ғᴀᴛᴇᴅ ᴛᴏ ᴍʏ ᴄʀᴜᴇʟ ᴄᴇᴏ (2024) - Hollywood New Romantic Movie
Category
🎥
Short filmTranscript
00:00:00What if the person you're looking for is me?
00:00:04Don't forget, I'm the one who hired you.
00:00:06Excuse me?
00:00:08I'm here for you.
00:00:10That's gotta mean that Algar's still alive, right?
00:00:12Oh my goodness.
00:00:14Don't forget, you are married too.
00:00:16What are you gonna do?
00:00:21So it was you.
00:00:23All this time.
00:00:26I might ruin him and his family.
00:00:28So be it.
00:00:30Where are you, little rock?
00:00:32I don't know who the fuck you are.
00:00:34If you think you have a chance against me, you're dumber than I thought.
00:00:38I'm also looking for someone.
00:00:40Do you want to go somewhere more private?
00:00:41We can talk about the script.
00:00:46Stay out of my work and my personal life, Edward.
00:00:50Return.
00:01:00Hey, I want you to take you to my place, baby doll.
00:01:20Sorry, I don't do private dances.
00:01:22She'll strip for money, but she won't fuck a guy.
00:01:25I'm not a hooker.
00:01:26Show some respect.
00:01:27You fucking bitch.
00:01:30I'll show you respect.
00:01:31Mr. Morgan, I am so sorry.
00:01:33She's new here.
00:01:34I've got to train her better.
00:01:36Just have a seat.
00:01:37We'll be with you shortly.
00:01:38Sorry about that.
00:01:44You ungrateful bitch.
00:01:46You remember who saved your ass when you were knee-deep in debt?
00:01:50Me.
00:01:55How are we doing with the search?
00:01:56Not good, boss.
00:01:57I'm still going.
00:01:59Find her.
00:02:01I don't care what it takes.
00:02:06I found the perfect woman for you.
00:02:07It's about time you settle down and get married.
00:02:09Her name is Carla.
00:02:10She's a daughter of a friend of mine.
00:02:12Dad, we've been over this.
00:02:15I don't need you to find me the perfect woman.
00:02:17Of course I do.
00:02:18You're an ardent.
00:02:19I have to make sure my son marries the perfect woman.
00:02:21So now all of a sudden you give a shit about me?
00:02:23You never care when you throw a bomb away?
00:02:26Or when you send me to that orphanage all by myself?
00:02:28Silence!
00:02:28How dare you?
00:02:30It's for the Ardoin family business.
00:02:32You're marrying Carla Jennings.
00:02:34End of discussion.
00:02:36Dad.
00:02:37Dad.
00:02:41I paid your 500 grand debt.
00:02:43And I gave you a job.
00:02:45Now if you want to quit so bad, pay me back.
00:02:48Get the fuck out of my club.
00:02:50Please, you know I don't have $500,000.
00:02:53Just give me another chance.
00:02:54And get the fuck back in there.
00:02:56Apologize to that nice gentleman.
00:02:58And do whatever the fuck he tells you to do.
00:03:00Now if I get any more complaints from our clients, you will be sorry.
00:03:06Got it?
00:03:07Is there a problem here?
00:03:09No, sir.
00:03:10Everything's fine.
00:03:13She looks just like her.
00:03:22Will you marry me?
00:03:24No, let's tell my father I've chosen a wife for myself.
00:03:27Are you sure about this?
00:03:28She's a stripper.
00:03:30How about we make a deal?
00:03:32Name any price you want.
00:03:34Then we get married.
00:03:36I owe my boss $500,000.
00:03:38He's not going to let me go until I pay it.
00:03:43Anything else?
00:03:46No.
00:03:47I'm sorry.
00:03:48I'm sorry.
00:03:48I'm sorry.
00:03:49I'm sorry.
00:03:50I'm sorry.
00:03:51I'm sorry.
00:03:51I'm sorry.
00:03:52I'm sorry.
00:03:52I'm sorry.
00:03:53I'm sorry.
00:03:54I'm sorry.
00:04:01This is your house?
00:04:04It's our house now.
00:04:06Follow me.
00:04:13All right.
00:04:14Sign this agreement and we'll be contractually married for a year.
00:04:18After that, you have to file for divorce.
00:04:20Until then, you're part of the richest family in the country.
00:04:36My heart belongs to somebody else though.
00:04:38I don't want you to know that I'm not attracted to you.
00:04:40We're just going to be married on paper.
00:04:44Is that so?
00:04:46Well, don't worry.
00:04:47I'm not attracted to you either.
00:04:50Just wanted the money.
00:05:03Hey, where am I staying by the way?
00:05:05In the guest room.
00:05:13Total jerk.
00:05:14This is an ad.
00:05:20It's been over 10 years.
00:05:26I miss you so much.
00:05:50I need you to find out everything you can about the woman I just married.
00:05:55Steve, she grew up in the same orphanage.
00:06:18Sorry, I didn't mean to.
00:06:20This is my bathroom.
00:06:22What do you think you're doing?
00:06:24Nice try, but I need your little tricks to get my attention.
00:06:27It's not going to work though.
00:06:28Sorry.
00:06:31I wasn't trying to get your attention.
00:06:39You mind turning that off?
00:06:42I just thought the carpet needed some cleaning.
00:06:44You're here to be my wife, not a maid.
00:06:50Who are you?
00:06:53Wait, you're that stripper.
00:06:57What are you doing in Edward's house?
00:06:59I am?
00:07:00Who are you?
00:07:01I am Edward's fiance.
00:07:07Edward, you're marrying a stripper?
00:07:09I thought I was your fiance.
00:07:12My father arranged for us to get married only for the sake of our families.
00:07:16I wouldn't be happy even if we did get married.
00:07:18But I would be happy, Edward.
00:07:21You know I have someone that I love.
00:07:23She's the one I'm waiting for.
00:07:27I don't know who the fuck you are, but if you think you have a chance to kiss me,
00:07:31you're dumber than I thought.
00:07:34Yes, get it straight.
00:07:36I'm not competing with you.
00:07:39Stop it.
00:07:41Edward, are you defending her now?
00:07:45No, dumb bitch.
00:07:47Are you serious?
00:07:49Wow, you've got a lot of admirers, huh?
00:07:52Any more than I need to watch out for?
00:07:54Look, if you see me in the living room, don't show your face.
00:07:59Same will go for me.
00:08:00Your house, your rules.
00:08:01Big deal!
00:08:09Hi, I'm Velma.
00:08:11I've worked a lot of odd jobs in the city.
00:08:18Waitressing and working in nightclubs.
00:08:23All for a chance to act.
00:08:31I'm also looking for someone.
00:08:33And I hope that one day he sees me on screen.
00:08:45That way he knows that I'm still here.
00:08:52Parker, I hope you see me.
00:09:20That's okay, Sarah.
00:09:21Velma doesn't need to dine with me.
00:09:24Bring my food to my room and I'll eat there.
00:09:26Yes, it's fine.
00:09:29I usually don't eat with people anyway.
00:09:32By the way, I'm going out for a bit today.
00:09:36Where you go is none of my concern.
00:09:39Fine.
00:09:43Is he always this big of a jerk?
00:09:45Excuse him, ma'am.
00:09:46He's just used to living alone.
00:09:49I'm sorry, Sarah.
00:09:50It must be difficult dealing with him every day.
00:09:53It's okay.
00:10:00Yeah, I'll be right there.
00:10:14Okay, sit.
00:10:16So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:10:23Is it true?
00:10:24I didn't know that he was a billionaire until after I got married.
00:10:27You're joking.
00:10:28How did you manage that?
00:10:30I don't know.
00:10:31I just signed a contract.
00:10:33What?
00:10:34Who cares?
00:10:35What are you waiting for?
00:10:36Seal the deal.
00:10:37I didn't know that I can't think about anyone but Al Gore.
00:10:41T, it's been 10 years since you two escaped the orphanage.
00:10:45We know where he could be anywhere.
00:10:46He could be dead.
00:10:47He's not dead.
00:10:49Okay, um, it's okay.
00:10:51I'm sorry.
00:10:52So, what's your plan?
00:10:55Keep things the way they are, I guess.
00:10:58Except now I can focus more on acting and not dancing in strip clubs.
00:11:03Hey, that's exciting, right?
00:11:05That's something you've always wanted to do since you were a kid.
00:11:08Is that audition today?
00:11:10Yeah.
00:11:15Hi, I'm here for the audition.
00:11:21You think you can just show up like that, you slut?
00:11:28You slut.
00:11:29Are you stalking me?
00:11:31Oh, don't flatter yourself.
00:11:32I'm the lead of this production.
00:11:35She's not auditioning.
00:11:38You can't do this.
00:11:39I worked so hard for this opportunity.
00:11:42Oh, like stripping for men and fucking them in strip clubs?
00:11:46I was dancing.
00:11:47That's it.
00:11:48What's the fucking difference?
00:11:51I eat girls like you fucking do at breakfast.
00:11:54Let's go, Eric.
00:11:58No.
00:11:59Please.
00:12:00Wait.
00:12:07Be quiet.
00:12:42Boss, get the details.
00:12:48Tell mom.
00:12:49She went to high school not far from here.
00:12:52Wrote down that has an audition for films.
00:12:55She worked at nightclubs to make a living.
00:12:58Bad relationship with her parents.
00:13:07But not an orphan.
00:13:09No need changes.
00:13:11I definitely never been to an orphanage.
00:13:22I wanted it to be her so bad.
00:13:25Of course, I can't be on it.
00:13:27You've been looking for this girl for 10 years.
00:13:30Who is she?
00:13:32Someone more important to me than life itself.
00:13:40It is her.
00:13:52Find me the location where this photo was sent.
00:13:55Got it.
00:13:55Photo's been sent.
00:13:57Good.
00:13:58Where is she?
00:13:59Oh.
00:14:01Out like a lame.
00:14:03I guess marrying Edward won't solve everything.
00:14:06How pathetic.
00:14:08Do whatever you want with her.
00:14:09I'm cleaning back to the van.
00:14:28I've been searching for you for so long.
00:14:30Maybe we're right here.
00:14:39Boss, he's gone.
00:14:54Find him.
00:14:54Keep this between us.
00:14:55I got it.
00:15:00Come on, I got you.
00:15:09I'm sorry.
00:15:16I can't tell you who I am.
00:15:20Not yet.
00:15:27We'll need new names once we're out of here, right?
00:15:32Yeah, we're starting a new life.
00:15:34I'll be Thelma.
00:15:36What about you?
00:15:38Algar.
00:15:40Helen!
00:15:42Where are you?
00:15:44Let's run quick.
00:15:46Trying to escape again?
00:15:48I've been looking for you.
00:15:50Where are you?
00:15:52I've been looking for you.
00:15:54Where are you?
00:15:56I warned you it's not gonna work.
00:15:58Looks like I gotta get you first.
00:16:00At least one of us needs to escape.
00:16:02No, you go.
00:16:04She's gonna kill you.
00:16:06I won't let her catch me.
00:16:08Just go, I'll find you.
00:16:10Let's meet at the amusement park.
00:16:14I'll wait for you, Algar.
00:16:20You're not going anywhere.
00:16:22I'll bring her back, rest assured.
00:16:25After I'm done with you.
00:16:33I'll wait for you, Algar.
00:16:43What happened?
00:16:45Nothing to worry about.
00:16:47Just some issues with the film crew.
00:16:49Why are you being so nice to me?
00:16:51No reason.
00:16:53Here, take this card.
00:16:55It's unlimited.
00:16:57Spend it however you want.
00:16:59Why are you doing this?
00:17:01I don't want your money.
00:17:03If you need money, just let me know.
00:17:05Then you can stop looking for
00:17:07odd jobs.
00:17:13Odd jobs?
00:17:15Acting is my dream.
00:17:17I danced in strip clubs for a living,
00:17:19but
00:17:22someone like you, born from a silver spoon,
00:17:24wouldn't understand that.
00:17:26Then stop doing it.
00:17:28We're in a contract marriage, right?
00:17:30I won't interfere with your life
00:17:32and you can't meddle in mine.
00:17:34Acting is something
00:17:36that I've always wanted.
00:17:38And besides,
00:17:40I'm not gonna take your money
00:17:42besides the number that we agreed on.
00:17:46I need to rest now.
00:17:48Do you mind?
00:18:10Look at this mess.
00:18:12Clean it up if you even think about
00:18:14going to bed.
00:18:18Get up.
00:18:28Get up.
00:18:30You must be starving.
00:18:32No.
00:18:34You can probably work hard for this.
00:18:36Come on, take it.
00:18:42I can't believe she locked you up
00:18:44for three days and then you do all this.
00:18:47Did she even feed you at all?
00:18:49You made it easier for me.
00:18:51Now, get back before she sees you here.
00:19:11Excuse me.
00:19:13I'm calling to ask about my audition.
00:19:16I'm sorry. Your name has been blacklisted
00:19:18for reproduction.
00:19:20What?
00:19:26This is the dude that don't come out.
00:19:28I sent you this picture.
00:19:38How about a drink?
00:19:40There are two glasses of scotch there.
00:19:42Pick one.
00:19:44Just a friendly gesture
00:19:46from the boss.
00:19:48One more thing.
00:19:50Only one of those glasses
00:19:52is poison proof.
00:19:54You should have known better
00:19:56what would happen
00:19:58when you kidnapped Emma.
00:20:00Here, I'll do it for you.
00:20:02Hold it.
00:20:04Go.
00:20:08Go.
00:20:14Take him away.
00:20:24This is what I've become.
00:20:26I hope you never
00:20:28see me like this.
00:20:30Ruthless.
00:20:32Merciless.
00:20:34Both glasses.
00:20:36You silenced the man.
00:20:38I simply can't forgive him
00:20:40for what he did.
00:20:44Thelma, will you forgive me?
00:20:54What the fuck happened to you?
00:20:56How did he find you? What happened?
00:21:00Oh, you can't even talk now?
00:21:02God, you're fucking useless.
00:21:06Inform every production you can reach.
00:21:08Thelma will never be an actress.
00:21:11Make sure of it.
00:21:15Go!
00:21:27Are you okay?
00:21:31I've been blacklisted by every production company.
00:21:33Even the Actors Guild.
00:21:35What am I gonna do?
00:21:37Hey, don't lose heart, okay?
00:21:39I happen to know of an audition going on today
00:21:41if you're interested.
00:21:43A good friend of mine took me off.
00:21:45Now come on, let's go.
00:21:47It's better than moping around here.
00:21:51Here it is.
00:21:53So I can just go in there?
00:21:55Just like this?
00:21:57Yes, I got everything set up, okay?
00:21:59Just go ahead, go in, and do your thing.
00:22:01You got this.
00:22:03Break away.
00:22:09What is she doing here?
00:22:19Who is she?
00:22:21Nobody.
00:22:23She's not here for the audition, too, is she?
00:22:25Well, in that case,
00:22:27we'll ring for a treat.
00:22:31Carla Jenny, you're up next.
00:22:34Carla Jenny, you're up next.
00:22:54I can't believe it!
00:22:56It was you!
00:23:00That's right.
00:23:02I never thought you'd find me,
00:23:04but it must come to an end.
00:23:08Oh, no!
00:23:20Cut!
00:23:24I'm sorry, were you shot
00:23:26or did someone just step on your toe?
00:23:29Can you just try again?
00:23:31I was just a bit nervous.
00:23:33Miss Jennings, we are making
00:23:35a thriller with a tragic ending.
00:23:37What you just did was borderline comedy.
00:23:41Excuse me, do you know how close
00:23:43I am with your investor?
00:23:47Sir, she was indeed recommended
00:23:49for the role.
00:23:51May we give her another chance?
00:23:54Oh, no!
00:23:56No, no, no, no.
00:23:58We are creating art
00:24:00that appeals to our audience
00:24:02and she is clearly
00:24:04not right for the role.
00:24:06Next!
00:24:08I'm sorry, Miss Jennings.
00:24:10That was great.
00:24:12Maybe another project or another...
00:24:16Are you still doing it?
00:24:18I thought you were blacklisted.
00:24:20So it was you.
00:24:22I'm not that worried.
00:24:24You think you can do better than me?
00:24:26You're nothing.
00:24:30Yeah, show us what you've got.
00:24:32Thelma?
00:24:36Hi.
00:24:48So it was you.
00:24:51All this time.
00:24:53That's right.
00:24:55I never thought you would find me.
00:24:59But now it must come to an end.
00:25:03No!
00:25:05This can't be it for us.
00:25:13Cut!
00:25:15Well, that was
00:25:17amazing!
00:25:19You fully captured that role!
00:25:21Congratulations!
00:25:23You got the part!
00:25:25What?
00:25:31What about me? You promised me!
00:25:33Oh, come on. You have to admit.
00:25:35She was exceptional.
00:25:37She's perfect for the part.
00:25:39Pearl, you killed it!
00:25:41You were great.
00:25:43I'm Alex.
00:25:45Thelma?
00:25:48Can we talk about the script?
00:25:50Yeah, sure.
00:26:04What the fuck?
00:26:06You're hitting on the wrong girl, buddy.
00:26:08Edward, what are you doing?
00:26:10I need to go talk to Thelma.
00:26:12How about you shoot another day?
00:26:18What are you doing?
00:26:20Can you explain yourself?
00:26:22I don't owe you any explanations.
00:26:24So you're seeing new guys?
00:26:28What? No!
00:26:30We were just acting out a scene.
00:26:32A scene where you two get real close?
00:26:34Like a couple?
00:26:36I was just doing my job.
00:26:38There's nothing wrong with it.
00:26:40And besides, even if I was seeing someone,
00:26:42it would be none of your business!
00:26:48I heard you got the lead role.
00:26:50That's amazing.
00:26:52I knew you'd kill it.
00:26:54What is Edward doing here?
00:26:56Come on, you know who I'm talking about.
00:27:00Gosh, you still don't know, do you?
00:27:02Know what?
00:27:06Well, he's actually the investor of this movie.
00:27:08This is his project.
00:27:10Why did you bring me here then?
00:27:12Well, it was actually his idea.
00:27:18Hello?
00:27:20Hi, is this Gene?
00:27:22Who is this?
00:27:24This is Edward Ardewood.
00:27:26I recently invested in a film project
00:27:28and I want you to take care of Thelma.
00:27:30I think she'll be great for a lead role.
00:27:32Wait, you're Edward Ardewood?
00:27:34Yes.
00:27:37I still can't believe
00:27:39I spoke to the legendary Edward Ardewood.
00:27:41I can't believe you knew all this time
00:27:43and you didn't tell me.
00:27:45Don't look at me.
00:27:47I'm just the middle man
00:27:49doing somebody else a favor, okay?
00:27:51And you still got the lead.
00:27:53It's amazing.
00:27:55But, you know,
00:27:57a lot of people don't know
00:27:59that Thelma is actually the investor
00:28:01of this movie.
00:28:03That's amazing.
00:28:05You know, a lot of people say
00:28:07that Edward's not very nice.
00:28:09He's like a stone-cold man.
00:28:11Why is he being so good to you?
00:28:13Yeah, I don't get it either.
00:28:15I mean, women must be throwing themselves at him.
00:28:17Why?
00:28:19Would he help me?
00:28:27Maybe he's fallen for you.
00:28:29Oh, come on.
00:28:31That's impossible.
00:28:34Well,
00:28:36is that why you look all gloomy?
00:28:38What happened? Did you guys fight?
00:28:40He saw me doing a scene
00:28:42with another actor and...
00:28:44It's whatever.
00:28:50Why do you care what he thinks, though?
00:28:54Come on, girl.
00:28:56This does not sound like you.
00:28:58Are you sure you haven't fallen for him, too?
00:29:00No, it's just...
00:29:03There's something about him that's
00:29:05familiar, like...
00:29:09I've seen him before.
00:29:11Hmm.
00:29:29Thank goodness you're here, Helen.
00:29:31This place is depressing.
00:29:33I don't know if I can make you a couch.
00:29:37You're the one protecting me.
00:29:40I can't stand watching you getting hurt.
00:29:42You're as sweet as a sugar pea.
00:29:44Can I play sugar pea?
00:29:46Sure, as long as I can call you my little rock.
00:29:48My little rock?
00:29:50Because you make me feel safe.
00:29:52Like a rock that will never break.
00:29:54Do you?
00:30:02Talker,
00:30:06what have you done to me?
00:30:10I see your face
00:30:12everywhere.
00:30:22I'm good.
00:30:24Just in time.
00:30:32Dang it.
00:30:36Why are you being so nice to me?
00:30:40What have I done?
00:30:44I'm sorry about today.
00:30:46It was stupid of me
00:30:48to react that way.
00:30:50No, I mean, why did you help me
00:30:52get the role for your film?
00:31:02Well, you
00:31:04won't take my money,
00:31:06and I can't allow the wife of Edward
00:31:08to just work a regular job.
00:31:12Oh, okay, so that's why
00:31:14we're all rich people
00:31:16at school.
00:31:18What was that?
00:31:20Nothing. This is great.
00:31:26You know, you can be real sweet sometimes.
00:31:28This is delicious.
00:31:30I'm glad you like it.
00:31:34Sweet pea.
00:31:38Good morning, ma'am.
00:31:40Edward is left already.
00:31:44I saw you cooking last night.
00:31:46I watched your utensils.
00:31:48Oh, yeah.
00:31:50It was Edward.
00:31:52He's the cook.
00:31:54Gotta go.
00:31:56Okay.
00:31:58Okay.
00:32:02What is going on?
00:32:04What are we waiting for?
00:32:07One of our lead roles
00:32:09is not here yet.
00:32:13I ask everyone here
00:32:15to be professional.
00:32:17Sorry, guys.
00:32:19Traffic was nightmare.
00:32:21All right, I'm ready to start.
00:32:23Wait, I thought that
00:32:25she didn't get the part.
00:32:27Well, how about that?
00:32:29Looks like I'm gonna be playing her.
00:32:31After this, nobody's gonna remember you.
00:32:35We'll see about that.
00:32:3942, take two.
00:32:41Ready
00:32:43and act.
00:32:45You have to leave now.
00:32:47Not without the love of my life.
00:32:49I'll wait for him no matter what.
00:32:55Oh, God.
00:32:57What do you think you're doing?
00:33:00Just playing my role.
00:33:04Carla.
00:33:06What the hell was that?
00:33:08That wasn't even in the script.
00:33:10I was just adding some extra touch to it.
00:33:12You know, for the sake of art.
00:33:14Art?
00:33:16This slap doesn't make any sense.
00:33:18And who gave you the authority
00:33:20to change my script?
00:33:22It's fine. She didn't.
00:33:24Oh.
00:33:26Thelma, are you sure about that?
00:33:28Edward, if it's all for the sake of the effect.
00:33:30Wow.
00:33:32I knew I was right.
00:33:34I'm choosing you as my lead.
00:33:36Okay.
00:33:38Back to one, please.
00:33:40Yes, thank you.
00:33:42And action.
00:33:44You have to leave now.
00:33:46Not without the love of my life.
00:33:48I'll wait for him no matter what.
00:33:52Edward.
00:33:55Good to see you here.
00:33:57Were you watching me?
00:33:59Me and Thelma
00:34:01make a perfect team, don't we?
00:34:03Jay, add these two switch roles.
00:34:05I want Thelma
00:34:07to do the slapping
00:34:09since it's all for the sake of art.
00:34:17But Thelma is the lead.
00:34:19Yeah, that wouldn't make any sense.
00:34:21We can't make more changes
00:34:24to the script, Ed.
00:34:26We're already behind.
00:34:28You don't have to do this for me.
00:34:30I'm not doing it for you.
00:34:32I'm doing it for my own investment.
00:34:38All right.
00:34:40We have added
00:34:42a line to the script.
00:34:44So now, Thelma,
00:34:46Carla's new line
00:34:48will be your cue for the slap.
00:34:50Got it?
00:34:52All right. And...
00:34:54Action.
00:34:56You have to leave now.
00:34:58Not without the love of my life.
00:35:00I'll wait for him no matter what.
00:35:02But what if he's dead?
00:35:04What if he finds somebody else?
00:35:06You're just going to spend the rest of your life
00:35:08waiting for someone who will never come?
00:35:14Then I'll be sure to leave
00:35:16no room for regret.
00:35:19Cut!
00:35:21Oh, bravo!
00:35:23That was perfect, Thelma!
00:35:25You handled that
00:35:27perfectly.
00:35:29Thelma, where are you next
00:35:31with Carla after the line?
00:35:33No need for that.
00:35:35I think that my character's above that kind of pettiness.
00:35:45I'm going to expose you, Thelma.
00:35:49Sooner or later.
00:36:01Where are you, my little rock?
00:36:05I'm doing fine. Don't you worry.
00:36:11You know it's bad to waste food.
00:36:13Do you think you deserve to be punished?
00:36:15Yes, headmistress, I do.
00:36:17Ma'am, for heaven's sake, that's what she should have did.
00:36:19Isn't that sweet?
00:36:21Too bad.
00:36:23She's getting more punishment because of you.
00:36:25Isn't that sweet?
00:36:27Well, if you so insist,
00:36:29you can take it from her.
00:36:31Oh, gal.
00:36:33It's all right.
00:36:36Found a worker
00:36:38who leaked info
00:36:40to our computer.
00:36:42A manager who's worked
00:36:44with us for 20 years.
00:36:46What do we do with him?
00:36:48Uh, fire him.
00:36:50So, if we need to,
00:36:52can't have disloyalty
00:36:54in the company.
00:36:56It might ruin him and his family.
00:36:58So be it.
00:37:00I don't care.
00:37:02It might ruin him and his family.
00:37:04So be it.
00:37:06All right.
00:37:32Helper.
00:37:54Helper.
00:38:02Helper.
00:38:22Where's my...
00:38:32Oh, no, no.
00:38:50Morning.
00:38:52What are you doing?
00:38:54Nothing.
00:39:02Nothing.
00:39:08I carried you to your bed last night
00:39:10and that was it.
00:39:14No, seriously, what are you doing?
00:39:16Nothing, sweet pea.
00:39:18What did you just call me?
00:39:20Uh, sweet pea.
00:39:24You said in your sleep last night.
00:39:28I see.
00:39:31Don't ever do that again.
00:39:33Sure.
00:39:47Hi.
00:39:49Could you maybe explain this scene a little bit?
00:39:51I'm not sure if I get it.
00:39:53I mean, it is pretty straightforward.
00:39:55Just do what it says without improvising.
00:39:58Oh, no.
00:40:00You were so great yesterday.
00:40:02I want to go over this one part.
00:40:04Now, when you say this line
00:40:06about...
00:40:10Nurse.
00:40:12What am I doing this afternoon?
00:40:14Well, it's kind of
00:40:16a very important meeting.
00:40:18Did you forget?
00:40:20Canceled.
00:40:22Send her my apologies.
00:40:24What?
00:40:26What do you normally do when you're not working?
00:40:28I do striptease.
00:40:30Oh.
00:40:32I was thinking more along the lines
00:40:34of going to the movies.
00:40:36There's actually a good one out right now.
00:40:38I mean, maybe if you're interested
00:40:40we could try to catch it together?
00:40:42Sorry, but I really need to focus
00:40:44on this job right now.
00:40:46Oh, yeah, sure, sure.
00:40:48You're a really interesting person
00:40:50to talk to, you know that?
00:40:52Edward!
00:40:55Are you here to see me?
00:40:57Are you a little bad?
00:40:59Oh.
00:41:01Edward?
00:41:03It's not for you. I'm sorry.
00:41:05Why is she still talking to me?
00:41:07I'm going to put this nice and loud.
00:41:09Okay. Awesome.
00:41:15Edward?
00:41:17What's your name again?
00:41:19Actually, it doesn't matter.
00:41:21What were you talking to my
00:41:23wife about?
00:41:31Oh.
00:41:33Thelma, I had no idea
00:41:35that you were married.
00:41:37Oh, don't worry about it, man.
00:41:39We were just talking about stuff in the script.
00:41:41Is that right?
00:41:43Hey, so you must be Edward Ardwin.
00:41:45I've heard a lot about you.
00:41:47I'm Alex. Cool.
00:41:49Bye, Alex.
00:41:52I'll see you later, Thelma.
00:41:54No, you won't.
00:41:56Good, you guys are all here.
00:41:58Edward brought snacks. They're in the lounge
00:42:00if anyone wants them.
00:42:02Yes, I'll come.
00:42:04Snacks.
00:42:08Edward doesn't usually come to set
00:42:10this often.
00:42:12He's quite the busy man.
00:42:14I think he's here to see you.
00:42:16He's here to see Carla, not me.
00:42:18Oh, please. Can you not see the way he looks at you?
00:42:20Whatever.
00:42:22Speak of the devil,
00:42:24I will give you two some privacy.
00:42:26No, don't.
00:42:34You're getting out of hand.
00:42:36Don't forget, I'm the one who hired you.
00:42:38Excuse me?
00:42:40Stay away from Alex. Got it?
00:42:42What are you talking about? There's nothing going on
00:42:44between us. Besides, you came here to see
00:42:46Carla.
00:42:50So you're jealous.
00:42:52What are you talking about? I'm not jealous.
00:43:02What are you doing?
00:43:04Carla and I aren't together.
00:43:06I'm here for you.
00:43:08You really expect me to believe that?
00:43:10Thelma.
00:43:16Yeah, girl?
00:43:20What?
00:43:28Jean, are you absolutely sure?
00:43:30Yes, positive.
00:43:32I used to know this guy from the streets and he and
00:43:34Algar drifted around for months.
00:43:36So where is he?
00:43:38Well, they later got separated
00:43:40so he has no idea after that, but
00:43:42that's gotta mean that Algar's
00:43:44still alive, right?
00:43:46Thank you so much.
00:43:49You have no idea how much this means to me.
00:43:51It's been 10 years.
00:43:53Don't forget,
00:43:55you're married too. What are you gonna do?
00:43:57I'll divorce him.
00:43:59Once our contract is up.
00:44:01I needed the money.
00:44:03Algar will understand.
00:44:05I know.
00:44:07Everyone seemed really into you.
00:44:09Actually, Jean,
00:44:11I think I should keep my distance from him.
00:44:19You okay?
00:44:21Yeah.
00:44:25Wanna tell me what happened?
00:44:27I just
00:44:29wanna be alone for a bit, okay?
00:44:31Is this about Carla?
00:44:33I told you, I went to see you.
00:44:35Not her.
00:44:37I heard I don't care who you're seeing.
00:44:39We're only married on paper,
00:44:41right?
00:44:43Is this because we're moving too
00:44:45fast?
00:44:53Is this about Carla?
00:44:55I told you, I went to see you.
00:44:57Not her.
00:44:59I heard I don't care who you're seeing.
00:45:01We're only married on paper,
00:45:03right?
00:45:05Is this because we're moving too
00:45:07fast?
00:45:09I heard I don't care who you're seeing.
00:45:12Honest?
00:45:14I just think
00:45:16that we should keep our distance.
00:45:18Please.
00:45:24Thought she
00:45:26was playing hard to get, huh?
00:45:28Maybe she doesn't wanna seem to you.
00:45:30I mean, why would
00:45:32anyone reject you?
00:45:34It's impossible.
00:45:36Come on. Let's get to the set.
00:45:42Hey, Phil. You'll be wearing this dress for the next scene.
00:45:44Is that okay? That's fine.
00:45:48So you think you could just
00:45:50take whatever you want?
00:45:56I thought this was my personal
00:45:58changing room, like it's a personal changing
00:46:00room, like it's always been.
00:46:02Carla, this room is for the
00:46:04lead role. Yours is outside.
00:46:06Well, actually,
00:46:08I'm all done here. Carla
00:46:11loves taking things that aren't hers.
00:46:13Be my guest.
00:46:17Aren't you quite generous, then?
00:46:19Edward's not here so he can
00:46:21drop the act.
00:46:23We actually need to get back to work
00:46:25if there's nothing else.
00:46:27Actually, I can finish my makeup myself.
00:46:33Go on. What do you wanna talk about?
00:46:35Let's make a deal.
00:46:37A deal?
00:46:41What the fuck do you think you are?
00:46:43Well, as far as I know, I'm Edward's
00:46:45wife.
00:46:49Got a deal.
00:46:51Stop picking fights with me.
00:46:53Stop giving me a hard time on set,
00:46:55and I won't take anything away from you.
00:46:57I'll actually help you with whatever you and Edward
00:46:59have going on.
00:47:03Alright, deal.
00:47:05I'm done with this room, by the way.
00:47:07It's yours if you still want it.
00:47:09I don't need your pity!
00:47:23Don't you have, like, business to run?
00:47:25What are you doing here all day?
00:47:33Hey, um...
00:47:35Actually, about what happened,
00:47:38I think we should talk.
00:47:40Why don't you meet me in the lounge
00:47:42after we wrap up?
00:47:44Why can't we talk now?
00:47:46Well, it's the surprise.
00:47:48See you later.
00:47:58What does she want to talk about?
00:48:00Does she know that I see you?
00:48:02Hi, Edward.
00:48:04Carla?
00:48:06Why are you here?
00:48:08Where's Stella?
00:48:14What are you doing?
00:48:16Are you trying to set those two up?
00:48:18Yeah, and if they're together,
00:48:20then they'll have nothing to do with me.
00:48:22Sounds like a terrible idea.
00:48:24Well, if you have a better idea,
00:48:26then let's hear it.
00:48:30Edward!
00:48:34If they're together,
00:48:36then they'll have nothing to do with me.
00:48:38Well, as long as
00:48:40you're okay with this.
00:48:42Of course I am. Why wouldn't I be?
00:48:44I mean,
00:48:46now I can just focus
00:48:48on what really matters,
00:48:50and I can try to find Algar.
00:48:52Edward!
00:48:54What the fuck are you doing?
00:49:04Whatever games you're playing, you need to stop.
00:49:06What are you talking about?
00:49:08You came here to see Carla, right?
00:49:10Don't look, come on.
00:49:12Edward, we're going to be divorced
00:49:14really soon. So?
00:49:16So if you're attracted to somebody,
00:49:18then go for it! I want you to be happy!
00:49:20The only person I love is you!
00:49:26Edward, how could you?
00:49:30Everything I do for you, Carla,
00:49:33I do for your father.
00:49:35He looked out for me, so this is me
00:49:37paying him back.
00:49:45I'm already
00:49:47in love with somebody else.
00:49:49It's never gonna be you.
00:49:51But if that man didn't exist, would you consider me?
00:49:53Stop it, Edward!
00:49:55It's never going to happen!
00:49:57What do I do, Algar?
00:50:01I know you're out there.
00:50:03What do I do?
00:50:15Boss,
00:50:17you've been here for a while.
00:50:19Is everything okay?
00:50:23Why don't you tell her?
00:50:26Why don't you tell her
00:50:28you're the one she's looking for?
00:50:30Do you remember what I did
00:50:32to return to the Ardoin family?
00:50:44About Algar,
00:50:46are you telling me
00:50:48that Mr. Ardoin knows
00:50:50his illegitimate son is Algar?
00:50:52Yes.
00:50:54And now the old man wants him back.
00:50:56Another brat
00:50:58to share their inheritance.
00:51:00If I could only get rid
00:51:02of his mother,
00:51:04getting rid of him shouldn't be a problem.
00:51:06Madam, it's our fault.
00:51:08Please don't withdraw
00:51:10your donation to the orphanage.
00:51:12If we work together
00:51:14on this, I could even help you
00:51:18get rid of Algar
00:51:20for good.
00:51:24Take care of it,
00:51:26but make sure
00:51:28he leaves us.
00:51:32Shall we go to the
00:51:34girls' garden?
00:51:36Yes, please.
00:51:42I got rid of the woman
00:51:44who killed my mother
00:51:46and sent me to an orphanage.
00:51:48I eliminated
00:51:50everyone associated with her.
00:51:54Over the years,
00:52:00I did whatever it took
00:52:02to gain my father's approval,
00:52:04secure my inheritance.
00:52:06My methods
00:52:08were ruthless.
00:52:10My conscience,
00:52:12callous.
00:52:14You did what you had to do.
00:52:16Now I'm a different man.
00:52:18I'm a monster.
00:52:20She doesn't even recognize
00:52:23if she finds out this is the man
00:52:25she's been looking for all these years,
00:52:27it'll drive her away.
00:52:31I can't lose her again.
00:52:35So it was true?
00:52:43Argon and I,
00:52:45we roamed the city
00:52:47for a winter,
00:52:49and a lot of people say
00:52:52we beat some enemies.
00:52:54One night, under the bridge
00:52:56where we slept,
00:52:58he got stabbed,
00:53:00and he died.
00:53:02No, you're mistaken.
00:53:04He always had a ring with him.
00:53:06It was a nice ring.
00:53:08I think it had the letters
00:53:10A and H
00:53:12on it.
00:53:14I told him he could
00:53:16pawn it for a few bucks,
00:53:18but he just kept it with him.
00:53:20No, he can't just be gone!
00:53:22He can't just be gone!
00:53:24It's okay.
00:53:32Oh, Delma!
00:53:34Sweetie, what's wrong?
00:53:36Oh, my God.
00:53:38Baby, you haven't eaten in three days.
00:53:40Can I get you something?
00:53:42Anything?
00:53:44It's not good for you.
00:53:47I'm sorry.
00:53:53This is my fault.
00:53:55She's burning up.
00:53:57The doctor said
00:53:59it was from emotional distress
00:54:01and not eating.
00:54:03Go make her something to eat.
00:54:05I'll stay with her.
00:54:07Yes.
00:54:09You need to get some rest
00:54:11and let me handle this.
00:54:13No, it's okay.
00:54:15Leave it to me.
00:54:17I know you care,
00:54:19but I've never seen you
00:54:21do this for anyone.
00:54:23And if the old lady were here,
00:54:25she'd be heartbroken
00:54:27to see you this exhausted.
00:54:29Don't worry about me, Sarah.
00:54:31You can go now.
00:54:34You can go now.
00:54:46I'm not hungry.
00:54:50Oh, please eat and get better.
00:55:04I'm not hungry.
00:55:20Thelma!
00:55:22Are you okay?
00:55:24I've tried to call you like ten times.
00:55:26You haven't done something stupid, have you?
00:55:28I can't find a reason to go.
00:55:30Stop saying that, okay?
00:55:32Don't listen to what that guy said.
00:55:34He doesn't know what he's talking about.
00:55:36They never found Alger's body.
00:55:38Maybe he's still alive.
00:55:40You've waited
00:55:42ten years.
00:55:44Are you sure you're going to give up now?
00:55:46Don't you want to find out the truth for yourself?
00:55:48Yeah, if you're right.
00:55:52I should keep going.
00:55:54Good. Now go get some sleep
00:55:56and get back to set, girl.
00:55:58That is something that you've always wanted
00:56:01and you're not going to screw it up, alright?
00:56:05Yeah, I understand.
00:56:09I'll keep going for Alger.
00:56:13I want that bitch dead.
00:56:15You got that thing ready?
00:56:19Sure I would take the job.
00:56:25Alright.
00:56:27Don't mess this up.
00:56:30Coming!
00:56:42You wanted to see me?
00:56:44Yes. It is about the singer, Stab.
00:56:46We will be using this
00:56:48as a prop.
00:56:50So once the safety is tipped off
00:56:52the blade will go back inside yourself
00:56:54upon impact, so don't worry.
00:56:56It's not going to hurt you.
00:56:58Yes.
00:57:00Exactly.
00:57:06Thelma, Carla,
00:57:08all set?
00:57:10All departments ready?
00:57:14And action!
00:57:20Wait!
00:57:22Cut! Cut!
00:57:24Are you okay?
00:57:27What's happening?
00:57:31Edward, don't die on me.
00:57:33Please.
00:57:35I know that my past is complicated
00:57:37and I'm not worthy of your time
00:57:39or your love.
00:57:41What makes me so special?
00:57:45Okay, I admit.
00:57:47I think somewhere along the way
00:57:49I became attracted to you.
00:57:51And I know that you keep this stone-cold face
00:57:53but I know that
00:57:55that's not the real you.
00:57:57Please.
00:57:59Show me the real you.
00:58:01Let me in.
00:58:05Edward!
00:58:13What are you doing?
00:58:15That's not funny! I was worried sick!
00:58:17What's the matter with you?
00:58:19How else could I get such a lovely monologue?
00:58:22Okay, you know what? I'm gonna go get a doctor.
00:58:24No, no, no. I'm fine.
00:58:26No.
00:58:28Look, not even a scratch.
00:58:30Just need a minute.
00:58:32Are you sure? It seemed pretty serious.
00:58:34Yeah, the knife didn't even get to me.
00:58:36Something blocked it.
00:58:38Really? Where is it?
00:58:40Nothing.
00:58:42I'll find out what happened today.
00:58:44Meanwhile,
00:58:46be more careful on set, yeah?
00:58:48No, don't worry about it.
00:58:50The patient just fessed up now.
00:58:54I heard everything you were saying, by the way.
00:58:56Okay, you know what?
00:58:58I'm really getting you a doctor now. Just shut up.
00:59:10You
00:59:12saved my life.
00:59:16How are you doing, boss?
00:59:19Oh, not too shabby.
00:59:21So,
00:59:23what do you plan to do with Carla?
00:59:25Carla?
00:59:27Almost forgot.
00:59:29She's gonna be back.
00:59:33I'm not sure what we're gonna do
00:59:35after your little
00:59:37incident. I'm sorry.
00:59:39I wasn't thinking. It won't happen again, I promise.
00:59:41Jay, get a replacement for her role.
00:59:43She's done.
00:59:49Edward, what are you saying?
00:59:51I told you to stop pulling these tricks
00:59:53behind my back. I didn't do
00:59:55anything. Don't listen to her.
00:59:57She's making it all up.
00:59:59Carla had someone on the prop team switch the fake knife
01:00:01with a real one.
01:00:03She almost killed Thelma. And myself.
01:00:05Edward, I'm sorry.
01:00:07I messed up. Please,
01:00:09please give me another chance.
01:00:11I've given you plenty of chances.
01:00:13Really, Edward?
01:00:15After all
01:00:17Please stop
01:00:19embarrassing yourself.
01:00:23Doing all of this for a man,
01:00:25I hope it's worth it.
01:00:27Edward, you know
01:00:29everything I did is because I
01:00:31love you.
01:00:33If you try hurting her again,
01:00:35you will be sorry.
01:00:43Hand her over to the police.
01:00:47Well,
01:00:49now that that's over, we should talk
01:00:51about what you said to me earlier.
01:00:53Which is what?
01:00:55That you were attracted to me.
01:00:58What if
01:01:16the person you're looking for is me?
01:01:22Don't be ridiculous.
01:01:24Besides, you come from a
01:01:27rich and powerful family.
01:01:29And he's an orphan like me.
01:01:33And he's incredibly kind.
01:01:35He wouldn't even step on an ant.
01:01:39I can't say the same thing about you.
01:01:43People can change.
01:01:47And I'll never stop searching for him.
01:01:49I'm afraid that you can't stop me.
01:01:57Am I even worthy of love?
01:02:05Am I even worthy of love?
01:02:07You're a billionaire.
01:02:09I'm sure that there's plenty of women
01:02:11fighting over you.
01:02:13Plus,
01:02:15I stand by what I said.
01:02:19I don't think that this Edward
01:02:21is the real you.
01:02:23Do you remember when we first met?
01:02:27You saved me.
01:02:29You're a good person.
01:02:31You're kind to Nos,
01:02:33to Sarah.
01:02:37You'll find the love that you deserve.
01:02:45He's gone.
01:02:49I waited ten years
01:02:52and he's just gone.
01:02:58Do you like the man I am now?
01:03:00It doesn't matter.
01:03:02We're getting divorced in a year.
01:03:06If I give you all my properties
01:03:08and assets,
01:03:10can we not get a divorce?
01:03:16No.
01:03:22No.
01:03:36My head.
01:03:40Do you remember what happened?
01:03:48He said something about
01:03:50money and assets
01:03:52and then after that
01:03:54I don't think
01:04:02Alright. Okay. Back to work. Come on.
01:04:10Can we talk?
01:04:14I heard you've been looking for someone.
01:04:16Yes.
01:04:20I believe this
01:04:22could be helpful.
01:04:24This place is reopening
01:04:26soon.
01:04:28I'd like for you to come.
01:04:30What does this have to do with
01:04:32the man that I'm looking for?
01:04:34You'll see.
01:04:38Okay. I'll go.
01:04:40Good. I don't want to spoil the place.
01:04:42What does this have to do
01:04:44with Edward?
01:04:46You'll see.
01:04:50See?
01:04:52Guys, we're blowing up.
01:04:54What do you mean?
01:04:56After we posted the behind the scenes
01:04:58we went viral.
01:05:00Selma became a sensation.
01:05:02She's now trending number one. Big star.
01:05:04Trending? Does this mean
01:05:06more money? Of course it does
01:05:08and that is just the easy part.
01:05:10I was thinking
01:05:12about my next movie and I want you
01:05:14to be in it.
01:05:16Wow. This is a dream come true.
01:05:19And we're having a wrap party
01:05:21at the hottest bar tonight.
01:05:23Alright. I wonder who's so generous.
01:05:35Boss, about this new content.
01:05:37Do you think Selma will be surprised by the party I'm throwing for her?
01:05:39Oh, definitely.
01:05:41So should I pick her up
01:05:43or do I just show up at the party?
01:05:45You don't do this often, do you?
01:05:49No.
01:06:05Great party, Edward.
01:06:07It all ended fitting, right?
01:06:09Not entirely bad.
01:06:11So,
01:06:13thank you.
01:06:15How would you like to thank me?
01:06:17Sorry.
01:06:21First off, this has been
01:06:23an amazing
01:06:25three months.
01:06:27I'd like to thank everybody in here.
01:06:29And up here is to
01:06:31it's huge
01:06:33success.
01:06:35Cheers.
01:06:37And now
01:06:39a few words from Edward,
01:06:41the man, the big boss.
01:06:43Without him, none of this would be possible.
01:06:46Thank you all so much.
01:06:48I just want to say how grateful I am
01:06:50for the opportunity
01:06:52of Jay as an exceptional
01:06:54director. His casting,
01:06:56remarkable.
01:06:58Selma's performance in particular,
01:07:00out of this world.
01:07:02And I'd like to take this moment to tell her
01:07:04that I'll always be there
01:07:06to support her.
01:07:08Cheers.
01:07:12Selma, the
01:07:14superstar.
01:07:16Stop it.
01:07:18By the way,
01:07:20do you think Alker will watch my new show?
01:07:22Do you think he'll recognize me?
01:07:24No. Selma,
01:07:26I know this is really hard to hear,
01:07:28but you gotta let him go.
01:07:30Alker's gone.
01:07:32I'm not giving up
01:07:34until I know for sure.
01:07:44Hey! Let me out!
01:07:52Selma?
01:07:54Are you quitting? What are you talking about?
01:07:56Production told me you turned down Jay's new
01:07:58project. And you didn't show up for
01:08:00any of the promo events.
01:08:02What new project is this about? Who told you
01:08:04this? Oh.
01:08:06Oh no.
01:08:08It couldn't be Edward.
01:08:10Could it?
01:08:13Edward?
01:08:15So, he turned it down
01:08:17and he told everybody that I quit?
01:08:19Maybe he thought it was for your own good?
01:08:21Interfering
01:08:23with my career without telling me?
01:08:25How is that for my own good?
01:08:31Mr. Edward,
01:08:33you can't do that to me. Get out my way.
01:08:35Apologies, gentlemen.
01:08:37Let's take a break.
01:08:39We'll continue this afternoon.
01:08:43Did you turn down the offer
01:08:45for my new film?
01:08:51Can you explain?
01:08:53This will terminate our contract marriage.
01:08:55The deal is over.
01:08:57What do you mean?
01:08:59I'll pay the penalty for breaching
01:09:01our contract. Once it's settled, I don't
01:09:03want you meddling in my life anymore.
01:09:05You almost got hurt on set.
01:09:07I was trying to protect you.
01:09:09I don't need your protection, okay?
01:09:12I can look out for myself.
01:09:14This is my life.
01:09:16You're making a big mistake here.
01:09:18Just stay out of my work
01:09:20and my personal life, Edward.
01:09:22We're done.
01:09:30Hey, it's Thelma.
01:09:32Can I see you real quick?
01:09:34Thelma,
01:09:36you're very talented.
01:09:38It's such a shame that
01:09:40we broke up, but
01:09:42I knew you had it in you from the start.
01:09:44I saw it in you all the way.
01:09:48Now,
01:09:50I strictly get to make decisions
01:09:52for myself.
01:09:54Now, let's see this next project.
01:09:56Next project?
01:09:58Here
01:10:00it is.
01:10:02What do you think?
01:10:06Let's just say that it's
01:10:09a pleasure doing business with you.
01:10:15Congratulations.
01:10:29Come on.
01:10:31What are you doing?
01:10:33Excuse me, I'm perfectly calm.
01:10:35How about we both compromise?
01:10:37As long as it's through
01:10:39Ardoin investments.
01:10:41You still don't get it, do you?
01:10:43I'm not your accessory.
01:10:45I'm not a part of the Ardoin family.
01:10:47Plus, the only person that can make decisions for me
01:10:49is myself.
01:10:51Can't we talk about it for the sake of our relationship?
01:10:55Look, I'm thankful
01:10:57for everything you've done for me.
01:10:59You've crossed the line.
01:11:03Goodbye, Edward.
01:11:07Oh, Thelma.
01:11:09Look, I've rarely seen Edward smile
01:11:11since his father passed away.
01:11:13And he's like a new man
01:11:15now that you're here.
01:11:17I'm sorry, but
01:11:19I can't stay here.
01:11:21It's okay, Sarah.
01:11:23Let her go.
01:11:37Since when did we become stalkers?
01:11:41Where is she?
01:11:43I know she has a bunch of crazy fans
01:11:45trying to get her attention, but if those assholes
01:11:47think they have a shot with my woman...
01:11:49Have you not seen the news?
01:11:51Thelma has announced
01:11:53she's single again.
01:11:55What?
01:11:57Yeah, even a bunch of haters
01:11:59have turned into fans now.
01:12:01Especially after watching her show.
01:12:04Damn it.
01:12:06I knew that guy was up to no good.
01:12:16Thelma, Thelma.
01:12:18Thelma, Thelma.
01:12:20Are you still working with Ardoin Investment Family?
01:12:22The Ardoin family has never officially
01:12:24announced your divorce.
01:12:26Is there something that they're hiding?
01:12:28Was your marriage to Edward added
01:12:30in strictly confidentiality?
01:12:32Is your marriage to Edward added in stripping business
01:12:34like the tabloids say?
01:12:40Why don't you ask the man himself?
01:12:52Hey, Mr. Ardoin, you got a second?
01:12:54I don't.
01:12:57So, Mr. Ardoin,
01:12:59what brings you here?
01:13:01Thinking of joining the entertainment industry?
01:13:03You know why I'm here.
01:13:05Sorry, I can't help you with that.
01:13:07Uh, so this new film
01:13:09is a romantic drama
01:13:11with some comedy.
01:13:13When James...
01:13:15You ever want anything?
01:13:17No.
01:13:19Not yet.
01:13:21I would love to thank our amazing director,
01:13:23Jay, for all of his
01:13:26amazing visions
01:13:28and everyone else who's helped me
01:13:30on this incredible journey.
01:13:32Well, that's just great.
01:13:34And I'm so excited
01:13:36to get started because I know
01:13:38this is going to be another hit.
01:13:40Alright, ready to check out the set for the new movie?
01:13:42I'll walk you.
01:13:44Actually, do you want to check it out together?
01:13:46Sure.
01:13:48Thelma, Thelma, Thelma.
01:13:52How do you win back a woman?
01:13:54Uh, flowers?
01:13:56Romance?
01:13:58Gifts are always a good move.
01:14:00Have a good journey.
01:14:02See you back to the other side.
01:14:06I, uh,
01:14:08got this for you.
01:14:10You can just sleep in there.
01:14:18Oh, look, I'm sorry.
01:14:20I was wrong.
01:14:24Please,
01:14:26give me another chance.
01:14:30I promise I won't be overbearing.
01:14:32I'll respect all your opinions
01:14:34and I'll never interfere
01:14:36with your career again.
01:14:42Flowers.
01:14:44Look good.
01:14:50I'll take these then.
01:14:53We can talk about the rest later.
01:15:01Go!
01:15:03I don't want to see you again!
01:15:05Cut!
01:15:07Well done, everybody.
01:15:09That is a wrap.
01:15:11Great. Here,
01:15:13I got you a cup of coffee.
01:15:15Thanks Alex.
01:15:23I need to know where she is.
01:15:25Now!
01:15:29I think I might know where she is.
01:15:31What the hell did you do?
01:15:33No, man, look,
01:15:35Carla was talking to some stranger.
01:15:37Carla?
01:15:39Carla?
01:15:41Carla?
01:15:43Carla?
01:15:45Carla?
01:15:47Carla?
01:15:49Carla?
01:15:51Carla was talking to some sketchy dude
01:15:53about Carla's basement.
01:15:55I think Thelma might be there.
01:15:57Trust me, man, I don't want anything bad to happen to her either.
01:15:59Believe me.
01:16:05Thelma?
01:16:09Where are you?
01:16:12Thelma?
01:16:20Stop doing anything stupid.
01:16:22Whatever you want,
01:16:24just paint it.
01:16:26Edward, Edward, Edward.
01:16:32How did you find this place?
01:16:34Thelma?
01:16:38Thelma, get up.
01:16:40You didn't seriously believe I would just walk away, did you?
01:16:42You're a coward.
01:16:46Kill her.
01:16:48And Edward, I want you to watch.
01:16:50If you touch her,
01:16:52I will skin you alive.
01:16:54I got it.
01:16:57Thelma, run.
01:16:59Thelma, run.
01:17:01Thelma, run.
01:17:03Thelma, run.
01:17:09Aaahh!
01:17:14Aaaahhhh!
01:17:18Aaaaaaahhh!
01:17:21Aaahhhh!
01:17:23It's okay.
01:17:26It's over.
01:17:29It's all over.
01:17:54It's today.
01:17:57I promised Ness I would go.
01:18:12Wait, this is the amusement park I agreed to meet Little Rock at.
01:18:17I thought it closed down years ago.
01:18:21Oh, what?
01:18:23Edward?
01:18:24What are you doing here?
01:18:26Nos told me to come. What are you doing here?
01:18:29Well, now that you're here, I need to tell you a little secret.
01:18:34Be right back.
01:18:36Edward!
01:18:38Don't be scared, sweetheart.
01:18:51Why didn't you even call me?
01:18:59I told you I'd meet you here, Helen.
01:19:09I told you I'd meet you here, Helen.
01:19:13Elgar, but how?
01:19:16Why didn't you even tell me after all this time?
01:19:20After I escaped the orphanage, the headmistress sent people after me.
01:19:25So I had to fake my own death.
01:19:28I survived.
01:19:30But the price was becoming a different man.
01:19:33Cold.
01:19:35Ruthless.
01:19:37Even cruel.
01:19:40And I was so scared that if you found out this was the man I'd become,
01:19:45you wouldn't love me anymore.
01:19:47Besides, the Ardwin family erased every trace of my past.
01:19:52If they find out you're the one I'm looking for,
01:19:55they'll use you against me.
01:19:57And I can't risk that.
01:19:59Elgar, you know that I love you.
01:20:05You do?
01:20:09Yeah, with you by my side, I'm not afraid of anything.
01:20:14Then we'll never be apart again.
01:20:18Yeah.
01:20:20Yes.
01:20:27Yes.