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00:00🎵
00:30Mom's calling. You'll hear it now, I assure you.
00:36Hello? Yes, Mom.
00:40Mom, what is it?
00:42What?
00:45It's time! Who's going to do the work?
00:48Excuse me, is Abdel Latif still here today?
00:51Yes, sir. He's in the second floor, room 205.
00:54Excuse me, sir. The data.
00:55Sir.
00:56I'm with you. Look at the data you want, I'm with you.
00:58Okay, sir. I'll just ask you to tell me the data of the accomplice who just left.
01:02Her name is Mona, and she's working with me at the bank.
01:05Okay, sir. I'll just ask you to tell me her data. What's her address?
01:08The address of the bank?
01:09No, sir. The accomplice just left.
01:11She didn't leave?
01:12What am I going to do?
01:13I'll talk to her, okay?
01:15Hello, Mom. Hello.
01:20One second, dear.
01:21One second, dear.
01:25Hello?
01:26Yes, Mr. Nady. I'm sorry I left you like this.
01:29Yes, I'm sorry.
01:31But the accomplice who just left asked me to call you because she needs you here.
01:36Okay, go ahead.
01:37What's your address exactly?
01:3916 Al Ajouza, Teacher Street.
01:42Okay. Date of birth?
01:44Date of birth?
01:451-8-94
01:47Okay. Which tower is the lion?
01:49Which tower is the lion?
01:50Which tower is the lion?
01:51What?
01:52What's this?
01:53Are you our friend?
01:54Don't write whatever you want. Which tower is the lion?
01:57Don't tell her what you eat and what's her favorite food.
01:59Rice, vegetables, and chicken.
02:01Shut up.
02:02Stay with your mom, you idiot.
02:04I'm going to check your data.
02:08Goodbye, sir.
02:09What's this? Nady?
02:11Nady, yes.
02:12How are you?
02:13Hello, how are you?
02:14Don't you remember me?
02:15I mean, it's not a group.
02:17I'm Sherine's friend.
02:18Sherine who?
02:19Sherine the musician.
02:20Sherine the musician, yes.
02:22Hello, what's my name?
02:24Maro.
02:25No, Hen.
02:26Okay, the two of you together.
02:28Okay.
02:29I'll tell you when to come and take a picture so I can show you the picture.
02:31I hope so.
02:32Do you have an Instagram?
02:33I have an Instagram.
02:34Send me a message so I can call you at night.
02:35Okay.
02:36Okay?
02:37I'm happy to see you.
02:38My sweetheart.
02:39Okay.
02:40Send me a message.
02:41Okay.
02:42And give me your number on Instagram.
02:46Hello, hello.
02:47Thank you so much, Mr. Nady.
02:48We're tired of you being with us.
02:49I don't know what to tell you, to be honest.
02:51Ma'am, she's my mother.
02:52No problem.
02:54But we're tired of you.
02:55We're old.
02:56Ma'am, I'm telling you, she's my mother.
02:57Goodbye.
02:58Goodbye.
02:59Who is this?
03:00This is Mr. Nady, Nady.
03:01He works with me at the bank.
03:02Yes.
03:03In the stock market.
03:04Yes.
03:05Okay, you don't have to tell her the story of our lives right now.
03:06We're going to get out of the car now.
03:08Don't invite me.
03:09Do something nice for him.
03:10He's tired of being with us.
03:11Let him honor us.
03:12Okay.
03:13Ma'am, the doctor is leaving.
03:14Mr. Nady, please honor us at home.
03:16I heard her, by the way, Ma'am.
03:18It's okay.
03:19We're going to get out of the car and say what we want.
03:21Are you tired?
03:22Or do you like being in the hospital?
03:23No, no, I'm tired.
03:24What do you have?
03:25A disease.
03:26A disease?
03:27Oh, my God.
03:28The doctor's office is open.
03:29Let's go.
03:30Come on.
03:31I'm tired.
03:32Come on.
03:34When I come, I make sure there are two secrets.
03:36This is the drawing.
03:39Hello, sir.
03:41Your face or the moon's face?
03:44Do you live here with us?
03:46Or do you rent a room at this hotel?
03:48Yes, dad.
03:49This is the guest room.
03:51The second room is on the left.
03:52Guys, I'm sorry.
03:54Let the first one catch his breath and sit down for a while.
03:56Then he'll tell us.
03:58This is a new girl, right?
04:00Neither new nor old.
04:02This girl's mother was sick and we were taking care of her.
04:05And I want the pressure plate to come to the room
04:08so I don't talk to the receptionist and cause a problem.
04:12Okay, sir.
04:18Now you know everything in the department.
04:20There's nothing else you don't know.
04:21Okay, just make sure, Mr. Nadi.
04:23Did you forget information or something?
04:25No, no, I didn't forget anything.
04:26You're not missing anything,
04:27except that I brought you the history of the employees.
04:29What's wrong with that?
04:30Everything is fine.
04:31Okay, that's it.
04:32You can go now.
04:33Your leave is over.
04:34So, you want me to take a leave?
04:37Yes, that's it.
04:38Everything is fine.
04:39I feel like I'm at home.
04:40You're respectful.
04:41You welcome people and take them away.
04:43And people, God willing,
04:45will take you away one day.
04:47God willing, thank you.
04:48God bless you.
04:49God bless you, too.
04:50This is a very masculine act.
04:52What's this?
04:53No, no.
04:54What's wrong?
04:55Get yourself ready tomorrow
04:56so you and Mona can go on a mission.
04:57No, I'm good.
04:58Mona will do this nice job.
04:59No, I can't go alone, of course.
05:00Why not?
05:01Do you have schizophrenia?
05:02We were standing behind you
05:03and you said,
05:04this is my house and I'll do this job.
05:06No, I didn't say I'm going.
05:07I said, this is my house.
05:08I don't know how to get there.
05:09How can we not go?
05:10Well, if you know how to do this job, go.
05:12Where is this place?
05:13Alexandria, God willing.
05:14Alexandria?
05:15You'll get there safely.
05:23What's this?
05:24Why did you disappear for a few days?
05:26Is it a new story or what?
05:27It's not a new story or an old one.
05:29I can't do this job.
05:31No, no, no.
05:32You're jealous, my friend.
05:33I'm going to call my aunt to see you.
05:36You haven't had a day, man,
05:38since you found a banana in your hand.
05:40It's them who brought us here.
05:42I'm going to punch you in the hand.
05:43What do you think?
05:44The girls around me are like rice.
05:47I still had a client.
05:49She told me she's not in the hospital
05:51and needs blood transfusion.
05:52Did you donate blood to her?
05:53How can I donate blood when I have it?
05:55But it was clear that she was having a seizure
05:58and she was opening her mouth to talk to me.
06:00Calm down, man.
06:01She's telling you she wants to donate blood.
06:04Are you going to be a vampire?
06:05She's tired, man.
06:07You got it wrong.
06:08I got it right.
06:10What's this?
06:11Why do you sound so sad?
06:12Are you looking at Yasmin Ezz?
06:14No, that's my voice in the winter.
06:16My voice changes when I want to learn.
06:19Teach me, little Pharaoh.
06:21Give me experience.
06:22What experience?
06:24I'm done.
06:25I'm focusing on work.
06:26I completely forgot about the girls.
06:28That's enough, man.
06:29God will provide us with a place to learn.
06:32I'll put some mayonnaise on it.
06:34Mayonnaise?
06:35You're crazy.
06:36This is the last time I get to drink your coffee.
06:37I'll clean it, man.
06:38No problem.
06:39Clean it?
06:40You're in the middle of the cafeteria.
06:41Taste it and pray for me.
06:48What's all this?
06:50What's this?
06:52What's this?
06:54What did you bring?
06:55What's in it?
06:56Are we going on a trip?
06:58Some things they left on the way.
07:00All these things?
07:01Where are we going?
07:02To Senegal?
07:03Why did you bring kebab and kofta?
07:05No, no, no.
07:10Give them to me.
07:11That's enough.
07:12Wait a minute.
07:13Are you going to give us a ride back?
07:15Or are you going to give us a ride,
07:16then we'll stop there and go back by bus?
07:18My car's battery is dead.
07:20I took my dad's car.
07:21Why would I give you a ride?
07:23You can take the bus.
07:24Sheikh's Cave is not far.
07:25Sheikh's Cave?
07:26We're going to Alexandria.
07:27Did you forget?
07:28Alexandria?
07:31Alexandria?
07:32You didn't get the update, did you?
07:34Mr. Atia, for God's sake,
07:35left the order in Sheikh's Cave
07:37instead of Alexandria.
07:38So, I'm happy.
07:39Sheikh's Cave is nice.
07:40It's good that I brought sandwiches
07:42because anything can get us in trouble.
07:44That's right.
07:45Should I throw it on your face?
07:47Be patient, God.
07:49God bless you.
07:52What's this?
07:53How am I going to sing now?
08:00I don't know what we're going to do
08:01in the two hours
08:02when the employees aren't here.
08:04I was thinking we could go for a walk
08:06and have breakfast or something.
08:07I'm telling you,
08:08let's have breakfast.
08:09First of all,
08:10we're not in Alexandria
08:11to tell them to go for a walk.
08:12We're in Sheikh's Cave.
08:13They don't tell us to go for a walk.
08:15Okay, let's go for a walk.
08:17A walk?
08:18A walk?
08:19My daughter,
08:20we don't know the language of Sheikh's Cave.
08:22Let's talk to him.
08:23I'm telling you,
08:24we're not from here
08:26and we want to have breakfast.
08:28Where should we go?
08:29Breakfast?
08:30Yes.
08:31There's someone who makes breakfast for us.
08:32You'll like it.
08:33Get in with me, sir.
08:34Why is this guy talking to Saeed?
08:36We're in the same place.
08:38I don't understand you.
08:40Come on.
08:41How are we going to get back
08:42if we don't take the car with us?
08:44We're going to act.
08:45We're going to act?
08:46Yes.
08:47Let's go.
09:17Welcome to the live show between
09:19A7la Al Asnaf with Insaf
09:21and Nifam Al Hadi
09:23with Hamdi Al Nadi.
09:25Today, we're going to present you
09:27a historical story and food,
09:29or a food and a historical story.
09:31She's in charge of the food,
09:33but I'm in charge of the historical story.
09:35Today, the historical story is
09:37the story of a family
09:39who lived in a village
09:41in the middle of the desert.
09:43The family lived in a village
09:45in the middle of the desert.
09:47The family lived in a village
09:49in the middle of the desert.
09:51A restaurant that's been around
09:53over 1,000 years.
09:55A restaurant that's been around
09:57over 1,000 years.
09:59Today, the story is about
10:01Um Moali.
10:03Um Moali is our food today.
10:05By God's will, we'll see what ingredients
10:07we'll need for the recipe.
10:09The most important thing is
10:11you bring your goulash
10:13and she makes the very light bread that we use to make bread and stuff like that
10:17and she toasts it very well, and she pisses it very well, and she puts it with the milk and stuff like that
10:21and she makes the mouhali as well.
10:22Anyway, this is not my job, it's the chef's job, and my job is history.
10:27But the important question is, do you know why it's called the mouhali?
10:32The truth is, Mr. Hamdi, I don't know.
10:34I'd like you to tell us. I'd like you to focus with me and understand it from the teacher.
10:44Here you go.
10:46You're welcome.
10:48What are you going to eat?
10:49I mean, what God has brought is all good.
10:52We're going to eat feteer, but I mean, next to feteer, are you going to eat cheese or honey?
10:55Honey and cheese.
10:57I mean, at home, for example, how do you eat it?
11:00I eat it like this. I cut it like this, but I like the inside.
11:03I understand. I didn't mean it like that. I didn't mean it like that.
11:05I mean, do you like the cheese, for example, the older one, or the cheese?
11:11Do you like white honey more or black honey?
11:15I mean, look, maybe white honey or black honey.
11:18And white cheese and cheese.
11:20I mean, as usual, as usual, as usual, in general, as a human being, do you like the old one more or the sweet one?
11:26For example, when I open my mouth, which food do I leave for the first time?
11:29I mean, you like the old one.
11:30Yes, I like the old one. What's wrong with that?
11:32Okay.
11:33But this word is very old, this old one.
11:35You feel like we're sitting on salt.
11:38Okay, so you like the old cheese, and the sweet one, and the eggplant.
11:43There are still a few things I'm going to feed you, so you'll be very happy.
11:47Okay.
11:48Once upon a time, there was a sultan named Izz al-Din Aybak.
11:54Sultan Izz al-Din Aybak was married to the tree of harm.
11:58And Izz al-Din Aybak had another wife named Umm Ali.
12:02Once upon a time, Izz al-Din Aybak died.
12:05Umm Ali doubted that the tree of harm was the one who got rid of Izz al-Din Aybak,
12:10so she got rid of the tree of harm.
12:12And to celebrate the fact that she got rid of the tree of harm,
12:15which was killed by Izz al-Din Aybak's wife,
12:17she made a dish and distributed it to the public and the people in the streets of Cairo and everywhere.
12:25What is this dish?
12:26She made a little bit of milk, a little bit of sugar, a little bit of corn,
12:33and distributed it to the people, and the people loved this dish.
12:37But they didn't know its name, and they didn't know what to call it.
12:40They only knew that Umm Ali distributed it to them,
12:43so they named it after Umm Ali, the wife of Izz al-Din Aybak II,
12:48because she had a son named Ali.
12:51Wow, this is a very, very true historical story.
12:56Don't forget to like the video and activate the bell,
13:00and subscribe to the channel,
13:03two channels, subscribe to the two channels,
13:06to see the best dishes with justice,
13:09and to understand the guide with Hamdi Al-Nadi.
13:13Bye-bye.
13:14Bye.
13:17Thank God, this is the best dish I've ever eaten.
13:20Congratulations, chef.
13:21And now I know that you like the spicy more than the sweet.
13:24Yes, I know.
13:25At home, when they bring breakfast, tell them to bring old cheese with them,
13:27so you can spread it on two plates at once.
13:29Congratulations.
13:30God bless you.
13:31Roll these for us, please.
13:32Roll what?
13:34Of course, a little bit, and we'll eat them.
13:39Wow, if we find a cup of tea, we'll pour a heavy cup of tea on it, and that's it.
13:45Didn't you notice that you're traditional?
13:47No, I didn't.
13:48When I saw the farmland, I thought you wanted to have breakfast and tea.
13:51So what's the problem?
13:52We're traditional, aren't we?
13:55I know.
13:56I have a question for you.
13:57Is there a place that's not traditional that you want to visit?
14:01I don't know.
14:02My aunt doesn't like to travel a lot.
14:04What do you mean outside?
14:05We're inside.
14:06We're in Kafr Al-Sheikh.
14:08Anyway, it's a matter of taste.
14:09I'm sure you don't travel a lot because you're comfortable like this.
14:11People are a matter of taste,
14:12just like their taste in clothing, food, and colors.
14:16What's your favorite song?
14:18I wear what I find.
14:20I didn't mean to say that.
14:23What's your favorite song?
14:26You go first, because I'm going to say it.
14:29Not all people are comfortable listening to it like me.
14:32I personally like Mohamed Mohi a lot.
14:34What?
14:35I also like Mohamed Mohi a lot.
14:37Glory be to God.
14:38I didn't think you'd say that.
14:40When he made a song, I listened to it first.
14:44You're so romantic.
14:48Are you sure we're walking on the right path?
14:52Yes, son.
14:53Didn't he tell us not to go left or right?
14:55And that the bank will come to you every other day?
14:59By the way, you're not very smart, Nido.
15:01Not as stupid as I thought.
15:02I'm telling you,
15:03doesn't it mean that we're going out together?
15:05Why would you call me Nido?
15:06Who am I?
15:07What's the problem?
15:08Don't call me Monmon.
15:09Don't insult me.
15:10We're not friends anymore.
15:11Besides, we're having breakfast together.
15:13What's wrong with that?
15:14Okay, but I don't know what you're hiding
15:16behind your character, Mohaibara,
15:18who has a light blood type.
15:20Because people always have two personalities.
15:22There's one that's sweet,
15:23and there's the other one that's mean.
15:26I'm not hiding anything.
15:27I'm someone who's very natural.
15:29You can say that I'm inside every flower garden.
15:33You said that because we're walking on agricultural land, right?
15:36No.
15:37Because I really do that.
15:38Some people might think I'm very calm,
15:40but look at how crazy they are, Mohaibara.
15:42I don't know.
15:43What?
15:44What are you hiding inside your character?
15:47There's only one of me.
15:49No, I'm serious.
15:50I don't know.
15:53I'm inside...
15:56What?
16:00Believe me, I don't know what I'm inside.
16:03It's weird, right?
16:10I don't know.
16:16Goodbye.
16:17Goodbye.
16:20Thank you for this beautiful day.
16:22I'm so glad you enjoyed it.
16:24I really enjoyed it.
16:26Okay, good night.
16:28You too.
16:31Goodbye.
16:32Goodbye.
16:38I'm telling you.
16:39Mom made a little bit of paneer on top of the bread.
16:41I'll go get you a sandwich.
16:42Don't you want to eat?
16:43We've been eating since we were in Sheikh's coffer.
16:46So you don't want to?
16:47No, I'm fine.
16:49Good night.
17:02Good morning, Mona.
17:03Good morning, Noori.
17:05You brought us breakfast.
17:07You brought us breakfast?
17:09You mean we're going to have breakfast together?
17:11What do you mean?
17:12Don't you want to?
17:13You have Aunt Ali having breakfast with me.
17:14She's like the moon.
17:15She loves food.
17:16Aunt Ali!
17:17Just a second, Mr. Nadi.
17:18I forgot to bring my food.
17:20I'm so glad you brought me with you.
17:22You saved me.
17:24Saved you from whom?
17:26Aunt Ali.
17:27I'm afraid of her.
17:28She looks at me like I'm a dog.
17:30Congratulations.
17:33I want to tell you something.
17:35No.
17:37I'm sorry to say this.
17:39I'm happy that you're so down today.
17:42You've been depressed and depressed for a few days.
17:47The answer to this question needs two cups of coffee.
17:50I can tell the teacher not to eat two sandwiches.
17:52She made the coffee.
17:53Let's drink it after work.
17:55Do you have anything?
17:56No, I don't have anything.
17:57That's good.
17:58After work, we'll go to a nice cafe.
18:00We'll order two Lazy Cakes and one Lazy Boy.
18:03We'll sit down, drink, and talk about what we want.
18:06Do you agree?
18:07Of course, I agree.
18:08Okay.
18:11That's enough, ma'am.
18:12I feel like there's a problem.
18:14Why?
18:15Because I'm sure they're not all wrong, and I'm the right one.
18:20But I feel like no one here is trying to know you.
18:24Do you have a dream?
18:28Are you upset or not listening to me?
18:30No, no, no.
18:31It doesn't matter.
18:32It doesn't matter.
18:33I've never been asked the question, do you have a dream?
18:38I've never been asked what I want.
18:42What do you want, Nadi?
18:45What?
18:46What do you want?
18:47I want to open my own shop.
18:49Because I love drawing.
18:51I wanted to be a painter.
18:52Give me a break, son!
18:53I wanted to be a painter.
18:55But my father got me into business.
18:58To become a businessman.
19:00And now I'm working at a bank.
19:02Where's the answer?
19:04You didn't say what you wanted.
19:06I want to quit the bank.
19:08And open my own shop.
19:09And make it big.
19:10So I can do what I love.
19:12I didn't hear you.
19:13What do you want?
19:14I want to find my other half.
19:17What's this?
19:18Are you closing the music?
19:20I'm sorry.
19:21Sorry, guys.
19:25I want to find my other half.
19:28I understand you.
19:31I know you're in a lot of relationships.
19:33And you're not in any of them.
19:35But why?
19:37Maybe because I couldn't love anyone.
19:41Or someone loves me.
19:43I feel like I've wronged everyone I've been with.
19:48Because we weren't meant for each other.
19:51But no one can force someone to love you, Nadi.
19:54Anyone who decides to be in a relationship with someone else.
19:57He also wants that.
19:59I'm sure he saw something.
20:01So don't feel guilty.
20:03That's right.
20:04Of course.
20:06Do you know what your problem is?
20:08What?
20:10This tie?
20:11No.
20:13Your problem is that you're looking for your other half.
20:16And you can't find your first half.
20:18I can't find my first half?
20:20This is a disaster.
20:23Do you understand what I'm saying?
20:25No, I don't really understand.
20:28I'll explain.
20:29Your other half is your life partner.
20:33Your first half is you.
20:35You need to know your life partner's characteristics.
20:38You need to know what you want, what you like, what you hate.
20:41You need to answer all these questions before you find your life partner.
20:44And I can help you with that.
20:52I can help you with that.
21:23ANSWER YOUR QUESTIONS
21:36I have never met you.
21:37You stupid.
21:39How long have you been here?
21:41Are you insane?
21:42I've only been here for 30 minutes.
21:44So what do you want?
21:45To get my 500 pounds.
21:52What's this?
21:54A check.
21:56Just like that?
21:58Without any questions?
22:00So this is how it is.
22:02So what's going to happen?
22:06Who is this?
22:08This is my daughter.
22:10I thought it was a paper towel.
22:12Mona, my colleague.
22:14What? A colleague?
22:16You're just a regular colleague.
22:18I hired her.
22:20Why are you getting so worked up about this?
22:22You're working on your expectations.
22:24I mean, anyone who's been through this can go through this easily.
22:27I mean, it's nothing.
22:28Okay, thank you, ma'am. I'm working on nothing.
22:30Do you want anything?
22:32Oh, Nadzi, my son.
22:34I wanted to tell you that I'm going to be happy for you.
22:36You're like a brother to me.
22:40Yeah, that's right.
22:42I don't notice anything.
22:44Did you lose some weight?
22:46Good for you.
22:48Don't worry about yourself.
22:50But that's not what I meant.
22:52This is the first time I've seen you so happy.
22:54Of course, cooking is much better than ordering food.
22:58Okay.
23:14Son, I've been telling you for half an hour.
23:16Tell me something and be quiet. Don't talk.
23:18I'm just organizing my thoughts in my head.
23:20You've been organizing your thoughts for half an hour?
23:22No, I mean, I had a lot on my mind.
23:24But lately, I haven't had a lot on my mind.
23:28What do you mean?
23:30I mean...
23:32When we got closer,
23:34I haven't had a lot on my mind.
23:36What do you mean?
23:38I swear.
23:40What's wrong with you?
23:42Don't you realize?
23:44All the good things that happened between us lately,
23:46our vacations,
23:48the sheikh's kufr,
23:50and all the good things.
23:52It doesn't make you feel
23:54and realize that I don't like you.
23:56Of course, I do.
23:58But...
24:00When we get closer, it's scary.
24:02What do you mean?
24:04I mean...
24:06Your relationship is very...
24:08I mean...
24:10It's all in the past.
24:12Okay, but it's all in the past.
24:14It doesn't exist.
24:16What matters is who I'm with
24:18and who I love.
24:22I don't know.
24:24I think I need time to think.
24:26What do you need?
24:28Time to think.
24:30I don't know.
24:32I feel like she's very worried about me.
24:34Why would she be worried about you?
24:36Of course.
24:38When you're in a relationship
24:40and out of it,
24:42you don't spend more than two days with someone.
24:44Of course she'd be worried about you.
24:46What do you think?
24:48Shouldn't I try again?
24:50You'd be stupid if you did.
24:52If this is the first time
24:54she wants to spend time with you,
24:56you should reassure her,
24:58give her your trust,
25:00and spend time with her once, twice,
25:02three times, four times.
25:04This is the first time you're serious.
25:06Because I love you, Nido.
25:08I don't want you to be like me
25:10and spend time with someone else.
25:12It's not hard to find someone
25:14who's half-dead
25:16and half-alive.
25:18Come on, man.
25:20I don't get it.
25:22Why are you wearing this jacket?
25:24Every time you wear this jacket,
25:26I'm in trouble.
25:28Are you sure you want to do this?
25:30I've never been this sure.
25:32Don't make me listen to you.
25:34Listen to me.
25:36Yes, I want you to do it this time.
25:38I don't want to do anything.
25:40Consider your point.
25:42I'm telling you,
25:44I'm like your brother.
25:46This won't work.
25:48Finally, I found the other half.
25:50What's the card got to do with this?
25:52Leave it alone.
25:54She's not reassured.
25:56I'm the one who's having a hard time.
25:58You have to reassure her.
26:00Talk to her.
26:02Hello?
26:04I'm telling you,
26:06let's meet tomorrow morning.
26:08We'll give you a surprise.
26:10Okay, deal.
26:12You're telling me to meet tomorrow
26:14to give me a surprise?
26:16Listen to me.
26:18Try again with her.
26:20Why did you bring me here?
26:22This is my school.
26:24Are you serious?
26:26This is my school too.
26:28My dad used to look down on this school.
26:30But now it's all about money
26:32and coffee.
26:34Let's go inside.
26:36Okay.
26:38It looks a little different.
26:40But it's still nice.
26:42Uncle Jameel!
26:44Uncle Jameel!
26:46Uncle Jameel!
26:48Welcome!
26:50Welcome, Mr. Nadi.
26:52Welcome, Uncle Jameel.
26:54God bless you, Mr. Nadi.
26:56Excuse me, Uncle Jameel.
26:58Can we go inside?
27:00Yes, you can.
27:02Mr. Hamda was our classmate.
27:04He's on leave today.
27:06No teachers or students allowed.
27:08Okay, close the door.
27:10Okay.
27:22Wow!
27:30I have a lot of memories here.
27:34Were they good memories?
27:36Good memories?
27:38What are you doing?
27:40What are you laughing at?
27:42Sad memories.
27:44I was spoiled at school here.
27:46But the memories I have here
27:48are what made me the Nadi you see now.
27:50How?
27:52My dad used to look down on this school.
27:54He wanted to be the judge
27:56who punishes all the students
27:58just like his own son.
28:00What did he do?
28:02I was a little boy
28:04and I loved my daughter.
28:06But he beat me up.
28:08He beat me up in the classroom
28:10and made me a teacher.
28:12Like this?
28:14More than that.
28:16I don't want to tell you
28:18what he did to me at home.
28:20Nadi, what was her name?
28:22Coincidentally,
28:24her name is the same as mine.
28:26No, Mona?
28:28That's weird.
28:30What did she look like?
28:32Coincidentally,
28:34she looked like you.
28:36That's so weird.
28:38Come on.
28:40In the old days,
28:42we used to marry Mu'taz and Ashraf.
28:44Wait a second.
28:46Mu'taz and Ashraf?
28:48What are you saying?
28:50I didn't mean Mu'taz or Ashraf.
28:52I meant Tariq, Randa and Mohsina.
28:54Mohsina?
28:56Nadi didn't marry Mu'taz,
28:58Ashraf or Mohsina.
29:00So she married Randa.
29:02I don't know you.
29:04You're stupid.
29:06Nadi, you're stupid.
29:08I swear I'm not stupider than you.
29:10By the way,
29:12why am I telling you you're stupid?
29:14I brought you here to tell you
29:16about his memories and my school.
29:18That's not all.
29:20My school has 350 students
29:22every year.
29:24What's this?
29:26This is the answer I wrote to Mona.
29:28Yes.
29:30How do you have this answer?
29:32I'm serious.
29:34You're stupid, Nadi.
29:36Wait a second.
29:38Are you Mona?
29:40Yes.
29:42Why didn't you tell me
29:44when I saw you at the bank?
29:46I was afraid you wouldn't remember me.
29:48Honestly,
29:50what your dad did to us
29:52when we were kids was horrible.
29:54I saw what happened.
29:56I like you a lot.
29:58I love you as much as the sea.
30:00You helped me a lot.
30:02I moved out of school
30:04but I never forgot that.
30:06Anyway,
30:08when we met at the bank,
30:10I told you I wouldn't tell you.
30:12I'm Mona.
30:14I saw you when we were kids.
30:16I didn't believe it.
30:18This world is smaller
30:20than I imagined.
30:22I didn't believe it either.
30:24It was a beautiful day.
30:26It was the love of a young girl.
30:28What?
30:30A young girl.
30:32I'll tell you something.
30:34Despite the long time
30:36I haven't seen you,
30:38my love for you is still the same.
30:40Why?
30:42Why are you silent?
30:44Look, Nadi.
30:46I'm also changing the same feelings for you.
30:50Honestly,
30:52I don't feel safe
30:54because of your fast connections.
30:56No, no, no.
30:58What connections?
31:00I'm not like that at all.
31:02It's all because of the card.
31:04What card?
31:06I'll tell you.
31:08Once I went to my grandfather's shop.
31:10I found an example.
31:12I accidentally hit it.
31:14It broke.
31:16I found a card inside.
31:18You love me.
31:20You always love me.
31:22I tried this card with many girls.
31:24I tried it with Shireen
31:26and my university friends.
31:28But the problem is that
31:30this card only lasts for 3 days.
31:32It didn't work.
31:34Sometimes it worked,
31:36sometimes it didn't.
31:42But when I saw you,
31:44I didn't write your name on the card.
31:46I didn't use it
31:48because I love you.
31:50So,
31:52you make girls love you
31:54with magic?
31:56Magic?
31:58I know what I did was wrong.
32:00But I was confused.
32:02I couldn't find the other half.
32:04But I swear to God,
32:06I didn't do that to you.
32:08I don't believe you.
32:10I'm shocked.
32:12You take advantage of girls like that?
32:14You force girls to love you?
32:16I'm sure you wrote my name too.
32:18Of course not.
32:20I swear I didn't.
32:22I don't need to write it.
32:24You know I love you.
32:26Why would I write it?
32:28No, Ananthi.
32:32No.
32:34I don't want to meet you again.
32:38My girl.
32:44I love you.
32:52What do you want to open?
32:54Not the first house.
32:56Like this coward.
32:58I want you to get married.
33:00You have to listen
33:02to your mother.
33:04Just that.
33:06Talk to her.
33:08You can only get married with a man.
33:10I don't want to see his face.
33:12I don't want to see you
33:14come to the bank and talk.
33:16You haven't even left the door yet.
33:18You've been doing this all day.
33:20Don't thank God.
33:22Act like Mahmoud Yassine.
33:24I don't see him as an employee in the bank.
33:26It's not better than your habits.
33:28You leave him dust.
33:30She left him, he left her.
33:32Everything is so comfortable.
33:34It's like there's something inside me.
33:36I don't want to meet you again.
33:42I don't want to see you.
33:44I don't want to see you.
34:12I don't want to see you.