Category
🎥
Short filmTranscript
00:00La, la, la, la, la, la, la, la, la, la, la, la.
00:03Pajaro soñador.
00:04La, la, la, la, la, la, la, la, la, la, la, la, la.
00:10No hay carreteros.
00:12No existe algún camino normal y corriente por aquí.
00:16Hola.
00:18¿Alguien por aquí me escucha?
00:21Necesito ayuda.
00:23¿Puedo ayudarte?
00:25¡Ah!
00:27Oh, uh, uh, pardon.
00:29Uh, pardon.
00:30Yo no lo vi venir nada más.
00:33Muchas gracias, pero yo puedo arreglarmelas.
00:36Como quieras.
00:41Ah!
00:43Ay, mi tobillo.
00:44Perdona.
00:45Acabo de torcerme el tobillo.
00:46No puedo caminar.
00:48¿Me ayudarías?
00:52Mis zapatos están.
00:54Ah.
00:55Wait a minute. What's this?
00:57Get me down. I didn't mean this.
00:59Get me down, will you?
01:01Get me down. Do it, do it.
01:03Okay.
01:07Oh, I hurt myself. Hey.
01:11My shoes.
01:13Please.
01:15It hurts a lot.
01:17Hey, do you need help or not?
01:19I have a lot of things to do.
01:21Well, no. I'll complain.
01:23I'll do whatever you tell me to.
01:29Are you sure?
01:31Yes, I'm sure.
01:35Could you go slowly?
01:37Please.
01:41Oh, yes, yes, yes.
01:43Did you like it?
01:45I see.
01:47We're preparing a wonderful presentation.
01:49Yes, of course.
01:51It's a very prestigious agency.
01:53You can search for Fikri Arika on the Internet.
01:55Of course.
01:57What a joke.
01:59What are you doing? Have you gone crazy?
02:01For God's sake, can you tell me who you're talking to?
02:03Or do you have a client on the other side of the line?
02:05This phone is not connected, you moron.
02:07Well, we can connect it, Musa.
02:09Yes, of course.
02:11I can't talk to him.
02:13Do you have a client?
02:15Because then who were you going to talk to?
02:17Your grandmother or what?
02:19It's horrible.
02:21Deren, what happened to you?
02:23I sprained my ankle.
02:25Thank you, Bulut.
02:27Wait, wait, don't touch the carpet.
02:29Don't touch it.
02:31Look, it's all covered.
02:33It's all covered.
02:35Disgusting.
02:37Well, no one has asked me how I am.
02:39But it doesn't matter, I'm still alive.
02:41I just sprained my ankle.
02:43This is what happens when an agency is established
02:45in the middle of the forest.
02:47These are the conditions.
02:49How the hell are the clients going to find us?
02:51What are you saying?
02:53The clients can't get here.
02:55Well, look, I can go get them and bring them.
02:57I'm capable of giving my whole life for that mission.
02:59Musa, stop screaming and calm down.
03:01Calm down, calm down.
03:03Oh no, it can't be.
03:05This house has become a asylum.
03:07Deren, we have a big problem.
03:09Jan left us.
03:13Jan left?
03:15He left.
03:17It can't be.
03:19Jan left.
03:21It's okay, it's over.
03:23Jan left.
03:25There are no clients.
03:27Now what are we going to do?
03:29Don't worry guys, he'll be back.
03:31You'll see.
03:33He'll be back.
03:35Jan will be back.
03:37The carpet!
03:39Take off your shoes.
03:41Don't worry, I'll take care of this.
03:43Don't worry.
03:45Excuse me partner!
03:47The agency is over.
03:49Deren says there are no clients.
03:51What are we going to do?
03:53Do you think we should declare bankruptcy?
03:55Or what are we going to do?
03:57Listen to me!
04:05I'm sorry guys.
04:07I was in the most exciting moment of the book.
04:09But keep going guys.
04:11Keep going guys.
04:13You're great.
04:15Keep going guys.
04:17I'm going to get some fresh air.
04:19Why is everything covered in mud?
04:23What's wrong with you?
04:25You're making weird gestures.
04:27Moosa, get her out of here.
04:29Look at her, she's covered in mud.
04:31This can't be happening.
04:33Yes, this can't be happening.
04:35Get out of here.
04:37You're so skinny, but your bones are heavy too.
04:39Look at my makeup.
04:41I'll take you to your room.
04:43Oh, my tummy.
04:53Jan?
04:55My son.
04:57I thought you were leaving.
04:59Yes dad, but the ship...
05:01It got stuck.
05:03I'll tell Captain Jairetín.
05:05I'll tell Captain Jairetín to fix it.
05:07No, I already did it.
05:09And they're taking it to the port.
05:11It'll take a while to fix it.
05:13Because they need parts that come from outside.
05:15I understand.
05:17But I can't say I'm sorry.
05:19What are you going to do now?
05:21Are you going to stay?
05:23No, I'm not going to stay here.
05:25I don't want to bother anyone, dad.
05:27But it's not a bother.
05:29Stay.
05:31I missed you.
05:33I missed you too.
05:35I saw a cabin on the way.
05:37It's in bad shape.
05:39But it can be fixed.
05:41And if Sanem likes it,
05:43I could stay there, don't you think?
05:45Of course, son.
05:47I think it's a great idea.
05:59Jigget, if you had told me you were coming,
06:01I would have helped you.
06:03I'm fine, Sanem.
06:05You don't behave like my mother.
06:07Can I take the folders?
06:09What is that?
06:11They are the critical articles and compliments
06:13that have been written about you and your book.
06:15And I have a surprise for you.
06:17But I'll give it to you later.
06:25Hello.
06:27Hello.
06:29Mr. Aziz, this is Jigget,
06:31the owner of the publisher who published my book.
06:33Nice to meet you, Jigget.
06:35Likewise. It's a pleasure.
06:37Jigget is also Polen's brother.
06:41I assumed you had left.
06:43Ah, it turns out his boat...
06:45I'll stay a while.
06:49Great, me too.
06:51So we'll see each other again.
06:53Sanem, the surprise is
06:55that a very important jury
06:57chose you as Writer of the Year.
06:59Really?
07:01I'm so happy, Jigget.
07:03Thank you very much for everything.
07:05Congratulations.
07:07Well done, dear.
07:11It's a great honor.
07:13You are Writer of the Year.
07:17Congratulations.
07:19You deserve the best.
07:21Thank you very much.
07:27Uh, we should get to work.
07:29We don't have much time.
07:31We have to write a brochure.
07:33Okay, I'm just going to take the creams to Bulut.
07:35Wait inside. I won't be long.
07:37Excuse me.
07:47Did you read Sanem's book?
07:51I'm on it.
07:53I just started it.
07:55I'll be back later, okay?
08:09Well, that's it.
08:11You cook so well.
08:13Everything is delicious.
08:15Enjoy your meal.
08:19Leila!
08:21Come on, don't make Emrez angry.
08:23I'm coming.
08:25I'm fine. I'm not angry.
08:29Put me some...
08:31Wait.
08:33Come on, son.
08:35Serve me some tea.
08:37Okay.
08:39Mevkiveh, what is she reading
08:41that she is laughing so much?
08:43How am I going to know
08:45if she doesn't stop looking at her phone at all?
08:53Here you go, mother-in-law.
08:57Why don't you put the phone upside down
08:59so it doesn't scratch?
09:01It has a screen protector.
09:03I have a busy day today.
09:05Lots of emails and meetings.
09:07That's why I'm a little distracted.
09:09Oh, you got another message.
09:11That's not very important.
09:13Emre, I'm ready.
09:15We can go.
09:17Whenever you want.
09:19Of course. We're leaving.
09:21Have a good day, you two.
09:23Goodbye.
09:25Have a good day.
09:29Can I assure you that I hid something?
09:31Well, woman, calm down.
09:33Don't start with your suspicions now.
09:35First, you have to make sure.
09:37Don't rush.
09:39Don't you think it's weird that she sends so many messages?
09:41What will I look like if I don't know how to send messages?
09:43I don't even have a proper phone.
09:45Forget it. I'm going to the store.
09:47Goodbye.
09:49I don't like her at all.
09:51Not at all.
10:13I saw a cabin near here.
10:15Do you know who it belongs to?
10:17Mirivan.
10:21Until they repair the ship and I can leave,
10:23could I stay there for a while?
10:27Do you think Mirivan would mind?
10:29Or maybe you would mind?
10:31Not at all.
10:35I mean,
10:37will you be comfortable there?
10:39Our old cabin...
10:43I mean, my cabin...
10:45It was...
10:47It was the same style.
10:49Do you remember?
10:51I'm sure I'll be fine.
10:53There's no problem.
10:55My father wants me to stay.
10:57He would like me to be with him.
10:59He must have missed you a lot.
11:03I'll help you with that.
11:21How long will it take to repair?
11:27If you want to know when I'll leave,
11:31it won't take long. Don't worry.
11:35I heard your conversation with Chiquit.
11:41I know you're going to New York.
11:43You must have misunderstood.
11:47For some, it's not easy to leave those you love behind.
11:57Now the sun hits hard
11:59and it's heating up the stones on the road.
12:01Yeah, I get it.
12:03Jan!
12:05I can't believe what my eyes are seeing!
12:07Welcome, Jan!
12:09Jan!
12:11Super friend!
12:13You came back for me!
12:15I love you so much!
12:17What a surprise!
12:19Jan DeVit's lover!
12:21Do you know what that means?
12:23That with his return, the customers will also return.
12:25I'm sure everyone will come back!
12:27Of course!
12:29My boat broke down.
12:31It's okay. We're going to the market.
12:33We have a lot of work to do.
12:35We sell vegetables.
12:37Yes, we have everything ready.
12:43Put it there. Thank you.
12:45I'll help you.
12:47Don't worry.
12:51Your face looks familiar.
12:57The scarecrow.
12:59Jan, right?
13:03J.J.
13:05If you find a hardware store, would you buy this?
13:07Yes, of course I can, Jan.
13:09Let's see what you need.
13:11I'll get everything on the list.
13:13Jan, do you want me to go with you?
13:15There's no need, Deren.
13:17The clothes you're wearing aren't the most suitable
13:19to go to the market.
13:21What's wrong with my clothes?
13:23I use a casual, elegant style.
13:25You'll never see me in sportswear.
13:27Okay, all set!
13:35I'll catch up with you later.
13:37You're not coming with us!
13:39Hey, why are you yelling? I won't be long.
13:41Okay, go.
13:43Okay, good for you, Zanem.
13:45And don't be late.
13:47No, I won't be long.
13:49Bye.
13:51He's back.
13:53But not for me.
13:55That's for sure.
13:57I don't care if he leaves in the end.
13:59I think you need to talk about it.
14:01Come on, let's go in and do some therapy.
14:05Mom's calling.
14:09Hi, Mom.
14:11Oh, at least you remembered you have a mother.
14:13How could I forget?
14:15I'll see you soon, okay?
14:17Does your father give you permission?
14:19You know he's banned me.
14:21I don't need permission.
14:23Emre's busy. I'll see you later.
14:25Okay, bye, honey.
14:29I don't want to.
14:31The scarecrow therapy is important.
14:33Tell him you can't talk to the man you can't mention.
14:35Let's go.
14:41No.
14:43I'm not ready yet.
14:45I won't be able to.
14:47No.
14:49He already forgot me.
14:51I want to forget him too.
14:53Well, say it to his face.
14:55Tell him you don't want him here.
14:57Tell him to leave right now.
14:59I can't do that.
15:01He says I asked him to leave,
15:03but I never did.
15:05And well,
15:07one part of me wants him to leave,
15:09and the other
15:11wants him to stay.
15:13I want to ask you something.
15:15You told me it was
15:17totally impossible
15:19for you to go back to him.
15:21Yes.
15:23I'm completely sure.
15:25I suffered a lot.
15:27And I built a wall
15:29in my heart.
15:31Come here.
15:33It's over.
15:35It's part of the past.
15:37You're a strong woman,
15:39and you know what?
15:41Eat mint leaves.
15:43Will it help?
15:45Eat it.
15:47You have to reinforce that wall around Jan.
15:49How?
15:51It's called being civilized these days.
15:53You have to treat him like a friend.
15:55You have to treat him like
15:57a regular guest.
15:59As if he weren't Jan,
16:01but a normal person.
16:03A normal person.
16:05Do you understand?
16:07These leaves are not mint.
16:09Maybe not.
16:11What I want
16:13is to see him as
16:15an old schoolmate
16:17that I haven't seen in years
16:19and that I don't remember well.
16:21I want to look at him carefully
16:23to try to remember him
16:25as a normal person,
16:27something like that.
16:29Do you think I can do it?
16:31Let me see you?
16:33Well, of course.
16:35I have full confidence in you.
16:37You can get everything you want.
16:39You've inspired me again.
16:41You're a great therapist.
16:43Yes, right?
16:45I am.
16:47By the way,
16:49this is mint, understand?
16:51Try it.
16:53Yes, very, very good.
16:55Perfect.
16:57And add that part.
16:59It's very nice.
17:01Very good.
17:03Hello, guys.
17:05Excuse me.
17:07I forgot my pills.
17:09Come in.
17:11And what are you working on?
17:13Well, the association
17:15that gives me the award
17:17asked us to make a brochure
17:19and now we are deciding
17:21the brochures will be distributed
17:23by the companies
17:25to participate in a charity campaign.
17:27Wow, wow, wow.
17:29A brochure about Sanem's life.
17:31How wonderful.
17:33Yes.
17:35Actually, it's not important at all.
17:39We have to prepare a text
17:41that has not been published
17:43for the charity campaign.
17:45Well, that's great, Sanem.
17:47And if instead of making a brochure
17:49for each artist separately,
17:51I gathered them all
17:53in one book
17:55with a wonderful design,
17:57wouldn't it be better?
17:59I think it's a great idea.
18:01No artist would be left out
18:03and it would be very useful
18:05to raise funds.
18:07Sure.
18:09Yes, it's a great idea,
18:11but this is what they asked us
18:13and it's too late to make changes.
18:15Sure, I understand.
18:17It was a good idea.
18:19For the next one.
18:23What do you think of this?
18:27What was the name of this association?
18:31It's the Entrepreneur Women's Association.
18:37Sanem, tomorrow we have to go to the city
18:39for a photo shoot.
18:41I can't go to the city.
18:43I get very nervous
18:45every time I go.
18:47No, but everything is organized.
18:49We go and come back the same day.
18:51Have a good day.
18:53See you later.
18:55Shall we add this?
18:57Good.
19:01What are you thinking about?
19:05I feel very bad
19:07every time I see Chiquit.
19:09I have had nightmares
19:11with him during the last year
19:13and I still can't explain
19:15how I could push him.
19:19I don't understand, Emre.
19:21Look, I don't approve
19:23what you did, but I know it wasn't on purpose.
19:25It's not just that, Emre.
19:27Everything I've done to Sanem,
19:29jealousy,
19:31insecurity, distrust,
19:35I only managed to hurt myself
19:37and also her.
19:39Don't torture yourself.
19:41You only remember the negative.
19:43Don't you remember that you forgave me
19:45thanks to Sanem?
19:47Sanem was very good for you.
19:49I'm completely sure of that.
19:51I don't have faith in anything, Emre.
19:55And Sanem doesn't have faith in me either.
19:59Do you know what hurts me the most?
20:01That Sanem believes Chiquit
20:03and not me.
20:05I couldn't convince her
20:07that I wasn't the one who burned the notebook.
20:09Look, okay, I understand,
20:11but how do you know he did it?
20:13Because there's no other explanation.
20:15It had to be him.
20:17Look, I don't know what to tell you.
20:19He seems like a sensible man to me.
20:21Why would he burn the book he wants to publish?
20:23Maybe it was the wind that accidentally
20:25threw the notebook into the fire.
20:27I really don't know.
20:29And at this point, I don't even trust myself.
20:33Besides, I can't do anything
20:35unless I prove it was Chiquit.
20:37If I think about it,
20:39there were no cameras in the cabin.
20:41Maybe an animal came in or something.
20:51No, there were no cameras.
21:03As you can see, the place needs some repairs.
21:05When it's done, you can move in.
21:11Aziz, are you sure you want to live here?
21:15Why not?
21:17Our relationship has been tormenting.
21:19You're crazy, and so am I.
21:23I feel like something could happen
21:25between us again.
21:27It will.
21:29I have no doubt.
21:31After so many years,
21:33I'm ready.
21:35And don't even think about running away.
21:43Chiquit!
21:45Hi, Mirivan.
21:47Hi.
21:49That boy is a little strange.
21:53Chiquit?
21:57Yes.
22:01Why do you say that? I don't understand.
22:03I don't know.
22:05There's something about him that worries me,
22:07but I don't know what it is.
22:09No, actually, he's nice.
22:11He comes here a lot.
22:15He helped Sanema heal her wounds.
22:23I was expecting her.
22:25Hi, how are you?
22:27How are you?
22:29I missed you too.
22:31You never call me.
22:35That's why I called you.
22:37I heard you're giving Sanema and Dean a prize.
22:39Yes, yes.
22:41And us too, at Freaky Arika.
22:43What?
22:45Of course.
22:47Yes, we're back on the market.
22:49Thank you very much.
22:51Well, at Freaky Arika, we thought that...
22:53Yes.
22:55If you like the idea,
22:57you can make a book for all the artists
22:59instead of the brochures.
23:01Since the goal is to raise funds
23:03for a good cause,
23:05we want to support them like that.
23:07What do you think?
23:09We'll discuss it later.
23:11Take care.
23:13Done.
23:15What?
23:17Are you up to something?
23:19Ta-ta-ta-ta.
23:21I'll move the strings of fate.
23:23I'll do everything I can for them.
23:25Think about it.
23:27Freaky Arika gets a commission,
23:29and Jan is the one who takes pictures of Sanem.
23:31Good idea, don't you think?
23:37It won't be possible.
23:41Aziz, you don't know Sanem well.
23:45I don't think he'll accept it.
23:47Oh.
23:49And Jan stays away too.
23:51I don't think you can convince them.
23:53Forget it.
23:55You'll see.
23:57It happened to them just like it happened to us.
23:59They're one for the other.
24:01But the storm came,
24:03and it separated them.
24:05Like us.
24:07And they need to get closer,
24:09little by little.
24:11And how are you going to do it?
24:13I'll tell them I need help.
24:15I don't think either of them
24:17will refuse to help me.
24:19We'll plan the rest.
24:21I'll make tea.
24:23I won't be long.
24:25Wait.
24:51This is the map of the city.
24:53I'll explain the plan.
24:55Now we're here.
24:57Where are we?
25:03Right, Musa.
25:05We're here.
25:07We're here.
25:09We're here.
25:11We're here.
25:13We're here.
25:15We're here.
25:17We're here.
25:19Right, Musa.
25:21We'll go to the orange area.
25:23Deren and Bulut will go to the yellow area.
25:25It's a simple plan.
25:27Yeah.
25:29But where did you get this map from?
25:31Are you sure it's from this neighborhood?
25:33It was in the car.
25:35There's no loss.
25:37So what if it's not the neighborhood map?
25:39Our business doesn't depend on maps or plans or anything like that.
25:41It depends on the people.
25:43We're going to enter the neighborhood and interact with all the people.
25:45No distractions.
25:47Do you agree?
25:49Yes, of course.
25:51So we'll talk to them like human beings.
25:53Motivation.
25:55We'll find the client.
25:57How are we going to find clients in the town square?
25:59If necessary, we'll go house by house.
26:01We'll talk to the small businessmen.
26:03And who are the small businessmen?
26:05Well, they're those men with big dreams.
26:07And we, the big company Fikri Arika,
26:09we'll make all their dreams come true.
26:11I'm sick of this.
26:13I'm not going anywhere.
26:15Capricciosa?
26:17Are you going to leave me here alone?
26:19Listen, I'm holding it in just for you.
26:21A boss can't be like that.
26:23She looks like a damn hoodlum.
26:25She's a little impertinent and bossy.
26:27Yes, she's very impertinent and capricciosa.
26:31If you're not going to go,
26:33you can help me.
26:35Thank you very much.
26:37No, I'd rather wait for you in a cafeteria.
26:39Cafeteria?
26:41What?
26:43Take it.
26:45Yes, yes, hold it.
26:47Like this.
26:49We have work to do.
26:51Hey, wait!
26:53Finally!
26:55Where are you going?
26:57What are you doing?
26:59Y-Yegi and Musa went out looking for clients.
27:01And I have no idea what I'm doing.
27:03Very well.
27:05I'm going to look for them.
27:07Maybe I can help you.
27:09See you later.
27:11Jan!
27:13My son!
27:15Come in.
27:17Come in.
27:19You look so handsome.
27:21Handsome?
27:23You saw my hair.
27:25Don't start.
27:27Come in.
27:29It's a nice house.
27:31Well,
27:33when you left,
27:35I decided to move close to Enre,
27:37so I came to this house.
27:39And if one day you have children,
27:41I can take care of them.
27:43I don't want to think that my grandchildren
27:45grow up in that neighborhood.
27:47Well, I'm going to go make coffee.
27:49Do you want some?
27:51Yes.
27:53I'll leave you two alone.
27:55I missed you so much.
27:59I was worried about you.
28:01How is it possible that you haven't
28:03called me once in a year?
28:05Well, tell me,
28:07where have you been?
28:09Have you visited many countries?
28:11Well, I haven't visited many.
28:15I spent a lot of time at sea.
28:17Yes, almost everything.
28:19In fact,
28:21I didn't step on land
28:23unless it was really necessary.
28:25All the time?
28:27Well,
28:29if you didn't step on land,
28:31you wouldn't have met anyone.
28:33Well,
28:35you must have taken a lot of pictures.
28:37Show them to me.
28:39And if you want,
28:41we can organize a great exhibition
28:43with all of them.
28:45I didn't take any, Mom.
28:47None?
28:49None.
28:55Are you going to stay
28:57at Sanem's farm?
28:59Dad got sick, as you know.
29:01I'll stay here until he recovers
29:03and repairs the boat.
29:05I'm not at his house.
29:07I'll stay in a cabin nearby.
29:09That's absurd.
29:11Completely absurd.
29:13But why? I'm trying not to get angry,
29:15but I can't control myself.
29:17I feel like my head is going to explode
29:19with how big Istanbul is.
29:21And your father couldn't find another place?
29:31Listen, Sanem,
29:33you're going to live together.
29:35Emre is...
29:39He's living with his family.
29:41I have to talk to your father right now.
29:43Tell him to call me.
29:45Mom,
29:47here's your coffee.
29:55I still don't understand.
29:57You almost forgot, son.
29:59I don't understand why
30:01he got so involved.
30:03You think I forgot?
30:05Well,
30:07you left here.
30:09Sanem and I won't be together again
30:11if that's what worries you.
30:13But I also ask you not to say that name
30:15when you're in front of me.
30:17I don't want to get angry and be rude to you.
30:19Very well, son.
30:21I'm angry with your father.
30:23If he hadn't left us for that woman,
30:25now we'd be a perfectly happy family.
30:29I love you.
30:31I love you.
30:33I love you.
30:35I love you.
30:37I love you.
30:39I love you.
30:41I love you.
30:43I love you.
30:45I love you.
30:47I love you.
30:49I love you.
30:51I love you.
30:53I love you.
30:55I love you.
30:57I love you.
30:59I love you.
31:01I love you.
31:03I love you.
31:05I love you.
31:07I love you.
31:09I love you.
31:11I love you.
31:13I love you.
31:15I love you.
31:17I love you.
31:19I love you.
31:21I love you.
31:23I love you.
31:25I love you.
31:47Sanem.
31:49How are you?
31:51Could you write something for me?
31:53I can't write, when you forget.
32:01When you forget?
32:03What I mean is that when you spend a long time without writing,
32:09you almost forget how you do it.
32:23Hey, why didn't you take Engin to the game?
32:41He spends all day cleaning as if he had a client.
32:44You give bad luck to the team.
32:46But they are very bad.
32:48Come on, boy, go to your store.
32:51Of course.
32:52With your clients.
32:53I agree.
32:54Look at the reception of the light.
32:56Go, go, go.
32:57Oh, and the water.
33:01It's normal.
33:02Emre takes three showers a day that last an hour.
33:06Nothing happens.
33:07It's the last straw.
33:08Hey, MFQB, I really don't understand you sometimes.
33:11I'm just commenting on what's going on.
33:13I'm not insinuating anything bad.
33:15And look, it's the account status of his credit card.
33:19Maybe here we'll find some proof that confirms our suspicions, Nihat.
33:23My God, I can't believe it.
33:25What's going on with you?
33:27Is something wrong?
33:28Well, yes.
33:29Don't open it.
33:30You're right, Nihat, that shouldn't be.
33:31That's right.
33:32That's not done.
33:33Forget it, now.
33:35I don't want you to hurt my daughter.
33:37She won't.
33:38I hope you're right.
33:39Don't worry, woman.
33:40It won't hurt her.
33:41Stop thinking about that.
33:42Hi, how are you, neighbor?
33:43Hello, hello, thank you.
33:44It's better to go see her.
33:45Take care of her.
33:46And you don't give her any more turns.
33:48It's okay.
33:49Do we add this?
33:50These flowers are very beautiful.
33:51Yes.
33:56It's my mother.
33:59Again.
34:01Mom.
34:02Daughter, how are you, my life?
34:04Fine.
34:05Yes, I'm fine.
34:07Yigit tries to paint a picture, but it doesn't work.
34:10And I'm trying to write something.
34:12Hi, Yigit.
34:13How's your leg?
34:14Do you feel better?
34:15Yes, I'm better.
34:17Thank you for asking.
34:18It's Zanem.
34:21Hi, Dad.
34:22How are you?
34:23I was giving Mom the daily report.
34:26Oh, Dad.
34:27This is very nice.
34:29The weather is perfect.
34:30Look.
34:31Look.
34:36Who's behind you?
34:37The Unnamed?
34:41Yes, Mevkive, but don't worry.
34:43I'm always here with Zanem.
34:45What is he doing there?
34:46Mom, his boat broke down, so he couldn't leave.
34:50That's why.
34:51And what does it have to do with you?
34:52Tell me.
34:53They're repairing his boat.
34:55He's here to be close to his father.
34:57Mevkive, Zanem is always here with me and never talks to that guy.
35:01Daughter, you are the light of our eyes.
35:03What else can I tell you?
35:05Woman, you told him what you had to tell him.
35:07Calm down.
35:08Zanem knows it very well.
35:10No one can hurt you, daughter.
35:12I know, Dad.
35:13Good.
35:14Hey, daughter, look.
35:15Stay away from him.
35:16Don't get close to him.
35:17You don't even greet him.
35:19But, well, it's too much, Mevkive.
35:22Our daughter is smart and knows what she has to do.
35:25And we're leaving.
35:26Kisses.
35:27Goodbye.
35:28Anyway, it's over.
35:29We've been walking a long time, and I still have to write something.
35:32Let's go.
35:39Enough.
35:40I'm going there.
35:41Control yourself, woman.
35:42Please leave your daughter alone.
35:44Besides, Jan...
35:46Damn it.
35:47I'm so stupid.
35:48I said the name that shouldn't be pronounced.
35:51That doesn't help at all.
35:52I'm sure it does.
35:53Believe it or not, it works.
35:55I'm going to see them.
35:56I'll take some of the fridge and I'll tell them I'll bring them food.
35:59You're taking everything in the fridge over there.
36:01You think they don't realize you want to control them?
36:04Well, anyway, I'm going.
36:05All right, go.
36:06I'm staying.
36:07I don't care.
36:08I'll ask Emre to take me.
36:09Say hello to your Emre for me.
36:11Goodbye.
36:12I will.
36:13See you later.
36:14It's amazing.
36:15Now call him my Emre.
36:33Well, come in.
36:38What a beautiful place.
36:39It's great.
36:40I made this cabin with my own hands.
36:42And when I want to get away from the world,
36:44the phones and the noise,
36:46I always come here.
37:10It's beautiful.
37:40Without work, there is no bread.
37:42Exactly.
37:43When I say that, I'll have sweat on my forehead,
37:46I'll be very tired,
37:47and if I can't sweat at that moment,
37:49they'll spray water on my face.
37:51Then you'll appear from behind with your face covered in flour like a clown.
37:55And you'll be holding a loaf of this in each hand.
37:58We'll add the heat steam to them.
38:01You can choose another type of bread,
38:03or we can make them change simultaneously.
38:06Then he'll look at the camera and slowly say,
38:09Why don't we win the bread?
38:13And that's the great idea that came to me.
38:15Friend, I already told you I'm not interested in that.
38:18So get out of here.
38:19Oh, it can't be.
38:20Hey, you don't understand.
38:22My partner has explained it to you in detail.
38:24We're talking about making an ad.
38:26The people of the whole town will come to buy the bread just for you.
38:30Calm down for a moment.
38:31If you want, we can take my part and only him appear in the ad.
38:34What do you think?
38:35It's the only bakery in town.
38:37Everyone comes here.
38:38But now people from other towns will come,
38:40and tourists will come just to buy your bread.
38:42You must have a broader vision of the business.
38:44Open your mind without fear of success, Father.
38:47Musa, leave him.
38:48Okay.
38:49He has no vision of the business.
38:50Okay, okay, whatever you want.
38:51Whatever you want.
38:52You lose him.
38:53We're leaving here.
38:54You don't have to be rude.
38:58Musa, you have to try another self-control strategy.
39:00We've already done breathing therapy before.
39:02We're going to go out together and breathe deep.
39:05But first you have to calm down.
39:06Let's go.
39:08Wait for me.
39:09One day someone will open another bakery,
39:11and I swear I'll create all the free advertising.
39:15Please, get out of here.
39:16I have to work.
39:18And know that your bread is rancid.
39:23Of course not.
39:25How do you see rancid?
39:32Eat.
39:33Thank you, but I'm already full.
39:35It's hot and very good.
39:37Well, enjoy it, my love.
39:38Have you already had lunch?
39:39You haven't eaten anything.
39:40I don't want to, love.
39:41Really, eat it.
39:52I miss you a lot at the office.
39:56And at home we can't be alone.
39:59My love, I miss you too.
40:06How's the job search going?
40:09I can't believe someone with so much talent and experience like you
40:12can't get a job.
40:14I don't understand.
40:16There aren't many opportunities that convince me right now.
40:20And I don't want to work in any company.
40:23Besides, my father and my brother have me very busy now.
40:27That's true.
40:28Well, I think Jan will leave soon.
40:32Do you know when?
40:34He already left, but his boat broke down and they have to fix it.
40:38So it broke down, huh?
40:40How interesting.
40:43Brother calling.
40:45The good man is calling me.
40:47Yes, a magnificent man.
40:50Tell me, Jan.
40:52Speaking of Jan,
40:54Did you ask me if there was a camera in the cabin?
40:58Is there any?
41:00No, but Jigget doesn't know.
41:03And what do you want to do now?
41:10I have a plan and I need your help.
41:13I'll call you later.
41:15Yes, of course, no problem.
41:17Well, we'll talk later.
41:19Take care.
41:20What did he say?
41:22Nothing important.
41:28Well, this is for you.
41:30Very well.
41:32And this too.
41:34Thank you, Bullet.
41:36I'll pay you right now.
41:38Here you go.
41:40Thank you very much.
41:42You're welcome.
41:44I'll see you next week.
41:46Sure, here it is.
41:48Here, hold it.
41:50See you later.
41:51See you soon.
41:52See you later.
41:53Goodbye.
41:56Let's go.
42:00Hello, Miss Seren.
42:01I was on my way to pick you up.
42:03Oh, good.
42:04Is my package ready?
42:05Yes, with 20 units.
42:08Give it to him.
42:10What?
42:11Here you go.
42:18Thank you very much.
42:19See you soon.
42:20See you later.
42:24Who's that woman?
42:25She buys a lot of creams.
42:27She's our best customer.
42:28She buys 20 bottles every week.
42:32We're not done yet!
42:34Wait!
42:35Quick!
42:49I'm sorry.
42:50I'm sorry.
42:51I'm sorry.
42:52I'm sorry.
42:53I'm sorry.
42:54I'm sorry.
42:55I'm sorry.
42:56I'm sorry.
42:57I'm sorry.
42:58I'm sorry.
42:59I'm sorry.
43:00I'm sorry.
43:01I'm sorry.
43:02I'm sorry.
43:03I'm sorry.
43:04I'm sorry.
43:05I'm sorry.
43:06I'm sorry.
43:07I'm sorry.
43:08I'm sorry.
43:09I'm sorry.
43:10I'm sorry.
43:11I'm sorry.
43:12I'm sorry.
43:13I'm sorry.
43:14I'm sorry.
43:15I'm sorry.
43:16I'm sorry.
43:17I'm sorry.
43:18I'm sorry.
43:19I'm sorry.
43:20I'm sorry.
43:21I'm sorry.
43:22I'm sorry.
43:23I'm sorry.
43:24I'm sorry.
43:25I'm sorry.
43:26I'm sorry.
43:27I'm sorry.
43:28I'm sorry.
43:29I'm sorry.
43:30I'm sorry.
43:31I'm sorry.
43:32I'm sorry.
43:33I'm sorry.
43:34I'm sorry.
43:35I'm sorry.
43:36I'm sorry.
43:37I'm sorry.
43:38I'm sorry.
43:39I'm sorry.
43:40I'm sorry.
43:41I'm sorry.
43:42I'm sorry.
43:43I'm sorry.
43:44I'm sorry.
43:45I'm sorry.
43:46I'm sorry.