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La Promesa Episodio 434 2 october 2024,
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La Promesa Episodio 434 2 october 2024,
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TVTranscript
00:00How can a man flirt with a maid is the most common thing.
00:08That has always happened.
00:09But everyone knows it's for a while, not to take her to the altar.
00:12My son is not enough for a while.
00:14Well, Jana has the right to fall in love with whoever she wants.
00:17Yes, but what a coincidence that of all the men who are around here,
00:22he has fallen in love with the most convenient.
00:24But how is it going to be lucky that you will be in bed with that guy?
00:27It is not necessary to speak like that.
00:29Thanks Adriano, I had the courage to get out of the hangar, to face life again.
00:33Are those the best explanations you have?
00:35Yes, they are the only ones I have.
00:37Well, they don't work for me.
00:38I can't stop thinking about how my notebook could get into the hands of the Marquise.
00:43Martyring you is not going to help you at all.
00:45I give you my notebook to the Marquise.
00:47Because you knew I was writing.
00:49Recognize it for me.
00:51You can think whatever you want.
00:53I swear it was not my fault.
00:54Nothing is ever your fault.
00:55Let me explain ...
00:56I don't want you to explain anything to me, Marcelo.
00:57What I want is for you to do things right once and for all.
00:59Because if you continue like this, what you are going to get is that they kick you in the street.
01:03I just asked for information.
01:04But it is that Mrs. Arcos was not taking care of me during her hours of work.
01:08Well, that's what she told you.
01:09And that's what I think.
01:10Above what your father tells you, right?
01:13Julia Espadilde?
01:14The same.
01:16But what is she doing here?
01:17She came looking for explanations.
01:19The same ones that José Juan did not want to give her.
01:21And that is why she has set up all this farce.
01:23I plan to continue treating your son as before.
01:26And we both know what bothers you so much.
01:30And it is that your son has more appreciation for me than you.
01:33We have lost several thousand pesetas.
01:35Father, always the same with his business.
01:38And what about you?
01:39Do you think you are better than him?
01:41You stole your parents.
01:43You entered this house with lies, deceiving everyone.
01:46So don't you dare give us any moral lesson.
01:49What about the Count of Ayala?
01:51Well, he was the one who asked me to convince you to live with us.
01:54No one can convince me of something like that.
01:56Well, I just hope he takes it well.
01:57You see, my father asked me for a few days to think.
02:00But tomorrow is not going to happen.
02:02I'm going to marry you, Hanna Expósito.
02:05Say what you say.
02:06And do whatever you want.
02:08The heir of the Marquis of Lujan married a maid.
02:10Where has that been seen?
02:11I don't know, Alonso. I don't know what we can do.
02:13Yesterday you were honest with me when you told me about your fiancé.
02:18Of course, because friends are supposed to be honest, right?
02:22That's why I think I have to tell you who I really am.
02:24If you love my daughter so much, I guess you want the best for her.
02:28Of course I do.
02:30Well, neither you nor the life you can offer her is the best for Mercedes.
02:35So I ask you, please, to leave her and convince her to come back to my house.
02:47Lope, please.
02:49Put your feet on the ground and think about my daughter.
02:51That's what I'm doing, ma'am.
02:53What are you doing?
02:54Thinking about your daughter.
02:56I think about what I can offer her.
02:57And above all, I think about what she wants.
03:00What she wants?
03:02Yes.
03:03Which is the only thing you don't seem to take into account.
03:06And coincidentally, what she wants is just what you need.
03:10Isn't that right?
03:11Ma'am, I don't know what I need.
03:13I don't know.
03:15And I confess that sometimes I feel like I'm not up to your daughter.
03:18And it makes me very anxious not to be at her level.
03:21That's logical.
03:22Because you'll never be at her level.
03:26But you have the honor to admit your limitations.
03:31I'm not talking about limitations.
03:32I'm talking about doubts.
03:34And in any case, above all, there's the love I feel for her.
03:38And that love is the most important thing, ma'am.
03:41As long as I feel that for her, I'm going to fight for her and I'm not going to give up.
03:45Because the most important thing in this life, for me, is to see her happy.
03:50To see her happy?
03:52But don't you realize that because of you, my daughter is throwing her whole life on the line?
03:55Ma'am, neither you nor I know that.
03:57Yes, I know.
03:59My daughter has no future with you.
04:01And yet with her family, she does.
04:03Ma'am, she already knows her life with her family and she has repudiated it.
04:08And no matter how hard it is for her to understand, her daughter has chosen to be here, with me.
04:12Lope, my daughter is playing.
04:15She is playing to be someone of your condition.
04:19But the reality is that Mercedes is very capricious
04:22and that she is used to being surrounded by luxury and that people don't change.
04:26And when she gets bored of this hobby, she will deny you.
04:30And then she will blame you for not making her come to her senses.
04:33That's not true.
04:34Yes, it is.
04:37So I ask you, please, to make my daughter reconsider and know what is best for her.
04:42Ma'am, all you think about is what is best for Mercedes.
04:46But you have no idea what is best for Vera.
04:49And you have no idea how the world works.
04:53With that wonderful love you have, you are not going to eat.
04:56With that love you are not going to buy her a palace, or jewelry, or dresses.
05:00It's just that Vera doesn't need that.
05:01That Vera is Mercedes.
05:04And that Mercedes needs all that and more.
05:06That Vera is no longer Mercedes, ma'am.
05:09What her daughter needs is affection, respect, an honest job and a family.
05:15Please, get out of the guindo now, boy.
05:18My daughter will never form a family with you. Never!
05:24If you allow me, I have to go back to my homework.
05:28Sure.
05:29You have to cook potatoes,
05:33chop onions, cut carrots ...
05:40Never.
05:42In all your life, you have dreamed of being with a woman who is not even half my daughter.
05:48So enjoy this moment, cook, because it's going to be over.
05:54And I'll tell you one thing.
05:56You're not going to get a penny from us.
05:59Ma'am, I don't need your money.
06:01No, of course.
06:03You love being poor and sweating all day in the stoves.
06:06Well, that's enough.
06:08I hope my daughter realizes very soon that you don't deserve her.
06:14Well, if that ever happens, don't worry because I'll let her go.
06:20But in the meantime, I'm going to stay by her side. Do you know why?
06:24Because she was her daughter who asked me to.
06:38You're not going to get a penny from us.
06:41Never.
06:43In all your life, you have dreamed of being with a woman who is not even half my daughter.
06:48So enjoy this moment, cook, because it's going to be over.
06:53And I'll tell you one thing.
06:56You're not going to get a penny from us.
06:59Never.
07:00In all your life, you have dreamed of being with a woman who asked me to.
07:05So enjoy this moment, cook, because it's going to be over.
07:08And I'll tell you one thing.
07:11You're not going to get a penny from us.
07:14Never.
07:16In all your life, you have dreamed of being with a woman who is not even half my daughter.
07:21So enjoy this moment, cook, because it's going to be over.
07:25And I'll tell you one thing.
07:28You're not going to get a penny from us.
07:31Never.
07:33In all your life, you have dreamed of being with a woman who asked me to.
07:38So enjoy this moment, cook, because it's going to be over.
07:41And I'll tell you one thing.
07:44You're not going to get a penny from us.
07:47Never.
07:49In all your life, you have dreamed of being with a woman who asked me to.
07:53So enjoy this moment, cook, because it's going to be over.
07:57And I'll tell you one thing.
08:00You're not going to get a penny from us.
08:03Never.
08:06In all your life, you have dreamed of being with a woman who asked me to.
08:10So enjoy this moment, cook, because it's going to be over.
08:13And I'll tell you one thing.
08:16You're not going to get a penny from us.
08:19So enjoy this moment, cook, because it's going to be over.
08:22And I'll tell you one thing.
08:25You're not going to get a penny from us.
08:28No, Martina, I'm not who you think I am. My name is not Julia.
08:32My promise was not as casual as you think.
08:36But who are you?
08:38What?
08:40My real name is Matilde.
08:43And why did you lie to me? Are you going to blow my head off?
08:47I'm sorry. I didn't mean to deceive you.
08:50Actually, the one I was looking for from the beginning was Curro.
08:53Francisco de la Mata.
08:55What?
08:58He was with my fiancé in his last moments of life.
09:06My boyfriend, Paco, died in front of him.
09:11Next to Curro.
09:14Do you want me to tell you the story?
09:17Of course.
09:21And very soon, the Duchess of Carril will have come here.
09:26I don't know, Candela.
09:29These distinguished ladies who have no obligations
09:32can do whatever they want and come whenever they want.
09:35I don't doubt it.
09:37But she will admit that it is not normal, as it is not normal
09:40that she has locked herself up with Lope.
09:43At this point, I no longer know what is normal and what is not.
09:46Look, here is Lopillo. Why don't you ask him yourself?
09:49Lope.
09:52Simona has told me that the Duchess of Carril
09:55has already shown up here.
09:57And that she has sent you a call.
09:59Well, Mrs. Simona told her well.
10:01But the lady is unhappy with something.
10:04Because locking yourself up with her in the office alone
10:07is weird as hell.
10:09No, don't worry.
10:11She simply asked me some suggestions
10:13about a dinner she is going to prepare in her palace.
10:15Another dinner?
10:17She is going to throw a party one day, and another one too.
10:19Yes, she has to have the cooks there.
10:21They have to be on their toes.
10:23Yes, more than working in a coal mine.
10:26That's why the lady has to get rid of the ideas of our Lopillo.
10:30Otherwise, in the end, we will be lucky.
10:33And you, that the lady does not have so many commitments.
10:36She will look like a whore, but at least she doesn't work so much.
10:39Candela, have I lied to you?
10:41I don't know.
10:43Can I help you, ma'am?
10:45How fast you have been.
10:47And how timely.
10:49So you can transmit to the service what I have to tell you.
10:52I would be delighted to do so as soon as you tell me what it is about.
10:58I will try to be very clear,
11:00so that there are no misunderstandings.
11:04I realize that in this area
11:07there is no gossip that escapes them.
11:11Therefore,
11:13I assume that
11:17you will be aware of ...
11:20the infamous relationship between my son
11:24and one of the maids who works in this house.
11:29As you can imagine, this is ...
11:32This is a matter that ...
11:35that is the most unpleasant thing for me.
11:38But
11:39I want to clarify it
11:42so that there are no doubts.
11:47My son ...
11:49has been subjected to ...
11:51a lot of pressure
11:53for a while.
11:55And this, without a doubt,
11:57has led him to ...
11:59to a state of confusion.
12:01Look, how can she not say that I am willing to lie?
12:04Anyway, we are not going to ...
12:07We are not going to magnify
12:09this matter.
12:10I am sure that Manuel
12:12will soon clarify his ideas
12:15and what is clear
12:18is that this cannot transcend the walls of the palace.
12:21Don't worry, Mrs. Marquesa.
12:22No, I'm not, Mr. Pellicer.
12:24I'm not.
12:27There are people here who ...
12:29have given me reasons for the opposite.
12:34I want to warn you
12:37that I will take very harsh retaliation
12:39against everyone who spreads this matter.
12:42Is that clear?
12:44You can take it for granted.
12:46I hope you are all up to the circumstances
12:49and continue ...
12:51acting as if nothing had happened.
12:54I have been very magnanimous
12:55allowing that whore to continue working in this house.
12:58Because my first intention was to put her on the street.
13:03Don't make me regret
13:05my generosity.
13:07Be careful, ma'am.
13:08Everyone will know how to be up to the task.
13:15And do me the favor of cleaning this mess.
13:18Yes, Mrs. Marquesa.
13:19We will leave it clean like a slug.
13:26It's been a while, huh? With the potato.
13:28And I'm going to destroy myself, Juanete.
13:30But if I don't give you,
13:31you put your foot in the corbejón,
13:33I already saw you coming.
13:34It's worth it, huh?
13:35First, she starts throwing away all kinds of money
13:38and then she gets into our kitchen.
13:40She has called us pigs.
13:42The kick is well used.
13:43Although better a moratorium than a dismissal.
13:46I say so.
13:48Look, Laurel.
13:49Where?
13:50There, two little eyes.
13:52Give me a kiss, Dani.
14:06Your hat.
14:09And your coat, ma'am.
14:11And you had to bring it to me, you.
14:15I'm a maid as good as any other.
14:22Besides, I guess you didn't think to leave without saying goodbye.
14:26If I have to say goodbye to all the servants,
14:28I will never leave this condemned palace.
14:31I'm glad to finally see myself as one more servant.
14:35Every day I find it more unpleasant to come here.
14:39And I understand it perfectly.
14:42For me it was not a pleasure
14:44that you and I said those thick words.
14:48Should I understand this then as an apology?
14:54Well, I'll take it that way.
14:57Understand it as you like.
14:59Understand it as you like.
15:01But I don't intend to do anything else.
15:03The situation in which you are now
15:05has been sought by father and you alone.
15:07Oh, sure.
15:08You had absolutely nothing to do
15:10with the disappearance of the money.
15:12Maybe I didn't have to take it.
15:14But I'm not going to be frustrated.
15:16Father did not belong to that money legally.
15:18Yes, yes, yes.
15:19I already know that canteen.
15:21Mother will not get another answer.
15:24Mercedes,
15:25no matter how much you try to provoke me,
15:27I'm not going to get involved in any other discussion with you.
15:30I didn't mean to provoke you,
15:32but you don't know how much I appreciate it.
15:35What I don't understand is why you have come here now.
15:38Can't I have in the promise
15:40matters that have nothing to do with you?
15:45I'm very glad I'm not the center of your attention.
15:50Well, then this conversation is over.
15:53And now, if you'll excuse me,
15:55I have more important matters to discuss.
16:13And that's why the promise came.
16:15That's right.
16:17I'm very sorry I lied to you,
16:19but I needed to know firsthand
16:21the whole truth about Paco's death.
16:24And at the same time, I needed to know the implication that Curro had with all that.
16:28That's it.
16:30I couldn't stand the idea that
16:32the person who had supposedly been responsible for my death in life
16:36would continue with hers as if it were such a thing.
16:40Julio...
16:42Well, I don't know if I should keep calling you that.
16:46Yes, of course.
16:49As long as you're in this palace, I'll keep being Julio.
16:54It's just that...
16:56I'm very sorry for everything that has had to happen.
16:59I can't even imagine what he must have suffered.
17:05And I'm still doing it.
17:07Don't talk about the past.
17:12It's just that I understand him.
17:16Saving the distance, of course,
17:18but I've been through something similar.
17:20My father died not long ago.
17:24He told me, yes.
17:26It's very hard to assume that you're not going to see the person you love again.
17:33And even so, I don't intend to compare myself to you, because
17:36my father's heart was sick, and that was what took him away.
17:39The law of life.
17:42Before time, but...
17:44But yes, the law of life.
17:46But nevertheless, his fiancé
17:49was at the height of his youth.
17:52And he left in a very tragic way.
17:57I confess that it's hard for me to get over it.
18:00I admit that...
18:03I was in a lot of pain and...
18:05I thought there was a clear culprit.
18:07Because of what they had told you about Curro.
18:10That's right, but...
18:12Now I know he's a noble person and that...
18:14He had no responsibility for that atrocity.
18:17But I'm convinced that the death of his fiancé had a great effect on him.
18:21It's so true.
18:23Curro himself confessed to me that...
18:25the death of my fiancé weighs deeply on his heart.
18:31But then...
18:37The whole issue of the restoration of the painting
18:40was an excuse to extend his stay in La Promesa.
18:48Look.
18:49Let's see this one.
18:51This one looks good.
18:53Are there any others out there?
18:55I...
18:57I heard Curro and you talking about my departure.
19:00And well...
19:02I had to think of something to stay.
19:05But then he made up that he knew how to restore paintings.
19:08Well, I have some knowledge.
19:11But actually, I didn't touch the painting.
19:14You can rest assured.
19:15It's a very important painting for my family.
19:18I know.
19:19And that's why I was very careful.
19:21I give you my word.
19:25Can I trust you to keep my secret?
19:32Of course.
19:35Of course.
19:46What are you doing here?
19:48What am I doing here?
19:49It's my bedroom.
19:51Of course it is, but...
19:53I don't know.
19:54I thought you had an appointment with Salvador
19:56to go to the Luján churrerÃa.
19:58Yes, that's why I'm dressed like this.
20:00Like a churro.
20:05Are you okay?
20:08The truth is that I'm not very Catholic.
20:11What happened to him?
20:13I don't know.
20:15I haven't woken up since I found out that the Marquise
20:18read my blessed notebook.
20:20Well, that has to end.
20:21And right now you're going to put on a street dress
20:23and I'm going to help you.
20:24And you're going to arrive on time.
20:26I'm not on time.
20:29A waiter had to make a reservation near the palace of Count Matesán
20:32and I took advantage of it.
20:33I'll let Salvador know.
20:35MarÃa, have you canceled it?
20:39I thought you were crazy about that meeting.
20:44It is what it is.
20:46And what's wrong with you?
20:47You're not dying to see Salvador anymore?
20:49Of course I'm dying to see Salvador.
20:51But for half an hour, which is what you could steal from work,
20:53that's why I don't remove Roma from Santiago.
20:56And I don't want to beg for mercy either.
20:58MarÃa.
20:59Don't be like that, Hanna.
21:01If Salvador already told me that I had to be on the lookout
21:03in case the Count claims him.
21:05And that I was barely going to be able to be there for a little while.
21:08Well, it seems to me that any time is good
21:10to share a chat, a smile.
21:12Even if it's a short time.
21:15When Salvador said he was going to serve out of promise,
21:18I never imagined he was going to make me so angry.
21:22Well, the distance is very hard for lovers.
21:26He did what I imagined.
21:29And the distance between the palaces adds up to the fact that
21:31that count moves more than a garbanzo in the mouth of an old man.
21:35Does he travel a lot or what?
21:37More than a cloth merchant.
21:39And he has the bad habit of always taking Salvador with him.
21:41Don't you miss me with the first kiss you have?
21:45I don't know, I'm glad he's doing well.
21:48But...
21:49But...
21:52I don't know if there's room for me in that new life of Salvador.
21:55MarÃa, stop saying nonsense.
21:57For Salvador, you are the first.
22:00It's just that I feel so far away.
22:03Well, you'll see how soon he's going to give you a hug from the Guarnes.
22:06That never ends.
22:09Well, don't worry about me.
22:11You have enough with what you have.
22:15Of course, we're both screwed.
22:20How are you with your Manolita?
22:24Fine.
22:26Bad, bad, terrible.
22:28A disaster, MarÃa, I don't know.
22:30But you're still in love with him, as always, right?
22:33Well, of course, if that doesn't happen.
22:35That's the important thing.
22:37But it's not that easy when everyone is against it.
22:42Well, not everyone. I'm not against it.
22:44Nor the rest of your companions.
22:48The Marquesas will never allow us to live our lives freely.
22:52Well, but it's with a couple of two.
22:54And the rest are left over.
22:56And in the end, you'll see how they go through the ring.
22:59I hope so.
23:01Manol is going to talk to his parents to give them his ultimatum.
23:05I don't know what that will be, but it sounds like a threat.
23:08More or less, yes.
23:10Then be careful, because if there's something the Marquesa doesn't like, it's only in the ultimatum.
23:31Mrs. Arcos.
23:33I'm sorry to have kept you waiting.
23:35And when is a good time in this valley of tears?
23:38I had to leave my office to the Duchess of Carril and now I'm late with my homework.
23:45I'm very sorry.
23:47The Marquesa, who wants to be on good terms with that lady,
23:50and we have no choice but to fulfill her wishes with the best of our smiles.
23:57Even if they are faked, it is better not to take the opposite of the Marquesa.
24:02And less in these moments that she is going through such a delicate situation.
24:12What do you mean?
24:13What do you want?
24:16What is it going to be?
24:18The tedious matter of your son Manuel with Hanna.
24:22That.
24:25You were thinking of something else, my friend.
24:28Isn't that right?
24:30What exactly are you referring to?
24:33Well, I'll tell you because I know you're not going to get out of here.
24:44Things between the Marquesas have not been going very well lately, let's say.
24:52Wow.
24:53And it really is the only problem that the Marquesa faces.
24:59And do you know why?
25:02Because she didn't consume herself.
25:04It's something abhorrent.
25:05Something abhorrent.
25:08It seems to me that you had something to do with the fact that there was no such purpose.
25:13And you too, Santos. And if you think about it, I'm sure you know why.
25:20The notebook.
25:22And now the Marquesa is in debt to us because we prevented that abhorrent union.
25:29And have you thought of any kind of gratification in this regard?
25:32No, no, for God's sake. Money is something vulgar and ephemeral.
25:36And it also does not allow you to get the things that really matter.
25:41I don't understand.
25:43Over time, Santos, you will understand the importance of having someone powerful in debt to you.
25:49And by the way, speaking of debts, how are you doing with that useless Martelo?
25:54That bastard has no arrangements, Mrs. Arcos.
25:57You see what I'm telling you. We paid for a valley of tears.
26:01Well, I try to do my best not to be like that.
26:05So as not to get too close to me.
26:07With Marcelo, for example, I give him wrong instructions and I make him work twice as hard.
26:12He doesn't realize.
26:13That bastard doesn't know where his right hand is.
26:17I like your way of seeing things. I don't know where you got it from, but I like it.
26:22Well, not from my father, of course. Because that man has not had a single minute of his life.
26:27Then it must have been from your mother.
26:30Who, by the way, you talk very little about.
26:35Because I barely knew her.
26:37She died when I was very young.
26:41A tuberculosis.
26:43She took it.
26:45My father sent someone to give it to him.
26:48He took his crutches and we left Masegoso.
26:51Azubueros, here in Cordoba.
26:53I don't know Masegoso.
26:54Masegoso?
26:56It's a Manchego town.
26:59But I barely have any memories of it.
27:03Like my mother.
27:06Oh, I'm sorry.
27:10It's curious.
27:13How sometimes we can miss something.
27:17Something that we barely remember.
27:21Or that we don't get to know.
27:23It happens to me at least.
27:27Poor girl.
27:30There is no comfort for something like that.
27:38Believe me if I tell you that I am very sorry, sir.
27:42You were one of the few who knew about my relationship with Hanna.
27:46I have always known that I could trust you, Romulo.
27:50So I would like to ask you a favor.
27:53Of course, whatever is in my hand.
27:55Look, Mr. Baeza, I try to keep an eye on Hanna.
27:58But the reality is that the fact that she continues to work as a maid complicates everything quite a bit and ...
28:04I'm afraid of my mother's repressions.
28:07Don't worry, I'll keep an eye on her.
28:11Actually, it's enough for me that you let me know if you see something strange.
28:13Or if you notice that, I don't know, Petra or my own mother or anyone else attacks her.
28:18No, I won't take my eye off her, but I also have to tell you that ...
28:23that you worry me.
28:27You don't have to worry about me, Mr. Baeza.
28:30I'm fine.
28:32In fact, I have set out to get something positive out of this whole matter.
28:35Now that everything has come to light, I no longer have to hide my love for Hanna.
28:39It is a relief, of course.
28:41It is. We have been keeping our relationship a secret for too long, you know.
28:45Sometimes secrets can become a very heavy burden.
28:50Yes.
28:52But my love for her is still intact.
28:54Even stronger.
28:56You know, I know I'm going to marry her.
28:59Although I still don't know when or how.
29:01If you allow me ...
29:03I would like to give you some advice.
29:06Don't be in a hurry.
29:08The moods are very heated around here.
29:10I know, but that's precisely why I think I have to stay firm with my decisions.
29:16Mr. Baeza.
29:18When he said that secrets are as heavy as bears ...
29:22he was referring to Mrs. Pia, right?
29:25That's right, sir. I think Mrs. Adar is suffering too much.
29:29Yes.
29:31But there is less left.
29:34You know, I think we have never been so close to being able to reveal to everyone that she is alive.
29:38And I don't think there is much left for them to locate the person responsible for Gregorio Castillo's death.
29:43God forbid.
29:45On the other hand, you have already told me that you told the sergeant that Mrs. Pia was still alive.
29:50I had no choice. The sergeant himself spoke to her.
29:53And since then we have not had news of him.
29:57Something tells me that he has directed his investigation in another direction.
30:00It could be.
30:02Yes.
30:04You know, I'm still thinking about a settlement.
30:08If I hadn't been so clumsy as to use an envelope with the name of the promise ...
30:11But it doesn't make sense for you to fuss about that, sir.
30:14It was a clumsiness, Romulo.
30:16I don't know, I guess I had my head somewhere else.
30:18Yes, at his wedding. He had his head.
30:21Where? Yes, where?
30:23So, calm down.
30:25The most curious thing about all this is that I'm not married yet.
30:28But he has done everything possible.
30:30Maybe now is the time to stop and think about the next step.
30:33Yes, the next step.
30:40Girls, a little more effort.
30:42What?
30:44Come on.
30:46Come on, we have already promised the Marquise that we are going to give him the kitchen with a patina.
30:50I don't have the strength.
30:52One, two and three.
30:56You can't.
30:57And López will be notified anyway with his help?
31:00No, leave him to see it.
31:02To move this model, we need the help of a boy or more than two.
31:07Unless it's Antonio and Policarpo.
31:11The two remains that guarded the door of the poor lady's room.
31:16What are you talking about?
31:19Good morning.
31:21I see you all very suffocated.
31:23What are you doing in the round?
31:24I was looking for Santos to tell me what I have to do today.
31:27But well, I came down to say hello.
31:29To say hello, huh?
31:31Well, here you can't eat anything until lunchtime.
31:34Wow.
31:35I already knew you were coming to say hello.
31:38Since ...
31:40Well, why are you so upset?
31:43Wouldn't they be trying to move this table?
31:45Come on, hurry up, boy.
31:47For what?
31:49Well, to clean the bottom well,
31:51because the Marquise has called our attention and we don't want him to suffer again.
31:55But nothing is impossible.
31:57This weighs like a bull in a cane.
31:59Sometimes more courage than strength.
32:02They won't have a pill of soap around there.
32:04Another one who is calling us gorrina.
32:06That's not why, Mrs. Candela.
32:08Come on, take it from me.
32:09I'm going to show you a trick.
32:11Here you have the soap.
32:12Let's see what that trick is like.
32:14Look, first we wet the soap.
32:17Then we throw a little on the floor.
32:24And next to the legs.
32:32And ...
32:33Tachán.
32:35And those are the magic words for the table to move?
32:38No, for them to move, they have to push it,
32:40but now it will be much easier for them.
32:43Come on.
32:44Try it.
32:49No!
32:51It works!
32:52Yes, I told you.
32:53Now that you could have helped a little,
32:56I couldn't have kept looking at you.
32:58It is the law to recognize that a boy was right.
33:01Thank you very much, Marcelo.
33:03Yes, this time you have succeeded.
33:05I always succeed, Vera.
33:06Especially in front of ladies who are also planted.
33:09Watch your tongue, Marcelo.
33:12We are not married men.
33:14You have to measure the requirements.
33:16And what am I going to do if I am surrounded by beautiful flowers like you?
33:19Then go and flirt with your mother.
33:20What?
33:21What a mess you've made.
33:23Never see.
33:24Goodbye.
33:30Vera, I ...
33:32Can I talk to you for a moment?
33:33Please.
33:35I need to explain to you.
33:37I don't want to know more details.
33:39It's all very clear.
33:40You and I were not together,
33:41so you fell in love with someone else.
33:44There is no betrayal or deception.
33:46I felt tremendously alone.
33:48And hurt.
33:49And does that justify what you did?
33:51No, no, it doesn't justify.
33:53But I want you to understand the whole circumstance.
33:55I was in a moment of despair.
33:57I felt suffocated.
33:58Okay.
33:59I understand.
34:01Is there anything else you want to tell me?
34:03Yes.
34:04I'm sorry.
34:06I'm very sorry.
34:08More than you can imagine.
34:11I made an unforgivable mistake.
34:12Of course you did.
34:14But that's it.
34:16Forgiven.
34:20I don't think there is sincerity in your forgiveness
34:22if you are still so angry with me.
34:25Children get angry when they are told no.
34:28What I am is broken.
34:31Disappointed with you.
34:33And I think you are being too indulgent with yourself.
34:36I know I was wrong, Pelayo.
34:38But I couldn't do anything but move on.
34:41Move on?
34:42Yes, move on.
34:44And I would like it to be with you.
34:46Although I am aware of how difficult things are now.
34:49Yes, they were already difficult before.
34:51I can't speak for you.
34:53But as far as I'm concerned, I know I love you.
34:56And I thought you felt the same way.
34:58What difference does that make now, Catalina?
34:59Your pregnancy changes everything.
35:02I know, Pelayo.
35:03But as much as I want, I can't go back.
35:05That's more than obvious.
35:07And that's why I would like to take advantage of the circumstance to ...
35:11Instead of separating us forever,
35:13to unite us definitively.
35:19It seems incredible to me.
35:22But it's incredible that you have the shame to even ask me something like that.
35:26Do you realize what you're asking me?
35:29I am quite aware of it, yes.
35:32But I understand perfectly well that you don't want something like that for your life.
35:38But if I'm asking you, it's because I think it's worth fighting for what we have.
35:44I love this boy.
35:46And I'm going to have him above everything.
35:49But I don't want to lose you.
36:14The main bedroom will be ready for our wedding night.
36:18Yes? With all the decoration I asked for?
36:20Of course.
36:22Including the blue velvet curtains with the golden embroidery?
36:25Uh-huh. And the Persian carpets.
36:27I have been told that they are on their way.
36:29At stake with the wooden bed of Eban Ogundosel.
36:32Large size, I understand.
36:34The bed for a queen.
36:36Aren't you looking forward to trying it?
36:39No.
36:40Aren't you looking forward to trying it?
36:43Yes, I'm sure it will be very comfortable and we will sleep very well there.
36:48Everything will be perfect.
36:52By the way, we haven't talked yet about the decoration of Martina's room.
36:58Ignacio ...
37:00You talked to her, right?
37:02Yes.
37:05Tell me without hesitation what she told you.
37:07No.
37:09Well, she refused, Ignacio.
37:13Wow.
37:15I didn't expect it.
37:17Well, I don't want you to take this as a personal affront because she really has nothing to do with you.
37:21Are you sure?
37:23Yes, she just wants to keep her promise, that's all.
37:27I guess it's a firm decision and I have nothing to say.
37:30Well, I know you were very excited that the three of us would live as a family, but ...
37:36I also understand that Martina is an adult person and makes her own decisions.
37:41That's right.
37:43Although that doesn't mean that she feels it a lot, especially for you.
37:46I was convinced that her presence would do you good.
37:50But if it is so, it is so.
37:54Well, I really appreciate your understanding.
37:58You're welcome.
38:00Now, if you want, we could talk about the decoration of the living room.
38:03Sure.
38:05Yes?
38:07Well, I was stunned when they told me that the Marquise came down to the kitchen in person.
38:12But what did he say exactly?
38:14Well, nonsense, according to Candela and Simona.
38:17That Don Manuel was focused, without regi, and without knowing what to do.
38:22The fact is that the Marquise has the hope that he will clarify his ideas.
38:26What do you think?
38:28What do I think?
38:30Well, it seems to me that this woman doesn't know anything.
38:33Or at least she doesn't want to know.
38:35I don't know how hard it is for her to understand that her son and I have fallen in love.
38:41Hanna, darling.
38:43I need to talk to you.
38:45Of course.
38:47Look, I'm in a very uncomfortable situation.
38:50I have to do the squares for tomorrow.
38:52And ...
38:53And ...
38:55Whatever.
38:57Well, given your relationship with Don Manuel, I really don't know if I should give you orders, or rather the opposite.
39:03Excuse me?
39:05Well, I understand that you have the power to do whatever you want, so ...
39:08I imagine I will have to assign you lighter tasks.
39:12Because the last thing I would like is for you to complain about me to your boyfriend.
39:17Enough nonsense, Mrs. Arcos.
39:18Mr. Baeza, as a key master, it is my obligation to organize the shifts properly.
39:23But will you be aware of the specific indications that Mrs. Marquesa gave this morning?
39:27Of course.
39:29Then you will know that your wish is that there is absolute normality and discretion.
39:34That everything will be as before.
39:37Nobody wants a scandal, Mr. Baeza.
39:40But there are considerations to take into account.
39:42Like what, Mrs. Arcos?
39:44Like, for example, if Hannah should or should not serve the gentlemen's dinner.
39:49Of course she can.
39:51She may find herself in a very uncomfortable situation, not knowing whether to sit at the table or serve it.
39:58But it will be ...
39:59Don't worry, Miss Fernández.
40:01Mrs. Arcos, stop messing around.
40:04I think the last thing you care about are the squares.
40:07And all he wants is to make firewood from the fallen tree.
40:10Well, in this case, Mr. Baeza, as you can see, the tree is very lush.
40:15In fact, it casts a shadow on all the others.
40:17Mrs. Arcos.
40:18Mr. Baeza.
40:20Should Hanna serve or not serve dinner?
40:25In this case, there are enough squares to serve dinner.
40:28The maids are not needed.
40:30So, Miss Expósito can dedicate her time to other tasks.
40:33Well, that was precisely what I wanted to achieve.
40:37Well, let's have the party in peace.
40:40Miss Expósito, come with me to my office.
40:43I need your immediate collaboration.
40:52Oh, MarÃa Fernández.
40:54Look how things are.
40:56Some get rid of their homework and others ...
40:59They don't even have time to write.
41:02It's a shame that the world of literature has lost such a promising figure.
41:28Excuse me, gentlemen.
41:31Is everything to your liking?
41:33Yes, yes. Don't worry, Mr. Ricardo.
41:36I'm sorry, but I've noticed that you haven't been present in the dining room
41:40and that you've stayed here locked up during dinner.
41:44I don't want to be intrusive, but ...
41:46I'm fine. I just want to be calm. If it's not too much to ask ...
41:50Excuse me if I've bothered you, sir.
41:53Wait, wait, Mr. Pellicer.
41:57I'm very sorry. It's not your fault.
42:00I've made you pay for my bad mood again.
42:03It doesn't matter, sir.
42:05It's just that ...
42:07I'd like to find a way to help you.
42:10I see you're in a bad mood.
42:12Have you received any bad news?
42:15The worst of all.
42:17If you want to share it ...
42:20Share it with you.
42:23If you allow me the advice,
42:24the experience has shown me that verbalizing provocations
42:27is the best way to take away part of your seriousness.
42:32I'm afraid that in this case, that won't help at all.
42:35I'm sorry to have bothered you, sir.
42:38I won't lose seriousness, but ...
42:41maybe it will relieve me a little.
42:44I'm listening, sir.
42:50It's about Miss Catalina.
42:54She's pregnant.
42:57What do you mean, sir?
42:59The worst thing is that I'm not the father of the child.
43:05I'm very sorry, sir.
43:08And of course, I assure you that this information will save us from here.
43:13You're right, Mr. Ricardo.
43:20She herself has confessed it to me. Can you believe it?
43:25I guess it was a very hard blow for her, sir.
43:29I admit that in the past I was not honest with her.
43:32I behaved badly, very badly.
43:34But I didn't expect this.
43:37Yeah.
43:40We were going to give ourselves another chance, you know?
43:43We love each other.
43:46But now it's impossible.
43:48Nothing is impossible, sir.
43:52She did that herself.
43:55Do you know what she asked me to do?
43:58To assume the paternity of that child.
44:03What would you do in my place?
44:05Me? No, no.
44:07That's not important, sir.
44:09I need to know your opinion.
44:12I don't know.
44:16You said that you love each other very much.
44:20One does not stop loving someone overnight.
44:24Well, sir, I think that Miss Catalina is offering you a solution to be able to continue with you.
44:31Without going into other considerations.
44:36But I don't know if I'm going to be able to assume something like that.
44:41I don't know, I'm not able to think clearly.
44:44Maybe what she has told you is capable.
44:47I don't know.
44:50In any case, I thank you for listening to me.
44:52It would have helped me a lot to tell me.
44:54I'm glad to hear it.
44:56And sir, if you allow me one last piece of advice.
44:59Do what you do.
45:01First, take a bath, calm down.
45:04And think very well about what your next step will be.
45:23I like this one.
45:25The 5.
45:28The 5 ...
45:30Folding hand fan made of a fully wooden carved handle.
45:36Which one do you like best?
45:38Well, without a doubt, the 7.
45:42Well, yes, it's a very good choice too.
45:45The 7.
45:47The 7.
45:49The 7.
45:50Well, yes, it's a very good choice too.
45:53Ready.
45:55Well, these two pay the traveler and the rest are taken from here.
46:05Well, I don't know if we should have stayed with more fans.
46:09No, there will be more.
46:11You think that all the travelers in the area are wishing to keep their promise.
46:15Well, the next ones will run on my account.
46:17Anyway, thank you for taking care of mine.
46:20The truth is that I have not asked you just to accompany me to give you a fan.
46:25No?
46:28Martina has asked us permission to keep the promise.
46:31After your wedding with Ignacio.
46:33I know, I know.
46:35And I also know that you and Alonso have accepted.
46:38Well, Martina is an adult woman and ...
46:41And for both Alonso and me it is a pleasure to have her here.
46:45I really just wanted to inform you.
46:48Yeah.
46:50Well, I was aware of his intentions.
46:52And although I would prefer him to live with me, I also understand that he is an adult, as you say.
46:57And we will respect his criteria.
46:59We will respect.
47:01Ignacio and I.
47:04He is also aware.
47:06Yes, I myself have informed him before.
47:08Well.
47:10In addition, he has taken it very well, thank God.
47:12What other option could he have?
47:14It could have been a confrontation for him, that negative from Martina.
47:18Or having opened another front, I don't know.
47:21Because besides, he was very excited that the three of us were like a family.
47:26What's with that smile?
47:28Come on, Margarita.
47:30Don't be naive.
47:32What Ignacio has done is called fulfilling and not spending.
47:34What do you mean by that?
47:36Well, I get the feeling that he is delighted to get rid of a girl who has already done enough
47:41displays of contempt in the past and of which he has wanted to get rid of several times before.
47:46What interest could he have in the three of you living together?
47:50Come on, he's getting everything out of his mouth.
47:53What happens is that you don't even know.
48:03Can I talk to you?
48:05No, I'm very busy.
48:07I need to explain to you.
48:08I assure you that this will be the last time, the reason why Santos scolded me.
48:12I don't want to hear your explanations.
48:14I'm almost done here, we'll talk another time.
48:16For God's sake, Teresa.
48:18I've been trying to talk to you for days.
48:20I don't want to hear your childish excuses anymore.
48:22And do you think it's more mature to be playing cat and mouse with me?
48:26Okay, tell me.
48:28Let's see.
48:30Santos got me in a hurry to finish the clothes.
48:32And he also told me to change the buttons on a shirt.
48:35That's rare, he takes care of it on the street.
48:36I know, but I only do what I'm told.
48:39And?
48:41Well, in a hurry, I sewed the buttons on the inside.
48:45I shouldn't have changed the buttons.
48:48Blaming a partner of your own negligence.
48:52No.
48:54I didn't say that.
48:56Mrs. Arcos, this is a private conversation.
48:58Stop being it when it involves others.
49:00And I have to watch out.
49:02Because I rule the good atmosphere among all the members of this house.
49:05Sure, and you know how to do that perfectly.
49:09I know you were talking about Santos.
49:12And I'm completely convinced that he explained your tasks well.
49:16There's nothing to justify that things are wrong with the buttons.
49:19Anyone can make a mistake.
49:21Yes, but not one after the other.
49:24You don't pay attention to things.
49:26You don't pay attention to things.
49:29And you're useless.
49:31You interrupted the captain's conversation.
49:33You ruined Mr. Curro's horse ride.
49:36And you ruined the buttons.
49:39I've already apologized for all that.
49:41You're a pain in the ass on the street.
49:43And I don't know how long you'll be here.
49:46But I assure you that for someone like you,
49:49there's no place for promise.
49:56I'm sorry.
50:18What are you doing here?
50:21You and I have a conversation to discuss.
50:23Us?
50:25You and I have nothing to talk about.
50:27Except for the temperature of the water I like for the bathroom.
50:30Well, you're wrong.
50:32I have a lot to say.
50:34Have you ever seen such disdain?
50:36Is this how you thank me for the generosity I've had with you?
50:39For not kicking you out of here forever?
50:41Look, forgive my insistence,
50:43but I think it's important that we talk.
50:45I don't know why.
50:47Well, because since all this came to light,
50:50I've kept quiet out of respect, but ...
50:52I think the time has come
50:54for me to tell you my reasons.
50:57I can see you're not going to stop being stubborn, are you?
51:01Come on, talk.
51:04I want you to understand that Manuel and I
51:06never intended for this to happen.
51:09In fact, what happened between us came up
51:12because of our sadness.
51:15When we realized what we felt,
51:17we tried to avoid it, but it was impossible.
51:20And it was impossible because
51:22our love is sincere and pure.
51:24Pure?
51:26Please, my ears bleed
51:28from hearing you say those lies.
51:31You don't love my son,
51:33but rather his rooms and his last name.
51:36That's not true.
51:38But who are you trying to fool, shameless?
51:40Since you set foot in this palace,
51:42I've had my eye on you.
51:44Why did you decide to work here, huh?
51:46I fired you.
51:48And yet you,
51:50you managed to convince the Marquis
51:52with your bad arts.
51:54I'm sorry, Manuel.
51:56Do you think I'm also to blame for that accident?
51:58It could be anything.
52:00Who says lies now?
52:02We offered you money so you could leave.
52:04But you didn't want it.
52:06You wanted more.
52:08You wanted everything.
52:10You wanted to hunt down the heir, right?
52:12And you didn't hesitate to destroy a marriage
52:14to get it.
52:16You know perfectly well that Manuel never loved Ximena.
52:18Because you got in the way.
52:20You destroyed that poor girl's life.
52:22And you're willing to destroy my son's too.
52:24That's how it is.
52:26And you know what?
52:28You were right.
52:30I have nothing to say to you.
52:32Well, now I'm the one who wants to go on.
52:34Very well.
52:36Don't you dare leave me with a word.
52:38Come here, I tell you!
52:46How are you listening to this?
52:48The lady up there reading the fans
52:50and the traveler down here
52:51is getting rid of ham and wine.
52:53And what about the capital?
52:55The poor man was only talking about his daughter.
52:57Turns out
52:59he sent
53:01the picture of the girl
53:03to a beauty pageant
53:05organized by a magazine.
53:07The girl is so pretty.
53:09The girl is uglier than piss.
53:11And then?
53:13Then he gave me
53:15a lot of flyers
53:17to distribute among the members of the service
53:19so they vote for the girl.
53:22There she is.
53:26The Virgin Juana.
53:28The girl is so ugly.
53:30And what does this say up here?
53:32I can see it.
53:34He's going to compete.
53:36He has to put
53:38a title on the picture.
53:40And look at the condemned man!
53:44The girl in his eyes!
53:47And he doesn't have eyes.
53:48Poor thing.
53:50Teresa!
53:52Can we help you with something?
53:54Are you happy, lesbian?
53:56Let's see if I can get over the discomfort.
53:58What are you thinking about?
54:01That Mrs. Arcos has put Marcelo
54:03to fall from a donkey.
54:05And what nonsense has Marimán Drajos told her now?
54:07None, Mrs. Simona.
54:09And that's what hurts me.
54:11That she has only told her the truth.
54:13Maybe your husband is not the best faller in the world,
54:15but I didn't shed bad blood for them either.
54:16I would have liked to defend him,
54:18but I couldn't.
54:20Marcelo keeps making mistakes.
54:22Yes, he makes them,
54:24but deep down he's a good boy.
54:26And if Marimán Drajos doesn't see it,
54:28it's because she only has eyes for Santito.
54:30God raises them and they like each other.
54:32Yes, lately they look very close together.
54:34Yes, especially since Santo got sick
54:36and she was taking care of him all the time.
54:38Nail and flesh.
54:40More than nail and flesh,
54:42they behave like mother and son.
54:44What do you mean?
54:46I mean, apart from Feliciano,
54:48who is in glory,
54:50Mrs. Petra has welcomed Santos under her wing.
54:52And Santo is delighted with the deal.
54:58I'm sorry to bother you, ladies.
55:01Mr. Baeza wants to meet
55:03with all the servants in the dining room.
55:17Good afternoon.
55:19Good afternoon.
55:21Good afternoon.
55:26I suppose you can easily imagine
55:28what I want to talk to you about.
55:30The only thing that is discussed in the promise.
55:33That's right.
55:37You see, since everyone
55:39is gossiping in the corners,
55:41I would like to sit down with you
55:43to be able to address this whole matter face to face.
55:45This matter has me very bored, Manuel.
55:48Mother, that's not an attitude
55:50to be able to speak and reach a conclusion.
55:52I don't know what conclusion you intend to reach.
55:56To begin with, I wish you
55:58to accept Hanna,
56:01to meet her
56:03and discover the wonderful woman she is.
56:05Wonderful woman?
56:07She's a maid, for God's sake.
56:09If you gave her a chance,
56:11they would learn to appreciate her.
56:12She won't listen to you in a million years, Manuel.
56:14She won't even listen to my reasons?
56:16Well, that's exactly what she told me
56:18when she broke into my bedroom.
56:20What did she do?
56:22She said nothing but nonsense.
56:24But what the hell do you think you came out of?
56:26Reality has nothing to do
56:28with what you pretend.
56:30In that case, I regret to tell you
56:32that we are all going to suffer
56:34because I know very well
56:36that Hanna is the woman
56:38I want to spend the rest of my life with.
56:40And I'm not going to give her up for anything.
56:43Look, Manuel.
56:46We can understand that you fell in love
56:48with the wrong woman.
56:50But you can't forget
56:52what your position is.
56:54My position?
56:56As the heir of the Marquis of Lujan,
56:58you have a social responsibility
57:00and a last name to honor.
57:02And that prevents me from sharing my life
57:04with whoever I choose?
57:06You like it or not, there are things above you.
57:08You should know that.
57:10I know that perfectly well, Father.
57:12Fulfilling my obligations
57:14is what made me make the biggest mistake of my life.
57:17I married Ximena de los Infantes.
57:19Again with that?
57:21I've learned
57:23and I've discovered that I have the right to be happy.
57:25No one is opposed to that.
57:27Then stop worrying about the happy Marquis.
57:29I'm not going to let them down.
57:31I will be the future Marquis of Lujan.
57:33That's a good starting point.
57:35But I will be the Marquis of Lujan married to Hanna.
57:38Or I won't be.
57:42I will be.
57:52There is nothing of the sort in my relationship with Manuel,
57:54Mr. Pellicer.
57:56This is a real love.
57:58Yours has no name.
58:00You are the most defaced woman
58:02and with the least shame I have ever seen in my life.
58:04She didn't look like our father.
58:06What do you mean by that?
58:08She was out of her mind.
58:10It was my mother who had to
58:12I didn't realize.
58:14You never realize anything.
58:16My God, how are these two?
58:18It's so weird.
58:20Why would they get along so badly
58:22if they are in what people say is the best stage of a couple?
58:24How can she be so obtuse?
58:26It's something obvious.
58:28You think?
58:30Anyone with two fingers in front knows
58:32that what attracted Ignacio to Margarita
58:34is not precisely his distinction.
58:36Don't say nasty things, Cruz.
58:38Ignacio has his own fortune.
58:40It's not small.
58:42Just because she's in love
58:44doesn't mean she's stupid.
58:46I see.
58:48You are one of us.
58:50In fact, I think there is enough confidence
58:52to start dating.
58:54Don't you think?
58:56You're right.
58:58My relationship with her is special.
59:00In fact, you have no idea how much.
59:02If I say it between the two,
59:04it doesn't seem to me that they get along badly.
59:06It's true.
59:08Although his father doesn't think the same as me.
59:09What happened to Santos' mother?
59:11She died of appendicitis when he was very young.
59:14Poor thing.
59:16I don't even know who he is.
59:18I only know his name is Adriano.
59:20What else do you want to know?
59:22I don't know his last name, title,
59:24maybe I know his family.
59:26No, you don't.
59:28Why are you so sure?
59:30He's a peasant.
59:32What?
59:34Manuel, he is the Marquis of Lujan.
59:36And as he would say, nobility forces.
59:37Yes, he hasn't told you.
59:39Yes, but precisely because of that,
59:41because of his personal circumstances,
59:43he should understand me better than anyone else.
59:45No.
59:47You're not thinking of bringing up Lucia and her past, are you?