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Art et designTranscription
00:30pour faire fonctionner son monstre d'aujourd'hui.
00:34Si il résoudra ce monstre,
00:38il pourra retourner à Transylvanie,
00:42donc bienvenue où le soleil ne brillera pas,
00:46au château de Count Frightenstein.
01:00Et maintenant, vous petits diables,
01:26There is not a power on earth that will not obey the sign of the three-toed sloth.
01:35And you will now grow!
01:43Oh-oh! Well, maybe I'll give it a little shine-up.
01:57Isn't that cute?
02:01That it's either snow or you got married, the latter of which is impossible.
02:06All right, explain yourself. What were you doing outside?
02:09Master, I was just outside, just taking a walk around in the rain.
02:14Walking around in the rain?
02:16We have no time to speak of these matters now.
02:19For now is the time to raise the flag.
02:22Yes, Master.
02:23Sing our national anthem.
02:26Right, Master.
02:27Go to it, babe.
02:29Now, Master.
02:30That's what it means, go to it, babe.
02:32It's very hip jargon. Go!
02:34Okay, Master.
02:36No, no, sing, go!
02:37Oh, go, go.
02:39Gory, gory Transylvania,
02:43The werewolves and bats will always maim you,
02:47To make you more of a likely claim,
02:50As we go stumbling through.
02:55I pledge, by the sign of the three-toed sloth,
03:00That I will do my best to do my duty,
03:03To always obey the laws of the werewolf pack,
03:06To never rest until Brucie leaves once more,
03:10And takes his rightful place in the annals of distinguished men's stores,
03:14And I can once again return to that most glorious of homelands.
03:20Bring up the volume, babe.
03:22Transylvania.
03:25It's more battered.
03:28As we go stumbling,
03:31We go stumbling,
03:34We go stumbling,
03:36Like a record that's broken,
03:37We go stumbling
03:40Through.
03:43Through.
03:45Master, you sang.
03:48Was my build-up good, Master?
03:51It was fantastic in the novel.
03:53Oh.
03:54Now, explain yourself.
03:56You were outside.
03:57Yes, Master, I was outside.
04:00Wait, is that snow, is it winter outside?
04:03Is that snow?
04:04It's winter, Master, but it's not snow.
04:06What is it then?
04:08Well, Master, I was outside,
04:10Standing under the jolly green giant,
04:12And he flicked his cigar ashes on me.
04:15You trying to snow me, babe?
04:17Even a snake wouldn't laugh at that.
04:22You say, whatever bit her
04:25Left two puncture marks right here on her neck?
04:34Griselda had a party
04:40Where she gave us all orders
04:43Which have to be the worst thing
04:45That Griselda ever served
04:48For she lets her hair down all the way
04:50When making appetizers
04:52And puts things on the top of them
04:55That crack your back in sizes
04:57Instead of shrimp or fancy cheese
05:00She used bugs or flies
05:02And served this on a spread
05:05That's made of chopped potato eyes
05:08It's not much good refusing these
05:12I doubt that you'd be able
05:14If she doesn't get you with hors d'oeuvres
05:16She'll get you at the table
05:31Oh! Get out of here, you old bat!
05:34Hi! I'm Griselda,
05:37The gourmet.
05:39A thing of beauty, am I not?
05:42And now, vampire bats
05:45Will all turn to chickens
05:47When I get my cauldron a-kickin'.
05:50Do you believe it?
05:52Hi-ho, Silver!
05:54I always thrill him!
05:56Come on in from Fun Street!
06:00Everything's wonderful!
06:03Excuse me, there's someone on the phone!
06:07Hello!
06:18Well, now back to where we were.
06:20Now I have a fantastic recipe for you today
06:24That you're just going to love.
06:26And I call it
06:28T.T. Terror's Terrifically Terrible Terror-saurus
06:32And it goes like this
06:34Doo-dah, doo-dah
06:39Jill said, John, eat your heart out.
06:43And now let's get on with our little mixture.
06:46Now we're going to start with just a few heads
06:49Or rather leaves of a head of lettuce.
06:51We're throwing them in, aren't we?
06:53Yes, we are.
06:55I think that should do it.
06:58Now, the next thing we're going to use is
07:01Naturally, a fish.
07:04Now, this being so
07:06We must add a little liquid
07:08In order for the whole thing to kind of get together
07:11You know, fish heads and all.
07:15And no, that's too heavy.
07:17Oh well, I feel strong today.
07:20A sacred cow milk.
07:22That should bring everybody together.
07:24Here we go.
07:26Now, sacred cow milk, in she goes.
07:28Very good, looking good, looking good.
07:31Now.
07:33Oh, now we start to mix.
07:35And it's really scrumptious and glorious.
07:38And now we're off to get our last and final ingredient
07:42To put into the calderon.
07:44Oh, Polly, you've done it again.
07:47Thank you very much.
07:49Here we are.
07:51Dearest Griselda, Eskimos might live where it's cold
07:55But you're the coolest.
07:57Goulest.
07:59Oh, it's a pun, it's a play on words.
08:04All right, here we go.
08:06Now, as you well know
08:08That cooking things that are so involved
08:11Requires a great deal of skill
08:13Which I have, along with my beauty.
08:16So you see, what I'm going to do now
08:18Is to use something that is fundamental
08:20In this particular, particular ingredient
08:23That I'm going to use in the recipe.
08:26A bamboo shoot.
08:30Here we go with the bamboo shoot.
08:33Now, actually, they say this is a bamboo shoot
08:37But not really, because it has been caught
08:40Therefore it's a bamboo shot.
08:42No. All right, here we go.
08:44In she goes.
08:47That being done
08:49We go back to the calderon
08:51Where we find our fish and the head of lettuce
08:53And the other various things
08:55Just right.
08:57So here we go to the calderon.
09:03Now, into the calderon it goes.
09:05Into the calderon.
09:07Okay, calderon, calderon
09:09Time travel.
09:11Calderon burning, calderon bubble.
09:13Taster time.
09:15Calderon.
09:19Hmm, I found that.
09:21Hey man, anybody seen the 814 air pocket?
09:29As the spirit of our mutual body
09:31Wanders on in children
09:33This truth, indeed
09:35Has been seen by only those
09:37Who can follow the yellow brick road.
09:45Oh, unfortunately.
09:47Another interruption.
09:59Igor!
10:01Have I ever shown you any of my card tricks?
10:03Yes, master.
10:05Many, many times.
10:07And they never work.
10:09Ah, but Igor, I have a new one
10:11And it works.
10:13Do you think I could see it?
10:15Of course you can, Igor. Here.
10:17Now pick a card.
10:19Any card.
10:21Alright. What is it?
10:23Four of clubs, master.
10:25Ah, you shouldn't have told me.
10:27It doesn't matter.
10:29I would get it anyway. Let's see now.
10:31It's the
10:33Seven of hearts.
10:35Close, master.
10:37Well, give me a hint, Igor.
10:39Is it a red card?
10:41Or is it a black card?
10:43Black, master.
10:45It's a black one. Oh, that's bad.
10:47Very bad on the black cards.
10:49Wait now.
10:51It is the 13 of diamonds.
10:53Nope.
10:55Well, let me see now.
10:57Was it a face card?
10:59Or was it... What's the name of the other cards?
11:01Numbers, master.
11:03Numbers, yes.
11:05Well, what is it?
11:07Oh, now you've given it away, Igor.
11:09I can't understand.
11:11Master, excuse me.
11:13May I show you a card trick that I learned?
11:15Please, master.
11:17Sure, Igor. Hand game.
11:19It's a game I learned, master.
11:21It's a fabulous game.
11:23It's just shuffle, master.
11:25This game is called 52 pick up.
11:27Oh, very good.
11:29Your father taught me this game, master.
11:31Did he roll it up? Yes, master.
11:33Good. I'd like to see that.
11:35You ready, master? Sure.
11:37Oh, very good.
11:39What happens now, Igor?
11:41Now, master, you must pick them up
11:43one at a time and call out the cards
11:45until you find
11:47the 16 of diamonds.
11:49Oh, sure.
11:51Seven of clubs.
11:53No.
12:08Why do they keep hitting the gorilla?
12:10He's a nice guy.
12:12A lovely girl dropped by
12:14to see the oracle last week
12:16and said,
12:18Please read my future
12:20in a blushing voice quite meek.
12:22I'm now engaged.
12:24See here the ring,
12:26that lovely lady said.
12:28And so I thought I'd come by here
12:30and have my left arm read.
12:32The oracle
12:34looked at her hand
12:36and said,
12:38Oh, dear, oh, my,
12:40I see a strange thing here, dear girl,
12:42but please don't start to cry.
12:44I predict that in an hour
12:46you'll have an awful fright
12:48and find this ring
12:50won't leave your hand
12:52because it fits too tight.
13:01Welcome, welcome.
13:03I am the all-knowing, all-seeing
13:05oracle. You know something?
13:07New Year's resolutions,
13:09well, to make a comparison,
13:11New Year's resolutions
13:13are a lot like
13:15what we say crystal balls.
13:19They're broken
13:21awful quickly.
13:23Humor!
13:25Straighten up.
13:27Now, we will talk of the sign of today
13:29and what is our sign for today.
13:31All right.
13:33It is the blissful mist
13:35that the gods have kissed.
13:37Which sign, whose life
13:39will fortune twist?
13:43And it is Libra.
13:45Now, that's for all the kids
13:47who were born between September 23
13:49and October 23.
13:51The symbol for the sign
13:53is the scales.
13:55Yes, one half of Libra is cheerful and optimistic
13:57and the other half morose,
13:59gloomy, melancholy.
14:03I'll be all right in a little while.
14:05Their lucky days
14:07are Monday, Wednesday and Friday
14:09and their lucky numbers
14:11are five and six.
14:13Eleven.
14:15Just kidding.
14:17Now for a prediction.
14:19We need a new crystal ball.
14:21Would you please excuse me, Buddha?
14:23Thank you.
14:33Now,
14:35our magic crystal,
14:37crystal ball.
14:39Tell me now.
14:41Tell me all.
14:43Ah, yes.
14:45Ah, today.
14:47Today may look like
14:49another dull day,
14:51but it's the start of something big, actually.
14:53This could be the start
14:55of something big.
14:57That's right. You met a stranger earlier in the day
14:59who will bring you
15:01lots of happiness.
15:03For the moment, this person seems like a new
15:05but casual acquaintance,
15:07but I see romance for you, Libra.
15:09It is written in the stars.
15:13And now,
15:15what do you think of that, Buddha?
15:17You know as well as I do
15:19that romance is always in the stars.
15:21So now, it is time for you
15:23to look to the stars,
15:25for I feel that the time is near
15:27when...
15:29What catch you?
15:31Boo!
15:33Of course, I'll be happy to see you.
15:35Goodbye.
15:37Master, did you see this here?
15:39In the Gropen Mall,
15:41this Mr. Herman Herman of no fixed abode
15:43was knocked down by a bus yesterday.
15:45You know something, Igor?
15:47Some people will do anything
15:49to get their name in the newspaper.
15:51Just like my Aunt Edna.
15:53She'd do anything to have her name in print.
15:55Master, isn't she the one
15:57who didn't have a nose?
15:59That's right, but you know something?
16:01She won the contest for the world's
16:03most beautiful smile.
16:05But she was disqualified
16:07because they found out
16:09that it wasn't her teeth.
16:11Whose teeth was it, Master?
16:13My Uncle Albert's, of course.
16:15But he never had false teeth.
16:17He didn't, eh?
16:19Well, I knew that, and she knew that.
16:21But poor Uncle Albert,
16:23they say she broke his heart.
16:25Possibly, possibly.
16:27Ah, the mail is here! Quickly!
16:29Go and get the mail, Master.
16:31Coming!
16:41You know, Master,
16:43the mailman is not like he used to be.
16:45He used to stop and chat for a while.
16:47Now he just sees me,
16:49and I'm not a bad fellow, and he just runs.
16:51I know, it's like that these days.
16:53What's in the mail today?
16:55A letter from your mother, Master.
16:57I'll read it to you, Master.
16:59Dear son...
17:01That's you.
17:03I went to the opera last night.
17:05Isn't that strange?
17:07I didn't know that mother liked classical music.
17:09No, no, Master.
17:11I went to see the Phantom of the Opera.
17:13He's redecorated his dungeon up very smartly,
17:15with linoleum everywhere, all over.
17:17By the way,
17:19did you get the invitation
17:21to his come-as-your-favorite
17:23brain operation party?
17:25Love, Mother.
17:27No, I did not.
17:29It must still be in the mail.
17:31Check around there. Is it there?
17:33Oh, Master, we were just talking about her.
17:35About who?
17:37About your Auntie Edna.
17:39This letter is from your Auntie Edna.
17:41Well, quickly, Igor. Read it to me.
17:43Yes, Master.
17:45Good.
17:47Dear Count...
17:49That's you.
17:51Well, by now you've seen the papers.
17:53Enclosed,
17:55please find a copy
17:57of my 112th time
17:59in the world
18:01of the press.
18:03Let me see that.
18:05Igor.
18:07She has done it again.
18:09She has won
18:11the world's most beautiful mustache contest.
18:13That's my Auntie Edna.
18:15But she never had a mustache, Master.
18:17Yes, but Uncle Albert does.
18:21Or did.
18:27I am the Wolfman.
18:41I am the Wolfman.
18:43Coming to you from
18:45E-E-C-H
18:47Radio Fang
18:49Test.
18:51Yeah, I'm back among my people.
18:53And my people are you.
18:55Well, we got some golden goodies
18:57that you're gonna love.
18:59So now, let's find out
19:01the chime time.
19:07Right on time.
19:09And you're
19:11under arrest.
19:13OK.
19:15Now let's get rolling,
19:17cause it's cooking time.
19:19Real cooking time.
19:21Hello and goodbye.
19:23I'm too busy.
19:25Oh, a shampoo?
19:27Or shall I
19:29rip it out, Madam?
19:33Very, very.
19:35Once again now, let's start right across the old place.
19:37Be careful, Master.
19:39Beautiful, beautiful.
19:41Why are you throwing the glove?
19:43You're supposed to throw the ball.
19:45You mean you're supposed to throw the ball?
19:47I never knew that.
19:49Yes, Master.
19:51You know something, Igor?
19:53This was one of my favorite inventions.
19:59Yes, I call this
20:01All-Star.
20:03Isn't that like baseball, Master?
20:05Very good. That's exactly what it's like.
20:07I'd like you to take a look
20:09at the All-Star Monster baseball team I had.
20:11Oh, yes.
20:13All-Star Monster baseball team.
20:15That's correct.
20:17Now, first,
20:19at catcher's position,
20:21I had Brucie. Do you know why?
20:23No, Master.
20:25Because if my pitcher was to throw the ball a little too high
20:27and the umpire was to dare
20:29to call it a ball,
20:31Brucie would stand up to his full height
20:33and what do you think the umpire would do?
20:35Strike, he would say.
20:37That's right, he would say. Very good.
20:39Now, in the pitching position,
20:41I had King Kong.
20:43Oh, he must have been a goody.
20:45He was great because he had such a strong arm.
20:47Anyone who can climb the Empire Estate
20:49building with someone
20:51in their arm, man, has pretty good strength.
20:53Oh, he must have pulled in there.
20:55Now, in the outfield, I had Dracula
20:57for one and the werewolf
20:59for another. I like a hungry outfield.
21:01I could have been good there because I'm pretty
21:03hungry myself, Master.
21:05Now, in center field, I had
21:07the Blob. I know why.
21:09Because he covers a lot of ground.
21:11That's exactly right, Igor.
21:13Now, on fourth base,
21:15you know who I had? Plastic Man.
21:17Plastic Man?
21:19He could catch it if it was thrown from another city.
21:21It wouldn't matter.
21:23Oh, he's got a long reach. Of course.
21:25And on second base, I had the monster
21:27that devoured Cleveland. Do you know why?
21:29Why, Master? Because he liked double plays
21:31and other big numbers like that.
21:33Yes, he must have been a good one.
21:35He was very good. On third base, of course,
21:37I had the Invisible Man. Boy, did we
21:39clap them on that one.
21:41And the cleanup position, of course,
21:43was you, Igor.
21:45Because you've been cleaning up around here for some time now.
21:47True, Master.
21:49And now, the only thing that puzzles me
21:51is the last position.
21:55What position is that, Master?
21:57The shortstop. I don't know who to get
21:59for the shortstop. Shortstop.
22:01Shortstop.
22:05Master, may I be permitted
22:07to make a suggestion?
22:09Be very careful, Igor.
22:19Of all things that move,
22:21and move not,
22:23none is to equal those whose minds
22:25are set on the transcendent
22:27with determination
22:29and the high horse silver away.
22:35The hilarious house of Freitenstein
22:37will continue in a moment
22:39if the slot lets it.
22:49Hello, Master.
22:51Hello, Igor.
22:53You know what I thought, Master?
22:55What? The slot eats a lot.
22:57I'm the only one who eats a lot around here.
22:59Look at you, Igor. You never stop eating.
23:01Why, the count doesn't get a chance to even get to the food
23:03before you.
23:05Master, I don't eat so much.
23:07You certainly do. Igor,
23:09have you ever tried to keep track of just how much
23:11food you have eaten in your lifetime?
23:13Yes, Master. As a matter of fact,
23:15yesterday only I made a list
23:17of all the things I've eaten.
23:19Well, read it to me. It might be for good reading.
23:21Right.
23:23Twenty-three acres of potatoes.
23:25Two mountains of salt.
23:29Fifteen miles of string sausage.
23:31Two hundred and ten prime heifer cows.
23:35Twelve warehouses of brown bread.
23:39And once by accident, Master,
23:41I ate a silver quarter
23:43dated 1492.
23:45That was a good year for quarters,
23:47no doubt, eh?
23:49I don't understand you, Igor.
23:51You've got to stop this. You really do.
23:53I should show you my new invention.
23:55That would stop you.
23:57But now I think I will have a peanut.
23:59Master, I think you should let me
24:01try them first. You never know,
24:03it might have been a bad year for peanuts.
24:05They might be poisoned.
24:07You're absolutely right. We can't take any chances with the count.
24:09You may try them for me.
24:11Thank you, Master.
24:17Igor, I can't stand this any longer.
24:19Do you realize we've got to
24:21stop you from all of this.
24:23I have to show you my temptation
24:25resistor, my new invention.
24:27Master, I hope it's not like the dirt diet
24:29I was on. No, it's not like the dirt
24:31diet, but you must admit
24:33that at least we got the lawns mowed
24:35for free, eh? I admit, I was there.
24:37That's right. Now I'm going
24:39to show you my new temptation
24:41resistor, and I will prove it to you.
24:43Get me a donut. It's over there.
24:45Yes, Master. Now we will stop this once
24:47and for all. It's ridiculous.
24:49Aha, I know this will work.
24:51Ah, Igor!
24:53You also want one, Master?
24:55Igor, will you ever stop?
24:57Put that down on the table.
24:59I've got to show you how the temptation
25:01resistor works. Now.
25:03Master, I don't want to get involved.
25:05You listen to the count, Igor.
25:07Now here's how it works. Yes, Master.
25:09Temptation resistor, right? There's the donut.
25:11Now, I'm hungry, hungry, hungry.
25:13I want that donut.
25:15So I approach the donut, but
25:17my temptation resistor
25:19to the rescue.
25:27I think he fainted.
25:31Maybe I'll eat a donut.
25:33Ah, the temptation resistor.
25:35Let's see if the count's new
25:37invention works.
25:39You ready, Igor?
25:43Nothing. I think I'll eat the rest of the donut.
25:47Ah!
25:53What a sight!
26:17I would have fallen at the edge, gone
26:19flying from the ground.
26:21We asked him, what of gravity
26:23makes this globe seem
26:25flat? He paused, looked hurt,
26:27and finally said,
26:29I didn't think of that.
26:31Silly boy.
26:37I am
26:39the professor.
26:41The professor.
26:43Unlike all others,
26:45in this place,
26:47we stand alone.
26:49I am the professor,
26:51Julius
26:53Sumner
26:55Miller.
26:57How do you do,
26:59ladies and gentlemen, people,
27:01men and women, and others?
27:03I am Julius Sumner Miller,
27:05and physics is my business.
27:07And our principal business
27:09today raises
27:11a paradox about
27:13which you must do some thinking.
27:15So I am going to put on the
27:17board, I am going to put
27:19on the board, you must do
27:21some thinking about
27:23these things.
27:25Indeed, I am going to tell you,
27:27there was a young Frenchman
27:29by the name of Rene Descartes in the
27:3117th century, who
27:33was a little boy, was sick sort of,
27:35and his priest gave him permission
27:37to stay in bed in the mornings.
27:39And in his later years,
27:41when he became a philosopher and mathematician
27:43of the first rank,
27:45he attributed his success
27:47in the intellectual world
27:49to the fact that when he was a little boy,
27:51he remained in bed in the
27:53morning and learned to think.
27:55So I say to my students in the
27:57class, if you wish to
27:59stay in bed in the morning, do some
28:01thinking like Mr. Descartes.
28:03So,
28:05before
28:07we get to it, you must
28:09wonder why it is I have a flag.
28:11Happens to be a Canadian
28:13flag. I am going
28:15to explain in a subsequent
28:17program why
28:19a flag flutters.
28:21And would you believe it,
28:23when I have explained why a flag
28:25flutters, we shall learn
28:27why an airplane can fly,
28:29same principle, why a
28:31ball can be thrown in a curve,
28:33and I'll throw you a curve
28:35in this place.
28:37Why birds can soar,
28:39why a chimney has a good draft,
28:41why boats
28:43must not pass too close upon each
28:45other on the sea,
28:47or trains on tracks
28:49adjacent to each other, all
28:51connected with a wonderful
28:53name, Bernoulli.
28:55Oh, how I
28:57wish,
28:59how I wish
29:01I could take the time to tell you about
29:03these geniuses, but anyway,
29:05here is our little exercise.
29:07I, oh, I'm going to see if I
29:09can make that flag flutter.
29:11Oh, wait.
29:15Yes, I
29:17make flags flutter.
29:19Groovy. I like it,
29:21so I'm going to do it again.
29:25And remember, that's why an airplane can fly.
29:27Isn't that incredible?
29:29So, we must handle
29:31flags reverently.
29:33Here I have a spring scale
29:35that reads from 0
29:37to 2,000 grams.
29:39We'll take this slowly.
29:41I was going to say we'll take it slow, but you know
29:43you need an adverb here.
29:45This scale reads from 0
29:47to 2,000
29:49grams.
29:51That means
29:53as follows. If I
29:55put 1,000 grams on it,
29:57it reads 1,000 grams.
29:59Oh, says somebody,
30:01that stupid old fellow.
30:03He ought to know it does that, but would
30:05you believe it? I do not know
30:07why it does it. Because
30:09the matter is gravitation
30:11and we do not understand
30:13gravitation.
30:15All I know is this is pulled down
30:17by the Earth and this in turn pulls down
30:19on the spring and the scale reads 2,000.
30:21But I have to say more
30:23because some of you are bright
30:25and capable and thinking sharply
30:27and you're going to say,
30:29are there not some conditions
30:31in which it does not read 2,000?
30:33Indeed. It reads 2,000
30:35only if the system is at rest
30:37or moving uniformly up
30:39or uniformly down.
30:41Because if I accelerate upward,
30:43it reads more and if I accelerate
30:45downward, it reads less.
30:47And I would remind you of this.
30:49You encounter it when you
30:51ride in an elevator.
30:53Let me point that out here. Look here.
30:55It is wonderful.
30:57It is wonderful.
30:59There is the elevator cage
31:01and there you are
31:03in the elevator
31:05and you are on the ground floor
31:07and in our next
31:09program, I am going to
31:11explain to you
31:13why it is that when the elevator
31:15starts upward, your knees buckle.
31:17And when you are on the umpteenth floor
31:19and the elevator starts down,
31:21your belly feels empty.
31:23And that's what I have here.
31:25And I am going to write it
31:27as Newton would write it.
31:29F equals mg plus or minus ma
31:31to which we will return
31:33another time.
31:41Hi, gang! And now for a little song.
31:43The object of my affection
31:45can cause a nasty infection
31:47turning you white, not very green.
31:49Yeah, I know. Not very funny.
31:51Oh, well. Lunchtime!
31:53The worst is yet to come.
32:05Igor, come here. I want you to help me
32:07with this great new experiment
32:09I am going to try.
32:11Master, I just want to answer the doorbell.
32:13What are you talking about? The doorbell hasn't rung yet.
32:17Excuse me, Master.
32:19It's very strange.
32:21Well, Brucie, wait till you see
32:23what's going to happen to you.
32:25It's wonderful.
32:27Master, it was just the neighbors.
32:29They want us to help with the pollution.
32:31Well, what did they suggest?
32:33They suggest, Master, that we leave town.
32:35Oh, never mind them. Who cares anyway?
32:37Because Brucie is the important thing.
32:39Now I need your assistance.
32:41I want you to stand up there.
32:43Now you'll notice there is an electrode
32:45on top of Brucie's head.
32:47And now I want you
32:49to put this electrode on your head.
32:51I will explain the experiment.
32:53Don't worry, don't worry.
32:55Here we go.
32:57Now you see these connections.
32:59Now you are connected up to Brucie, see?
33:01Now what I am going to do
33:03is to wear an electrode myself,
33:05attach it to these two wires,
33:07you see?
33:09And I will transfer my gorgeous voice.
33:13Gorgeous voice.
33:15Oh, I know it. Once again.
33:17Yes. And I am going to transfer that
33:19into Brucie.
33:21Master, if you're going to transfer
33:23your voice into...
33:25What do you need me for?
33:27Because you are a pillar of strength.
33:29And this way, this power will drive it
33:31into Brucie's head.
33:33Is it safe, Master?
33:35Has the Count ever failed you before?
33:37Don't answer that.
33:39All right. Now I am going
33:41to throw the switch.
33:44You know, sometimes I think a little of you
33:46rubs off on me.
33:48All right, I have a substitute.
33:50On it goes.
33:56Okay, Brucie, now we turn it off.
33:58It is completed.
34:00Bruce, speak to me.
34:02Well, at least it wasn't a complete failure.
34:07That's easy for you to say.
34:09No.
34:39One and two.
35:09Beauty.
35:39Oh!
36:09That's 700 pounds.
36:39Talking species have easy time learning.
36:41All the time, yes.
36:43They learn how to speak, and they listen in silence
36:45at first, and then they memorize your tones,
36:47you see.
36:49Because I distinctly heard him say,
36:51Ock, ock, hi, doc.
36:53That's you, doc.
36:55That's right. They have a great sense of humor.
36:57Pardon.
36:59I beg your pardon.
37:01I beg, what, Polly want a cracker?
37:03But you're Sam, so you'll just have to take a peanut.
37:05There we go.
37:08There we go.
37:13Oh!
37:37And Igor, I want you to have Sam.
37:39For me?
37:41I brought him for you, yes.
37:43That's marvelous.
37:45Why don't you check with the old sloth there
37:47and see how he feels today.
37:49Here we go, Sam. Here we go.
37:51What's the matter, darling?
37:53Mr. Sloth,
37:55there's a big cage here.
37:57Inside is a Sam Scarlett McCall.
38:01And he eats peanuts,
38:03and he's a very friendly fellow.
38:05And I think he would like to talk to you,
38:07so you could stay for the afternoon, maybe.
38:11Maybe not.
38:13Please, just for once.
38:19Yeah.
38:21No.
38:23No.
38:25Oh, well, now, don't worry about it.
38:27Don't you worry, because
38:29Dr. Petvet will be coming back.
38:31He'll be coming back to see you,
38:33and then, well...
38:35Goodbye, Sam.
38:37Bye-bye, Sam.
38:39Oh, Sam.
38:41Come and see us again.
38:43Goodbye.
38:45Oh, wow.
38:47Heavy.
38:49See?
38:51Super happy.
38:53Out of sight.
39:34Où est-il?
39:36Attendez. Je sais où ça vient.
39:46C'est vous, encore.
39:50Vous me faites tellement mal,
39:52je suis folle.
39:54Utilisez-le.
39:56Vous savez, c'est mon pas.
40:03Je savais que ça allait arriver.
40:05Bonjour.
40:06C'est Sam et Janet.
40:08Sam et Janet qui?
40:10Sam et Janet, soirée.
40:12Vous verrez un étranger.
40:15Il sera votre étranger.
40:17Qui est-ce?
40:19Répondez au téléphone.
40:21Bonjour.
40:23C'est la station de television.
40:25On a juste tiré votre nom
40:27de l'enveloppe.
40:29Mettez-le à l'intérieur.
40:32Si vous pouvez identifier notre bruit mystérieux,
40:34vous gagnerez notre grand prix
40:36de 50 000 dollars.
40:39Combien ça coûte en goulots?
40:41D'accord.
40:43Je vais écouter rapidement.
40:45Vous avez 10 secondes.
40:48C'est un chien.
40:50Non.
40:52C'est un cheval qui fait l'imitation d'un chien.
40:54Désolé.
40:56Win some, do some.
41:00Bonjour.
41:01C'est Igor.
41:03Non, c'est le chien.
41:04Que peux-je faire pour vous?
41:06Vous pouvez me donner Igor.
41:08Vous ne pouvez pas lui parler.
41:10Il est tout enchaîné.
41:11Vous êtes un homme cruel,
41:13Count Frankenstein.
41:15Qu'est-ce que vous voulez?
41:17Je n'ai pas de désespoir.
41:19Désolé.
41:20Pas même un.
41:22Peut-être un,
41:24deux,
41:26trois.
41:28Une dernière chose.
41:30Où peux-je m'occuper d'Igor?
41:32Par-ci, par-là.
41:34Si vous pouvez aller aussi loin.
41:36Merci.
41:37C'est qui ça?
41:38Ça ne m'intéresse pas.
41:42Prends-le, Igor.
41:44Bonjour.
41:45Bonjour, c'est le groupe du mall.
41:47Vous avez reçu vos papiers récemment?
41:49Oui, très récemment.
41:51They don't get here till ten at night.
41:54I wonder what the problem is.
41:56The problem is,
41:58they don't get here till ten at night.
42:02That's telling him, big fella.
42:04I told him.
42:05Be my guest.
42:06Oh, thank you.
42:07Hello?
42:10Is that you, Igor?
42:12Yes, yes.
42:14Well then, put the Count on the phone.
42:18I can't.
42:20He's too big to put on the phone.
42:22In that case, let me speak to him.
42:25All right.
42:26Hang on.
42:27Master, they want to talk to you.
42:32Allo?
42:33Frankenstein?
42:34That Igor of yours is a pretty smart servant.
42:38Except when he serves me dinner.
42:41What's he like then?
42:43Are you ready?
42:44Then he becomes a dumb waiter.
42:48I nearly got him with that one.
42:50Who was that, Master?
42:52A moment.
42:53Who are you ringing up on the phone?
42:55Frankenstein Grocerama.
42:57Allo, this is Count Frankenstein.
42:59How are your carrots today?
43:01Oh, fine, thank you.
43:03I'd like two bunches.
43:05Two bunches?
43:06That's twenty-four carrots.
43:08There's nothing finer.
43:10I'll need some bread.
43:11Well, you will need some bread,
43:13because we don't give this stuff away for free, you know.
43:16Have you got a fresh tomato?
43:18You need my wipe out of this.
43:20You have a lousy sense of humor.
43:22That is pure corn.
43:24We've got lots of that around here.
43:26Listen, you.
43:27I'm tired of your jokes,
43:28but more to the point.
43:30I'm sick of your puns.
43:32Don't know why that is, Count Frankenstein.
43:35We make them fresh daily.
43:41I am the Wolf Man.
43:47I am the Wolf Man.
43:49Extending greetings and salutations.
43:52Oh, babadoo, and how do you do
43:55to all the refugees of the Frankenstein Fan Club.
43:58Welcome to set number one of the Lost Soul Session.
44:02Underground Station Groovyard,
44:04and remember, this is EBCH Radio.
44:09Thank you.
44:11This is EBCH Radio.
44:15Thank-tastic.
44:18And we're going to play some of your real old golden goodies,
44:22because it's cooking time.
44:24Let's...
44:27What's happening?
44:28I am the Wolf Man.
44:30What's that?
44:32You got it.
44:41I am...
44:56Hey, get it together.
44:58Don't forget to write me,
45:00and you know who that is.
45:02I am the Wolf Man.
45:11Mi mi mi mi...
45:15Hey, you know, I just met a mosquito with the best manners I've ever seen.
45:19He always asks his victims if they would like one lop or two?
45:23Definitely funny and definitely lunchtime!
45:31Humbleness, insincerity,
45:34like the proverbial black sheep of the family,
45:37Are by nature a proposer of mental unification. Unlikely to please women.
45:50Did you know a barber is like a daredevil?
45:54No. Why?
45:56Well, they're both known for their close shaves.
46:02Heavy, heavy hangs on my head.
46:06I've seen that fellow somewhere before.
46:09The castle lights are growing dim.
46:13There's no one left but me and him.
46:18When next we meet in Frankenstone,
46:24don't come alone.
46:35Frankenstein
46:37Frankenstein
46:39Frankenstein
46:41Frankenstein
46:43Frankenstein
46:45Frankenstein
46:47Frankenstein
46:49Frankenstein
46:51Frankenstein
46:53Frankenstein
46:55Frankenstein
46:57Frankenstein
46:59The show is definitely over.