La Promesa Episodio 433 Completo - La Promesa Capitulo 433 Completo - La Promesa RTVE Serie 1 october
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La Promesa Episodio 433 1 october 2024,
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La Promesa Capitulo 433 ,
La Promesa Episodio 433 1 october 2024,
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TVTranscript
00:00You're lucky
00:08I don't know how you could do something like that
00:12When I wanted to realize it was too late
00:16It's hard for me to understand it now, but I lived locked up in the hangar
00:21Angry with the world.
00:23You put it worse for me, it doesn't seem like a situation to go from lovebirds to lovebirds
00:26It's hard for me to call him like that, I didn't look for him
00:31I didn't think something like that would happen to me when I moved to the hangar
00:38By the way, if you lived locked up, how did you meet that man?
00:42It was Tadeo
00:44I didn't want to see anyone, not even my own family
00:48But Tadeo insisted that I help a friend of his who had a problem
00:52And that friend turned out to be Adriano, right?
00:57That's how it was, yes. I couldn't deny it, Tadeo had done me a lot of favors
01:06And what did that guy need from you?
01:10He had lost his father overnight
01:13And he had to get his lands back and he didn't know how, and Tadeo asked me to help him
01:20And you accepted
01:21I've already told you that I owed him a lot
01:24At first, Adriano and I didn't make good friends, quite the opposite
01:28But wow, you ended up doing them
01:32The truth is, Catalina, I don't understand
01:34Why?
01:36Because I know you
01:38I find it very strange that you ended up doing something like that
01:44Deep down, we were very similar
01:46Similar? What were you similar in?
01:49Similar? What were you similar in?
01:52Well, he had lost his father and his life suddenly, and mine too when everything ended between us
01:59So in the end it was my fault that you got together with him
02:02No, I don't think it's anyone's fault
02:05In fact, it was a stroke of luck to meet him
02:09But how is it going to be a stroke of luck that you end up with that guy?
02:11You don't have to talk like that
02:13It's what happened, no more, no less
02:16It was a lot more
02:19Thanks to Adriano, I had the courage to get out of the hangar, to face life again
02:23I swear he has an eye that hears
02:25It was like that, he helped me regain my spirit, my joy
02:29And wow, you got it back by shooting together in the hangar
02:32Don't be so vulgar, please
02:34What you're telling me is a very vulgar story
02:37In any case, it's a story that ended
02:39No, it didn't end, Catalina
02:41I don't know if you've realized it, but you're pregnant with that man
02:45And to think that I always respected you
02:47And I behaved with you like a gentleman
02:49You and I were not together
02:51Adriano and I met, we supported each other in a bad moment
02:54Stop it, please, it's okay
02:56It's okay
03:00Are those the best explanations you have?
03:03Yes, they are the only ones I have
03:08Well, they don't work for me
03:10Well, they don't work for me
03:40This is very serious, very serious
03:42Getting married to a maid
03:44We already know it's very serious, Lorenzo
03:46You don't have to repeat it every minute
03:48But you've shown Manuel that this is a mess
03:50Of course, but he's already screwed up getting married to that girl
03:53There's no one to get him out of there
03:55He doesn't get off the donkey
03:57He's always been very stubborn
03:59Yes, well, one can be stubborn with their political ideas
04:01Or if he likes a bullfighter more than another
04:03But in something like that, he's doing it
04:05He doesn't listen, he doesn't listen
04:07In something like that, he's doing it
04:09He doesn't listen, he doesn't listen
04:11For God's sake, this youth
04:13Yes, they are deaf to any kind of advice
04:15Until they mature and acquire a little knowledge
04:19They can, but we can't wait for them to mature to solve this
04:22No, no, of course not
04:24Just to imagine Manuel getting married to a maid
04:26My body is shaking
04:28Imagine, and we would be the food of the whole country
04:31I think that from something like that, they would be in a mess
04:34Thank you very much for your words to everyone
04:36It's very relieving to hear you
04:38I'm sorry, I'm sorry because we didn't want you to be worse
04:41Well, that's exactly what you're achieving
04:43Well, we just want to help them
04:45And I think I speak on behalf of everyone
04:48Yes, of course
04:50If we can do anything to prevent him from getting married to that maid
04:54You don't have to ask for anything else
04:56Is this bitch still here?
04:58Yes, unfortunately
05:00I hope I don't run into her because I don't answer
05:02It's better this way
05:03Yes, it's better this way
05:04As soon as he sees her, he'll kick her out
05:06Why don't you kick her out?
05:08Lorenzo, you were at dinner
05:10Manuel has been very clear
05:11If Hanna leaves the promise, he will announce what happened to everyone
05:14It's true
05:15All you have to do is negotiate with him
05:18Too bad
05:19But in a negotiation, both parties must give in
05:23To what extent are you willing to consent?
05:26I just know that we are not going to allow him to marry a maid
05:29We can't let something like this happen
05:32The thing is to know to what extent you can pressure Manuel
05:37To think that there would be so many women who would want to go to the altar with him
05:41You have to look at a maid
05:43That a man whims with a maid is the most common thing
05:46That has always happened
05:48But everyone knows that it is for a while, not to take her to the altar
05:54Well, my son is not enough for a while
06:02I love you
06:07Aren't you going to wish me a good night?
06:11I'm ashamed to look at your face after everything I've done to you
06:15Maria, let it be, Dina, come on
06:16I've done this
06:18I can't stop thinking about how my notebook could get into the hands of the Marquise
06:23Well, the thing is that I'm coming
06:25So it's not going to help you to torture yourself
06:27Let it be
06:28You have to think that because of me, right now you are not married to your little Manolito
06:34Torturing you is not going to help you at all
06:36Because I don't understand how it could happen
06:39If I always carried my notebook with me
06:41Or I had it hidden under the pillow
06:45Do you think they could have entered the room for him?
06:47I don't know, Maria, but I don't care
06:52Well, now that I think about it, once I was sewing
06:55And...
06:56And I had to leave it in a basket
06:59Because Mrs. Petra came to pick me up
07:05Come on
07:07Go upstairs and fix the ladies' bedrooms
07:09They've already gotten up from their nap
07:11Now?
07:12Of course, now
07:13You'll regret that later
07:18Maria Fernández, what are you waiting for?
07:20I'm coming
07:21Mrs. Petra
07:25Maria!
07:27I'm coming, I'm coming
07:28Fly!
07:42But of course, I came back for him shortly after
07:44And the notebook was right where I had left it
07:48But when you left, Petra stayed there
07:51She went there?
07:53As far as I know, she came after me
07:56But of course, I'm not sure now
07:59Well, don't think about it anymore
08:01It was her
08:03But I came back shortly after, Hanna
08:05And I don't think I gave her the chance to read it
08:08Take it to the Marquise and ask her to read it
08:11I understand
08:13Besides, I didn't even write when your wedding would be
08:16I don't even know if I knew it or not back then
08:19Well, one way or another, the point is that she found out, Maria
08:22That can't be solved anymore
08:24Well, she found out, and it's not my fault that she found out
08:26So what?
08:29But what happened, right?
08:30Maria, stop it
08:32I can't stop looking for you, Hanna
08:35Do you want to listen to me and stop saying nonsense?
08:38Well, what do I think, Hanna?
08:43Well, you don't have to think about that
08:47Let's see
08:50Why?
08:53Because the most important thing that has happened to me in this life
08:56Has been meeting you
08:59And no matter how many times you meddle, that will never change
09:19Come in
09:27Don't you like my company?
09:32I understand you, it's not the happiest thing in the world
09:35No, it's not that, Manuel
09:38I just didn't want to bother you
09:40I was surprised to see you so happy after how happy you were this morning
09:46It's what it takes not to stop thinking about it
09:55The thing is that I wanted to talk about something, but...
10:00Looking at everything that's happening, I don't think it's the best time
10:03More problems?
10:06No, I wouldn't call it that, exactly
10:10My mother has said another nonsense about Hanna
10:12No
10:13No, it's not about Hanna
10:17It's about Julia
10:19Julia?
10:22What's going on with her?
10:26Do you remember that you looked familiar to her?
10:30Yes
10:32Yes, she said she looked like a French actress, she was told a lot
10:35Yes, yes, she said that, but...
10:37Now I know you didn't look familiar because of that
10:40Now I know you didn't look familiar because of that
10:42No?
10:45And why?
10:47Because you had already seen a picture of her, just like me
10:52Me?
10:54Where?
10:55In front of you
10:59What do you mean in front of me?
11:01Manuel, she's the young woman from the picture that Paco always wore
11:05The one who always showed us as soon as she could
11:07The picture?
11:09The picture that Paco always wore was the one of his fiancée, Matilde
11:16We always talked about her
11:19That's her real name
11:28Julia is Matilde?
11:29The same
11:34But what is she doing here?
11:37She came looking for explanations
11:39The same ones that Jose Juan didn't want to give her
11:41And that's why she made all this up
11:45What explanations are you talking about?
11:49She wanted to know how
11:53And why her fiancé died
12:07A year later
12:24Sit down, mother
12:26I hope you called me here to tell me where the money you took is
12:30I want to talk about the money, yes
12:32Come
12:33I'm glad you're finally coming to your senses
12:37Are you tired of pretending that you don't have it?
12:40I'm afraid I haven't pretended
12:42And that you might have lost that money
12:44What?
12:46What I've told you, mother
12:48I haven't lied to you
12:49I've lost that money and therefore you can't get it back
12:52Yes, of course
12:53The money has vanished
12:55Mother, I've really lost that money
12:57No
12:58You don't lose a suitcase full of money as if it were an umbrella or a hat that gets forgotten anywhere, no
13:05Well, that's what happened
13:07I hid that money in La Promesa so that no one would find it there
13:10Just in case, so that they wouldn't reveal my identity
13:13And what happened? Did they steal it from you here?
13:15Yes
13:16I guess someone found it
13:18He took it, passed it from hand to hand and ended up in the hands of the Marquise
13:22Cruz has it?
13:24Or at least he had it
13:26To know where that money could be at this point
13:29Oh my God
13:31And what are we going to do now?
13:34Mother, don't get like that
13:36It was a lot of money, I don't deny it, but not so much for you
13:39You have no idea
13:41You don't know what we're going through, your father and I
13:45What do you mean? Has something happened?
13:48We're going through a very delicate situation
13:51What?
13:52What you hear
13:53We're on the brink of ruin
13:56Your father has spent many rooms trying to solve the problems you left in your way
14:01So many to be in such a desperate situation
14:04It's been a lot of money, Mercedes
14:07Besides, your father did some business that didn't go well and we've lost several thousand pesetas
14:13Father is always the same with his business
14:16And since I've known that we're not doing well, he didn't give us a loan and we're in deep shit, daughter
14:22Don't worry, mother. Your father is very cunning and I'm sure he'll find someone to get ahead
14:27And you're making fun of me
14:30It's what he's always done, isn't it?
14:34And what about you?
14:38Do you think you're better than him?
14:41You stole your parents
14:43You came into this house with lies, cheating everyone
14:46So don't you dare give us any moral lesson, not even one
14:59Yes, yes, yes, of course the Duchess of Carril can come here whenever she wants
15:12But at least she could give a warning, right?
15:14Because what's happening doesn't make any sense
15:17Come on, go to the door of my office and let me know as soon as the Duchess of Carril comes out
15:21Immediately
15:29Come on
15:49Mrs. Alcor, is something wrong?
15:55What did you say?
15:57No, you've been staring at me like crazy
16:02Am I doing the job wrong or something?
16:05No, no, it's just that I've been thinking about how bad your father feels that you and I are doing well
16:17Yes, lately everything I do bothers him, it's better not to notice
16:22And I just want there to be peace between the two of you, but that's not why I'm going to ...
16:27I'm not going to leave the complicity between you and me out of the question
16:31Of course not, he can say a thousand things about this
16:36Has he told you anything about our conversation?
16:42What is he talking about?
16:45Nothing, better let him be
16:47No, Mrs. Alcor, if this affects you and me, I need to know
16:55Okay, I'm going to tell you because I think it's better that you find out about me
17:03Your father reproached me for neglecting my tasks to take care of you when you were sick
17:11Did he tell you that?
17:13And in such an open tone that I had no choice but to stop the clock
17:16I told him that what I did in my free time was just my business
17:20Well, very well said, because I already tell him that lately everything bothers him
17:26Has he told you anything?
17:29Yes, about the bouquet of flowers I gave him, that he shouldn't have spent so much money on me
17:34You see, it bothers him that we do good things for each other
17:39Well, I'm starting to get fed up, I'm going to have to talk to him and make it very clear
17:43No, don't do anything, son, you leave things as they are, it's better not to do anything
17:49If I have told you, it is because of the confidence that we have
17:54But it is better not to make a world of this, okay?
18:09I love you
18:29They told me they wanted to see me
18:33Julia
18:35Yes, I wanted to congratulate you on how the painting turned out
18:39Thank you, it started from a good work and that helps a lot
18:44You know, my father is delighted with the result
18:47And my sister Catalina
18:49In fact, I think that if the promise were broken at this very moment, they would save this painting before their own jewels
18:56Let's hope they don't see each other in that mess
19:00I was sorry to finish the restoration
19:03I spent a few very entertaining days working on the painting
19:07I almost felt that that woman and I were friends
19:12You must think I'm crazy, right?
19:14No, not at all
19:16Artists go through things like that
19:19Thank you, but the word artist is too big for me
19:22Not at the sight of how this painting has turned out
19:26She must have been a great woman
19:29At least that's what the painter reflected
19:33Yes
19:36From what I've been told, she was
19:39You know, she made my father very happy
19:43And that's not something common in all marriages
19:48Are you okay, Manuel?
19:53I'm trying
19:58I don't want to meddle where I'm not called
20:01But if I could do something to help...
20:04Yes, I appreciate it
20:07But it won't be necessary
20:11Julia, I've actually called you for another reason
20:14Not to talk about this painting
20:17I can imagine
20:20So imagine what I want to talk to you about
20:23I can guess
20:26What has the promise brought you, Matilde?
20:29I don't mind telling you
20:32And since we're here, I'd like us to talk about Paco
20:37About everything that happened to him
20:40Of course
20:44Please, have a seat
20:49We have a lot to tell each other
20:58About Paco
21:24It's you, isn't it? Don't deny it
21:26MarÃa Fernández
21:29How dare you talk to the keymaker?
21:33I give you my notebook to the Marquise
21:35Because you knew I wrote
21:37I even broke some papers once
21:40Admit it
21:42It was you
21:46You can think whatever you want
21:57And we couldn't do much more for Paco
22:08He died thinking about you
22:12He kept you in his mind until his last breath
22:18He loved life
22:21Yes
22:24Yes
22:28And he loved you
22:31With madness
22:40Can I ask you a question?
22:43Go ahead
22:46All of this has happened, hasn't it?
22:50Yes
22:53But...
22:56I'd rather know your version of events
22:59My version?
23:04Don't you trust that our stories coincide?
23:08No
23:09I don't want to distrust anyone
23:12But...
23:14José Juan spoke very badly of Curro
23:19I see
23:24Although...
23:27The truth is that...
23:29During these days I've been able to get to know Curro a bit
23:33He seems like a good person to me
23:36He doesn't just seem like it
23:39He is
23:40I guarantee it
23:42That's why I'm so surprised
23:44I don't understand José Juan's words towards him
23:47But Matilde, you don't have to turn him around
23:53We were at war
23:55And that can affect anyone's understanding
23:59But all of you were partners
24:03I know
24:07But in such an extreme situation...
24:10Thoughts go wild
24:13And they lose control
24:17You have to try to forget
24:20No matter how hard it is
24:26I know, but...
24:30In that war, I lost the love of my life
24:33My only love
24:37Do you know what that is?
24:41Are you able to stand up for me, Manuel?
24:47Yes
24:52I swear it wasn't my fault
24:53It's never your fault
24:54Let me explain
24:55I don't want you to explain anything to me, Marcelo
24:57I just want you to do things right, for once
24:59Because if you continue like this, you're going to end up in the streets
25:06MarÃa, don't look where you're going
25:09I'm sorry, Teresa, I didn't see you
25:12What's wrong with you?
25:13What's wrong with me?
25:15That I'm a fool and a fool without any knowledge
25:19You don't have to talk like that about yourself
25:21I deserve it, for being so stupid
25:24If it weren't for me, Jana and Don Manuel would be home
25:28What?
25:30Of course, you mean you knew everything
25:32Of course I knew it from the beginning
25:35And I covered it up because I'd do anything for her
25:37And that's why I didn't tell anyone
25:40Then how did Mrs. Marquesa find out?
25:42Because I didn't tell her with my mouth
25:44I wrote it
25:45What do you mean you wrote it?
25:46Yes
25:47For a while, I've been accused of writing love stories in a notebook
25:50Yes, yes, I've seen you with that notebook more than once
25:53So what did you do?
25:54Did you write the story of Jana and Don Manuel?
25:56Well, not with their names
25:58But anyone who read it and knew them would realize what I meant
26:03And what did you do?
26:04Did you give it to Mrs. Marquesa to read?
26:06No, daughter, I'm not so unconscious
26:08But someone took it and gave it to Mrs. Cruz
26:10And who would be able to do such a bad thing?
26:12You and I know, Teresa
26:13Who is the baddest person in the whole palace, huh?
26:15MarÃa
26:17Mrs. Petra
26:18Precisely
26:20So Mrs. Petra took your notebook
26:22That's what I think, because she knew I wrote
26:24Even before I started the notebook, she broke a few sheets of paper
26:27Because I get caught writing at work
26:30Knowing her, you're capable of that and much more
26:32Well, yes, I think it was her
26:34Although she doesn't admit it
26:37The point is that I've ruined the life of my best friend
26:40MarÃa
26:41This wasn't your fault
26:43It was, Teresa
26:46Because in the end, Hanna and Don Manuel have been able to marry
26:50And let's see if they can get married someday
26:52Dad
26:53When you enter this office, call me first
26:56Although you are my son, you have to keep certain rules
26:59Apply the story with that of the rules
27:05Hello
27:06Hello
27:07Hello
27:08Hello
27:09Hello
27:10Hello
27:11Hello
27:12Hello
27:13Hello
27:14Hello
27:15Hello
27:16Hello
27:17Hello
27:18Hello
27:19Hello
27:20Hello
27:22But what's going on now?
27:23Well, the usual
27:25She's having an affair with Mrs. Arcos
27:27I think it's mean that the other day she reproached her for taking care of me during my pregnancy
27:31I only asked for information
27:33I have to know what the key soul is doing during the working hours
27:37But Mrs. Arcos wasn't taking care of me during her working hours
27:40But in her free time
27:42That's what she told you
27:43And that's what I think
27:46Above what your father tells you, right?
27:48No
27:50Why does it bother you so much that someone wants to take care of their son?
27:55I tell you that what bothers me is that it is done during the working hours
28:00Just as it bothers him that I am a grateful person
28:02And that's why he asked me to give him a bouquet of flowers
28:06I only told you to spend your rooms with a maid
28:09Your salary is not enough to pay
28:11But I already told him that it is not his business what I spend my money on
28:14Just as it is not what Mrs. Arcos does in her free time
28:17That's why I forbid him to reproach her again
28:20You forbid me?
28:21Yes
28:23That's what I said, leave us alone once
28:27Son
28:28Don't you see that woman is behaving as if she were your own mother?
28:34I know very well what she is doing
28:36But
28:38I like to feel that someone cares about me
28:42To vary
28:48To vary
28:50To vary
28:52To vary
28:54To vary
28:56Well, yes, I can keep the promise
28:59And your uncles have accepted?
29:01They have said that this is like my home and that it will continue to be as long as I want
29:05I see, I see
29:07Well, deep down I knew they were going to tell me something like that
29:10Because I have always been like a daughter to them and I knew that they were going to dislike the fact that ...
29:14But your uncles are not your parents, Martina
29:18Yeah, I know
29:19Well, it doesn't seem like it
29:24Does it bother you that they are happy that I stay with them?
29:28No
29:30No, what bothers me, daughter, is that you don't come to live with me
29:34But that can't put it in front of me because I already told you that I accepted that marriage
29:39As long as I could stay here in the promise, that was the pact
29:41I know
29:42I know, I have it very present, Martina
29:45And I promise you that I will keep my word
29:48Although the Count of Ayala is ...
29:51What?
29:53The Count of Ayala what?
29:54Well, he was the one who asked me to convince you to live with us
29:57No one can convince me of something like that
29:59Daughter, and you can't try it even for a few months?
30:01No, let's leave it, please, no
30:06Well, I just hope he takes it well
30:07He will understand that I don't care how the count takes it, I'm going to stay here, yes or yes
30:11Martina, if I'm insisting it's ...
30:15Well, because you are my daughter and because I love you
30:17And I would like you to be by my side
30:20But I would go to visit her from time to time
30:22And you can come to the promise whenever you want
30:25I will go wherever you are
30:31I don't like to hurt you, mother
30:34Well, don't worry because I understand it perfectly
30:36Perfectly
30:40Who has seen us and who sees us, huh?
30:43That before the father left, we were always like the dog and the cat, arguing about anything
30:49Well, after your father died, we also argued about ours, huh?
30:52Yes, but hey, we ended up getting closer, right?
30:56Yes
30:58For ...
31:00For now, do you separate us?
31:02Let's see
31:04We will be far away but ...
31:06I will always keep her very present
31:09And remember that there were days when we were in the same room and I didn't even want to see her
31:13You didn't look at me, girl
31:15Well, but that has already changed
31:17We will be separated but we will love each other more than ever
31:20Well, that's a consolation, daughter
31:23But that's all
31:25A consolation
31:29Ana, don't get sad
31:32I thought you were going to be very happy
31:35Will you go into that?
31:48Doña Petra, come for a moment, please
31:54Tell me, what do you offer?
31:56I just argued with my son because of you
31:59Will I have the fault again that you are in bad terms with Santos?
32:02Well, this time yes
32:04Because he would not face me like that if there was no one behind him pushing him
32:07What does one have to hear?
32:09Stop getting in our way
32:11I have not done such a thing
32:13So if you want to find out the cause of your discomfort with your son, look elsewhere
32:17The cause is you
32:20Goodbye
32:21Wait, I'm not done
32:23But I am
32:25Because I plan to continue treating your son as I have done so far
32:28That is, with the same affection that he treats me
32:31And we both know what bothers you so much
32:35It is that your son has more affection for me than you
32:58Yes
33:00Yes
33:06MarÃa Fernández told me that you wanted to see me
33:11Yes, that's right
33:13Well, you tell me
33:22From what I see, you have returned to work
33:25Yes, I already warned you, so I don't know why you are surprised
33:28I already told you that I didn't think it was appropriate
33:32Manuel, I'm not going to stay in my room as if I was afraid of something
33:36I don't want to discuss this issue again
33:38I don't want to discuss it with you either
33:40Well, look, one thing we agree on
33:44I have a very bad time when we are angry
33:47Me too
33:52If I sent you a call, it's because I wanted us to make peace
33:59Well, then let's stop talking about this
34:05You're right
34:11What happened to us, Manuel?
34:13Because it's as if everything had twisted in just two days
34:17No
34:22Everything hasn't twisted
34:24You and I still love each other
34:28And that hasn't changed
34:31No, that hasn't changed
34:34And it won't change
34:38My life has gone upside down
34:41My colleagues keep asking me what I'm going to do, what I'm going to stop doing, and my job, well ...
34:46Has something happened at work?
34:48No, but ...
34:50Every time I go up to the noble floor, I think I'm going to meet your mother or your father
34:59Actually, you don't have to worry about my father
35:02He spends most of his time in his bedroom
35:04I'm more afraid of your mother
35:11I don't know, maybe ...
35:16Maybe you should avoid going up to the noble floor
35:19Don't tell me that again, Manuel
35:21That hiding is not the solution
35:23I'm not talking about hiding
35:25I'm talking about being prudent
35:28But we haven't done a single thing where we've been prudent
35:32Not even this love is prudent, so don't tell me it's now
35:39You're right
35:42Okay, I won't say it again
35:46What are we going to do?
35:51You see, my father asked me for a few days to think
35:55But tomorrow won't happen
35:57I'll go see him and I'll tell him how things are
36:00And how are things?
36:03I'm going to marry you, Hanna Expósito
36:07Say what you say
36:09No matter what
36:12And you know it perfectly well
36:27I'm telling you, MarÃa Fernández knew it
36:31She was aware of Hanna and Don Manuel
36:34That's for sure
36:36She doesn't have to
36:38Don't be naïve, Simona
36:40Those two sleep in the same room and tell her everything
36:42Sometimes a secret can be kept for a long time until the most beloved agenda
36:45That's true
36:47Yes, but MarÃa Fernández ...
36:49There comes MarÃa
36:53What's up?
36:54What's up?
36:56What's going on here?
36:59Did you order three passes?
37:01Come on, MarÃa, leave the packages and sit with us for a moment
37:14Well, can someone explain to me what this is all about?
37:17You're sitting, right?
37:19Come on
37:21You knew it
37:22About what?
37:24What are you going to do?
37:26What are we talking about here every day?
37:28I don't know, about the price of the lamb?
37:31Cut the crap, MarÃa
37:33Did you know from the beginning that Hanna was sleeping with Mr. Manuel?
37:37Let's see, from the beginning, from the beginning, no
37:40And they weren't sleeping
37:43They were ...
37:45Drinking
37:47It must be the same
37:49No, I don't know
37:50Whether I knew it or not, even if I had known, I would have kept my mouth shut
37:55Because I'm not like others
37:57Yeah, that mouth that you never close
38:02Well, Hanna has the right to fall in love with whoever she wants
38:05Yes, I know
38:07But what a coincidence that of all the men who are around here
38:12She has fallen in love with the most convenient one
38:15Mr. Manuel
38:17That your friend Hanna is a fresh one
38:20I don't agree with you talking like that about my friend
38:24It is clear that this relationship is the most convenient
38:29Mrs. Arcos, you don't decide who you fall in love with
38:32You can't kill your heart
38:34It seems to me that too many pamphlets are read here
38:38On the one hand, there is love
38:40And on the other, there is interest
38:42It is clear that this relationship is the most interesting
38:46Hanna is not like that
38:47No, Hanna is like all of them
38:49Or like almost all of them
38:51That a waitress has been in this world for a long time to make mistakes with these things
38:55Well, I think she really loves him
38:58I have not said the opposite
39:00She loves him, yes
39:02But because of her rooms and her position
39:05That Hanna is too crazy to fall in love with a poor man
39:10Poor Mrs. Ximena
39:13How bad it had to happen
39:15I can't get my head off seeing what is happening
39:18I'll tell you what that woman is doing now
39:21You know too much
39:23Hanna was the love of which Mr. Manuel spoke at the time
39:26And the one Mrs. Ximena was looking for so much
39:28And the sincerity of your little friend Hanna
39:31Proves that she has been deceiving you like a pamphlet
39:34And she has become a face for you
39:37Well, she is tongue-tied
39:39God knows how long she has been deceiving you
39:40She has been deceiving you for a long time
39:43What a panda
39:45What a fairy
40:00Each sheep must go with his partner
40:02Because if not, the problems will come
40:04What do you mean?
40:06It is clear
40:07It is the same for the rich and the poor
40:10Well, if I meet a noble woman of good looks
40:14I don't disgust her
40:17Let's see, for a few days
40:19But for a man to marry a maiden
40:22That can't end well
40:24Well, there have been cases
40:26Where?
40:28In the soap operas, for example
40:30Yeah, Lope, but the soap operas are not life
40:32Let's see, I don't know of any case that has gone well
40:34Mr. Manuel should have spent more knowledge
40:37It must be said that the girl is beautiful
40:39It is normal that the gentleman has clouded his understanding
40:42Yes, but a cloud lasts a few hours
40:44They have moved on
40:46And they are harming the parents of Mr. Manuel
40:48And his last name
40:50Marcelo, the Marquess has many years
40:52He will move on
40:54But very undisciplined
40:56A noble must respect his title
40:58And this is just the opposite
41:00Well, I think that if they love each other
41:02One must not stop them from being noble and the other not
41:04How naive, Lope
41:05And Han has taken advantage of the opportunity to make himself rich
41:08You would do the same, right, Lope?
41:11Santos, I'm talking about love
41:13I'm not talking about making you rich
41:15Let's see, the point is that both should take a step back
41:18Well, I think that if they love each other they have to move on
41:21If they get married
41:23They will be miserable
41:25Miserable? With the rooms that the Marquess has?
41:28I doubt it
41:30It is that if the Marquesses allow that marriage
41:32Most likely
41:33They will take away the inheritance from Mr. Manuel
41:35Marcelo, that is very exaggerated
41:37As little as I know the Marquess
41:39I would not be surprised at the very least
41:41Me neither
41:43She will not let anyone humiliate her
41:45Not even her own son
42:03Come in
42:09Come in
42:18Have you spoken to Manuel?
42:20No, I have not crossed paths with him all day
42:23Nor have I done to see him, really
42:25And you?
42:27No, I thought he was going to come to dinner
42:29But since he has not shown up
42:31He does not want us to insist on that absurd wedding
42:33Well, of course we are going to insist
42:35Until that stupid idea is removed from his head
42:37He is so stubborn
42:39I know
42:44And if we offer him a trip?
42:47I do not know, wherever he wants
42:49With everything paid, a trip of three or four months
42:52No, the world is not now for trips with Europe at war
42:55And all those German submarines
42:57Sinking all the ships that are
43:00Maybe you're right
43:02What we should offer is to her
43:04And pray for the Germans to torpedo her ship
43:08Although, well, if Manuel left, she would go behind
43:11And they would end up getting married in the first parish they find
43:14But then what do we do?
43:16We cannot allow him to make a fool of himself that way
43:19The heir of the Marquess of Lujan married to a maid
43:22Where has that been seen?
43:24I do not know, Alonso, I do not know what we can do
43:26But any argument we give him would be useless
43:28Well, if the arguments do not work, we will have to be tougher
43:32If you mean to threaten him
43:34That's all I would do is beat him
43:36He would get married tomorrow
43:41And if we talk to someone?
43:43Someone he trusts, someone who can convince him
43:46I do not know, a friend of the nobility who has two fingers in front
43:50He will not listen to anyone, Cruz
43:52And if we do something like that, the news would spread in two days
43:55I do not know, then you propose something, Alonso
43:57Because you get everything stuck
43:59I just try not to make things worse, nothing more
44:01Yes, thanks to you
44:03What time is it my fault that he wants to marry a maid?
44:06Well, with this maid, yes
44:08I wanted to kick her out as soon as I got to the palace, but you prevented me
44:11He saved his life, we could not kick her out
44:13What are you going to save him?
44:15That is a trick that she grabs to stay here
44:17That she came to what she came
44:19And now she is about to get it
44:22We are still in time to solve this
44:25If we depend on what you do, we are ready
44:28I'm going to leave
44:29I'm going to leave
44:31We'll talk tomorrow when you're calmer
44:33No, I will not be calmer, Alonso
44:35I'm not going to calm down until we finish with this nonsense, man
44:42Ma'am
44:44What do you want?
44:46I just came to give him the last hour and consult the menus for tomorrow
44:51But if I bother, I'm leaving
44:53You bother, yes, but stay
44:55I have something to ask you, close that door
45:00I want to know how it all started
45:04Why no one found out what was between my son and that fresco?
45:08Because it is clear that this comes from afar
45:10Well, ma'am, I don't know when or how it started
45:13So you're the key master and once again you haven't noticed anything
45:17I suppose, ma'am, that they would have a lot of time
45:20And who knows, maybe it all started when Pia was still the key master
45:26Is that really your excuse?
45:27Do you think you're going to look better blaming her?
45:31Ma'am, I have to remind you that if it weren't for me to give you that notebook
45:37Your son, Don Manuel, would be married to Hanna right now
45:40I don't know, I'll have to thank you
45:42No, that's not what I want, ma'am
45:45I just don't want her to be so unfair to me
45:48Because I don't think I deserve it
45:52You can leave
45:54As you wish
45:55As you wish
46:19No!
46:20If I win the next point, I win the game
46:22No, no, no, wait, don't take it out, don't take it out
46:23I need a break
46:25I don't know if the rules include these breaks
46:28Do you want me to throw up here?
46:30Okay, but two minutes
46:33No, no, no, I need a minimum of a quarter of an hour and eat something too
46:37If we hadn't come down without breakfast, it wouldn't be like this
46:40I don't like doing sports with a full belly because I feel very heavy
46:44Well, with an empty stomach, you don't get very light either
46:47She's very cocky because she's winning, but let her know that the game is not over yet
46:51It's not over yet
46:53I think it's going to be hard for you to come back
46:58You know, I think he cheated on me
47:00And that he has played badminton more than once because if not, I don't understand why he always beats me
47:05I repeat, only once
47:07No, no, I don't believe it
47:09He has played more times, tell me the truth, I don't like lying people
47:13Yeah, me neither
47:16And still, life
47:18What's wrong?
47:21Nothing
47:23Did what I said bother you? Because it was a joke
47:27No, it's not that
47:29Besides, he's right, I lied to him
47:33So he's an expert in badminton and that's why he always beats me
47:38It's true that I lied to him, but not in that
47:43In what?
47:45Yesterday you were honest with me when you told me about your fiancé
47:51Of course, because friends are supposed to be honest, right?
47:55Yes
47:58That's why I think I have to tell you who I really am
48:15Come in
48:20Come in, Lope, sit down
48:22Don't you want me to go look for Mrs. Simona?
48:25No, it's not necessary and I don't need you to explain any recipe to me
48:29Sit down, please
48:40You tell me
48:41What can I do for you?
48:43Lope, I came because I need your help
48:48How can a simple cook help you?
48:51A lot, and you know very well why, without me telling you
48:56I don't know what you mean
48:58I want to fix things between Vera and me
49:02She doesn't like how she's writing down the recipes that I...
49:05Lope, please
49:06Please
49:09She wants to put the cards on the table
49:12That's right, that way it will be easier to talk
49:18Good
49:22I know that Vera is your daughter
49:26And now you will tell me that you don't like the relationship I have with her, right?
49:32That's something I already imagined
49:33I didn't imagine it
49:35Of course I don't like it, like no one would like to have two fingers in front of them
49:41Are you calling us stupid?
49:43No, in love
49:45It's typical of lovers, this kind of nonsense
49:49You're right about that, we're very in love
49:52Yes, and I can understand it because love doesn't distinguish between social classes
49:57And intelligence shouldn't either
49:59And this is what I came to ask you, Lope
50:01A little bit of intelligence
50:03And if I do it, it's because I know you're a very smart boy
50:07I don't know if I am, ma'am
50:10What I do know is that I love your daughter
50:12And that your daughter loves me
50:14Yes, you love her, I don't doubt it
50:16But you don't live from love
50:18I know that too, I'm not an illusion
50:20Then you must have also realized that my daughter is too much of a woman for you
50:24And that you have nothing to offer her
50:29Maybe...
50:31Lope, shut up and listen
50:34If you love my daughter so much
50:37I guess you want the best for her
50:40Don't you?
50:42Of course I do
50:44Very well
50:46Well, neither you nor the life you can offer her is the best for Mercedes
50:50So I ask you, please, to leave her and convince her to come back to my house