(Adnkronos) - Monica Guerritore e Giacomo Gianniotti sono i protagonisti della serie ‘Inganno’, da oggi su Netflix con la regia di Pappi Corsicato: un thriller sentimentale che gioca tra la suspense, la rottura dei tabù e le verità scomode sull’amore. È la storia di un’appassionante relazione, in cui non mancano ombre e segreti, che mette in crisi le convenzioni sociali e gli equilibri familiari, sovvertendo il ruolo della maternità nella cultura mediterranea. Nell’intervista all’Adnkronos Guerritore e Gianniotti contro ogni tabù sulla (ri)scoperta dell’amore e del desiderio over 60. Gabriella (Guerritore) è la proprietaria di un prestigioso hotel in Costiera Amalfitana, una donna elegante, fiera dei suoi sessant’anni e consapevole del suo ruolo. I suoi tre figli ormai sono grandi e la vita non sembra riservarle più molte sorprese, finché non incontra Elia (Gianniotti): un ragazzo affascinante, vitale, libero, coetaneo del suo figlio maggiore, che esercita su di lei un fascino irresistibile, ma anche ambiguo e spaventoso. Nonostante la differenza di età, Gabriella si riscopre donna, amante e per Elia è pronta a mettere in gioco tutto, anche il rapporto con i figli e la loro eredità.
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00:00You've known each other for a long time, and it all happened very quickly.
00:13I could be your mother.
00:15But you're not.
00:16I don't think it's outrageous that a 60-year-old woman like me can have a relationship with a much younger man than her.
00:24It's so beautiful.
00:25It's not outrageous.
00:27What's outrageous is probably telling it without barring it.
00:31Without infringing.
00:33So the courage that I've been told, and the journalists who have seen it,
00:38is to make it almost an opening towards a body that hasn't been redone, towards a face that hasn't been redone,
00:48towards loving, taking knowledge of how we are.
00:53We are this, and we haven't barred it, even in the series.
00:58All the developments have been experienced with great truth,
01:01and with all the fragility, the humiliation that a woman who has been very beautiful can feel about herself.
01:08And so this blossomed beauty can also be the cause of tenderness,
01:15if we love it, if we let it be known, if we let it be seen.
01:20And I believe that the beauty of the series is, in addition to the family relationships that are typical of Italian society,
01:30also this, to be aware of this.
01:33I think that what we are understanding is that it is the story that is not told,
01:40and this is the reason why there is this taboo, because these stories are not told.
01:46So that's what really needs to change.
01:48We have to see more stories that tell this, so that it doesn't become a strange thing, but a normal thing.
01:55I've never felt so alive as I do now.
02:11Anyway, if there's no plot twist in this film, it's not a film.
02:13They don't have a deadline, it's just that they stop, they don't have words to tell.
02:19They need the words of the writers to tell this passage.
02:24While the males are told a lot in this passage,
02:28and the women in the passage of motherhood, in the passage of family,
02:33at a certain point they stop.
02:35There is no story that tells this.
02:42There is no...
02:43There is Fedra, but that's not the case.
02:47Why? Because lives have been prolonged, there's nothing to do.
02:51When my mother was 60, it was a different story.
02:56So the whole commercial world is based on women of our age,
03:04so give us the stories so that we can interpret them.
03:09Well said!