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Short filmTranscript
00:00The poor Mr. Seifeld. If he tries this and I have to teach him that you can't do a show here after all.
00:09Now wait for the opening. Who knows, maybe I'll have a lot of time soon.
00:13A restaurant will be a huge success.
00:16Pretending to be the death of your own sister. Who does something like that?
00:19Tom Damman pretended to be his own death to get me out of the way.
00:24There's nothing that doesn't exist.
00:27Do we know each other?
00:30Not as well as we should.
00:34I'm your father.
00:37Can you imagine...
00:40...that we try it again together?
00:44It's true. I...
00:48Me too.
00:54I love you too.
00:59I love you too.
01:08Okay. No answer is...
01:11No, Vincent...
01:14Hello.
01:16We were so happy.
01:19And we can be so happy again.
01:23I'll do better this time.
01:25I promise.
01:30I don't feel as comfortable with anyone as I do with you.
01:35I just arrived.
01:39And I would do anything to make you happy.
01:53Yes.
01:59Yes.
02:06Where are we going?
02:08That's none of your business.
02:10What do you want here?
02:12I'm your father. You're my son.
02:15Okay, and what did you forget all these years?
02:17No, not one day.
02:19Yes, I admit I hesitated for a long time.
02:21Over 20 years.
02:23Yes.
02:24I understand.
02:25It would have been so bad if you had taken care of your son.
02:27You know, my life is completely messed up.
02:30I spent years in prison.
02:33What?
02:35Mom told me something else.
02:37Yes, of course she told you something else.
02:39Do you understand who I believe now?
02:41Philipp, don't run away now.
02:44You ran away when she was still a little child.
02:46Now listen to me.
02:48What don't you understand?
02:49I don't want to hear from you anymore. Just run away.
02:53I'll leave my number in the prince's court, okay?
02:58I love you.
03:10Now I finally know what I've been longing for all this time.
03:15Yes.
03:21Here it comes.
03:23I swear that I will not do anything that will endanger our relationship in the future.
03:38I can imagine how that sounds.
03:41When you've said something like that again and again, and then you just can't hold on to it.
03:46Well, you haven't done anything about it lately.
03:52And it should stay that way.
03:57We have to trust each other.
03:59Completely.
04:04Now nothing should separate us anymore.
04:13Are you looking at me?
04:15Are you skeptical?
04:22Let's just forget what happened.
04:26And just look ahead.
04:33Agreed.
04:45Thank you for not leaving me alone.
04:47Of course.
04:48No.
04:49Not after the stupid number I withdrew.
04:52But real friends are there for that, if it matters.
04:55And I never had a better one.
04:57I don't think so.
04:58Yes.
05:00Or Tamara, maybe.
05:03I have to go to the hotel now, unfortunately.
05:05Okay, bye.
05:07You know, Tamara still prophesied it.
05:10What?
05:12That we will get back together.
05:14In her last message she wrote,
05:16Lane is a good and smart person.
05:18She will forgive you.
05:21Now death is coming for you.
05:23And I only have you.
05:26Hey, you still have other friends.
05:28And your parents are there too.
05:31I was always just a burden for them.
05:33When you killed the second born child.
05:35And that they also had to feed.
05:38Because they never had money.
05:40And they were happy when I was gone.
05:43Like everyone is always happy when they are gone.
05:45Except Tamara.
05:51You told me a lot about your parents.
05:53But poor?
05:55I mean, USA.
05:57It costs money.
05:59Flights, hotels.
06:01Three people.
06:03Yes, they inherited.
06:05Not much.
06:07But it was enough.
06:09To pay part of it.
06:11You?
06:13Yes, save it.
06:15I mean,
06:17it was Tamara's biggest wish to fly to the USA.
06:19And if I hadn't done it,
06:21it would have been enough.
06:23You can't think like that.
06:25You fulfilled her wish.
06:29Hey, it was an accident, okay?
06:33Come here.
06:37Lane takes care of Stella.
06:40Yes, that's good.
06:42She always trusted her fears here in the hotel.
06:48You don't like it, do you?
06:50Yes, I do.
06:54If it's true.
06:56What?
07:00That Stella's sister is really dead.
07:06What?
07:08Stella behaves strangely.
07:10At one moment she's crying
07:12and the next...
07:14I saw her smile.
07:16Nobody can cry without a break.
07:18Yes, but
07:20Stella only cries when someone sees her.
07:22Wait a minute, Theo.
07:26Why should Stella
07:28show us
07:30such a terrible thing?
07:32So that Lale takes care of her again.
07:34No.
07:36She didn't tell Lale anything about the accident.
07:38It was just Hildegard and me.
07:40If that was exactly her plan.
07:44Well,
07:46I don't trust her
07:48with all the problems
07:50that Stella is sure of.
07:52And Theo,
07:54you have to be very careful
07:56with such bad assumptions.
08:00I know.
08:06Yes.
08:36Then I have to take revenge on him, do him a favor.
08:42He's committed to social projects. Maybe you can donate something?
08:47Yes, that's a good idea. Because without him...
08:53What? Because without him what? What's going on? You're shining all the time.
08:59Oh.
09:02Vincent and I are a couple again.
09:07Because of the music, the mood in the room was just magical.
09:14And then he asked me if I wanted to give us another chance, and I said yes.
09:19I said yes.
09:22Ah.
09:24Ah. I finally decide. And everything you have to say is ah.
09:31I'm happy for you.
09:33Yes, but apparently not so much.
09:36I'm just a little surprised.
09:39About what? That I'm finally clear about my feelings. You wanted that all the time.
09:44Anna, I just really want you to be happy.
09:46And I was with Vincent.
09:49I even dreamed last night that we would kiss and be together again.
09:54A dream as an advisor.
09:57Mom, what is this about now?
09:59It just comes so suddenly.
10:02I've been whining for weeks.
10:04Yes, exactly. You didn't even know where you were with your feelings.
10:08And now you decide so quickly, in a romantic moment.
10:13It just felt right.
10:17Now don't look so skeptical.
10:20I'm sorry. I wish you both all the best.
10:32Mrs. Alves?
10:34Yes.
10:36Check-up.
10:46Check-up.
10:52Your verdict?
10:54My verdict, yes. I would say...
10:57Louis' dish is fantastic.
10:59Superb. And you know what?
11:02Surprisingly not even salty.
11:05Why should it be salty?
11:09We're not in love or something.
11:12He's more my...
11:13More my...
11:15Representative, you mean.
11:17Exactly.
11:19And I'm sorry for my lie of necessity.
11:21There's no need for that.
11:23Besides, he didn't even wait for me to say anything about his dish.
11:27Unfortunately, he had to go back to his restaurant.
11:30You both have deceived me.
11:33No, it's not...
11:35That has consequences, of course.
11:37Unless...
11:39What?
11:40Did I miss something?
11:43I'll ask him.
11:45Sit.
11:47Oh.
11:49Did I miss something?
11:51Oh, Katja and I have reconciled.
11:53A little more harmony in the prince's court is also in your interest.
11:56That thing with Mrs. Bergmann, was that important?
11:59Oh, it was just a meeting.
12:01Did she cancel it?
12:03No, no, no, no, how could she do that?
12:05No, no, she's feeling very comfortable right now.
12:07So comfortable that she's even snuggling in the kitchen.
12:08Oh, I see, I see.
12:10The radio station will certainly report about it.
12:12But you always have a heart for love, don't you?
12:14No, I'm just wondering where the discipline of the staff stays here.
12:23Tell me, how disciplined do we both want to show ourselves?
12:28Well, I don't feel like talking about us at all.
12:33And what if I were to kiss you right now?
12:36I'm sure I wouldn't go into a broom room with you.
12:40I have a much better idea.
12:42There's a little cottage in Miesbacht.
12:44We grab two horses from the prince's court, ride there and spend the night there.
12:48That sounds very tempting.
12:50But I have to work.
12:52I just gave you a day off.
12:54Oh, the boss gives me a day off.
12:56Well then.
13:06Oh, God.
13:24Hey.
13:26Hey.
13:28Am I in the wrong room?
13:30No, Anna is being examined.
13:32I'm sorry.
13:36I understand.
13:40Is everything okay with you?
13:46It's okay.
13:48At first I felt like I was in the wrong room.
13:54But with you, so far, everything is fine.
13:58Yes, I'm fine.
13:59I'm fine.
14:01I'm fine.
14:03Everything back on track.
14:05I'm glad.
14:09What do you want from Anna?
14:13I want to talk to you.
14:15I'm just waiting for her here.
14:18We should also talk about Gut Talheim.
14:22I need some documents from you.
14:24My father is here.
14:26What?
14:30My father came to the prince's house today.
14:45Vincent.
14:48You've experienced something similar before.
14:54What should I do now?
15:00See you later.
15:02Hey.
15:03Hi.
15:04I'll get my things out of the bin.
15:05Okay.
15:06Should I buy you something for tonight?
15:08I promised Stella for the wedding.
15:11What?
15:12She's so lonely and lost because of the funeral planning and stuff.
15:16But the sunflowers are there.
15:18She's not alone.
15:19I'm her official caretaker.
15:21Yes, but...
15:24Please say yes, yes.
15:26You agreed that I should be there for her.
15:31I saw Stella and you at the picnic.
15:35How she enjoyed it again, the closeness to you.
15:38And how she talks about the funeral.
15:41That's so weird.
15:43What are you getting at?
15:48I just had a really bad feeling.
15:50A bad feeling?
15:54I was wondering about something earlier.
15:58Really? About what?
16:00She told me her family is Ahn.
16:03And how could she leave for the USA?
16:05She told me something about Aspartame and Herb.
16:15It's unthinkable.
16:16Stella is just pretending the death of her sister.
16:26How did he find you?
16:30I guess at the hotel website.
16:35And you just left him alone?
16:40He left my mother and me alone.
16:43And since then I never heard from him again.
16:46I understand you completely.
16:50I hope he just understands, right?
16:54Do you think so?
16:59No.
17:03What should I do if he doesn't leave me alone?
17:08Talk to him.
17:10Don't waste time.
17:14I don't want to.
17:17Come on, in the end we always want to know where we come from.
17:21I know enough about him.
17:24And how? If he hasn't contacted you for years?
17:27But that shows exactly what kind of character he has.
17:31He's cowardly, he's irresponsible and he just has no interest in me.
17:38And yet people change sometimes.
17:41But I...
17:43I can't dance to his pipe now just because he suddenly has a conscience bite.
17:48Philipp, if you send him into the desert now,
17:51then you will have a conscience bite.
17:55Why should I?
17:57Because he is your father.
18:05He failed in this role.
18:07He failed in this role.
18:12And it has nothing to do with him anymore.
18:16It always does, whether you want it or not.
18:24He doesn't mean anything to me anymore.
18:28And that's why I'm taking your meeting with me?
18:35Hey, Philipp.
18:38You don't have to like him.
18:41But listen to what he has to say.
18:44What do you have to lose?
19:08Write as Stella a very emotional mourning advertisement for her sister Tamara,
19:13who died in a hiking accident.
19:20Tamara...
19:22I...
19:24can't...
19:26at all...
19:27Shh...
19:36Tamara, I told you not to call here anymore.
19:40I told you several times on the mailbox.
19:45I don't have to explain anything to you.
19:48No.
19:50I'm fine. Lale is my best friend.
19:54But...
19:55Why do you keep submitting things to me? You're not here at all!
20:00Tamara!
20:02No! No!
20:04Just leave me alone!
20:06Just leave me alone!
20:10Good evening.
20:16Stella?
20:18What's going on?
20:22Come here.
20:26Stella!
20:28Do you have a recommendation for me?
20:31Yes, I would recommend the roast pork. We're known for it.
20:34It's always very tasty.
20:36But look through it again. I'll be right back.
20:39Yes, all right. Thank you.
20:41Philipp.
20:45It's nice that you wrote. I was very pleased.
20:48Sit down.
20:55It's nice here.
20:57The floor is steady.
20:59Can I bring you something to drink?
21:01A mineral water, please.
21:03A light one.
21:05Do you come here often? I have questions.
21:08Yes.
21:10Why were you in prison?
21:12You'll get to the point right away.
21:14Boy, boy.
21:16I like it.
21:20I didn't kill anyone.
21:22And I didn't hurt anyone.
21:23But?
21:28Betrayal.
21:30On the horse race.
21:32That's what you get in prison for.
21:34It was in style.
21:36I'm not proud of it right now.
21:39On the contrary.
21:42And why didn't you report to me?
21:46You can write letters in prison.
21:50Your mother, she...
21:51She forbade me to contact you at the time.
21:57And when I was released,
22:01I didn't dare anymore.
22:04So much time had passed.
22:06And I was ashamed.
22:09So, a water and a light one.
22:12Cheers.
22:21Philipp,
22:23can I ask you something, too?
22:27How did it go for you?
22:29I mean, all those years.
22:32That's what you want to know?
22:34Yes, of course. More than anything else.
22:41How does a child react
22:44to being left in the clutches of his father from the start?
22:49Yes, I think...
22:52He's pretty disturbed.
22:54He's insecure.
22:57He's sad.
22:59His soul is cracking,
23:02an injury that doesn't heal so quickly.
23:10I was sad.
23:14But if you think that
23:15your disappearance concerns me to this day,
23:18I'm afraid I have to disappoint you.
23:20That's good, too.
23:22I abandoned you at some point and forgot.
23:24And I was looking for a new father.
23:27One who supported me,
23:30also professionally.
23:33A replacement father, you mean?
23:36I understand.
23:38I don't think so.
23:41Markus has made almost everything possible for me.
23:45Markus?
23:47Markus Schwarzbach.
23:49He's the owner of the hotel.
23:51Ah, he's here, too.
23:54Didn't you know that?
23:56Yes, Philipp.
23:58But I had to get to know you again.
24:01And this man...
24:03Schwarzbach?
24:05I mean, I'm your biological father, aren't I?
24:12Let's order something.
24:15Okay.
24:20There.
24:22The warming pistol.
24:34Losing a loved one
24:37is the worst thing that can happen.
24:40It's really uncomfortable for me
24:43that you just saw me like that again.
24:46It's just...
24:48I just miss you so much.
24:50Of course.
24:52Tears are not a sign of weakness.
24:58It's not the only reason why I cried.
25:03My parents just called from the U.S.
25:06and they just criticized me again.
25:10No matter what I do, it's all wrong.
25:14Because of the condemnation?
25:16Everything!
25:18No matter what I do, it's always all wrong.
25:21I just get accusations or I'm criticized.
25:24I just can't do anything right.
25:29It's always the same.
25:36What do you think?
25:37Very good.
25:41Well, my meal was great.
25:43It's not a star cuisine here, but
25:46at least you don't experience any bad surprises.
25:48I understand.
25:49Just like with me, right?
25:54No.
25:55I didn't mean you.
25:58A smile.
26:00A debut tonight.
26:03As a child, you were a real sunshine.
26:05You laughed so much.
26:07You were a laughingstock.
26:09Even once when you fell off a horse.
26:12You were so big.
26:14And you really wanted to ride my big horse.
26:18You fall down.
26:19I get scared.
26:20The horse gets scared.
26:21And you?
26:23You laughed your ass off.
26:25Yes.
26:26Despite the stuffed ankle.
26:27You remember, right?
26:29Yes.
26:31That's why I always have great respect for horses.
26:35You stayed in bed for days.
26:38But I think
26:39you even liked that,
26:41because I read a lot to you, right?
26:47Yes.
26:48Father of the year.
26:51Tell me,
26:52when was that exactly?
26:55Four years ago.
26:58Philipp,
27:00I only remember a common experience.
27:06You know,
27:08I'm an adult now.
27:11I don't need you as a father anymore.
27:13But we could at least try
27:15to have a good relationship again, right?
27:18But why?
27:19I think it makes more sense
27:21if everyone just goes their own way.
27:25Birgi,
27:26we would like to pay for this.
27:27No, no.
27:28Immediately.
27:29Leave it, I'll pay.
27:35Philipp,
27:37why don't we take a few more steps together?
27:43Have a safe trip home.
27:45Whatever it is.
27:46Whatever it is.
28:03Barely together,
28:04already separated again.
28:06Everyone was good in their own bed.
28:13The kiss was so beautiful.
28:16Should I go over to him?
28:19No.
28:20It's annoying when a doctor catches me.
28:23Now Vincent is so close
28:26and I still miss him.
28:29Who would have thought that a few days ago?
28:47Hey,
28:48how are you over there?
28:51It's a shame that there are no double beds here.
28:53Then I could take you in my arms now.
28:56Or are you already sleeping?
28:58As much as has happened today?
29:01My night will still not be lonely
29:03because I am in your thoughts
29:05and I always see you in front of me anyway
29:07and I will dream of you.
29:09Anna everywhere.
29:10In my head,
29:11in my dream,
29:12in my heart.
29:13Just not here in bed.
29:15Beautiful crap.
29:17Dream something beautiful.
29:18I can hardly wait for tomorrow.
29:38Because a new life begins for us.
29:41That we celebrate and discover every day.
29:44Together.
29:45Hand in hand.
30:13We will be together for a long time.
30:16We will be together forever.
30:18We will be together forever.
30:21The world will be ours.
30:24We will be together forever.
30:27We will be together forever.
30:32We will be together forever.
30:34Look, a heart over there.
30:36Or a kidney.
30:39Whatever you see in the clouds.
30:41What are you looking at?
30:44Just you.
31:11Good morning.
31:34Morning.
31:35I have to talk to you.
31:38With you two.
31:40Because of Stella.
31:42Yes, Theo told me that you also have an eye on her.
31:45Yes, I do.
31:47Was she sad because Lale didn't go to the brothel with her yesterday?
31:51Well, I don't know if it was because of that, but...
31:54But she was.
31:55Very much so.
31:57And what do you mean?
32:00Real or fake?
32:02Well, my gut feeling says it's real.
32:06She was in her room all evening and cried so much that you could hear it all the way to the hallway.
32:14Apparently, her parents were pretty critical of what she was planning with the funeral or something.
32:21But they gave her free rein.
32:24I'll go to her during my break.
32:26Yes, maybe that's a good idea.
32:27Very good.
32:29So you're really sure that the grief is real?
32:32Theo...
32:34I don't know if you can play such despair.
32:39We will help you as best we can.
32:58Hi.
33:12Good morning.
33:13Good morning, Mrs. Alves.
33:15Did we sleep well?
33:17Yes.
33:19Did you have a good dream?
33:21What is this, amnesia?
33:23Visite.
33:24Ah.
33:25Um...
33:26Yes, Doctor, I also had a very good dream. Thank you.
33:29Very nice.
33:31Then please close your mouth wide.
33:34Close.
33:35Close.
33:43Yes, very good.
33:45Now put your arms around me.
33:56How are you?
33:58Good.
33:59Even better now that you're here.
34:03I'm sorry for the somewhat cheesy news yesterday.
34:06A little bit of cheesy isn't bad at the hospital.
34:09And your news wasn't really cheesy either.
34:12Well, a new life.
34:15It is somehow.
34:17Yes?
34:20I'm really curious what the future holds for both of us.
34:25Yes.
34:36Well, I'm actually already mouth-to-mouth happy.
34:44But it's nice that the two of us are together, isn't it?
34:47Yes.
34:48It just came so suddenly and went so fast.
34:51I mean, she hardly woke up from the anesthesia.
34:53She already chose Vincent.
34:54But I thought you liked Vincent.
34:56I do.
34:57I'm talking about Anna.
34:58Anna is happy.
35:01I'm just a little worried that she's just talking nicely about Vincent.
35:06Oh, you mean you're grateful for the donation?
35:09Possibly, yes.
35:11She chose it all out of the blue.
35:13Someone's playing the guitar romantically.
35:16Well, who organized it?
35:19Yes, but at least she could have waited until she was released from the hospital.
35:23You know, with a clear head, not fogged up with medication.
35:27And until recently she was still together with Philipp.
35:30He wouldn't have done so much wrong.
35:32But he did.
35:33And would Philipp prefer that now?
35:35No, I'm not saying that at all.
35:38Who actually put this Flo in his place?
35:41Which Flo?
35:42Well, that Anna is easy-going in terms of relationships.
35:46She really didn't make it easy for herself.
35:49And that's really a bad state when you're not sure of your feelings, right?
35:56Unfortunately, we don't have much time to think about it.
35:59Because you wanted to go to the café?
36:01Yes, that's right.
36:02And I really have to go to the clinic.
36:04Oh, but where did Yvonne book a meeting point?
36:07Right in front of the restaurant.
36:09Oh, okay. And Eric is coming too?
36:11Eric is coming too, yes.
36:13I really have to go.
36:16See you in Tölz.
36:18Yes.
36:44Thank you for the nice time.
36:46Do you mean me or your horse?
36:48You, you fart-nose.
36:50Then I'm calm.
36:55See you later?
36:57Yes, definitely.
36:59I'd like to come with you next time.
37:01But the old Saalfeld wrote to me.
37:03I'm supposed to clear something up with the stable boy.
37:05Three exclamation marks and where I am at all.
37:08Typical.
37:09Well, then you clear it up.
37:12See you later.
37:25Good day.
37:27Hello.
37:29Great stable.
37:31Are you the stable manager?
37:33No. Why?
37:35I want to talk to him.
37:37And you are?
37:39Roland, Roland Brandes.
37:42Brandes?
37:43Yes.
37:44Oh, you certainly know my son, Philipp.
37:47Yes.
37:48Very good, even.
37:51Then you are Mr. Schwarzbach.
37:53Uh-huh.
37:54The man who took care of Philipp.
37:56Yes, exactly.
37:58He told me a lot about him.
38:00So, did he?
38:01Yes.
38:02It's great that we meet.
38:04Then you can tell me how he was as a teenager, as a young man.
38:07Yes, I could, but why?
38:09Yes.
38:10I missed him.
38:11I missed a lot.
38:12Oh, indeed.
38:14Yes, if you hadn't left him and his mother back then, then ...
38:18Yes, you can see it that way, yes.
38:20I still have work to do.
38:23Uh, excuse me.
38:25Philipp said you were a shareholder.
38:28Maybe you can help me further.
38:32You're looking for a horse caretaker, aren't you?
38:35I would like to apply.
38:43Hey.
38:44Hey.
38:46For you.
38:47Oh, wow.
38:53Wow.
38:56Your restaurant.
38:57How excited are you on a scale of one to ten?
39:00Uh, five, six.
39:02Yes, I think more like seven.
39:04That's you.
39:05That's me.
39:06And that's from ...
39:07From you.
39:09Someone who wishes you a lot of success.
39:11You're really the best.
39:15Look, I can't print menu cards.
39:17I don't know, then write in your hand.
39:20I have to prepare plates, plates, bread.
39:22Nadine, prepare another one.
39:23Yes, have the toilets been checked again?
39:26That's not possible.
39:27The guests come every second.
39:29Yes, then you do your stuff.
39:31And Nadine, could you maybe check the toilets again?
39:34Okay, Greta, maybe you can ... I don't know ...
39:36Ready to cover.
39:38I'll do it.
39:40Are you nervous? You're usually so cool.
39:42Yes, I always thought so.
39:44Your menu will be perfect.
39:46At least the main course I was allowed to try yesterday.
39:49Yes, I hope the guests think so too.
39:51And the restaurant critics.
39:53For sure.
39:55Well, Judy has the biggest social media channel.
39:58If she writes any bad reviews,
40:00I can close it right away.
40:02Everything will be fine. Don't worry.
40:04Do you think so?
40:06Okay.
40:07Hey, Matteo, Nadine.
40:10Are you ready?
40:14Okay.
40:15Then I would like to say,
40:17we welcome the very first guests in Louis.
40:21Hello. Hey.
40:23Ah, there you are. Hello.
40:25Thank you for the invitation.
40:26Yes, you're welcome.
40:28And we have a very special drink with us.
40:31Yes, I made a special loop around it.
40:33Yes, something very special.
40:34It's the best, yes.
40:35I'm sure I can use it.
40:37You look so beautiful.
40:39Yes, feel at home.
40:41And feel free to come here whenever you want.
40:43Yes, come on, we'll see everything here.
40:44Yes, yes.
40:45See you soon.
40:49Hello.
40:50Nice to meet you.
40:51That's very nice.
40:52Hello.
40:56Hello.
41:00A light.
41:03Have you already found something out?
41:05Hm?
41:06Yes, do something for everyone.
41:08Sit down.
41:09Oh, I see.
41:11Yes, well, my feeling says yes.
41:13But I can't prove anything to you.
41:16Well, not yet.
41:19I'm waiting for the call back.
41:21Oh.
41:23Ah, damn it.
41:25Everything's fine, everything's fine.
41:27Oh, thank you.
41:30No, nothing's fine.
41:32It's the consequences of this accident.
41:35Well, Markus would be happy if I'm not already in Rouen.
41:38I'm sorry.
41:39Yes, compassion is not necessary, but...
41:42Still, thank you.
41:43Should I get you a new tea?
41:46Yes, yes.
41:47That would be nice.
41:48No problem.
41:50Manuel.
41:55Telephone ringing.
42:02The light?
42:05Yes.
42:23Good morning, Markus.
42:25Hello.
42:26Where were you yesterday?
42:28I tried to reach you...
42:29In non-disturbing mode.
42:32In non-disturbing mode?
42:34With a certain...
42:35Your father is here?
42:38How do you know that?
42:39Because he came up to me in a stupor.
42:43Why?
42:44Does he want to question you, or...?
42:47Yes, but I didn't let him.
42:50Good.
42:51I'm surprised.
42:52I thought he was going to run away again.
42:54No, I don't think he plans to.
42:58Why?
43:00A job as a horse caretaker has been posted on our website.
43:03He wants to apply for it.
43:06He wants what?
43:07I didn't agree anything concrete with him.
43:09I didn't arrange a job interview or anything.
43:11I just wanted to hear what you had to say.
43:15Of course I said no.
43:18Where is he?
43:20Maybe still in the stable.
43:21He wanted to see everything.
43:25That's enough.
43:41Where's Nicole?
43:42She'll be here in a minute.
43:44But the patties are excellent.
43:48Erik, don't always eat all the appetizers.
43:50You know, the real menu is yet to come.
43:53I don't want to insult Louis.
43:55He's my favorite chef.
43:56And what about my Greta?
43:57What about Greta?
43:58What about Greta?
44:00Your cousin only praised her excellent cooking.
44:03Yes, because I'm supportive of you.
44:06You should be, too.
44:07I am, too.
44:08Greta, the big Greta, is the most beautiful.
44:11She's a cook.
44:12That's what I do.
44:13I'm really proud of her.
44:14She's really nice of you.
44:15But today it's all about Louis.
44:17He cooks, too.
44:18Ah, Nicole.
44:20What's she writing?
44:22She can't come.
44:24That's a shame.
44:27Yes, she probably has too much to do.
44:30It's the second time in a short time that she can't come.
44:33That's really a shame.
44:34Well, next time she'll be here, Erik.
44:38So, dear guests.
44:40We'll start with the menu now.
44:42If you're late or still not here, you've had bad luck.
44:45Or luck.
44:46Well, definitely bad luck.
44:48The Amish cuisine was excellent, wasn't it?
44:50Everything was great.
44:51Bravo!
44:57They're already eating out of their hands.
44:59Look over there.
45:00I think that's her.
45:01Right.
45:02Hopefully the critic will like it, too.
45:12That one.
45:13The oak sack?
45:14Yes, he looks robust.
45:17Tamara always protected me, too.
45:19It costs over 2,000 euros.
45:23Why are you saying that?
45:26Is she supposed to get a cheap funeral?
45:28No, she's supposed to get a nice funeral, the way you want it.
45:32Yes, I think so, too.
45:33I'm just wondering how you want to pay for it.
45:36Or...
45:37your family.
45:39Tell me, what are you getting at?
45:42I wonder if you have a death insurance or something.
45:46But if I don't think about the money...
45:48I'm going through hell right now.
45:50And you're asking me such weird questions.
45:52I'm sorry, but 2,000 euros is a lot of money.
45:54And that's just the beginning.
45:56Yes, I'll pay for it, okay?
45:58Stella, I want to help you.
45:59By humiliating me right now?
46:01Do you think I don't understand what you're getting at?
46:04I thought we were friends and we trusted each other.
46:07But what you're saying right now, it hurts.
46:09It's super hurtful and unfair.
46:11But I want...
46:12No, that's heartless, Lala!
46:18Yes, you're a good boy, aren't you?
46:20Now, look at this.
46:21What do I have here?
46:23Ah, you know that, don't you?
46:25Yes.
46:26So you want to work here?
46:29Philipp!
46:30If you think you can distract me...
46:33if you don't sneak up on me...
46:34forget it.
46:35Hey, calm down.
46:37On the contrary.
46:38I'll have you thrown off the site right away.
46:40I...
46:41I'm not going to push you.
46:43I...
46:44I'm calm.
46:45Oh.
46:46Then...
46:47please.
46:48Philipp, we've wasted so much time together.
46:51But it's never too late to do something better.
46:54I have to do something better!
46:56No, not you.
46:57I have to do it.
46:58But...
46:59how can I be a better father to you without your help?
47:04I don't need a father.
47:09Look.
47:10Look, we'll do it this way.
47:13Down in the village, at the old man's.
47:15I took a room there.
47:17Yes.
47:18Then I'll be close to you.
47:20If you need me, I'll be there.
47:22And if I don't, I'll remain invisible.
47:24What do you think of that?
47:26Huh?
47:32Stella, I'm so sorry.
47:34The oak sack seems appropriate.
47:37I... I can lend you money if you want.
47:40Liar.
47:42You've only got a spark in you.
47:44Theo!
47:45Tamara's alive.
47:46Hello, Stella.
47:50White pigeons and fireworks.
47:57What's wrong?
47:59Nothing.
48:00It'll be over soon.
48:01Are you in pain?
48:02I don't think Philipp wants him to stay here.
48:05That's understandable.
48:06After 20 years, you can be completely alienated.
48:09But there's something else behind it.
48:11I think...
48:12Brandesenio is a bit unclear.
48:14As if he's hiding something.
48:16But...
48:17You don't even know him.
48:18You can't suspect him right away.
48:20It's just a feeling.
48:21I can understand that.
48:24Yeah, it doesn't matter.
48:26Whether he finds out today or tomorrow.
48:28I think he has other worries.