A beautiful and sophisticated teenager is placed in a regimented French girls' boarding school after her father apparently commits suicide over a business scandal. She immediately gains admirers -- a lustful middle-aged artist, a ...
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00:00:30Oh, my God!
00:00:31Oh, my God!
00:00:32Oh, my God!
00:00:33Oh, my God!
00:00:34Oh, my God!
00:00:35Oh, my God!
00:00:36Oh, my God!
00:00:37Oh, my God!
00:00:38Oh, my God!
00:00:39Oh, my God!
00:00:40Oh, my God!
00:00:41Oh, my God!
00:00:42Oh, my God!
00:00:43Oh, my God!
00:00:44Oh, my God!
00:00:45Oh, my God!
00:00:46Oh, my God!
00:00:47Oh, my God!
00:00:48Oh, my God!
00:00:49Oh, my God!
00:00:50Oh, my God!
00:00:51Oh, my God!
00:00:52Oh, my God!
00:00:53Oh, my God!
00:00:54Oh, my God!
00:00:55Oh, my God!
00:00:56Oh, my God!
00:00:57Oh, my God!
00:00:58Oh, my God!
00:00:59Oh, my God!
00:01:00Oh, my God!
00:01:01Oh, my God!
00:01:02Oh, my God!
00:01:03Oh, my God!
00:01:04Oh, my God!
00:01:05Oh, my God!
00:01:06Oh, my God!
00:01:07Oh, my God!
00:01:08Oh, my God!
00:01:09Oh, my God!
00:01:10Oh, my God!
00:01:11Oh, my God!
00:01:12Oh, my God!
00:01:13Oh, my God!
00:01:14Oh, my God!
00:01:15Oh, my God!
00:01:16Oh, my God!
00:01:17Oh, my God!
00:01:18Oh, my God!
00:01:19Oh, my God!
00:01:20Oh, my God!
00:01:21Oh, my God!
00:01:22Oh, my God!
00:01:23Oh, my God!
00:01:24Oh, my God!
00:01:25Oh, my God!
00:01:26Oh, my God!
00:01:27Oh, my God!
00:01:29Is the first door to your right.
00:01:31We're not allowed to go in.
00:01:45According to the letter your guardian wrote, I didn't expect you to arrive until next week.
00:01:49Well, I was really very miserable. I had to get away.
00:01:53I see.
00:01:55To be perfectly frank with you, if it weren't for the influence of the minister, I never would have accepted you for this term.
00:02:03It's much too late in the school year to begin. Nevertheless, we will alter the rule in your case.
00:02:11You're very kind, madame.
00:02:13Hard work will prove that you're grateful. You're going to begin a new life here, my child.
00:02:20Leave your worries behind. You're safe.
00:02:23And do you mind if I give you a little word of advice?
00:02:26It's true that you come from, you know, a background that's sophisticated.
00:02:33But our girls here, in spite of the airs they try to put on, are really very, very innocent.
00:02:49Class dismissed.
00:02:57Did you invite a big group?
00:02:59Oh, why, everyone's coming, including a lot of boys.
00:03:02Did you ask Alfred?
00:03:03Especially for you, Jenny.
00:03:04Wonderful.
00:03:05You can neck in the garden all you want, as usual.
00:03:07Next weekend I'll be with my parents. I won't be able to go to the party.
00:03:11Oh, come on. It's important you attend.
00:03:13Now be nice, for friendship's sake.
00:03:16Oh, friendship doesn't mean a thing to you when boys are involved.
00:03:19Oh.
00:03:20Only Monica's a true friend.
00:03:21She's so scared of boys. Isn't that true?
00:03:24Boys don't interest me.
00:03:25Boys have no nerve. They wouldn't dare.
00:03:27If you were a little thinner, they would dare.
00:03:30Oh.
00:03:31They're not very bright, really.
00:03:33Exactly.
00:03:34At least they know what they want. They have no respect for your feelings.
00:03:37They get angry if you love someone else.
00:03:39All she talks about is Marlon Brando. That's not taboo.
00:03:44My wish is that the one I love will want me as well.
00:03:46It's that simple.
00:03:48L'amour, toujours l'amour. Love is all that interests you.
00:03:52Hey, what's the matter with you? Jealous?
00:03:54You're the only one.
00:03:55Girls! Girls!
00:03:56You know it's not allowed to wander off during recess, now don't you?
00:04:00I want you to go and join the other girls immediately.
00:04:13Well, now.
00:04:25All we have to do is get you a simpler hairdo and everything will be just fine.
00:04:29All right.
00:04:30You can leave that.
00:04:31The laundress will pick it up.
00:04:33Come with me.
00:04:35Madame Anselm wants to introduce you to your classmate.
00:04:38There's no one left but your mother.
00:04:42Come on, I'm scared. What if we let her pass?
00:04:44You don't want to come, you little troublemaker?
00:04:53Oh, did you see the nylons? They're so fine.
00:04:55Mom's so good at it.
00:04:58Oh, look at that.
00:05:00Jacquemus!
00:05:01Mom's going to see him a few times too.
00:05:03She'd better go more often.
00:05:06And that perfume, the carven, do you smell it?
00:05:09Mom's going to smell it too.
00:05:10Oh, no, then.
00:05:11Smell the perfume and you'll get over it.
00:05:12Your mother stinks of orange blossom.
00:05:17When the dinner's over, we'll see that we're not there.
00:05:20Poor idiot.
00:05:21You think I'm a child of a husband?
00:05:23You'll see.
00:05:25Hurry up, mademoiselle.
00:05:46Well, where are the big and the small?
00:05:48No one saw them?
00:05:49No, mademoiselle.
00:05:51Of course, the nylons are in the closet.
00:05:54Finally!
00:05:56Romain?
00:05:57Dirty, of course.
00:05:59But how is it that you're full of plates every time you come back from the laundry?
00:06:04I don't know, mademoiselle.
00:06:05Come on.
00:06:06It's clear that there will be a day of this mystery.
00:06:13Be seated, children.
00:06:14Please continue.
00:06:24Now this will be your place.
00:06:27Please be seated, children.
00:06:28I don't want to interfere with your meal.
00:06:31This is Catherine Royer, your new classmate.
00:06:34And this is Martha Chevalier, the school's best student.
00:06:37Hello.
00:06:38Hello.
00:06:40Be seated.
00:06:42The others will introduce themselves.
00:06:44Monica.
00:06:45Annemarie.
00:06:48Well, well, what's the meaning of all this?
00:06:51Have you all decided to go on a diet?
00:06:54Come, come.
00:06:55No more interactions.
00:06:56You'd better get back to your hot soup before it gets cold.
00:07:00Some for you?
00:07:01Yeah.
00:07:04How about some for you?
00:07:06Thanks.
00:07:15I'm lonesome.
00:07:18Well, are you puzzled?
00:07:23We ought to tell her why.
00:07:27We only get one guess.
00:07:29Who's on her mind?
00:07:30Marlon Brando.
00:07:32That's me.
00:07:34Why are you all making fun?
00:07:36I have a right to be in love.
00:07:38Even if there's no hope now.
00:07:42That's too bad.
00:07:43Poor Marlon.
00:07:45I'm sure if he knew that your little heart was palpitating,
00:07:48he'd take a plane right over to see you.
00:07:53What did I say?
00:07:54Let's stop it.
00:07:56We're all new to it.
00:07:58Please stop crying.
00:08:00Whatever it is you're thinking now.
00:08:06Now, I want you all to keep your pajamas on.
00:08:08Remember, that's the rule.
00:08:10Quiet.
00:08:21Madame Anselin has told me of the trouble you had
00:08:23before you came here to Valonne.
00:08:26If you should ever become depressed,
00:08:29please call on me.
00:08:31You're very kind.
00:08:32Sleep well.
00:08:58Good night.
00:08:59Good night.
00:09:28Good night.
00:09:29Good night.
00:09:59Good night.
00:10:00Good night.
00:10:01Good night.
00:10:02Good night.
00:10:03Good night.
00:10:04Good night.
00:10:05Good night.
00:10:06Good night.
00:10:07Good night.
00:10:08Good night.
00:10:09Good night.
00:10:10Good night.
00:10:11Good night.
00:10:12Good night.
00:10:13Good night.
00:10:14Good night.
00:10:15Good night.
00:10:16Good night.
00:10:17Good night.
00:10:18Good night.
00:10:19Good night.
00:10:20Good night.
00:10:21Good night.
00:10:22Good night.
00:10:23Good night.
00:10:24Good night.
00:10:25Good night.
00:10:26Good night.
00:10:28Good night.
00:10:29Good night.
00:10:31She's got ADHD.
00:10:36But what?
00:10:41She's lost it.
00:10:42What?
00:10:43What did she say?
00:10:44I think she's delirious.
00:10:45She's got a seizure.
00:10:46Oh my God.
00:10:47Yes.
00:10:48It's not possible.
00:10:49I've seen her.
00:10:50I'm sure she's delirious.
00:10:51I'm going to have to call the police.
00:10:53I don't know how to stop it.
00:10:55I know about the case of the assault, but still.
00:10:57I'll have to have a sensory system installed.
00:10:59I'll have to go to the doctor and get a report.
00:11:01I don't think it's necessary, Madam Director.
00:11:03This woman is so light.
00:11:04You can see she's sleeping.
00:11:05But I'm sure she's not delirious.
00:11:07I saw her pass by.
00:11:08In that case, let me know.
00:11:09As soon as she wakes up, I'll get her.
00:11:11I'll double the attention, Madam Director.
00:11:13You can rest assured.
00:11:38Who wants candy?
00:11:52Thanks.
00:11:53Me, too.
00:11:54Here you are, Alanna.
00:11:55Thanks.
00:11:56Please have a piece of candy.
00:11:57Mm-hmm.
00:12:28that God. How well in.
00:12:48A job but I prefer the other your right looks more intelligent he's beautiful.
00:12:54Love must be wonderful.
00:12:58I've never been. What do you do first?
00:13:02Nothing. Nothing at all.
00:13:06It'll happen all by itself. Like the flu. No warning.
00:13:10You just get sick. That's the trouble. I'm too strong.
00:13:14It's possible. You're very lucky. Don't believe that.
00:13:18It's unbearable. You can't imagine how it hurts.
00:13:22Yes, but pain gives joy, isn't it true?
00:13:26It's true.
00:13:30Oh, all right. They have no sense.
00:13:52Stop that.
00:13:56There's a rule about sleeping noon.
00:14:00Oh, poo. They should have a rule, I think, about perspiring to death.
00:14:04I never slept in anything at all before.
00:14:08Until I came here. You'd better not get caught.
00:14:12I won't. I'll have them back on before we get out.
00:14:16You'd better.
00:14:22You'd better.
00:14:52Monica.
00:14:56Good night.
00:15:00Good night.
00:15:04Give me your hand.
00:15:16From the very first time I saw you this afternoon looking so lonely,
00:15:20you were right inside of me.
00:15:24Just like every other evening, Martha has given me her hand to say good night.
00:15:28But tonight, Catherine, I would have preferred it to be your hand that I'm holding.
00:15:32So that you'd know you're not alone anymore.
00:15:36You are not asleep. I could feel your wide eyes open in the darkness.
00:15:40What memories are you bringing back? What regrets?
00:15:44You are so beautiful, my dear Catherine.
00:15:48Your eyes and your body have such lovely line and form
00:15:52that you seem to lend your beauty to whatever you come in contact with.
00:15:56Can I borrow your eraser?
00:16:00Thanks. Oh, that's lovely. You think so?
00:16:04Oh, yes. Now then, do you all understand the known qualities of the problem?
00:16:08Yes, ma'am.
00:16:12You have ten minutes in which to get the solution. Begin.
00:16:18Why can't I go with you, Catherine,
00:16:22far away from this class and this dreary school,
00:16:26into the delicate world of your memories?
00:16:30But alas, it is these memories that separate us more than anything else.
00:16:34Not that you are unfriendly. On the contrary, you have a kind and sweet word for everyone.
00:16:38Nevertheless, you are guarded.
00:16:42There is an area in your background into which no one is permitted to go.
00:16:46Perhaps because you are obliging enough to listen to her.
00:16:50But Sunday is visiting day for parents.
00:16:54Perhaps when I see you as Catherine, I'll know whom you are thinking of.
00:17:16Oh, oh, oh.
00:17:28Ah, there you are. My dear.
00:17:32Were you actually able to take time away from your work?
00:17:36Yes, unfortunately, I did. Your mother couldn't make it, though. Are your friends ready?
00:17:40Yes, yes, they're all coming. There's Audrey, Betty, Monica, and maybe Martha.
00:17:44I was going to feel as if I had a harem. Come on, I'd like to get out of here right away.
00:17:48Hello! That won't be as easy as you thought.
00:17:52This isn't my day.
00:17:56Hello! How are you, Madam Enslin? It's a pleasure to see you.
00:18:00A pleasure you don't often see to be afforded. You promised to visit us much more often.
00:18:04Well, promises are like beautiful women. You can't count on them very well.
00:18:08You don't mean that, I'm sure. No, but it sounds sophisticated.
00:18:12I won't hire you as a teacher of morals. Instead, why don't you come in and judge the paintings of the students?
00:18:16It would be quite a treat to have the opinion of the master.
00:18:20Of course, a pleasure.
00:18:24Are you expecting anyone?
00:18:28No, no one. Not a soul.
00:18:32Oh, that's a shame. But don't feel bad.
00:18:36Thank you, Monica. I won't go with Anne-Marie. We'll spend the day together.
00:18:40How sweet. But I don't mind being by myself.
00:18:44It was a lovely thought. Now, you go on to the party.
00:18:48Not alone.
00:18:52Don't you think this one shows extraordinary talent? Did you take a course in oil painting?
00:18:56Oh, I think she should really take a course in needlework.
00:19:00Oh, you mustn't be cruel.
00:19:04Then you didn't mean it. No, I really didn't mean it.
00:19:08What's over there?
00:19:12Ah, that one isn't bad.
00:19:16She has no technique,
00:19:20but a very good sense of color, unusual sensitivity,
00:19:24and a strange way of expressing herself for a child.
00:19:28She's a very sweet little child. I am? I'll get her.
00:19:32Oh, no, no, no. In a little while. That'll be never.
00:19:36I don't expect any more. Do you mind? Just between us. No.
00:19:40Catherine! What's she want?
00:19:44I can't imagine. Come here!
00:19:48You're right. Catherine Royer, I'd like you to meet my stepfather.
00:19:52How do you do? For once you had a good idea.
00:19:56I'm pleased, very pleased to make your acquaintance, Miss Royer.
00:20:00I've known you a long time. Huh?
00:20:04Well, charming as she is intelligent.
00:20:08My compliments. Hello, Mr. Brenner. Ah, how are you, Monica?
00:20:12Mr. Brenner noticed your watercolor. He was very excited.
00:20:16Nice? Oh, I don't deserve it.
00:20:20A thought just occurred to me that I would like it very much if you would sit for a portrait.
00:20:24You're lucky. He never offered to do mine.
00:20:28You're already the portrait of your mother, so it isn't worth the trouble.
00:20:32The first Sunday that you're free. But Catherine's like me. She's always free Sundays.
00:20:36Really? Then why not right now? You'll be there for the party.
00:20:40Since Monday's a holiday, you can stay overnight, and I'll bring you back along with your friends.
00:20:44I don't know. Go get your things together, Catherine. You can use a holiday.
00:20:48I'll help you. You're really awfully good, Mr. Brenner. It's really nothing.
00:20:52The pleasure's all mine. See you soon. Goodbye.
00:20:56You know, I think she really is charming, Miss Royer. Oh, really?
00:21:00Well, it was pretty obvious. First you didn't want to meet her, and now you act like a schoolboy.
00:21:04Oh, well, that's what I am.
00:21:30Hey, Anne-Marie, come on. Dance with me.
00:21:34That music, isn't it a great sound? That's the sort of song you should compose.
00:21:38I'm not that talented. Oh, sure you are.
00:21:42Confidentially, I agree.
00:21:50Let's drink something, Anthony. I can drink.
00:21:54Didn't Helen get home yet? No.
00:21:58And on her sister's birthday, you think she'd make a special effort to get here from Venice, but no attempt.
00:22:02Oh, you're just... Those girls do not have an ounce of respect.
00:22:06And look at the table. A fine buffet. There aren't any more glasses, no more cake, no more wine.
00:22:10It's ridiculous. Monica, darling, would you be a dear girl and do something with this buffet?
00:22:14And tell your friend Catherine to dance with someone. Circulate around the people.
00:22:18This is a party, Edward.
00:22:22Who is this girl, Catherine? I haven't been to the party.
00:22:26Schopenhauer was the same. He was never clear on that point.
00:22:30Oh, yes, I agree with you. Well, Catherine, are you having a good time?
00:22:34Oh, yes, indeed. No, I've never seen anyone so bored in my whole life.
00:22:38Who's your friend? Someone intellectual.
00:22:42Why don't we take advantage of this commotion and try to do a little work, huh?
00:22:46All right. I think I'm really in the mood. Follow me.
00:22:50Hello, there. Hello, dear. Here, Edward, hungry?
00:22:54Well, these are my masterpieces.
00:22:58The work of a fashionable painter.
00:23:02I see you don't approve of them. Oh, but I do.
00:23:06Oh, that's all right. I know they're not very good. It's a living.
00:23:10When I was just a student, I wanted to be the second Rembrandt.
00:23:14Then, like so many, I settled for a life of luxury.
00:23:18But you're a new inspiration. But why?
00:23:22Because you're so very unusual. You don't even know me.
00:23:26Oh, yes, I do. You remind me of someone I never knew.
00:23:30Someone I should have known 20 years ago when I was a young art student.
00:23:34Oh, well, I wasn't that fortunate.
00:23:38I sometimes think if I had met her, my life would be different now.
00:23:42What's so funny? You've heard this line before?
00:23:46Oh, yes. You have. Oh, well, I guess it is pretty old.
00:23:50For you, I'll have to think of one that's different.
00:23:54All right. Oh, no, no, not there.
00:23:58Over here. Now, don't worry about posing.
00:24:02Would you like something to hold? A magazine? A cigarette?
00:24:06Ah, no. You don't? No.
00:24:10How about flowers? Oh.
00:24:14Let's see now. This looks like a pretty one.
00:24:18There. Thanks. Remember, you can move.
00:24:22You're not at the photographer's, you know. Our little chat needn't stop.
00:24:26I hope I'm artist enough to capture you.
00:24:30Really. I don't believe you've ever seen me, really.
00:24:34That's quite true. I haven't been seeing you. I'm just looking.
00:24:38You confuse yourself with words. Well, that's the trouble. That's all I really do well.
00:24:42By the way,
00:24:46when I asked you to sit for a portrait today, what did you think?
00:24:50That you were a painter, no? Oh, yes. Of course. Obviously.
00:24:54But are you sure you didn't say to yourself,
00:24:58but here is a silly old fool who is trying desperately to recapture his youth.
00:25:02Many people keep their youth. You have.
00:25:06You're really quite aware of it. Isn't that right?
00:25:10Oh, well. Again, the wrong line.
00:25:14Please, everybody. I have something to announce.
00:25:18Dean has kindly consented to give us the pleasure of listening to his new concerto.
00:25:22What do you call it? I don't know.
00:25:26And to whom have you dedicated it? I...
00:25:30It's quite obvious you don't know that either. Ah, well.
00:25:34Get to the piano. Be seated, all of you.
00:25:38Now, let's all be quiet.
00:25:46Suffering? Along with the others.
00:25:50You know,
00:25:54I don't offer to do portraits of every woman. Oh, a blessing indeed.
00:25:58You do nothing but work. Oh, come now. Can't I ever get the last word
00:26:02with you? You must have more respect for my white hair.
00:26:06Why must you always talk about your age?
00:26:10Do you realize, were I ten years younger, I could look at you and say,
00:26:14this I want, and do my best to woo you.
00:26:18That wouldn't solve anything. I could always reject you.
00:26:22You know, you're very cruel.
00:26:26The world's a cruel place.
00:26:32That's right.
00:26:36But you're too young to know that.
00:26:40How pretty that is.
00:26:44Oh, well. It's not finished, but it's nice of you to say.
00:26:48I wasn't referring to the painting. The music.
00:26:52What's that? Well, now I have to compete with what I can't even see.
00:26:56That's really too much.
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00:33:42Oh.
00:33:46Oh.
00:33:50Oh.
00:33:54Oh.
00:33:58Oh.
00:34:02Oh.
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00:40:54Oh.
00:40:58Oh.
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00:41:42Oh.
00:41:46Oh.
00:41:50Oh.
00:41:54Oh.
00:41:58Oh.
00:42:02Oh.
00:42:06Oh.
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00:42:14Oh.
00:42:18Oh.
00:42:22Oh.
00:42:26Oh.
00:42:30Oh.
00:42:34Oh.
00:42:50Be seated, please.
00:42:54We have called you together today because this is the first time in the history of Le Ballon that such an incident has occurred.
00:43:02We have decided not to expel Martha Chevalier.
00:43:06But that is because of her very excellent scholastic standing and also because she has expressed a sincere wish to come here and make a public apology.
00:43:16As you can see.
00:43:18I want you all to know that before any student is accepted at Le Ballon, a very thorough investigation is made of her family.
00:43:28So you may be assured that Catherine Royer's father was a fine, honest man.
00:43:34He unfortunately fell into the hands of an unscrupulous combine and his death in an automobile was purely accidental.
00:43:42Now that everything is out in the open, you should all be doubly kind and understanding with your classmate.
00:43:48I know you will.
00:43:50Catherine Royer.
00:43:54Please come here.
00:43:58Up here, please.
00:44:04Martha Chevalier, repeat after me.
00:44:07My dear Catherine.
00:44:10My dear Catherine.
00:44:12Oh, please, madame.
00:44:14No apology.
00:44:16Oh, I'm afraid I insist on this point.
00:44:19Since the quarrel was in public, the reconciliation should be the same.
00:44:24Only then will it really be over.
00:44:29Martha, I wasn't mad at you.
00:44:37Nothing serious, madame.
00:44:39She'll be back on her own bed tomorrow night.
00:44:41Fine.
00:44:43Bye.
00:44:44Bye, Monica.
00:44:45Bye.
00:44:46Goodbye.
00:44:50Will you forgive me?
00:44:52But I scratched your face.
00:44:54I don't know.
00:44:55Now let's all forget this terrible incident.
00:44:58Pretend it never happened.
00:45:00Good night, Monica.
00:45:01Good night, madame.
00:45:04Sleep well.
00:45:07Do you love me?
00:45:09Why, of course.
00:45:11Tonight we're going to be separated.
00:45:14Oh, it's just for this one night.
00:45:16Yes.
00:45:18And we'll be at Anne Marie's Sunday.
00:45:20No.
00:45:22I won't be there.
00:45:24But why?
00:45:25Over Dean?
00:45:28You won't?
00:45:29I'd rather not.
00:45:39Hi.
00:45:44Welcome, everybody.
00:45:46Hello, Sally.
00:45:49Jenny, good to see you.
00:45:51Anne Marie.
00:45:54Hello, Dean.
00:45:57Monica, how are you?
00:46:05No Catherine?
00:46:06No.
00:46:07But I'm sure that you can understand why.
00:46:09Yeah.
00:46:10Well, I still wish she would have come.
00:46:13Well, I have something to tell you.
00:46:15Would you like to know where she is?
00:46:16Would I?
00:46:17Where?
00:46:18Madame Ancelin said you could go to the movies.
00:46:19And she's at the Rex Theater right now.
00:46:21You're the most wonderful girl in the world.
00:46:23Thanks.
00:46:43I love you.
00:47:11I love you.
00:47:41You know, it's a beautiful day today.
00:47:52Why are we sitting here talking about it?
00:48:00Well, you have to admit this beats staying at the movies,
00:48:02even though I may not exactly be Cary Grant.
00:48:05What's the difference?
00:48:06I'm not Sophia Loren.
00:48:08What fun.
00:48:09We're acting like fools.
00:48:10Oh, it's exactly what we both needed.
00:48:12To let off a little steam.
00:48:14You have no idea how bad I felt when you didn't show up with the girls.
00:48:17I was afraid you wouldn't see me again.
00:48:19How was I to know you were on the verge of breaking up with Helen?
00:48:22Oh, you and I were only alone for a minute or two.
00:48:24You couldn't expect to learn all my deep secrets.
00:48:27Hope she's not too unhappy.
00:48:29Oh, you have to be able to love to be able to suffer, really.
00:48:32I know very well what suffering is.
00:48:35Ah, you can love then, too.
00:48:37Where does it all lead?
00:48:38Oh, who knows?
00:48:41Something's the matter.
00:48:43Ah?
00:48:44Hear that?
00:49:01That's a beautiful mechanism.
00:49:03Not when it's broken.
00:49:05These English cars are a little complicated.
00:49:07Just take a look at that engine.
00:49:08They're worth the trouble.
00:49:10And you're very lucky you found me.
00:49:12You know, I can fix them all.
00:49:14Even the English ones.
00:49:17Ah, she spoke.
00:49:19What language?
00:49:20Oh, you're joking.
00:49:21Go out and have a drink and I'll fix this up as good as new.
00:49:24When I'm on the job, no one has ever had to take the train back.
00:49:27Never.
00:49:29Ah!
00:49:36This train was so sad.
00:49:38The first time I came to Vellone on it.
00:49:42I was all alone.
00:49:44It was nothing like this.
00:49:45You won't be lonely again.
00:49:47Thanks to you, Dean.
00:49:50I'm so happy now.
00:49:52I want to go around kissing everyone.
00:49:54You will kindly concentrate on me.
00:49:57You know, the next time the two of us take a train together, Catherine,
00:50:01we'll be traveling on our honeymoon.
00:50:05Oh, Dean.
00:50:13This has really been such a wonderful day.
00:50:16I'm sorry it's had to come to an end.
00:50:18See you next weekend?
00:50:20Have you any doubt?
00:50:22Maybe.
00:50:24You know I'm your slave.
00:50:27Bye-bye.
00:50:58You sure have nerve.
00:51:00Oh, there's nothing to worry about.
00:51:02No one checks up on us underneath the covers.
00:51:05And I sleep much better.
00:51:09Does it really make a big difference?
00:51:11Like swimming with nothing on?
00:51:14It's better.
00:51:15Go on. Try it.
00:51:17Oh, it isn't right.
00:51:19Go on.
00:51:20Nothing ever happened to me.
00:51:22Go ahead, Danielle.
00:51:27Go on.
00:51:46Good night, Catherine.
00:51:48Dear Catherine.
00:51:50I'm so happy that you and Dean,
00:51:52the two people to whom I've given my heart,
00:51:55have found a marvelous love together.
00:51:58I love you enough, I believe,
00:52:00not to think of myself too much.
00:52:03And my happiness will be to share with you
00:52:05what I read in your eyes
00:52:07after each one of your meetings with Dean,
00:52:09after each letter that you receive from him.
00:52:19I had been sure you were a girl who would be trusted.
00:52:23But this letter proves I was wrong.
00:52:25Well, what will you do?
00:52:27My dear, I won't do a thing.
00:52:29If you promise, you'll never see him.
00:52:32We're to be married.
00:52:34I'm sure his intentions are honorable.
00:52:36But I'm not the one to approve it.
00:52:40I just spoke to your aunt on the phone.
00:52:42It was my duty to do it.
00:52:45She forbids you to see this young composer
00:52:47who she feels has no future.
00:52:49I won't write.
00:52:50He's your guardian, and you're underage.
00:52:53But I've got to see him.
00:52:56Surely you know I have to follow your aunt's instructions,
00:52:59don't you, Catherine?
00:53:01You must not see him.
00:53:02I want you to give me your word.
00:53:05No, I won't promise.
00:53:07I'd break it.
00:53:09I admire your honesty.
00:53:11But now you understand there are certain measures
00:53:13I have to take.
00:53:15Whatever I do, Catherine, is only to protect you.
00:53:18Try to stop crying.
00:53:21Did you know Catherine was being taken out of the dormitory?
00:53:23I know.
00:53:24They're putting her in a room right in the teacher's quarters.
00:53:26She's going to be locked up every night, just like a criminal.
00:53:29Even talking's forbidden.
00:53:30I'd sure love to know who turned in the letters.
00:53:33I hope you don't suspect me.
00:53:35Do you approve?
00:53:36But I didn't even know about the letters.
00:53:38That so?
00:53:39Then you were the only one.
00:53:40Why do you all hate me?
00:53:43Martha Chevalier.
00:53:44No more outbursts in the dining hall.
00:53:48Do you know that they're going to take our night monitor,
00:53:50Miss Letelier, away?
00:53:52And Miss Mercier's going to replace her.
00:53:54That's going to be fun.
00:53:55That's right.
00:53:58I want silence!
00:54:04Shh!
00:54:06Is anything the matter?
00:54:08No, madame.
00:54:10Are you sure?
00:54:12Oh, yes.
00:54:13Everything's fine.
00:54:15Good night.
00:54:17Sit up and let me see what you're wearing.
00:54:20But it's too cold.
00:54:22Never mind.
00:54:23Take down the covers.
00:54:26Where are your pajama tops?
00:54:28Uh, well, they got lost.
00:54:32Well, they can just get found this instant.
00:54:35I'm going to report this entire incident to Madame Ancelin
00:54:38first thing in the morning.
00:54:40Young lady, you'll be on restriction for a week.
00:54:43I can assure you of that.
00:54:45I'm going to report this entire incident to Madame Ancelin
00:54:47first thing in the morning.
00:54:49Young lady, you'll be on restriction for a week.
00:54:51I can assure you of that.
00:54:54Oh, I'm just getting used to it.
00:54:58I'm sorry you got caught.
00:55:02Oh, well, things could be worse.
00:55:05Imagine poor Catherine, alone every night.
00:55:11Oh, well, things could be worse.
00:55:14Imagine poor Catherine, alone every night.
00:55:30It won't be forever.
00:55:32If you want anything at all, my dear, please call me at once.
00:55:36The wall between our rooms is very thin,
00:55:39and I'm a terribly light sleeper.
00:55:41You're very nice.
00:55:43Now try and smile, my dear little Catherine,
00:55:46and remember I'm your friend.
00:55:48I know you're my friend, and I'm glad.
00:55:55Sleep well.
00:55:57I will. Good night.
00:56:09Good night.
00:56:25You hungry?
00:56:26Yes.
00:56:27Bernadette Picard, stop talking!
00:56:29For the two weeks she's been in charge,
00:56:31there hasn't been a thing we've been able to get away with.
00:56:34And stop stuffing yourself with candy!
00:56:37Now she has radar.
00:56:39Have one?
00:56:40Oh, thanks.
00:56:41I'm worried about how Monica will manage to see Catherine.
00:56:45Never mind.
00:56:46You know, it's my turn on duty.
00:56:48You watch.
00:56:57Hey, listen, everybody.
00:56:59Watch Sally.
00:57:00Miss Mathieu.
00:57:01What is it?
00:57:02I feel sick.
00:57:03I'll be right out.
00:57:08What's the matter?
00:57:09Stomach feels bad.
00:57:11I...
00:57:12Are you sure what you have is stomachache?
00:57:14Oh, yes. Inside.
00:57:15Now don't wake everybody up.
00:57:17I'm going to go and get some medicine.
00:57:18Right.
00:57:24There's not much time.
00:57:38Catherine?
00:57:39All right, just a minute.
00:57:41It's Monica.
00:57:47My dear little Monica.
00:57:50I'm really so miserable.
00:57:54Tell me.
00:57:55Did you see Dean yesterday?
00:57:57Yes.
00:57:58He's awful.
00:58:00Was there no letter for me?
00:58:02No.
00:58:04Was there no letter for me?
00:58:06No.
00:58:07He says he couldn't write.
00:58:10It was all his fault.
00:58:12But that's not so.
00:58:14Why doesn't he write?
00:58:16You mustn't feel bad.
00:58:18He can try and see your aunt.
00:58:20Maybe through Mrs. Anselette.
00:58:22My aunt hates me.
00:58:24She'll never agree.
00:58:25Well, just the same.
00:58:27He's got to be with you.
00:58:29You must get away.
00:58:32Here, now.
00:58:33You drink this down.
00:58:40By tomorrow, you'll be perfectly all right.
00:58:43This works on my stomachache like a charm.
00:58:46Good night, my dear.
00:58:48Good night, ma'am.
00:58:49And thank you very much.
00:58:52Now how's Monica going to get back in the dormitory?
00:58:55It's Aunt Marie's turn.
00:58:57In exactly seven minutes, I'll have a stomachache.
00:59:00Tyler!
00:59:11Hurry.
00:59:12It's locked.
00:59:13How are we going to get the ladder?
00:59:15Darn it.
00:59:16Oh, look.
00:59:17The gardener's asleep.
00:59:18I'll be right back.
00:59:20I'll be right back.
00:59:35Hurry, dear.
00:59:36Come on.
00:59:37Let's have them.
00:59:41It's not the one.
00:59:42Oh, hurry.
00:59:46Oh, there it is.
00:59:47Oh, good.
00:59:48Come on.
00:59:50You take that in.
00:59:51All right.
00:59:52All right.
00:59:53Good night.
01:00:06Put it next to the wall over there.
01:00:09Then we'll cover it with leaves.
01:00:12The bell.
01:00:13We'll be late.
01:00:20Oh, I'll never make it.
01:00:26All right.
01:00:27Oh, I thought I'd lost it.
01:00:29Oh, all right.
01:00:30Oh, OK.
01:00:38Hurry up, girls.
01:00:39This will never do.
01:00:40You should be prompt.
01:00:50Your assignment was the computation of the volume of a sphere.
01:00:53I hope you all know it.
01:00:55You, Sally Picard, to the board.
01:01:00You compute it by the radius, r, multiplied by the formula, which shows how...
01:01:08What's the matter with you?
01:01:10Computation, mademoiselle.
01:01:11Oh?
01:01:13Rapid?
01:01:14Don't be so emotional.
01:01:15It's just a problem.
01:01:17I suppose.
01:01:18Come on.
01:01:19Finish it up.
01:01:20We have to continue now.
01:01:21Well, you know...
01:01:22What?
01:01:23I forgot the solution.
01:01:24Ah, now the truth.
01:01:26A demerit for you.
01:01:48I'm sorry.
01:01:49I'm sorry.
01:01:50I'm sorry.
01:01:51I'm sorry.
01:01:52I'm sorry.
01:01:53I'm sorry.
01:01:54I'm sorry.
01:01:55I'm sorry.
01:01:56I'm sorry.
01:01:57I'm sorry.
01:01:58I'm sorry.
01:01:59I'm sorry.
01:02:00I'm sorry.
01:02:01I'm sorry.
01:02:02I'm sorry.
01:02:03I'm sorry.
01:02:04I'm sorry.
01:02:05I'm sorry.
01:02:06I'm sorry.
01:02:07I'm sorry.
01:02:08I'm sorry.
01:02:09I'm sorry.
01:02:10I'm sorry.
01:02:11I'm sorry.
01:02:12I'm sorry.
01:02:13I'm sorry.
01:02:14I'm sorry.
01:02:15I'm sorry.
01:02:16I'm sorry.
01:02:17I'm sorry.
01:02:18I'm sorry.
01:02:19I'm sorry.
01:02:20I'm sorry.
01:02:21I'm sorry.
01:02:22I'm sorry.
01:02:23I'm sorry.
01:02:24I'm sorry.
01:02:25I'm sorry.
01:02:26I'm sorry.
01:02:27I'm sorry.
01:02:28I'm sorry.
01:02:29I'm sorry.
01:02:30I'm sorry.
01:02:31I'm sorry.
01:02:32I'm sorry.
01:02:33I'm sorry.
01:02:34I'm sorry.
01:02:35I'm sorry.
01:02:36I'm sorry.
01:02:37I'm sorry.
01:02:38I'm sorry.
01:02:39I'm sorry.
01:02:40I'm sorry.
01:02:41I'm sorry.
01:02:42I'm sorry.
01:02:43I'm sorry.
01:02:44I'm sorry.
01:02:45I'm sorry.
01:02:46I let the door open.
01:02:48I put the key in the lock.
01:02:50I don't know what's wrong with me.
01:02:52I must be getting old.
01:02:54Never did a thing like that in my whole life.
01:03:16Oh, I.
01:03:38Oh, what?
01:03:40Oh, got a pain.
01:03:43Who is it?
01:03:44Oh, it's me, Sally.
01:03:45Try to be calm, I'm coming.
01:03:47Oh, ah.
01:03:51Oh.
01:03:52What is it, Sally?
01:03:54I have a pain here.
01:03:55Could be appendicitis.
01:03:57Oh, do you think so?
01:03:58I don't know.
01:03:59You have the same pain in the same place every night.
01:04:01That's true.
01:04:02Oh, you wake up everyone.
01:04:05Oh, I can't help it.
01:04:07I'm taking you to the infirmary.
01:04:09Oh, and if you don't get better, we'll send for the doctor.
01:04:12Oh, it hurts so much.
01:04:14Come, let's go.
01:04:15Oh.
01:04:41The key's up there.
01:04:46Catherine.
01:04:46Yes.
01:05:16Now we're finished.
01:05:18Shh. I have an idea.
01:05:27Oh!
01:05:32Come, darling. This way.
01:05:36Oh, dear, no. This way.
01:05:39Oh, poor Adele. Poor darling.
01:05:43No. Over this way.
01:05:47Oh, no. Be careful. Watch out.
01:05:57I'm worried. I hope Sally can keep Mercier away until Monica gets back.
01:06:04If Mercier ever gets wise,
01:06:08she'll run and get Ansel and that's trouble.
01:06:12Yes.
01:06:13Hey, put your pajamas on or we'll be in trouble over you.
01:06:17Ah.
01:06:24The ladder's gone. What'll we do?
01:06:26The gardener must have taken it.
01:06:28Oh.
01:06:31And Dean's waiting for me. He'll be worried.
01:06:34Sometimes the side gate's unlocked. Come on.
01:06:37That's right, darling. Back to your little dormitory.
01:06:40I'll open the door.
01:06:42Oh! Oh! No, no.
01:06:51Oh. Now what's she doing?
01:06:53Oh, poor baby.
01:06:55You just had a bad dream.
01:06:58It's all right now.
01:07:01Are you sure you're keeping well?
01:07:03Yes, all better.
01:07:04Go to bed and be quiet.
01:07:05Yes, miss.
01:07:13Is Monica back?
01:07:14No, she's late.
01:07:18Oh, it's locked.
01:07:20Come over here.
01:07:24There's the ladder.
01:07:26Wait.
01:07:28Wait.
01:07:30What are you going to do?
01:07:36Ow!
01:07:37Did you hurt yourself?
01:07:39Just a scratch.
01:07:44What are they doing?
01:07:45I'm worried. What's happening?
01:07:48I don't know.
01:07:55Are you all right?
01:07:58Does it hurt?
01:08:03Hurry. I'm sure that noise woke everyone up.
01:08:08Poor Monica. I'm afraid she's going to be cold.
01:08:10Well, it's all thanks. We've got to do something.
01:08:13Oh, but what?
01:08:14Yeah. Get started.
01:08:16What?
01:08:17Get him sick again.
01:08:18No more.
01:08:19Why don't you?
01:08:20Oh, they wouldn't believe me. I'm much too fat.
01:08:22Ask Anne-Marie.
01:08:24Anne-Marie.
01:08:25What?
01:08:26Would you do the sick act again? You're so convincing.
01:08:29All right, fine.
01:08:30But this is not easy on the stomach.
01:08:39Goodbye.
01:08:40I'll never forget what you've done.
01:08:44Goodbye.
01:08:48Goodbye.
01:08:56Goodbye.
01:09:05Captain.
01:09:10My captain.
01:09:23Any water?
01:09:27Hey, look at this.
01:09:37Is this table free?
01:09:38Yes, miss.
01:09:40Don't bother.
01:09:47Good evening.
01:09:50How are you?
01:09:51How are you?
01:09:52Good evening.
01:09:54Well?
01:09:55A little cognac, as usual.
01:10:09I'll have another cognac.
01:10:21Have you seen Dean?
01:10:24He's not coming.
01:10:25Why?
01:10:26If you'll just listen.
01:10:29I'll try to explain.
01:10:30What is it?
01:10:53Catherine.
01:11:02Catherine.
01:11:08I'm afraid he's not in love with me.
01:11:11You couldn't be further from the truth.
01:11:13Before he sees you, he wants to have your aunt's consent.
01:11:16Oh, that's hopeless.
01:11:17You must remember this, Catherine.
01:11:19You're a minor.
01:11:20Suppose you two went off together.
01:11:22They could easily find you.
01:11:24And you know the rest.
01:11:26Not very pleasant.
01:11:28He should have been the one to come.
01:11:30He tried, but I stopped him.
01:11:31But why?
01:11:33If he'd come, you wouldn't have gone back to school tonight.
01:11:35Which is exactly where I'm taking you right now.
01:11:37No, it doesn't matter what you say.
01:11:40I'm miserable there.
01:11:41I won't go back to that prison cell.
01:11:45See?
01:11:46Imagine if he were here now.
01:11:49Take this.
01:11:50You know, Catherine, it's difficult enough for me.
01:11:53And I'm much older.
01:11:56He never would have had the courage to send you back.
01:11:59Try not to hate me.
01:12:00Oh.
01:12:02Enough.
01:12:04If you're serious,
01:12:06and wouldn't you rather wait to get your aunt's consent,
01:12:10I want to help you.
01:12:12Both of you.
01:12:21Open up. It's Mr. Brunner.
01:12:23Huh?
01:12:24It's Mr. Brunner.
01:12:25Oh, yes, yes.
01:12:39Good evening.
01:12:40Good evening.
01:12:41What can I do for you, Mr. Brunner?
01:12:43Here.
01:12:44Oh, you haven't seen anything?
01:12:46No.
01:12:47Here.
01:12:48Oh, you haven't seen anything.
01:12:50Right?
01:12:51Oh, I recognize no one
01:12:54at this time of night
01:12:55without my glasses on.
01:12:59Hey, come on.
01:13:05You'll see.
01:13:06Everything will turn out all right.
01:13:08Goodbye.
01:13:10Come over here.
01:13:14We old Romeos have to stick together now.
01:13:16Isn't that right?
01:13:17Absolutely.
01:13:18You know, I used to be quite a ladies' man myself at one time.
01:13:21Live and let live.
01:13:23That's always been my motto.
01:13:43Monica.
01:13:44My dear one.
01:13:46Open your eyes.
01:13:50You're back.
01:13:51Yes.
01:13:53He didn't show up.
01:13:55Catherine, remember, I'm here.
01:13:59Oh, and I do love you.
01:14:00Nothing seems to matter anymore.
01:14:02I'm so miserable.
01:14:04So please, go.
01:14:07What did you say?
01:14:08I must be alone.
01:14:10Won't you please try to see?
01:14:13Now, let's go.
01:14:17Sleep well.
01:14:23I'll always be here.
01:14:25Smile.
01:14:26I'll try.
01:14:30Good night.
01:14:31Good night.
01:14:40Catherine!
01:14:41Catherine!
01:14:42Catherine!
01:14:43Catherine!
01:14:44Catherine!
01:14:45Catherine!
01:14:47Catherine, wake up!
01:14:52Wake up!
01:14:53Wake up!
01:14:56Come on.
01:14:57Come on.
01:15:02How did it happen?
01:15:03She fell downstairs.
01:15:05Girls, girls, let me through.
01:15:08Get back to your beds.
01:15:10Oh, child.
01:15:11Oh, child.
01:15:15Lisa.
01:15:21Lisa.
01:15:29Read to me.
01:15:45Lisa.
01:16:15Lisa.
01:16:30All right, that'll be all for today, Catherine.
01:16:36No improvement in these two weeks.
01:16:40Her morale is very low.
01:16:43She doesn't want to get well as far as I can see.
01:16:46I'm powerless to do anything in the way of letting her see this young composer.
01:16:50She's allowed to see all her friends.
01:16:52I mean, those here at school.
01:16:54Tuesday, I wrote the ant, asking her to let Dean visit Catherine.
01:16:58No answer.
01:17:00He's here every day.
01:17:02Well.
01:17:03I may have to assume the responsibility and allow him in the next time he comes to see me.
01:17:07I would certainly do that.
01:17:22Monica.
01:17:23Will you let us go with you to see Catherine?
01:17:25Well, I.
01:17:26Say you will.
01:17:27Oh, yeah.
01:17:28I'm sorry, she still won't see anybody but me.
01:17:30Maybe next time.
01:17:31Yes.
01:17:33Why won't you see anyone but Monica?
01:17:35Why won't you see anyone but Monica?
01:17:42Here's another letter from Miss Catherine.
01:17:43Will you deliver it?
01:17:44Yes, I will.
01:17:45Too bad she won't answer these letters.
01:17:47She's going away tonight.
01:17:49It's a shame.
01:17:51Ah.
01:17:57There, now you'll be more comfortable.
01:18:00Ah.
01:18:01I'll leave her in your hands for a moment.
01:18:03I'll be right back.
01:18:06Hello, Catherine.
01:18:07You're wonderful to visit every day.
01:18:09All the others have forgotten me.
01:18:11Oh, but they sent you a kiss.
01:18:14I'm glad that they don't come.
01:18:16I'm sure they just tire you out.
01:18:18Oh, what's the difference?
01:18:21How's your arm doing?
01:18:22Oh, fine.
01:18:23Oh, I'm relieved.
01:18:24It was all because of me.
01:18:26Dear Monica.
01:18:30I wonder what's new with Dean.
01:18:33Oh, not very much.
01:18:34He's giving a concert next week.
01:18:36I've been hoping for a letter.
01:18:40I should forget about it.
01:18:42I've just been a terrible fool.
01:18:45What should I do?
01:18:46Don't try to forget it.
01:18:47You must.
01:18:48I'm so unhappy.
01:18:50Dean's not to blame.
01:18:53He's under the influence of Christian.
01:18:57I wish I could forget him.
01:19:00It just seemed like one of those lives that never would end.
01:19:03Please, stop all that.
01:19:05All what?
01:19:07Have you forgotten?
01:19:08You have me.
01:19:09Of course, Monica.
01:19:11You're my dearest friend.
01:19:13My dear.
01:19:14I hope that we'll always be this way.
01:19:17If I could just be with him once more.
01:19:20Won't you ever forget?
01:19:22No, I won't.
01:19:25What is it?
01:19:27Oh.
01:19:29Well, I'm always with you.
01:19:30And you don't even know I'm alive.
01:19:32I just can't stand it.
01:19:34I can't.
01:19:35Monica, dear.
01:19:36Please don't cry.
01:19:47It's about time Catherine's aunt answered my letter.
01:19:49That's good news.
01:19:50She's agreed to meet us any time.
01:19:53Seems all she was afraid of was that you were after Catherine's money.
01:19:57Well, since I've assured her that you're bordering on huge success, she'll cooperate.
01:20:01Well, I was right again.
01:20:02I'm not so sure.
01:20:03I'm afraid Catherine's through with me.
01:20:05She won't answer my letters.
01:20:07What do you think that means?
01:20:08I should have showed up that night.
01:20:09It wasn't your place.
01:20:10You'd have ruined everything.
01:20:11Yes, well, it's all ruined just the same.
01:20:14Supposing we were sent to prison for running away.
01:20:16At least we'd still be in love with one another.
01:20:18Oh, bravo.
01:20:19Magnificent.
01:20:20And now, how about calming down and giving a little thought to your music?
01:20:23I'm perfectly calm.
01:20:25Ah, you're right.
01:20:26Excuse me, sir.
01:20:27If you don't mind, it's time now for the interview.
01:20:29For the television audience.
01:20:30All right.
01:20:31Well, I'm leaving now.
01:20:32Good luck, Dean.
01:20:33Ah, thanks.
01:20:35All right.
01:20:36Ready.
01:20:37Good evening, ladies and gentlemen.
01:20:39We are happy to introduce you to a new and talented composer tonight,
01:20:43Dean Moriel, who will be playing his own concerto.
01:20:46You're very kind.
01:20:47And now, before we begin, won't you tell us about your new work?
01:20:52Well, all I'd like to say is this concerto is dedicated to someone I love very much.
01:20:57To someone I hope will be watching this evening.
01:21:00Then we listen with still further interest.
01:21:03And now, Mr. Moriel, it's time for the concerto to begin.
01:21:07Thank you very much.
01:21:09Thank you very much.
01:21:10Beautiful.
01:21:11What?
01:21:13Oh.
01:21:14Very beautiful.
01:21:15Oh, Dean.
01:21:45Go away.
01:21:46You mean our friendship's over?
01:21:50Shh.
01:21:56Oh, shh.
01:22:19Hello.
01:22:21How are you feeling tonight?
01:22:22All right.
01:22:24Would you like me to close the window?
01:22:26No, it's fine.
01:22:28How about a warm drink?
01:22:29It'll help you to go to sleep.
01:22:31Yes, would you please?
01:22:33Good.
01:22:46Do you miss your girl?
01:22:47That's enough.
01:22:49Such a pity she can't be with us to hear the concert.
01:22:53After all, it's for her that he's playing.
01:22:55Get out.
01:22:58You ought to be nice to me.
01:23:01Watch what you say.
01:23:04I know where Dean's letters have been going.
01:23:07I'll kill you.
01:23:09Do you believe that?
01:23:11Yes.
01:23:14I know what it is to feel that way.
01:23:17I'm jealous too, Monica.
01:23:18You know, thanks to you,
01:23:21Catherine's been made as miserable as I wanted her to feel.
01:23:48I love you.
01:24:18I love you.
01:24:48Catherine.
01:24:50Catherine.
01:24:51What's wrong?
01:24:53Catherine, please.
01:24:55Will you ever forgive me?
01:24:57But why?
01:24:58All this time, I've lied about Dean.
01:25:00You mean...
01:25:02He's never stopped loving you for a single minute.
01:25:05Are you sure?
01:25:09Here are his letters.
01:25:13This is for you.
01:25:17This is wonderful.
01:25:35Everything's all right.
01:25:38Oh, madame.
01:25:40It's awful.
01:25:42What I've done.
01:25:44I'm feeling so ashamed.
01:25:46There's no need to tell me anything.
01:25:53It couldn't have been anything really bad.
01:25:57I'm used to loves and hatreds among you girls.
01:26:01They're not forever.
01:26:04Now, don't you cry over it.
01:26:07The few years you're here at Vallon
01:26:10are really just a short prologue to your life out there.
01:26:16Before you become the wives and mothers you will be,
01:26:21you are these mysterious, secretive little twilight girls.
01:26:26No longer children,
01:26:28but not yet women.
01:26:46THE END