109_30th.Anniversary.Celebration(4)

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Transcript
00:00:00The youngest, the one who runs everywhere to always solve everyone's problems,
00:00:04a very great kindness, there is the son-in-law, Titi, obsessed with sound quality,
00:00:09he spends hours and nights in the studios to make everything perfect.
00:00:13And finally, there is in this family, the daughter, Marie, Marie-Tho,
00:00:17it is really her who made the dream of her father to produce these great things become a reality.
00:00:25And it is she who transformed this small family business into a large production company
00:00:31capable of producing today the quality of what you can see today.
00:00:36Marie, I would like to tell you that since our professional beginnings,
00:00:39I have met many great producers and TV producers,
00:00:44people who have done great things, with a lot of experience,
00:00:48and I would like to tell you, Marie, that you are one of the ones I admire the most.
00:00:53Really.
00:00:56Frankly, I don't remember meeting people, producers,
00:01:03who defended their artists with so much conviction
00:01:06and who were also obstinately concerned about the expectations of their audience.
00:01:12So, Marie, I wanted to tell you this admiration.
00:01:17And to finish, I would like to tell you all that having made a little way in your company like this
00:01:22has been very instructive and very enriching for me.
00:01:25And this episode of my professional life has surely been decisive for the rest of my career
00:01:32and I thank you very much for that.
00:01:35And finally, I promise you that I will come and attend a show in the next 25 years,
00:01:40so I wish you a lot of success, a very happy birthday, and thank you for the trophy.
00:01:52Today, on the occasion of the 30th anniversary of Party by Night,
00:01:55the Thuy Nga Center recognizes the contribution of a person
00:02:01who is certainly dear to all artists in the orange community.
00:02:08Ladies and gentlemen, that is Mr. John Tomlinson.
00:02:11Although he is an American, he is a pioneer in the orange community.
00:02:17He has worked with all the singers
00:02:20because he himself is a musician.
00:02:22He is a sound engineer.
00:02:24He collects and mixes all kinds of music and brings great success.
00:02:29And he is one of the long-standing supporters of the Thuy Nga Center.
00:02:33And ladies and gentlemen, to pay tribute to Mr. John Tomlinson,
00:02:36we would like to invite the production director of the Thuy Nga Center, Mr. Huynh Thi.
00:02:51Hello everyone.
00:02:54Ladies and gentlemen,
00:02:57if you have followed the life and art of Vietnam abroad,
00:03:02you will see that the name of Mr. John Tomlinson
00:03:05is found in many of the Vietnamese albums produced abroad
00:03:10from the early 1980s to the 1990s.
00:03:14And for the Thuy Nga Center,
00:03:16from the day we started producing CDs in the US in the early 1990s,
00:03:24we have been working with Mr. John Tomlinson until now.
00:03:27Personally, I have worked directly with Mr. John,
00:03:32so I owe him a lot.
00:03:35Ladies and gentlemen, please welcome Mr. John Tomlinson.
00:03:44Hi John.
00:03:45Hi Thi.
00:03:47On behalf of Thuy Nga,
00:03:50I would like to present you just a little gift.
00:03:55And thank you for all the hard work you've done for us throughout the years.
00:04:00You're welcome.
00:04:04I'd like to thank Thi and Thuy for having me here tonight
00:04:07and congratulate them on 30 years of magnificent shows.
00:04:11Great entertainment.
00:04:13And when I started working in 1979 for the Vietnamese music industry,
00:04:18I could never have imagined this kind of pageantry,
00:04:21this kind of beauty.
00:04:22And it's been an honor working with so many wonderful people.
00:04:28Thank you very much.
00:04:36Ladies and gentlemen,
00:04:38we have received many letters,
00:04:41some of them are happy letters.
00:04:43But this is a letter we would like to read to thank Mr. Nguyen Ne in Idaho.
00:04:48The reason is that he has been injured 5 times.
00:04:52And the 8-page letter he wrote to Thuy Nga Center in general
00:04:55and wrote to Ms. Ky Duyen and me in particular,
00:04:58he was in great pain.
00:04:59He kept lying down.
00:05:00When he got up, he kept writing.
00:05:02There is a passage like this.
00:05:05Ladies and gentlemen,
00:05:06Nguyen Ngoc Ngan and Nguyen Kao Ky Duyen,
00:05:08to end today's letter,
00:05:10I think it's still very long,
00:05:12I have an opinion that in Paribas Night's 20th anniversary of Nguyen Ngoc Ngan's stage,
00:05:16the audience asked how the love story between the two of you was,
00:05:21which I found to be confused and did not answer.
00:05:24According to my subjective opinion,
00:05:26I would like to answer that
00:05:29yes,
00:05:30no,
00:05:31how could it be?
00:05:32Through the days of working together,
00:05:34you shared so many joys and sorrows
00:05:39during the days of performing in front of the audience,
00:05:41behind the stage,
00:05:42and then the love was born.
00:05:44Loving each other,
00:05:45helping each other to serve the audience.
00:05:47That is a beautiful love that I hope that
00:05:50Mr. Ngan and Ms. Ky Duyen should show and keep.
00:05:53That is the love of a brother
00:05:56who wants to nurture and help his brother.
00:05:58That is the love of a girl
00:06:01who likes to tease her brother.
00:06:05I have seen those lovely feelings fully expressed on stage.
00:06:09I really appreciate and respect this love of yours.
00:06:12You love each other like brothers in the family.
00:06:16As for whether this love has exceeded the level of affection or not,
00:06:19I would like to answer no right away.
00:06:22Because I think that you are educated,
00:06:25have a level of understanding,
00:06:27no one teaches anything in a moment of weakness
00:06:29to ruin the whole process.
00:06:31I am sure that you all understand that
00:06:33the more you love each other, the more you give each other.
00:06:36That is the true love.
00:06:38Because our ancestors said,
00:06:40How can we invite you to eat?
00:06:42How can we love you?
00:06:43We are your wife, how can we love you?
00:06:49Or our ancestors also said,
00:06:51Hard-earned, hard-earned, hard-to-be-married.
00:06:53Even if you love each other a lot,
00:06:55you still have to marry someone else.
00:06:59Thank you very much, Mrs. Ne.
00:07:01Your writing is so good.
00:07:03Ladies and gentlemen, to continue the show,
00:07:05we will have a three-sided fashion show.
00:07:07It is very spectacular.
00:07:09In this show, you can see that
00:07:11all the long-sleeved shirts
00:07:13are embroidered by Thai Tuan.
00:07:15Ladies and gentlemen,
00:07:17the three-sided fashion show will be divided into
00:07:19the south, which is designed by Thai Nguyen,
00:07:22the central, which is designed by Viet Hung,
00:07:25and the north, which is designed by Cao Van Hiep.
00:07:27Now, let's meet
00:07:2916 beautiful singers
00:07:31of the Central of Russia
00:07:33in the three-sided long-sleeved fashion show.
00:08:28Look at the clouds,
00:08:32Is your hometown still sad?
00:08:37Time flies by,
00:08:40Sometimes I think it's a dream.
00:08:45Life is not like in a dream,
00:08:49Love has no doubt.
00:08:54Let go like the clouds,
00:08:58Let the wind take you far away.
00:09:03Don't be like a bird,
00:09:07Why do you accidentally make people sad?
00:09:13Who did it?
00:09:16Who made it rain?
00:09:19Love is not like in a dream,
00:09:24Love has no doubt.
00:09:28Let go like the clouds,
00:09:32Let the wind take you far away.
00:09:35Don't be like a bird,
00:09:39Why do you accidentally make people sad?
00:09:44Time flies by,
00:09:47Sometimes I think it's a dream.
00:09:50Love has no doubt.
00:09:55Let go like the clouds,
00:09:59Let the wind take you far away.
00:10:14Let go like the clouds,
00:10:17Let the wind take you far away.
00:10:21Don't be like a bird,
00:10:24Why do you accidentally make people sad?
00:10:29Who did it?
00:10:32Who made it rain?
00:10:35Love has no doubt.
00:10:38Let go like the clouds,
00:10:41Let the wind take you far away.
00:10:44Don't be like a bird,
00:10:47Why do you accidentally make people sad?
00:10:52Who did it?
00:10:55Who made it rain?
00:10:58Love has no doubt.
00:11:02Let go like the clouds,
00:11:05Let the wind take you far away.
00:11:08This afternoon in Hue,
00:11:13The sound of rain is still in my memory.
00:11:17The day we met under the azure sky,
00:11:21Do you still remember?
00:11:26When we passed Dong Ba market,
00:11:31The leaves were flying.
00:11:35In the afternoon sky,
00:11:37I was with you in the rain.
00:11:53In the afternoon rain,
00:12:02In the afternoon rain,
00:12:05Who is waiting for you?
00:12:09A person by the roadside,
00:12:13To miss you for a while.
00:12:23This afternoon,
00:12:25In the afternoon rain,
00:12:28Who did it?
00:12:31Who made it rain?
00:12:34Love has no doubt.
00:12:40In the afternoon rain,
00:12:45Do you still remember?
00:12:49When we passed Dong Ba market,
00:12:53The leaves were flying.
00:13:24Yesterday I went to the market,
00:13:28The flowers were still in bloom.
00:13:32I couldn't see my mother,
00:13:34She was still in the garden.
00:13:39I cut the chicken's tail,
00:13:43I wore a pair of high heels,
00:13:47I wore a pair of high heels,
00:13:50I wore a pair of high heels,
00:13:54I wore a pair of high heels,
00:13:58I wore a pair of high heels,
00:14:06On the roadside,
00:14:09Everyone looked at me,
00:14:13I didn't say anything.
00:14:17I'm only 15 years old now,
00:14:21I'm still very young.
00:14:26But those guys...
00:14:31On the roadside,
00:14:34Everyone looked at me,
00:14:38I didn't say anything.
00:14:42I didn't say anything.
00:14:46I didn't say anything.
00:14:54Yesterday I went to the market,
00:14:57The flowers were still in bloom.
00:15:01I couldn't see my mother,
00:15:04She was still in the garden.
00:15:09I cut the chicken's tail,
00:15:13I wore a pair of high heels,
00:15:17I wore a pair of high heels,
00:15:21I wore a pair of high heels,
00:15:24I wore a pair of high heels,
00:15:32On the roadside,
00:15:36Everyone looked at me,
00:15:40I didn't say anything.
00:15:43I'm only 15 years old now,
00:15:47I'm still very young.
00:15:52But those guys...
00:15:57On the roadside,
00:16:01Everyone looked at me,
00:16:05I didn't say anything.
00:16:09I didn't say anything.
00:16:13I didn't say anything.
00:16:29Ladies and gentlemen,
00:16:31Please stand there
00:16:33so that you can look at our female singers
00:16:38with their long-sleeved shirts.
00:16:40But especially, I would like to thank
00:16:42two female singers who have been missing for a long time
00:16:44and are back in the show
00:16:4630 years of Party by Night.
00:16:48They are Chau Ngoc from Australia
00:16:50and Bao Han from Australia.
00:16:54Thank you all.
00:17:03Ladies and gentlemen,
00:17:05I would like to add a director
00:17:09whom we are grateful to.
00:17:11Although he has only worked with Party by Night recently,
00:17:15I personally owe him a lot
00:17:19because he is the director of Party by Night 107
00:17:23Nguyen Ngoc Ngan, 20 years of the show.
00:17:25He is director DeMoraes.
00:17:29He used to be a singer in the Metropolitan Opera of New York.
00:17:35Then he moved to the film industry
00:17:37and did a lot of TV shows.
00:17:39As you know,
00:17:41he has directed more than 5,000 shows
00:17:45of Entertainment Tonight
00:17:47that you watch every night on TV.
00:17:50He is also the director of the opening ceremony
00:17:54as well as the opening ceremony of the Winter Olympics in Salt Lake City.
00:18:00Today, he is sitting in the director's chair of Party by Night 109
00:18:04to commemorate the 30th anniversary of Party by Night.
00:18:07Let's meet him and Ms. Ky Duyen on the set truck.
00:18:11Now, Ky Duyen is standing outside the set truck.
00:18:14You may have heard experts say
00:18:17what a set truck is.
00:18:19A set truck is where the director
00:18:21and the lighting director sit to control the show.
00:18:26It's like the brain of the show.
00:18:28In American, it's called the command center.
00:18:30Please follow Ky Duyen
00:18:32to give the award to the director.
00:18:37Hello, hello.
00:18:40Hi, how are you?
00:18:43Ron, on behalf of Paris by Night,
00:18:46I'm very honored to present you with
00:18:49this little gift.
00:18:51And thank you for all of the great work that you've done.
00:18:54Would you like to say a few words?
00:18:57I'd love to, except I have a cold,
00:18:59so I'm trying to get through the show.
00:19:01But I will say this.
00:19:03I just feel really honored
00:19:05that you've made me a part of your family.
00:19:07You guys are terrific,
00:19:09and I'm just having a wonderful time.
00:19:12Thank you so much.
00:19:13Okay, now back to you, Ngan.
00:19:17Ladies and gentlemen,
00:19:19one of the people who contributed a lot
00:19:23to make the image of Paris by Night beautiful.
00:19:27So people say,
00:19:28after all the singers on Paris by Night,
00:19:30all of them are beautiful.
00:19:32The important factor is the lighting.
00:19:35The lighting director,
00:19:38we call him the lighting director,
00:19:41you can see his name in every Paris by Night show.
00:19:45His main job,
00:19:47people call him the lighting designer,
00:19:49he worked for Hollywood for more than 40 years.
00:19:52During those 40 years,
00:19:54he set up lighting for all the shows,
00:19:58from comedy to drama.
00:20:00And especially,
00:20:01he set up lighting for big shows,
00:20:04such as Larry King's,
00:20:06Bon Jovi's, Whitney Houston's,
00:20:09Celine Dion's,
00:20:11Bill Crosby's, The Ossman's, etc.
00:20:14All the names we mentioned are too long.
00:20:17And he was nominated 11 times for the Emmy Award.
00:20:22Now, let's talk to the lighting director,
00:20:27Simon Myers.
00:20:29Please come up to the stage
00:20:31to talk to the lighting director in the car.
00:20:37Ladies and gentlemen,
00:20:38I'm standing in front of the truck.
00:20:41Simon, on behalf of Paris by Night,
00:20:44it is my honor to present you
00:20:46with this commemorative plaque or award.
00:20:51And I would like to say thank you
00:20:53from all the singers for making us look so beautiful.
00:20:56And I know that you're one of the people
00:20:59that Marie and Wendy really admire
00:21:01and they're so happy to have you on our show.
00:21:04Would you like to say a few words?
00:21:06I would like to say thank you so much.
00:21:08Very happy to be part of this show.
00:21:10All this century.
00:21:11And congratulations.
00:21:16Wonderful, thank you.
00:21:17Okay, back to you, Ngan.
00:21:21Ladies and gentlemen,
00:21:22to continue the show,
00:21:24we would like to invite you to listen
00:21:26to a very famous piece by Le Nguyen Phuong,
00:21:30written and performed for the first time
00:21:33in the city of Da Lat.
00:21:35It is Vũng Lầy.
00:21:38Ladies and gentlemen,
00:21:39this is a performance by Trần Thái Hòa and Thanh Hạ.
00:21:43Vũng Lầy
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00:29:51Vũng Lầy
00:29:53Vũng Lầy
00:29:55Vũng Lầy
00:29:57Vũng Lầy
00:29:59Vũng Lầy
00:30:01Vũng Lầy
00:30:03Vũng Lầy
00:30:05Vũng Lầy
00:30:07Vũng Lầy
00:30:09Vũng Lầy
00:30:11Vũng Lầy
00:30:13Vũng Lầy
00:30:15Vũng Lầy
00:30:17Vũng Lầy
00:30:19Vũng Lầy
00:30:21Vũng Lầy
00:30:23Vũng Lầy
00:30:25Vũng Lầy
00:30:27Vũng Lầy
00:30:29Vũng Lầy
00:30:31Vũng Lầy
00:30:33Vũng Lầy
00:30:35Vũng Lầy
00:30:37Vũng Lầy
00:30:39Vũng Lầy
00:30:41Vũng Lầy
00:30:43Vũng Lầy
00:30:45Thank you very much.
00:30:51Ladies and gentlemen,
00:30:53the stage of Thuy Nga is still the dream of many artists.
00:31:02Because it is much more beautiful.
00:31:05But where is the light that makes an artist more beautiful?
00:31:09It's the light.
00:31:11So I can't not mention the efforts of the so-called lighting director or lighting programmer.
00:31:19Here we want to talk about Harry Sengmeister.
00:31:23He is the lighting director and programmer for the Party by Night shows.
00:31:28He has to set up the light according to each music style,
00:31:31according to the mood and meaning of each song,
00:31:35without mentioning the overall beauty of the big stage.
00:31:38He has designed the light for the shows of Paul Simon,
00:31:42Brooks MTV, SBO, American Idol, and America's Got Talent.
00:31:49And now he is designing the light for the show Le Rêve,
00:31:54which means Dream, at Casino Wind.
00:32:00Ladies and gentlemen,
00:32:01we would like you to follow Ky Duyen to meet Mr. Harry Sengmeister.
00:32:08Ladies and gentlemen,
00:32:09Ky Duyen is standing next to Mr. Harry.
00:32:11And if you look in the middle of the stage,
00:32:13we are standing right in the middle of the stage.
00:32:42I want to thank our crew.
00:32:44You know, Simon Miles and myself,
00:32:46we're getting recognized for our contributions,
00:32:49but our crew, without them, we'd be in trouble.
00:32:52And also to the performers for trusting us to bring their visions.
00:33:00One last note.
00:33:01We would like, technically,
00:33:03I heard Marie said that you have to write out the music or something,
00:33:08note by note, bar by bar to...
00:33:10Right, yeah, we take in...
00:33:12Sorry.
00:33:13We take in...
00:33:14We listen to the music and then we have to know what's coming next.
00:33:18Is it getting faster, slower?
00:33:20Is there a guitar solo?
00:33:22And with English language music,
00:33:25it kind of comes naturally.
00:33:27But because I don't speak any Vietnamese,
00:33:30I have to break it all down so that I can follow what's going on,
00:33:35almost beat by beat.
00:33:37And Marie has to translate for me often what's going on.
00:33:42She once said to me,
00:33:43no pink on this song.
00:33:45This is very sad about people dying.
00:33:48I had no way of knowing that.
00:33:50But thank you.
00:33:52Thank you, you do a wonderful job.
00:33:53Again, thank you very much.
00:33:57And now, back to you, Ngan.
00:34:00Ladies and gentlemen,
00:34:01to continue the show,
00:34:02we would like to introduce the music,
00:34:04You Must Believe, by Phuc Truong.
00:34:06The performance of Nhu Loan and Luong Tung Quang.
00:34:37Nhu Loan and Luong Tung Quang
00:34:39Nhu Loan and Luong Tung Quang
00:34:41Nhu Loan and Luong Tung Quang
00:34:43Nhu Loan and Luong Tung Quang
00:34:45Nhu Loan and Luong Tung Quang
00:34:47Nhu Loan and Luong Tung Quang
00:34:49Nhu Loan and Luong Tung Quang
00:34:51Nhu Loan and Luong Tung Quang
00:34:53Nhu Loan and Luong Tung Quang
00:34:55Nhu Loan and Luong Tung Quang
00:34:57Nhu Loan and Luong Tung Quang
00:34:59Nhu Loan and Luong Tung Quang
00:35:01Nhu Loan and Luong Tung Quang
00:35:03Nhu Loan and Luong Tung Quang
00:35:05Nhu Loan and Luong Tung Quang
00:35:07Nhu Loan and Luong Tung Quang
00:35:09Nhu Loan and Luong Tung Quang
00:35:11Nhu Loan and Luong Tung Quang
00:35:13Nhu Loan and Luong Tung Quang
00:35:15Nhu Loan and Luong Tung Quang
00:35:17Nhu Loan and Luong Tung Quang
00:35:19Nhu Loan and Luong Tung Quang
00:35:21Nhu Loan and Luong Tung Quang
00:35:23Nhu Loan and Luong Tung Quang
00:35:25Nhu Loan and Luong Tung Quang
00:35:27Nhu Loan and Luong Tung Quang
00:35:29Nhu Loan and Luong Tung Quang
00:35:31Nhu Loan and Luong Tung Quang
00:35:33Nhu Loan and Luong Tung Quang
00:35:35Nhu Loan and Luong Tung Quang
00:35:37Nhu Loan and Luong Tung Quang
00:35:39Nhu Loan and Luong Tung Quang
00:35:41Nhu Loan and Luong Tung Quang
00:35:43Nhu Loan and Luong Tung Quang
00:35:45Nhu Loan and Luong Tung Quang
00:35:47Nhu Loan and Luong Tung Quang
00:35:49Nhu Loan and Luong Tung Quang
00:35:51Nhu Loan and Luong Tung Quang
00:35:53Nhu Loan and Luong Tung Quang
00:35:55Nhu Loan and Luong Tung Quang
00:35:57Nhu Loan and Luong Tung Quang
00:35:59Nhu Loan and Luong Tung Quang
00:36:01Nhu Loan and Luong Tung Quang
00:36:03Nhu Loan and Luong Tung Quang
00:36:05Nhu Loan and Luong Tung Quang
00:36:07Nhu Loan and Luong Tung Quang
00:36:09Nhu Loan and Luong Tung Quang
00:36:11Nhu Loan and Luong Tung Quang
00:36:13Nhu Loan and Luong Tung Quang
00:36:15Nhu Loan and Luong Tung Quang
00:36:17Nhu Loan and Luong Tung Quang
00:36:19Nhu Loan and Luong Tung Quang
00:36:21Nhu Loan and Luong Tung Quang
00:36:23Nhu Loan and Luong Tung Quang
00:36:25Nhu Loan and Luong Tung Quang
00:36:27Nhu Loan and Luong Tung Quang
00:36:29Nhu Loan and Luong Tung Quang
00:36:31Nhu Loan and Luong Tung Quang
00:36:33Nhu Loan and Luong Tung Quang
00:36:35Nhu Loan and Luong Tung Quang
00:36:37Nhu Loan and Luong Tung Quang
00:36:39Nhu Loan and Luong Tung Quang
00:36:41Nhu Loan and Luong Tung Quang
00:36:43Nhu Loan and Luong Tung Quang
00:36:45Nhu Loan and Luong Tung Quang
00:36:47Nhu Loan and Luong Tung Quang
00:36:49Nhu Loan and Luong Tung Quang
00:36:51Nhu Loan and Luong Tung Quang
00:36:53Nhu Loan and Luong Tung Quang
00:36:55Nhu Loan and Luong Tung Quang
00:36:57Nhu Loan and Luong Tung Quang
00:36:59Nhu Loan and Luong Tung Quang
00:37:01Nhu Loan and Luong Tung Quang
00:37:03Nhu Loan and Luong Tung Quang
00:37:05Nhu Loan and Luong Tung Quang
00:37:07Nhu Loan and Luong Tung Quang
00:37:09Nhu Loan and Luong Tung Quang
00:37:11Nhu Loan and Luong Tung Quang
00:37:13Nhu Loan and Luong Tung Quang
00:37:15Nhu Loan and Luong Tung Quang
00:37:17Nhu Loan and Luong Tung Quang
00:37:19Nhu Loan and Luong Tung Quang
00:37:21Nhu Loan and Luong Tung Quang
00:37:23Giờ em phải tin
00:37:31Giờ em phải tin
00:37:38Giờ em phải tin
00:37:53Ladies and gentlemen, from Paribas Night 38, the Center for Cultural Exchanges is moving to a neighboring country in the United States, Canada, to shoot at the largest film studio in Canada, CBC Toronto.
00:38:08Here we meet director Michael Watts. He is an expert in Canadian documentary shows, but the most famous of which is The Queen.
00:38:19Ladies and gentlemen, from Toronto, Canada, director Michael Watts has a message for the Center for Cultural Exchanges and the audience for the 30th anniversary of Paribas Night.
00:38:49This beautiful statue will always remind me of how very fortunate I've been to have directed all those shows with such fabulous singers and musicians.
00:38:57Again, Marie, congratulations and happy 30th anniversary of Paribas Night.
00:39:02Ladies and gentlemen, and to continue the show, we are honored to introduce a singer who specializes in harmony.
00:39:17Almost all of the most famous harmonies in the opening of Paribas Night are by him, Tim Hines.
00:39:26In the past, he worked with our composer Hoang Thi Tho, composer Le Van Thien.
00:39:31They were very kind people, because he drank coffee and played the piano in a very comfortable way.
00:39:37But of course, his talent did not only stop at fast, cheerful songs to open the show.
00:39:43He also made very forgiving and typical songs.
00:39:47A song that we all know, it is The Sky of Ngo Thuy Mien.
00:39:52Ladies and gentlemen, so we think no one deserves to give this award to Tim Hines.
00:39:59Ladies and gentlemen, the person who made the highlight of the song The Sky of Ngo Thuy Mien, the male singer Tuan Ngoc.
00:40:06The Sky of Ngo Thuy Mien
00:40:16Hello everyone.
00:40:18It can be said that one of the songs that brought my voice closer to the audience.
00:40:25It is a song by composer Ngo Thuy Mien, The Sky of Ngo Thuy Mien.
00:40:30It was chosen by the Center of Russia for me to sing for the first time.
00:40:35It was a long time ago, when I was young and beautiful.
00:40:41Thank you, the Center of Russia.
00:40:43And now I would like to introduce to you a very talented musician.
00:40:49He has played a lot for the Center of Russia for many years.
00:40:55So, will you put your hands together for the one and only Tim Hines.
00:41:08Hello Tim.
00:41:09Hi Tuan, how are you?
00:41:10Fine, thank you.
00:41:11Congratulations.
00:41:14My pleasure to present to you this award.
00:41:17Well, thanks so much.
00:41:18It's so great to see you after so many years.
00:41:22It's really an honor to be here, part of this whole Paris by night,
00:41:27and all of Thuy Nga, their music.
00:41:29I've worked with them for 30 years.
00:41:31Maybe more even.
00:41:33It's really been a long journey.
00:41:36Marie and Ti, they're just such a joy to work with.
00:41:38Everything they do is first class.
00:41:40They just treat people wonderful.
00:41:42It's just a great experience working with them always.
00:41:47Isn't it a fantastic show they put on?
00:41:50It's really just beautiful, beautiful music and all these artists
00:41:56and beautiful people and costumes.
00:41:58It's really, really wonderful.
00:42:00And it was nice to see John Tomlinson earlier,
00:42:03because it reminded me of when I think I was about 19 years old
00:42:07and going to school in Orange County.
00:42:09And the first people I worked in the music business with there
00:42:13were the Vietnamese community.
00:42:15I worked with people like Tuan Giang and Trung Nia,
00:42:18Wong Ti To, all the legends of Vietnamese music.
00:42:21And it just was such a great experience,
00:42:25and it's just been wonderful to carry that through 30 years
00:42:28and get to see this kind of production.
00:42:31So it's just an honor.
00:42:33Congratulations to Ti and Marie and their whole company.
00:42:38And it's really, really fantastic.
00:42:40So thank you very much.
00:42:41God bless you.
00:42:42God bless you.
00:42:47Ladies and gentlemen,
00:42:48I'm sure you all agree that some of the most outstanding talents
00:42:52in our show are those with martial arts.
00:42:55When it comes to martial arts and dancing,
00:42:57we can't help but mention one person
00:43:00whom we would like to thank today.
00:43:03Ladies and gentlemen,
00:43:04she is a choreographer, a choreographer,
00:43:07and our creative director, Shonda Sawyer.
00:43:10Shonda Sawyer has worked with many famous American choreographers,
00:43:15such as Beyoncé,
00:43:17or the international choreographer Andrea Bocelli.
00:43:20She also worked with Ringling Brothers,
00:43:22Barnum & Bailey Circus,
00:43:24and she won two Emmy Awards
00:43:27and was nominated five times for the American Choreography Award.
00:43:31Ladies and gentlemen,
00:43:32she is a very worthy person.
00:43:35And when it comes to Vietnamese dance,
00:43:38whether it's wearing a hat or a long-sleeved shirt,
00:43:40you can see how great her creativity is.
00:43:43And to give her a memorable gift,
00:43:46we would like to invite someone
00:43:47who, if I may say so,
00:43:49owes her the most.
00:43:51Ladies and gentlemen,
00:43:52it's the male singer, Nguyen Hung.
00:43:54Nguyen Hung, please come up to the stage.
00:44:05First of all, I would like to say hello to everyone.
00:44:12Today, on behalf of the Thuy Nga Center,
00:44:16as well as all the artists,
00:44:19I would like to give this memorable gift
00:44:21to someone who is very precious to me
00:44:25as well as to admire her talent.
00:44:29Ladies and gentlemen,
00:44:30a big round of applause
00:44:31and a warm welcome
00:44:33to Miss Shana.
00:44:52This is my best.
00:44:54Hi.
00:44:55Thank you so much for coming to the 30th anniversary.
00:44:58We are so excited that you guys are all here
00:45:00from all over the world.
00:45:02And I just want to thank Marie,
00:45:04To,
00:45:05and Thi,
00:45:06and Thuy,
00:45:07and Mr. Le,
00:45:08and all the incredible artists
00:45:10that I've had the joy of working with.
00:45:13Sorry, I'm a little emotional.
00:45:15It's just, it's been an amazing time for me,
00:45:18and they've allowed me to grow,
00:45:20and I've helped them grow,
00:45:22and I've been able to give so much
00:45:23to the Vietnamese people.
00:45:25Thank you very much.
00:45:32It's okay.
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00:51:02It's okay.
00:51:03It's okay.
00:51:04It's okay.
00:51:05It's okay.
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00:51:11It's okay.
00:51:12It's okay.
00:51:13It's okay.
00:51:14It's okay.
00:51:15It's okay.
00:51:16It's okay.
00:51:17It's okay.
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00:52:00It's okay.
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00:52:03It's okay.
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00:52:54It's okay.
00:52:55It's okay.
00:52:56It's okay.
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00:52:58It's okay.
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00:53:00It's okay.
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00:53:03It's okay.
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00:53:09It's okay.
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00:53:12It's okay.
00:53:13It's okay.
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00:53:15It's okay.
00:53:16It's okay.
00:53:17It's okay.
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00:53:19It's okay.
00:53:20It's okay.
00:53:21It's okay.
00:53:22It's okay.
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00:53:24It's okay.
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00:53:27It's okay.
00:53:28It's okay.
00:53:29It's okay.
00:53:30It's okay.
00:53:31It's okay.
00:53:32It's okay.
00:53:33It's okay.
00:53:34It's okay.
00:53:35It's okay.
00:53:36It's okay.
00:53:37It's okay.
00:53:38It's okay.
00:53:39It's okay.
00:53:40It's okay.
00:53:41It's okay.
00:53:42It's okay.
00:53:43It's okay.
00:53:44It's okay.
00:53:45It's okay.
00:53:46It's okay.
00:53:47It's okay.
00:53:48It's okay.
00:53:49It's okay.
00:53:50It's okay.
00:53:56Tuan Ha-Ong.
00:53:57Khai Thanh Lanh.
00:53:58Nguyen Truong.
00:53:59Thank you so much.
00:54:00Thank you everybody.
00:54:05When I was losing, when I listened to theforest organ, I thought I was lucky.
00:54:11You should prevent me from singing it.
00:54:13But in this song, there's a line that I find the most pathetic.
00:54:15What was it? I'm poor?
00:54:17No, it's when you get to know a girl, you feel even poorer.
00:54:21I was born and raised in a poor family, but when I get to know a girl, I feel really, really pathetic.
00:54:27And also, up until now, I've only heard people talk about old rich people and new rich people.
00:54:32But today, for the first time, I hear Mr. Ngan talk about the new poor people.
00:54:35The three new poor people.
00:54:37But, ladies and gentlemen, when we listen to these types of music again and again,
00:54:43I see that it has become a rare treasure.
00:54:48Because even if the composers are still alive, or have passed away and are still alive,
00:54:54I believe that they can no longer compose this type of music.
00:54:57It only existed before 1975.
00:55:00It was exported.
00:55:01And right now, we don't have this type of music.
00:55:05So, no matter what, if we want to listen to it, we have to listen to those old songs.
00:55:11And, ladies and gentlemen, after this is a piece of music by Lam Phuong.
00:55:15It includes the song Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao.
00:55:20Through two songs by Elvis Phuong, and especially from Paris, the singer Hoa My.
00:55:41["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:56:11["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:56:41["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:56:51["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:57:01["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:57:11["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:57:21["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:57:31["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:57:41["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:57:51["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:58:01["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:58:11["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:58:21["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:58:31["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:58:41["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:58:51["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:59:01["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:59:11["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:59:21["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:59:31["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:59:41["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
00:59:51["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
01:00:01["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
01:00:11["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
01:00:21["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
01:00:31["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
01:00:41["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
01:00:51["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
01:01:01["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
01:01:11["Lầm trăm nhớ ngàn thương, em đi rồi như giấc chim bao"]
01:01:22["Bây giờ mình đã xa nhau"]
01:01:30["Thương em nước mắt tung trào"]
01:01:37["Người đâm yêu đó như cơn mưa rào, như giấc chim bao"]
01:01:49["Bây giờ mình đã xa nhau"]
01:01:57["Thương em nước mắt tung trào"]
01:02:04["Người đâm yêu đó như cơn mưa rào, như giấc chim bao"]
01:02:15["Như giấc chim bao"]
01:02:23["Như giấc chim bao"]
01:02:38["Như giấc chim bao"]
01:03:08["Như giấc chim bao"]
01:03:18["Như giấc chim bao"]
01:03:28["Như giấc chim bao"]
01:03:38["Như giấc chim bao"]
01:03:48["Như giấc chim bao"]
01:03:58["Như giấc chim bao"]
01:04:08["Như giấc chim bao"]
01:04:18["Như giấc chim bao"]
01:04:28["Như giấc chim bao"]
01:04:38["Như giấc chim bao"]
01:04:48["Như giấc chim bao"]
01:04:58["Như giấc chim bao"]
01:05:08["Như giấc chim bao"]
01:05:18["Như giấc chim bao"]
01:05:28["Như giấc chim bao"]
01:05:38["Như giấc chim bao"]
01:05:48["Như giấc chim bao"]
01:05:58["Như giấc chim bao"]
01:06:08["Như giấc chim bao"]
01:06:18["Như giấc chim bao"]
01:06:28["Như giấc chim bao"]
01:06:38["Như giấc chim bao"]
01:06:48["Như giấc chim bao"]
01:06:58["Như giấc chim bao"]
01:07:08["Như giấc chim bao"]
01:07:18["Như giấc chim bao"]
01:07:28["Như giấc chim bao"]
01:07:38["Như giấc chim bao"]
01:07:48["Như giấc chim bao"]
01:07:58["Như giấc chim bao"]
01:08:08["Như giấc chim bao"]
01:08:18["Như giấc chim bao"]
01:08:28["Như giấc chim bao"]
01:08:38["Như giấc chim bao"]
01:08:48["Như giấc chim bao"]
01:08:58["Như giấc chim bao"]
01:09:08["Như giấc chim bao"]
01:09:18["Như giấc chim bao"]
01:09:28["Như giấc chim bao"]
01:09:38["Như giấc chim bao"]
01:09:48["Như giấc chim bao"]