• 2 months ago
Transcript
00:00Your parents are still in the U.S.
00:06You have to wait until they release Tamara's body.
00:14Is your offer still on?
00:15What offer?
00:16The one with the walk.
00:18I really want to go to Vincent's later, but I still have some time before that.
00:22Unfortunately, I don't have any time.
00:25Please excuse me.
00:30Didn't you want to go in?
00:35I don't want to talk to anyone but you.
00:50I can't tell you how incredibly happy I am right now.
01:00What was that, Vincent and me?
01:22It was so real, my feelings so real, but after everything he did for me,
01:30it makes sense that I think of him.
01:32He put his life on the line for me.
01:37I would do anything for him, but do I really love him?
02:00So, here you go, that would be your seat, Mr. Müller.
02:04Manuel, come here.
02:08So, we'll take care of the rest.
02:10Thank you very much, Mr. Schwarzwald.
02:11You're welcome.
02:19Aren't we too old for these games?
02:22What games?
02:24I don't feel like going for a walk and unfortunately I have a lot to do.
02:26The walk, that was your idea.
02:30Markus, I wanted to distract you.
02:32You were so worried about Vincent.
02:34But now he's doing better.
02:36The trial against me has been suspended.
02:38I have nothing to do with this sleeping pill at Christoph's.
02:40You even said that you believe me again.
02:42I believe you too.
02:44Yes, but then I don't understand.
02:46There's nothing to understand.
02:48The thing with the two of us, it just doesn't work.
02:50Please accept it, finally.
03:00Yes, all right.
03:18That was ten euros for Tamara.
03:20I only found out a few years ago.
03:24My schoolmates always laughed at me because I never got anything from the kiosk.
03:29My parents didn't have a lot of money, you know.
03:33She put the money on the street so you could find it.
03:37And persuaded me to take it and keep it
03:39because we don't find the owner anyway
03:41and I should buy something from the kiosk.
03:47It was her whole savings.
03:53She always protected me.
03:55And now she...
03:59I can't believe it.
04:01I'm so sorry.
04:07It's okay.
04:09I have to go now.
04:11Can I leave you alone?
04:13Yes, it's totally okay.
04:15I'm also pretty exhausted.
04:17I'll try to sleep in a minute.
04:19Okay.
04:21You can call me if you need anything.
04:23The zombies will be there soon.
04:26You tell me
04:28if you really meant it
04:30with the help at the funeral.
04:32I would be so grateful.
04:34Do you have time tomorrow?
04:36I'll take the time.
04:40And now go to your Theo.
04:42Say hello to him for me, okay?
04:44I hope you'll get some rest.
04:56Okay.
05:06Tamara, hi!
05:08Sorry I'm calling you back now.
05:10I had visitors.
05:12Yes, everything is great!
05:14It's going better than I thought.
05:16How are you?
05:20Vincent.
05:22I'm so happy and relieved
05:24that you're doing better.
05:26I was really worried about you.
05:30When I woke up earlier,
05:32Anna was there.
05:36I think she sat here for hours.
05:42Man!
05:46Maybe there's still a chance
05:48for Anna and me.
05:50Anna is the woman of my life.
05:54But you really have
05:56a long history.
05:58So much has happened.
06:00You mustn't forget that,
06:02Vincent.
06:04Yes.
06:06I get my jealousy
06:08under control.
06:10Okay.
06:14I would really like
06:16you to be happy together.
06:18But
06:21but
06:23in order to succeed,
06:25you have to leave
06:27your past behind.
06:29And you have to start anew.
06:35How's it going
06:37with Katja?
06:39How's it going with Katja?
06:41Sometimes we're so close
06:43and I can feel her feelings
06:45for me.
06:47And then she pushes me away again.
06:50As if I only wanted to imagine it.
06:56Maybe she didn't forgive you
06:58for the painting of Anton Hagen?
07:00Even if she forgave me,
07:02I lied to her.
07:04I lied to her.
07:08She can't trust me anymore.
07:10Maybe that's why she keeps me at a distance.
07:14Vincent, what should I do?
07:20To you, Nikita.
07:36There. Kome on!
07:38Keep your head straight.
07:40Careful.
07:42Don't be scared.
07:44Keep lying.
07:46To the left a bit
07:48Stay for a while.
07:50How long will it take?
07:52We'll be ready soon.
07:54Yes, you said that before.
07:56Why are we even in Tölz?
07:58I really don't have that much time.
08:00We're totally overslept
08:02and I have to go back to work.
08:12Welcome to Lois.
08:14Welcome, Lois.
08:16Wow.
08:20You told me a lot already,
08:22but
08:24that it turned out so beautiful.
08:26Did you expect a broken floor?
08:28Lois.
08:30A beautiful restaurant
08:32with a beautiful name.
08:40I have to go, Lois.
08:42Yes, and I have to prepare the main course.
08:44I came up with something special for tomorrow.
08:46What are you cooking?
08:48You'll find out when the restaurant opens tomorrow.
08:50Is it a fusion kitchen
08:52or maybe vegan?
08:54Give me a hint.
08:56It's the fire department.
09:06Damn.
09:08What's going on?
09:10They came this morning
09:12to take over the kitchen.
09:14When?
09:16I mean, if they don't take over,
09:18I can forget about the opening tomorrow.
09:20Call and explain the situation.
09:22You can't do that.
09:24The authorities can do anything.
09:26I have to call them urgently.
09:28Let's see.
09:30If they can't change anything,
09:32it won't look good.
09:34I can't imagine
09:36how terrible it must be
09:38to lose your sister.
09:40Me neither.
09:42I think it's good for you
09:44that I'm here for her now.
09:46Yes, absolutely.
09:48She needs you now.
09:50How are you?
09:52You look relatively fit.
09:54Relatively, yes.
09:56I'm fine.
09:58I mean, Vincent gave me
10:00a new life.
10:02Is he better now?
10:04Yes, fortunately.
10:06He's over the mountain.
10:08I'm so happy about the internal bleeding.
10:10If something had happened to him,
10:12I would never have forgiven myself.
10:14But everything went well.
10:16You will now lead a healthy
10:18and normal life again.
10:20A beautiful one.
10:22I dreamed of him.
10:24And?
10:26And we kissed.
10:28Lale, it was just a dream.
10:30Dreams often tell us the truth
10:32that we can't see for ourselves.
10:34I was worried about Vincent
10:36and thought about him all the time.
10:38I was just so incredibly grateful to him.
10:40That's why I probably
10:42kissed him in my dream.
10:44Or you kissed him because you love him.
10:46Could be.
10:48Still team Vincent, right?
10:50No, Anna, I'm totally neutral.
10:52Don't you see that?
10:54You know, I'm just chaotic.
10:56I don't know what I feel
10:58and for whom
11:00and if at all.
11:02It was just a dream.
11:04Okay.
11:06I have to go.
11:08I'll help Stella
11:10with the preparations for the funeral.
11:12Tell her all the love from me, okay?
11:14I will.
11:18You tell me if you need anything.
11:20I will.
11:26What can I bring you?
11:28Oh, please bring me a green tea.
11:30With pleasure.
11:32Thank you, Sabrina.
11:34Good morning, Mr. Director.
11:36Morning, Sabrina.
11:40Good morning.
11:42Morning.
11:44Oh, sorry.
11:46I didn't want to bother you.
11:48But I need your help.
11:50Did something happen?
11:52No, no, no, don't worry.
11:54It's about Anton Hagen's painting.
11:56I see.
11:58A journalist contacted us
12:00about the art magazine we had signed.
12:02That's great.
12:04That's exactly what we wanted.
12:06The perfect opportunity for a good PR
12:08for the Fürstenhof.
12:10And how can I help you?
12:12The journalist is traveling today
12:14with a colleague.
12:16You could take care of her
12:18and give a short lecture
12:20about Hagen.
12:22A lecture?
12:24I'm not an art expert.
12:26But you know everything about him.
12:28Yes, I...
12:30I studied his life
12:32and his art.
12:34But if there are any questions
12:36about the painting...
12:38Oh, you're talking to me
12:40about such a passion for Hagen's art.
12:42They will feel it
12:44and get infected.
12:46A chance for the Fürstenhof.
12:48And you're a relative.
12:50Are you going to leave me hanging?
12:52That limits you to emotional oppression.
12:54Yes.
12:56You're talking about the painting,
12:58Hagen's art.
13:00Showing you the places
13:02where he got his inspiration.
13:04And the rest?
13:06Well, the rest is your charm.
13:08I can't get out of this, can I?
13:10No.
13:12Yes, of course.
13:14But...
13:16I had an appointment.
13:18I mean, what should I do?
13:20If you don't come by today,
13:22I can forget the opening tomorrow.
13:24Yes, I understand.
13:26But you have to do something.
13:28I don't know what...
13:30Tomorrow morning, it would be...
13:32Okay, tomorrow morning.
13:34Wonderful.
13:36Then come by tomorrow morning.
13:38You're invited, of course.
13:40Okay, thank you.
13:42Do you have a menu?
13:44Yes, but I wanted to rehearse the menu.
13:46I didn't think about that.
13:48Oh, it doesn't matter.
13:50I'll just jump into the cold water.
13:52Or you can rehearse the menu
13:54in another kitchen.
13:56That's nice,
13:58but your living room kitchen
14:00isn't much bigger than mine.
14:02It's clearly too small.
14:04But the kitchen at the Fürstenhof isn't.
14:06Really?
14:08That would be perfect.
14:10But what do your chefs say?
14:12I'm sure they don't agree, right?
14:14You take care of the ingredients.
14:16I'll take care of my chefs.
14:34Maybe Lale is right.
14:36The dream has shown me
14:38a lot of people like Vincent.
14:40But are they really strong enough?
14:44I have to be 100% sure
14:46that I love him.
14:48Otherwise I'll only hurt him.
14:54Yes?
14:58May I?
15:00Come in.
15:02I'll be gone in a minute.
15:16I want to apologize to you.
15:18I should have understood
15:20that you're very worried
15:22about Vincent.
15:24I was with him
15:26at the intensive care unit,
15:28thanks to Michael.
15:30I heard
15:32he's getting better again.
15:34Yes, the antibiotics worked.
15:36I'm glad, really.
15:40I hope he'll get well soon.
15:42He will.
15:48And...
15:50between us...
15:52is everything okay?
15:58Can you accept my apology?
16:02I accept your apology, yes.
16:06But...
16:10Is there anything else I can do for you?
16:12I'm free right now.
16:14We could go for a walk.
16:16Thank you, but my mother will be here soon.
16:20Okay.
16:24Oh, yes.
16:26Apollo is doing really well.
16:28He's...
16:30Fit?
16:32Yes, fit.
16:34Okay.
17:00Hi, Stella.
17:02I'm really sorry.
17:04If there's anything I can do...
17:06Sit with us.
17:08No, I'm in a hurry. I have to work.
17:10I'll just get something to take with me.
17:12Okay.
17:14We should contact
17:16a funeral home in Cologne.
17:18Your parents live in Cologne, right?
17:20Did you talk to them
17:22about a funeral?
17:24They leave it to me.
17:26Okay.
17:28What about the transfer from the USA?
17:30I don't know.
17:32Maybe we can call your parents.
17:34They can explain it on site.
17:36You know, my parents are totally overwhelmed.
17:38They want me to take care of everything on my own.
17:40And when I just think about
17:42funerals and cremation...
17:44I'm so scared of it.
17:48How about a forest cemetery?
17:50Is there one in Cologne?
17:52I don't know.
17:54We'll figure it out.
17:56Is there one
17:58in Berlin?
18:00A very nice one.
18:02Ale,
18:04would you come with me?
18:06I'd like to see what it's like.
18:08And I don't dare to go alone.
18:10Of course. I've already postponed
18:12all appointments until the afternoon.
18:16I mean, I don't know how I should
18:18manage without you.
18:22Hello?
18:28Is no one there today?
18:30I have to go.
18:32Really?
18:36Yes.
18:56These are just key points.
18:58Hagen's artistic progress, his preference...
19:00Yes, how the goal of his painting
19:02has changed with the progress of his mental illness.
19:04Yes, the notes from his son's diary.
19:08Ah, Mr. Sonnbichler just told me
19:10that we're expecting two journalists
19:12from an art magazine.
19:14Yes, we just talked about that.
19:16That's wonderful.
19:18I mean, a good article,
19:20that's a wonderful PR for the Fürstenhof.
19:22I can welcome the two ladies
19:24and tell them a little about Anton Hagen.
19:26Yes, how they tried to sell the hotel
19:28and have it torn down
19:30so that you could come to the painting.
19:32Very good, I can gladly support you.
19:36I've got it under control.
19:38Katja, I'm really happy to help.
19:40Positive PR is also in my interest.
19:42Yes, but the lecture is almost finished.
19:44Yes, but...
19:46It's taken care of.
19:48Come, Katja, let's go.
20:02Hello.
20:06Am I disturbing you?
20:08Huh?
20:10I've been here for three minutes.
20:12How do you know I'm here?
20:14I have connections.
20:16How are you today?
20:18Much better.
20:20Now that the fever is gone
20:22and now that you're here.
20:26You really scared me.
20:32Anna.
20:34Sit down.
20:36We'll be out of here in a few days.
20:40Then we'll go visit Apollo
20:42and we'll play darts with Lale and Tiro.
20:44Yes, but you get some rest
20:46and get well first, okay?
20:48Don't take any risks, promise me.
20:50Your word.
20:52I'll be back.
20:58Hmm.
21:00Today is the 20th
21:02of the farewell concert of Bernd Baru.
21:04I completely forgot.
21:06You bought a ticket a few weeks ago, didn't you?
21:08Yes.
21:10He's just one of the best guitarists
21:12there is for me.
21:14And that would have been the last chance to see him.
21:16Oh, man, I'm sorry.
21:18It's okay.
21:22Maybe you can play something for me?
21:26Believe me, you won't hear that.
21:28I'll see.
21:30Maybe there's a live transmission.
21:36I completely forgot.
21:38Michael wanted me to come to the blood pressure test.
21:40But I'll come by later, okay?
21:42Okay.
21:44I'm here.
21:52Okay.
22:06So, come in, please.
22:12Here we have the work.
22:16You must be proud to have such a treasure in your possession.
22:18Absolutely.
22:20For our hotel, it's a huge win.
22:22And for me personally, too.
22:24I've admired Anton Hagen's work for a long time.
22:26And the fact that he created his last picture
22:28here, of all places,
22:30makes it something very special.
22:32Absolutely.
22:34Yes, and now I hope
22:36that I can tell you something new about Anton Hagen
22:38in my little lecture.
22:40You know the artist far better than I do.
22:42That remains to be seen.
22:44We look forward to any new information.
22:46All right. Please take a seat.
22:48With pleasure.
22:54So, you have already heard
22:56that the artist has spent
22:58his last years here in the area.
23:00We have now excavated
23:02the diaries of his son.
23:04In them, he describes in great detail
23:06the daily routine of his father.
23:08Is there anything about Hagen's
23:10mental illness? Yes.
23:12Hello?
23:14Ah, there you are.
23:16I wanted to welcome you personally.
23:18Hello.
23:20Markus Schwarzbach, co-owner of the Fürstenhof.
23:22Lisa Böhm. Hello.
23:24My colleague, Roberta Reit.
23:26Nice to meet you.
23:28Yes.
23:30Wonderful work, isn't it?
23:32You must know that I am, to a certain extent,
23:34the rediscoverer.
23:36But crazy, isn't it?
23:38Hidden for centuries
23:40behind a wall.
23:42You know, I'm a huge fan
23:44of Anton Hagen. Would it be okay
23:46if I stayed?
23:48Yes, please. Of course.
23:50Yes, then please go on.
23:52I'm a big fan.
23:56So?
23:58We discovered our passion for an artist
24:00together and, one could say, cultivated it.
24:04Back to your question.
24:06The artist's mental illness
24:08can be clearly read
24:10from the diaries.
24:12Ah, yes. Okay.
24:16It was so romantic.
24:18The perfect evening.
24:20I'm glad.
24:22Michael and I really needed it.
24:24We're both so busy and then here...
24:26Hey.
24:28If you're going to be released soon,
24:30we'll have a really nice girls' evening, okay?
24:34Well, Dr. Weber hasn't decided yet,
24:36but it shouldn't take long.
24:42How's Vincent?
24:44I heard he's back at normal.
24:46Yes, luckily. He's better.
24:48And I'd like to do
24:50something good for him.
24:52Something that makes him happy.
24:54Have you thought about it?
24:56Yes.
24:58The guitarist Bernd Barrow
25:00is giving his farewell concert tonight
25:02and Vincent is a huge fan.
25:04Okay, but also in the wheelchair
25:06is such a concert...
25:08No, no, no. I don't want to bring Vincent to the concert,
25:10I'd rather bring the concert to Vincent.
25:12Anna, I know
25:14you're very grateful to him,
25:16but just because you inherited a lot...
25:18I don't want to involve Bernd Barrow,
25:20but rather persuade him
25:22by telling him Vincent's story.
25:24Ah, okay, yes, maybe.
25:26Isn't this Barrow known
25:28for his social commitment?
25:30And I did some research
25:32and tried to call the concert organizers
25:34and his agents, but unfortunately
25:36nobody reached them.
25:38I also read
25:40on his fan page
25:42that he's living in Fürstenhof,
25:44but unfortunately I can't go there.
25:46Ah, okay.
25:48So you want me to persuade him.
25:50I also read
25:52that he loves apple strudel.
25:54Well,
25:56the order is accepted.
25:58But without a guarantee.
26:02Yes, I'm happy too.
26:04Yes, so you're a cook.
26:06He's a wonderful cook.
26:08Yes.
26:10Not exactly, but
26:12we're looking for one.
26:14Or do you want to leave us for a while?
26:16Not at all.
26:18But it could happen
26:20that I get sick or need a vacation,
26:22and it wouldn't be bad
26:24if we had a worthy representative.
26:26Yes, that wouldn't be bad.
26:28Louis has an excellent reputation,
26:30a lot of experience, the best testimonies,
26:32and Mrs. Sonnenbichler
26:34also appreciates him a lot.
26:36I like to cook passionately.
26:38Passion is important,
26:40but it also has to taste good.
26:42How about
26:44Louis cooking in our kitchen today?
26:46You can try and judge
26:48if he's a worthy representative.
26:50Yes, that's a sensible suggestion.
26:52Let's see
26:54if you can convince me
26:56like Mrs. Bergmann.
26:58Thank you, Mr. Seifeld,
27:00and see you at dinner tonight.
27:02Good evening.
27:08Classically for art
27:10in the 18th century,
27:12Hagen also painted in the Bucolic style.
27:14He really succeeded
27:16in this rural idyll.
27:18Yes, I think so too.
27:20Especially this utopia
27:22of a harmonious,
27:24nature-bound life in an idyllic landscape
27:26seems to be particularly important to him.
27:28Well, utopia.
27:30When you look at the painting,
27:32it has a lot
27:34of actual, concrete things.
27:36For example,
27:38the two main protagonists
27:40seem to be
27:42in a love dance
27:44at first glance.
27:46But on the second level,
27:48it's about something completely different.
27:50It's about the mystery of a young woman.
27:54Look at the deviant attitude
27:56of the dancer,
27:58of her admirer.
28:00He, on the other hand,
28:02is naive,
28:04hesitating,
28:06yearning for her love.
28:08Maybe the dancer just doesn't know
28:10what the lady is feeling.
28:12Yes, exactly.
28:14The misunderstanding
28:16is written in his face.
28:18He asks himself,
28:20where is the dance leading to?
28:22And that raises
28:24completely different questions.
28:26Is the atmosphere of the scenery
28:28really as gloomy as it seems?
28:30In art,
28:32much is not as it seems.
28:34Yes, but that is
28:36rather disconcerting
28:38than exciting.
28:40The viewer will be able
28:42to rely on something.
28:46What do you think
28:48this supposed love dance
28:50will lead to?
28:52Well, I think
28:54they are just dancing together.
28:56No, no.
28:58It's much more than that.
29:00It's not that simple.
29:02For me, the scene is clear.
29:04The dancer turns away
29:06because she wants to look forward.
29:08This is the intersection
29:10between her past and her future.
29:12Really?
29:14Really.
29:18Well.
29:20The art,
29:22yes,
29:24really opens up
29:26interpretations in many directions.
29:28But thank you,
29:30thank you
29:32for your assessment.
29:34Well,
29:36if I'm not needed here anymore,
29:42I wish you a wonderful time
29:44here at our prince's court.
29:46Thank you very much.
29:56Good.
29:58So, where was I?
30:00You were right.
30:18He is really beautiful.
30:20Yes, the one near Cologne
30:22should be beautiful, too.
30:24Yes,
30:26Tamara will like that.
30:28She loved nature so much.
30:32I miss her so much.
30:40She loved the water, too.
30:44Swimming, surfing,
30:46diving.
30:50Is it okay for you
30:52if we stay here for a moment?
30:54Sure.
30:56I see.
30:58I also have hot tea
31:00and something to eat.
31:04Did you plan a picnic?
31:08No, I just thought
31:10when we walk through the cold forest,
31:12I don't want you to get cold
31:14because of me.
31:16Besides,
31:18when we went to the café this morning,
31:20I didn't get a bite.
31:22Sorry, that was stupid of me.
31:24It's okay.
31:34Fresh cheese with tomatoes.
31:54Yes, yes.
31:56Mr. Parus is having breakfast right now,
31:58but it's not possible
32:00to talk to him like that.
32:02Okay, that means
32:04if I go to the restaurant by chance,
32:06I could meet him there.
32:08Yes, possibly.
32:10But unfortunately,
32:12that doesn't necessarily mean
32:14that he would talk to you.
32:16I can be very charming.
32:18Yes, you can be very charming.
32:20Yes.
32:22You can be very charming.
32:24There is no doubt about that.
32:26But Mr. Parus is a
32:28well, let's say
32:30a bit complicated guest.
32:32Especially when a concert is about to start,
32:34he doesn't want to talk to anyone
32:36and you can't talk to him
32:38because of the concentration.
32:40I would, hypothetically,
32:42still try.
32:44Anna needs my help.
32:46She really wants to surprise Vincent.
32:48Hey, Nicole.
32:50Hi.
32:54What's going on with her?
32:56Yes, you heard it.
32:58She has to do something.
33:00I just noticed
33:02that it's about a surprise.
33:04Maybe I could be helpful.
33:06Yes, but unfortunately,
33:08I can't tell you
33:10because I don't know what it's about.
33:14Okay, no problem.
33:16Yes.
33:21Auri, could you get me
33:23Majorano and Estragon
33:25from the greenhouse?
33:27Sure.
33:29I need pasties.
33:31Come on, what are you waiting for?
33:33You can do that as soon as
33:35you get my herbs.
33:37Your herbs can wait.
33:39I have to flambe now.
33:41But my herbs don't like to wait
33:43because they are the herbs
33:45for the head chef in this kitchen
33:47and therefore feel very important.
33:50Maybe someone forgot
33:52that he is a guest
33:54in this kitchen?
33:58I'm sorry.
34:00I got carried away.
34:02Well, in our kitchen
34:04there are seldom rebuttals.
34:06Then it's time for you
34:08to get to know a decent worker.
34:10In my kitchen,
34:12we all treat each other kindly.
34:14Yes, boss.
34:16Oh, no.
34:18Annalena, could you please
34:20get a bottle of pasties?
34:22I will.
34:28Hey, what are you doing here?
34:30Hey.
34:32I thought you were taking care
34:34of two important guests.
34:36Yes, they are eating right now.
34:38Hopefully they won't mind
34:40this action of mine.
34:42What action?
34:44Markus just phoned me
34:46Why?
34:48He totally ignored me in front of the journalists.
34:50I can only hope
34:52that they didn't understand
34:54what was going on.
34:56I thought he understood you again.
34:58What do I know?
35:00It was about Anton Hagen.
35:02Markus provoked me
35:04and it escalated.
35:06Anyway, I told him
35:08in front of the journalists
35:10that this has no future with us.
35:12What?
35:14But you love him, don't you?
35:16And now you lied to him
35:18because of me.
35:20It is what it is.
35:24But you should be happy now.
35:26I mean,
35:28you both lied to each other.
35:30Nonsense!
35:32As if it had anything to do with it.
35:36Mom, I just want you to be happy.
35:38And it's all my fault.
35:40I don't want to talk about it anymore.
35:42Enjoy your breakfast.
35:52So?
35:56Are you torturing me?
35:58Is this your revenge?
36:00For what?
36:02My honest opinion.
36:04Yes, tell me.
36:06Is it as much as it looks?
36:08Is it as much as it looks?
36:10Excellent.
36:12It tastes fantastic.
36:14You can put it on the table.
36:16I'm glad you like it.
36:18Poor Mr. Saalfeld.
36:20If he tries this
36:22and I have to teach him
36:24that you can't do business here.
36:26Who knows,
36:28maybe I'll have a lot of time soon.
36:30The restaurant will be a huge success.
36:32I owe it to you, too.
36:34You're just...
36:38What's going on here?
36:42Are you cooking your passion?
37:02Yes, please.
37:08Mr. Schneider sends his regards
37:10and hopes
37:12that the present will arrive safely.
37:14I had so much on my mind
37:16that I didn't manage to pick it up myself.
37:18No problem.
37:20For Mrs. Schwarzbach,
37:22let's say for the future Mrs. Saalfeld.
37:24You must have chosen something beautiful
37:26and she will be very happy.
37:28That's the plan.
37:30Oh...
37:32Mrs. Johannsen will be leaving
37:34in the next few days
37:36as well as in the family.
37:38Uh-huh.
37:44How is she doing now?
37:48I followed her advice
37:50and was nice to her
37:52and even took a mistake she made.
37:54And that
37:56didn't work?
37:58Yes, we're friends now.
38:02But Stella is so exhausted
38:04because of her sister's death.
38:06And Lale is standing by her side.
38:08I can understand that.
38:10But?
38:14I don't know.
38:16When I came back from the jubilee,
38:18the two of them sat by the lake
38:20and had a picnic.
38:22Stella smiled so happily.
38:26And you think
38:28she's just pretending to be sad?
38:30I don't know.
38:32I mean,
38:34her parents don't even care
38:36about the funeral of their own daughter.
38:38And this morning
38:40in the Liebling,
38:42she looked so happy.
38:44No one looks like that
38:46when they're sad.
38:48It's not possible
38:50that she's pretending to be sad.
38:52Well, you were right
38:54about your suspicion.
38:56Yes, but that's a different matter.
38:58I mean, pretending to be sad
39:00Who does that?
39:04Tom Damman
39:06pretended to be dead
39:08to get rid of me.
39:10There's nothing
39:12that doesn't exist.
39:18Of course we have the facilities
39:20for your conference.
39:22Yes.
39:24Let's do it that way.
39:26Goodbye.
39:30Goodbye.
40:00Goodbye.
40:30Good night.
40:32Good night.
41:00Hey.
41:02Hey.
41:04Hey.
41:06How are you?
41:08Good.
41:10Like when you were here
41:12and like 10 minutes ago
41:14when you wrote to me.
41:16What?
41:18Close your eyes.
41:20Why?
41:22Vincent, close your eyes.
41:24What are you up to?
41:26Don't cheat.
41:30Good night.
41:32Good night.
41:50Bernd, why?
41:52If you can't go to the concert,
41:54the concert will come to you.
42:00Gravity keeps pulling
42:02me away.
42:04Heavy on my heart,
42:06I wish
42:08we never fall apart.
42:10Oh, Lord.
42:12Oh, Lord.
42:16We were cut to pieces,
42:18but you always stitched us up.
42:20My love.
42:22My love.
42:26Waitless for forever
42:28and a day.
42:58Then you push me away again.
43:00That's not true.
43:02But it's still about that stupid painting.
43:04I thought you'd forgive me.
43:06I did too.
43:08Katja, I was there for you.
43:10I supported you at the winery.
43:12I thought I showed you
43:14that you can trust me.
43:16What's the problem?
43:18I won't let you talk to me like that.
43:20Katja.
43:22Katja.
43:25What's up?
43:27I'm looking for Philipp Brandes.
43:29May I ask your name?
43:31You're not allowed to.
43:34If anyone asks for me,
43:36I'm out of the house.
43:38Philipp Brandes.
43:40Philipp.
43:42I'm sorry,
43:44I don't have time right now.
43:46Just for a moment, please.
43:48Do we know each other?
43:50Not as well as we should.
43:54You still have the same eyes
43:56as your mother.
44:06Yes.
44:08I'm your father.
44:27That was incredible.
44:29I'll never forget that.
44:31My pleasure.
44:33I couldn't ask for more.
44:35I wish you all the best.
44:37Stay healthy.
44:41Thank you, too.
44:43It was wonderful.
44:48I can't believe it.
44:50You're incredible.
44:56You've said that a few times now.
45:02I love you.
45:05And I never stopped loving you.
45:11I don't want to put pressure on you.
45:13And I don't expect anything from you.
45:15But I have to.
45:17I have to ask you that.
45:21Can you imagine
45:25that we try it again?
45:44That's enough.
45:46You can't just burst in like that.
45:49I'm so sick of you running away from me.
45:54We'll sort this out.
45:57You're right.
46:02It can't go on like this.
46:08I...
46:12It's true.
46:15I...
46:19I love you, too.
46:28I love you, too.
46:38If it's true...
46:40What?
46:42That Stella's sister is really dead...
46:45What?
46:48Stella is behaving strangely.
46:50In one moment she's crying, and in the next...
46:53I've seen her smile.
46:55Your menu will be perfect.
46:57At least the main course I was allowed to try yesterday.
47:00Yes, I hope the guests think so, too.
47:02And the restaurant critics.
47:04I miss Mara so much.
47:06Tears are not a sign of weakness.
47:11It's not the only reason why I cried.
47:13You always say your family is poor.
47:15How could she leave for the U.S.?
47:17She told me something about savings and inheritance.