it
15:22like this.
15:23Welcome
15:24to the new home.
15:25Thank you very much.
15:26And I'll join you.
15:27Ah, thank you.
15:28We are really
15:29very grateful
15:30that you,
15:31Louis,
15:32are renting the room.
15:33Yes,
15:34that saves us
15:35a lot of time.
15:36And we are happy
15:37about a nice
15:38rental from Roland.
15:39What are we going to do?
15:40Well,
15:42what are we going to do
15:43for the celebration of the day?
15:44A picnic?
15:45A special?
15:46Unfortunately,
15:47there won't be anything.
15:48Yes,
15:49the move-in transporter
15:50will be here soon.
15:51Ah,
15:52you've already organized everything?
15:53Of course,
15:54I didn't want to
15:55read everything
15:56so quickly.
15:57Okay,
15:58then I'll help you.
16:05Hello.
16:06Nicole,
16:07good morning.
16:08Ah,
16:09hello.
16:10Did you bring the additional supplies
16:11for the seminar group?
16:12Yes,
16:13ruby cake
16:14and blackberry cherry cake,
16:15as ordered.
16:16That will sweeten
16:17the lectures for you.
16:18Yes.
16:19How are you?
16:21Come,
16:22sit down for a moment.
16:31Is everything okay
16:32between you and Michael again?
16:34Yes,
16:35he's making
16:36a lot of effort now.
16:37That sounds good.
16:38But
16:39sounds like
16:40a but?
16:41Yes,
16:42he's exaggerating a lot.
16:43Can you exaggerate?
16:45The Aphrodite
16:46of Botticelli.
16:48Me, exactly.
16:50Yes,
16:51those were his words
16:52when he gave me
16:53a beautiful,
16:54but far too expensive
16:55necklace yesterday.
16:59That's probably
17:00his way of making up
17:01after things
17:02didn't go so well
17:03with you recently.
17:04Yes,
17:05but he's never
17:06given me
17:07such an exaggerated gift.
17:08I just want to show you
17:09what you mean to him
17:10and how much he loves you.
17:12Yes,
17:13he said that too.
17:14Yes,
17:15you see.
17:16Still,
17:17somehow
17:18he's different.
17:20His behavior
17:21is sometimes
17:22almost imposed.
17:23I just feel
17:24that there's
17:25something between us.
17:30Excuse me
17:31if I ask you
17:32that again,
17:34but
17:35your bad conscience
17:36regarding
17:37Erik Klee
17:38doesn't matter at all?
17:40Your kiss,
17:42that you feel
17:43drawn to him.
17:45Yes.
17:47No,
17:48so
17:49the kiss
17:50was a mistake.
17:51That's not a question.
17:54But
17:56it's
17:57something else.
18:08Thank you
18:09for telling me
18:10about this
18:11immunotherapy.
18:13Without my research
18:14you would have
18:15found out yourself.
18:16Yes,
18:17but not so fast.
18:18And you told me yourself
18:20that speed
18:21is crucial
18:22in Manus Immobilis.
18:24When do you
18:25start the therapy?
18:26Today.
18:27I'm going to
18:28have a look
18:29at the results
18:30and then
18:31I'll tell you
18:32what to do.
18:34I'm going to
18:35have a look
18:36at the results
18:37of the therapy.
18:38Today.
18:39I've already
18:40talked to my colleague
18:41about it.
18:44Excuse me.
18:45I'm glad.
18:49For me
18:50it's still
18:52a shock
18:54to not know
18:56if I can continue
18:57to practise.
19:00I understand.
19:03Yes,
19:04and I don't
19:05know
19:06if I've found
19:07the right way
19:08to deal with the situation.
19:10Have you
19:11told your
19:12girlfriend about it?
19:15No.
19:17I think
19:18it's best
19:19not to involve her.
19:21And actually
19:23it's not right
19:24that you
19:25are burdened
19:26with it.
19:27You should
19:28concentrate
19:29on your doctor's work.
19:30You can
19:31talk to me
19:32about it
19:33at any time.
19:34As far as
19:35your life partner is concerned...
19:36She would only
19:37worry.
19:38And she can't
19:39help me.
19:41Yes, but
19:42keeping a secret
19:43about a disease
19:44only makes it
19:45worse.
19:47At some point
19:48she would
19:49realize
19:50that she's
19:51keeping a secret
19:52and more importantly
19:53that she needs you
19:54by her side.
19:58You're right.
20:04You really
20:05don't have to
20:06be afraid of horses anymore.
20:07You don't have to
20:08emphasize that every time,
20:09Roland.
20:10I'm just happy.
20:11All you have to do
20:12is get close to the mice.
20:15Can you remember that?
20:16Of course.
20:17It was around
20:18four o'clock
20:19at Christmas.
20:20You were totally excited
20:21about getting
20:22your first bike.
20:23You were just
20:24unpacking
20:25the whole box
20:26when suddenly
20:27a mouse
20:28flew out
20:29under the Christmas tree.
20:31You didn't
20:32go into the living room
20:33before I caught
20:34the mouse
20:35and released it
20:36out in the garden.
20:39Okay.
20:40Which one
20:41should we start with?
20:42Pick one.
20:44We'll start here.
20:45Yes.
20:46Here.
20:47Equine pass
20:48Cleopatra.
20:50Compare the
20:51drawn drawings
20:52with the drawings
20:53on the fur.
20:55You mean these?
20:56Yes.
20:58Okay.
21:03These are identical.
21:04Exactly.
21:06An equine pass
21:07is like a perso
21:08without a photo.
21:10And the drawings
21:12in combination
21:14are so unique.
21:16It's like a fingerprint.
21:19So with this pass
21:20I can identify
21:21every horse.
21:22Exactly.
21:23Here.
21:24Now let's look
21:25at Cassiopeia.
21:26All right.
21:27Let's look at Cassiopeia.
21:28Let's look at Cassiopeia.
21:29Let's look at Cassiopeia.
21:30Let's look at Cassiopeia.
21:31Let's look at Cassiopeia.
21:32Let's look at Cassiopeia.
21:33All right.
21:58Here.
21:59The voice mixer.
22:01What else did you expect?
22:05Actually nothing.
22:07Vincent drove me
22:08totally crazy.
22:11I just want
22:12Anna not to be
22:13pulled over the table
22:14at the deal.
22:17You can be
22:18very calm.
22:30I'm not.
22:44That Werner
22:45hasn't woken up yet?
22:46I don't have
22:47the slightest problem
22:48having breakfast alone
22:49with you.
22:55From Eleni.
22:57She's asking
22:58if you can come
22:59when it's time.
23:00What kind of question is that?
23:01We have to welcome
23:02our grandchild.
23:03That's how I write it.
23:09You're the most beautiful
23:10granny I know.
23:14My grandson
23:15can call me granny.
23:16My fiancé can't.
23:18Then I'll call you Bibi.
23:19No.
23:20Call me Grandma
23:21on Swahili.
23:22You know that.
23:24Thanks to the internet.
23:26I'll look
23:27at the flyers
23:28in the office.
23:33Wait a minute.
23:35Eleni writes
23:37she wants
23:38Markus to come.
23:40Would you mind
23:41if we all
23:42flew together?
23:44As long as he's not
23:45sitting in front of me
23:46in the plane
23:47with his back
23:48leaning backwards.
23:49Eleni will be happy.
23:51And I'm happy
23:52that you and Markus
23:53have finally changed
23:54your grave fights.
23:57Come on.
24:06It's a shame
24:07that your father
24:08had to leave.
24:09But nice of him
24:10to invite us
24:11for breakfast.
24:12Yeah, lately
24:13he's really making an effort.
24:16I'm on my way
24:17to breakfast.
24:18Do you want to come?
24:19I'd love to,
24:20but I still have to
24:21do the laundry
24:22and a few other things
24:23in the household.
24:24Okay.
24:25Come on.
24:28I can't.
24:31What do you think
24:32about a second breakfast?
24:34Actually, I'd love to,
24:35but I still have to do something.
24:36Hey, come on.
24:37The horses are taken care of
24:38and the paperwork
24:39can wait.
24:44Okay, fine.
24:46But let's go to bed, okay?
24:48I've heard about that.
24:49But I wasn't there yet.
24:51Then it's about time.
24:52Good.
24:53When I get back from the studio
24:54we can go through
24:55the menu.
24:56Hey.
24:57Hi.
24:58Hi.
24:59I thought about
25:00what you said, Vincent.
25:02Okay.
25:03And?
25:04I compared the equine pass
25:05with the student
25:06with the drawings
25:07and everything fits.
25:09Yeah, you're right.
25:10My son is very penniless.
25:11He could have been a bookworm.
25:13Yeah.
25:15Anna,
25:16you can buy the student
25:17for free.
25:19Great.
25:20Thank you, Philipp.
25:21Thanks.
25:23Hey, how's it going?
25:24It's looking good.
25:25We're throwing a carpool party
25:26at Talheim soon
25:27when the new stable is finished.
25:29There will also be a memorial service
25:30for Wilma.
25:31Come too.
25:33Yes.
25:34That would be nice.
25:38Yeah.
25:39Thanks for the invitation,
25:40but better not.
25:42Well, Talheim
25:43is now your project
25:44and I wish you all
25:45the best in the world.
25:47Thanks.
25:48Thanks.
25:51Okay.
25:54Okay.
26:02Nicole,
26:03what I'm trying to tell you
26:04is that
26:06Manus Immobilis
26:07was diagnosed
26:08with me
26:10and that means
26:11that as a doctor
26:12I no longer...
26:24I'm sorry.
26:42Eat your soup
26:43or you'll catch a cold.
26:45Yeah.
26:47And have fun
26:48with the others.
26:49Thanks.
26:50Don't worry.
26:51I'll be back soon.
26:52No, no.
26:53Please.
26:54Stay as long as you want.
26:56Have fun.
26:57Smoke the dance floor.
27:15I'll help you.
27:16Sorry.
27:17I'm sorry.
27:18I'm sorry.
27:22It's okay, Michael.
27:24I have to go.
27:36Michael?
27:40Nicole!
27:42That was fast.
27:44What's going on?
27:46It sounded so important on the phone.
27:48What's going on?
27:51Um...
27:54Michael?
27:56You're doing a great job.
28:00Nicole,
28:01what I'm trying to tell you is...
28:11Let's go around the houses
28:13tonight.
28:15Let's rock the dance floor.
28:19Is that what you were going to tell me?
28:21And for that,
28:22I leave everything in the café
28:23and lie down and crawl over here?
28:30Come on.
28:31Let's put these away first.
28:33We need the bookshelf first.
28:34Then we can clean it up right away.
28:36I'm thirsty.
28:38Practically set up
28:39or are you already fixed and ready?
28:41I just didn't know
28:42you were such a reader.
28:43Yeah, my cookbook collection
28:44has to go with it, of course.
28:45It's a small part of me.
28:48And...
28:49what's your big weakness?
28:51You know that very well.
28:53The transporter is already here.
28:54Yeah.
28:55When I think about
28:56how we're going to have to
28:57clean all of this up.
28:58Because of me.
28:59I don't have a lot of stuff.
29:00Yeah, definitely not as much as you do.
29:02Come on.
29:03Stop talking.
29:05Mr. Kleber, where are we now?
29:06In the kitchen.
29:07What's that?
29:08Here comes the garbage bag.
29:11You dragged me into this.
29:12But you can think about
29:13how to help, right?
29:15Where should I go?
29:16Are you moving out?
29:17If you move out, yes.
29:19See, that's what I mean.
29:21It's so nice of you
29:22to help everyone.
29:23Yes, thank you very much.
29:25If we all pack up,
29:26then we'll have all the things
29:27upstairs very quickly.
29:28All together.
29:29Yes.
29:30Okay.
29:31Okay.
29:32Good, let's go.
29:33Oh, by the way,
29:34I have a little surprise
29:35for you later.
29:36Oh, really?
29:37That would be great.
29:38Are you finished?
29:39Yes.
29:40Where do we put this?
29:42Yes.
29:43What kind of surprise is it?
29:44Straight ahead.
29:45Ah, careful.
29:47Where is he?
29:48In your studio.
29:58Do you want one, too?
29:59Yes.
30:16Mmm.
30:46I know.
30:47This is hard.
31:17Roland.
31:19I love Anna.
31:22But unfortunately,
31:23it doesn't depend on each other.
31:28You'll get through this, boy.
31:30Believe me.
31:32What makes you so sure?
31:33Mmm.
31:35We have the same genes.
31:37We always get up
31:38when we're lying on the floor.
31:42Mmm.
31:43Mmm.
31:46The priest in jail
31:48once said a really good sentence to me.
31:51Mmm.
31:54When you let go of something,
31:56something new always comes to you.
31:58And usually, the new is better than the old.
32:08Yeah.
32:09That would be nice.
32:10What do you think?
32:13You definitely deserve it.
32:16Oh, the strudel.
32:18It's fantastic.
32:20Mmm.
32:21Don't you want a little something?
32:23Huh?
32:25No, thanks.
32:26Really?
32:27Oh, crazy.
32:30I can do it myself.
32:32Come on.
32:33Give it to me.
32:34Oh, I'll have it in a minute.
32:36Mommy, what's wrong?
32:40I can't take it anymore with Christoph Saalfeld.
32:44I'm not a big fan of him either,
32:46but he's going to get out soon,
32:48and at least he gave me the sleeping pills.
32:51Hmm.
32:54And you guys also have something
32:55like a ceasefire, right?
33:01I'm supposed to convince Markus
33:02to sell his shares to you.
33:04Under the condition
33:05that you both immediately
33:06leave the Fürstenau.
33:08Assuming I succeed.
33:10And Markus and I are gone.
33:12Then you really leave
33:13the business with Maxi
33:14to rest.
33:20That was really generous of him.
33:23I didn't expect that.
33:27So.
33:30Zack.
33:31It's done.
33:32You're the best.
33:34I have to go to the clinic.
33:36Blood pressure check with my patients.
33:37I'll steal it, okay?
33:38Sure.
33:39Tschüss.
33:40Frau Neubach.
33:41Oh, hello.
33:42Wie läuft's mit Ihrer Studie
33:43auf dem Weg zum Doktortitel?
33:45Bestens, danke.
33:46Ich bin ein bisschen in Eile.
33:47Wiedersehen.
33:48Tschüss.
33:50Wie sieht's aus?
34:02Sind Sie bei Markus
34:03schon weitergekommen?
34:05Ich brauche Ihre Hilfe,
34:07wenn ich ihn dazu bringen soll,
34:08dass er seine Anteile an Sie verkauft.
34:11Mir ist es auch recht,
34:12wenn er hinter Gittern landet.
34:14Sie müssen sich schon entscheiden
34:15und dann liefern,
34:16sonst wird's ungemütlich
34:17für Ihre Tochter.
34:19So einfach wie jetzt
34:20bekommen Sie ihn nie wieder los.
34:22Sie müssen mir nur helfen.
34:27Wie stellen Sie sich das vor?
34:32Seien Sie einfach
34:33Sie selbst
34:34und machen mich vor Markus fertig.
34:45Als Philipp Freund abgelehnt hat,
34:47zum Fest nach Thalheim zu kommen
34:51und mir und Vincent
34:52auch noch alles Glück der Welt gewünscht hat,
34:55das klang endgültig.
34:58Ob er wirklich mit mir abgeschlossen hat?
35:00Das wäre für uns drei
35:01bestimmt das Beste.
35:04Ich sollte froh sein,
35:05wenn er nach vorne schaut.
35:08Aber wieso tut's mir dann weh?
35:11Ich versteh's nicht.
35:14Wahrscheinlich,
35:15weil es sich immer erst komisch anfühlt,
35:17wenn ein Abschnitt endgültig vorbei ist.
35:21Und so ist das nun mal mit Philipp.
35:33Zum Steinboot in Beurre Blanc würde ich Ihnen
35:35einen im Holzfass gereiften Chardonnay empfehlen.
35:38Klingt wunderbar.
35:39Danke. Vielen Dank.
35:40Danke Ihnen.
35:41Nehme ich gleich mit.
35:42Danke.
35:46Frau Thies und ihr Mann
35:47würden zum Hauptgang
35:48den 22er Chardonnay nehmen.
35:49Alles klar.
35:50Bringe ich Ihnen.
35:51Danke.
35:53Frau Thies und ihr Mann
35:54würden zum Hauptgang
35:55den 22er Chardonnay nehmen.
35:56Alles klar.
35:57Bringe ich Ihnen.
35:58Danke.
35:59Ich hab nicht ewig Zeit.
36:03Es geht los.
36:05Das ist jetzt schon der zweite Tisch,
36:07der sich über ihre Weinempfehlung beschwert hat.
36:10Der Herr wollte zu seiner Lammkrone
36:12einen leichten Grauburgunder.
36:13Der wäre total untergewiesen.
36:14Und wenn der Gast Essig bestellt,
36:15das ist seine Sache.
36:16Der Gast ist König
36:17und nicht Egelerier Schüler.
36:19Er fühlte sich belehrt,
36:21und da ist er nicht der Einzige.
36:23Die Gäste fühlen sich bevormundet
36:24durch ihre ewige Besserwisserei.
36:26Christoph, was ist denn in dich gefahren?
36:28Unsere Gäste wollen hier Urlaub machen
36:31und kein Wein und Kaffee,
36:32kein Wein und Essen.
36:33Das ist seine Sache.
36:34Aber wir wollen hier ein
36:35über das 100-Meter-Magnum gläubige
36:37und bewusste Griechenland.
36:38Was ist das für ein Witz?
36:39Die Gäste wollen hier ein
36:40über das 100-Meter-magnum glückliche
36:41und gewisses O sebenen Magnum.
36:43Was ist das für ein Witz?
36:45Wir wollen mehr Gewissen,
36:46nicht mehr das für das ausgedachten
36:47and don't do a wine study.
36:49But I...
36:50If this happens again, Mrs. Komprosalfelder,
36:52you have been a sommelier at the Fürstenhof for the longest time.
36:54Do we understand each other?
36:57You don't talk to us like that.
36:59With your attitude, you make me...
37:01That's what I'm talking about!
37:11Yes.
37:12You two, we'll bring you to your new home soon, okay?
37:18You here?
37:20You seem to be here too.
37:29I have to thank you.
37:32You took my concerns seriously.
37:34I appreciate that.
37:36I only did it for Anna.
37:38Yes, I know.
37:42And it seems that everything is fine with the two of them.
37:48Yes.
37:50I have no idea what was going on with my gut feeling.
37:54I don't understand it.
38:02Ritter?
38:06Mrs. Selbig.
38:07Here's your map.
38:11Teeth bleeding?
38:13Okay, then please come to practice today.
38:17Yes.
38:31I can't do this.
38:43Stop where you're going!
38:45I can't.
38:46You better pedal a little more.
38:48Excuse me, please.
38:50I'm stepping on one here and you're just steering.
38:53I'm also pedaling.
38:55Yes, I can see that.
38:56Come on, let's swap.
38:57Yes, quiet in the cheap seats back there.
38:59I have to concentrate on the way here now.
39:02Let's see.
39:04No, that's unfair.
39:06That's not unfair at all.
39:09How did we even get there?
39:11Yes, you'll see.
39:13Hey, isn't there a little picnic?
39:16Oh, there's the lake up ahead.
39:18Yes.
39:19Not bad, right?
39:20I don't have a gear shift anymore.
39:22Not far anymore.
39:24But when we drive back, I'll sit in the front.
39:27I'm not so sure about that yet.
39:29We'll see.
39:31Oh, it's so beautiful here.
39:33Oh, a dream.
39:35Oh, stop!
39:37Okay.
39:38Wait.
39:40Oh, the sunbathers are so great.
39:43Yes, first they provide us with quick move-in helpers.
39:46And then such a tandem and a wonderful picnic.
39:51Yes, with you as a landlord, you did a great job.
39:55Oh, definitely.
39:57So.
39:58Okay.
40:01Makes it comfortable.
40:11So.
40:16Wow.
40:19The best thing is that in the future,
40:22we'll be able to do things like this much more often.
40:33So.
40:35Knock, knock, knock.
40:38Yes, please.
40:41Dr. Niederühl.
40:42Ah, from Neubach.
40:44With the best regards from Dr. Röhler.
40:47Thank you very much.
40:48I know.
40:49My colleague has already told me
40:50that you will bring me the medication.
40:51Thank you very much for that.
40:52I was in the clinic anyway.
40:53No reason.
40:56Um, I can't...
40:58No.
41:01I haven't told Nicole anything yet.
41:05I wanted to tell her something, to be honest.
41:09But I didn't take it to heart.
41:13It's really a difficult situation.
41:18Yes.
41:19I only decided to say something
41:21when I know that the immune therapy is working.
41:28I would probably do the same at your place.
41:31And also wait until there is hope.
41:38It's not what I think.
41:49Calm down, Cleopatra.
41:51Calm down.
42:01Calm down.
42:10It's just water.
42:12Calm down.
42:31I'm sorry.
42:44Here's your press, Mr. Seifeld.
42:53What was that about Katja Seifeld?
42:54Hello, Lexi.
42:57The hallway radio is faster than our Wi-Fi.
42:59I should definitely talk to Mr. Licht about this.
43:02Did you have to?
43:03Yes, I had to.
43:04But not like this.
43:05And not in front of all the guests at your place.
43:09It's always most effective to discuss things immediately.
43:12Oh.
43:13Then you're going to cancel the staff meetings
43:15at the restaurant, on the terrace, in the gym?
43:18Can I bring you something, too?
43:20Uh, a glass of water, please.
43:22With pleasure.
43:24Ah.
43:26Are you still mad at Katja Seifeld
43:28that she reported this to the police with the candlesticks?
43:31What? It's long forgotten.
43:33Why are you humiliating her?
43:35You just reached out to each other.
43:38Some guests have problems with the way they talk.
43:43I'm hearing that for the first time.
43:45Mrs. Seifeld is the best sommelier we've ever had.
43:48According to Markus, you were often insulting.
43:52I'm going to wrap my criticism in cotton balls,
43:55with flowers around them.
43:57That's not funny, Christoph.
44:00What were you thinking?
44:17Yes?
44:20Katja.
44:23My God, I'm so sorry.
44:26It was terrible.
44:29I just talked to Alexander.
44:31He's probably grabbing Christoph by the chest right now.
44:35That's not going to work.
44:36He can't jump around with you like that.
44:38You just see that he can.
44:45When Christoph and Alexander
44:48first moved out of here...
44:51That doesn't change anything.
44:53He is and will always be my boss.
44:55Then I'll have to force him on me again.
44:58That won't help either.
45:00He just has a personal aversion to me.
45:05But you're Anne Seifeld. You're related.
45:09He still makes my life hell.
45:11You saw it with your own eyes.
45:15Oh, God.
45:17My darling.
45:21I can't stand this guy anymore.
45:27He's horrible.
45:34Is there anything I can do for you?
45:38I'd love for you to be happy again.
45:51Go away with me.
45:55Far away from the Prince's court.
46:01Please, Markus.
46:22THE PRINCE AND ANNE
46:30Hey, Philipp. What's up?
46:32I just went to the students again.
46:34What?
46:35Their drawings are just painted!
46:37Philipp, calm down. This is a noble hotel.
46:39You and your breeder!
46:40You want to pull Anne over the table.
46:41No!
46:42Nonsense!
46:43Damn it, Roland!
46:44You're in there with them. Don't lie to me now!
46:46What are you talking about, Philipp?
46:47You know what?
46:48I'm going to go to the couple with Vincent and Anne.
46:50I'm going to piss with the queens and then your deal is over.
46:52No, no, stop it!
46:53Wait, stop it!
46:54Don't do it!
46:55Yes, you're right.
46:58Why do you want to hurt Anne?
46:59Why?
47:00She brought you up.
47:02She's doing good with her boyfriend now.
47:04If it weren't for her, you'd be living there.
47:06You'd have taken care of her until the end of your life.
47:09No!
47:10That was aunt Wilma's last will.
47:11But that's not fair!
47:13We're both, we're the only relatives.
47:16Vincent was right about his concerns the whole time.
47:18Don't you get it?
47:20I'm only taking back what's rightfully ours.
47:23Are you in?
47:28You really think I don't have a style?
47:30No taste, no idea, or what?
47:32No, no, but a wedding suit is something different than your cute pajamas or something.
47:39I'll show you.
47:42I'm worried about Philipp.
47:44But Anne, there could be a lot of reasons why someone doesn't answer their phone.
47:48What could have happened to him?
47:49I don't know, but I just have this stupid feeling.
47:52Congratulations on moving from the great-grandfather to the great-grandmother.
47:55Isn't she charming, little Anne?
47:57Ha ha, enchanting.
47:59What a pretty name.
48:00What do you say?
48:02Okay?
48:04Okay, what?
48:06Okay, cool?
48:07Or okay, that doesn't work at all?
48:09I don't like it.
48:14I don't like it.