El Precio de Amarte Capitulo 32 Completo HD
El Precio de Amarte Capitulo 32 Completo HD
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El Precio de Amarte Capitulo 34 Completo HD
El Precio de Amarte Capitulo 32 Completo HD
El Precio de Amarte Capitulo 33 Completo HD
El Precio de Amarte Capitulo 34 Completo HD
El Precio de Amarte Capitulo 32 Completo HD
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00:00:00Ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
00:00:31Hi Martin, can I talk to you?
00:00:33No, who are you?
00:00:36I'm Rodrigo Sartes, I work at your mother's caballeria.
00:00:39Yes, he works with my grandmother.
00:00:42Let me talk to him.
00:00:43Please, thank you.
00:00:52Arminda, Amelia is not in her room.
00:00:56Daughter, I'm looking for you, where are you?
00:00:59Can you explain to me what this is?
00:01:01What are you doing with my cell phone?
00:01:02What is this video?
00:01:03Give me my cell phone.
00:01:04Why did Rodrigo do that, mom?
00:01:06We are thinking of a murder.
00:01:08Jorge threatened me from the moment he arrived in town.
00:01:12And he told me that if I didn't give him money, he was going to tell you the whole truth.
00:01:15So, since I didn't want to give him the money, he approached you to pressure me.
00:01:18Did you have anything to do with that?
00:01:20With his accident?
00:01:21Of course not, that guy is a criminal and owes a lot of accounts.
00:01:25No, he threatened to kill me.
00:01:27And I asked Rodrigo for help.
00:01:29You asked him to kill him?
00:01:30Of course not, I just asked him to get me out of the problem.
00:01:32I never thought he was going to solve it like that.
00:01:34I was also very disconcerted when I saw this video.
00:01:37But daughter, let's practice.
00:01:39The fact is, this guy is a criminal who needed to be dead.
00:01:44Rodrigo only protected us.
00:01:46I can't believe what you're telling me.
00:01:48I can't believe it.
00:01:49Amelia, where are you going?
00:01:50We are talking.
00:01:56Martin, forgive me for not telling you from the beginning that I was falling in love with your mother.
00:02:01But that's love, it caught us by surprise.
00:02:06That.
00:02:07It's your fault my mom left my dad.
00:02:10And none of what you tell me helps me.
00:02:12Martin, I come to apologize to you and also ask you to please let me be your mother's boyfriend.
00:02:18No, of course not.
00:02:20Because both are liars.
00:02:22No, of course not.
00:02:23Because both are liars.
00:02:25They told me they were friends and it wasn't true.
00:02:27No, yes, yes, we were friends.
00:02:28We were friends, but suddenly friendship became love.
00:02:33When you grow up, you will understand.
00:02:37Yes, but you just wanted to beat my mom.
00:02:40That's why you got close to me, you never wanted to be my real friend.
00:02:43No, Martin, no, on the contrary.
00:02:45I have always been your friend and I have shown it to you.
00:02:48I want us to continue being friends, please.
00:02:52Give me a chance.
00:02:54Yes.
00:02:55You know what?
00:02:57If my mom wants to stay with you, let her stay.
00:02:59I don't care.
00:03:01I'm going to be with my dad and I'm never going back to the farm.
00:03:06Alfonso.
00:03:08What happened, Candy?
00:03:09Can I show you something?
00:03:10Yes, of course.
00:03:11Come, come, come.
00:03:23Sandra!
00:03:25Yes, sir.
00:03:26Why did you take my son out of the house?
00:03:28Martin, listen.
00:03:29I'm sorry, I went out.
00:03:30Get in now, no going out.
00:03:32I told you to stay in there.
00:03:33Yes, sir.
00:03:35And what are you doing here?
00:03:37I had to talk to your son.
00:03:38What do you have to talk to my son?
00:03:40If you and Amelia have defrauded his trust,
00:03:42you are a bastard, Rodrigo.
00:03:44You made a fool of yourself.
00:03:46You are a bastard.
00:03:48You are a bastard.
00:03:49You defrauded his trust.
00:03:50You are a bastard, Rodrigo.
00:03:52You made a fool of yourself in front of me.
00:03:53You assured me that there was absolutely nothing between you and my wife.
00:03:57And look at the result.
00:03:58Mine with Amelia has just begun.
00:04:00When you were together, I had nothing with her.
00:04:05Get out now.
00:04:06Get out!
00:04:08And don't ever come back.
00:04:20Very good, Candy.
00:04:21I loved it.
00:04:22Oh, thank you.
00:04:23I loved it, I loved it.
00:04:24I had taught Rosette.
00:04:25She told me she was going to talk to you,
00:04:26but I wanted you to see it live and everything.
00:04:28I loved it.
00:04:29Well, count on it.
00:04:30Your number will be in the repertoire show.
00:04:31No.
00:04:32Oh, thank you.
00:04:34Thank you, thank you, thank you.
00:04:41I just read the judge's answer.
00:04:43Leave Miss Tavares free under bail
00:04:46and give her temporary custody.
00:04:49Gina is going to love it.
00:04:51But she can't move out of town,
00:04:53she can't change homes,
00:04:55she has to stay where she is.
00:04:59Okay.
00:05:00Yes.
00:05:01Yes, because the social worker will make recurring visits
00:05:04to see how the child is doing.
00:05:05Okay.
00:05:06Okay.
00:05:07Thank you very much, Inspector.
00:05:09It is important that you are well.
00:05:11With the silver.
00:05:12Please.
00:05:13But why?
00:05:14Trust me.
00:05:16Oh, but I don't know.
00:05:17Come on.
00:05:18No, no, no, no.
00:05:19You're going to do it in detail.
00:05:20I promise you, trust me.
00:05:21Oh, Janney.
00:05:22Art, art in your life.
00:05:24You're such an artist.
00:05:27Hey, I went to see the bride.
00:05:30And with work I got three words out of her.
00:05:33That's weird, isn't it?
00:05:34That she's not talking about those magnificent gifts
00:05:36for once in her life.
00:05:38She was very bad.
00:05:40And all her dreams had faded,
00:05:43she felt very lonely.
00:05:45Well, no more rhyme.
00:05:46She looked for it talking badly about me.
00:05:49I told you she was going to fall into karma,
00:05:50if I don't tell you.
00:05:51Let's see, Janney.
00:05:54Wait, wait.
00:05:56Listen, please.
00:05:58I want you to understand that before we were very friends.
00:06:01We were always there.
00:06:03We even made a pact.
00:06:05So right now, let's see, I understand.
00:06:07I swear I understand everything.
00:06:09I am the first one who defended you.
00:06:11But I want you to also understand that part.
00:06:14Well, but do you agree that I didn't do anything?
00:06:16Yes, yes, yes.
00:06:17And that if she wants to be my friend again,
00:06:18she's the one who has to get close to me.
00:06:20I'm already doing enough with reconciling her with Tavoy
00:06:23because Alfonso asked me to.
00:06:25Because who?
00:06:26Because Alfonso asked me to.
00:06:28How did Alfonso ask you?
00:06:30That's another topic.
00:06:31First, I want to know.
00:06:32No, no, no.
00:06:33Right now, Flash and I don't want to know about Alfonso.
00:06:38What happened, girl?
00:06:39Aren't you going to fix yourself?
00:06:40Ah, princess.
00:06:42Since you broke up with Tavoy,
00:06:44you've been like this, all down.
00:06:46Let's see, that mediocre manipulator has nothing to do with it.
00:06:50Okay?
00:06:51Well, then tell me what you have.
00:06:54I don't like to see you like this, all down.
00:06:57Well, it's not going to be my dream to be famous anymore.
00:07:00Didn't you have a lot of followers?
00:07:03Don't a lot of people look for you
00:07:04so you can guess their future, doll?
00:07:06Yes, but I'm going to end up living in this town, Lucho.
00:07:10Let's see.
00:07:12I wasn't going to tell you.
00:07:14But just to see you smile, I swallow my prejudices.
00:07:19Rosetta spoke asking about you.
00:07:21She wants you to sing in El Tropicaloso.
00:07:23Oh, that junkie doesn't even know when to open.
00:07:27Let's see.
00:07:28Look at me.
00:07:29I've already passed the test.
00:07:32I've already passed the test.
00:07:37You'll know the rest.
00:07:46Rodrigo.
00:07:47Yes?
00:07:48Thank you for everything you're doing for me.
00:07:51Without you, I wouldn't have been able to get out of this problem.
00:07:54Yes, don't worry.
00:07:55The important thing is that you're free
00:07:57and you can legally take care of Gina
00:07:59while her father recovers.
00:08:01Yes.
00:08:02I promise I'll pay you for the bail as soon as I can.
00:08:04No, don't worry.
00:08:06Well, I have to go, but you're at home.
00:08:09Okay.
00:08:13I miss you so much.
00:08:14I miss you too, honey.
00:08:17Well, I'm leaving.
00:08:18Have a good day.
00:08:19Have a good day.
00:08:20Bye.
00:08:24After all the trash that Eduarda told Martin about me,
00:08:27he doesn't even want to see me.
00:08:28Our grandson can't understand
00:08:30that you have a relationship with his grandmother's sister
00:08:33and that you're expecting a baby.
00:08:35But I can imagine how he told her,
00:08:37as if she were the victim.
00:08:39I understand that you are worried about Rosetta's safety
00:08:42and that you want to protect Eduarda's,
00:08:44but going to live at her house only complicated things.
00:08:47You don't know how I feel that Martin thinks the worst of me.
00:08:51Give him time.
00:08:53Wait for the waters to calm down.
00:08:55He's a good boy and he'll forgive you.
00:08:59What would you do without a friend like you?
00:09:01Don't even say it.
00:09:03We all make crazy love.
00:09:06Not you.
00:09:07You are the most equanimous guy I know
00:09:10and who knows how to stay away from problems.
00:09:12No, no, no.
00:09:13Not so much.
00:09:15I think I'm accidentally involved in one.
00:09:20I'm very interested in a woman
00:09:23who is still in love with her ex-husband.
00:09:29Excuse me, is Rodrigo here?
00:09:31No, I haven't seen him.
00:09:32Did you send him a message?
00:09:33No, what I have to talk to him about,
00:09:35I can't send him a message.
00:09:36Can you tell him that we'll see each other
00:09:38in the same place as always, please?
00:09:39Of course.
00:09:40Shall I go with you?
00:09:41No.
00:09:42Let's go.
00:09:58I don't know if it was the coexistence
00:10:01or seeing her cry every day,
00:10:04but it doesn't matter.
00:10:07All I know is that I like her,
00:10:09and a lot,
00:10:10and I can't help it.
00:10:12Welcome to the club, friend.
00:10:16And what are you going to do?
00:10:19Well, nothing.
00:10:20All I want is for Juliana to be happy,
00:10:25to get over her divorce.
00:10:27I'll be there for her,
00:10:31listening to her,
00:10:33attending to her.
00:10:37Son, I asked you not to receive anyone
00:10:39much less Rodrigo.
00:10:41Well, I didn't want to tell him
00:10:43that we're not friends anymore, Dad.
00:10:46But I told you,
00:10:48Rodrigo wasn't trustworthy.
00:10:50You shouldn't have fallen in love with him.
00:10:52You don't know how much it hurts me
00:10:54to see how he disappointed you.
00:10:56Well, he was super nice.
00:10:59I even thought he loved me a lot.
00:11:02Well, you saw that all that was a lie.
00:11:06That was only to win your mother over.
00:11:10Well, yes, but it still makes me sad.
00:11:14Son, I can ask you not to trust him again.
00:11:18He was never your friend.
00:11:22Can I ask you something?
00:11:25Yes.
00:11:26Do you think I have to tell my grandmother
00:11:28everything that happened,
00:11:29and why I left the farm?
00:11:31No, no, don't worry.
00:11:33I'll take care of that.
00:11:34I'll tell her.
00:11:35No, you know what?
00:11:36You'd better not tell her
00:11:37because she's very upset with everything that happened.
00:11:40What are you talking about?
00:11:42Don't you know?
00:11:43No.
00:11:44It's just that Aunt Rosita
00:11:46is going to have a baby with my grandfather.
00:11:49So that's true?
00:11:52Yes.
00:11:59Honey, I talked to Martin
00:12:00and he explained to me that he can't...
00:12:01Don't come near my son again, murderer!
00:12:04No!
00:12:11Very well, son.
00:12:14Although I think
00:12:15we should warn your grandmother.
00:12:18I'm going to silence your mom's side
00:12:20with that guy.
00:12:22Thank you, Dad.
00:12:24Hey,
00:12:26how are we going to tell her
00:12:27that I came to live here with you?
00:12:30Well,
00:12:32I'll see what I can come up with
00:12:33so I don't hurt anyone,
00:12:35not even your mom.
00:12:37Because you know,
00:12:40I still love her,
00:12:41despite everything.
00:12:44And one day she will understand
00:12:45that we should never,
00:12:48that we should never divorce.
00:12:53I love you.
00:12:54I love you more, Dad.
00:13:02I saw Jorge Nieto in the video.
00:13:04He was on his knees,
00:13:05he was defenseless,
00:13:06and you didn't touch his heart to kill him.
00:13:09Say something!
00:13:10Say something, please!
00:13:11Things...
00:13:12Things got out of control.
00:13:14I'm not a murderer, Amelia!
00:13:15And you're not!
00:13:16And you don't know
00:13:17how much I regret
00:13:18falling in love with you,
00:13:19having trusted you, Rodrigo.
00:13:21No, Amelia, I love you.
00:13:22Don't touch me.
00:13:25I can't
00:13:26because I see you
00:13:27and I see you with the gun
00:13:28and I see you
00:13:29and I see you
00:13:30and I see you
00:13:31shooting that man.
00:13:32I promise you,
00:13:33I promise you
00:13:34that things will clear up.
00:13:36Yes.
00:13:37Don't you have any remorse?
00:13:40You killed my dad, Rodrigo!
00:13:42All I knew at that moment
00:13:43was that
00:13:45I had threatened
00:13:46your mother to death.
00:13:47That's all, Amelia.
00:13:48Please!
00:13:49I had a lot of things
00:13:50to clear up with him.
00:13:51You could have
00:13:52denounced him, Rodrigo.
00:13:55You have no morals
00:13:57and I don't love you
00:13:58near me.
00:13:59And I don't love you
00:14:00near my son!
00:14:12Good, Norberto.
00:14:13We just have to make sure
00:14:14that the fertilizer
00:14:15is biodegradable.
00:14:16Yes, boss.
00:14:17I'll make sure of that.
00:14:18What are you doing in my land?
00:14:20Taking care of our crops
00:14:21because for better or for worse
00:14:22we're still partners.
00:14:24Francisco is forbidden
00:14:25to enter the farm.
00:14:26We're partners, Eduarda.
00:14:27You can't forbid me anything.
00:14:28Are you waiting
00:14:29to call your people
00:14:30to get him out?
00:14:31I can't, ma'am.
00:14:32He's the boss
00:14:33and he's in charge
00:14:34of the harvest.
00:14:41Don't worry, Mr. Francisco.
00:14:43As long as you're here,
00:14:45I'll listen to you.
00:14:46I know.
00:14:47Thank you, Norberto.
00:14:51Did Alfonso
00:14:52really give you
00:14:53a single one?
00:14:54Oh, yes!
00:14:55He told me I could
00:14:56have a single one!
00:14:59Hey, did you know
00:15:00that no one here
00:15:01gets a single one?
00:15:02I mean,
00:15:03we all dance together.
00:15:04In fact,
00:15:05we even dress the same
00:15:06when we dance.
00:15:08Oh, no, no, no.
00:15:09I don't know.
00:15:10Talk to Alfonso
00:15:11because he's the partner
00:15:12and he already said yes.
00:15:14Tell him.
00:15:15Don't tell me.
00:15:20Ma'am, I don't understand
00:15:21why he showed
00:15:22Jorge Nieto's video
00:15:23to his daughter.
00:15:24I didn't show it to him.
00:15:25It was an accident.
00:15:26He saw it by mistake.
00:15:27It's not in my best interest
00:15:28for anyone to know.
00:15:30Yes, but...
00:15:31But what excuse
00:15:32did he give his daughter?
00:15:34I told the truth.
00:15:36Since Jorge arrived
00:15:37to this town,
00:15:38he's been threatening me
00:15:39and blackmailing me.
00:15:40I told you
00:15:41and you decided
00:15:42to kill him.
00:15:43But how?
00:15:44That's what happened
00:15:45because I never told you
00:15:46to kill him.
00:15:47That was your decision.
00:15:48No, it was also
00:15:49his responsibility.
00:15:50I'm sorry.
00:15:51I'm sorry.
00:15:52I'm going to talk to my daughter
00:15:53so she doesn't report you.
00:15:54Don't worry about that.
00:15:55No, that's not
00:15:56what worries me.
00:15:57What worries me
00:15:58is my image.
00:15:59What is Amelia going to think
00:16:00about me?
00:16:01Why do you care
00:16:02what Amelia thinks
00:16:03about you?
00:16:05Look, you did what you had
00:16:06to do.
00:16:07If my daughter doesn't
00:16:08understand her,
00:16:09it's her problem.
00:16:14We have to change
00:16:15the patient's blood sugar
00:16:16to 205.
00:16:17Yes.
00:16:18It's diabetic, right?
00:16:19Do what the doctor
00:16:20asked you to do.
00:16:21Yes.
00:16:22Amelia, what's wrong?
00:16:24What happened?
00:16:25I'm about to lose my son
00:16:27because of a guy
00:16:28who's not worth it.
00:16:29But why?
00:16:30Tell me.
00:16:38Hi, Rodri.
00:16:40Hi.
00:16:42Why don't you wash your hands?
00:16:45We came from the street.
00:16:47Yes.
00:16:49Son,
00:16:51come with me.
00:16:54Okay.
00:17:02Martin left the house
00:17:03very disappointed
00:17:04because I let him down.
00:17:06Because I lied to him.
00:17:08Don't regret loving,
00:17:09my friend.
00:17:10Yes, I regret it.
00:17:12I regret every kiss,
00:17:13every caress.
00:17:16Because his hands...
00:17:18His hands...
00:17:19His hands what?
00:17:20His caresses are poison
00:17:21for me.
00:17:23I shouldn't have given myself
00:17:24to Rodrigo.
00:17:25Are you going to leave him
00:17:26just to please Martin?
00:17:29Yes.
00:17:30Why? What happened?
00:17:31What made you
00:17:32make that decision?
00:17:33Nothing.
00:17:35I just realized
00:17:36that loving Rodrigo
00:17:37is the worst decision
00:17:38I've ever made in my life.
00:17:41Damn Eduarda.
00:17:43Why did she have to show
00:17:44Amelia the video?
00:17:45I mean, how could she?
00:17:47I don't know.
00:17:48Because she didn't want
00:17:49her to know.
00:17:51Maybe
00:17:52Amelia found out by accident.
00:17:55Now Amelia thinks
00:17:56I'm a murderer, dad.
00:18:02Look, son.
00:18:03I think the best thing
00:18:04is for you to tell her the truth.
00:18:06Tell her who you are
00:18:07and that you made up
00:18:08all this lie
00:18:09to win her mother's trust.
00:18:11I can't.
00:18:12I have to convince her
00:18:13that I'm not
00:18:14that person
00:18:15she thinks I am.
00:18:18That our love,
00:18:20our love
00:18:21is stronger than anything.
00:18:26I don't know what to do, dad.
00:18:28I don't know what to do.
00:18:34Honey, don't put
00:18:35Rodrigo and Martin
00:18:36on a scale.
00:18:37You deserve the love
00:18:38of both of them.
00:18:41I have to go to Tomas' house.
00:18:43I have to find my son.
00:18:45Thank you, honey.
00:18:48Honey.
00:18:52Tomacho.
00:18:53How are you?
00:18:54Hey, you're still
00:18:55in the corporation.
00:18:56I want to ask you
00:18:57a big, big,
00:18:58really a big favor.
00:18:59Look, I need you
00:19:01to dig there
00:19:02in the files
00:19:03and find me
00:19:04the information
00:19:05you can have
00:19:06of Jorge Nieto.
00:19:08Addresses,
00:19:09relatives.
00:19:10I need to locate him.
00:19:12Please.
00:19:15I owe you one.
00:19:22I think you should
00:19:23take my mom's word
00:19:24and get the producer
00:19:25out of the ranch, dad.
00:19:27It would be better for you
00:19:28to have your offices
00:19:29in the village.
00:19:30I'm not going to give them
00:19:31that pleasure.
00:19:32What are you doing here?
00:19:33I told you I didn't want
00:19:34to see you again
00:19:35in my ranch.
00:19:36Please, son,
00:19:37let me talk to your mother
00:19:38alone.
00:19:39Yes, of course.
00:19:40Mom, don't mix things up.
00:19:41Don't talk to me.
00:19:42Leave us alone.
00:19:43One thing
00:19:44are your personal matters
00:19:45and another is the producer.
00:19:46I'm going to come
00:19:47as many times as I want.
00:19:48And you know why?
00:19:49Because if you give them
00:19:50the order that I can't come in,
00:19:52I'm going to tell our children
00:19:53that they never extorted you,
00:19:55but you were the one
00:19:56who asked a loan
00:19:57from some mobsters
00:19:58to finance your failed
00:19:59electoral campaign,
00:20:01putting us all in danger.
00:20:03And you keep doing it
00:20:04while you don't give
00:20:05those people
00:20:06what they're asking for.
00:20:07And that mistake
00:20:08I've paid very expensive
00:20:09with your betrayal.
00:20:10And I'm glad
00:20:11you pay somehow.
00:20:13Sooner or later
00:20:14you will realize
00:20:15that divorcing us
00:20:16and dividing what we have
00:20:17between us
00:20:18will be the best thing.
00:20:31Hello.
00:20:32Oh, hello.
00:20:34How are you?
00:20:36You look great.
00:20:37You got a facial.
00:20:39Do you want some coffee?
00:20:40You must feel tired
00:20:42and overwhelmed.
00:20:43Sit down, sit down.
00:20:45I'll make it for you.
00:20:46No need to thank me, honey.
00:20:54I think your mom
00:20:55is going crazy.
00:20:56What did she do to you this time?
00:20:58She's making a coffee.
00:21:01And not only that,
00:21:02she's dancing and singing.
00:21:07Do you think
00:21:08we already infected her
00:21:09with our love?
00:21:10Yes.
00:21:15Mr. Francisco.
00:21:16What is it, Arminda?
00:21:17I heard that
00:21:18Mr. Ivan took Martin
00:21:19from the farm.
00:21:21He took him?
00:21:22Ivan can't do that.
00:21:23Look, I think
00:21:24Martin called his dad
00:21:25to come get him,
00:21:26but my daughter
00:21:27is desperate.
00:21:29I went to see
00:21:30if I could convince him
00:21:31to come back with us.
00:21:33Thanks for letting me know, Arminda.
00:21:34Yes, Mr. Francisco.
00:21:37Tell him it's only
00:21:38going to be two minutes.
00:21:39Please.
00:21:40I'm sorry, Mrs. Amelia,
00:21:42but the boy doesn't want to see you.
00:21:45Let me through, please.
00:21:47I'm sorry.
00:21:48I have orders
00:21:49not to let you through.
00:21:50Besides,
00:21:51the boy doesn't want to see you.
00:21:52Excuse me.
00:22:07My love.
00:22:08Did you find out
00:22:09I'm your baby's father?
00:22:10No.
00:22:11If you get in the way
00:22:12between Federico and me,
00:22:13you're going to have to
00:22:14face the consequences.
00:22:16My love always
00:22:17belonged to Renata.
00:22:18You're going to regret it, Federico.
00:22:21Renata, no!
00:22:24You're a murderer!
00:22:25MONDAY TO FRIDAY, 6.30PM
00:22:27It looks like Rafael
00:22:28is getting better.
00:22:29First sale!
00:22:30But his boss
00:22:31is demanding.
00:22:32Medina doesn't trust him
00:22:33because he sold a car
00:22:34because he needs money.
00:22:35And his colleagues
00:22:36will support him.
00:22:37He shouldn't be
00:22:38so demanding
00:22:39with Mr. Medina.
00:22:40It's the first sale.
00:22:41Until the money
00:22:42doesn't stop.
00:22:43MONDAY TO FRIDAY,
00:22:442.30PM
00:22:45On Las Estrellas.
00:22:47I had to stop running away.
00:22:48Face my fears
00:22:49so I wouldn't get hurt.
00:22:51How sad, right?
00:22:52An unfortunate accident.
00:22:54I couldn't take it anymore.
00:22:55Get ready for stories
00:22:56that will tear your heart
00:22:57apart
00:22:58with some stellar
00:22:59murderous women.
00:23:01Starting October 26th.
00:23:03With Las Estrellas.
00:23:04I was just protecting him.
00:23:06Welcome.
00:23:08She's back!
00:23:15It's him!
00:23:16I can't believe it.
00:23:17It's El Chavo!
00:23:18I'm your fan!
00:23:19Because we know
00:23:20how to make you laugh.
00:23:21Premieres on Las Estrellas
00:23:22this Wednesday
00:23:23and available on VX.
00:23:26The Center for Artistic Education
00:23:28invites you to the
00:23:30Juvenil Convocatoria 2024.
00:23:32Look for the bases
00:23:34at lasestrellas.tv.
00:23:36We're waiting for you.
00:23:38This is your chance.
00:23:40Televisa Univision.
00:24:00And voice actors in the same space of analysis.
00:24:03Monday, October 14th.
00:24:05When we finish,
00:24:06with Las Estrellas.
00:24:08Good morning starts
00:24:09with dance and fun.
00:24:10At 9,
00:24:11advice, guests
00:24:12and all the excitement
00:24:13of the stars
00:24:14dance today.
00:24:15Barbarity!
00:24:16That's how we start.
00:24:18And when we finish,
00:24:19famous reports,
00:24:20cooking and more
00:24:21only on Cuéntamelo Ya.
00:24:22The first actor,
00:24:23Sergio Corona,
00:24:24continued with his companions.
00:24:26From Monday to Friday
00:24:27with Las Estrellas.
00:24:31The Center for Artistic Education
00:24:33invites you to the Juvenil Convocatoria
00:24:352024.
00:24:38What we have today
00:24:39in the news.
00:24:40They return to classes
00:24:41in Guerrero.
00:24:42Some schools in Acapulco
00:24:43are still closed
00:24:44due to lack of water.
00:24:45Without clues
00:24:46of the activist
00:24:47Mije Sandra Dominguez
00:24:48who disappeared in Oaxaca.
00:24:49And judges react
00:24:50to the Senate's tumble
00:24:51to decide the positions
00:24:52of the Judicial Power
00:24:53that will be elected in 2025.
00:24:54Details
00:24:55in Punto de las 10.30.
00:24:57The Center for Artistic Education
00:24:58invites you to the Juvenil Convocatoria
00:24:592024.
00:25:00Some schools in Acapulco
00:25:01are still closed
00:25:02due to lack of water.
00:25:03Without clues
00:25:04of the activist
00:25:05Mije Sandra Dominguez
00:25:06who disappeared in Oaxaca.
00:25:07And judges react
00:25:08to the Senate's tumble
00:25:09to decide the positions
00:25:10of the Judicial Power
00:25:11that will be elected in 2025.
00:25:12Details
00:25:13in Punto de las 10.30.
00:25:14The Center for Artistic Education
00:25:15invites you to the Juvenil Convocatoria
00:25:162024.
00:25:17Details
00:25:18in Punto de las 10.30.
00:25:19The Center for Artistic Education
00:25:20invites you to the Juvenil Convocatoria
00:25:212024.
00:25:22Details
00:25:23in Punto de las 10.30.
00:25:24The Center for Artistic Education
00:25:25invites you to the Juvenil Convocatoria
00:25:262024.
00:25:27Details
00:25:28in Punto de las 10.30.
00:25:29The Center for Artistic Education
00:25:30invites you to the Juvenil Convocatoria
00:25:312024.
00:25:32Details
00:25:33in Punto de las 10.30.
00:25:34The Center for Artistic Education
00:25:35invites you to the Juvenil Convocatoria
00:25:362024.
00:25:37Details
00:25:38in Punto de las 10.30.
00:25:39The Center for Artistic Education
00:25:40invites you to the Juvenil Convocatoria
00:25:412024.
00:25:42Details
00:25:43in Punto de las 10.30.
00:25:44The Center for Artistic Education
00:25:45invites you to the Juvenil Convocatoria
00:25:462024.
00:25:47Details
00:25:48in Punto de las 10.30.
00:25:49The Center for Artistic Education
00:25:50invites you to the Juvenil Convocatoria
00:25:512024.
00:25:52Details
00:25:53in Punto de las 10.30.
00:25:54The Center for Artistic Education
00:25:55invites you to the Juvenil Convocatoria
00:25:562024.
00:25:57Details
00:25:58in Punto de las 10.30.
00:25:59The Center for Artistic Education
00:26:00invites you to the Juvenil Convocatoria
00:26:012024.
00:26:02Details
00:26:03in Punto de las 10.30.
00:26:04The Center for Artistic Education
00:26:05invites you to the Juvenil Convocatoria
00:26:062024.
00:26:07Details
00:26:08in Punto de las 10.30.
00:26:09The Center for Artistic Education
00:26:10invites you to the Juvenil Convocatoria
00:26:112024.
00:26:12Details
00:26:13in Punto de las 10.30.
00:26:14The Center for Artistic Education
00:26:15invites you to the Juvenil Convocatoria
00:26:162024.
00:26:17Details
00:26:18in Punto de las 10.30.
00:26:19The Center for Artistic Education
00:26:21One, two, three.
00:26:23Surprise!
00:26:26For me?
00:26:27Of course!
00:26:28I'm going to learn from you
00:26:29and together we're not going to lose
00:26:30a single clue.
00:26:33Who's the Mask?
00:26:34World premiere this Sunday
00:26:358.30pm
00:26:36on Las Estrellas.
00:26:38The first hours of the day
00:26:39also bring the first stories
00:26:40that you need to know.
00:26:42Agile, precise and punctual.
00:26:43This way you'll know all the information
00:26:45in the news.
00:26:46Because what happens in Mexico
00:26:47and the world is here.
00:26:49I'm Carlos Furtado
00:26:50and I'll be waiting for you
00:26:51in the news,
00:26:52your newscast from Enemaz.
00:26:53Sunday, Friday, 5.50am
00:26:54on Las Estrellas.
00:27:19You don't need words
00:27:24because it's obvious
00:27:25that nothing will be like before.
00:27:27I have to see how to ruin
00:27:28your filthy plans.
00:27:29You're going to be mine.
00:27:31Juan Carlos just escaped
00:27:32from prison.
00:27:33He wants revenge.
00:27:34That's why
00:27:35Gran Final
00:27:36tomorrow
00:27:37at 1.30pm.
00:27:39Finish your day
00:27:40well informed.
00:27:42And the most outstanding
00:27:43of the day.
00:27:44The tricolor
00:27:45with returns,
00:27:46with new faces
00:27:47and above all
00:27:48with the task
00:27:49of having the experience
00:27:50of Javier Aguirre.
00:27:51Come to
00:27:52Contacto Deportivo
00:27:53Tuesday, Thursday and Friday
00:27:55at 11.30pm
00:27:56on Las Estrellas.
00:28:18My love.
00:28:19Have you already proven
00:28:20that I'm your baby's father?
00:28:21Really?
00:28:23If you interfere
00:28:24between Federico and me,
00:28:25you're going to have to
00:28:26face the consequences.
00:28:27My love always
00:28:28belonged to Renata.
00:28:29You're going to regret it,
00:28:30Federico.
00:28:32Renata, no!
00:28:35You're a murderer!
00:28:36Tuesday, Friday,
00:28:376.30pm
00:28:38on El Ángel de Aurora.
00:28:40Happiness seems far away.
00:28:42I can also make Julio Cesar
00:28:43go crazy.
00:28:44Stop playing with me, Angel.
00:28:45Do you want to marry me?
00:28:47But hope
00:28:48always waits.
00:28:50We came to marry Julio Cesar.
00:28:52That boy is Angel.
00:28:53Angel is Gabriel?
00:28:55Tuesday, Friday,
00:28:564.30pm
00:28:58Wake up!
00:28:59Information and stories
00:29:00to start your day well.
00:29:02Analysis to understand
00:29:03what's behind
00:29:04every event
00:29:05in Mexico and the world.
00:29:08With all the entertainment,
00:29:10sports,
00:29:11and climate.
00:29:12Wake up!
00:29:13A newscast from NMAS.
00:29:14Tuesday, Friday,
00:29:157.00am
00:29:16with Las Estrellas.
00:29:45They're cornered.
00:29:47You murdered Juan Pablo.
00:29:48You killed him.
00:29:50And the truth
00:29:51may not be on your side.
00:29:52What are you doing here?
00:29:53Will there be justice
00:29:54for the fugitives?
00:29:56Grand Finale
00:29:57this Friday,
00:29:588.30pm.
00:29:59A table
00:30:00where sports and politics
00:30:01are debated
00:30:02at the same level.
00:30:03Third grade sports.
00:30:05A program from NMAS
00:30:06with a political,
00:30:07economic,
00:30:08and social focus
00:30:09on sports in Mexico
00:30:10and the world.
00:30:11And voice references
00:30:12in the same space
00:30:13of analysis.
00:30:14Monday, October 14th
00:30:15when you finish on time
00:30:16with Las Estrellas.
00:30:18I had to stop running
00:30:19and face my fears
00:30:20so I wouldn't get hurt.
00:30:22That's sad, isn't it?
00:30:23An unfortunate accident.
00:30:25I couldn't take it anymore.
00:30:27Prepare for stories
00:30:28that will break your heart
00:30:29with some stellar
00:30:31murderous women.
00:30:33Starting October 26th
00:30:34with Las Estrellas.
00:30:36I was just protecting him.
00:30:43I was protecting him.
00:30:44I was protecting him.
00:30:45I was protecting him.
00:30:46I was protecting him.
00:30:47I was protecting him.
00:30:48I was protecting him.
00:30:49I was protecting him.
00:30:50I was protecting him.
00:30:51I was protecting him.
00:30:52I was protecting him.
00:30:53I was protecting him.
00:30:54I was protecting him.
00:30:55I was protecting him.
00:30:56I was protecting him.
00:30:57I was protecting him.
00:30:58I was protecting him.
00:30:59I was protecting him.
00:31:00I was protecting him.
00:31:01I was protecting him.
00:31:02I was protecting him.
00:31:03I was protecting him.
00:31:04I was protecting him.
00:31:05I was protecting him.
00:31:06I was protecting him.
00:31:07I was protecting him.
00:31:08I was protecting him.
00:31:09I was protecting him.
00:31:10I was protecting him.
00:31:11I was protecting him.
00:31:12I was protecting him.
00:31:13I was protecting him.
00:31:14I was protecting him.
00:31:15I was protecting him.
00:31:16I was protecting him.
00:31:17I was protecting him.
00:31:18I was protecting him.
00:31:19I was protecting him.
00:31:20I was protecting him.
00:31:21I was protecting him.
00:31:22I was protecting him.
00:31:23I was protecting him.
00:31:24I was protecting him.
00:31:25I was protecting him.
00:31:26I was protecting him.
00:31:27I was protecting him.
00:31:28I was protecting him.
00:31:29I was protecting him.
00:31:30I was protecting him.
00:31:31I was protecting him.
00:31:32I was protecting him.
00:31:33I was protecting him.
00:31:34I was protecting him.
00:31:35I was protecting him.
00:31:36I was protecting him.
00:31:37I was protecting him.
00:31:38I was protecting him.
00:31:39I was protecting him.
00:31:40I was protecting him.
00:31:41He doesn't let me see him everyday.
00:31:43He wants to spend longer here.
00:31:47Amelia refused and so he started to live with me.
00:31:53This is your house.
00:31:54Bring him in.
00:32:00I won't force my son to do anything that he doesn't want.
00:32:04Is that how you punish Amelia?
00:32:06I won't discuss that with you.
00:32:07I'm not going to argue with you.
00:32:09I just came to pick up his clothes and some of his things.
00:32:13If you'll excuse me.
00:32:16Iván!
00:32:17Iván!
00:32:19Hi, Cristina.
00:32:20Hi.
00:32:21Where's Alfonso?
00:32:22Oh, he went to pick you up at the restaurant.
00:32:25Hey, no, no, no, wait, wait, wait.
00:32:27I'm so glad to see you.
00:32:28It's just that...
00:32:30You need to talk to your boyfriend.
00:32:32I'm really worried because he's been doing a lot of favoritism among the dancers.
00:32:36What are you talking about?
00:32:37Yes.
00:32:39He gave a solo to Candy.
00:32:41She's going to dance alone.
00:32:44I've been here for a long time.
00:32:48There you go.
00:32:49Yes.
00:32:52What are you saying, baby?
00:32:53Iván came and started taking all of Martín's clothes out of his drawer.
00:32:58What are you doing, Iván?
00:33:00Can't you see?
00:33:01Martín asked me to pick up his things.
00:33:03I broke up with Rodrigo.
00:33:05You know very well that Martín is the most important thing in my life.
00:33:07And please, bring him back, Iván.
00:33:09I'm not going to do it, Amelia.
00:33:11And you know why?
00:33:12Because I don't trust you.
00:33:14You cheated on your son and me by getting involved with that idiot.
00:33:18That's why!
00:33:30It's almond.
00:33:31Try it.
00:33:33What I'm saying is that Rosetta is always in charge of the organization of the show, right?
00:33:39And then the girls have been rehearsing for years,
00:33:41and I don't think it's fair that you come and put Candy...
00:33:44If you saw how she dances, you wouldn't have seen her, right?
00:33:46That woman is Candela.
00:33:48Well, Candy, Candela.
00:33:50She's going to be a hit.
00:33:51You'll see.
00:33:52Trust me.
00:33:53You're interested in promoting her, aren't you?
00:33:56It's not going to happen.
00:33:57No?
00:33:58No, of course not.
00:33:59I think that woman is going to bring a lot of clients.
00:34:01Oh.
00:34:02I mean, I'm seeing this as a businessman.
00:34:04Oh, Alfonso, it's not that big of a deal.
00:34:06It's not like the great artist you're discovering right now isn't going anywhere.
00:34:09And you know what?
00:34:10If I'm not giving you ideas about the great businessman facet you're living right now,
00:34:13then I'd better go.
00:34:14Can I take this?
00:34:15Excuse me.
00:34:21Eight.
00:34:22Eight.
00:34:23Six and two are eight, yes.
00:34:25Fortune.
00:34:26Let's see.
00:34:27It says,
00:34:28La Brigada Internacional Contra el Fraude te descubre.
00:34:31Wait a minute.
00:34:32I'm going to answer this emergency.
00:34:33Kike?
00:34:34I have to go here.
00:34:35La Brigada what?
00:34:36Internacional Contra el Fraude te descubre.
00:34:38Go to jail.
00:34:39Yes?
00:34:40Hello, my favorite doctor.
00:34:42I invite you to dinner, but do you pay?
00:34:46I would love to, but I can't.
00:34:49I'm at home with my son.
00:34:51Well, bring him.
00:34:52I know him.
00:34:54No, no.
00:34:55That's not a good idea.
00:34:56I'll call you tomorrow, okay?
00:34:58See you.
00:35:02Hello.
00:35:04Hello.
00:35:05All good?
00:35:06Did the doctor get bored of you?
00:35:09He has things to do.
00:35:13Don't tell me.
00:35:14How not?
00:35:15Well, I don't understand why you and Tina don't get along.
00:35:17They're cute.
00:35:19The truth is, I don't know what it is.
00:35:22But well, because we know him and we know it's not good for you.
00:35:26And does the man you're seeing suit you?
00:35:31Oh, don't think I haven't noticed that you go out every night.
00:35:36And I highly doubt that he's going to count stars.
00:35:39It's just that...
00:35:44I'm dating a man who just got a divorce.
00:35:48And he doesn't want his ex to find out.
00:35:51You see?
00:35:52You and Tina talk bad about Ivan and tell me so much.
00:35:55And he doesn't care that he sees the whole town together.
00:35:58No, no, no.
00:35:59What happens is that he doesn't want his ex to find out because he doesn't want him to hurt.
00:36:03Instead, what Ivan does is exhibit you so that his ex finds out.
00:36:07Do I explain the difference?
00:36:15I'm telling you this because I love you.
00:36:18Ivan treats you as if you were a trophy.
00:36:22A prize. He's just showing off.
00:36:25And you're worth a lot more than that.
00:36:32Comfortable?
00:36:33Yes.
00:36:34Take your arms out.
00:36:37Hey, I loved playing with my grandfather and you.
00:36:40And that's how it's going to be every night, son.
00:36:44I'll always spoil you.
00:36:46I love you, Martin.
00:36:48I love you.
00:36:50And I love you, dad.
00:36:53Martin thinks the worst of Rodrigo and me after he saw us kissing.
00:36:57Ivan is just taking advantage of the situation.
00:36:59Daughter, at least he didn't kill you.
00:37:02Imagine your mother's face finding out about his love.
00:37:05No, no, that's over.
00:37:07Please don't mention Rodrigo to me again.
00:37:10He's not the person you say he is.
00:37:13My God, my daughter.
00:37:18Why don't you take advantage of the fact that Martin has already gone to sleep?
00:37:22And you're going to have dinner with Candy.
00:37:24She's the one who called you, right?
00:37:25I can stay to take care of my grandson.
00:37:28No, dad, thank you very much.
00:37:31I want to be with my son and convince him that this house is the best place for him.
00:37:36Well, you can be a good father and go out to dinner with Candy.
00:37:40She's a pretty girl.
00:37:42I know.
00:37:43I know, but it has nothing to do with Amelia, dad.
00:37:47Amelia is your past.
00:37:49And Candy can be your future.
00:37:53Dad, I had a hard day.
00:37:59I'm going to rest.
00:38:19Hello?
00:38:20Hello, Tomas. How is Martin?
00:38:22Armina told me that Ivan took him to your house.
00:38:24Your grandson is fine. He's already gone to sleep.
00:38:27Tell me what's going on.
00:38:29Why doesn't Ivan keep his promises with Amelia?
00:38:32Look, it's better if your daughter explains it to you.
00:38:37And regarding Martin, I think the best thing would be for us to stay out of it.
00:38:42And for them to fix it.
00:38:44Really, it's the best.
00:38:47Thank you, Tomas.
00:38:55I'm glad you're here.
00:38:58And that face?
00:39:00Problems with Amelia.
00:39:02Problems that I'm going to solve.
00:39:05Because ours can't end like this.
00:39:09I mean, how did it end?
00:39:12No wonder she looked so affected when she came to get Kate to the hospital.
00:39:17Yes.
00:39:18I'm going to sleep.
00:39:19Yes, but don't you want to have dinner?
00:39:21Let's see, Ro.
00:39:23I'm here to listen to you.
00:39:24Can you tell me?
00:39:27I'm very tired, Olga.
00:39:30Another time, okay?
00:39:31I'm fine. Rest.
00:39:34Me too.
00:39:43Are you calmer now? We have to talk.
00:39:45Mom, I have nothing to talk to you about.
00:39:47You should have kicked Rodrigo out of the ranch.
00:39:49I'm never going to fire him.
00:39:51And even less because he got into a problem to get me out of another one.
00:39:54Mom, what are you saying?
00:39:55Daughter, don't report him.
00:39:57Please leave.
00:39:58I want to be alone.
00:39:59Leave!
00:40:00Okay.
00:40:01But please don't do anything crazy.
00:40:04And you know what?
00:40:05Now go agreeing with Ivan about the times to see Martin.
00:40:09Because if Martin agreed to move in there,
00:40:13it was because of your arguments.
00:40:14Mom, leave.
00:40:17Leave.
00:40:35I thought you weren't coming, Doctor.
00:40:37The important thing is that I'm already here, Pereira.
00:40:39I want you to investigate if Amelia is still seeing the idiot Rodrigo.
00:40:44As always, you know.
00:40:48Okay, Doctor.
00:41:01Since I got to this place,
00:41:03I didn't imagine I would find a woman like you.
00:41:18Yes.
00:41:19Yes, Cara.
00:41:20What a shame that you have already rented the house.
00:41:22Yes, but anyway, thank you for letting me know.
00:41:25Bye.
00:41:26Olga.
00:41:28Were you going to leave?
00:41:29Yes.
00:41:30I don't want to bother you anymore.
00:41:31But it's not a bother, right, son?
00:41:34No, not at all.
00:41:35Besides, the commissioner said you can't leave here.
00:41:40Yes.
00:41:41I hope the case is solved soon so they give me the definitive custody of Gina.
00:41:45And so we can move in.
00:41:47Of course.
00:41:48Yes.
00:41:49You can stay as long as you need.
00:41:52Well, I'm leaving.
00:41:54Okay.
00:41:55Have a good day.
00:41:56Excuse me.
00:41:57Bye.
00:42:03Well, in one of those, fate is giving you a second chance.
00:42:08Let's see if you can nestle in Rodrigo's heart.
00:42:18Hello, Nana.
00:42:19Son!
00:42:20What?
00:42:21How did you end up with Amelia?
00:42:24Well, yes, Nana.
00:42:25Now she thinks I'm the worst.
00:42:28Well, yes, she told me.
00:42:29But what did you do to her?
00:42:31Well, to gain Eduardo's trust, I had to pretend that ...
00:42:35What?
00:42:37Well, I pretended ...
00:42:38What?
00:42:39Calm down.
00:42:40I pretended to kill Jorge Nieto.
00:42:42Oh my God, how could you?
00:42:46But how can it be?
00:42:48No, no, no.
00:43:16You don't need words.
00:43:21Because it is evident that nothing will be the same as before.
00:43:24I have to see how to ruin your dirty plans.
00:43:27You're going to be mine.
00:43:28Juan Carlos just escaped from prison.
00:43:30He wants revenge.
00:43:31For her, it only leads to a grand finale tomorrow at 1.30 pm.
00:43:36The first hours of the day also bring the first stories to know.
00:43:40Agile, precise and punctual.
00:43:41So you will know all the information in the news.
00:43:45Because what happens in Mexico and the world is here.
00:43:47I'm Carlos Furtado and I'll be waiting for you in the news.
00:43:49A newscast from NEMAS.
00:43:50Friday, Friday, 5.50 am.
00:43:53With the stars.
00:43:57These are the news in point.
00:43:59The National Republican Convention in Miwoki is a celebration of identity.
00:44:03They have reported an increase in the number of rescues of people in danger of drowning in the sea.
00:44:07The authorities are still looking for the source of this contamination.
00:44:10Every night your meeting point with the information.
00:44:13In point.
00:44:1410.30 am.
00:44:15For the stars.
00:44:16A table where sports and politics are debated at the same level.
00:44:20Third degree sports.
00:44:22A NEMAS program with a political, economic and social approach to sports in Mexico and the world.
00:44:28And voice references in the same space of analysis.
00:44:32Monday, October 14 at finish in point.
00:44:34For the stars.
00:44:36The good days begin with dance and fun.
00:44:39At nine.
00:44:40Advice, guests and all the emotion of the stars dance today.
00:44:43Barbarity!
00:44:45That's how we start.
00:44:46And at the end.
00:44:47Famous reports.
00:44:48Cozine and more only in Cuéntamelo Ya.
00:44:50The blessings of the first actor Sergio Corona continued with his companions.
00:44:55From Monday to Friday with the stars.
00:44:56Urges someone to replace Toña.
00:44:59I can't be doing the chores at home.
00:45:01Then get someone to help us.
00:45:05Leandra, Alessandra.
00:45:06Hello.
00:45:07Do you want to see me?
00:45:08If you want something to eat.
00:45:09But my carrot, Brian.
00:45:12At 40 and 20 we know how to make you laugh.
00:45:14This Thursday at the end of the noti.
00:45:37Who is Mrs. Garcia?
00:45:49She is our mother.
00:45:51And she only wants the best for us.
00:45:53Yes, her way.
00:45:56Look at the size of that mansion.
00:45:59How far would you go for the love of your daughters?
00:46:02The daughters of Mrs. Garcia.
00:46:04Starts November 11th.
00:46:059.30 at night.
00:46:07Haydee has it all.
00:46:09Success, money and a happy family.
00:46:11Although only in appearance.
00:46:13Now her cuddles require her to meet her real father.
00:46:17She must rebuild her family.
00:46:19Keep her company afloat.
00:46:20And discover that the most convenient thing is to love again.
00:46:23Pops for convenience.
00:46:25October 21st, 8.30 at night.
00:46:27Wake up.
00:46:28Information and stories to start your day well.
00:46:30The analysis to understand what is behind each event in Mexico and the world.
00:46:37With all the entertainment, sports and the climate.
00:46:41Wake up.
00:46:42A newscast from NMAS.
00:46:43Monday to Friday, 7 to 9 in the morning.
00:46:45With the stars.
00:46:47She doesn't need to be presented.
00:46:49I am Leonor San Jose.
00:46:50For the good, she is ruthless.
00:46:52We don't let San Jose fall so easily.
00:46:55And for the bad, she is an authentic villain.
00:46:57I forgave her life 30 years ago.
00:46:59But I'm sure this time I won't stop.
00:47:02Meet her in Amor Amargo.
00:47:04Starts November 4th, 6.30 in the afternoon.
00:47:07The first hours of the day also bring the first stories to know.
00:47:10Agile, precise and punctual.
00:47:12This way you will know all the information in the news.
00:47:15Because what happens in Mexico and the world is here.
00:47:18I am Carlos Hurtado and I wait for you in the news.
00:47:20Your newscast from NMAS.
00:47:21Monday to Friday, 5.50 in the morning.
00:47:23With the stars.
00:47:27These are the news in point.
00:47:29The National Republican Convention in Miwoki is a celebration of identity.
00:47:33They have reported an increase in the number of rescues of people in danger of drowning in the sea.
00:47:37The authorities are still looking for the source of this contamination.
00:47:41Every night your meeting point with the information.
00:47:43In point. 10.30.
00:47:45For the stars.
00:47:47End your day well informed.
00:47:49And the most outstanding of the day to day.
00:47:52The tricolor with returns, with new faces.
00:47:55And above all with the task of having the experience of Javier Aguirre.
00:47:58Enter in sports contact.
00:48:01Tuesday, Thursday and Friday.
00:48:03At 11.30 at night.
00:48:05With the stars.
00:48:07Who is Mrs. Garcia?
00:48:09She is our mother.
00:48:11And she only wants the best for us.
00:48:13Yes?
00:48:15In her own way.
00:48:17Look at the size of that mansion.
00:48:19How far would you go for the love of your daughters?
00:48:22The daughters of Mrs. Garcia.
00:48:24Starts on November 11.
00:48:269.30 at night.
00:48:27Aidee has it all.
00:48:29Success, money and a happy family.
00:48:31Although only in appearance.
00:48:33Now her cuddles require her to meet her real father.
00:48:37She must rebuild her family, keep her company afloat.
00:48:40And discover that the most convenient thing is to love again.
00:48:43Pops for convenience.
00:48:45October 21, 8.30 at night.
00:48:47Urges someone to replace Toña.
00:48:50I can't be doing the housework.
00:48:52Then get someone to help us.
00:48:54Ta-da!
00:48:55Leandra, Alessandra.
00:48:56Hello.
00:48:57Do you want to eat me?
00:48:58What?
00:48:59If you want something to eat.
00:49:00But my carrot, Brian.
00:49:02In 40 and 20 we know how to make you laugh.
00:49:05This Thursday at the end of the noti.
00:49:07My love, have you already proven that I am the father of your baby?
00:49:10Really?
00:49:11If you interpose between Federico and me, you will have to face the consequences.
00:49:16My love always belonged to Renata.
00:49:18You're going to regret it, Federico.
00:49:21Renata, no!
00:49:24You're a murderer.
00:49:25Monday to Friday, 6.30 in the afternoon.
00:49:27A table where sports and politics are debated at the same level.
00:49:31Third degree sports.
00:49:33A program of N+.
00:49:34With a political, economic and social approach to sports in Mexico and the world.
00:49:39And referent voices in the same space of analysis.
00:49:42Monday, October 14, at the end of the noti.
00:49:45Por las Estrellas.
00:49:48El Centro de Educación Artística.
00:49:51Te invita a la Convocatoria Juvenil 2024.
00:49:55Busca las bases en lasestrellas.tv.
00:50:01Te esperamos.
00:50:03Esta es tu oportunidad.
00:50:05Televisa Univision.
00:50:07Subtitulado por Accesibilidad TVE.
00:50:37My son, you're in trouble.
00:50:39I know.
00:50:40But I hope our love will be able to overcome this situation.
00:50:44But Amelia has her convictions.
00:50:46You have to explain everything to me now.
00:50:50Oh, Mom.
00:50:53I'm here for my son.
00:50:54I want to take him to school.
00:50:56I don't want to go with her.
00:50:59Can I talk to him alone, please?
00:51:02Sure, of course.
00:51:15My love, I'm done with Rodrigo.
00:51:18I want you to go back to the farm, please.
00:51:21I don't believe you.
00:51:24It was a mistake to be interested in him.
00:51:27But if I have to choose between you two,
00:51:29I choose you a thousand times.
00:51:32About everything.
00:51:35Well, I'm fine with my dad.
00:51:38Okay.
00:51:40My love, I'll wait for you as long as you need.
00:51:44But I want you to know that I love you.
00:51:47With all my heart.
00:51:50And I look forward to your return.
00:52:05We're all going to fill out this form.
00:52:07Ma'am, I'm sorry, can I come in?
00:52:09I'm late.
00:52:10Come in, Gina.
00:52:12We're all going to copy the form
00:52:13and we're going to give each one an example.
00:52:15Copy it well, okay?
00:52:16What happened to your sister?
00:52:17I already fixed everything for you.
00:52:19And I'm staying with Olga.
00:52:20Today I have my first therapy with your mom.
00:52:22That's great.
00:52:23Remember you told me you were going to help me.
00:52:25Yes, I'll help you.
00:52:26Okay.
00:52:28Gina.
00:52:30Yes?
00:52:32Gina.
00:52:33Martin.
00:52:35Silence, please.
00:52:36Let's see, are you going to start filling out the form?
00:52:38No, no, no, I'm sorry.
00:52:39Copy it.
00:52:40Copy it, come on.
00:52:47What are you doing here?
00:52:49Well, Amelia, first of all,
00:52:50I want you to know that Jorge Neto was a criminal.
00:52:52I don't care.
00:52:54My mom and you should report him.
00:52:56Don't take justice into your own hands.
00:52:58That's a crime and they're going to pay for it.
00:53:00And what are you going to do?
00:53:01Are you going to report me?
00:53:02Would you be able to put me in jail?
00:53:03Yes, I'm capable.
00:53:04Because you were capable of killing.
00:53:06Amelia, I know you're upset about everything that happened,
00:53:09but Amelia, understand, I have feelings, I have...
00:53:12No, no, you don't have them.
00:53:14No, exactly because I have them, I did what I did.
00:53:18Get out.
00:53:19Get out, Rodrigo.
00:53:20I don't want to see you again.
00:53:24Amelia, don't believe everything you see, please.
00:53:30Get out.
00:53:36Look, I don't like telling lies like adults do.
00:53:41And even if you don't want to be my friend anymore,
00:53:43I'm going to tell you what happened to me, okay?
00:53:45What happened?
00:53:49I had an accident.
00:53:52And that's why I can't run or play soccer like everyone else.
00:53:57And even if I walk a little,
00:54:00I have to use the wheelchair.
00:54:04And that's why you think I'm not going to be your friend anymore?
00:54:09Yes.
00:54:10Well, no, look, you and I are always going to be friends.
00:54:15Look.
00:54:22Ma'am,
00:54:24Amelia doesn't love me.
00:54:27Well, better like this.
00:54:30Give her space.
00:54:31And don't worry, she's calmer.
00:54:33I don't think she'll report you.
00:54:35Look, ma'am, even if I end up in prison,
00:54:37I'm not going to involve you.
00:54:39I'll say it was a personal matter.
00:54:42That's going to stop Amelia too.
00:54:45She knows she can hurt me too.
00:54:48Of course.
00:54:50And you know what, Rodrigo?
00:54:51I think I'm going to give you more work in the production company.
00:54:55Of course, tell me.
00:54:56With pleasure.
00:54:57I need you to be the bridge between Francisco and me.
00:55:00I don't want to see him again or talk to him.
00:55:03Count on it, ma'am.
00:55:14I love you.
00:55:16I love you.
00:55:28Are you sure?
00:55:29Yes, doctor.
00:55:30Well, I didn't hear what they said,
00:55:32but Panegua noticed that Mrs. Amelia was very angry.
00:55:36For me, she fired Rodrigo from the cavalry.
00:55:39Well, don't trust her, Pereira.
00:55:41They may be pretending.
00:55:43You keep an eye on Amelia and Rodrigo.
00:55:45Let me know everything.
00:55:46I want to know absolutely everything they do, is that clear?
00:55:50Yes, doctor.
00:55:51Good.
00:55:58Alfonso, how are you?
00:56:02Hey, the other day Rosetta proposed to me
00:56:04if she wanted to open in the reopening of El Tropicaloso.
00:56:07Oh, I didn't know.
00:56:08How good.
00:56:09Good luck.
00:56:10I mean, she didn't ask me personally.
00:56:12I mean, she sent Chanat and I said yes.
00:56:14I hope you don't have any problems.
00:56:16Well, my aunt Rosetta is in charge of everything in El Tropicaloso.
00:56:19If she decided it, it's very good.
00:56:21Congratulations.
00:56:27Tabo.
00:56:29Do you mind if I buy you a drink?
00:56:33Well, I was going to go back to the stationery.
00:56:35A quick coffee here, ten minutes.
00:56:37I want to tell you something that only you would understand.
00:56:41Let's go.
00:56:45How are you?
00:56:46Good.
00:56:47And Amelia, where is she? I need to talk to her.
00:56:50I can imagine, why?
00:56:51Rodrigo already told you?
00:56:52Yes, he already told me.
00:56:53I just don't understand why they do those nonsense.
00:56:55Now my daughter has a split head.
00:56:57Look, Rodrigo is willing to give up everything
00:56:59just to save this relationship.
00:57:01What worries me is that those two love each other so much
00:57:04and that they can't be happy.
00:57:06I have to convince Amelia not to report Rodrigo.
00:57:10No.
00:57:11Let's see, wait a minute.
00:57:12I'm going to call her.
00:57:13Yes.
00:57:18My girl.
00:57:20Where are you?
00:57:21No, no, I'm in town.
00:57:23I'm going to do something, even if it breaks my soul.
00:57:30I think he's going to report him.
00:57:31No, no, no, no.
00:57:33I have to do something, I have to do something.
00:57:40You've gotten on my nerves with Chanate's jealousy.
00:57:43I hired Candy because she dances great,
00:57:45not because I like her.
00:57:47Relax, Ponchito.
00:57:49Maybe she just wants to be sure
00:57:51that she's the only one in your life.
00:57:52Well, if I show her every day, she knows.
00:57:55Well, maybe she wants something else.
00:57:59Something else? What?
00:58:01I don't know, that you assure her a future together.
00:58:06You think?
00:58:08Yes.
00:58:13Grandma, they told me you were waiting for me.
00:58:16Yes, hello.
00:58:19I'm very sad, honey, because you're not at the farm.
00:58:23Are you coming back today?
00:58:24No, Grandma, I want to be with my dad.
00:58:28But Ivan can go see you every day.
00:58:30You don't have to be with Tomas.
00:58:32Well, I want to be there, Grandma.
00:58:36Okay, but just for a few days, okay?
00:58:40I love you so much.
00:58:42Me too.
00:58:44Yes, I like it.
00:58:45And with all the lights,
00:58:46I want it to look happy.
00:58:48Grandma! Grandma!
00:58:49I want it to look happy.
00:58:50What happened?
00:58:51Hello, good afternoon.
00:58:52Come here.
00:58:53Oh, what happened?
00:58:54I want you to help me.
00:58:55I have a surprise for Jeanette.
00:58:56Something spectacular.
00:58:57She'll never forget it, okay?
00:58:59Okay!
00:59:00Okay?
00:59:01Of course!
00:59:02Okay.
00:59:10Good afternoon.
00:59:11Good afternoon.
00:59:12Good afternoon.
00:59:13I need to see the commissioner.
00:59:16I want to file a report.
00:59:28Would you like to spend the rest of our lives together?
00:59:31No, no, no.
00:59:35Hector Zarate is not your father.
00:59:37What kind of stupidity is that?
00:59:42You really didn't know.