EIGHT-JAM 2024年10月06日 ゴールデンSP直前「あのアーティストの名曲復習SP」
EIGHT-JAM 2024年10月06日 ゴールデンSP直前「あのアーティストの名曲復習SP」
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00This is the 8th episode of the 8 Jam.
00:08At 7pm on Wednesday, Golden 3-hour special.
00:13Showa, Heisei, Reiwa, 50 years of history.
00:18The top 100 of the strongest chorus chosen by the professional.
00:23All of them are wonderful chorus.
00:25Famous songs of gorgeous artists are ranked one after another.
00:31This is a great ranking.
00:33I thought the power of the chorus was great.
00:36This is the chorus.
00:38It's not an exaggeration to say that it's the best chorus in Japan.
00:41There is no better song than this in the world.
00:44The punch of the chorus is the strongest in recent J-pop.
00:48What is the famous song of the chorus chosen by 52 professionals in a serious survey?
00:53When I heard the chorus, I knew it was this song.
00:56I knew all of them.
00:58This is the 40th place.
01:00It's the 7th place.
01:05The curious ranking is at 7pm on Wednesday.
01:09So, tonight, the ranking of Golden 3-hour special.
01:13The revenge special of the famous song of gorgeous artists.
01:19First, Yumi Matsutoya.
01:24There are more than 600 songs that have been released in 52 years since their debut in 1972.
01:31Showa, Heisei, Reiwa.
01:33Yumin continues to create great songs beyond the times.
01:37That famous song is also ranked in this special.
01:43From a large number of hit songs, what songs did the professionals choose and rank in?
01:50Then, let's review the famous songs of Yumin that professionals have praised in the past.
01:55King Gnu Tsuneta was saved by this song and felt the meaning of music.
02:11Tsuneta about this song.
02:14There is a movie theater called Asahiza in my hometown.
02:19When I saw the movie, Kaze Tachinu, I was crying.
02:27I've lost a friend several times.
02:30I was saved by this song.
02:35I felt the meaning of music strongly.
02:43Tsuneta about this song.
02:49I made this song when I was 16 years old.
02:51Tsuneta about this song.
03:07The theme of this song is very heavy, isn't it?
03:15When I listen to her song, I can't hear it.
03:21I can hear it in a very physical way.
03:25It's not thick, it's just a scene.
03:30As a singer-songwriter, I think it's amazing that such a song was written when I was a teenager.
03:38Next is Takebe.
03:40This is a song that says that the store manager of A-Melo is fashionable.
04:07This is a song that says that the store manager of A-Melo is fashionable.
04:17It's a song that says that you can go back to the store manager even if you repeat the store manager.
04:25It's a song that says that the store manager of A-Melo is fashionable.
04:29But the lyrics are very ordinary.
04:37The song of the store manager is very fashionable.
04:42Next, it's a song from Furuta, where the store manager of A-Melo is fashionable.
04:45Furuta, where the store manager of A-Melo is fashionable.
04:47Furuta, where the store manager of A-Melo is fashionable.
04:53右に見える競馬場 左はビル工場
05:03実際のところに行くと普通の道じゃんとなった これぞ遊民マジック
05:12ではここで遊民への質問
05:16色んな曲でオイラたち地方出身者に魔法をかけてくれる遊民ですが
05:21まあ楽曲ですから当然なんですけど
05:24わざと勘違いしろと思って作っているんですか?
05:28私自身が東京ど真ん中で生まれ育ったわけじゃなくて
05:33電車で郊外から都心に入っていくっていう学生時代で
05:40すごくワクワク感があったんですよね
05:45その気分を今でもずっと持っています
05:49仕事で首都高とかに乗って
05:53世田谷からレインボーブリッジの方とかに行くと
05:58ああなんか都会に来たって思ったり
06:03まず第一のリスナーは自分ですから
06:08自分がワクワクキラキラしないとね
06:12人はそう思ってくれないと思う
06:16まさに中央フリーウェイの歌い出しの歌詞っていうのは
06:21それがキラキラな世界に見えていた?
06:24そうですね
06:26あとアーティストの大事な使命だったりもしますね
06:31そのアーティストの目を通して
06:34普通の景色が違ったものになる
06:38例えばターナーが描く前はロンドンに霧はなかったっていう言葉があるんだけど
06:45ただ産業革命の煙だったけれど
06:48霧のロンドンっていう風に見る人が思うとか
06:53そのアーティストの目を通して
06:56普段見てるものが違うものに見える
07:00そして記憶に刻まれるっていうことは
07:05暮らしを豊かにすることだと思います
07:09わざとじゃなかったんですね
07:12人がいいね
07:14それと自分がキラキラしているものを描いているという
07:19僕は何か悪いお心を持っているんで
07:23今思えばひねくれた質問ですよ
07:28続いては松田聖子
07:321980年デビュー
07:34これまでリリースした楽曲は600以上
07:38歌の表現力は昭和の他のアイドルを圧倒し
07:42デビュー後すぐに大ヒットを連発
07:45レコードCDの総売上げは3000万枚越え
07:51番組でもたびたびプロたちがそのすごさを語ってきた
07:56では過去にプロたちが選んだ松田聖子の名曲を復習
08:031980年松田聖子衝撃のデビュー曲
08:21この曲について野崎は
08:24演奏がすべてなくなって無音から始まる歌い出し
08:28緊張するし音程も難しいのに
08:31これをデビュー曲でやってのけた聖子さんはすごいと思う
08:35とコメント
08:37その無音からの歌い出しが
08:42白い音の影
08:46渚をすべり
08:50宮本が選んだのは自身もカバーしたあの名曲
08:55I will follow you
08:57彼方についてゆきたい
09:01I will follow you
09:03ちょっぴり身が弱いけど
09:07すべきもの
09:10人から
09:13それまでの曲と違ってもの静かな印象を受けた私でしたが
09:17この歌を聞くたび聖子さんの歌唱がより深まり
09:21繊細になったことに気づかされたものでした
09:271983年のアルバム曲
09:30松田聖子を支えたアレンジャーの初作曲作品
09:37センシャルの夕日が
09:41今
09:43海に沈んでくわ
09:47大村さんのこの楽曲は調約も多くとても難しいメロディー
09:53それを完璧に歌い上げる聖子さんに今聞いても感動します
10:0180年代の松田聖子を語るとき
10:05超豪華な製作人
10:23そこで以前の松田聖子特集では
10:26自身が特に好きだというあのレジェンドが作った2曲をあげてもらった
10:32歌っていると景色が心に浮かび上がってきてとても切なくなります
10:37胸がキュンとする歌が好きなのです
10:41まずその1曲目は
11:01へぇー
11:04その元からさ、胸に見えるんだね
11:14うまっ
11:19へぇー、この2曲なんだ
11:32変わったの
11:35この2曲を手がけたのは佐野本春と松藤谷由美なのだが
11:39このように様々なアーティストとタッグを組むことについて
11:43サカナクション山口一郎は
11:47松藤谷由美、細野春をみ、松本たかし、在津和夫、大瀧英一など
11:53素晴らしいクリエイター陣が作り出した数々の楽曲を
11:57すべて自分の歌にしてしまう松田聖子さんの転生の歌唱力は本当にすごいと思います
12:04とぜサム
12:06メモリー
12:09いくせんつぶの
12:13雨のやたくし
12:16見あげながら
12:19うるんだ瞳はダイアモンド
12:26サカナクションの一郎さんもおっしゃられてましたけど
12:29相々たるめめアーティストクリエイターと組んでも
12:32松田聖子色に染まるというのが
12:35当時の80年代は特にアーティスト、シンガーソングライターと言われる方が
12:41あまりテレビに出たりとか
12:43顔出しもされていない
12:45顔出しもされていないとかそういう時代だったので
12:47聖子さんというシンガーの存在を通して
12:52自分のなんかこう
12:54作品であったり
12:55もう湧き出ちゃうんでしょうね聖子さんが歌ってくださるというだけで
12:59どんどんどんどんアーティストが作品作ってた
13:01そういう時代だったんじゃないかなと思います
13:04聖子さん自身は実際その当時歌われてきて
13:07それは喜びだったんですか?
13:09結構プレッシャーを感じてらっしゃったりもしたんですか?
13:11驚きですね
13:13そうなんですね
13:14もうレコーディングに行ってその場でいただいて
13:17その場で覚えてレコーディングして
13:19みたいな感じだったので
13:21まあ前に聴かせていただくというよりも
13:24当日にスタジオに行って
13:26行ってこれが新曲ですよって
13:28大竹井さんが書いてくださいましたって
13:31そこですよ!
13:33そこの曲だけじゃなくて書いてもそこですよ
13:37次の曲はこの方からですよって先に聴かないんですか?
13:40聴かなくて
13:42スタジオに行って
13:44ゆうみさんが書いてくださいましたとか
13:47大竹井さんが書いてくださいましたとか
13:49だから心の準備する間もなく
13:51スタジオに行ったら歌わなくちゃいけないわけですもんね
13:53そうですそうです
13:54それ言ったことないですか?もっと早く
13:56スタッフに
13:59ではゴールデンスペシャルでは
14:01松田聖子のどんな楽曲が
14:03難易にランクインするのか
14:08続いてはミスター・アチルドレン
14:131992年のデビュー以来
14:15リリースした楽曲は260曲以上
14:19数々のミリオンをはじめ
14:21CD総売上げは6000万枚以上のモンスターバンドだが
14:26ゴールデンスペシャルでは
14:28一体どんな曲がランクインしているのか
14:33では過去にプロたちが選んだミスチルの名曲を復習
14:37まずは
14:39ゆず北川が歌詞の世界観からアレンジ
14:41ミュージックビデオに至るまで
14:43究極の作品と唸った曲
14:522003年くるみ
14:55この街の景色は
14:59君の目にどう映るの
15:04相反する気持ちや情景
15:06重なる矛盾の中から浮かび上がってくるような真実
15:11もうこれは櫻井さんが編み出した特許といっても
15:15良いのではと思います
15:17櫻井さんは
15:19もうこれは櫻井さんが編み出した特許といっても
15:23良いのではと思います
15:26この歌詞の世界観やメロディーアレンジ
15:29ミュージックビデオに至るまで
15:31本当に唸りました
15:33手のひらくるみはその究極の作品じゃないかなと
15:37唸っています
15:49とはいえ暮らしの中で
15:52今動き出そうとしている
15:54歯車のひとつにならなくてはな
15:59希望の数だけ
16:02失望は増える
16:04今だにくるみのミュージックビデオは
16:07見て泣きそうになります
16:09どんなことが起こるんだろう
16:16想像してみるんだよ
16:23続いては中学3年生の時
16:25ギタリスト小出雄介の基礎を作ったという楽曲
16:361999年アンダーシャツ
16:41自分のギター演奏における持ち味は
16:44ギターのカッティングで
16:47初めてそれを練習したのが
16:49アンダーシャツの田原さんパートでした
16:53その後ディスコやファンクが好きになって
16:56有名カッティングリフをコピーするようになりました
17:00アンダーシャツをむちゃくちゃ練習していたので
17:03あまり苦労せず身についたと思う
17:15続いては水野が本気で涙を流したというミスチルの一曲
17:292007年生き物がかりとしてレビュー間もない頃
17:3324歳の水野が変わりゆく自分の状況を照らし合わせて
17:37胸に刺さったという楽曲が
17:402007年あんまり覚えてないや
17:492007年あんまり覚えてないや
18:00当時夢が叶ってミュージックステーションとかに
18:03出させてもらったりしてたんですけど
18:06いざ家に帰ったらアパートで
18:10朝は近くのコインランドリーで洗濯をしてたのに
18:14夜はテレビのど真ん中みたいなところに自分が立っていて
18:20変な感覚というかその時の自分の心境と
18:23妙にだぶって泣いたのを覚えています
18:28青春だな
18:37水野が注目したのはこの歌詞
18:57おこしみですよね
19:27口ずさんでたはずなのに
19:58これから成功しなきゃというときの不安な気持ちが
20:01めっちゃここに投影できるんです
20:05それにすごいじわじわきちゃって
20:08一人泣いておりました
20:11素敵な話でしたよ
20:14そんなミスチルの曲は
20:16実はゴールデンスペシャルで多数ランクイン
20:19プロたちはどんな曲を選んだのか
20:23続いては歌田ひかる
20:281998年15歳で衝撃のデビューを飾って以来
20:32数々の名曲を世に送り出し
20:35CD総売上げは3800万枚以上
20:404月にはデビューに15周年を迎え
20:43ヘイトジャムに初登場
20:46ほぼ100%メロディが先に
20:48先に歌詞ってことが今まで一度もない
20:51一度もないんですか?
20:53一度もないです
20:54メロディがないと言いたいことがわからない
20:58テレビではほとんど語られてこなかった
21:01超貴重な証言が続々飛び出した
21:05では過去にプロたちが選んだ
21:07歌田ひかるの名曲を復習
21:122002年リリース
21:13ワンカットでのミュージックビデオも
21:15話題となったこの曲
21:21才がたくさん出てくる
21:22初めてのメロディー
21:25Will It Ever Come Back
21:29突然の光の中
21:34目が覚める
21:37今夜中に
21:44迫力のある声で
21:45めちゃくちゃ美しい
21:48Please don't look down
21:50It has a unique beauty.
21:53The beauty is how to use the melody of the chorus.
21:59The beautiful melody line is solved beautifully with the sound of Do, which gives a sense of security at the end of each phrase.
22:09The melody of the beautiful melody that I think is a song that is very packed.
22:16Now, pay attention to the melody of the chorus.
22:20The melody of the beautiful melody that I think is a song that is very packed.
22:26The melody of the beautiful melody that I think is a song that is very packed.
22:32The melody of the beautiful melody that I think is a song that is very packed.
22:38The melody of the beautiful melody that I think is a song that is very packed.
22:44The melody of the beautiful melody that I think is a song that is very packed.
22:49I think the ultimate beautiful melody is Do, Re, Mi, Fa, Sol, La, Si, Do.
22:56It starts with Do, Re, Mi, Fa, and then becomes unstable with La, and then it wants to solve it with Si, and then it returns to Do.
23:07This song starts with La.
23:10La starts with anxiety.
23:13You said it ends with Do.
23:15This part is Do.
23:24Before Do, there is Si.
23:27You want to go to Do.
23:30It starts with anxiety.
23:33You said you wanted to solve it.
23:39At the end, it ends with Si.
23:41You want to continue.
23:44You don't want to solve it.
23:47I think he made this song unconsciously.
23:50The great thing about HIKKI-N is that even if it's a happy song, there's a little bit of sadness.
23:56There's a little bit of sadness.
23:59It's a mix of minor and major melodies.
24:03I think it's the best way to make it sound beautiful.
24:08I see.
24:10I think he did it naturally.
24:13Next is Yoshizawa's song, Ultimate Love, released in 2017.
24:22I like this song.
24:38What I want to protect is you.
24:45I think it's the ultimate love song that people carry in their hearts.
24:50It's perfect enough to make you think that any love song will end up with this song.
24:57And what about Ishiwatari?
25:01It's impressive that there are many words for love.
25:06In fact, there aren't many words for love that don't feel strange even if they're used in general pop lyrics.
25:18Also, if you're bound by fate, it's hard to tell what you're trying to say.
25:28Based on that, I think you'll notice the difference in the angle of this song.
25:36The world I walk with you is so beautiful that I breathe.
25:47In the middle of the wilderness where people don't come, you held my hand back.
25:59I don't need anything other than you.
26:05I don't want anything other than love.
26:13God, please, I don't want to be replaced.
26:18There are so many things I want to say.
26:21It's as natural as if what you want to say happened by chance.
26:27It's a powerful message.
26:30While stepping on the same devil's seal, the love of the mother's voice resonates straight with persuasion.
26:38You'll be surprised at the balance of words.
26:42Thank you very much.
26:46There are so many words for love in this song.
26:50When I counted the words, there were about 70.
26:58That's an unusual number.
27:01I was wondering why this was happening.
27:04I thought it was possible to put as much love as possible into this song.
27:09The love of the mother's voice.
27:11I feel like I'm a high school student.
27:16Next is Kenshi Yonezu.
27:20He started his career in 2012.
27:23He has released more than 100 songs so far.
27:26He has been mass-producing hits from the late Heisei to the present.
27:33Yonezu made his first appearance on 8jam last month.
27:37I'm kind of a layman.
27:40I learned music on my own.
27:43I think it's like NetOnStreet, a Nico Nico video.
27:51The back side of the unknown song production, and so on.
27:58Let's review the famous songs of Kenshi Yonezu that professionals have chosen in the past.
28:03These are the famous songs of Kenshi Yonezu.
28:06The best 100 songs of Kenshi Yonezu that professionals have chosen for the past 50 years.
28:21Yonezu Kenshi's favorite song.
28:25When I first heard it, I was so amazed that I lost my words.
28:30Release in 2019.
28:32The Ghost of the Sea.
28:49It's reversed.
28:55When I was camping on my day off, I happened to hear this song for the first time in nature.
29:03I lost my words. It's an amazing song.
29:08The warmth of the live instrument by the orchestra and the unique floating feeling of being born with the fusion of digital choir.
29:15Even though the chord progression is consistent throughout, it is really amazing to be able to make it so dramatic with the arrangement of melodies and strings.
29:29Digital choir, which Suto paid attention to, is a technique that reproduces a single song as a whole.
29:36For example,
29:41If you make this vocal a digital choir,
29:46It's amazing.
29:49In fact, this is the latest technology at the time to create a multidimensional chorus that was born in the mid-2010s overseas.
29:57It is said that the Ghost of the Sea was the first to spread it in Japan.
30:03The antenna is amazing.
30:15It's amazing.
30:25I've never heard of Yonezu-san's songs, but I feel nostalgic.
30:33I learned that it was because of this new technique.
30:38The digital choir is a vocal synthesizer.
30:43It's a machine, so it's like a coldness.
30:47It's like a futuristic city that was made artificially.
30:52The fusion of the orchestra's universal warmth matches beautifully.
30:59I was wondering how I could make such a song.
31:02The moment I heard the A melody, I was convinced of the big hit.
31:07This song became a social legend in 2018.
31:32When I first heard Lemon, I knew that this song would be a big hit the moment I heard the A melody.
31:46When you make a song, you can make a song with a strong chorus to some extent.
31:54And I think you can make an A melody with a chorus-like impact if you work hard.
32:00But there are very few people who can write a good A melody like A melody.
32:30Even now, you are my light.
32:37Before Lemon came out, I thought I could make a good song if I had one more song.
32:43When I was drinking, I thought I made a great song.
32:48I thought it would be a great song.
32:51When I heard the A melody, I thought it was a great song.
32:54I thought it would be a great song even if I didn't listen to the chorus.
33:00Of course, the chorus is strong, but I thought it was a great song.
33:04However, people who imitate things often imitate Yume Naraban.
33:09It's a very symbolic A melody.
33:12Yumin is also like that.
33:14It's an A melody, but it's still in my head.
33:17I want to sing the chorus because there is an A melody.
33:20When I heard Lemon's A melody, I thought it was the second Yumin.
33:27I thought this song would definitely sell.
33:29Next is King Gnu.
33:33Since his major debut in 2019, he has adopted various genres.
33:39He became a top Japanese artist at once.
33:43In the program My Best Ten of the Year,
33:47Kouichi Tsutaya has been highly evaluated for his presence even before his major debut.
33:52I've heard King Gnu's songs from time to time.
33:55Let's review King Gnu's songs that professionals have chosen in the past.
34:02First of all, before his major debut,
34:05Tsutaya chose the first song in My Best Ten in 2018.
34:10It is a melody that is too beautiful with the sense of the elite group.
34:15It's a melody.
34:21King Gnu.
34:23Player X
34:26It is a band formed mainly by guitar vocalist Tsuneta, who majored in cello at Tokyo University of the Arts.
34:34It was a music sense that was originally out of place.
34:37In addition to that, this song has a very beautiful melody.
34:41It's a song that made me realize that a band that has a solid foundation and can come up with groundbreaking ideas is invincible when they have a strong melody.
35:03In addition, in Tsuneta's first special broadcast,
35:08Yonezu, who has been a fan since before his debut, introduced King Gnu's famous song.
35:13That is...
35:22Tokyo Run Devil
35:26It's a song he let me listen to before he became King Gnu.
35:30I had a feeling that the name Tsuneta Daiki would be widely known from a long time ago.
35:52In addition, Yonezu commented on the charm of Tsuneta.
35:57I feel that the balance between the wild part and the rational part is very unique.
36:05Sometimes I feel a wildness that makes me think, is he a pirate or something?
36:11On the other hand, there is also a side that judges things very calmly.
36:16The two are consistent through the sensibility, and there is a good quality that does not feel unpleasant.
36:23I feel the same way about his music.
36:27I feel like this is the only way.
36:30I have nothing to say.
36:32Do you think he's like a pirate sometimes?
36:34I think he's like a pirate.
36:41I think I've seen a lot of piracy.
36:49I think he's a little bit like a pirate.
36:51I think he's a little bit like a pirate.
36:53I think he's a little bit like a pirate.
36:57I think he's a little bit like a pirate.
36:59I have another comment from Yonezu.
37:02I found out while we were eating together during the recording, but he eats so dirty that I feel a sense of sacredness.
37:10The way he holds the chopsticks is out of this world, and the ears of the pizza are artistic.
37:16On the other hand, I think he's a man who has taken all of his abilities and left them alone.
37:24The spoon is like this.
37:26I see.
37:28The fork is like this.
37:30He's definitely a pirate.
37:32Do you eat meat with bones?
37:34I eat it with my blood.
37:37Next is Kazepu Fujii.
37:40He appeared like a comet in the 2020 Japan Music Festival.
37:46He has released two original albums so far, but he ranked in multiple songs in the Golden Special.
37:55In the My Best Ten of 2020, the three pioneers of the program selected the songs of Kazepu Fujii.
38:05Let's take a look at what kind of songs he had released.
38:10At 7 p.m. on Wednesday, the Golden Special.
38:14Showa, Heisei, Rei were chosen by 52 professionals.
38:18The best 100 songs of the 50-year-old strongest chorus.
38:22Takumi Kitamura's first place is...
38:25I heard the chorus and I knew it was this.
38:30I thought the power of the chorus was amazing.
38:32This is the chorus.
38:34My Best Ten of 2020.
38:36The three pioneers of the program selected the songs of Kazepu Fujii.
38:42First of all, Tsutaya's 5th place.
38:46In this song, Tsutaya is...
38:49It's a song with a sense of harmony in the intro and a beautiful voicing.
39:03It's a song with a sense of harmony in the intro and a beautiful voicing.
39:10Kazepu Fujii, Kindness.
39:14When he made his debut on a digital EP in 2020, he immediately took over the music world.
39:21He is one of the most well-known artists of the year.
39:26Writing, composing, singing, performance.
39:31He has a very high potential in everything.
39:37When I heard the intro of this song, I was impressed by his sense of harmony.
39:45I think it's a beautiful voicing born from his experience of listening and playing.
39:52Next, the second place is given by Kazepu Fujii.
39:58Oh, here it is.
40:00Kaburikaze.
40:03Fujii Kaze, Nanna.
40:08Tsutaya's 5th place.
40:10Kazepu Fujii's second place.
40:13Kazepu Fujii's second place.
40:17The balance between a little bit of powerful lyrics and singing is great.
40:26The first person is not me or me, but me.
40:30And what was the tear at that time?
40:33He uses the rhythm of words well, which is born by using dialect phrases.
40:43He has a very high potential in everything.
40:48Why didn't you listen to me?
40:51What is that face?
40:53I swore to the flowers in the city.
40:57What was the smile at that time?
41:00What were the tears at that time?
41:03And the first place is given by Kawatani Enon.
41:07Oh.
41:10I can't speak.
41:15It's a fever.
41:17Fujii Kaze, Tsumi no Kaori.
41:22Tsutaya, Ishiwatari, and Kawatani chose Fujii Kaze's different songs in the top 10.
41:30I was the most shocked in recent years.
41:32His voice is good, his song is good, his lyrics are good.
41:36He is the best.
41:40The melody of the chorus.
41:42I can't think of this.
41:44Oh.
41:45Tsumi no Kaori.
41:46Nukiashi, Sashiashi, Shinobiashi.
41:48What are these lyrics?
41:49I want to see.
41:53He can't think of the lyrics even though it's not difficult.
41:56He is doing the most impossible thing.
42:02Nukiashi, Sashiashi, Shinobiashi.
42:06Oh.
42:07Tsumi no Kaori.
42:08Sakarai, Igatai, Hiyana Hiroi.
42:12Oh.
42:13Tsumi no Kaori.
42:15Kizuita Toki ni wa Mada Hayai.
42:18Chotto, Mou Yametai.
42:21Zenbu Kiete Naku Naru Mae de.
42:26Fujii's lyrics are simple, but I can't think of the combination.
42:31The chords are very stylish.
42:35He is the best.
42:36I can't make a catchy melody with such chords.
42:42Is that so?
42:44The lyrics are the same for each part.
42:46The chords are the same for each part.
42:49The first part is Nukiashi, Sashiashi, Shinobiashi.
42:55Then, he goes back to this part.
42:57And then, this part.
43:01And then, this part.
43:03This part is very stylish.
43:05It's called the argument.
43:07It's bad to play this alone.
43:09I can't think of this flow.
43:14If I were him, I would play this part and then go to the seventh.
43:21I want to go to this part.
43:23But, Kaze-kun goes to this part.
43:27It's very catchy.
43:29I think Yaffle-kun's arrangement is also good.
43:31He came out again.
43:35This is amazing.
43:37I was surprised.
43:39I was surprised.
43:44I didn't know there was a person who had all of these.
43:49Thank you very much.
43:54Next Week
43:56Otakei-san wrote this.
43:58This week, it will be broadcasted on Terasa Tver.
44:02At 7pm on Wednesday, Golden Special.
44:06Showa, Heisei, Reiwa, all 50 years.
44:09The strongest chorus chosen by the pros.
44:11The best 100.
44:15All of them are wonderful chorus.
44:17In the survey, 50 people voted.
44:22I thought the power of the chorus was amazing.
44:24The best chorus chosen by the pros.
44:27At 7pm on Wednesday.
44:28This is a great ranking.
44:31If I sing and Tatsuo listens to it,
44:34he will sing again.
44:36Next episode.
44:37It's funny.
44:39The secret of the song that evolves with Maria Takeuchi's testimony.
44:45If you're in your 30s, you can't write 70 songs.
44:49I want to encourage everyone and myself.
44:53It's an episode I've never talked about.
44:56It's an important song.
44:59I like it.