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01:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
01:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
02:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
02:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
03:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
03:30ho
03:34oh
03:40yes
03:52with the
04:00Oh, God, what have I done to you?
04:09You have fallen into the evil of your deeds.
04:17But what's wrong with you?
04:19What's wrong with you?
04:21What's important to me is that you're sleeping.
04:24And you left the light of the lamp on.
04:26And you turned on the electricity.
04:28What's wrong with you?
04:37You're a messy deal, L.A.
04:591 Hour Earlier
05:17Get out!
05:18Get out!
05:19Get out!
05:20Out!
05:21Surrender!
05:22Surrender!
05:23I'm not going to be here for a week.
05:30I'm not going to be here for a week.
05:37I want to go home.
05:40I want to go home.
05:43I want to go home.
05:46I want to go home.
05:49I want to go home.
06:59This is Janjoum, the shining star in his field, the field of astronomy, and the science behind nature.
07:21But he was a bit unlucky in this world, and he didn't take his right,
07:24despite his father and his genius.
07:26But this never disappointed him.
07:28Because of his work and his extensive knowledge of astronomy, water, and observations,
07:31he was a person who believed in luck,
07:33and was very optimistic about things,
07:35and very pessimistic about things.
07:44Janjoum was a very organized and well-organized person,
07:47who focused on every detail, even the simplest, in his life.
07:51This is Abu Janjoum, the shining star.
07:55He registered theft, embezzlement, drugs, and suicide.
08:03When he was young, he turned to his mother, Fanta Mounira,
08:06and laughed at her and married her,
08:08even though she was the head of the Ministry of Education and Education.
08:11But she found out about her husband's life after the end of the law,
08:14after Janjoum left them.
08:16Janjoum, unfortunately, was born with a simple moral defect.
08:21He had some problems when he was young,
08:24and his problems grew when he went to school,
08:27and he didn't get along with the way his parents treated him.
08:31Even his father didn't get along with him.
08:34And this was very annoying for Janjoum's mother.
08:37And this was the problem that divided the distant back.
08:40Janjoum's mother insisted that she get a divorce,
08:43so that she could raise her son away from his father's abuse.
08:46And this divorce was very different from Janjoum's life,
08:49because Janjoum's mother gave him the space to read and study what he loved,
08:53astronomy and astronomy.
08:55And Janjoum grew up,
08:57and his love and passion for astronomy and stars grew with him.
09:00And he graduated with a large group of high school students,
09:03and he entered the Faculty of Science,
09:05an astronomy and aeronautics department.
09:08In order to enhance his talent in science.
09:11But the winds bring what the ships do not desire.
09:14Oh, Janjoum's mother, you live,
09:18naked.
09:20My love!
09:22My love, Janjoum!
09:24You kidnapped me!
09:26I wish I were you!
09:28I wish I were you!
09:30Is there anything else?
09:33And Janjoum returned to live with his father.
09:36I took care of him, and I pampered him.
09:38But Janjoum didn't stop there.
09:40He stayed in the faculty of science.
09:42And he wrote two of the most important books in astronomy and astronomy.
09:46In the name of God, he earned a lot of money.
09:49And now he works in a big hotel.
09:51It's enough for his daily expenses.
09:54And he spends all his time studying and working.
10:00And in all these trips,
10:02he had only one friend.
10:04His name was Benben.
10:06No, no, no, I'm sorry.
10:08Let me talk to you later.
10:11God, I've always been satisfied with your judgment.
10:16I know you're upset with me.
10:23But God, forgive me.
10:27The test this time is very difficult.
10:34Are you happy?
10:36Are you happy?
10:40You know,
10:42my children are the only happiness I've ever had in my life.
10:50And my daughter hits me.
10:54And my daughter kicks me in the street.
10:56She kicks me out of the house.
11:01Why, God?
11:04Why, God?
11:06Cut!
11:08Who said cut, guys?
11:10I said cut!
11:12Cut, guys, cut.
11:16This is Benben.
11:18A genius screenwriter.
11:20I mean, if you get the experience of Waheed Hamed,
11:22and the imagination of Ahmed Mourad,
11:24and the grace of Tamer Habib,
11:26and beat them up in the blender,
11:28they'll show you Benben's talent in writing.
11:30Mr. Bayoum, what do you do?
11:32What do you do here at the location?
11:34I'm an actor, I think.
11:36An actor?
11:37So, your job is to deliver the script to the audience.
11:41Delivery, I mean.
11:43Delivery?
11:45That's an ugly way to put it, but okay.
11:47Delivery.
11:48Well, after that, your job isn't here.
11:50The script I write gets cut to pieces.
11:53That's what I did, sir.
11:55No, dear.
11:56What did you close the show with?
11:58Why, God?
11:59Why, God?
12:00Why, God?
12:01Why, God?
12:02Why, God?
12:03What's this?
12:04You made a cut to replace,
12:06why, God?
12:07Why, God?
12:08Of course!
12:10Furkish!
12:11Who said Furkish?
12:12I did!
12:13Furkish, guys, Furkish.
12:15What's wrong?
12:17What did you write, why, God?
12:18The first movie I wrote, I swear.
12:20The first movie you wrote?
12:21Three, I swear to God.
12:22I'm Lola Al Hawja, but I need money.
12:24I didn't make the first movie, sir.
12:26I'm sorry.
12:27You make one for me, Hamed Bayoum.
12:28I'm sorry, Mr. Bayoum.
12:29I'm sorry, Mr. Bayoum.
12:30I'm sorry, Mr. Bayoum.
12:31I'm sorry, Mr. Bayoum.
12:32I'm like your son.
12:33Like my son?
12:34Consider me Mohammed Bayoum.
12:35Damn your father to Mohammed Bayoum.
12:37I'm sorry, sir.
12:38You make a cut to replace, you son of a bitch.
12:40I'm sorry, God.
12:41Talk to me.
12:42Talk to me.
12:43No, no one's going to get anything.
12:44No, no one's going to get anything.
12:45No!
12:46No!
12:47No!
12:48No!
12:49But he was a bit lucky in life.
12:51Even though he has a big video club in El Manyan,
12:54this project is no longer as good as it used to be.
12:57And despite his genius, he's a very humble person.
13:03And he doesn't care about appearances.
13:06And he's still working at the video club,
13:09because his father advised him not to close it on his deathbed.
13:13And after his father died, the video club was inherited from him.
13:16And it's one of the biggest in the whole of El Manyan.
13:20But unfortunately, all of its apartments are rented out to old neighbors.
13:24And they bring him money every month.
13:26So, approximately,
13:28they bring him 224 pounds a month.
13:33And this made him follow a bit of a rigid policy of expropriation.
13:39And because life is hard, and the rent is high,
13:42he had to rent his apartment,
13:44and live in the video club.
13:46He and his mother, Abdelalouza.
13:48This Abdelalouza was the main reason
13:51why BimBim loved horror stories and movies.
13:53She used to make him, when he was young,
13:55buy her movies when he came back from the video club.
13:58And she used to watch four horror movies a day.
14:02And BimBim used to watch these movies with her since he was young,
14:06until the famous incident happened.
14:08The day Abdelalouza watched the movie, The Compensation.
14:17And after that, she had a minor psychological disorder.
14:21But the people of the area helped her,
14:24and treated her like a patient worthy of treatment.
14:30As for BimBim, he grew up in a remote village,
14:32and was influenced by horror stories and movies.
14:34And he decided to become a screenwriter.
14:36And this influenced him a bit in his studies.
14:39And he celebrated his anniversary 17 times.
14:43And he still hasn't finished it yet.
14:46Because he was focused on writing the screenplays.
14:49And he has written 95 movies so far.
14:52He didn't sell any of them.
14:54Not because he was a weak screenwriter.
14:56No, no, no.
14:57But he was determined to sell these screenplays to big stars.
15:01He went to all of them, to show them his screenplays.
15:06But unfortunately, they all closed their eyes.
15:10I'll kiss your hand before the teacher.
15:11I swear to God, I'll sit for exactly 15 minutes.
15:13She'll read the movie, she'll like it, she'll sleep,
15:15she'll pray to God, and then she'll do the Hajj for you.
15:18I swear to God, the teacher died 30 years ago.
15:21Mr. Farid Shaw died?
15:22Yes, sir.
15:23Oh, my God.
15:25Dr. Rania Farid Shaw, please.
15:27Rania Farid Shaw is her husband, sir.
15:28Dr. Nayed Farid Shaw.
15:30Nayed Farid Shaw is in her office in the middle of the city, sir.
15:32Dr. Captain Mohamed Shaw.
15:33Who?
15:34Let this guy do the Hajj for you.
15:36Mr. Farid!
15:37I told you about the screenplay!
15:39But this didn't let him give up.
15:41And he's still running and searching for his dream.
15:43Until he achieves it.
15:48Salam alaikum.
15:49Shh!
15:51I'm hiding my face because I don't want to scare you.
15:53No, I'm a real man, I don't want to scare you.
15:55Okay, this is my face.
15:57I told you I'd scare you.
15:58You didn't believe me.
15:59Okay, you son of a bitch.
16:00Okay, I...
16:04I'm done.
16:05You're done with what?
16:06The last movie.
16:07The Loveless.
16:08Oh!
16:09Isn't this the second part of the movie, The Loveless?
16:12The one that was supposed to be your ending?
16:14Yes.
16:15The one that was supposed to be your ending?
16:17Did you find it or what?
16:18I found it.
16:19I found the ending.
16:20Do I have four hours left to tell you the movie?
16:21No, you told me before.
16:22Tell me the ending right now.
16:23I'll tell you once so you don't get in trouble.
16:25You told me.
16:26Keep quiet.
16:27Okay.
16:29I forgot.
16:30After a lot of research,
16:31I discovered that the solution
16:32is that when Zainat comes...
16:34What?
16:35Wait a second.
16:36Who's Zainat?
16:37Zainat is the heroine of the movie.
16:38The Bloody Bride.
16:39I'll tell you.
16:40No, I'm done.
16:41I'll tell you.
16:42I want you to tell me four hours
16:43because I forgot Zainat.
16:45I discovered that the solution
16:47is that Zainat comes out of her grave
16:49and her dinner is over.
16:51God bless the Prophet.
16:52Now you know how he's the king of planets and galaxies.
16:55But allow me to add some poetry to it.
16:57The first time she comes out of the grave,
16:59she'll pass by the righteous king.
17:01She'll get a bag of pickles
17:02and go to the hero.
17:03She'll kill him,
17:04pull out his brain
17:05and eat him alive
17:06so she can see everything he saw
17:08and know everything he knew.
17:10Oh my God.
17:13It's just a monster.
17:15Don't make fun of me.
17:16I swear to God, it's just a monster.
17:18A monster?
17:19This is a new and unexpected idea.
17:20Have you ever seen a hero
17:21whose brain is taken,
17:22put in a coffin
17:23and eaten with pickles?
17:24I don't want to know
17:25the size of the girl's brain.
17:27I want to watch the movie.
17:28I want to see a character
17:29you wrote on paper
17:30and said she was a mermaid.
17:32That's right.
17:33And a mermaid is a mermaid.
17:34She's warm,
17:35kind,
17:36and cute.
17:37Not a leader character.
17:39She can't make a decision
17:40like the decision you made.
17:43That's right.
17:44You're right.
17:45It's a good thing I told you the ending.
17:47I would've finished the movie by now.
17:49I'll give you four hours
17:50to make a new ending.
17:51No, no, no.
17:52Four hours is nothing.
17:53I'm not free.
17:54I'm going to die and sleep.
17:55I've been awake since 7 a.m.
17:56Why did you come back so late?
17:57Nothing.
17:58I finished work on the newspaper
17:59and went to a beauty salon.
18:01They told me there was
18:02a new client.
18:03I said I'd meet him
18:04and be one of the first people.
18:06And I did.
18:07You won't understand.
18:08You're stupid.
18:09You won't understand.
18:10I'm going to sleep.
18:11I'll talk to you later.
18:12Don't you want anything?
18:13Good night.
18:14Good night.
18:15Good night, Uncle Majara.
18:16Good night.
18:18What are you doing here?
18:23Name of the deceased?
18:24Mohamed Saeed Al-Ghamrawi.
18:26Mohamed Saeed Al-Ghamrawi.
18:28Died at the age of 37?
18:3037 years old.
18:32May God have mercy on him.
18:34And that's how a painful accident
18:36happened on the road...
18:37It's normal.
18:39But he's so young.
18:41Isn't he a bit strange?
18:42That's his sincerity.
18:44A journalist at the door of death.
18:46But his dream is to become
18:47a journalist of investigations.
18:49He's not strange at all.
18:50He's always like this.
18:51It's God's will.
18:52God bless him.
18:56The deceased had enemies.
18:58What enemies?
18:59What nonsense?
19:00Mind your own business.
19:01And don't meddle
19:02in someone else's business.
19:03Calm down.
19:04As long as she's in it,
19:05I'm fine with it.
19:06Why were you so nervous
19:07when I asked you about
19:08the deceased's clothes?
19:09What do you know about him?
19:10She's my sister.
19:11Is there anything else
19:12you want to know?
19:13Yes.
19:14I want to know all the details.
19:15Everything.
19:16Even if it's just details,
19:17how much will it help us?
19:18And by the way,
19:19anything that will keep
19:20you and your son
19:21away from any issues.
19:22How many wives does he have?
19:23Does he have kids or daughters?
19:25He was rich, right?
19:26How much will you inherit from him?
19:27No, no, no.
19:28You're definitely not normal.
19:29You're crazy.
19:30Come on.
19:31Let's get out of here.
19:32Let's go to Jordan
19:33and spread the word.
19:34Get out!
19:35Get out of here!
19:39There's something behind him.
19:40Something big.
19:42I'm sure of it.
19:44Uncle Kharib!
19:45Yes?
19:48Who's that man sitting there?
19:50I don't know.
19:51But I'm sure he's waiting
19:52for Mr. Gamgoon.
19:53Do you know what he wants?
19:54No, God knows.
19:56Where is Gamgoon?
19:57On his way here.
19:59Yes.
20:00He's late because
20:01the world is crowded today.
20:02Indeed,
20:03the world is very crowded today.
20:04How do you know
20:05that the world is very crowded today?
20:06Don't you come by the subway
20:07every day?
20:08You're weird, Uncle Kharib.
20:10I'm weird, Uncle Kharib?
20:12What's wrong with you, sir?
20:13He's here.
20:14He's here.
20:15He's here.
20:16He's here.
20:17Gamgoon!
20:20Gamgoon!
20:21My name is Dr. Gamgoon.
20:23Don't be ridiculous.
20:24You're a doctor yourself.
20:25Enough.
20:26You're late today.
20:27No, I was taking a shower
20:28and the ampoules
20:29took a long time.
20:30And what's wrong with you?
20:31Why are you late?
20:32I'm worried about you.
20:33What's wrong with you?
20:34Who's the man
20:35who's waiting for you?
20:37Don't be ridiculous.
20:38He's a man.
20:40I'm talking about this man.
20:41This man.
20:44No, I don't know him.
20:45What do you want?
20:46I'm talking about
20:47a man I don't know.
20:48Do you think I know
20:49what he wants from me?
20:50That's a very strange story.
20:51A man you don't know
20:52who's waiting for you
20:53and is waiting for you.
20:55It's unbelievable.
20:57What's so strange
20:58about this?
21:00A man is asking
21:01a man at work
21:02what he wants from him.
21:03What?
21:04Huh?
21:05What?
21:06I mean, what's this?
21:07What?
21:08Wait a minute.
21:09Go to your office
21:10and think about what he wants.
21:11I know how it feels
21:12to be alone.
21:13I'm waiting for him
21:14to arrive.
21:15What should I do?
21:17He's a star, Mr. Star.
21:18How can he arrive?
21:19Honey!
21:20Honey, dear.
21:21Yes, Mr. President.
21:22I'm not coming back from America.
21:23What's wrong with that?
21:24You should know
21:25who this man is.
21:26Do you really want to know me?
21:27Yes, dear.
21:28What's wrong with you?
21:29Am I supposed to be a star?
21:30I only start my day
21:31when I read a book
21:32in your favorite column
21:33that you write here
21:34in the newspaper.
21:35God bless you, sir.
21:36I swear, this makes me happy
21:37and happy.
21:38Plus,
21:39I read the books
21:40that you wrote.
21:41And,
21:42in a humble way,
21:43they're the best authors
21:44in the history of literature.
21:46Oh,
21:47so it's you.
21:48What?
21:49You're the only one
21:50who bought two copies
21:51of the books I wrote.
21:52What?
21:53I mean,
21:54I read them.
21:55What did you read?
21:56All of them.
21:57I read them,
21:58and discussed.
21:59That's actually
22:00what got me here.
22:01So you're able to sign
22:02these two books?
22:03It's an honor for me
22:04and I also took selfies.
22:05But actually,
22:06there's something
22:07a little bigger than this.
22:08What,
22:09do you want to return
22:10these two books?
22:11Ha ha ha ha.
22:12Then why, sir,
22:13look,
22:14why do you ignore me?
22:15I have something
22:16I forgot to ask you.
22:17Mu'nis Al-Minshabi.
22:18An Arabic teacher.
22:19Welcome,
22:20Mr. Mu'nis.
22:21It's apparent from your
22:22rich accent
22:23that you're an Arabic teacher.
22:25Welcome.
22:26Would you like to talk in the office or in the cafeteria?
22:29In the cafeteria!
22:30What's wrong with you, boss? I'm telling you, let's go to the mountain.
22:33No, doctor, I mean, whatever you want.
22:36You're a burden on the scale.
22:38How did you know?
22:39He's hesitant, shy, shy.
22:42He likes to leave everyone behind. He's a smart, helpful, patient person.
22:45He washes his hands before and after eating.
22:47I can hear what's in the back of the book.
22:49Please, tell me where to sit. In the cafeteria or in the office?
22:53In the cafeteria.
22:54Then let's sit in the office. The cafeteria is closed. It's been in service for six months.
22:58Go ahead, go ahead.
23:00So, what's going on in the house?
23:03At first, it wasn't a problem. It was just noises.
23:07Noises? What kind of noises?
23:09I mean, you're sitting there, in God's security,
23:11and you hear the sound of whistling,
23:13whistling,
23:14whistling.
23:15Don't you hear Hadeer's voice?
23:16Hadeer who?
23:17No, no, it's just a part of my brain.
23:19Go on, go on.
23:20Then it started to develop.
23:22Develop to what?
23:23The sounds of whistling, whistling,
23:25whistling,
23:26whistling.
23:27Is there someone who whistles in the house?
23:29No, why?
23:30But all the sounds you're saying are the sounds of the whistling.
23:33Sir, it's much more than that.
23:35Okay, what do I have to do with this?
23:37I mean, how can I help you?
23:39Do you want me to change my job?
23:41What job, doctor?
23:42You're an expert in science of water and opinions,
23:44and the source of science is the generations.
23:46Sir, what generations?
23:48Excuse me, is this an exaggeration?
23:50No, I'm not exaggerating.
23:52The praise.
23:53Oh, who doesn't like the praise,
23:56and the young man forgave him a lot.
23:59I find you, in poetry,
24:01perfect for your glory.
24:02Where did your walk go?
24:04It's as if you took halal from the high places,
24:06where the sun and the moon shine.
24:09Sir, I'm not the kind of king.
24:12Your authority is modest,
24:13and you don't realize the value of your knowledge.
24:16May God forgive me,
24:17I don't understand how.
24:19Sir, I'm an academic man.
24:22Your subject needs a field expert.
24:26What?
24:27What's this on your shoulder?
24:28I don't think it's appropriate.
24:29Explain it to me, and I'll agree.
24:31Explain it to you, explain it to you.
24:34Yes, there's Dr. Ali Rabee.
24:36He's crazy.
24:37Who's the animal that said that to him?
24:39Your authority.
24:40Excuse me, Ali, I didn't mean that.
24:42I mean, your authority.
24:43I mentioned this in your book.
24:44The distinction between the outside and the inside.
24:47Between the outside and the inside.
24:49But I said that he's crazy, not crazy.
24:52That's right.
24:53Maybe someone else.
24:55There's also Dr. Ahmed Fahmy.
24:57Who's Ahmed Fahmy?
24:58The one who looks like Shakush,
24:59the one who sings at these festivals.
25:01A tongue twister and a preacher.
25:03No, not to that degree.
25:04He's our friend.
25:05To that degree, and more.
25:06The hiccups.
25:07There's nothing for hiccups.
25:08No, I swear.
25:09And don't trust anyone until you try it.
25:11Most people are thorns without a fruit.
25:14Their words are honey,
25:15like a honeycomb.
25:17And their actions are onions.
25:18Like onions?
25:20Am I the one who said that?
25:22No.
25:23This is a warning.
25:24Please, don't get mad at me.
25:26I've been working in Kuwait all my life,
25:27and you threw me in this cell.
25:29Okay, Mr. Mu'innis,
25:31I don't know how to understand you.
25:33This is a new subject for me.
25:35And you have to give me time to think.
25:38Please, Dr. Fahmy.
25:40Yes.
25:41I'm begging you, Fahmy.
25:42There's no one else.
25:43What's wrong with you, Mu'innis?
25:45I told you I'd think,
25:46and I'll talk to you and answer you.
25:47I'm sorry, doctor,
25:48but you don't know what you're doing.
25:50You're making her cry.
25:52Finally, you said something normal,
25:54so I could understand you.
25:55You shine with its light,
25:56the morning of hope.
25:58And you shine with its light,
25:59the morning of hope.
26:01It removes the darkness of the night
26:02after the dawn.
26:04Is this the poetry of Gaza or what?
26:05No, this is the poetry of Al-Amoudi.
26:07What's this?
26:08Al-Amoudi of Kabsa,
26:09he's writing poetry?
26:10I demand...
26:11No, look at your hand.
26:12It's poetry.
26:13No, this isn't poetry.
26:14Don't worry.
26:15These are the house orders.
26:16Water, toilet, detox water.
26:17Okay, okay, fine.
26:18Go to the supermarket before it closes.
26:20Goodbye.
26:21My love, God bless you.
26:22Goodbye, sir.
26:23And be careful...
26:24Oh, I don't understand what he's saying.
26:25And be careful when you go down to the slums.
26:27How many bananas have fallen on the men.
26:30Ha!
26:31Ha what?
26:32Ha!
26:33What do we want from you?
26:34Who is this?
26:35The one who has a smile after crying.
26:37Oh,
26:38this is a person who is fascinated
26:39by Gaza's science and my books.
26:41I mean, a fan.
26:42So I brought two of the books I wrote
26:44so I could give them a hand.
26:46But these weren't with the books.
26:48No, they were with the cell phone.
26:49And I was giving them a hand on WhatsApp
26:51so my line would be nice there.
26:53Why are you after this man?
26:55Because I feel the journalist is saying
26:57that this man is after something.
26:58And something big, too.
27:00No, by the way, I was sitting in front of him
27:01and I didn't see anything behind him.
27:03And you, too, are after something.
27:04Of course.
27:05Don't you know what I'm after?
27:07Of course, I'm after something.
27:08I'm after Selim,
27:09and the offices,
27:10and our friends.
27:11What are you after?
27:13Go to your office!
27:14Go to your office!
27:15Go to your office!
27:16Hurry up!
27:17What is this?
27:18Hurry up!
27:19What is this?
27:27Of course, I agree.
27:28Of course, I agree.
27:29This needs thinking.
27:30This needs thinking.
27:31This is not as easy as you think.
27:32This is not as easy as you think.
27:33This is not as easy as you think.
27:34How is it not as easy?
27:35How is it not as easy?
27:36It's you, son.
27:37When you get the chance
27:38to apply what you learned
27:39over the past few years
27:40in practice and on the ground.
27:42You reject it.
27:43And then the guy didn't tell you.
27:44And then the guy didn't tell you.
27:45If you get rid of this habit,
27:46he will revive you.
27:47What you benefit from it
27:48will be literature and metal.
27:50What is metal?
27:51Are you happy
27:52because she gave you a carton of water?
27:53What does metal mean?
27:54What does metal mean?
27:55She.
27:56Uncle Bambam,
27:57Uncle Bambam,
27:58you know I'm a light star,
27:59and I'm afraid.
28:00Just thinking about this
28:01doesn't scare me.
28:03Don't be afraid, professor.
28:04I'll be with you.
28:05Wherever I go,
28:06you'll always have me by your side.
28:07And if anything happens,
28:08let me know.
28:10But...
28:11No buts.
28:12But...
28:13No buts.
28:14Okay.
28:15No buts.
28:16No, there's no such thing as no buts.
28:17You failed the test,
28:18and I was doing a test for you.
28:20Isn't there anything
28:21that puts an end to it?
28:22No, there's no such thing.
28:23That's it, that's it, that's it.
28:25So I talk to the guy
28:26and tell him that we agree?
28:28Talk to God.
28:29But before we go,
28:30we have to go buy some stuff.
28:33We have to go to work.
28:35Okay.
28:37Peace be upon you.
28:39Peace be upon you, too.
28:41Excuse me,
28:42I'd like some of these things,
28:43if you don't mind.
28:44Okay.
28:45I'd like 5 pounds of gold,
28:46Okay.
28:47and 3 pounds of gold
28:48on the blessing.
28:49Okay.
28:50And 500 pounds
28:51of laurel paper
28:52on the wedding ring.
28:53Wait a minute.
28:54I didn't get anything.
28:55What?
28:56What is this nonsense?
28:57Don't get involved
28:58in these things.
28:59I think it's good for the wedding.
29:00Can you not get involved
29:01in my work, if you don't mind?
29:02And I get involved in your work
29:03and tell you that all your heroes
29:04are hotlilies in your movies?
29:05And you don't get involved
29:06in my work, either.
29:07I know what I'm doing well.
29:09Hotlilies love spices.
29:11Do you want to taste them?
29:15Here you go, sir.
29:16Is this Sudanese?
29:18Yes, of course.
29:19Like this?
29:20Salted?
29:21Why?
29:22Okay, weigh me half a kilo.
29:24Hotlilies love Sudanese food.
29:26No, that's why.
29:28See?
29:29You'll never know
29:30how to read me at all.
29:31Look.
29:33Your colleague was at the door
29:34and made us wait.
29:35I'm tired of you.
29:36I've seen you since this morning.
29:37This is what you and Yali
29:38have in exchange for me.
29:39But you didn't do
29:40what Khattal did yesterday.
29:41Get out of here.
29:42Get out.
29:43I don't want to see you.
29:44Enough of this nonsense.
29:45I'm sick of it.
29:49Peace be upon you.
29:50Peace be upon you, too.
29:51If you'll excuse me, sir,
29:52I'd like a white pigeon,
29:53a big one.
29:55I'd like it to be fat.
29:57And a male.
29:58I don't understand
29:59a single thing
30:00about four girls.
30:01I don't get it.
30:06What do you mean
30:07four girls?
30:08Four chicks, sir.
30:09Four girls.
30:10Don't play with us.
30:11The last girl,
30:12what did she do?
30:13Did she wash
30:14these guys' brains?
30:15Are you stupid?
30:16When you talk
30:17about chicks,
30:18we hear you.
30:19The last girl,
30:20did she wash
30:21these guys' brains?
30:22Are you kidding me?
30:23We'll go to Carrefour
30:24and get our stuff from there.
30:25And I'll get a gift screen, too.
30:26God bless you.
30:27You asked for me.
30:30A pigeon,
30:31a white one,
30:32a big one.
30:33Are you sure
30:34it's an orphan?
30:35Yes.
30:36It's an orphan,
30:37a real orphan.
30:38The wing is broken.
30:39Don't move
30:40until you put it in place.
30:41The wing is broken?
30:42It's white.
30:43Where's the rooster?
30:45The rooster is here, sir.
30:49Here you go, sir.
30:53The rooster is a male?
30:54The rooster is a male.
30:55Do you like it, sir?
30:56I like it.
30:57I'll marry it.
30:58That's enough.
30:59How much is it?
31:00300 pounds.
31:01300 pounds?
31:02300 pounds, God willing.
31:04I got it from the girl's spring.
31:05The girl's spring?
31:06Didn't you give it to us
31:07for dinner?
31:08That's enough, Bambam.
31:09That's enough.
31:10Let's go.
31:11Tell him to put it
31:12in something for us.
31:13Don't worry, uncle.
31:14What's there to worry about?
31:15This is it.
31:16Put it in.
31:17I can't.
31:18Put it in something for us.
31:19I can't.
31:20Come on.
31:21Tonight,
31:22we'll write the land
31:23on this sincerity.
31:24Come on.
31:29Peace be upon you.
31:30Yes?
31:31Can I have 200 pounds?
31:32Of course.
31:39Where did she go?
31:40I don't know.
31:41She's still sleeping.
31:42What are you doing here?
31:43I was visiting my aunt.
31:46Oh, you're visiting your aunt.
31:48Does your aunt live here?
31:49Yes.
31:50She's been living here
31:51for a long time.
31:52Where do you live?
31:53I swear,
31:54I don't know.
31:55I don't know.
31:56I don't know.
31:57I swear, Mr. Bimbim,
31:58I don't pay attention
31:59to names and nicknames
32:00and stuff like that.
32:01I keep my resemblance.
32:02Whose resemblance do you have?
32:04Wait a second.
32:05Wait a second.
32:06I'll tell you
32:07what you're paying attention to.
32:08You've been paying attention
32:09to the fact
32:10that you're protecting me.
32:11You want to make me fall in love
32:12with you,
32:13and Valentine
32:14and stuff like that.
32:15No.
32:16I'm sorry to tell you
32:17that I'm not ready
32:18to open up
32:19to you
32:20because I don't want
32:21to damage my body.
32:22Come on, Bimbim.
32:23Ew!
32:53Uh...
32:54Hair?
32:55No, no, no.
32:56The glasses...
32:57What?
32:58I want to shine.
32:59Okay.
33:00Why are you so nervous,
33:01Mr. Mo'nis?
33:02Me?
33:03I'm nervous
33:04about your presence,
33:05Mr. Gamgoom.
33:06How?
33:07Where's Mr. Bimbim?
33:08He's been missing
33:09since I got here.
33:10No.
33:11Bimbim is just
33:12doing his tasks
33:13like I told him
33:14because he likes
33:15to clean.
33:16I mean,
33:17he collects dust
33:18and garbage
33:19and changes floors
33:20and stuff like that.
33:22Come on, guys.
33:23In the name of God.
33:24I told him
33:25to eat first
33:26so we can work
33:27while we're hungry
33:28so we don't have to
33:29think about food.
33:30Good for you, Bimbim.
33:31You brought food
33:32and we're here, right?
33:33We're here
33:34because we're here
33:35together, son.
33:36Did you see
33:37what I brought?
33:38It's a fridge inside,
33:39Mr. Gamgoom.
33:40A fridge inside?
33:41I'm surprised.
33:42They don't know
33:43they have a fridge inside?
33:44Uh...
33:45It's not supposed to be.
33:46It's not supposed to be.
33:47Bimbim,
33:48we invite people
33:49before we open
33:50because she raised us.
33:52I just wanted him
33:53to apologize
33:54before he took
33:55my pajamas.
33:56What pajamas?
33:57What pajamas?
33:58I don't know
33:59what I'm wearing.
34:00I think hotels
34:01always have
34:02pyjamas and stuff like that.
34:03I'm sorry.
34:04And then, sir,
34:05we're at home right now.
34:06I can't wear
34:07the clothes I go out in.
34:08I can't wear the clothes
34:09I go out in.
34:10You're here
34:11as a builder
34:12and he's a guy
34:13who's been moving
34:14since he was a kid.
34:15And then,
34:16Mr. Momin,
34:17with his hands...
34:18Momin.
34:19When someone
34:20wears his clothes...
34:21What's this?
34:22Mr. Moqrif knows how to...
34:23Moqrif what?
34:24Mr. Momin.
34:25Mr. Momin knows how to...
34:26By the way,
34:27I know how to do it too.
34:28But I'm sure
34:29I took a shower
34:30before I wore these clothes.
34:31He has a bathroom inside.
34:32A bathroom inside?
34:33He's surprised.
34:34This isn't his house.
34:35Excuse me.
34:36Yes, I took a shower.
34:37By the way,
34:38I found this thing.
34:39It's a shame
34:40that you have kids.
34:41It's not right
34:42that this thing
34:43stays in the bathroom.
34:44What's this?
34:45It's a delivery box.
34:46I don't know.
34:47This smells good.
34:49I'm sorry.
34:50I'm sorry.
34:51We're not going
34:52to the beach.
34:53Okay?
34:54We're going to work.
34:55You're going to pretend
34:56to be Khalil
34:57the comedian
34:58of the villa.
34:59I swear
35:00I'm going to turn you
35:01out of the window.
35:02Respect yourself.
35:03Okay?
35:04You asked me to do this
35:05and I did it for you.
35:06Okay.
35:07Okay.
35:08Nice.
35:09That's a nice voice.
35:10Did you install
35:11the security cameras
35:12that I asked you to?
35:13Don't worry, doctor.
35:14The cameras
35:15are in place.
35:16Great.
35:17The next step
35:18is that we should
35:19have dinner
35:20before the food gets cold.
35:21Let's go.
35:22What's this?
35:23What's this?
35:24I named it.
35:25What did you name it?
35:26What's after the food?
35:27What's after the food?
35:28That's a good question.
35:29After the food,
35:30we should go out
35:31and relax.
35:32When are we going
35:33to kick them out?
35:34It's obvious
35:35that you're not
35:36paying attention
35:37to the plan
35:38when I'm talking to you.
35:39We're going to stay
35:40in the most
35:41strange places.
35:42It's a trend.
35:43We're going to stay
35:44in the most
35:45strange places.
35:46We're going to stay
35:47in the most
35:48strange rooms
35:49so we can watch
35:50and analyze
35:51the bugs inside
35:52with the cameras.
35:53The bugs inside?
35:54Why are you surprised?
35:55The fridge,
35:56the bathroom,
35:57and the bugs.
35:58Is this your house
35:59or what?
36:00It's my house,
36:01but I like the idea.
36:02So,
36:03we're going to stay
36:04in the room
36:05of Basmala and Hawqala.
36:06Basmala and Hawqala
36:07are the bugs?
36:09You're lucky.
36:10The bugs are girls.
36:11But they're bugs too.
36:13Let's go.
36:14We're going to
36:15stay in the room
36:16of the bugs.
36:17I mean the girls.
36:20Hurry up.
36:23I don't know
36:24what's going on
36:25with the bugs.
36:26Mr. Mu'innis
36:27is telling me
36:28it's real.
36:29Or is it because
36:30Jacobini
36:31is close to
36:32the Earth
36:33so he's making
36:34all this fuss?
36:35It's not Jacobini.
36:36It's Ventus.
36:37It's Jacobini.
36:38What's going on?
36:39Can you leave
36:40this mess
36:41and focus on me?
36:42Wait a minute.
36:43I'm almost done.
36:44Eat.
36:45Go ahead, Mr. Mu'innis.
36:46Babi!
36:48Babi?
36:49You're wearing underwear?
36:50Yes, Uncle.
36:51You have to feel
36:52that everything is normal.
36:53And that your daughters
36:54are sleeping
36:55in their beds.
36:56What about my daughters?
36:57Respect yourself.
36:58What about the doctor
36:59you're sleeping with?
37:00What?
37:01What?
37:02The doctor.
37:03He's with me.
37:04I made you coffee
37:05so you can sleep.
37:06Sleep.
37:07Sleep, Mr. Mu'innis.
37:08Who's going to sleep
37:09in the middle of the night?
37:10Who?
37:15I didn't know.
37:34What's going on?
37:35What's going on?
37:36Hello, uncle.
37:37What's going on in there?
37:38What's all this?
37:39My condolences
37:40to my neighbor.
37:41Congratulations.
37:42What about this Jesse?
37:43Get up! There's a cockroach in the corridor!
37:45Corridor? In the corridor? You're afraid of the corridor and not the cockroach?
37:48Calm down, guys. We're standing in front of the corridor and there's nothing there.
37:52Come on, let's get out of here. You're bothering me, for God's sake.
37:54No, I swear, it's not in my eyes right now.
37:56But I felt a cold, and I felt like I was going to die.
37:58I drank half a bottle of alcohol right now, and I saw a ghost passing by me and went into the kitchen.
38:02Hey, is the teacher fainting or something?
38:04No, it's the smell of another cockroach. It's the smell of this special thing.
38:06Peace be upon you.
38:07Calm down, sir. What's going on?
38:09What's going on in your eyes? Calm down, sir.
38:11I saw the teacher hit the cockroach and fainted.
38:13No, I swear, I didn't faint. I smelled it and I felt it.
38:16Are you sure, sister?
38:17I'm sure, Gamgoom.
38:18Okay, guys, there's a cockroach inside.
38:20Come on, let's go see what's behind it.
38:22No, no, no. Wait a second, guys.
38:24Wait a second. Here, here, here. Call Uber and ask him to come here.
38:27Uber? What Uber? Stay with me.
38:29Come on, Dr. Gamgoom. Come on, doctor. You're a great scientist.
38:33Let's go see what's behind it. Come on, guys.
38:38What's this?
38:40What's this horror?
38:41There's no light in the kitchen, or what?
38:43How? I left the light on because I brought a flashlight and it's been five years.
38:46It's okay, guys. Maybe the cockroach touched it when we were connecting the cameras.
38:50Let's go see what's inside.
38:51No, no, no. Tomorrow morning.
38:53Tomorrow morning?
38:54Listen to my theory, Mr. Maulisa.
38:56When you go to buy a car, do you look at it at night or do you look at it in the morning?
39:01I look at it in the parking lot.
39:02Okay, the parking lot opens in the morning. Let's go.
39:04Are we going to live in this horror until morning?
39:06I'm going in.
39:10There's nothing inside.
39:11Didn't I tell you, Mr. Zabit?
39:13No!
39:16Daddy!
39:40Hello?
39:43Daddy!
39:44Daddy!
39:45Daddy!
39:46Daddy!
39:47Daddy!
39:48Daddy!
39:49Daddy!
39:50Daddy!
39:51Daddy!
39:52Daddy!
39:53Daddy!
39:54Daddy!
39:55Daddy!
39:56Daddy!
39:57Daddy!
39:58Daddy!
39:59Daddy!
40:00Daddy!
40:01Daddy!
40:02Daddy!
40:03Daddy!
40:04Daddy!
40:05Daddy!
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40:07Daddy!
40:08Daddy!
40:09Daddy!
40:10Daddy!
40:11Daddy!
40:12Daddy!
40:13Daddy!
40:14Daddy!
40:15Daddy!
40:16Daddy!
40:17Daddy!
40:18Daddy!
40:19Daddy!
40:20Daddy!
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40:40Daddy!
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41:30Daddy!
41:31Daddy!
41:32Daddy!
41:33Daddy!
41:34Daddy!
41:35Daddy!
41:36Daddy!
41:37Daddy!