فيلم The Diary 2024 مترجم
فيلم The Diary 2024 مترجم
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Short filmTranscript
00:00:30Nelson!
00:00:33Don't go too far, okay?
00:00:37Yes, no.
00:00:41Nelson!
00:00:51Nelson!
00:01:01Vera!
00:01:09Vera!
00:01:10Vera!
00:01:11Vera, my love!
00:01:16Don't stop crying, okay?
00:01:30I said yes, let's play with Nelson.
00:01:46Vera?
00:01:50No puppy.
00:01:53And don't call him Nelson again, please.
00:01:57Okay.
00:02:10Sweetie, breakfast is ready. Did you make breakfast for school?
00:02:15Yes, everything is ready.
00:03:09Vera, your stuff.
00:03:19You didn't even take your backpack down, Vera.
00:03:21Oh, sorry.
00:03:32Don't open the fridge, the light is doing weird things.
00:03:35What are we going to eat?
00:03:37I'm hungry.
00:03:41What are you going to make for me?
00:03:43Pizza.
00:03:45Pizza?
00:03:47Two nights in a row? Forget it.
00:03:49Well, pizza and salad.
00:03:52Pizza, salad, bathroom and no cell phone.
00:03:57Or salad, cell phone, bathroom and no pizza.
00:04:04I prefer pizza.
00:04:06Girl, ready. Go take a shower then.
00:04:08Okay.
00:04:15Hi, Victor.
00:04:17Let me know when you're done, sweetie.
00:04:19Yes, mom.
00:04:20Well, we brought you bad luck to share with you how she's been doing in the sessions.
00:04:27What Carlos says is that there are several advances.
00:04:31She talks a lot more.
00:04:33She's adapting very well to her new life.
00:04:36She likes her new house, which makes me very happy.
00:04:40But, well, you know.
00:04:43The recurring theme is Mariana.
00:04:47It's just that she doesn't get along with her.
00:04:51I wouldn't even have to ask, but take care of your relationship with Vera, okay?
00:04:57And talk to Carlos too, so we're on the same page.
00:05:02What else, what else?
00:05:04Well, nothing.
00:05:06See you soon.
00:05:16Bye.
00:05:35Yeah, honey.
00:05:47I choose the third option.
00:05:50Do you know what the third option is?
00:05:52No.
00:05:53You have to go from here to there.
00:05:57To the end and back.
00:06:00There's no end.
00:06:02There's no end.
00:06:05If we don't sleep anymore, we'll leave the whales for tomorrow.
00:06:11We'll leave the whales for tomorrow.
00:06:18Good night.
00:06:20Good night.
00:06:41Good night.
00:07:11Good night.
00:07:41Good night.
00:08:07Vera.
00:08:09My girl, go back to your bed, please.
00:08:20Vera.
00:08:22Vera.
00:08:35I understand, Majo.
00:08:37But the trunk is not ours.
00:08:39Surely the previous owners forgot it and when they realize it, they will want it.
00:08:45Okay.
00:08:46You call me.
00:08:48Ah, one last thing.
00:08:49The light still doesn't work quite right.
00:08:51Could you send someone?
00:08:55Goodbye.
00:08:57Ma'am, this is Mr. Victor.
00:08:59Yes, Pedro, let him in.
00:09:01Okay, ma'am.
00:09:06My girl.
00:09:08Your dad is here.
00:09:17Vera.
00:09:19Hello.
00:09:20Hello.
00:09:23I put on four clothes and two pajamas.
00:09:25Uh-huh.
00:09:26And Fanti, right?
00:09:27Fanti.
00:09:28Fanti.
00:09:29No, Fanti.
00:09:30Vera.
00:09:31We don't want last week's disgust.
00:09:32No, we don't want it.
00:09:33Ah, I brought it.
00:09:37Daddy!
00:09:38Hey, my girl.
00:09:39Come here.
00:09:41Come here.
00:09:42I'm coming, I'm coming, I'm coming.
00:09:43I'm coming.
00:09:44Look what I made you.
00:09:46For me?
00:09:47Yes.
00:09:48Oh, my love.
00:09:49It's amazing.
00:09:53Hey, are you ready for a spectacular weekend?
00:09:55Yes, super ready.
00:09:56Yes?
00:09:57Well, first we're going to...
00:09:59The horses.
00:10:00Uh, first we're going to finish your room.
00:10:04Well, you and me alone.
00:10:06Yes, and Mariana is going to help us a little.
00:10:09Mariana?
00:10:10Uh-huh.
00:10:11Then I'd better not go.
00:10:13How?
00:10:14I'm staying with my mom.
00:10:16Remember the deal we made.
00:10:18Mommy, it's all a deal.
00:10:20You told me that this weekend we were going to be alone.
00:10:23Uh-huh.
00:10:24And that we were going to go see the horses.
00:10:26Why are you lying to me?
00:10:27Well, plans change.
00:10:29Plans change, sweetheart.
00:10:31Besides, it's wise to change plans.
00:10:35Right?
00:10:38Come on, sweetheart.
00:10:39Let's go.
00:10:40It's amazing.
00:10:42In fact, you're going to choose a movie tonight
00:10:45while I make some popcorn.
00:10:47Right?
00:10:48Hey.
00:10:49If you stick it in her soup,
00:10:51you can't separate a single day from Mariana.
00:10:56Just don't lie to her.
00:10:57I'm not lying to her.
00:10:59Oh, and don't forget to call Carlos.
00:11:02I will.
00:11:04Whenever I can.
00:11:09Say goodbye to your mom.
00:11:12Goodbye, Mom.
00:11:15Bye.
00:11:45Bye.
00:12:15Hello?
00:12:39Hello?
00:12:40Hello?
00:12:43Do you know who it is?
00:12:51It has to be someone.
00:12:57Yes.
00:12:58I'll do it then.
00:13:01Goodbye.
00:13:10Goodbye.
00:13:40Goodbye.
00:14:11Goodbye.
00:14:12Goodbye.
00:14:41Goodbye.
00:14:42Goodbye.
00:15:10Shhh.
00:15:40Hello?
00:15:50Yes.
00:15:51Everything's fine.
00:15:55What?
00:15:57What's wrong?
00:15:58How is she?
00:16:00She's fine.
00:16:01Her hand?
00:16:02Her hand is fine.
00:16:03The doctor is stitching it.
00:16:05It was a clean cut.
00:16:06A clean cut?
00:16:07Yes, yes.
00:16:08I'm really sorry.
00:16:09It was just for a second.
00:16:10I turned to the fridge and when I turned...
00:16:13What?
00:16:14She wasn't with you?
00:16:15No.
00:16:16No?
00:16:17No.
00:16:18No.
00:16:19No.
00:16:20No.
00:16:21No.
00:16:22No.
00:16:23No.
00:16:24No.
00:16:25She wasn't with you?
00:16:26No, she wasn't.
00:16:27She wasn't.
00:16:28She was with me because the plan was for her and me to prepare the food.
00:16:31Uh-huh.
00:16:32And I made sure to keep all the knives.
00:16:33Not all of them.
00:16:35Let's see.
00:16:36Olga, she's telling you to keep all the knives.
00:16:38No, sorry.
00:16:39Sorry.
00:16:41Can you bring us some water?
00:16:43Uh-huh.
00:16:44Uh-huh.
00:16:45How are you?
00:16:48I'm fine.
00:16:53Relax.
00:16:54Accidents happen.
00:16:57She's been hurt by me a lot of times.
00:17:01Yes, but how is this going to end at the hospital?
00:17:07No, that's not it.
00:17:12How did it happen?
00:17:15I don't know exactly. I don't have it very clear.
00:17:20I was going to start cooking and she told me she wanted to cut the onion.
00:17:25I told her no, that it was very dangerous, that she should please leave the knife.
00:17:31And she didn't leave it?
00:17:33No, she didn't leave it.
00:17:35I went, took the knife, put it in the drawer, turned to the fridge,
00:17:40and when I turned, it was already cut.
00:17:46How? She took it and cut herself?
00:17:51Just like that?
00:18:03Did she do it on purpose?
00:18:06No, I don't know.
00:18:09No, no, I'm sure not.
00:18:12Obviously not.
00:18:16Good afternoon, I'm Dr. Mendiola.
00:18:18How are you?
00:18:19Come with me, please.
00:18:22I know that children are very restless and it's hard for them to be patient,
00:18:26but it's important that you don't force your hand.
00:18:28Don't write, don't draw, try to make her eat with her left hand.
00:18:32And in three days go see your doctor, okay?
00:18:34Okay. Thank you.
00:18:36On the contrary. Excuse me.
00:18:37She's going to want to come with me and she can't be with me.
00:18:40She can't come to the house.
00:18:41Why?
00:18:43There's a very strong smell, a gas leak that I haven't fixed,
00:18:47and since I've been running to the hospital,
00:18:49right now I imagine that there's no one who can help me.
00:18:53I can help you.
00:18:55What do you need?
00:18:59Well, a place to sleep.
00:19:07Well, if you want, you can stay in the house with us, no problem.
00:19:12I can stay at Brenda's house. I still have things there that I haven't moved.
00:19:15Really?
00:19:17Yes. I need to rest.
00:19:18Yes, but...
00:19:19You too.
00:19:20Look, we're all going to be fine.
00:19:23I'll take you breakfast tomorrow.
00:19:29Goodbye, Olga.
00:19:30Bye.
00:19:36She's living in the house?
00:19:38Yes.
00:19:42Really?
00:19:45I'll tell you later, okay?
00:19:48Here, your water.
00:19:52This part here, no cheese.
00:19:54Really?
00:19:55Because I'm taking care of it.
00:19:56Ah, you're taking care of it.
00:19:57I'm taking care of it.
00:19:58Why are you taking care of it?
00:19:59And this, the boba here...
00:20:01It's not true!
00:20:02Let's see, let's see, let's see, let's see, Victor!
00:20:05Hey, girl, don't force your hand. You did a good cut.
00:20:09But it doesn't hurt.
00:20:10Until it hurts.
00:20:12How did you cut yourself?
00:20:18Sweetheart, go to the living room and pick a movie and we'll catch up to you, okay?
00:20:22Okay.
00:20:29What are you doing?
00:20:33What are you doing?
00:20:35Talking.
00:20:37What for?
00:20:39What do you mean, what for, Victor?
00:20:41Yes, what for? What do you want to talk about?
00:20:43Your daughter is going through a time when she doesn't want to share her things.
00:20:46Don't you see it?
00:20:47Look, she doesn't want to talk about her.
00:20:49And yet, she goes every Monday, right?
00:20:51With the psychologist, because that's what you wanted.
00:20:53Well, that's fine. That's it.
00:20:55But if she doesn't want to talk, that's fine too.
00:20:57How is it going to be fine if you cut your hand by yourself?
00:21:00That's nonsense.
00:21:01An accident.
00:21:02And if it wasn't an accident?
00:21:03Victor, you weren't there. You don't know what happened.
00:21:07You're going to complicate it.
00:21:09With this idea that she talks to you, that she talks to me, that she talks to the psychologist.
00:21:12That's enough. Enough.
00:21:13The dog thing wasn't an accident.
00:21:15And at that time, she didn't talk to anyone.
00:21:20Do you know what's going to happen?
00:21:22Next time something happens to her, she won't tell you.
00:21:27Well, make sure it doesn't happen again, right?
00:21:33Okay.
00:21:34Okay.
00:22:01Here you go.
00:22:06Aren't you going to have breakfast?
00:22:09No, I'm going to see if I can fix the gas.
00:22:12I'll go with you.
00:22:13No, my girl. You stay with your dad.
00:22:17Hello!
00:22:18No, yes. I'll go with you.
00:22:19Little girl, you stay with your dad, okay?
00:22:26Honey, are you leaving?
00:22:27I'm leaving.
00:22:28Oh, how delicious. What is this?
00:22:30But it's delicious.
00:22:31Hello.
00:22:35And you stay with her until I tell you, okay?
00:22:38What do you mean, until I tell you?
00:22:39I'll let you know when that's ready.
00:22:42She's not going to want to.
00:22:43Victor, please.
00:22:44She's not going to want to.
00:22:45Please.
00:22:46Thank you for the bread, Mariana.
00:22:47You're welcome. Have a good day.
00:23:02Hello.
00:23:07Is everything okay?
00:23:11No.
00:23:14The truth is that I don't know who to ask for help.
00:23:17Please come with me to my house.
00:23:24You don't believe me.
00:23:26Look, it's not that I don't believe you,
00:23:28but you told me there was an identical one of these in the garbage containers and it wasn't there.
00:23:32The garbage must have taken it.
00:23:34Okay, yes.
00:23:37It's hard for me to believe you.
00:23:39I don't understand, but we're already here.
00:23:41Let's go upstairs, right?
00:23:58You're getting dizzy.
00:24:00A little.
00:24:01Let's go get some water.
00:24:02No, wait for me.
00:24:04How the hell is this possible?
00:24:05I don't know.
00:24:07I swear I don't know.
00:24:10What's inside?
00:24:13X's.
00:24:15Notebooks, programs, personal stuff.
00:24:19Personal?
00:24:20Whose?
00:24:22It turns out that the trunk doesn't belong to anyone.
00:24:24I'm sure that when we got here all of this was empty.
00:24:26I even doubted it, but I swear it wasn't empty.
00:24:54What the hell?
00:25:25CARLOS
00:25:34Carlos.
00:25:35What was that?
00:25:37Did you see it?
00:25:38What was what?
00:25:52Martín Muñoz Araujo.
00:25:54She's the victim of this newspaper.
00:25:57Age?
00:25:5832.
00:26:08Neither.
00:26:13It's as if the victims don't exist.
00:26:16They don't appear on the internet.
00:26:20Do you think all of this is real?
00:26:27That he killed all those people?
00:26:33Look.
00:26:373.49.
00:26:39He's losing consciousness.
00:26:41I'm increasing the dose to 200.
00:26:444.14. He's starting to convulse.
00:26:49Time of death, 6.35.
00:26:52It's too many details to be a fantasy, right?
00:26:58If he didn't do it, if he didn't kill anyone,
00:27:00he didn't lack the desire.
00:27:04I don't think it's a fantasy.
00:27:07And he talks a lot about his past.
00:27:09A lot about everything.
00:27:12Everything was shaking.
00:27:14Where he lived.
00:27:16Where he lived, with whom, how.
00:27:20My life wasn't mine.
00:27:22And I warned, I never lied.
00:27:25I wanted order, a solution.
00:27:27I asked, they didn't give it to me.
00:27:30I had to do it.
00:27:32The shaking only confirmed everything.
00:27:36I had to take control.
00:27:40Luckily, causing death isn't always murder.
00:27:47I put all my savings in this house, damn it.
00:27:54What am I going to do?
00:28:06May I come in?
00:28:11Do you want coffee?
00:28:14Do you want coffee?
00:28:16Yes, thank you.
00:28:18I was thinking,
00:28:20I'd like to show you the notebooks of a friend of mine.
00:28:23She was my teacher.
00:28:25She's a calligrapher.
00:28:27And?
00:28:29I don't know.
00:28:31If we identify the author,
00:28:33we'll find a path to follow.
00:28:36You don't know how many details calligraphy throws.
00:28:39I don't know, I'm not sure.
00:28:42I don't have to give her a detail.
00:28:44I don't even have to tell her where the notebooks came from.
00:28:47She's a guide.
00:28:49She can give us ideas, she can...
00:28:51I don't know.
00:28:53A point of view.
00:29:00Ma'am, Mr. Victor.
00:29:02No, it's Victor and my daughter.
00:29:04What?
00:29:05The trunk.
00:29:07We have to hide the trunk.
00:29:09Let them in.
00:29:10Help me hide the trunk.
00:29:13What?
00:29:15It's mine.
00:29:16It's mine, you have to hide it.
00:29:18I don't think it's a good idea.
00:29:20Victor, they'll see me here in the kitchen and...
00:29:22Take care of the trunk.
00:29:24Olga, don't let Victor in.
00:29:27Mommy!
00:29:29Verita.
00:29:31What happened?
00:29:33You couldn't answer a call.
00:29:35I wasn't looking at the phone.
00:29:37I saw that.
00:29:38What happened? What are you doing here?
00:29:40I wanted to be with you.
00:29:43Is it too complicated to take care of your daughter?
00:29:48What's the name of the gas leak?
00:29:52Olga, my intention is to ruin your plans,
00:29:54but answer my calls.
00:29:56No, please, it's not that.
00:30:01She does whatever she wants with you.
00:30:03Give me.
00:30:04Say hello to the gas leak.
00:30:09Vera, my child, I need to tell you something.
00:30:20Is he your boyfriend?
00:30:22No, of course not.
00:30:23No, my child, of course not.
00:30:25I called him because I needed his help.
00:30:29Why?
00:30:31What happened to your hand?
00:30:38An accident.
00:30:47What happened to him?
00:30:49He cut himself.
00:30:51They're living together.
00:30:53I see.
00:31:01Hey, Mommy.
00:31:04Did Carlos come to see my stuff?
00:31:06What?
00:31:08I mean, did he come to see my stuff?
00:31:12No, my child, of course not.
00:31:14He came to help me.
00:31:17What for?
00:31:21To be with me.
00:31:23I was a little scared.
00:31:25Well, next time you can call me
00:31:29and I'll come here with you.
00:31:31I'll take care of you.
00:31:34No, my child.
00:31:36I'll take care of you.
00:31:46Mommy.
00:31:48I'm sleepy.
00:31:49Can we sleep?
00:31:52Let's sleep.
00:31:57Will you hug me?
00:32:00I'll hug you.
00:32:03I love you.
00:32:33Hi, Victor.
00:32:35Your daughter needs furniture for her toys.
00:32:39Are you going to give her the gift you promised her?
00:32:42Well, let me know.
00:33:04Hi, Carlos.
00:33:06He took him out.
00:33:08Don't go far, Vera.
00:33:15Wait, wait, my love.
00:33:21Hey, wait.
00:33:23Don't go.
00:33:25Don't go. Let me help you.
00:33:27Sir, go away.
00:33:29Go away.
00:33:31Go away.
00:33:33Go away.
00:33:35Go away.
00:33:37Go away.
00:33:39Go away.
00:33:41Go away.
00:33:43Go away.
00:33:49I'll stop crying.
00:33:58Vera.
00:34:02What if you had done it wrong?
00:34:04You could have caused more pain for Nelson.
00:34:09I did it right.
00:34:13And don't you think your parents could have done it right too?
00:34:17My parents didn't do anything.
00:34:19That man told us not to let him suffer.
00:34:21They didn't do anything.
00:34:24Yeah.
00:34:27That's why your parents are behind the picture.
00:34:30Why didn't they do anything?
00:34:40Would you have done the same if they had seen you?
00:34:48Because that's what happened when you cut your hand.
00:34:52No one was watching you, right?
00:34:56That was Mariana's fault.
00:34:58She doesn't know how to take care of herself.
00:35:01That's why you cut your hand.
00:35:03To show that you don't know how to take care of yourself.
00:35:05My dad had to take care of me.
00:35:07Not her.
00:35:09And that was an accident.
00:35:12Do you want us to talk about that?
00:35:14No.
00:35:16Everything happened so fast, Carlos.
00:35:18So crazy.
00:35:20Neither of us knew what to do.
00:35:22Look, I don't decide what's right or what's wrong.
00:35:25But Vera asked them to give her a dying puppy full of blood.
00:35:29And they gave it to her.
00:35:30Victor gave it to her.
00:35:31Okay, yes, Victor gave it to her.
00:35:33But I'm not criticizing her.
00:35:37Is that the problem? That we follow her responsibility?
00:35:41Yes, a little bit.
00:35:43Look, Vera is creating her behavior structure right now.
00:35:47What do you think?
00:35:48Yes, we're letting her develop her identity.
00:35:52No, this is not about her identity.
00:35:54This is about her imposing her conditions and everyone follows her.
00:35:58She thinks she's not doing anything wrong.
00:36:00And it's logical because no one questions her.
00:36:03I can't take away her right when she has it.
00:36:05But you can take it away when she grabs a knife.
00:36:11Let's see, understand me.
00:36:13What happens is that with your separation,
00:36:15a gap has opened where Vera can take control.
00:36:18And it's not the best time for her to do it.
00:36:22Can you explain this to Victor?
00:36:27Come, it's here.
00:36:32So he did kill them all.
00:36:34Yes, yes, obviously.
00:36:36Let me explain.
00:36:38Alicia Kleinberg and Manuel Arguello would be dead by now.
00:36:43Martin Muñoz only started to torture him.
00:36:46He hasn't killed him yet.
00:36:48But...
00:36:49But there is another victim.
00:36:52Someone from his distant past.
00:36:55From his close circle.
00:36:58But this was an involuntary act or maybe an accident.
00:37:02Or he just improvised.
00:37:05This woman is obsessed with suffering.
00:37:08She has everything.
00:37:09She has pain and sadness and anguish.
00:37:13Wait, wait.
00:37:15Is it a woman?
00:37:16Yes, yes.
00:37:17Yes, yes, yes, it's a woman.
00:37:20She is around 40 years old.
00:37:25She has a discreet life, full of restraints.
00:37:30But perfectly inserted in society.
00:37:34Do I make myself clear?
00:37:36Yes, yes, try to seem normal.
00:37:38But she is not.
00:37:39She is not.
00:37:40She is this.
00:37:42This notebook is her most sincere conversation.
00:37:45And is it possible to know her identity?
00:37:48No, that doesn't appear.
00:37:50But you can start looking for a woman with a certain motor disability.
00:37:59Because her way of holding the pen is, let's say, peculiar.
00:38:04Something like that.
00:38:09Do you think we can find her today?
00:38:12Of course.
00:38:13These features are up-to-date.
00:38:15They just wrote this.
00:38:17What?
00:38:18Isn't this from many years ago?
00:38:19No, no.
00:38:20These features are up-to-date.
00:38:22So she's learning to write?
00:38:24No, no.
00:38:25She's an adult.
00:38:26She's a primary school teacher.
00:38:28A primary school teacher?
00:38:29With that level of chemical knowledge?
00:38:31Or maybe she killed more people than we thought.
00:38:34Do you remember that case we had years ago in Guadalajara?
00:38:38I'm sorry, I'm sorry.
00:38:44Are you okay?
00:38:45She has to go with her dad.
00:38:47At least she can't stay with me today.
00:38:50What do I tell her?
00:38:51Take her and that's it?
00:38:52That's it?
00:38:53Damn, my daughter is going to hate me.
00:38:55No, wait for me.
00:38:56I'm going to write to Victor and ask him to pick her up at school
00:38:58and I'll give her to you tomorrow.
00:38:59Okay?
00:39:04Done.
00:39:07Vera and I lived with a murderer?
00:39:11Exactly.
00:39:15But you just heard it, didn't you?
00:39:18It's still being written now.
00:39:21Strange things happen in my house and that trunk is still there.
00:39:26I put my daughter in the house of a murderer.
00:39:29I'm sorry.
00:39:39Remember that a maximum of two per day.
00:39:41One every twelve hours.
00:39:48Come on.
00:39:49Why don't you take a hot bath?
00:39:51Try to rest, you'll feel better.
00:39:56Thank you, Carlos.
00:39:59Okay.
00:40:29Okay.
00:40:59I love you.
00:41:00I love you.
00:41:01I love you.
00:41:02I love you.
00:41:03I love you.
00:41:04I love you.
00:41:05I love you.
00:41:06I love you.
00:41:07I love you.
00:41:08I love you.
00:41:09I love you.
00:41:10I love you.
00:41:11I love you.
00:41:12I love you.
00:41:13I love you.
00:41:14I love you.
00:41:15I love you.
00:41:16I love you.
00:41:17I love you.
00:41:18I love you.
00:41:19I love you.
00:41:20I love you.
00:41:21I love you.
00:41:22I love you.
00:41:23I love you.
00:41:24I love you.
00:41:25I love you.
00:41:26I love you.
00:41:27I love you.
00:41:28I love you.
00:41:29I love you.
00:41:30I love you.
00:41:31I love you.
00:41:32I love you.
00:41:33I love you.
00:41:34I love you.
00:41:35I love you.
00:41:36I love you.
00:41:37I love you.
00:41:38I love you.
00:41:39I love you.
00:41:40I love you.
00:41:41I love you.
00:41:42I love you.
00:41:43I love you.
00:41:44I love you.
00:41:45I love you.
00:41:46I love you.
00:41:47I love you.
00:41:48I love you.
00:41:49I love you.
00:41:50I love you.
00:41:51I love you.
00:41:52I love you.
00:41:53I love you.
00:41:54I love you.
00:41:55I love you.
00:41:56I love you.
00:41:57I love you.
00:41:58I love you.
00:41:59I love you.
00:42:00I love you.
00:42:01I love you.
00:42:02I love you.
00:42:03I love you.
00:42:04I love you.
00:42:05I love you.
00:42:06I love you.
00:42:07I love you.
00:42:08I love you.
00:42:09I love you.
00:42:10I love you.
00:42:11I love you.
00:42:12I love you.
00:42:13I love you.
00:42:14I love you.
00:42:15I love you.
00:42:16I love you.
00:42:17I love you.
00:42:18I love you.
00:42:19I love you.
00:42:20I love you.
00:42:21I love you.
00:42:22I love you.
00:42:23I love you.
00:42:24I love you.
00:42:25I love you.
00:42:26I love you.
00:42:27I love you.
00:42:28I love you.
00:42:29I love you.
00:42:30I love you.
00:42:31I love you.
00:42:32I love you.
00:42:33I love you.
00:42:34I love you.
00:42:35I love you.
00:42:36I love you.
00:42:37I love you.
00:42:38I love you.
00:42:39I love you.
00:42:40I love you.
00:42:41I love you.
00:42:42I love you.
00:42:43I love you.
00:42:44I love you.
00:42:45I love you.
00:42:46I love you.
00:42:47I love you.
00:42:48I love you.
00:42:49I love you.
00:42:50I love you.
00:42:51I love you.
00:42:52I love you.
00:42:53I love you.
00:42:54I love you.
00:42:55I love you.
00:42:56I love you.
00:42:57I love you.
00:42:58I love you.
00:42:59I love you.
00:43:00I love you.
00:43:01I love you.
00:43:02I love you.
00:43:03I love you.
00:43:04I love you.
00:43:05I love you.
00:43:06I love you.
00:43:07I love you.
00:43:08I love you.
00:43:09I love you.
00:43:10I love you.
00:43:11I love you.
00:43:12I love you.
00:43:13I love you.
00:43:14I love you.
00:43:15I love you.
00:43:16I love you.
00:43:17I love you.
00:43:18I love you.
00:43:19I love you.
00:43:20I love you.
00:43:21I love you.
00:43:22I love you.
00:43:23I love you.
00:43:24I love you.
00:43:25I love you.
00:43:26I love you.
00:43:27I love you.
00:43:28I love you.
00:43:29I love you.
00:43:30I love you.
00:43:31I love you.
00:43:32I love you.
00:43:33I love you.
00:43:34I love you.
00:43:35I love you.
00:43:36I love you.
00:43:37I love you.
00:43:38I love you.
00:43:39I love you.
00:43:40I love you.
00:43:41I love you.
00:43:42I love you.
00:43:43I love you.
00:43:44I love you.
00:43:45I love you.
00:43:46I love you.
00:43:47I love you.
00:43:48I love you.
00:43:49I love you.
00:43:50I love you.
00:43:51I love you.
00:43:52I love you.
00:43:53I saw her in my room, I swear.
00:43:55I'm telling you that I don't believe you.
00:43:57But you're not telling me that you believe me.
00:44:01I'm not doubting you, but she gave you a very strong drug.
00:44:05Look at me.
00:44:08It's me.
00:44:10The newspaper knew it.
00:44:13It knew that I was going to end up with a broken eyebrow.
00:44:15It knew it.
00:44:17Or it provoked it.
00:44:24I don't know what to tell you.
00:44:26I have no idea.
00:44:37I'd like to look for Martin Muñoz.
00:44:46And what do you think we're going to find?
00:44:48I don't know.
00:44:49Any clues?
00:44:50Familiar, acquaintances.
00:44:53Something.
00:45:20Hello.
00:45:21How are you? Good afternoon.
00:45:22Good afternoon.
00:45:23Hello, little one.
00:45:24How can I help you?
00:45:25We are from the Registro de Comercio.
00:45:28We are looking for the owner of the place, Martin Muñoz Araujo.
00:45:31Who?
00:45:33I am Maria Araujo, the owner of the restaurant.
00:45:37Who says you are?
00:45:42We are from the Registro de Comercio.
00:45:45Are you Araujo?
00:45:47We are looking for Mr. Martin.
00:45:51Martin.
00:45:54I'll be back in a minute with the chair.
00:46:04Is he Martin?
00:46:10My ex-husband sends them, right?
00:46:14Excuse me.
00:46:16Is the boy Martin?
00:46:17Excuse me.
00:46:18Is the boy Martin?
00:46:21Don't get tired, bastard.
00:46:28Juan!
00:46:30Juan!
00:46:32Don't worry, we're leaving.
00:46:44What's going on, Carlos?
00:46:48This is a joke.
00:46:50Right?
00:46:52I don't understand anything, I don't understand anything.
00:46:56The newspaper says that baby is going to die at the age of 32.
00:47:01But that hasn't happened yet, but it's happening.
00:47:07The newspaper says that man is many years old.
00:47:09And if it's not a primary school miss and the woman is learning to write ...
00:47:34Don't force your hand, my girl.
00:47:36But mom ...
00:47:37Until the wound is not closed, it is better that you do not write or color or anything.
00:47:41But it doesn't hurt anymore.
00:47:43My girl.
00:47:45Your dad is here.
00:47:47My dad?
00:47:49Your dad?
00:47:50My dad?
00:47:56Daddy, hello!
00:47:59Wow, I found it out there.
00:48:02How weird.
00:48:03Yes, help me with the door, please.
00:48:05Ok, ok, ok.
00:48:06I don't know how to open the doors.
00:48:09Very cute.
00:48:11It's a gift from Mariana and my daughter.
00:48:13I have to thank them.
00:48:14How weird, but how beautiful!
00:48:16Is it beautiful?
00:48:17It's good that you liked it.
00:48:19Look, mommy!
00:48:21Wow.
00:48:23Here I have a lot of things.
00:48:25I have my stuffed animals.
00:48:26That's good.
00:48:27With my mom.
00:48:28And my dad.
00:48:32Wow.
00:48:33Wow.
00:48:50Do you recognize any of these things?
00:48:57Are you sure?
00:49:00Yes.
00:49:03Wow.
00:49:33Let's go.
00:49:46Vera is in the house?
00:49:47Yes.
00:49:48What?
00:49:49Upstairs.
00:49:50What happened?
00:49:55Martino is dead.
00:49:59Vera killed him.
00:50:03Oh.
00:50:09When?
00:50:11When did this happen?
00:50:19What did I do wrong?
00:50:22Carlos, what did I do wrong?
00:50:23Nothing.
00:50:25You didn't do anything wrong.
00:50:27He did it for four days.
00:50:29For four days.
00:50:32For four days.
00:50:34He didn't do anything wrong.
00:50:38And Vera didn't do anything.
00:50:39But she's going to do it.
00:50:41The Vera I'm trying to consult is not this woman.
00:50:45Your daughter is not a murderer.
00:50:47She's an eight-year-old girl who is learning to handle her emotions.
00:50:54And let's know all this is okay.
00:50:56Why is it okay?
00:50:57Because we're going to be able to help her.
00:50:59How?
00:51:00At some point, in an accident or in a fortunate way,
00:51:04Vera is going to cause someone's death.
00:51:07And that's the problem.
00:51:09Because she's going to get obsessed.
00:51:11But we can stop it.
00:51:14What we have to do
00:51:16is find who she's going to kill.
00:51:18Or when.
00:51:20When the original shake-up happens.
00:51:23The shake-up that happens.
00:51:26The shake-up that originates it all.
00:51:31And if her first victim was the dog?
00:51:35No.
00:51:37She killed a person.
00:51:40An adult.
00:51:42Close to her.
00:51:44The accidental death
00:51:46was in her early history,
00:51:48when she was just a girl.
00:51:52There was still no need to kill.
00:51:57The murderous instinct that permeates the entire text
00:52:01is born elsewhere.
00:52:03I don't understand anything.
00:52:05Someone tried to kill her.
00:52:10And this is what awakens in her
00:52:13the sadistic behavior.
00:52:17But...
00:52:18But who's trying to kill her?
00:52:21Does it happen in her childhood or in her adult life?
00:52:24It's after her first victim,
00:52:26but that's how it is.
00:52:28She's the same age.
00:52:29She's still a girl.
00:52:31I'm very sorry.
00:52:33Really, but I have to go.
00:52:35Yes.
00:52:38Thank you very much, Andrea.
00:52:41And Carlos,
00:52:43be careful with what you're doing.
00:52:45Yes.
00:52:46Bye.
00:52:47Thank you, Andrea.
00:52:51Bye.
00:53:21I smell good.
00:53:52An adult.
00:53:55Close to Noah.
00:53:59The first death
00:54:01is in her early childhood,
00:54:03in her early history,
00:54:05when she was just a girl.
00:54:21Hello?
00:54:33Who are they?
00:54:35The one on this side is my dad.
00:54:37Your dad?
00:54:38Yes, my dad.
00:54:39Why is he so small?
00:54:45Hello?
00:54:47Hello?
00:54:49Hello?
00:54:51Hello?
00:54:56Look,
00:54:57this is normal.
00:55:00I love it.
00:55:04Hey, Berita.
00:55:05Yes?
00:55:06Who is this girl?
00:55:09I don't know about the girl.
00:55:11It's Mariana.
00:55:21Hello?
00:55:23Hello?
00:55:29What's wrong?
00:55:32What do I have to do
00:55:33to not go back to that house?
00:55:41Nothing.
00:55:44Nothing.
00:55:45You don't have to do anything, you hear me?
00:55:48No one, ever.
00:55:52No.
00:56:00Mommy,
00:56:02can I sleep with you?
00:56:05Yes, little girl.
00:56:06Come.
00:56:08Come.
00:56:22Yes, it's been six days.
00:56:24Yes.
00:56:26She's been sick,
00:56:27that's why I haven't taken her to school.
00:56:30No, I'm not going to wake her up
00:56:31just because you feel like talking to...
00:56:34Victor.
00:56:36Hello?
00:56:51Hello?
00:57:22Wait.
00:57:30Wait, can you hear me?
00:57:40I'm your mom.
00:57:51I want to help you, little girl.
00:57:58But I need to know what happened.
00:58:22What is shaking?
00:58:28Where I am hasn't happened yet.
00:58:30Can I help you?
00:58:38Can you hear me, little girl?
00:58:52I need you to tell me
00:58:53who's going to try to kill you.
00:59:01Wait.
00:59:05No.
00:59:21No.
00:59:27Get up!
00:59:32Daddy!
00:59:33Daddy!
00:59:34Daddy!
00:59:35Daddy!
00:59:51Little girl.
00:59:54I did this to you.
01:00:06Softly.
01:00:07Softly.
01:00:13Ready.
01:00:14Then Germany, Berlin.
01:00:17France, Paris.
01:00:19Denmark, Copenhagen.
01:00:21Sweden.
01:00:25Which is the capital of Sweden?
01:00:27Yes, Pedro, come in.
01:00:32Who is it?
01:00:35Mommy, where is the capital of Sweden?
01:00:39The capital of Sweden...
01:00:42Which is the capital of Sweden?
01:00:44I don't know.
01:00:46Stockholm.
01:00:47Stockholm.
01:00:51Stockholm.
01:00:57Hello.
01:00:58Hello, are you okay?
01:00:59Yes.
01:01:00Hello, Olga.
01:01:01What are you doing here?
01:01:02I'm here to see Vera.
01:01:03We're worried.
01:01:04We need to talk.
01:01:05Are we okay?
01:01:06Can I come in?
01:01:07Yes.
01:01:08Yes?
01:01:09Yes.
01:01:10Let's go.
01:01:11Close the door.
01:01:12Vera?
01:01:16Olga, are you okay?
01:01:18I'm fine.
01:01:19Where is Vera?
01:01:20Vera?
01:01:22Vera?
01:01:25Sweetheart?
01:01:28Vera?
01:01:34Hi, honey.
01:01:36Vera, go to your room.
01:01:42What happened to your face?
01:01:44Nothing happened.
01:01:46What did you do to her?
01:01:47I didn't do anything.
01:01:48She has bruises on her face.
01:01:49Victor, please.
01:01:50Calm down.
01:01:57You just lost your daughter.
01:02:11What's going on?
01:02:13Vera is not going to her session.
01:02:14You don't answer her calls.
01:02:16We haven't heard from you for a week and a half.
01:02:20What are you doing locked up here?
01:02:21Taking care of her.
01:02:23That's what I'm doing.
01:02:24What are you doing here in my house with Victor?
01:02:26You're playing custody, Olga.
01:02:28What are you doing?
01:02:29I can't leave my daughter, Carlos.
01:02:30Don't you understand?
01:02:32What the newspaper says happens.
01:02:36I can't leave her alone.
01:02:38I'm alone in all this.
01:02:40No, Olga.
01:02:41You're not alone.
01:02:43I'm here with you.
01:02:44Let me help you.
01:02:46Calm down.
01:02:53Calm down.
01:02:57I swear it was an accident.
01:02:58The other one was there and I pushed the door really hard.
01:03:02But did Vera see her?
01:03:05Did she see Vera right now?
01:03:07No.
01:03:09Did you see her again?
01:03:12No, she didn't leave.
01:03:13Okay.
01:03:16But I have the feeling she's angry.
01:03:18The trunk is empty.
01:03:19There's nothing there.
01:03:21Olga.
01:03:22You have to let Vera go with her dad.
01:03:24No, Carlos.
01:03:25No, Vera can't go with her dad.
01:03:29Vera hates Mariana.
01:03:30She hates her with all her might.
01:03:33Mariana is her first victim.
01:03:35You're taking Vera away from the world.
01:03:37This is sick.
01:03:38It's dangerous.
01:03:39You don't realize it.
01:03:40Are you listening to me?
01:03:43You can't be sure with me.
01:03:45If I let her go with Mariana...
01:03:48She's eight years old.
01:03:49The notebook says it.
01:03:50The graphologist, your friend, says it.
01:03:52The earrings, damn it.
01:03:53No.
01:03:54No notebook ever mentions Mariana.
01:04:04Good afternoon, ma'am.
01:04:05Mr. Victor is here with some policemen.
01:04:14This is a mistake.
01:04:19This is a mistake and everyone will regret it.
01:04:25I'm going to prepare my daughter.
01:04:33Everything will be fine, my child.
01:04:35Your dad and Mariana will take good care of you.
01:04:37But I want to be here with you.
01:04:39I know, little girl.
01:04:42But if you behave,
01:04:44they'll let you go home soon.
01:04:49Vera?
01:04:53Little girl.
01:04:54Just don't do anything bad.
01:04:56Behave as best as you can.
01:04:59You'll be back in two days.
01:05:01Okay?
01:05:06Promise me.
01:05:07Promise me.
01:05:10Promise me.
01:05:15But we have to put an order.
01:05:17We have to find a solution.
01:05:20Vera?
01:05:23Are you coming up with the police or what?
01:05:25I'm coming.
01:05:28Here.
01:05:37I'm coming.
01:06:08Angela gave me some tickets to the aquarium.
01:06:12Can we go tomorrow?
01:06:16Mariana, stop.
01:06:18You're not my daughter.
01:06:19You're Victor's girlfriend.
01:06:23Victor?
01:06:25So I'm not even your dad anymore?
01:06:30Vera, you weren't sick, were you?
01:06:33You weren't sick, were you?
01:06:41I mean, I understand that your mom lies to me.
01:06:47But you lying to me...
01:06:53That really hurts.
01:06:56Victor, please.
01:07:00You lie to me too.
01:07:01You lie to me all the time.
01:07:04But I don't force you to do anything.
01:07:12I'm going to my room.
01:07:14No, finish this.
01:07:15No.
01:07:17Tell her.
01:07:20Everything was a mess.
01:07:23Where she lived, with whom, how...
01:07:27That they took her.
01:07:35Victor has to know this.
01:07:36We have to teach him.
01:07:38You don't understand anything. It's over.
01:07:41What are you doing? You just drank one.
01:07:47It doesn't work on me.
01:07:49What do you mean? How many do you have?
01:07:51Four.
01:07:53Do you have milk?
01:07:56Olga.
01:07:57Milk.
01:07:59Here it is.
01:08:02You have to drink this.
01:08:04No, Carlos. It's not necessary.
01:08:06No, it is necessary. You have to drink it.
01:08:08You have to throw up.
01:08:19I came for you.
01:08:22Now.
01:08:26Let's go.
01:08:29It's shaking.
01:08:32Yes, yes.
01:08:33It's shaking.
01:08:34Let's go, mom.
01:08:35The girl, the girl, the girl.
01:08:36My daughter, my daughter, my daughter.
01:08:38No, no, no.
01:08:39Vera, Vera, Vera.
01:08:40Come. It's shaking.
01:08:41No, no.
01:08:42My love, don't close me.
01:08:43Open me.
01:08:45Open me, heart, heart.
01:08:46It's shaking.
01:08:47No, it's not a game.
01:08:48Open. Vera.
01:08:49Come.
01:08:50Careful. It's over.
01:08:51It's over.
01:08:52It's over.
01:08:54It's shaking.
01:08:55Calm down.
01:08:56It's shaking.
01:08:59It's shaking.
01:09:02They saw my daughter today.
01:09:06They saw my daughter today.
01:09:22They saw my daughter today.
01:09:53What's up, my love?
01:09:54What's up, my love?
01:09:57I missed you.
01:09:59You hug me, you know?
01:10:00I'll hug you, I'll hug you.
01:10:22♪♪
01:10:30♪♪
01:10:39Déjame ver qué pasó.
01:10:41-♪♪
01:10:44¿Qué tal? Buenas noches, joven. ¿Qué pasó?
01:10:46Hubo un deslave, señor, por el terremoto.
01:10:48Está cerrada la carretera por el momento.
01:10:50¿Y cuánto tiempo van a tardar?
01:10:52Yo creo que como dos horas, más o menos.
01:10:54¿Dos horas?
01:10:55Estamos haciendo lo mejor posible.
01:10:58-♪♪
01:11:08♪♪
01:11:18♪♪
01:11:28♪♪
01:11:38♪♪
01:11:47♪♪
01:11:54¿Qué, qué, qué?
01:11:57¿Vera?
01:11:58¿Vera?
01:11:59¿Vera?
01:12:00¿Vera, mi amor?
01:12:01¿Vera, estás bien, mi amor?
01:12:02¿Estás bien?
01:12:03¿Qué pasó, corazón?
01:12:05Con un pesadillo, ¿no?
01:12:07Ya, corazón.
01:12:09♪♪
01:12:14¿Qué haces?
01:12:15¿Qué pasó?
01:12:16Enciérrate.
01:12:17Enciérrate hasta que yo te diga.
01:12:18¿Qué pasó?
01:12:19♪♪
01:12:21¿Qué te pasa, mi amor?
01:12:22Te me estás asustando.
01:12:23¿Qué te pasa?
01:12:24¿Qué haces con las tijeras?
01:12:25♪♪
01:12:28Métete a tu recámara
01:12:29y no sales hasta que yo te diga.
01:12:30No.
01:12:31Métete a tu recámara
01:12:32y no sales hasta que yo te diga.
01:12:34Métete.
01:12:36Métete, ¿sabes?
01:12:37Ya, espera.
01:12:38Ya.
01:12:39Que te metas a...
01:12:40Que te metas a tu cuarto
01:12:41y ya, se acabó.
01:12:42Me lastima.
01:12:43¿Cómo que me lastimas, corazón?
01:12:45¿Qué estás haciendo, corazón?
01:12:46¿Qué estabas haciendo?
01:12:47Me estás asustando.
01:12:48Aquí, aquí, aquí, aquí.
01:12:49Espérame.
01:12:50Aquí, aquí, aquí.
01:12:51Espérame.
01:12:52♪♪
01:12:55¿Qué estabas haciendo
01:12:56con esas tijeras, por favor?
01:12:58Dime qué estabas haciendo
01:12:59con esas tijeras.
01:13:00Te lo pido, por favor.
01:13:01Me estás asustando.
01:13:02Me estás asustando.
01:13:03Me quiero ir con mi mamá.
01:13:04Eso no va a pasar.
01:13:05Eso no va a pasar ni los sueños.
01:13:06¡Sólo te matas!
01:13:07¡Sólo te matas!
01:13:08¡Sólo te matas!
01:13:10¡Sólo te matas!
01:13:36¿Qué pasó?
01:13:37Oh, my God.
01:14:08Oh, my God.
01:14:10Oh, my God.
01:14:36Sir, you have to go.
01:14:40It's important that you know that Vera is not going to run away with you, okay?
01:15:05Can I come with you? I need your statement.
01:15:15Yes.
01:15:22Can you give me some water, please?
01:15:25Water? I'm dizzy.
01:15:35Okay.
01:15:48Get in the car.
01:15:51Get in, get in.
01:16:05I won't have to go back to that house, right?
01:16:28You know what happened to your dad, right?
01:16:35Vera, your dad is dead.
01:16:43You don't care.
01:17:05No.
01:17:35No.
01:18:05No.
01:18:35No.
01:19:05Mom.
01:19:15Mom.
01:19:24Did you want to kill me?
01:19:35Mom.
01:19:38Mom.
01:20:05Mom.
01:20:08Mom.
01:20:11Mom.
01:20:14Mom.
01:20:17Mom.
01:20:20Mom.
01:20:23Mom.
01:20:26Mom.
01:20:29Mom.
01:20:32Mom.
01:20:35Mom.
01:20:38Mom.
01:20:41Mom.
01:20:44Mom.
01:20:47Mom.
01:20:50Mom.
01:20:53Mom.
01:20:56Mom.
01:20:59Mom.
01:21:02Mom.
01:21:05Mom.
01:21:12Mom.
01:21:17Mom.
01:21:20Mom.
01:21:23Mom.
01:21:26Mom.
01:21:30Mom.
01:21:32You
01:22:02You
01:22:32You