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Short filmTranscript
00:00:00I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:05I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:10I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:15I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:20I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:25I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:30I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:35I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:40I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:45I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:50I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:00:55I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:00I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:05I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:10I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:15I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:20I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:25I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:30I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:35I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:40I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:45I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:50I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:01:55I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:02:00I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:02:05I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:02:10I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:02:15I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:02:20I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:02:25I'm going to try to get to the other side of the island, but I'm not going to be able to do that.
00:02:31Damn, what a place!
00:02:34This street won't be called Elm Street by chance, will it?
00:02:37Damn, man.
00:02:40I don't even get in here often.
00:02:42Well, you know what's left for you? Your bag, your flashlight and to sleep in the car.
00:02:46To listen to the bugs, the owls, the crickets and everything that appears.
00:02:50Look, Jordi, you're an idiot, man.
00:02:52Well, you also have another possibility. I don't get in and sleep with you in the car either.
00:02:56You see?
00:02:57And I don't get in and sleep with you in the car either.
00:02:59You see? You see how stupid you are?
00:03:01Come on, please.
00:03:04Well.
00:03:10Have we taken everything?
00:03:12Everything. Even a clove of garlic and some well-sharpened stakes.
00:03:17Hey, how long has this house been uninhabited, Ramón?
00:03:20Almost 30 years.
00:03:22And what did you say was inside?
00:03:24A school. The Montealto International School.
00:03:27This is where my father studied.
00:03:29Damn, what a cozy place.
00:03:32Well, shall we go in or what?
00:03:39Hey, does anyone want some cold water?
00:03:55I told you.
00:03:57A real and authentic idiot.
00:04:00Jordi, I think we'd all appreciate it if you didn't tell us last night.
00:04:03Okay, okay, okay. But this well smells like lightning.
00:04:06Someone must have thrown a corpse inside or something.
00:04:08Well, look, that could be a premonition if you don't stop being an idiot.
00:04:15Damn, in that window someone has turned on the light.
00:04:20That's impossible. It must have been the reflection of the light.
00:04:23Look.
00:04:24I swear I saw perfectly how that window lit up and then immediately turned off.
00:04:28And it wasn't a flashlight or moonlight. It was electric light.
00:04:31They're already here.
00:04:34I can't stand this guy all weekend.
00:04:36Come on, let's go in. We look like a bunch of assholes in the tunnel of terror.
00:04:42I'd like to be in the amusement park now.
00:04:45But you'd be better in the zoo.
00:04:54And the six innocent boys were about to cross the door of the house
00:04:58from which they would never come out alive again.
00:05:01At least one of them won't come out alive from here.
00:05:04Have you seen Scream 3?
00:05:23I don't know.
00:05:37Damn, Jordi, you're an idiot, man.
00:05:39Hey, I didn't knock on that fucking door, damn it.
00:05:42Listen, guys.
00:05:44I thought it was a very good idea to spend the weekend in an abandoned house, okay?
00:05:48But if the doors close on their own and Sandra says she saw a light in a window,
00:05:52we'd better take our backpacks and leave town.
00:05:56I'd rather sleep on the bench in a square than be here for three days.
00:06:01Let's see, let's not lose our cool.
00:06:03Sandra thinks she saw a light that could perfectly reflect our flashlights or the moon.
00:06:08And the door could have been closed by some air current.
00:06:12Yes, of course.
00:06:14You had to push with all your might to open it, and now,
00:06:17alas, a breeze of nothing closes it so easily.
00:06:20Look, Ramón, I don't know what moves you that we spend the night here.
00:06:24I don't think it would be right for you to tell us everything you know about this place.
00:06:27I know the same as you and four other things that my father told me.
00:06:30That it was a boarding school for kids of the time,
00:06:33a kind of boarding school for the black sheep of the rich families.
00:06:36And since the building was in bad shape and was far away, they decided to move it downtown.
00:06:41And if what you want to know is what inspired me to come here,
00:06:44it's that my father and some friends did the same.
00:06:47I don't know, I thought it was a good idea to repeat the experience with you.
00:06:52Well, I also think it's a good idea.
00:06:55So, guys, why don't we look for a place to settle down?
00:06:58Well, since this reminds me a lot of Blair's witch, I'm going to set up the camera.
00:07:02So that in a year some son of a bitch finds the inks
00:07:05and runs away with the Young Sparrow Project in Monte Alto.
00:07:08Jordi, in the end I'm going to end up giving Maria the reason.
00:07:11Don't say more bullshit because you can't.
00:07:14Well, I'm ready.
00:07:16The Monte Alto Project begins. Take one.
00:07:19Hey, where do you prefer we settle down, on this floor or on the one above?
00:07:23As close to the door as possible.
00:07:25Fuck, what a piece of shit.
00:07:27Sandra, I'll make it easier for you.
00:07:29Which floor did you see the light on?
00:07:31On the one above.
00:07:32Good. Well, you settle down wherever you want.
00:07:34I'll settle down downstairs just in case, okay?
00:07:37Well, let's go.
00:07:46Let's go.
00:07:55How gloomy.
00:08:01Why don't we look for room 13 so that Maria can shit herself?
00:08:05Speaking of shitting, wouldn't it be better to look for a room close to the bathroom?
00:08:09By the way, what will the bathroom doors be like?
00:08:12The ones where you can see the feet of whoever is inside?
00:08:15Or the ones that aren't? What's worse?
00:08:18As good as I was in my house, my God.
00:08:23Come on, let's go in.
00:08:43Friday, April 13th, 1973.
00:08:47Maria!
00:08:48What?
00:08:49Don't look until we know where the bathroom is.
00:08:51Come on, if I don't see it, I don't believe it.
00:08:53Friday, April 13th.
00:08:55And that's not Jordi's handwriting.
00:09:02My father told me it was in April when they started moving the school.
00:09:06It's a fucking lie that it was exactly on Friday, April 13th.
00:09:09But well, Maria, that should only matter to the Yankees.
00:09:14You heard him, Larry. Today is your lucky day.
00:09:17The dust of 30 years.
00:09:19What? Who? Did someone say dust?
00:09:21Yes, your ex-girlfriend the day she left you and went with someone else.
00:09:25Yes, but I said it with nostalgia. Silly.
00:09:27Silly?
00:09:29Hey, we should clean this up a bit to leave the bags.
00:09:32Well, you'll tell me what to do.
00:09:34Since Pam didn't bring the broom with which she moves.
00:09:37How funny.
00:09:39Well, I'm sure if we look a bit we'll find a broom somewhere.
00:09:44I'm going to see if I see any.
00:09:46Is someone coming with me?
00:09:48Oh no, I'm staying.
00:09:52What's wrong? Are you all crazy or what?
00:09:55Well, I'll have to come with you.
00:09:57Because you're going to be the first in a group to split up.
00:09:59And then if they kill you, there's no proof.
00:10:01In Blair's Witch, the first one they kill is the camera.
00:10:03Yes, but we're in Europe and they don't do those things here.
00:10:06Ale, can someone come with me apart from this idiot?
00:10:09I'll go. I like to know the place of the crime.
00:10:21Wait a second, I'm going to warm up the atmosphere.
00:10:33Yes?
00:10:35You should never have come to this school.
00:10:37You're too young to die.
00:10:40And who are you?
00:10:42Look out the window and you'll see me.
00:10:57Who are you?
00:10:59The gardener.
00:11:01You look out, idiot.
00:11:04Well, I don't see anything.
00:11:06You have to be the invisible man.
00:11:08Are you sure you don't see anything?
00:11:12You finally show your face.
00:11:14How did you get there so fast?
00:11:17How far?
00:11:19Well, to the other wing of the school.
00:11:22But what are you saying, girl?
00:11:24Fuck.
00:11:26I'm looking at a light in the window.
00:11:28And a guy who doesn't have a camera like you has a cap.
00:11:35You've seen him too.
00:11:46You were flirting, weren't you?
00:11:48Do I look like I'm flirting?
00:11:50You're a little pale.
00:11:52In which window did you see the light?
00:11:54In that window.
00:11:56I saw it on the second floor.
00:11:58Well, let's suppose what you've seen is real.
00:12:01Would it be normal for a beggar to live here disguised?
00:12:05That's possible.
00:12:07But what I don't understand is the light.
00:12:09We've all seen that up to here there's only one line.
00:12:11And it's cut next to the fucking entrance.
00:12:13And besides, it's obvious that someone has come to take the cables and sell them.
00:12:17Let's see.
00:12:18The light I saw wasn't a camping gas or a flashlight.
00:12:20It was normal light, a light bulb.
00:12:23I'm also sure it was electric light.
00:12:26What do we need to go through? Can you explain it to me?
00:12:29I suggest we leave as soon as possible, but now.
00:12:32We leave?
00:12:33Yes.
00:12:34Why? Because we've seen a light?
00:12:36Look, if there was someone who wanted to hurt us,
00:12:38he wouldn't be turning on the lights so we could find him.
00:12:41Personally, I don't like the idea of being locked up here,
00:12:44thinking that they might be playing with me out there.
00:12:46Why don't you come with me to the tower?
00:12:48That way we'll see if anyone takes advantage of a trap.
00:12:50My camera and I will go with you.
00:12:52This is getting hot.
00:13:00Look, there he is.
00:13:04Let's see.
00:13:05You light the cables and the tower with the flashlight.
00:13:09I'm going to record the first case of electric light without cables.
00:13:11Fuck you.
00:13:15Stop.
00:13:16Did you record it?
00:13:17Yes, I did.
00:13:18Let's go.
00:13:19Let's go.
00:13:20Let's go.
00:13:21Let's go.
00:13:22Let's go.
00:13:23Let's go.
00:13:24Let's go.
00:13:25Let's go.
00:13:26Let's go.
00:13:27Let's go.
00:13:28Carlos.
00:13:29What?
00:13:30The light from the window.
00:13:32What are you talking about, man? It's all dark.
00:13:34Take out your monitor.
00:13:38Let's see.
00:13:42It's blinking.
00:13:45Pause it.
00:13:47Look at it yourself.
00:13:52Okay, what seems to be clear is that we're not alone.
00:13:55And that son of a bitch has electric light and we have camping gas.
00:13:58So what?
00:14:01Let's go home.
00:14:03I'd better stop giving hysterical excuses.
00:14:09Jordi, you went down the well to scare the girls.
00:14:12Yes.
00:14:13And you didn't pick her up again, did you?
00:14:15No way. Why?
00:14:17Look at him.
00:14:20Motherfucker.
00:14:21Are you sure you didn't pick her up again?
00:14:24But, man, why do you care so much about the fucking well?
00:14:27Could it have been the electric light's fault?
00:14:30Ramón, don't put my joy in a well. Why do you care so much, man?
00:14:34It's okay. I just thought the lid was weird.
00:14:37Okay, let's go home.
00:14:40We'll show them what we've filmed, right?
00:14:41No, not yet.
00:14:43And don't tell them about the well either.
00:14:45But, man, I feel like the only accomplice in a murder.
00:14:48I have to share this, damn it.
00:14:49Jordi, fuck off.
00:14:51Okay, but if you come with me. Just if you come with me.
00:14:54Fuck off.
00:14:55Ramón, are you going to tell me about the well or not?
00:14:58The well? Well, you see, Jordi, we have a well that opens on its own.
00:15:03Awesome.
00:15:06Very reassuring.
00:15:13What have you discovered?
00:15:15In principle, all the cables are cut.
00:15:18But, well, there's a possibility that there's another electric light behind the building.
00:15:22But my friend Ramón and I don't have the slightest intention of going to check it, right?
00:15:27A few years ago in England, in an abandoned house,
00:15:30in one of the rooms, a gas light was turned on at night.
00:15:34The installation was checked and there were no pipes.
00:15:38And what was it then?
00:15:39It seems that certain beings that still move in the lower astral
00:15:43can reproduce physical phenomena corresponding to the time they lived.
00:15:48What do you mean?
00:15:55Let's imagine, for example, that someone who died here,
00:15:59when the electric light was still working, appears right now.
00:16:03Well, he wouldn't appear with the current physical circumstances,
00:16:06but with the ones he had at that moment.
00:16:08And curiously, if that person turned on the light when he entered the room,
00:16:12he will continue to do so.
00:16:14And even if there is no electric current, the light will turn on.
00:16:17That's the inexplicable.
00:16:19Do you mean that what we've seen is a dead man?
00:16:22It was just an example.
00:16:24The most logical thing is what Ramón has said.
00:16:26Most of the electric curtains have been renovated and no longer use the same turrets.
00:16:31In addition, there are also generators,
00:16:33although no noise is heard.
00:16:35Well, guys, what is clear is that this place is the most delicious
00:16:38for people who want to go unnoticed to settle here.
00:16:41That would explain the game of lights.
00:16:43Well, I propose to continue with ours.
00:16:45Will you accompany me to look for a broom?
00:16:47Your faithful squire and his camera will accompany you to death.
00:16:49Or to the kitchen, at least.
00:16:51I also accompany you.
00:16:52I want to know all this and know where I am.
00:16:54Okay. No, you leave your cell phone here.
00:16:57You leave us without communication.
00:16:59Well, if something happens to you, you scream.
00:17:01But you leave me your cell phone.
00:17:03You leave me your cell phone.
00:17:05Yourself.
00:17:14Well, come on, there's no shit here to sweep.
00:17:16Whoever touches it will get something.
00:17:19I'm not going to do it, huh?
00:17:21Then your faithful squire is going to send you to take the ass.
00:17:25Well, we already know who is going to touch it.
00:17:27And a shit.
00:17:28That Maria sweeps, so she relaxes a little.
00:17:31Well, where the hell are we?
00:17:33I don't know, man.
00:17:34This is huge.
00:17:38And here?
00:17:41There's nothing in there.
00:17:43Close it.
00:17:53Headquarters of studies.
00:17:56I don't think the head of studies had a broom.
00:17:58But let's see.
00:18:01Let's go.
00:18:14What are you looking at, Ramón?
00:18:16What?
00:18:18What are you looking at?
00:18:19The orles.
00:18:21I love the orles.
00:18:23What's more, I'm going to take this one for my room.
00:18:26Why don't you take this other one, which is better preserved?
00:18:28Because I like this one.
00:18:30You go.
00:18:32Ramón, I've seen everything.
00:18:34What are you doing?
00:18:37I'll tell you later.
00:18:39Let's go?
00:19:01Alex! Alex!
00:19:08Let's get out of here, guys.
00:19:09Let's go to the classroom now.
00:19:10Come on.
00:19:18Guys, what's going on?
00:19:19Pick up everything, we're getting the hell out of here.
00:19:22We've seen an aunt bleeding her head off like a pig.
00:19:24What?
00:19:25She ran out of the services.
00:19:27But the operation was not alone.
00:19:28I don't understand why she called an aunt Alex.
00:19:30But please, let's get out of here.
00:19:32She didn't tell you anything?
00:19:33She didn't ask you for help?
00:19:34She was so scared that she ran out.
00:19:36She didn't even see us.
00:19:38Let's go to the car now.
00:19:39Let's see.
00:19:40Let's try to calm down.
00:19:41Fuck!
00:19:42There are six of us.
00:19:44If we stay together, no one will attack us.
00:19:46Besides, in this building, there are a lot of people in the same situation as us.
00:19:49I particularly think it's bullshit that we leave so calmly and leave them here.
00:19:55Jordi, give me your phone.
00:19:56Take it.
00:20:04This doesn't have a line.
00:20:06Have you already forgotten to charge it?
00:20:07What are you saying, man? It's out of battery.
00:20:09Well, it doesn't have a line.
00:20:10But I just called Maria a moment ago.
00:20:12You've seen her.
00:20:13There was a great coverage.
00:20:15Maria, give me your phone.
00:20:19What the hell is going on?
00:20:26This one doesn't have a line either.
00:20:27Well, we're in the middle of a mountain, aren't we?
00:20:30But it has coverage, dammit!
00:20:32I don't understand.
00:20:38Fuck me, there's a phone in this building and it still works.
00:20:42We can try to locate it and call from there, right?
00:20:44Okay.
00:20:45But let's all go with our backpacks because I can't stay here alone.
00:20:52Let's go.
00:20:56Let's go.
00:21:27Help!
00:21:30Who am I talking to?
00:21:32Please, who am I talking to?
00:21:34Ramón.
00:21:36Swear you can't hear anything on the other side of the line, please.
00:21:40Swear it!
00:21:42The line is cut off, man.
00:21:47I swear, I didn't hear anything.
00:21:49I thought I heard noises.
00:21:52But I think we're all very nervous.
00:21:54Don't lie to us, man.
00:21:55What do you mean nervous?
00:21:57A phone is ringing and the line is cut off and we've all heard it.
00:22:01Please, let's get out of here.
00:22:04I agree.
00:22:06Very strange things are happening here.
00:22:08Okay, let's go.
00:22:18Run!
00:22:25Run!
00:22:37Open the door, Ramón!
00:22:38Open the door!
00:22:42Let's go!
00:22:49Let's go!
00:22:53What the hell, Franco?
00:22:54I don't know, I didn't take it out of the workshop this morning.
00:22:57It's just been checked.
00:22:59It must be the battery, but I don't understand.
00:23:01And what do we do now?
00:23:03Put everything down. If it's the battery, they'll start pushing it.
00:23:06Come on, everyone down!
00:23:11Hey, we're screwed, guys.
00:23:13Look at the wheel.
00:23:14Why don't we get out of here, even if it's by walking, please?
00:23:17But you're crazy.
00:23:19If there's a mile to the town,
00:23:21we can be walking all night.
00:23:25I don't understand anything.
00:23:27What's going on here?
00:23:29Fuck the uninhabited house.
00:23:31It's full of people, man.
00:23:34I think we've interrupted a party like ours.
00:23:37And they've decided to kick us out and leave us on our own.
00:23:40Yeah, sure, and what about the blood aunt?
00:23:42The blood aunt.
00:23:43Jordi, remember the one we tied up last year for Halloween.
00:23:46Right.
00:23:48And if they want us to leave and leave them alone,
00:23:50why the hell did they puncture the car's wheel?
00:23:51That could be a coincidence.
00:23:53We could have punctured it on our way back.
00:23:55Fuck the wheels.
00:23:57They're not like the old ones.
00:23:59They deflate when you stop the car.
00:24:01Look, I think it's best to face things as they are.
00:24:04We go in there, find these people
00:24:06and tell them that we're not going to interrupt them,
00:24:08but that we have to spend the night here.
00:24:10No, I'm not going back in there, no way, guys.
00:24:12Well, fine.
00:24:14You stay here alone, watching the car,
00:24:16so they don't puncture our wheels.
00:24:18How funny.
00:24:19Come on, let's go inside.
00:24:21We're not doing anything here.
00:24:32Let's go.
00:24:50I'm going to close the door
00:24:52before we get another fucking scare.
00:24:54Good idea.
00:24:56That's weird.
00:24:58You can't hear the music in here.
00:25:00If we're going to think it's all weird,
00:25:02we're not going anywhere.
00:25:04The party people are on the second floor
00:25:06and right at the other end.
00:25:08If they have the windows open and the doors closed,
00:25:10it's logical that nothing can be heard here.
00:25:13Come on, calm down, it's okay.
00:25:15Come on.
00:25:19Let's go.
00:25:28Let's go to the end of the corridor
00:25:30and see if we can find the guy with the window.
00:25:34Look, there's a light on.
00:25:42Is anyone there?
00:25:44Shall we go in?
00:25:50Is anyone here?
00:25:54Hey!
00:25:56Hey, sir!
00:25:58We just want to talk to you.
00:26:01What a weird thing, man.
00:26:04Let's get out of here.
00:26:19No!
00:26:29Hey, sir!
00:26:31Hey, sir!
00:26:43It's as if he hadn't seen or heard us.
00:26:46Where did he go?
00:26:47Look, I'd rather not find him anymore.
00:26:50It's clear that he doesn't want to know anything about us.
00:26:53Well, look,
00:26:55let's go back to where we were and decide what to do.
00:26:57I'm fed up with walking around with my backpack.
00:26:59Let's go.
00:27:18Fuck.
00:27:20This is so weird.
00:27:27Hey, calm down.
00:27:29I just wanted to check if the coverage was back.
00:27:31Wow.
00:27:33It looks like we're back in real time.
00:27:35Fuck, Jordi, man.
00:27:37You could have told me you were going to call, right?
00:27:39I never thought a cell phone could scare me so much.
00:27:41Are you afraid to give your father the phone bill every month?
00:27:43Well, I propose the following.
00:27:44While Sandra, Jordi and I
00:27:46go and see if we can find the security guard
00:27:48or the party people,
00:27:50you stay here and organize this.
00:27:52Why don't we all go?
00:27:54Don't worry, nothing's going to happen.
00:27:56Go get something to eat, I'm a little hungry.
00:27:58Okay.
00:28:00Well, we'll take Jordi's phone.
00:28:02If you have any problems, call us.
00:28:11Let's go up and see if we can find the party people.
00:28:14Let's go.
00:28:26It's Maria.
00:28:28Yes, what do you want?
00:28:32They ran out of gas at the campsite
00:28:34and can't find the spare shirts.
00:28:36But they know they're in my backpack.
00:28:38Did you hear that?
00:28:40They can't be found there.
00:28:41What a bunch of useless people.
00:28:43Tell them I'm on my way.
00:28:45Hey, what time is Sandra coming down?
00:28:47Don't worry, Maria.
00:28:49We'll go with you.
00:28:51No, there's no need.
00:28:53Wait, yes, we'll go with you.
00:28:55I'm not Maria, man.
00:28:56Let's go.
00:29:11Nacho, why can't I hear the music?
00:29:13Maybe they're in one of the side aisles.
00:29:21Yes.
00:29:23Yes, I'm on my way.
00:29:25Well, go to the side aisle because you have to see her arrive.
00:29:30Okay.
00:29:32What's wrong?
00:29:34I don't know, man. Sandra hasn't arrived yet.
00:29:36Since she hasn't gone to pee on the way, I don't understand.
00:29:39Let's go back and see if we can find her.
00:29:41No, wait a minute.
00:29:43Maybe she's entertaining herself with something.
00:29:48Yes.
00:29:50What do you mean you can't see her in the aisle?
00:29:52But we were there.
00:29:55Okay, okay, calm down.
00:29:57Let's go there.
00:30:04Sandra?
00:30:06Sandra!
00:30:12Sandra!
00:30:15Sandra!
00:30:17Fuck!
00:30:21Has she arrived yet?
00:30:22No, not yet.
00:30:24How did you leave her alone?
00:30:26It was her idea. She said she didn't need us to go with her.
00:30:28Besides, we were next to her. She couldn't have gotten lost.
00:30:31Sandra!
00:30:33If this is one of your jokes, I'll kill you personally!
00:30:36I don't think Sandra would dare to make a joke in this situation.
00:30:39Something's happened to Sandra.
00:30:41Don't start with your hysteria. What the fuck is going to happen to her?
00:30:43Well, what always happens in movies.
00:30:45When you break up, things start happening.
00:30:47And that's not nonsense.
00:30:49I've been watching horror movies for many years.
00:30:50I think we have a problem.
00:30:52There was a noise. It must be Sandra.
00:31:04This is blood.
00:31:20Fuck!
00:31:22Fuck!
00:31:24I told you!
00:31:26We have to get out of here as soon as possible.
00:31:28Where the fuck is Sandra?
00:31:30Where the fuck is Sandra?
00:31:32Calm down.
00:31:34We saw a girl who was bleeding from her head.
00:31:36Most likely, she was playing a joke on us.
00:31:38Yeah.
00:31:40And she passed by your side as if she didn't see you.
00:31:42Come on, Pam. If she was playing a joke on us,
00:31:44she wasn't going to stop talking to us, was she?
00:31:46Yeah, but it's her idea.
00:31:47She was playing a joke on us,
00:31:49she wasn't going to stop talking to us, was she?
00:31:51Yeah, but it's her idea.
00:31:53She was playing a joke on us, as if she didn't see us.
00:31:55What do you mean?
00:31:57Well, the kids thing could make sense,
00:31:59if they're kidding.
00:32:01But I don't think the watchman will be part of the party.
00:32:03Guys, let's all act. It's still weird.
00:32:05If you don't care, Pam,
00:32:07let's leave it to psychology for later,
00:32:09and now we're going to look for Sandra, okay?
00:32:11Why don't we split up into two groups?
00:32:13While one stays here waiting in case Sandra comes,
00:32:15the other goes down following the trail of blood.
00:32:17I don't know what's going on between Sandra and us.
00:32:19Nothing's going on at the moment.
00:32:21And if there's a bunch of punks
00:32:23who want to have a good time at our expense,
00:32:25it's most likely that Sandra is with them.
00:32:27Ramón, I don't even know how you can say that.
00:32:30It's obvious that you don't know Sandra well.
00:32:32She's put me in a lot of difficult situations.
00:32:36Well, if that's true and I find her,
00:32:38I'll kill her myself.
00:32:40Listen to me.
00:32:43I know where this bitch is.
00:32:45She's upstairs, where the march is.
00:32:47Let's go.
00:32:52Come on, Larry.
00:32:54The ones who were on the floor will get there, dammit.
00:32:56She must have gone up the other stairs
00:32:58to make fun of us.
00:33:00Come on, let's go.
00:33:07Guys,
00:33:09don't you realize that music is always as far away?
00:33:11It's like we're being taken somewhere.
00:33:13You're deaf.
00:33:15I think I hear it closer and closer.
00:33:17It's coming from the inside of the school.
00:33:19Pam's right.
00:33:20Hey!
00:33:50This doesn't make sense.
00:33:52I think they're making fun of us.
00:33:54Well, what scares me the most
00:33:56is that Ramón has explanations for everything.
00:33:58There are too many inexplicable things here.
00:34:00Shut up. Get down.
00:34:14No!
00:34:16No, Sandra!
00:34:18Pam!
00:34:20God!
00:34:23Shit.
00:34:25Shit.
00:34:27They're going to kill us all.
00:34:30God.
00:34:32God.
00:34:40We can't do anything for her.
00:34:43We'd better go down to the classroom.
00:34:45At least we have light there
00:34:47and we can decide what we're going to do.
00:34:49And leave Sandra here, guys?
00:34:52We can't leave her here.
00:34:58This is crazy.
00:35:00I'm leaving right now.
00:35:02This is crazy.
00:35:04Let's go that way. No one should separate.
00:35:06Sandra!
00:35:08Larry, fuck, no one should separate from the group.
00:35:10Maria!
00:35:14Maria!
00:35:18Maria!
00:35:39She's not here.
00:35:41Let's go.
00:35:48Let's go.
00:35:58Maria!
00:36:03Where is Maria?
00:36:05Maria!
00:36:10Maria!
00:36:18Maria!
00:36:27Run! Run!
00:36:33Maria!
00:36:35Maria!
00:36:40To the classroom.
00:36:42She's there.
00:36:44Maria, come on, calm down. We're here.
00:36:50What did you see?
00:36:53Come on, let's take her to the classroom and she'll calm down.
00:36:59Calm down.
00:37:13Calm down.
00:37:20Let's see, Ramón.
00:37:22Let's make things clear.
00:37:24They've killed Ramón.
00:37:26You can hear music and lights are on, but there's no electricity.
00:37:28You can hear the cell phones without a cable.
00:37:30There's a party in the rooms and when we come in, they're empty.
00:37:32But you want to convince us all the time that everything is normal.
00:37:34Well, no, Ramón.
00:37:36Nothing is normal.
00:37:38And there's someone here who wants to kill us.
00:37:40I'm scared.
00:37:41You don't need to explain yourself.
00:37:43Unless you know more than you say.
00:37:45What do you mean, more?
00:37:47Who brought us here?
00:37:49Who thinks this is normal?
00:37:51What's at stake right now is our lives.
00:37:53So let's make things clear right now.
00:37:56What do you think?
00:38:11Ramón.
00:38:18My father left this to me before he died.
00:38:21He had never spoken to me about this diary before.
00:38:24And as you can see, it has to do with this school.
00:38:28My father had to go through hell here
00:38:31to spend all his life with this story in his head
00:38:33and not be able to tell it to anyone,
00:38:35not even to me until after he died.
00:38:38Ramón, get to the point.
00:38:42It's a very long story.
00:38:45At first, when we arrived, things started to happen.
00:38:48But what the hell happened?
00:38:53In 1973, my father and some friends came to this school
00:38:57to run a rally.
00:38:59And of the six people who came,
00:39:01the only one who survived was my father.
00:39:04The other five people died in the hands of a watchman
00:39:08that no one knew was there.
00:39:12Wait a minute.
00:39:14The guy we saw before going down the stairs
00:39:16looked like a watchman.
00:39:18It can't be. The watchman is dead.
00:39:20How do you know he's dead, Ramón?
00:39:23Because my father killed him
00:39:25and threw him into the well that's out there.
00:39:27The explanation is in that diary.
00:39:29Pam.
00:39:31Do you mean the watchman Ramón's father killed
00:39:34is the same one we saw before?
00:39:36Do you mean we were all killed?
00:39:38Fuck, it's not that simple.
00:39:40Let's read that diary immediately.
00:39:52Who the hell put this picture here?
00:39:54Ramón.
00:39:56Start reading, man.
00:40:01Note for Ramón.
00:40:03At the time of writing this, you are 18 years old.
00:40:06What I'm going to tell you, you're going to read when you're dead.
00:40:09It's going to be very soon.
00:40:11Today the doctor has confirmed to me
00:40:13that the brain tumor I have is malignant
00:40:15and my life expectancy is between six months and two years.
00:40:19I would like to tell you this face to face,
00:40:22but I think it's better that you read it when you're dead
00:40:24and that you have the opportunity to reflect
00:40:26without my presence interfering.
00:40:28I know I did what I had to do,
00:40:30but the situation in which the events you're going to know happened
00:40:33could make me the only culprit,
00:40:35since I killed the real killer
00:40:37and, consequently, the only witness.
00:40:41How could I show the police
00:40:43that when I killed him,
00:40:45I had already killed all my friends?
00:40:47I did it to defend myself
00:40:49and I would have liked to be able to explain myself to justice.
00:40:51As you can understand,
00:40:53that would have ended any possibility of redoing my life.
00:40:57Now my life is you
00:40:59and you are the only person I owe an explanation to.
00:41:04Now that I have all the information,
00:41:05I'm going to tell you what happened that night.
00:41:08At the end of March 1973,
00:41:11a group of students from the Montealto International School
00:41:14decided to spend the Holidays of Holy Week together.
00:41:17We all agreed that it was better in our homes
00:41:20than to waste time visiting the family.
00:41:22It was at one of those parties where it all started.
00:41:25My friend Lucas came up with that the best place to set up a club
00:41:29was the old school facilities,
00:41:32moved to the center the previous summer due to the deterioration of the building.
00:41:35It would be like our particular revenge
00:41:38in a sinister place where they had crushed us for years.
00:41:41We made a common ground.
00:41:43Marcos put his father's Land Rover
00:41:45and at ten o'clock at night we were at the doors of our academic prison.
00:41:50Stop it! Envious!
00:41:57How annoying!
00:42:05Wait a minute, I'm going to turn on the lights.
00:42:12You don't want to believe me,
00:42:14but I swear I saw light in a window on the second floor.
00:42:17I think in the director's office.
00:42:19They turned it off right away as soon as we arrived.
00:42:21Yes, of course.
00:42:23I'm sure it's the director who feels nostalgia for this place
00:42:25and comes home for the Holidays.
00:42:27Don't fuck with me.
00:42:29You, between the beers and the canoes,
00:42:31you see even little lights flying, macho.
00:42:32I'm blind, but don't fuck with me.
00:42:34I think it's not hard for us to go up for a moment and check it out.
00:42:37The light was on, I swear.
00:42:39Well, go up, go up.
00:42:41Do you think someone would come here for pleasure?
00:42:43I think it's better to take the classroom,
00:42:45which is the one near the dance rooms.
00:42:47Why don't we get one on the second floor,
00:42:49which is closer to the beds?
00:42:51Because there are no more beds, assholes.
00:42:53Always thinking about the same thing.
00:42:55Come on, let's go.
00:42:59Follow me.
00:43:03But nothing has changed.
00:43:05But nothing.
00:43:33Let's see, gentlemen.
00:43:35Let's see how we're doing.
00:43:37Miss Rosa, come here.
00:43:42Let's see those nails.
00:43:46Let's see those teeth.
00:43:49Let's see those panties.
00:43:51Hey, fuck off.
00:43:53If we're going to argue over nonsense like this,
00:43:55I forget what I have to think about.
00:43:57Yes, you better save it.
00:43:59Well, how about we put the bows?
00:44:03I've brought a double one,
00:44:05and I'm not going to sleep with Lucas.
00:44:11I've been meowing since you left.
00:44:13How disgusting!
00:44:15I warn you that I'm going to do it quietly and without overstepping.
00:44:17Don't you want me to go with you to watch the door?
00:44:19Quiet, the door is watched by itself.
00:44:21The one who has to be watched is you.
00:44:28I'm going to kill you.
00:44:59Lucas?
00:45:02Lucas, don't be a jerk, I'm already half way through.
00:45:06I think you've chosen a bad day.
00:45:08Until I evacuate the last bottle of beer,
00:45:10I'm not going to move.
00:45:15I'm going to kill you.
00:45:17I'm going to kill you.
00:45:19I'm going to kill you.
00:45:21I'm going to kill you.
00:45:23I'm going to kill you.
00:45:25I'm going to kill you.
00:45:26I'm going to kill you.
00:45:42Who are you?
00:45:44Let me out!
00:45:47You're not going to leave until you explain to me
00:45:49why you came to my school.
00:45:51Your school? What do you mean your school?
00:45:53This is my school, I study here.
00:45:54I don't study here anymore.
00:45:56The school is mine.
00:45:58What the hell are you doing here?
00:46:00We just wanted to spend the weekend,
00:46:02but if you want, we can leave right now.
00:46:04If you let me out, you know, we're leaving right now.
00:46:06Where were you going to sleep?
00:46:08In class one.
00:46:10All together, of course.
00:46:12Yes, I mean, no, we brought bags,
00:46:14but we didn't know you were here.
00:46:16Did you ask your parents permission to sleep here?
00:46:18Of course, I told my mother.
00:46:20And your father?
00:46:22My father is on a trip.
00:46:24And he wants you to leave to get a job.
00:46:26No, for God's sake,
00:46:28my mother knows all my classmates
00:46:30and she knows there's no problem.
00:46:32Yes, there is a problem.
00:46:34I want the rules of my school to be respected.
00:46:36What rules?
00:46:38Mine.
00:46:40By the way, do your parents have a lot of money?
00:46:42Yes, a lot.
00:46:44I'll give you what you ask, but please let me out.
00:46:46Well, mine, my parents,
00:46:48they didn't have money.
00:46:50Please, I've already told you I'll give you whatever you want.
00:46:52It's too late.
00:46:54And the school is mine.
00:46:56Please, I didn't do anything.
00:46:58We don't have anything here.
00:47:00I'll give you whatever you want, but let me out.
00:47:02I already have what I want.
00:47:04I have you.
00:47:14I'm having a bad time.
00:47:16Why?
00:47:18I'm thinking about that woman who is in the service
00:47:20and mobilized by a physiological need.
00:47:24I don't know.
00:47:42It's taking a long time, Rosa.
00:47:44Yes, I think I'm going to look for her.
00:47:46You, don't move from here.
00:47:48Let's go together.
00:47:50I also have to go to the service.
00:47:52To the service?
00:47:55Yes.
00:48:07Rosa, are you there?
00:48:09Rosita.
00:48:11Come on, this girl is not smart.
00:48:13As she knows Lucas very well,
00:48:15I'm sure she went to the teacher's service.
00:48:17Honey.
00:48:19Come on.
00:48:24Ta-da!
00:48:26Your hypnosis, miss.
00:48:28A little shabby, isn't it?
00:48:30I thought you wouldn't notice the details being with me.
00:48:54Come on.
00:49:25Oh!
00:49:33Hey, where the hell are they?
00:49:35I think we sent the fox looking for the hen.
00:49:54Oh!
00:50:25So close.
00:50:27Why are you laughing?
00:50:45Fuck!
00:50:47They are already doing the bullshit.
00:50:49Of course, since Marcos is the king of premature ejaculation,
00:50:52they have finished soon.
00:50:54They are going to give us the night.
00:50:56Guys, I'm going to solve the problem.
00:50:58Don't worry, leave it to me.
00:51:03I'll take a flashlight, okay?
00:51:05Well, has anyone brought candles?
00:51:07Me, just in case.
00:51:24Fuck!
00:51:54Fuck!
00:52:02The time of the fire and the shutdown of this school depends on my assholes.
00:52:06But don't worry.
00:52:08You have a lot of time to change your character, asshole.
00:52:14Aunt, we are assholes.
00:52:17It already seemed strange to me that Lucas volunteered for something with how lazy he is.
00:52:21I see it coming.
00:52:23They are going to have us all night playing hide-and-seek until these idiots get tired.
00:52:27Yes, macho.
00:52:28But what seems strange to me is that every god that comes out does not return.
00:52:33But don't you see that they are aiming at a bombing?
00:52:36What we have to do is not get into their game.
00:52:39Look, let's change our place.
00:52:41We leave the music on and the candles lit.
00:52:43And let them think that we are still here.
00:52:46And what do you think?
00:52:47That they have no control over us?
00:52:51They have to be on the side of the lobby.
00:52:53Which is where the switches are, right?
00:52:55Look, if we go out to the kitchens and go up to the second floor through the side stairs.
00:53:00Well, we appear right behind them, crossing the building.
00:53:03Fucking great.
00:53:05Aunt, you trust me.
00:53:07I know the school like the back of my hand.
00:53:10Besides, there is full moon, right?
00:53:12What you have to do is go very close to me.
00:53:15And not make the slightest noise, okay?
00:53:17Come on.
00:53:21Come on.
00:53:42Come on.
00:53:51You're going to kill me.
00:53:53Because of the noise.
00:53:55But I can't take it anymore.
00:53:57It had to have come when it was pink.
00:53:59Fuck.
00:54:00Every day they go to the bathroom together, except us.
00:54:02Look, you stay here and watch the door, okay?
00:54:04Come on.
00:54:05Okay.
00:54:20Come on.
00:54:33Rosa?
00:54:36Lucas?
00:54:50Alex!
00:54:52Alex!
00:54:54Alex!
00:54:56Where are you, Alex?
00:55:08Another piece charged.
00:55:20Fuck.
00:55:38Fuck.
00:55:40Where the fuck are they?
00:55:50Fuck.
00:56:20Fuck.
00:56:41Now I'm going to explain the new rules of this school.
00:56:45The cacombero is over.
00:56:46The children of Bapak are going to leave this center.
00:56:50Reformed from Bapak.
00:56:52The punishments, you are already knowing them.
00:56:55Fuck, it costs you your life.
00:56:58Drugging, it also costs you your life.
00:57:01Disrespecting me makes you lose all rights.
00:57:05But you have already lost them.
00:57:08And now you are going to answer a few questions.
00:57:12And remember what I have told you about Bapak.
00:57:16Tell me.
00:57:18Do you have any chance of saving yourself?
00:57:23You just have to tell me the truth.
00:57:26Were you doing voluntarily what you were doing?
00:57:30Was that boy forcing you?
00:57:33In addition to being a whore, you are a liar and a traitor.
00:57:36Now your friends are going to see what I do with liars and traitors.
00:57:40I have watched you since you arrived.
00:57:43I have seen you excite your boyfriend.
00:57:45I have seen you kick his legs.
00:57:47And no one deceives me.
00:58:07And you, the only thing you have done wrong is not respecting the school lights schedule.
00:58:13Before, when this was a school for fucking rich kids, that didn't matter.
00:58:19There was enough money to pay the school bills.
00:58:22But now the school is mine.
00:58:24And if some asshole like you spends more light than necessary,
00:58:29I am forced to restrict the schedule.
00:58:31That harms your classmates.
00:58:35And it deserves a more serious punishment.
00:58:38Don't you agree?
00:58:40Asshole.
00:58:56I have told you that if you agree, I warn you.
00:59:00That rudeness also deserves a punishment.
00:59:03And now I don't have much time.
00:59:05I have to take care of that friend of yours.
00:59:06The one with the horns.
00:59:08He needs a good lesson.
00:59:10Do you want to see what I do with him?
00:59:12I have left him for the end because he is the driver.
00:59:15The leader.
00:59:17The one who drives the drugs.
00:59:19The one who makes you and those idiots sweat in misery.
00:59:24I have come up with an excellent solution.
00:59:36Ha, ha, ha, ha, ha.
00:59:54You see how by putting a little good will, everything is fixed in life?
00:59:59You will see how I punish your friend.
01:00:03Only with your bad head.
01:00:06Ha, ha, ha, ha.
01:00:37Fuck.
01:00:55My God!
01:01:00Marcos! Rosa! Laura!
01:01:04Who was it?
01:01:06Who did this to us?
01:01:17I grabbed an ax and nailed it to his head.
01:01:20Then I made a decision.
01:01:22I took the body of the watchman and took it out through the window to the garden.
01:01:25I threw it into the well and emptied it over several bags of dirt.
01:01:28Then I went back to school and from the phone I called the police.
01:01:31I told them very anguished that there was a murderer in the school and that my classmates had disappeared.
01:01:37I went back to the classroom and made all the remains of what we had smoked disappear.
01:01:41The police tended to believe that people went crazy for smoking a joint.
01:01:46I went back to the locker room, I connected the light switches and I sat on the floor waiting for the police.
01:01:52Fuck, Ramón.
01:01:54You are a son of a bitch!
01:01:56You are irresponsible!
01:01:57You are an irresponsible son of a bitch!
01:01:59You had no right to make your experiments so morbid and pollute the school!
01:02:05Because none of us would have come if we had known what happened here.
01:02:09Do you understand?
01:02:11You are as guilty as the murderer.
01:02:13And that's what I'm going to tell the police.
01:02:15Maria, calm down.
01:02:17Wait a minute. Wait.
01:02:19Wait, Maria.
01:02:21You said that when you were going with Sandra to look for a broom,
01:02:23it was the girl who came out of the service with a bloody face, who was called Alex, right?
01:02:27Alex. Fuck, it's true.
01:02:29And I have it recorded.
01:02:31Larry.
01:02:43The girl who was bleeding was called Alex.
01:02:46And nothing of what we saw.
01:02:48That's what I told you.
01:02:50The camera only records real physical phenomena.
01:02:53The door opens, right?
01:02:55But you can't see anyone because the camera can't record what doesn't exist.
01:02:58But what are you saying, Pan?
01:03:00That can't be.
01:03:02No, Ramón.
01:03:04Even if it seems crazy, what Pan says makes sense.
01:03:06I've read more than once that things like this happen in uninhabited houses.
01:03:09But, let's see.
01:03:11If they're all spirits or whatever the fuck they are,
01:03:13what was it that killed Sandra, fuck?
01:03:15Honestly, man, I have no fucking idea.
01:03:17And that's what scares me about this matter.
01:03:19The dead can make their appearances as a way of asking for help.
01:03:23Because they feel anguished and persecuted.
01:03:26Well, if what killed Sandra wasn't a spirit,
01:03:28it had to be someone who was alive.
01:03:30It doesn't have to be like that, exactly.
01:03:33Because what certain energies can do
01:03:36is use a living person to do what they can't do.
01:03:39But who the fuck killed Sandra?
01:03:42Because we're in here and they can also kill us.
01:03:45Or we've been one of us.
01:03:48Or there's someone else in this building.
01:03:50What the fuck are you saying? Are you crazy or what?
01:03:53Jordi and I have been together all the time.
01:03:55And you haven't left the classroom, fuck!
01:03:58Yes.
01:04:00Larry left.
01:04:02Fuck, Maria, he only left for a moment.
01:04:05And besides, Sandra was killed upstairs.
01:04:08No, Ramón, she was left upstairs.
01:04:11We don't know where she was killed.
01:04:15I can't believe it. I just can't believe it.
01:04:18Larry, man, it could have been an instrument and not remembering it now.
01:04:21It's a form of possession.
01:04:24Fuck, can you imagine me killing Sandra?
01:04:29Maybe here's the answer.
01:04:31But it doesn't look very good.
01:04:34Look.
01:04:36That's Sandra.
01:04:38And she's talking to someone in the locker room.
01:04:40It's clear that it's someone we know.
01:04:43Because she's totally calm.
01:04:45Someone we know.
01:04:47We can only be one of us.
01:04:49And that, according to you, is me.
01:04:51Do you know what I'm telling you?
01:04:53You're a bunch of assholes.
01:04:56And I'm not staying here while my friends...
01:04:59Fuck you! Don't do anything stupid!
01:05:01If I'm the killer, I'm leaving. The problems are over.
01:05:04Larry, fuck, don't be a kid...
01:05:06I'm not a kid or a whore! I'm leaving! Fuck you!
01:05:08Larry, come back here, fuck!
01:05:14If I'm an asshole for listening to your esoteric jokes...
01:05:18I'm going to kick your ass!
01:05:22Wait!
01:05:24Maria!
01:05:26Shit!
01:05:28I think we've gone a little too far, haven't we?
01:05:31What they're doing to Maria and Larry is fucking crazy, guys!
01:05:40Larry!
01:05:48Larry!
01:05:53Larry!
01:06:01No! No!
01:06:03No! No!
01:06:06Son of a bitch!
01:06:10Go away!
01:06:12Go away!
01:06:14No!
01:06:18No!
01:06:20No!
01:06:36With the bad luck that Larry had, he must be arriving to the village.
01:06:40And Maria with him.
01:06:44Fuck! That's Larry!
01:06:45That's Larry. He's still here.
01:06:49He can be anywhere.
01:06:51And where is Maria?
01:06:53If I hadn't found him, he would have returned.
01:06:55Or the opposite, guys.
01:06:57Precisely because I found him.
01:06:59Fuck, Pam, we have to do something.
01:07:01Let's all go and see if we can see Larry.
01:07:15It sounds like he's at the service.
01:07:18Let's go.
01:07:24Alex! Alex! Alex!
01:07:41According to the newspaper,
01:07:42your father should be in room 3 now.
01:07:45But he didn't die here, so I wouldn't go.
01:07:56We have to go in.
01:07:58We can't leave Larry alone.
01:08:00Don't even think about it. It's a trap.
01:08:02Can't you see what's going on, guys?
01:08:04And if you're wrong and Larry is in there having a good time, what?
01:08:08I'm going in.
01:08:12Come on.
01:08:17Come on, Pam!
01:08:20Listen to me, guys. Let's get out of here.
01:08:23Let's go to the classroom.
01:08:32For fuck's sake, I bought the candy this morning.
01:08:38Forget everything that seems normal.
01:08:39What's happening is much more fucked up than you could ever imagine.
01:09:09No!
01:09:40I have to find Maria! Let's get out of here!
01:09:43Let's go!
01:10:02Maria! Maria, come here!
01:10:05She's so scared she can't hear us.
01:10:07Maria, don't go up there!
01:10:09We have to go up for her.
01:10:10God, I don't like this at all.
01:10:12Pam, please, we have to go up for Maria!
01:10:14Come on!
01:10:28God, the one who turned on the light is my father.
01:10:32This is the moment they arrived at school 27 years ago.
01:10:36Your father shouldn't be there.
01:10:40Jordi, did you record this?
01:10:42I'm always recording everything, Pam.
01:10:45Why shouldn't he be here?
01:10:49If he came with them...
01:10:51But he didn't die here.
01:10:54God, there's something that doesn't make sense.
01:10:56What do you mean?
01:10:58Whatever it is, tell me now because I'm totally scared.
01:11:02His father didn't tell the whole truth in the newspaper.
01:11:05If he didn't die here, that's for sure.
01:11:07He shouldn't be here with the others.
01:11:09I don't understand.
01:11:17Let's go get Maria.
01:11:19We have to be all together.
01:11:31Maria!
01:11:32Fuck, Jordi, let me go!
01:11:33Shut up, damn it!
01:11:35We have to find Maria and get into a classroom together.
01:11:37Until dawn.
01:11:38And without moving.
01:11:42If we don't take her, she could be hiding in any corner, scared.
01:11:45Yes, but we can't start screaming, damn it.
01:11:47So what?
01:11:49They know exactly where we are.
01:11:51Fuck, Pam, I'd rather you didn't say anything.
01:11:57Isn't that the classroom where we found Sandra?
01:12:00We have to go in and see if Maria is in there.
01:12:02My God.
01:12:08Maria's voice sounded in here.
01:12:10Is there light?
01:12:12Yes, fuck, and there are light bulbs. I'm going to go crazy, damn it!
01:12:15Let's see if we're in the wrong classroom.
01:12:17I'm afraid not.
01:12:19Look at the blackboard.
01:12:24I don't understand anything, Pam.
01:12:26I don't understand anything. What does all this mean?
01:12:28Where the fuck is Maria?
01:12:30Maria could be here.
01:12:32The ones who aren't here are us.
01:12:34What do you mean?
01:12:36Since we entered this classroom, it's been 1973.
01:12:39Don't ask me how, because I don't know.
01:12:42But whenever there's light, they're using us.
01:13:03Laura!
01:13:05Laura!
01:13:25Motherfuckers!
01:13:27Motherfuckers!
01:13:28Motherfuckers!
01:13:34They're going to kill us!
01:13:36They're going to kill us all! We have to go!
01:13:52We're saved, guys, we're saved!
01:13:54It's the police!
01:13:56Let's go.
01:13:58Let's go.
01:14:23Shut up! Shut up right now!
01:14:25I can't hear anything.
01:14:27And here, in the middle of the mountain?
01:14:29Even if they had left, you should have heard the engine.
01:14:33And to have turned around, you would have needed more time.
01:14:36Fuck, we haven't taken 30 seconds to get down.
01:14:39I can't take it anymore.
01:14:41This is a nightmare, and whatever we do, they're going to kill us.
01:14:44Fuck!
01:14:46Son of a bitch!
01:14:48Shut up!
01:14:49We're here!
01:14:50Calm down, uncle, this is what they want, okay?
01:14:51They want us to go crazy and do stupid things.
01:14:53We're going to survive, but calm down, uncle, don't make it easy for them.
01:14:58Son of a bitch!
01:15:00You'll see if you have the balls!
01:15:01Jordi, shut up!
01:15:02They're not even a millimeter away from us, fuck!
01:15:04Look what happened to Maria and Larry.
01:15:06Don't trust anything you see, okay?
01:15:08Come on, Jordi, calm down, uncle.
01:15:10As long as we're together, nothing's going to happen to us.
01:15:12If you look, they've only killed those who have separated.
01:15:15Guys, we have to calm down and analyze the situation.
01:15:17Pam.
01:15:19Why did you say that my father didn't tell the whole truth in his diary?
01:15:23And why is my father in the vestibule with his companions?
01:15:25If he didn't die here?
01:15:27Uncle, I have no fucking idea.
01:15:29But there are several possibilities.
01:15:31If your father didn't die here, and that's for sure,
01:15:33he shouldn't be in there living that same anguished situation
01:15:36as his friends, who still haven't left the place.
01:15:38But there's one thing that changes this hypothesis,
01:15:40and that's that your father is now dead.
01:15:43Guys, I don't have any reference to similar cases,
01:15:45but if you think about it a little,
01:15:46that allows certain things to come out of the predictable.
01:15:49For example?
01:15:52Well, look, he did tell the truth in his diary.
01:15:56Well, more exactly, his truth,
01:15:58but there was something that escaped him,
01:16:00that he never got to know,
01:16:02and now, after he's dead, he's known it in its entirety.
01:16:04I don't understand anything, Pam.
01:16:06I mean, he could be warning us about something, damn it!
01:16:09You mean my father is in there trying to tell us something?
01:16:12I think so.
01:16:13And there's a way to prove it.
01:16:15Jordi, do you have battery to see the images
01:16:17of the entrance of Ramon's father
01:16:19with his friends in the vestibule?
01:16:21Yes, no problem.
01:16:23I've got two spare.
01:16:36Here it is.
01:16:38Pam, Pam, I know he's in there, he's my father.
01:16:41But he was a few months old when he died.
01:16:44God, it's what I told you.
01:16:46Your father can't join the group
01:16:48in the situations they live in.
01:16:50Guys, he's back to tell us something.
01:16:52The surprising thing is that he managed to make himself visible
01:16:55so the camera could capture him.
01:16:57That's completely new to me.
01:16:59But if that's the case,
01:17:01why doesn't he give us a clearer signal?
01:17:03Something to make us realize, damn it!
01:17:05Ramon, if it were that simple,
01:17:07the dead would be chatting with us all day.
01:17:09They do what they can and how they can.
01:17:11I don't know what he wants to tell us.
01:17:20There's still an hour before dawn.
01:17:22Guys, we're going to stay here
01:17:24without giving ourselves away.
01:17:26Do what you have to do, okay?
01:17:28Pam, it's my father who's in there
01:17:30and it has to be for something very important.
01:17:32Ramon, you're not thinking about going back in there, are you?
01:17:35Jordi, if the three of us go in together,
01:17:37nothing's going to happen to us.
01:17:38Damn it!
01:17:40I'm terrified of the security with which you say things.
01:17:42A guy who killed all our friends
01:17:44is going to cut himself because the three of us go in together, right?
01:17:46Besides, Pam, you said he could take over our will.
01:17:50Look, I personally feel much safer out here.
01:17:53We're not safe anywhere.
01:17:55Look at what they've done with Larry and Maria
01:17:57and they were out there.
01:17:59You don't know if he killed them inside or outside.
01:18:01Jordi, that's the least of it.
01:18:03They're mental birds.
01:18:05What's clear is that for some reason he's trying to separate us
01:18:06because he can't kill us in a group.
01:18:08What do you mean?
01:18:10That you're going in and we have to go in with you
01:18:12because we're in danger out here?
01:18:14No, what I mean is that I have to go in.
01:18:16I don't know if you understand, but put yourself in my shoes.
01:18:18Not even three months ago my father died
01:18:20and five minutes ago he was in there
01:18:22trying to communicate with us.
01:18:24Fuck!
01:18:26What a dick, Ramon!
01:18:28And why didn't he protect Maria or Larry or Sandra?
01:18:30What do you think, Pam?
01:18:32What's clear is that we can't leave you alone.
01:18:34I'm going in with you in particular.
01:18:36I'm convinced that your father wants to tell us something
01:18:38and I want to know what it is.
01:18:40Perfect.
01:18:42Well, don't talk to us anymore.
01:18:44I'm not staying out here.
01:19:06Fuck!
01:19:37It's all right.
01:19:40It's all right.
01:19:55Maria!
01:19:57Maria!
01:20:06No!
01:20:13Padre!
01:20:16Padre!
01:20:24Padre.
01:20:37Padre!
01:20:51Padre!
01:20:57He knows we're here.
01:20:59Of course he knows, uncle!
01:21:01What the fuck does he want to tell us?
01:21:04We saw what was written in his diary.
01:21:07I don't understand, I don't understand!
01:21:09The well, the well!
01:21:11It has to do with the fucking well!
01:21:13Let's go, let's go!
01:21:19The well!
01:21:33The well!
01:21:42What do we do?
01:21:44Open the well.
01:21:46I'll open it.
01:21:50Let me see the flashlight, I'll see what's inside.
01:21:53Shit, it's melted!
01:21:55Let's go to the car, guys!
01:21:57As soon as the sun comes out, we'll go to town.
01:21:59Let's go, let's go to the car, let's go!
01:22:03Let's go, let's go!
01:22:12I can't believe I saw my father.
01:22:15What did he want to tell us?
01:22:17The well.
01:22:19He made the body in the well.
01:22:21Jordi, look in the tape where we saw the watchman for the first time.
01:22:24Yes, what are you thinking, Pam?
01:22:28There it is.
01:22:30As if we didn't check it.
01:22:34The watchman is alive.
01:22:37That was it.
01:22:40Good morning, it's six in the morning.
01:22:43Today our city is in mourning.
01:22:45As you all know,
01:22:47yesterday the police found in the abandoned facilities of the old Montealto International School
01:22:52the mutilated corpses of six excursionists
01:22:55who had apparently settled in the school to spend the night.
01:22:59According to the police report,
01:23:00the boys lived a night of terror
01:23:03in which their killer or murderers recreated themselves in the massacre.
01:23:07This school became sadly famous 27 years ago
01:23:11for having occurred in a similar massacre.
01:23:13It seems that the naive excursionists who took refuge in it
01:23:17did not know the curse of the Montealto School.
01:23:19Our colleagues are preparing an extensive report on these terrible...
01:23:30No!
01:23:41They're going to kill us all!
01:24:00The Montealto School
01:24:30The Montealto School
01:25:00The Montealto School
01:25:03The Montealto School
01:25:06The Montealto School
01:25:09The Montealto School
01:25:12The Montealto School
01:25:15The Montealto School
01:25:18The Montealto School
01:25:21The Montealto School
01:25:24The Montealto School
01:25:27The Montealto School
01:25:30The Montealto School
01:25:33The Montealto School
01:25:36The Montealto School
01:25:39The Montealto School
01:25:42The Montealto School
01:25:45The Montealto School
01:25:48The Montealto School
01:25:51The Montealto School
01:25:54The Montealto School
01:25:57The Montealto School