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00:00The following is the story of a young man who was born 1.7 kg and then became 1.7 kg.
00:14Yes?
00:15Yes?
00:17Aren't you 1.7 kg?
00:19No, there is a misunderstanding.
00:21I was born 1.26 kg.
00:23But when I was born I was 1.5 kg.
00:25So they put me in the incubator.
00:27So they put me in the incubator and I became 1.7 kg.
00:29So I became 1.7 kg.
00:31But I was born 1.26 kg.
00:33Don't lie to me, you liar!
00:35I'm not lying to you, you liar!
00:37I wish I had seen you all my life!
00:40What's wrong with you?
00:41Do you realize how you ruined the harmony in my life?
00:44Your strength as a cancer was very consistent with my strength.
00:48But unfortunately, you found a husband.
00:52And another husband!
00:54What husband? What cancer? What symptoms?
00:58What empty talk?
00:59Leave it to God.
01:01The world will heal you, God willing.
01:03Exactly.
01:04Exactly.
01:05What?
01:06Colourful, suspicious, and funny.
01:08Husband!
01:09I don't want to see your face again.
01:11Go ahead!
01:12When will you come with me?
01:14I'm sorry.
01:15I'm the next tower, Radwa.
01:17I'm the next tower.
01:19Come on, take it.
01:21I'm the carrier.
01:23The carrier?
01:24Don't get nervous.
01:25In ten days, you'll get over all of this.
01:28Come on.
01:29Radwa!
01:31Just tell me, is it a camel or something that will take us outside to ride?
01:35I'm dying here like a woman.
01:44Mr. Atiyah.
01:46Yes, I'm calling.
01:47Where are you, mister?
01:48I'm here, man. Where do you think you're going?
01:50I don't know. I'm looking for you.
01:52I'm here son, where are you?
01:54Where else?
01:56I'm here son
01:58Inside or outside?
02:00I'm here son, where did you go?
02:02Mr. Atiyah, if you don't mind
02:05You're making me nervous
02:07Me too
02:08I'm bored, what do you want to tell me?
02:10There's a problem with our client's account
02:14What's the problem?
02:16He took his stuff and didn't pay?
02:17No, Latif
02:19He just took a loan from the bank
02:21There are some documents that we need someone to pay for
02:25What about me?
02:27You're the one who's going to pay
02:30I'm the one who's going to pay?
02:32Yes, who's not going to pay?
02:33I missed you
02:35Did you take this duplex to play with people?
02:39Where am I supposed to go?
02:41We're on standby
02:43What's this?
02:45What's this?
02:47You've made a lot of movies and watched them on YouTube
02:51What's this?
02:53I made a buffet here
02:55Is this your role in the movie?
02:57But you made it
02:59No, I made a buffet
03:01You didn't see the list
03:03I'm sorry
03:05Do you want a drink?
03:07Yes, make me a Nescafe
03:09What are you doing?
03:11Mr. Ibram
03:13What can I do for you?
03:15I'm the banker
03:17You're the banker?
03:19Yes
03:21We were just asking for some papers
03:23We just wanted you to pay us
03:25Who's this?
03:27I'm sorry
03:29Can you please leave until we finish this scene?
03:31Then I'll see what you want
03:33Yes, please leave
03:35I'm a respected employee
03:37Yes, please leave
03:39Then I'll see what you want
03:41I don't want anything
03:43I don't know you
03:45Please leave
03:47Mr. Ibram
03:49I'm a respected employee
03:51What do you want?
03:53I'm sorry
03:55I just want to ask you a question
03:57Why don't you want to be the banker?
03:59Maybe because I'm a star?
04:01No one knows you
04:03What do you mean?
04:05I'm a photographer
04:07I'm a photographer
04:09Why are you dressed like this?
04:11I'm sorry, I'm a crazy employee
04:13Can you please leave?
04:15I don't want anything
04:17Why are you asking me for papers?
04:19I told them not to come today
04:21I have work today
04:23They don't listen to me
04:25Then come to the bank
04:27Why do you want to be the banker?
04:29You're the son of the banker
04:31You don't want to come?
04:33I don't know who you are
04:35Are you crazy?
04:37Leave me alone
04:39I'm sorry
04:41Please leave
04:43I'll come back
04:45I'll give you whatever you want
04:47But quickly
04:49What do you want?
04:51Will you leave or what?
04:53I saw you before
04:55I remember you
04:57But I don't remember where
04:59Please leave
05:01Quickly
05:03Yes
05:07Let's go
05:09Someone is doing what you're doing
05:11Calm down
05:13I'm a businessman
05:15I don't live here
05:17What are you filming?
05:19Titanic
05:21You misunderstood
05:23You'll stay here
05:25Don't come back
05:27Calm down
05:29What's wrong?
05:31You're making me nervous
05:33I'm sorry
05:35He's here
05:37He wants to give the papers to Mr. Ibram
05:39Mr. Ibram?
05:41I'm sorry
05:43Not everyone knows how we work
05:45I'm sorry
05:47I'm sorry
05:49I'm sorry
05:51I apologize
05:53You're a respectful person
05:55You live here
05:57Yes
05:59Do you know how long
06:01they say to take a picture?
06:0310 minutes
06:07People here are rude
06:09When I came here
06:11I asked for a cafe
06:13No one came
06:15No way
06:17I'll ask
06:19You're with me
06:21They'll beat you up
06:23By the end of the month
06:25Excuse me
06:27Can you get me Mr. Nescafe?
06:29Yes, he's the owner
06:31Wait a minute
06:33You're rude
06:35Drink it
06:37Give it to Mr. Nescafe
06:39Excuse me
06:41I apologize
06:43I'm sorry
06:45You're a respectful person
06:47She's like that
06:49She's rude
06:51Look
06:53I don't have 2 pounds
06:55to get you out of the street
06:57and you want to beat me up
06:59She's rude
07:01Yasmin
07:03How are you?
07:05I'm fine
07:07You're rude
07:09I'm here to take a picture
07:11and you're not
07:13I'm here to give you an important paper
07:15and you're not talking to me
07:17I don't want to talk to you
07:19because there's a girl sitting
07:21Her name is Yasmin Rais
07:23and she's very upset
07:25Who's Yasmin Rais?
07:27You're here to act
07:29and you want to act with her
07:31She's acting with you
07:33because she knows you
07:35Mr. Yasmin
07:37Excuse me
07:39I'm sorry
07:41because I'm
07:43Who is she?
07:45Rames Galal
07:47I'm serious
07:49Mr. Yasmin
07:51She's sitting next to me
07:53She ruined my life
07:55I've never met an actress
07:57and I wouldn't believe
07:59Mr. Yasmin
08:01She's the best actress in Egypt
08:03I love her to death
08:05Can't I apologize to her?
08:07Aren't you hungry?
08:09I'll give you the paper
08:11Mr. Yasmin
08:13She's acting with you
08:15I'm hungry
08:17Give me the paper
08:19It's my favorite movie
08:21Give me the paper
08:23I don't believe you
08:25I'll tell you
08:27She's engaged
08:29Who's she?
08:31Yasmin Rais
08:33Take it
08:35Go
08:41And that's how
08:43today's episode
08:45of Prince of History
08:47We learned
08:49the reasons
08:51that led to the French campaign
08:53in Egypt
08:55and what the French campaign
08:57did in Egypt
08:59Don't forget to activate the bell
09:01and subscribe to the channel
09:03with Hamdi Elnadi
09:05We'll understand this
09:07Thank you
09:09Wow
09:11Wow
09:13Wow
09:15Wow
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12:57I would forgive myself if something happened to you.
12:59I don't know how I would forgive myself if the accident happened because of me.
13:04Can you tell me what I should do to make you forgive me?
13:06I already forgive you.
13:08But I wanted to know.
13:10What did you feel when you saw me?
13:12I felt...
13:15I felt a feeling.
13:17You felt like you've known me for a long time and you love me, right?
13:21That's right. Did you feel that too?
13:23Look, Yasmin.
13:25I don't have a daughter who hasn't told me that.
13:28But I didn't want to hear that except from you.
13:32Yes?
13:35Good morning.
13:37Mr. Nadi, we brought you a car from Intact to take you to the hospital.
13:40No, I'm going with this one.
13:42Can you give me your phone number?
13:45What are you doing?
13:46I'll give you my number.
13:47But please, can you give me a ride?
13:49I'll give you a ride in the morning.
13:52Don't look at the number, okay?
13:54Okay, bye.
13:56Hassan, you spoke.
13:58I'm sorry. I have to get ready.
14:00Because you see, they're in a hurry.
14:02Okay, get ready.
14:03But I have to get dressed.
14:04Okay, get dressed.
14:06No, it's obvious that you have to go to the hospital to be reassured.
14:13What's up, white?
14:18What's this?
14:20We're still awake. It's 7 o'clock.
14:22What's taking you so long?
14:24What's taking you so long?
14:26And what happened to your arm?
14:28I was with President Yasmin.
14:30But...
14:32She grabbed me like electricity.
14:34She was with you and did this to you?
14:36You mean to say that you met the artist President Yasmin?
14:41Yes.
14:42What does this have to do with what happened to you?
14:44It's a long story.
14:45She hit me and I thought I'd hit her.
14:47Yes, it's a long story.
14:49She hit you in the car and decided to divorce her.
14:52Okay, tell me, dear.
14:54When President Yasmin hit you in the car,
14:58did you fall on your head?
15:00Or did she hit you in the head?
15:02Or what exactly happened?
15:04No, she hit me like this in the car.
15:06That's the first thing.
15:07Then she hit me.
15:08Then she hit me in the head.
15:10They took me to the hospital.
15:12They did radiation, analysis, ultrasound.
15:14And they brought me a lot of nurses.
15:17But, thank God, they said I was fine.
15:19And I went to sleep.
15:21You didn't have dinner with the nurses, son?
15:23No, I didn't.
15:24I went to the doctors and told them what they said.
15:26They said I couldn't have dinner today
15:28because they gave me glucose and a kilo of bananas.
15:30Were the bananas peeled or peeled?
15:32Peeled.
15:33Peeled?
15:34I'm going to sleep, guys.
15:35Good night.
15:36May God show you what's in me.
15:39I said, I didn't want to talk to you about this,
15:41but these things make me unable to drive.
15:43What kind of movie is this?
15:46Get out, man!
15:47Sorry, I didn't mean that.
15:49You want to convince me that just because
15:51President Yassine didn't hit you in her car
15:53and she fell in love with someone else?
15:55Why don't you believe that I'm related to President Yassine?
15:58By the way, what's her father's name?
16:00No, her father isn't a president.
16:02It's just a name.
16:03Like, for example, Hamdi Al-Wazir.
16:04His father is a minister.
16:05He's Egyptian, too.
16:06Majed Al-Masri.
16:07His father is Egyptian.
16:08Yes, he's Egyptian.
16:09Yes, he's Egyptian.
16:10I'm sorry, I'm going out.
16:11Why don't you believe me?
16:13Bro, you've changed in girls
16:15more than I've changed in Jihad.
16:18If you had a magic card
16:20with the name of any girl you love,
16:23you wouldn't have all these numbers.
16:25What the hell, Swede?
16:26Where did you get this idea from?
16:28It's none of your business.
16:29Don't think about it,
16:31or it'll get stuck in your head.
16:32I wish I had a magic card.
16:34What do you mean?
16:35If you had a magic card, would she love you?
16:37What are you talking about?
16:38What about my love and my sword?
16:40If I had a magic card,
16:42I would've made her a virgin
16:44and took a dowry of less than 10,000 pounds.
16:50I don't know you, Mom.
16:51I don't care if you marry me
16:54once, twice, or three times.
16:56Or if I live with your wife
16:58in the same place.
16:59What matters is my place in your heart.
17:01Look, Yasmin, I have to be honest with you.
17:03You're done.
17:04You don't have a place in my heart.
17:06Especially after you had a fight with Dermine.
17:09Why would I fight?
17:11She's the one who annoyed me.
17:12Why would she annoy you?
17:13Because you poured hot tea on her?
17:15Why would I pour hot tea on her?
17:17She's the one who ruined me.
17:18Why would she ruin you?
17:19Because you hit her with a pen on her forehead?
17:21Why would I hit her with a pen?
17:23Because she pulled me out of my hair?
17:24Why would she pull you out of your hair?
17:26Because you hit her with a whip on her belly?
17:28Look, Yasmin.
17:29We have to get a divorce.
17:31No.
17:32Kill me.
17:33Torture me.
17:34Put the cigarettes in her hands.
17:35But please don't divorce me.
17:36You're done.
17:37You're done.
17:38Especially after you threw my little sister off the balcony.
17:40No.
17:41Give me another chance.
17:42Your second chance is over after you put the poison in her yogurt.
17:45Please don't divorce me.
17:46Go away.
17:47No.
17:48I'll kiss your head.
17:49Go away.
17:50No.
17:51I'll kiss your hand.
17:52Go away.
17:53I'll kiss your foot.
17:54Stop, stop, stop.
17:55Is this a sci-fi movie or what?
17:57No.
17:58Why?
17:59Why?
18:00Why?
18:01Why do you think he won't divorce you?
18:02And he said he'd marry you in two or three years?
18:04What kind of graphics is this?
18:05Don't you know who you're dealing with?
18:07Sorry, guys.
18:08I'm sorry.
18:09You just want me to believe this is real?
18:12So the four-wheel drive can't go to the bus stations,
18:15and the Dolphin can only carry a few numbers?
18:17Have you sold us out on that?
18:19Please let me respect you because of Miss Yasmeen.
18:21Ok, Yasmeen since you're on this topic,
18:22can somebody at least purposefully talk to me?
18:25Shh.
18:26Shh.
18:27Just stay quiet.
18:28You're acting like a lay about these scenes.
18:30I said you're good to go.
18:31I'm sorry, guys.
18:32I'm sorry!
18:33Yasmeen.
18:34In threings 10 or 11,
18:35it's ok.
18:36Stop.
18:37Stop, stop, guys.
18:38I swear to God, if I made this movie, it would blow your mind.
18:40No, no. Who do you think you are?
18:42No, I'm not.
18:43I'm sure there's someone who's fighting for you. Who do you think you are?
18:45Who's fighting for you, son?
18:46Who's fighting for you?
18:47You're the only one I know who's fighting for you.
18:48No, no, no.
18:49Who's fighting for you? Osos or who?
18:50No, no, enough, enough, enough, enough. You have the right to me.
18:52No, no, I'm just kidding. I can make fun of him.
18:55Stop it, artist.
18:56I'm sorry, I'm sorry.
18:57I'm going to get Eman El-Sayed.
18:58I'm sorry, I'm sorry.
18:59Abu Faye!
19:00Welcome, Abu Faye.
19:01Welcome, Eman.
19:02Hello!
19:03Hello!
19:04Welcome!
19:05Welcome!
19:06I came at the right time, Nadi.
19:08Do you want chocolate or what?
19:09No, my love.
19:10Welcome.
19:11What's this?
19:12Peace be upon you.
19:13I'd like to introduce you to Bashmans Ali.
19:15He's going to rent our building.
19:17What's he going to rent?
19:18No, he's going to rent an apartment.
19:20Isn't there an apartment here in the building?
19:22God willing.
19:23I just wanted to ask you, what do you feel today?
19:27I feel like I'm like the moon.
19:29That's a good thing.
19:30Excuse me, are you Sofie?
19:32Yes, I'm Sofie.
19:33And what does this have to do with the apartment you're renting?
19:35No, no, I'm not messing with you anymore.
19:37I just wanted to make sure about the star.
19:39How is it doing?
19:40Why would they tell you?
19:44Are you still seeing her?
19:46I was still with her today.
19:47Really?
19:48And is she sitting with us right now, or is it just us?
19:52Yes, my love.
19:53My love, don't answer the doctor.
19:55I mean, the engineer.
19:57Doctor!
19:58Tell me, did you bring a doctor to see if I was sick or healthy?
20:03What is this?
20:04Why would I be surprised that an artist loves a normal person?
20:07Plus, my wife doesn't understand me.
20:09It's normal.
20:10Come with me.
20:11But what about the apartment?
20:13There's no apartment.
20:14We're renting a place right now.
20:16Come with me, I'll explain.
20:17I just wanted to make sure about you, Mr. Nadi.
20:19Oh my God, my son.
20:20I'm like honey.
20:21What about you, Sofie?
20:22What about me?
20:23You're not with me.
20:25I thought you were a friend, talking about honey.
20:28Come to the cafe, we'll talk.
20:30Wait for me at the cafe, I'll come to you tomorrow.
20:33Tomorrow, like now.
20:35The doctor is crazy.
20:37He doesn't know the difference between a human being and a mosquito.
20:44What's bothering you right now?
20:46I feel like I'm not happy.
20:48People are sending me weird messages.
20:50These people envy you.
20:51Of course.
20:52Are you jealous of a famous artist?
20:54Or are you jealous of her?
20:56No, not at all.
20:57She loves me a lot.
20:59Until now, I mean.
21:01But I don't know what's going to happen after that.
21:03I'm sure she's feeling guilty.
21:06Guilty of what?
21:08I'm sure she found something she liked.
21:11I don't know exactly what it is.
21:13But if she had left all the stars around her,
21:16and loved you,
21:17there would be a reason.
21:19So don't be afraid.
21:20Are you sure she sees me well?
21:23What?
21:24Does she look weak?
21:26Really.
21:27I feel like she's possessed.
21:29What do you mean she looks weak?
21:31I mean she knows me well.
21:33So we can continue together.
21:35When...
21:37Love ends.
21:38Ends?
21:39Don't be so pessimistic.
21:42This mayonnaise looks weird.
21:45I'll put some on the tea.
21:46That's enough.
21:47This isn't mayonnaise.
21:48If it's mayonnaise, I'll put it on the tea.
21:50Try it.
21:51If we don't try it in Sydney, when will we try it?
21:54Come on.
21:55I don't know.
21:56You know something.
21:58Come on.
22:03You're a girl.
22:04I'm sorry.
22:07Welcome to the first live stream between
22:10Ahla Al Asnaf and Insaf.
22:13And Lefham Al Hadi with Hamdi Al Hadi.
22:16And of course, this live stream will be different.
22:18Why?
22:19Because we're not just going to present a nice dish.
22:23No, we're also going to know the scientific and historical information about this dish.
22:27For example, the dish we're going to present today is...
22:31Dawood Pasha.
22:33Dawood Pasha Kofta is a very nice dish.
22:36Everyone loves it.
22:38You can eat it with rice, don't say no.
22:41With pasta, don't say no.
22:43I want to go home because I have a meeting with Yasmin.
22:45You'll go home, why are you in a hurry?
22:48What's this?
22:49They're filming a movie here.
22:51What movie is this?
22:52I don't know.
22:55Who did this?
22:57Damn you.
22:58You're the only one in all of Egypt.
23:01Who's this student?
23:02I remember him.
23:04Mr. Alaa Morsi.
23:05Mr. Alaa?
23:06Yes, I'm Mr. Alaa.
23:07Welcome.
23:08What are you doing here?
23:09What are you doing here?
23:10Imagine what I'm doing here.
23:11I'm filming.
23:12I'm filming a movie.
23:13I'm filming a movie instead of a bath.
23:15A movie instead of a bath.
23:16What's this name?
23:17Was this movie released or not?
23:18What's this name, Dawood?
23:19A movie instead of the one you're in.
23:21A movie instead of the one you're in,
23:23where Yasmin is the president, and you're gone.
23:25He has a bathroom inside.
23:27I don't know which product you produce movies for.
23:30No one knows you.
23:31Everyone in Egypt knows me.
23:32You're the only one who doesn't know me.
23:34No one knows you.
23:35No one knows you.
23:36And why are you sitting in the caravan?
23:37Did you bring a plastic bag here or something?
23:39Why are you acting like this?
23:40I'm the hero of the movie.
23:41I'm the star.
23:42I'm the one who sells his name.
23:43No one knows your name to sell it.
23:45If you sold it, you wouldn't get a penny.
23:47Boy!
23:48Did they teach you in school to talk to adults this way?
23:52Who are you?
23:53I'm Mr. Assam.
23:55I'm Yasmin's boss.
23:57Mashallah.
23:58What's this big position?
23:59By the way, Yasmin is the president.
24:01Look, dear.
24:02Yasmin is the president.
24:03She does moving on.
24:04She has fun.
24:05That's enough.
24:06That's enough?
24:07Okay, okay.
24:08As you wish.
24:09You can live in the role of the lover.
24:11And I'm Yasmin's boss.
24:12You can love me.
24:13And live in the bird's paradise.
24:15Until you wear it in the end.
24:17Boy!
24:18Don't come to the shooting tomorrow unless you have a guardian.
24:21Who are you?
24:22I'm Nazer Al Madrasa.
24:23Listen carefully.
24:24Call these two words and put them in your mouth.
24:27What are these two words?
24:28And kiss them in the end.
24:29Because everyone in the middle knows that you made a mistake in Yasmin's life.
24:33Tell her, you're not.
24:34You'll go back to Alaa and forget about her.
24:36Excuse me, Mr. Nazer.
24:38Is the location ready, Mr. Nazer?
24:40Are you going to tell her, you're not?
24:41Yes.
24:42Yes.
24:43It's a double break.
24:44Bear with it a little.
24:45The girl loves you.
24:46It's obvious that she loves Yasmin, the president.
24:48Let's go.
24:49Where are you going?
24:50I'm going to the bathroom.
24:59Today we're going to talk about Dawood Pasha's fist.
25:02And why it was called Dawood Pasha.
25:04It wasn't called Dawood Pasha because of the name Dawood Pasha.
25:06It was known because Dawood Pasha loved this food very, very, very much.
25:11And he was always making invitations for holidays and festivals and all these things.
25:16And he used to bring a gold ring and put it inside.
25:19A silver ring.
25:21You won't understand.
25:23He used to bring a silver ring and put it in a ball of Dawood Pasha's fist.
25:29And he put it on the table in front of all the people and all the circumstances.
25:33And what did he find?
25:34I don't know.
25:36To be honest, it's a very sad story.
25:38But the truth is that things like this are going to be expensive for us.
25:42That's why I want to tell you, God willing, about the things of Dawood Pasha's fist, but in Urdu.
25:50Next time, God willing, we're going to talk about kingship and historical reforms and why it was called that.
25:58And about the six arrows and about Zainab.
26:01And we're going to give you a lot of information about her.
26:04Don't forget to like the video, subscribe to the channel, and activate the bell.
26:10And the best kinds with justice.
26:13And turn on the notification bell.
26:16Bye-bye.
26:17Bye.
26:20What do you think of the surprise?
26:22What are you going to give him?
26:23I have a movie and a very important role.
26:26And I have to be able to dance.
26:27So I'm here to practice dancing.
26:29Yes.
26:30Tango.
26:31Tango and dancing.
26:32You didn't tell me that.
26:33What do you mean?
26:34Why are you doing this to me?
26:35And then there's something I want to talk to you about, honestly.
26:37I want you to start thinking about choosing a fair role.
26:42I'm not asking you.
26:43You're an Egyptian star now.
26:45What made you still do Baghdad?
26:47Why don't you still do Baghdad?
26:49Why does Mohammad Imam take the shot from you?
26:51Why don't you make me the king of Jadana?
26:53Why don't you make me the queen of Jadana?
26:55Why don't you make me famous and a traitor?
26:57Why not famous and a traitor?
26:58How am I a traitor?
26:59I'm famous.
27:00And you're famous?
27:01Didn't you watch the series?
27:02Of course I did.
27:03But I mean, I'll leave it at that.
27:06I'll send you the scripts later.
27:08I want to make you famous.
27:09I want you to go to the Cairo Olympics this year.
27:12I'll give you a medal.
27:13I'll give you something to hang at home.
27:14You'll be proud of it.
27:16Zain!
27:18Zain?
27:19Yasmeen!
27:20Hi, Zain!
27:21Hi, Zain!
27:22How are you?
27:23I'm good.
27:24Nady, the one I told you about.
27:25My partner.
27:26Nady, how are you?
27:27How are you?
27:28Tell me, Nady.
27:29Do you have any experience in tango?
27:30Honestly, no.
27:31No.
27:32The problem is that we're going to learn.
27:34There are several types of tango.
27:35For example, we have the Finnish tango.
27:37Do you know about it?
27:38I only know Michael Jackson.
27:40Great.
27:41We'll do it at the end of the session.
27:43Okay.
27:44This is Maha, my assistant.
27:45Maha will dance with you, and I will dance with Yasmeen.
27:48Okay?
27:49Why?
27:50You're dancing with your friend, and I'm dancing with my friend.
27:53No, we're not in Cairo Jazz.
27:55No, we're here to learn how to dance.
27:57Okay, if you'll excuse me.
27:58Okay.
27:59I told you, but it's okay.
28:00Okay.
28:01Are you okay, Nady?
28:02Are you okay?
28:03Okay.
28:04Come on, let's go.
28:05One, five, six, seven, eight.
28:06One, two, three, and four.
28:07One, two, three, and four.
28:08One, two, three, and four.
28:09One, two, three, and four.
28:10One, two, three, and four.
28:11One, two, three, and four.
28:12Nady, Nady.
28:13Nady, we're dancing, right?
28:14We're dancing.
28:15Remember Maha, I told you about her in the beginning?
28:16We're practicing with her.
28:17I'm going to dance with my friend.
28:18Wait a minute.
28:19You'll practice in the beginning, and then we'll dance together.
28:20Excuse me.
28:28I don't understand.
28:29I don't understand.
28:30I don't understand.
28:31I don't understand.
28:32I don't understand.
28:33I don't understand.
28:34I don't understand.
28:35I don't understand.
28:36I don't understand.
28:37I don't understand.
28:38I don't understand.
28:39I don't understand.
28:40I don't understand.
28:41I don't understand.
28:42I don't understand.
28:43I don't understand.
28:44I don't understand.
28:45I don't understand.
28:46I don't understand.
28:47I don't understand.
28:48I don't understand.
28:49I don't understand.
28:50I don't understand.
28:51I don't understand.
28:52I don't understand.
28:53I don't understand.
28:54I don't understand.
28:55I don't understand.
28:56I don't understand.
28:57I don't understand.
28:58We're lost.
28:59I don't know where to go.
29:00Why so?
29:01It's not far anymore.
29:02Oh, Lord!
29:03What a teacher you are, Ahamadi!
29:04Come on, Dinah, Fatemeh!
29:05Filthy teacher!
29:06Look at how the world has passed.
29:07But not in the middle of prison!
29:08But this place doesn't mean anything to you?
29:09No, today it's mine indeed.
29:11Let me do what I want here.
29:15I'll eat what's written by the artists of our country.
29:15Oh, so this is what makes you feel aready mad?
29:19Why?
29:20You're on a diet?
29:21Just because you think I live off sushi, quinoa, and salmon.
29:26No, I love the stuff that's stuffed with cream,
29:29the mombar, the kawarra.
29:32Just because you're skinny?
29:34Let's not call it that.
29:35Come on.
29:36You know, this is the second best thing that happened to me today.
29:39What's the first best thing that happened to you today?
29:41That there's no filming.
29:43You know, I come to this place a lot.
29:45Always.
29:46It's sweet because it's quiet.
29:48People recognize you.
29:51Let's go.
29:53Welcome to Mr. Yasmeen.
30:02And the water is for Mr. Yasmeen.
30:04And the bread is for Mr. Yasmeen.
30:06And the bread is for Mr. Yasmeen.
30:08And the sushi is for Mr. Yasmeen.
30:12Welcome to Mr. Yasmeen.
30:14What is this?
30:15Are we celebrating because we're eating two spoons of molokhia?
30:18No, by the way, it's their first time doing this.
30:21But because you're here, they're celebrating because you're a star.
30:25Let's taste the molokhia.
30:27Let's taste it.
30:28This molokhia will eat you alive.
30:31Unbelievable.
30:32My son is dying for you.
30:34Can I take a picture to show him?
30:36Yes, of course.
30:37If you don't mind, please take a picture.
30:38But the molokhia.
30:39Take a picture of me and then I'll take the molokhia.
30:42Thank you so much.
30:43Okay.
30:46Welcome.
30:48Our molokhia.
30:49Come on.
30:50Yasmeen, no way.
30:51Can I take a picture with you?
30:52Again?
30:53So you don't get in trouble with your friends.
30:57You're a star.
30:58Can I have the t-shirt?
31:05If you don't mind, can we take a picture with Mr. Yasmeen?
31:07Okay.
31:09I don't think I can eat this.
31:11Let's take the molokhia and eat it on the street.
31:15Wait a minute.
31:17Answer me.
31:18Is this all because the molokhia got cold?
31:20We can eat the molokhia anywhere you like.
31:23What about the molokhia?
31:24Look, star.
31:26We can't continue together.
31:27Why?
31:29What's wrong with me?
31:30You're not wrong.
31:32You're still affected by me.
31:34But your life is very difficult.
31:35It's all about the revolution.
31:37It's all about Eid.
31:39I can't live like this.
31:40I'm willing to do anything for us to stay together.
31:43Do you want me to stop acting?
31:44Stop acting?
31:45No, of course not.
31:46People love you.
31:48Look, I don't believe what I'm about to say.
31:51But let's be good friends.
31:53No, don't say that.
31:55I can't do this.
31:56I'm attached to you.
31:57I swear to God, I'm attached to you.
31:59Look, you're going to rest.
32:01You're going to take a hot shower.
32:03You're going to cover yourself and sleep.
32:04Believe me.
32:06You're going to wake up in the morning
32:07without thinking about Nadi or what Nadi brought.
32:09Trust me.
32:15Stop it.
32:16Are you really leaving me?
32:18Yes.
32:22You told her.
32:25Let's be good friends.
32:26Yes.
32:28No, this is one of the signs of the hour.
32:31Nadi, the son of Uncle Hamdi Nadi,
32:34who doesn't know how to say two words to each other,
32:37he's flirting.
32:39And he's flirting with who?
32:41With Yasmin, the president.
32:44Not with Basmala Ghafeer,
32:45the teacher at the kindergarten.
32:46I don't understand.
32:47Are you upset or happy?
32:48I'm shocked.
32:50I'm tired of her fame and her life.
32:53And then,
32:54this relationship is wrong from the start.
32:57And if I don't leave her today,
32:59she'll leave me tomorrow.
33:00No, no, no.
33:02I don't want to see you like this, Nadi.
33:05Simple things like this
33:07make you depressed and upset.
33:11No.
33:12Teach me.
33:13Anyway,
33:14I'm not going to leave you.
33:16I'll stay with you
33:17until you're sure.
33:20It's obvious
33:21that I won't love her.
33:23My father was right.
33:24I'll listen to my mother.
33:26She'll choose the bride.
33:28Uncle, this is a failure.
33:30A failure.
33:32No, thank you.
33:33I'll listen to you because...
33:35What?
33:36No, I don't like mayonnaise.
33:38Who told you that this is mayonnaise?
33:40This is gel.
33:41Finally,
33:42I admit that it's gel.
33:43Uncle, I don't like it.
33:44I don't like it.
33:45I don't like it.
33:46Is it good?
33:47It's good, Chef.
33:48Don't leave it.
33:55Mr. Atiyah,
33:56we agreed
33:57that I'll take a leave this week.
33:59Extend your dream and passion
34:01for a leave,
34:02and once again.
34:03What dream and passion?
34:04In a few days?
34:05After a month.
34:06No, I mean a leave.
34:07And then,
34:08we brought you a new employee.
34:10Teach her how to work.
34:11And if she knows how to work,
34:13take a leave.
34:14I'm happy.
34:15Good.
34:16But not to the point of being happy.
34:25Mr. Nadi.
34:26Mr. Nadi.
34:29Mr. Nadi.
34:31Mr. Nadi.
34:32Yes.
34:33I want to ask you something.
34:34Yes.
34:35We're at a break.
34:36Why don't you go out to eat
34:38or drink with your colleagues?
34:40Because it's a punishment.
34:41I don't like to sit with anyone.
34:43I like to sit alone.
34:44Couldn't you tell me
34:45because I have work
34:46or because I like work?
34:48We have work.
34:49We have work.
34:50And there are a lot of things
34:51I want to tell you about
34:52so that you can focus on them
34:53and understand them properly
34:54so that I can take a leave.
34:56Okay, sir.
34:57A happy leave.
34:58Go ahead.
34:59Focus.
35:02Do you understand?
35:04I swear you don't seem to understand.
35:05No, no.
35:06I understand, Mr. Nadi.
35:07Okay, listen to me.
35:08Listen to what?
35:09I'm with her.
35:10Don't worry.
35:11I want you to focus
35:12and appreciate the responsibility
35:13that we have.
35:14We're not working
35:15in a grocery store here.
35:16We're working in an environmental bank.
35:17People here
35:18are spending millions.
35:19There are people
35:20who have given
35:21the same number
35:22of computers
35:23that Amr Diab refused.
35:24And Tamer Hosni
35:25gave billions to the Japanese.
35:26I don't know how.
35:27And Hamdi Al-Marghani
35:28gave 30,000 pounds.
35:30Don't worry, Mr. Nadi.
35:31I'm fine.
35:32I understand everything.
35:33Don't worry.
35:34And I promise you
35:35that I'll study well
35:36and memorize well
35:37and I'll have my mom
35:38listen to me at home too.
35:39Appreciate the responsibility.
35:40I appreciate it, sir.
35:42Don't worry.
35:50Hello?
35:51Yes, Mom.
35:53Mom, what?
35:55What?
35:58It's time!
35:59Who's going to do the dishes?
36:11Who's going to do the dishes?
36:12Who's going to do the dishes?
36:13Who's going to do the dishes?
36:14Who's going to do the dishes?
36:15Who's going to do the dishes?
36:16Who's going to do the dishes?
36:17Who's going to do the dishes?
36:18Who's going to do the dishes?
36:19Who's going to do the dishes?
36:20Who's going to do the dishes?
36:21Who's going to do the dishes?
36:22Who's going to do the dishes?
36:23Who's going to do the dishes?
36:24Who's going to do the dishes?
36:25Who's going to do the dishes?
36:26Who's going to do the dishes?
36:27Who's going to do the dishes?
36:28Who's going to do the dishes?
36:29Who's going to do the dishes?
36:30Who's going to do the dishes?
36:31Who's going to do the dishes?
36:32Who's going to do the dishes?