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00:00A few hours later
00:07Guys, could you please take them to the alley?
00:12To the left, not to the right.
00:15We have to leave the hallway open.
00:21Pedro, wouldn't it be better if you talked to Don Fermin?
00:23Why?
00:25So you can rest a little, so you can go home.
00:28But the two guys can do your job perfectly.
00:30No, no, no. I want to stay here.
00:32As I'm going home, I give more thought to the matter.
00:35No, I don't want to.
00:36I prefer fatigue to nervousness, Antonia.
00:39Okay, I understand.
00:41And if I tell you the truth, I also prefer to have you closer.
00:44Because if my soul falls at my feet, I'm sure you haven't slept at all.
00:46And neither do you. I know you.
00:53Do you want to talk? Maybe it will relieve you.
00:56I don't know, Antonia. I don't know.
00:59I'm afraid.
01:01I can't deny it.
01:05This feeling of walking between life and death.
01:08Honey, don't say that, please. You're going to get out of this.
01:10Yes.
01:11Yes.
01:12But only by operating, Antonia.
01:14Only like this.
01:17Good morning, Don Fermin.
01:19Good morning.
01:20I'm sorry, but...
01:22I couldn't help but listen to you.
01:25And I'm very happy that you've finally decided to carry on with the operation.
01:29Yes, that's right.
01:31There's no other way. Besides, knowing that...
01:33that he's in good hands.
01:34In the best.
01:36Ramiro Quiroga is a great surgeon.
01:38One of the most reputed in Spain. An eminence, come on.
01:41Thank you, Don Fermin.
01:43I would always be grateful to him because...
01:45I would never have been able to pay for these medical expenses.
01:49Amigo Pietro, this is the last time I'm telling you this.
01:53I don't want to hear you talk about money ever again.
01:56What I want is to hear you laugh and sing your tarantellas and arias.
02:01Enjoy your ice cream and eat your sweets, as always.
02:04The rest are trifles.
02:07Understood?
02:10And of course, you can stop working until the day of the operation.
02:13You just have to ask for it.
02:15No, no. I prefer to work, Don Fermin.
02:17Very well.
02:18Although I need help, I prefer it.
02:20As you wish. I'm going to tell Teresa and Mrs. Lázara.
02:24Have a nice day.
02:34It would be better if you leave.
02:36I don't want them to hurt you because of me.
02:41I love you. I love you very much.
02:44Everything will be fine.
02:47Bye.
02:54Ballesteros, just listen to me. Think about it, really.
02:59But are you sure?
03:01So you don't leave me another option?
03:05Can I?
03:09Of course I'll call you. Yes, when I finish managing all these matters.
03:14Goodbye, Ballesteros.
03:18Are you okay? I've noticed something wrong with your phone.
03:22Do you already have the actress? Or do you need to do more tests?
03:25No, no, no. No more tests.
03:28Ballesteros has already decided.
03:32And the person he has chosen is you.
03:38It's a joke.
03:39No, no, no. It's not a joke.
03:40He is completely impressed with you, with your talent, with your spontaneity,
03:44with how you act on camera.
03:46He is completely convinced that you are the only person who can play that character.
03:51But I'm not an actress.
03:53Well, you should, because if something has Ballesteros, it's smell.
03:58I don't know if it has smell or not, but I don't want to put my life upside down,
04:02spend a thousand dead hours on set, those early mornings.
04:05Well, you don't get up so early either, and besides, you get paid well.
04:10Tell him thank you very much, but no.
04:12But no?
04:13Anything else?
04:18You see...
04:22Laura, I know the situation is not easy.
04:29I wouldn't like to pressure you, but...
04:33Ballesteros has threatened to leave the film if you don't accept this role.
04:39After the failure of The Shadow of Love, the company's numbers don't come out.
04:44Yeah, but I don't understand it. What do I have to do with this?
04:47What does it have to do with me?
04:48No, no, no. This has nothing to do with you.
04:52It's just that...
04:54I've put everything I had at stake, and if Ballesteros leaves, it's over.
05:01I need you to accept that role. I beg you.
05:04It's not my fault that the film didn't work, or that you invested all your money.
05:08Why do you blame me?
05:10I'm not explaining myself clearly either.
05:14I've tried everything with this man.
05:17But he only loves you. You.
05:20I'm going to have to talk to Inés.
05:22Because I figure it's not going to be funny, and if it is, I'm sorry, but I'm not going to do it.
05:26I know I'm the last person who has the right to ask you for something.
05:29But if you don't help me, I'll ruin it.
05:32Agustín, it's not about whether you have the right or not.
05:35Inés is my sister, and she's also your partner.
05:42What's going on here?
05:47Well, well, well. It was special.
05:50Well, what do I mean by special? It was magical.
05:52Yes, because it's as if we hadn't stopped seeing each other.
05:57It seems you've spent half your life with Leonora, and you've seen each other all the time.
06:00Well, the important thing is the quality, not the quantity, right?
06:05Well, you should be happy to have Leonora as a mother-in-law.
06:09Besides being beautiful and attractive, she's vital, eloquent.
06:14I like her more and more every day.
06:16Elias, I'll tell you one more time.
06:18Stop trying to seduce my mother-in-law. Let's not go back to the old ways.
06:21Come on, man, I'm a respectful man.
06:23After Leonora gave me pumpkins, I'm not going to keep being mean to her.
06:27Well, I don't know about her, but you spend all day with her,
06:30with how beautiful she is, with how good friends you are, with how much fun you have.
06:33Well, that's the way it is. And besides, how fun she is.
06:36Come on, have fun. Go back to the salon and take care of the customers.
06:40You've had enough rest.
06:41Well, I'm going inside. Excuse me.
06:47I can't take it anymore. I can't take it anymore.
06:49With Elias or with your mother-in-law?
06:50With Elias, with my mother-in-law, with the boy.
06:53And that I have for you, that I haven't thanked you yet
06:56for the walk you gave Leon yesterday with Teresa
06:59and for leaving us alone with Trini for a while.
07:01That's what friends are for, isn't it?
07:03Well, yes. Look, quite the opposite of what mothers-in-law are for.
07:06Or at least mine.
07:07That is, I already have her at home, looking over my shoulder.
07:12Let's see, what has the lady of the house told you now?
07:14Look, I don't even know.
07:16What I know is that she doesn't stop repeating all the time
07:18that she never knows what can happen to you at home
07:21and that I do everything for the good of the family.
07:23She's the queen, I am.
07:25What is clear is that she is not a saint of your devotion.
07:27Well, neither are you.
07:29Hey, and Trini, what does she do with so much growth?
07:31Not half, among you.
07:32What is she going to do? She does what she can.
07:34After all, in honor of her mother, it is difficult for her to take the opposite.
07:37I mean, to be impartial.
07:42Don't look at me like that. It's true.
07:44Look, the other day we wanted to make potato omelette for dinner
07:48and the lady appears and says no.
07:50That of omelette, nothing.
07:52It's a lot of frittanga, a lot of oil is used and everything is lost.
07:55Come on, what does she like to send in her house and in everyone's?
07:58Besides, with an energy.
08:00I put the radio on to listen to the news or whatever.
08:03Or whatever.
08:05And what does my mother-in-law say?
08:07That there is nothing.
08:08Indeed, that there is nothing because Leon is sleeping
08:10or because he doesn't like the news they give
08:12or because his head hurts.
08:13I don't know, what do you think?
08:15Well, terrible, because you live very well in your house.
08:17Well, no, Leonora doesn't seem to live very well.
08:19Everything seems bad to him, especially what has to do with the kid
08:22and how I do things.
08:24Don't worry, Miguel, we all have our manias.
08:26What happens is that your mother-in-law has hers and those of half Madrid.
08:29Yeah, but if it were just for the manias.
08:31I'm a zero on the left in my house.
08:34I just don't feel like arriving tonight.
08:37How can I stay doing inventory to arrive a little later?
08:42Well, at least you get some money out of the problem.
08:45Suffering with quarters is less suffering.
08:48Don Salvador doesn't pay me for that.
08:51But I prefer to lose money in the bookstore
08:53than to lose patience in my house.
08:57I would like to tell you that this is going to be a streak of nothing,
09:00but you have Leonora very excited.
09:02Come on, don't even get her out with hot water.
09:13Are you going to explain it to me?
09:15Agustín, do you know something that I don't know?
09:18Well, there's something I could tell you, yes.
09:22Very well, and you're going to explain it to me, please.
09:26Ballesteros has decided for someone,
09:29but the actress doesn't want to do the role.
09:32And why doesn't he want to do it?
09:34Is he going to make another movie or what?
09:36I don't know how to tell you this and I don't know how you're going to take it.
09:40The actress that Ballesteros has chosen is Laura.
09:46Are you kidding me?
09:47No, no, no, not at all.
09:48I already told you that he had reviewed the tests of all the actresses
09:52and he has seen how your sister has given the reply
09:54and he is sure that she has outdone them all in charisma.
09:57So I had no choice but to offer him the role.
10:00What have you done, what?
10:02But I told you that I didn't see her working as an actress.
10:05Inés, I had no choice.
10:07Inés, I...
10:08Laurita, please.
10:11Agustín, give me an explanation.
10:22By the way, have you seen the Pedraza?
10:24They told me they were in the living room.
10:25Yes, yes, they were here having breakfast.
10:27I haven't been able to talk to them.
10:29They were very worried about the flooding of the store.
10:32It's no less.
10:34It's no less.
10:36I was there at the first hour.
10:37I wanted to see how the store had been.
10:40Tell them not to worry.
10:41I gave Paula a card with the phone number of the squad,
10:44of the operators who usually come here to the salon.
10:50What's wrong with you? You look like you've gone.
10:53Nothing.
10:54I was thinking about the Pedraza
10:56and the opinion you have of their marriage.
11:00So?
11:01I've been looking at them this morning
11:04and it's hard for me to believe that they're not a well-meaning couple.
11:08It's obvious that you're a man without evil, Cielo.
11:12Does that mean you have the evil I lack?
11:15No.
11:16And forgive me if I'm mean,
11:19but it's obvious that your dear friend Emiliano
11:22lives with other women.
11:24That marriage is a couple.
11:27It's not that I don't trust your judgment,
11:30but I'm very surprised.
11:33When Emiliano arrived at the boarding school,
11:35he was a harmless young man.
11:37Everyone messed with him.
11:39I had no choice but to protect him
11:41because otherwise those kids would have eaten him up.
11:46But people change, Fermín.
11:48Or you're still the same person you were at that time.
11:51For God's sake, you were kids.
11:53Yes, of course, but there are features.
11:55Features that accompany us all our lives.
11:59Emiliano has always been a very noble young man.
12:04It's strange that he spends his life alternating with women,
12:08what do you say?
12:09How do you know when you have a preference for someone?
12:12Can you tell? We're getting to know each other.
12:15I've always considered him a little brother.
12:18I've been very proud of his achievements.
12:20That's why I invested all my capital in his company.
12:23Because I know it's going to give us great benefits
12:26and also because it's a way to celebrate his return.
12:29I'm sure it's a good decision.
12:31Anyway, don't trust me on financial matters.
12:34Neither short nor short.
12:37This is the last one, right?
12:42By the way, have you talked to the boys?
12:46Yes, I've talked to them.
12:48And I've made it clear to them
12:50to do absolutely everything that Pietro needs.
12:53Perfect, then we're done.
12:56What plans do you have for later?
12:58Well, I had thought of going to the jewelry store in the square.
13:01Yes, my boss thinks it's very clear.
13:03Your boss thinks it's great.
13:05And by the way, tell Don Martín to put it all on my account.
13:09Sorry, sorry.
13:11On our account.
13:13Now it's both of us.
13:14True.
13:16My God, Teresa, how quiet you've become.
13:19No, I just got here, but if I come at the wrong time...
13:22No, not at all, I was leaving.
13:30Sit down, Teresa, please.
13:32Thank you very much.
13:35Can I help you with anything?
13:38Look, Antonia, this shawl would look great on you.
13:42Well, I'm not in the mood right now, really.
13:45But, woman, focus on these little rags,
13:47and you'll get rid of them in no time.
13:49I really appreciate your help, but...
13:53I've spoken to Pietro.
13:54And he's decided to have surgery.
13:57But that's good news.
14:00Well, it's good to stay short.
14:02Yes, yes, it's the best for him, but...
14:05Well, it doesn't mean it's a delicate situation
14:07and that he's having a bad time.
14:09But has anything else happened?
14:12I'm really scared, Esperanza.
14:15They've told us it's a risky surgery
14:17and that it could cause a spill.
14:21I just think about it and I get sick.
14:23Well, get rid of that bad body.
14:25Because if it's to hold on,
14:27Pietro can hold on to what's not written.
14:29He won't be able to do that.
14:31Besides, you have him, right?
14:33Having someone important in these situations
14:36has been a long time coming.
14:38Yes, yes, but it's difficult.
14:40It's really difficult.
14:42I try to cheer him up and lift him up,
14:45but sometimes it's hard for me to pretend
14:48that the situation is very complicated and it hurts.
14:52But that's normal.
14:54The weird thing is that he won't worry.
14:56But come on, everything will be fine.
14:58Don't worry.
14:59If after the surgery he needs more time in the hospital,
15:02I'll double the shifts.
15:04I swear.
15:05Trini, he'll be in the hospital just in time.
15:07Because look.
15:08Look what I have here.
15:09Oh, yes.
15:11What a bunch of stamps you've brought me.
15:14Well, I've prayed for both of you.
15:16First,
15:18the Virgin of the Victory of Lepanto,
15:20which Paula brought me on a motorcycle excursion.
15:22Yes.
15:23Yes.
15:24Well, she took the Ottomans out of the country.
15:26Imagine what she can do for Pietro.
15:28Of course.
15:29Then there's Saint Judas Taddeo.
15:31Another one who dances.
15:32Look how handsome.
15:33He's the boss of the impossible causes.
15:35Of the difficult ones.
15:36But there's nothing difficult.
15:37There's nothing difficult here.
15:38Because with such a good surgeon,
15:40this is going to be a piece of cake.
15:43Yes, that's true.
15:44Because the doctor wants to achieve an eminence.
15:46Well, in fact, if Don Fermin trusts him so much,
15:48it must be for a reason, right?
15:49Well, of course.
15:50All this is a chore.
15:51But Pietro has everything under control
15:53because he has the surgeon, you,
15:56the stamps.
15:57Well, and with how stubborn he is.
15:59Yes, it's true.
16:00If it's for one thing or another,
16:02it has to go well.
16:04Yes.
16:07For God's sake, let it go well.
16:09If something happens to Pietro, I'll die.
16:11Please, don't worry.
16:13If he starts crying,
16:14I'm going to start crying too.
16:16Me too.
16:17No, no, really,
16:18I'm not going to set up a number.
16:20What I'm going to do is
16:22get some fresh air.
16:24We'll go with you.
16:25No, no, I'd rather go alone.
16:34We've left her alone.
16:40Ma'am,
16:41sorry to bother you.
16:43Pepita, what did I tell you
16:44before entering the library?
16:46That I didn't want anyone to bother her.
16:48But she has a visitor.
16:50At this hour?
16:52No one is waiting.
16:53Who is it?
16:54It's Mr. Morel.
16:58César Morel?
17:00How strange.
17:02Let him in.
17:16Thank you, Pepita.
17:17You can go.
17:18Excuse me.
17:22Good evening, Mrs. Pedraza.
17:24Sorry for not warning you that I was coming.
17:26Is it a bad time?
17:28Don't worry, it's not a bad time.
17:31Although I must confess
17:32that I'm surprised to see you here
17:34after that conversation
17:36you had with Emiliano.
17:38There's nothing to worry about.
17:41I think you underestimate my husband.
17:43No, I don't underestimate him.
17:45But I don't think he's committing any crime,
17:47even if he's taking a risk.
17:50Can you tell me
17:52why he's taking that risk?
17:54Because I don't think it's to give me the ears.
17:57No.
17:59I've come to bring you your gloves.
18:02He forgot them at my place
18:04when he came for the budget.
18:08And was it really worth it
18:10to take that risk
18:11just to give me my gloves back?
18:13That's right.
18:14When I realized I'd left them,
18:16you'd already left.
18:18I had no choice
18:19but to bring them to you.
18:21Is that wrong?
18:23No, not at all.
18:26Quite the opposite.
18:29You're a very brave and gentlemanly man.
18:32I suppose you'd learn that in France.
18:37I didn't know you were aware of my biography.
18:42There's a lot of mystery around you.
18:45And I like to be well-informed.
18:49What do you think of that information?
18:52He's not as fierce a lion as he looks.
19:01Thank you very much.
19:03I think this blouse is very modern,
19:05but it'll look good on me.
19:07Yes, take it.
19:08There's always time to spare.
19:10Hello.
19:11How can I help you?
19:13I'm so glad you're done.
19:15Look, we have a big problem.
19:18What is it?
19:19What's going on?
19:20You can't decide?
19:22No, no.
19:23It's just that,
19:25with such good prices,
19:27we've lost our jobs.
19:29So much so that we've forgotten our bread and butter.
19:32Well, what she's saying is that...
19:34Well, we've come from home without money.
19:37But since the prices are like that,
19:39it's an opportunity we couldn't miss.
19:41So we're asking ourselves
19:44if it would be possible
19:46to buy some clothes and pay for them later?
19:48Of course, without a woman.
19:50No problem.
19:51Well, that's great.
19:53I want this one and this one.
19:56And me.
19:57This one.
19:59And this one too.
20:01When I wear it in town,
20:03I'll look like a rich woman.
20:05And Antonio's dress too.
20:07He had to leave...
20:09That's all, right?
20:11Very good.
20:12Have you tried it on?
20:14Since it's so wet,
20:16I don't see what happened to the water.
20:18But don't worry,
20:20because with these beautiful dresses
20:22and these serrano bodies,
20:23we'll look great.
20:24Well, we'll come back tomorrow
20:26and we'll pay for the clothes and take them with us.
20:28As you wish.
20:29If you want, you can take them today
20:31and we'll adjust the bills tomorrow.
20:33Are you sure?
20:34In fact, they'd do me a favor.
20:36All the wet clothes I can get from the store,
20:38the better.
20:39So I'll keep them and you can go with them.
20:42No, no, no.
20:43You don't have to, woman.
20:45If we take them like this,
20:46we'll have to put them in a bag in the wardrobe.
20:49Besides, we're going to La Caja.
20:51If this store didn't exist,
20:53we'd have to make it up.
20:55Thank you very much, beauties.
20:57You're welcome.
20:58Let's go.
20:59Bye.
21:09What the hell is this?
21:12Wow, little sister.
21:14I've been trying to cheer you up,
21:16but I see you're overdoing it,
21:17with your spirits and clients.
21:19That's what it's like to sell clothes at half price.
21:22I don't win,
21:23but at least with everything that's been wet,
21:25I don't lose money.
21:27I can see that,
21:28turning the omelette around.
21:30You're all messed up.
21:32Do you have any idea how this could have been flooded?
21:35Well, it seems like it was a pipe that broke
21:38in the other store.
21:39But I don't know,
21:40it's something that surprises me,
21:42because when we set up the store,
21:43everything was in order.
21:44I don't know,
21:45but it's fixed now.
22:10Come on, let's go.
22:35Ivan.
22:36Ivan!
22:37Are you listening to me?
22:38What were you saying?
22:40That I don't understand what happened. Where were you?
22:42Remembering me.
22:44Of?
22:45That I have things to do.
22:48See you later.
22:49Goodbye.
22:55Now you are the one who is mysterious to me.
22:58Can I know what else you have discovered?
23:01That you are a man of many worlds.
23:04Many rumors.
23:06Surely some unfounded.
23:09But I know for a fact that you have no cause pending with justice.
23:15I see you very well informed.
23:18Do you take the same trouble with the biography of everyone?
23:25That you will have to discover.
23:28It will be a pleasure.
23:30By the way, I have reviewed the budget and I see that it is a man of his word.
23:35It is a very fair price.
23:37I already told you. Price of a friend.
23:40With everything that has happened between us, we had to fix the laziness.
23:44I believe so.
23:46My son has told me that he will stop by your place today.
23:49You and your sister have managed to convince him.
23:52I see that you are very persuasive.
23:55Could you convince him too?
23:57I would love to be able to invite you to a cocktail at the Madrid Cabaret.
24:02He is very kind.
24:04But I don't usually go to nightclubs.
24:08At my age it is rare to go to such places.
24:11At your age?
24:12Yes.
24:13Is there an age limit to have fun?
24:16I assure you that the Madrid Cabaret is the perfect place to have a good time, I assure you.
24:22Even so.
24:24I am a married woman.
24:26And if I did it, it would have to be with my husband.
24:30Then better another time.
24:34I won't steal more time from you.
24:36It has been a pleasure.
24:43It is fortunate that the flood stopped in time.
24:46Otherwise, it would have been a fatal start for your daughter's accident.
24:51It was a good scare, yes.
24:53But look at Paula.
24:55She is smarter than hunger.
24:58In every crisis I see an opportunity.
25:00You must be very proud of her.
25:02I am.
25:03I have been for a long time.
25:07It is very difficult, Fermin, it is very difficult.
25:09So for a long time I am proud and for a long time I would prefer her to be with Chichi.
25:15But hey, tell me what brings you here.
25:17I suppose you have come to be interested in your investment in my business.
25:20No, no, not at all.
25:21I have deposited my capital in your hands, so I am completely calm.
25:26Wow.
25:27I thank you for what I get.
25:30You look like an excellent humor.
25:32How does it show that you are just married?
25:33Yes, yes, yes, I must admit that I am very lucky.
25:37And in my best dreams, I thought that at this point in my life I would be so happy.
25:42And much less that I would be married to a woman who understood me so well.
25:46Yes, if you look happy, yes.
25:48Take advantage.
25:49I don't want to be cynical, but that lasts as long as it lasts.
25:52I hope it lasts many years.
25:57And you, how are you with Maruja?
26:03Sorry, sorry, I didn't want to bother you with the question.
26:07You don't bother me, no.
26:10You are my soul mate, my brother.
26:13If I don't tell you these things, who am I going to tell them to?
26:16I'm glad to hear that.
26:18You'll see.
26:22When I returned to Argentina, after going through boarding school here in Spain,
26:27I fell in love with a young woman.
26:30Well, that would be before meeting Maruja, right?
26:33Yes.
26:35Young.
26:37Uncautious.
26:39We started a relationship.
26:41It was a clandestine relationship.
26:43We were not of the same social class.
26:46But there, in the hacienda,
26:49I don't know, everything seemed possible.
26:52The fact is that my father found out.
26:54At first he wasn't too angry.
26:58I suppose he considered it to be
27:01a kind of entertainment for me.
27:04Maybe he had had similar feelings too.
27:08By the look on your face, he sensed that for you it was something more than entertainment, right?
27:12And when I told him that it was serious,
27:17when I told him that I wanted a future with that woman,
27:22he told me that it would never be an option.
27:24That he would never allow me to marry someone who didn't have my status.
27:31And then I met Maruja.
27:34A good woman, with many qualities.
27:38But if you want me to be completely honest,
27:41I've never been in love with her.
27:44Nor have we come to understand each other completely,
27:46beyond what is necessary to have our children.
27:52I never imagined that your relationship would be like this.
27:57I have never stopped thinking about that woman,
28:01the one I abandoned,
28:04the one I gave up.
28:07She made me feel alive,
28:10happy,
28:12cheerful.
28:16And I don't know, Fermin, I think I've spent my whole life
28:20looking for what she gave me in other women.
28:25What Maruja has never been or will never be able to give me.
28:30I'm sorry, Emiliano, that you weren't free to choose
28:35the woman you had to share your life with.
28:38But even so,
28:39even so,
28:41I consider that Maruja is an exceptional woman.
28:45She is.
28:47Actually, she has had as little luck as I have.
28:50And how does she handle all this?
28:53I've never cheated on her.
28:55Never.
28:56One day I told her about the existence of this woman.
29:00I asked her for discretion.
29:01And well, she takes it with as much dignity as she can.
29:05I'm sorry, I'm sorry.
29:06Surprise, Emiliano.
29:07I'm not judging you, of course.
29:09But from the outside,
29:11you look like such a well-matched couple.
29:13Do you think so?
29:15Well, I suppose that the force of habit,
29:17the inertia of the days.
29:22Maruja and I are a perfect marriage for our children,
29:25for society, for business.
29:29She lives devoted to her foundation and
29:31I like to support her.
29:33I respect her.
29:34I appreciate her.
29:36And do you still miss her?
29:38The woman you fell in love with, I mean.
30:02Mom.
30:04What's wrong? You're short of breath. Is something wrong?
30:07Mom, you have to behave well with Miguel.
30:11Come on, daughter, daughter.
30:12Come on, sit on the sofa,
30:13you're going to have a good time.
30:15Come on, yes, very good.
30:16Look, you know what?
30:18With your legs up.
30:20They say it's very good for articulation.
30:22Like this, like this.
30:25That's it.
30:26Thank you, I haven't stopped all day.
30:29Oh, you work too much.
30:31I don't know if being a bad worker was a good idea.
30:34Well, but have you listened to me or not to what I've told you?
30:37You have to try not to cut Miguel short, okay?
30:40He's very tired.
30:41We've had enough with Leon.
30:43Yes, yes, yes, I understand you.
30:44Speak, speak, I'm listening to you.
30:46You tell me, let it out.
30:47But later.
30:51Because now, look what I have.
30:54I just made you a lemonade.
30:56Look, fresh, sweet, how you like it.
31:00Well.
31:01And then I'm going to make you a steak.
31:03Without fried potatoes.
31:05But with peas.
31:07That suck your fingers.
31:11And that silence?
31:12Have you slept already, Leon?
31:14Today, yes, like a lion.
31:16I've given him a drink, I've bathed him,
31:18and he's fallen asleep.
31:19Oh, you don't know how much I appreciate it.
31:22Normal.
31:23Oh, daughter, thank goodness you see how good I am to you
31:26and how much I help you.
31:27What were you going to do without me?
31:29Yes, I see it, yes.
31:30And the truth is that I don't know how we could thank you.
31:33I know that women, for these things, we are more avid.
31:36We know what to do.
31:38Well, we even know how to do several things at the same time.
31:40But Miguel, oh daughter,
31:42it seems that instead of blood he has horchata.
31:45That's it, that's it.
31:46One moment.
31:47That's what I was telling you, okay?
31:49Let's see.
31:50You have to treat Miguel with more tact, with more affection.
31:53You can't say those things.
31:54Enough already.
31:55Yes, yes, enough, enough.
31:56I don't say them if you don't want me to.
31:57Okay.
31:58But, daughter, I have to be all day on top
32:00so that he doesn't make a mistake after another, huh?
32:03Please.
32:04Look, look, look, look.
32:05What a little handkerchief, huh?
32:06Not for the house, not for the child.
32:07It's like an elephant in a pot.
32:09I know that Miguel is not at your level,
32:11but to be a man he's not bad at all.
32:12Plancha?
32:13Wow.
32:14Much better than me.
32:15And about the child, well, I don't know, I don't know.
32:17We are learning.
32:20No, Trini, no.
32:21Don't make an effort.
32:22You already have very long days to cover up his shortcomings.
32:26Well, you and especially me.
32:28I have time for all this to be more or less in order.
32:30I'm not complaining.
32:31But daughter, daughter, daughter,
32:33you have to push him.
32:34I'm not going to be here forever.
32:39No, no, I'll take care of it.
32:40No!
32:41No!
32:48It's pure magic.
32:52It worked with you too.
32:54Do you think Miguel could do something like that?
32:56Well, no.
32:57Of course not, but neither do I.
32:59It's very difficult.
33:00I wish I had learned this when we were both alone,
33:02that we couldn't even sleep.
33:04Well, you don't need to because your mother is here to do it.
33:08Don't forget, my girl.
33:09Thank you, mommy.
33:10Can you hear me?
33:11Yes.
33:30Good afternoon.
33:31Mercedes.
33:33Here I am.
33:34I come in peace.
33:36Good afternoon.
33:37I'm glad to see you in such a good mood
33:39and that you accepted my invitation to come back to our place.
33:42Well, I've decided that maybe it would be better to forget what happened.
33:45More than anything, because this is one of my favorite places in Madrid
33:48and because you are much nicer than your brother.
33:55I hope I can ease your laziness.
33:57It would be a shame to lose a client like you.
34:01Hi, Iván.
34:02I'm glad to see you here.
34:05I was just telling your sister that I came back because she is very nice.
34:10I don't know if I can say the same about you.
34:13I repeat my apologies and I hope I can change her mind.
34:17What happened will not happen again.
34:20I understand that you have re-trained,
34:22but I notice you are calmer than the other day and less aggressive.
34:26That's right.
34:27It won't happen again.
34:29I like your attitude,
34:30although there is something you shouldn't forget.
34:34The other day you caught me by surprise.
34:36What were you going to do to me?
34:39Well, I think it's all said and done.
34:42We should not talk about you again.
34:44Of course not.
34:45Because if it is repeated and you do not act treacherously, I will crush you.
34:51I insist that I think we should move on.
34:55In fact, from today we will consider you a preferred client.
35:04Great.
35:05Since everything is clear, as usual.
35:08Of course.
35:09We have reserved a table next to the stage
35:11so that you can enjoy the jazz performance we have tonight.
35:16Thank you very much, Mercedes.
35:17Now we bring you your glass.
35:20Well, little brother.
35:22It's good what ends well.
35:24I see you are very optimistic with Ivan.
35:26I don't want to have problems, but I doubt he knows how to have fun without them.
35:29But if we can avoid them and not lose a good client, it's better.
35:33If it weren't for the patience I've had, we would have had a problem again.
35:38It's better to be calm.
35:41I'm glad you're so calm.
35:43We get along very well, little brother.
35:45Yes, very well.
35:47By the way, have you talked to the distributor about the order?
35:51No.
35:53I'm sorry, I won't do it tomorrow.
35:54I've had more important things to do.
35:56Ah, more important things like what, for example?
35:59Well, for example, visit Mrs. Pedraza.
36:03Really?
36:04Have you gone back to Mr. Emiliano's house?
36:06That's right.
36:07I forgot the gloves at the store and I thought it was convenient to take them.
36:10She is a very kind woman.
36:12Of course, of course.
36:14Of course, of course.
36:17Let's see if you've gotten out of a mess and you're going to get into another much bigger one.
36:20Don't worry, everything is fine.
36:23Serve him the glass.
36:25Good.
36:43I can finally see you.
36:47What a longer and more complicated day.
36:50Thank God, the flood of Paula's store has not gone any further.
36:55By the way, do you know what happened to my daughter?
36:59Since she had spoiled the genre, she decided to put the clothes at half price.
37:03They were taken off her hands.
37:05I think she inherited an instinct for business.
37:10Although I tell you something else, this actually gives me the reason.
37:13Because I told her that at those prices, the working women would not be able to pay them.
37:19Well, if you lower it to half, yes.
37:21But that cannot be done continuously, right?
37:23It would not be profitable.
37:26No?
37:28Of course.
37:31Has something happened?
37:33No, no.
37:34It's just that I'm giving Rodrigo's studies a lot of turns.
37:37You know that for me it is the most important thing.
37:40If you could give me a little bit of that scholarship, I would appreciate it very much.
37:43But, but Pepita, think a little.
37:47You pressured me to get him into my company.
37:49We have made him a man of law and order.
37:51And now you ask me to give up on him.
37:53Rodrigo wants to be a doctor.
37:55I think that if he has worked for you, he has made so much effort,
37:58and he has assumed the great help you say,
38:00there is no reason for you to help him fulfill his dream.
38:06No.
38:07I need it.
38:09I'm sorry.
38:10I'm sorry, but there will be no scholarship for Rodrigo.
38:14But why?
38:15Don't you appreciate him?
38:17You've seen him grow up, you know what he's worth.
38:19It doesn't make sense that you don't want to help him.
38:21But I'm not helping him.
38:24In any case, he won't stay with you forever.
38:27Why not?
38:28No, tell me, why not?
38:30What's wrong with that?
38:33Look, Pepita, I don't want to talk about this now.
38:36I come here to see you in a good mood and you receive me with long faces.
38:38That's why I already have my wife.
38:40It's Rodrigo's future.
38:42I'll have to say something, I'm his mother.
38:45Yes, woman.
38:46Now I don't want to get into bed with you.
38:48Of course not, of course not.
38:51Or are you going to force me to stay by your side like my son?
38:53Don't talk to me like that.
38:58Are you going to force me, Emiliano?
39:01Are you going to force me?
39:04That's what cowards do.
39:06They don't know how to get things the other way.
39:14Come on.
39:44Hello?
40:00Hello?
40:01Honey?
40:03Lower your voice, man.
40:05My mother is trying to sleep.
40:07You don't know what I'm going to do.
40:10Why did you come so late?
40:11What happened? Did something happen?
40:13No, because I had to stay doing inventory.
40:15Because the bookshop was a bit messed up.
40:17And with the news and the refunds, there was no one to clarify.
40:21If it weren't for my mother ...
40:24The truth is, next time try to come earlier.
40:26Because I also come back from work and sometimes I don't know how to sleep.
40:30Yes, yes, you're right. I'll take that into account.
40:32Hey, do you know where my slippers are? They're not in their place.
40:37It's just that my mother has changed them.
40:39She has left them in the room because she says that at the entrance it is very vulgar.
40:42You're right.
40:44Of course.
40:45Whatever the sergeant says goes to mass.
40:47Look, Miguel, my mother is helping us a lot.
40:51Okay? If we are overwhelmed, for God's sake,
40:54can you make an effort and be a little more kind to her?
40:56Yes, I understand that she wants to help us.
40:58But what do you want me to tell you?
41:00I'm fed up. This is my house.
41:02And many times, no. Many times, no.
41:04Always. Always. I feel like an intruder.
41:06It's temporary.
41:07Temporary? Until when?
41:08Until Leon reaches the age of maturity?
41:10No. Your mother came with the intention of making him look good.
41:13No, no, no, no, no. My mother did not come with any intention.
41:16So please stop exaggerating and getting obsessed with the subject.
41:19My mother, when she sees that you and I get along better with Leon,
41:22she will leave. And that's it.
41:24And look, thanks to her, we can have these magnificent talks.
41:28You and me. Dinner is ready.
41:31Cacho Mollejas.
41:32Mollejas?
41:33Yes.
41:35Well, I'd rather have a can of tuna and a piece of bread for dinner
41:39and have a little peace.
41:41But why do you say this?
41:42But don't stop making an effort, my mother.
41:44Yes. Making an effort.
41:46If I were a fly, I would kill myself with a broom.
41:48But why do you say that, Kiki?
41:50Well, because it may be a charm with you and the child.
41:52But as a mother-in-law, what do you want me to tell you?
41:54It's a disgrace. It doesn't even let me breathe.
41:57That voice of Arron, temper it, you're going to wake up the kid.
42:00But I do have a voice of Angelito.
42:02Voice of Angelito with devil's tongue.
42:04I see you very strange. I see you coming.
42:05Look, Leonora.
42:06No.
42:07Be careful, son-in-law.
42:08Don't say something you're going to regret.
42:14You see? A charm.
42:16I'm the luckiest man on the planet.
42:18Look, Miguel, this is not easy for me either.
42:20Okay?
42:21But you're going to have to think of a way to get along better with my mother
42:24because it is what it is.
42:25Okay?
42:26She's behaving very well and she's helping us a lot, man.
42:29But if I... I understand that.
42:31But you don't realize that if we continue like this,
42:33our marriage is in danger.
42:35Our intimacy, our communication, our tranquility is in danger.
42:38Of course, because you only think about the bad.
42:41Because you don't want to admit that if it weren't for her, we would be lost.
42:44But no, of course, you think about intimacy,
42:46about your slippers, and...
42:49Look, please, drink.
42:51Drink a lemonade and refresh yourself a little bit
42:54and leave me alone.
42:56Very good.
43:00Well, you did well.
43:03My mother did.
43:05My mother did.
43:12You had a fantastic idea about lowering the garments.
43:15Existences have run out, haven't they?
43:18Yes, and I'm sure it was a good strategy to let us know.
43:22The best way out is for women to wear the garments
43:25and talk to each other.
43:28Then why do you seem worried?
43:30Because between what we previously sold
43:32and the success of this campaign,
43:34we're practically out of existence.
43:37Wow.
43:38From now on, it's impossible to reproduce the genre.
43:41And it's a shame, because I'm sure this has drawn attention,
43:44people have spoken up, and new customers will arrive
43:46that I won't be able to serve.
43:48Don't get yourself in trouble before you get hurt, woman.
43:50If you could see how happy they were when they left.
43:53They were happy, and so was I.
43:55And you should keep being happy,
43:56even if you have to close the store for a few days
43:58until the new merchandise arrives.
44:00How long will that take?
44:02A week, more or less.
44:04It's what they usually take, Paula.
44:08Closing the store for a week would be a complete disaster.
44:11Right now that we're starting to make noise,
44:14closing at night, in the morning...
44:16If you go to this store, because they've told you about it,
44:19and you find it closed, you won't come back.
44:21Couldn't the order be accelerated?
44:23That's very complicated.
44:25You know that the warehouse is in Alcazar de San Juan,
44:28in the middle of a railway junction.
44:30I'm afraid the supplier has no choice
44:32but to send the clothes by train,
44:34and the trains have their times.
44:37What other alternatives could there be?
44:39Because closing the store now would be a disaster.
44:42I don't know if I can think of anything else.
44:45Don't worry.
44:47You always come up with something, and you solve it.
44:50This time, I don't know what to tell you, Rodrigo.
44:54I've been serving customers all day,
44:56and I'm completely exhausted.
44:58It's natural. You're taking on a lot of responsibilities.
45:01It's a lot, even for you.
45:04Maybe there's no other way than to close for a week,
45:08even if I don't like it at all.
45:11She had my phone for about ten minutes,
45:14and in the end, I didn't want to alarm her,
45:18but I did tell her about the operation, Pietro.
45:21I understand. Don't worry.
45:25Marta is like a daughter to us.
45:27She has every right in the world to know.
45:30It's been an unfair day, but I think it's important
45:33that we count on her love and support, right?
45:36Yes, really. Don't justify yourself.
45:38She wouldn't have liked it if I hadn't told her.
45:41Well, no. Really, no.
45:43She offered to come to the operation
45:45in case we needed her.
45:47What a good girl.
45:49I've missed her a lot.
45:51Yes, me too. A lot.
45:53How is she?
45:54Fine, fine. She's doing great.
45:56She's doing great.
45:57She's studying a lot, helping Salvita at the bookshop.
46:01Look, in the end, her plans, which seemed crazy,
46:04turned out well.
46:06They deserve all the luck in the world.
46:08Yes.
46:12How are you?
46:13Me? Fine.
46:15Fine?
46:17Fine, yes.
46:18Well, I try not to think about it too much, but...
46:23Well,
46:25you don't face such a complicated situation every day, honey.
46:29Yes, I know.
46:31The operation seems very complicated,
46:33but the alternative was worse, right?
46:37What am I going to do?
46:39I don't like either option.
46:42Well, what you have to do is be positive, Pietro.
46:45Yes.
46:46There's a lot of progress in these diseases right now.
46:50Right now, science...
46:52Besides, Dr. Quiroga is an eminence.
46:54He's the best specialist.
46:56I know, I know.
47:00But sometimes it happens to me that I think
47:03that the best doctor doesn't know everything either, right?
47:08The human body is a mysterious machine, Antonio.
47:14Something can go wrong, right?
47:17And one thing is to be positive,
47:20but another thing is to be deceived.
47:22No, I'm not asking you that.
47:25Antonio, I...
47:27I want to tell you something.
47:31If I don't leave the operation,
47:33you have to promise me that...
47:35No, no, Pietro, don't go on.
47:37Don't even think about it, because that's not going to happen.
47:41Antonio.
47:43Antonio, listen to me.
47:45This can happen.
47:47It can happen.
47:49You understand, right?
47:52It's better if you don't think about it.
47:54I understand.
47:56But look at me.
47:59I have to put my affairs in order.
48:04You understand, right?
48:10I need to write down my last wills.
48:14Antonio, I'm not very fine and I wanted to dictate it to you.
48:16Pietro, I'm not going to write any will because it won't be necessary.
48:20I need to do it, Antonio.
48:22I'm sorry to tell you this, but I need to.
48:26I'm not going to write any will, Pietro.
48:29Antonio, I'd be irresponsible if I didn't.
48:33I'm not going to write any will because...
48:36we have all the time in the world.
48:40All the time we deserve.
48:42After everything we've fought for, Pietro.
48:45Now what?
48:49No.
48:50Antonio, listen to me.
48:55We can't turn our backs on reality.
48:59You understand, right?
49:01Please, help me.
49:02Pietro, please.
49:03Don't ask me, Kasuma, that you can die because I don't want to.
49:05Please, I can't.
49:07I can't.
49:16Are you clear on what business you want to embark on?
49:19Well, I have several ideas.
49:23But I need to mature them.
49:26And above all, I'd like to know that I have my father's trust
49:29to be able to tell him and get his opinion about it.
49:33And if you start by telling your mother, to vary?
49:36But I had no other option, I promise you, Inés.
49:38Really, I was even going to fire Ballesteros,
49:41but I can't do this, I can't delay the shooting any longer.
49:44We have to reschedule it as soon as possible to stop the losses.
49:48I've seen that Paula's store is closed.
49:50I imagine that the flood would have been a big setback for her.
49:54No, quite the opposite.
49:56Yesterday she sold all her stock.
49:59She had no choice but to travel to Alcazar de San Juan to buy more merchandise.
50:03Was someone talking about my mother?
50:05We were just talking about how good of a couple she makes with Elias.
50:09Can you imagine that they end up together?
50:11No, no, no, please, no kidding.
50:13I don't want a boyfriend for my mother, much less for Elias.
50:16But it's true that you should think about how to deal with my mother.
50:20Who, me?
50:21Yes, of course, you.
50:22I've been thinking about the conversation we had the other day.
50:25About working at the factory.
50:27And I don't think it's the best thing to do.
50:29So I'm willing to show you that I'm also able to run my own business.
50:34Here's our teacher.
50:35For what I need when he doesn't need us.
50:38Tratsilias, I want to ask the three of you a favor.
50:41Whatever you want, Pietro. Count on us.
50:43You're already telling me what the hell is going on.
50:46You know too much.
50:47Oh, my God.
50:48To know what things I would have done to get you on your knees.
50:51Another one would have left if they treated her like you did to me yesterday.
50:55You're not serious.
50:59I'm sure everything will be fine.
51:02Dofemin, I want you to be my albacea.
51:06Please.
51:07Between Elias and Leonora, the spark has already jumped.
51:10We need to give them a push for the flame to burn again.
51:13Yes, but that flame behaves with risks.
51:15We're talking about Elias.
51:16It's easier to scare Leonora than to make her fall in love.
51:18You better put it on me.
51:20Because if she falls in love, she takes your mother-in-law out of the house to court her.
51:23And if she scares her, your mother-in-law takes the door and leaves.
51:27To lose her sight.
51:29Baruja Pedraza speaking.
51:30With whom do I have the pleasure?
51:32Mom.
51:33We have a conversation in the middle.
51:34I was hoping we could continue with her where we left her.
51:41Mrs. Pedraza, are you still there?
51:43Yes, yes, sorry.
51:45So what do you say?
51:46I'm a little worried, but I have a gap at dinner time.
52:03Your work at the foundation has absorbed you.
52:07That's right.
52:10I can't get it out of my head.